Great Founder Theory
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jeanmichel Basquiat: an Analysis of Nine Paintings
JeanMichel Basquiat: An Analysis of Nine Paintings By Michael Dragovic This paper was written for History 397: History, Memory, Representation. The course was taught by Professor Akiko Takenaka in Winter 2009. Jean‐Michel Basquiat’s incendiary career and rise to fame during the 1980s was unprecedented in the world of art. Even more exceptional, he is the only black painter to have achieved such mystic celebrity status. The former graffiti sprayer whose art is inextricable from the backdrop of New York City streets penetrated the global art scene with unparalleled quickness. His work arrested the attention of big‐ shot art dealers such as Bruno Bischofberger, Mary Boone, and Anina Nosei, while captivating a vast audience ranging from vagabonds to high society. His paintings are often compared to primitive tribal drawings and to kindergarten scribbles, but these comparisons are meant to underscore the works’ raw innocence and tone of authenticity akin to the primitivism of Henri Matisse, Pablo Picasso, Cy Twombly or, perhaps, even that of the infant mind. Be that as it may, there is nothing juvenile about the communicative power of Basquiat’s work. His paintings depict the physical and the abstract to express themes as varied as drug abuse, bigotry, jazz, capitalism, and mortality. What seem to be the most pervasive throughout his paintings are themes of racial and socioeconomic inequality and the degradation of life that accompanies this. After examining several key paintings from Basquiat’s brief but illustrious career, the emphasis on specific visual and textual imagery within and among these paintings coalesces as a marked—and often scathing— social commentary. -
Schirn Presse Basquiat Boom for Real En
BOOM FOR REAL: THE SCHIRN KUNSTHALLE FRANKFURT PRESENTS THE ART OF JEAN-MICHEL BASQUIAT IN GERMANY BASQUIAT BOOM FOR REAL FEBRUARY 16 – MAY 27, 2018 Jean-Michel Basquiat (1960–1988) is acknowledged today as one of the most significant artists of the 20th century. More than 30 years after his last solo exhibition in a public collection in Germany, the Schirn Kunsthalle Frankfurt is presenting a major survey devoted to this American artist. Featuring more than 100 works, the exhibition is the first to focus on Basquiat’s relationship to music, text, film and television, placing his work within a broader cultural context. In the 1970s and 1980s, Basquiat teamed up with Al Diaz in New York to write graffiti statements across the city under the pseudonym SAMO©. Soon he was collaging baseball cards and postcards and painting on clothing, doors, furniture and on improvised canvases. Basquiat collaborated with many artists of his time, most famously Andy Warhol and Keith Haring. He starred in the film New York Beat with Blondie’s singer Debbie Harry and performed with his experimental band Gray. Basquiat created murals and installations for New York nightclubs like Area and Palladium and in 1983 he produced the hip-hop record Beat Bop with K-Rob and Rammellzee. Having come of age in the Post-Punk underground scene in Lower Manhattan, Basquiat conquered the art world and gained widespread international recognition, becoming the youngest participant in the history of the documenta in 1982. His paintings were hung beside works by Joseph Beuys, Anselm Kiefer, Gerhard Richter and Cy Twombly. -
HISTORY of SLOVAKIA Small State with Rich History Samova Ríša- Samo‘S Empire
HISTORY OF SLOVAKIA Small state with rich history Samova ríša- Samo‘s empire • Ancestors of Slovaks were Slavs. Their homeland was between the rivers Visla and Dneper, north of the mountains Karpaty. In 5th and 6th century they moved to another place. Some of them stayed on our territory.They nurtured the peasantry, beekeeping, handicrafts. • In 6th century Avars (nomadic tribes from Asia) came and they settled on the territory of today's Hungary. From there, they were attacking the neighbouring Slavonic nations. Slavs united in the 7th century to defend themselves against aggressive Avars. - in the fight Frankish merchant Samo helped them and with his help they won - Slavonic tribes created a tribal union- Samo‘s empire - it existed in years 623-658 Veľká Morava-Great Moravia • NITRA PRINCIPALITY - Slavs slowly started to build strong forts (Bojná, Pobedim) - the most important fort was in Nitra, it was the seat of the prince - first known prince was Pribina - in the west, there was Moravian principality, with the seat in Mikulčice, prince Mojmír ruled there - year 833- Mojmír I. expelled Pribina and occupied Nitra principality - by the combination of the two principalities Great Moravia originated • GREAT MORAVIA - GM resulted in conflicts with the Frankish Empire, Franks wanted to control GM - Mojmír I. didn‘t want to subordinate to Franks, so they deprived him of power and he was replaced by Rastislav. He invited Thessalonian brothers- Konštantín and Metod - Svätopluk betrayed Rastislav and issued him to Franks - when Svätopluk died, -
Pay for Soup/Build a Fort/ Set That on Fire
Pay for Soup/Build a Fort/ Set that on Fire Jean-Michel Basquiat is the only black American painter to have made a substantial mark on the history of art. He is amongst the most influential artists of an international movement started around 1980 which was marked by the post-modern return to figurative painting. He died at age 27. Basquiat is art's answer to Jimi Hendrix and Charlie Parker. Although his work might look unsophisticated at first, it is evidence of a powerful poetical and visual gift. Basquiat was getting an international echo with his work before most of the artists his age had time to finish art school. Luckily, Basquiat has left us a trenchant summary of his early life in Untitled (Biography), 1983. JEAN MICHEL BASQUIAT BORN DEC. 22/1960/BROOKLYN/NY MOTHER: PUERTO RICAN (FIRST GENERATION) FATHER: PORT AU PRINCE, HAITI (DIVORCED) - [NAME OF TOWNI ST. ANNS ? P.S. 1O198 P.S.45 (SOME CATHOLIC SCHOOL DURING TEAR + 1/2 IN PUERTO RICO -) I.S.293 CITY AS SCHOOL 11th GRADE DROPOUT PUT A BOX OF SHAVING CREAM IN PRINCIPAL'S FACE AT GRADUATION NO POINT IN GOING BACK FIRST AMBITION: FIREMAN FIRST ARTISTIC AMBITION: CARTOONIST EARLY THEMES WERE: 1. THE SEAVIEW FROM VOYAGE TO THE BOTTOM OF THE SEA 2. ALFRED E. NEUMAN 3. ALFRED HICTHCOCK (HIS FACE OVER + OVER) 4. NIXON 5. CARS (MOSTLY DRAGSTERS) 1 Extract from Basquiat – Museo Revoltella Downloaded from www.marenzi.com All text © Luca Marenzi 2003 Pay for Soup/Build a Fort/ Set that on Fire 6. WARS 7. -
RESEARCH DEGREES with PLYMOUTH UNIVERSITY Gold Griot
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2018 Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art Ross, Lucinda http://hdl.handle.net/10026.1/11135 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. RESEARCH DEGREES WITH PLYMOUTH UNIVERSITY Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art by Lucinda Ross A thesis submitted to Plymouth University In partial fulfilment for the degree of Doctor of Philosophy Humanities and Performing Arts Doctoral Training Centre May 2017 Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art Lucinda Ross Basquiat, Gold Griot, 1984 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art Lucinda Ross Abstract Emerging from an early association with street art during the 1980s, the artist Jean-Michel Basquiat was largely regarded within the New York avant-garde, as ‘an exotic other,’ a token Black artist in the world of American modern art; a perception which forced him to examine and seek to define his sense of identity within art and within society. -
2018 Innovation Et Créativité Autour De L'œuvre Du Peintre Jean-Michel Basquiat
2017- 2018 Séminaire Innover en management Innovation et créativité autour de l’œuvre du peintre Jean-Michel Basquiat Compte-rendu séance du 7 février 2018, par Albert David Intervention de Dominique LAFON Fondateur de CayaK Innov Dominique Lafon raconte sa rencontre avec Basquiat, via un tableau vu par hasard dans une galerie new-yor- kaise. Basquiat est obsédant. « Il vaut mieux se consu- mer que de s’éteindre à petit feu » (Kurt Kobain). Quelques citations en guise d’introduction. • Jacques Hadamard : « l’inventeur ne connaît pas la prudence ». Hadamard écrit des choses sur l’inventivité et la créativité en mathématiques. Impru- reprend des éléments de l’œuvre de Vinci. Ce tableau dence transgressive. montre une sorte de filiation. • Henri Poincaré : « Illuminations subites ». Vie de Basquiat : né en 1960 à Brooklyn. Père Haï- Poincaré a parlé le premier du rôle de l’inconscient en tien mère portoricaine. Forte souffrance dans l’enfance mathématiques. morale mais aussi physique (battu par son père). Evé- • Paul Valéry : « Dieu sait quelles géométries l’in- nement majeur chez Basquiat : il est renversé par vention des miroirs a pu engendrer chez les mouches». une voiture, on lui enlève la rate. S’ennuie à l’hôpi- Donc influence du contexte. tal. Demande un livre. Sa mère lui rapporte un livre… d’anatomie (il n’y avait que des librairies de médecine • Albert Einstein : « des idées j’en ai si peu ». dans le quartier). Basquiat dessine tout le temps. Ren- contre un grapheur (Al Diaz) en 1977. « On est un Un premier dessin de Basquiat : Tesla vs Edison (guerre beau duo, on va secouer cette ville ». -
Reading Sample
BASQUIAT BOOM FOR REAL 191115_Basquiat_Book_Spreads.indd 1 20.11.19 14:31 EDITED BY DIETER BUCHHART AND ELEANOR NAIRNE WITH LOTTE JOHNSON 191115_Basquiat_Book_Spreads.indd 2 20.11.19 14:31 BASQUIAT BOOM FOR REAL PRESTEL MUNICH · LONDON · NEW YORK 191115_Basquiat_Book_Spreads.indd 3 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 4 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 5 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 6 20.11.19 14:31 8 FOREWORD JANE ALISON 4. JAZZ 12 BOOM, BOOM, BOOM FOR REAL 156 INTRODUCTION DIETER BUCHHART 158 BASQUIAT, BIRD, BEAT AND BOP 20 THE PERFORMANCE OF FRANCESCO MARTINELLI JEAN-MICHEL BASQUIAT ELEANOR NAIRNE 162 WORKS 178 ARCHIVE 1. SAMO© 5. ENCYCLOPAEDIA 28 INTRODUCTION 188 INTRODUCTION 30 THE SHADOWS 190 BASQUIAT’S BOOKS CHRISTIAN CAMPBELL ELEANOR NAIRNE 33 WORKS 194 WORKS 58 ARCHIVE 224 ARCHIVE 2. NEW YORK/ 6. THE SCREEN NEW WAVE 232 INTRODUCTION 66 INTRODUCTION 234 SCREENS, STEREOTYPES, SUBJECTS JORDANA MOORE SAGGESE 68 EXHIBITIONISM CARLO MCCORMICK 242 WORKS 72 WORKS 252 ARCHIVE 90 ARCHIVE 262 INTERVIEW BETWEEN 3. THE SCENE JEAN-MICHEL BASQUIAT, GEOFF DUNLOP AND SANDY NAIRNE 98 INTRODUCTION 268 CHRONOLOGY 100 SAMO©’S NEW YORK LOTTE JOHNSON GLENN O’BRIEN 280 ENDNOTES 104 WORKS 288 INDEX 146 ARCHIVE 294 AUTHOR BIOGRAPHIES 295 IMAGE CREDITS 191115_Basquiat_Book_Spreads.indd 7 20.11.19 14:31 Edo Bertoglio. Jean-Michel Basquiat wearing an American football helmet, 1981. 8 191115_Basquiat_Book_Spreads.indd 8 20.11.19 14:31 FOREWORD JANE ALISON Jean-Michel Basquiat is one of the most significant painters This is therefore a timely presentation of a formidable talent of the 20th century; his name has become synonymous with and builds on an important history of Basquiat exhibitions notions of cool. -
Rarely Viewed Basquiat Exposes Timely Exploration of Racial Identity, Activism, and Police Brutality Natasha Gural Dec 13, 2018
Rarely Viewed Basquiat Exposes Timely Exploration Of Racial Identity, Activism, And Police Brutality Natasha Gural Dec 13, 2018 Jean-Michel Basquiat Defacement (The Death of Michael Stewart) 1983 Project code: BAS07299 25 x 30 1/2 inches (63.5 x 77.5 cm) Acrylic and marker on wood, framed Collection of Nina Clemente, New York Basquiat’s “Defacement”: The Untold Story on view June 21-November 6, 2019 ALLISON CHIPAK © SOLOMON R. GUGGENHEIM FOUNDATION, 2018 Trendy teens and twenty-somethings scoop up T-shirts featuring iconic images by Jean-Michel Basquiat at the Uniqlo store in Manhattan’s SoHo, a short walk from the artist’s NoHo studio where he was found dead three decades ago of a heroin overdose at age 27. Last year, Basquiat’s 1982 “Untitled,” a colorful and jarring painting of a skull, sold for a staggering $110.5 million at Sotheby’s. There’s no doubt the prolific neo-expressionist remains popular and relevant in today’s art and pop culture worlds, but digging deeper into his career and personal struggles reveals timely themes that continue to torment America. An American artist of Haitian and Puerto Rican descent, Basquiat exploded onto the art world as part of graffiti duo SAMO, tagging Manhattan’s Lower East Side with powerful epigrams (pithy, surprising, and sometimes satirical statements) in the late 1970s, empowering the intersection of hip hop, punk, and street art. By the 1980s, his paintings were on view at museums and galleries worldwide. The Solomon R. Guggenheim Museum in New York City will present Basquiat’s “Defacement”: The Untold Story, a thematic exhibition examining the work of Basquiat and his contemporaries from the lens of his cultural and racial identity and social activism. -
Andy Warhol 'Jean-Michel Basquiat'
Basquiat Boom for Real 2 Introduction 4 New York /New Wave 9 SAMO© 12 Canal Zone 15 The Scene 20 Downtown 81 22 Beat Bop 25 Warhol 33 Self-Portrait 36 Bebop (Wall) 40 Bebop (Vitrine) 42 Art History (Wall) 45 Art History (Vitrine) 46 Encyclopaedia (Walls) 52 Encyclopaedia (Column) 55 Encyclopaedia (Vitrine) 57 Notebooks 59 The Screen 64 Interview Jean-Michel Basquiat was one of the most significant artists of the 20th century. Born in Brooklyn in 1960, to a Haitian father and a Puerto Rican mother, he grew up amid the post-punk scene in lower Manhattan. After leaving school at seventeen, he invented the character ‘SAMO©’, writing poetic graffiti that captured the attention of the city. He exhibited his first body of work in the influential group exhibition ‘New York/New Wave’ at P.S.1, Institute for Art and Urban Resources, Inc., in 1981. When starting out, Basquiat worked collaboratively and fluidly across media, making poetry, performance, music and Xerox art as well as paintings, drawings and objects. Upstairs, the exhibition celebrates this diversity, tracing his meteoric rise, from the postcard he plucked up the courage to sell to his hero Andy Warhol in SoHo in 1978 to one of the first collaborative paintings that they made together in 1984. By then, he was internationally acclaimed – an extraordinary feat for a young artist with no formal training, working against the racial prejudice of the time. In the studio, Basquiat surrounded himself with source material. He would sample from books spread open on the floor and the sounds of the television or boom box – anything worthy of his trademark catchphrase ‘boom for real’. -
FLOCKING to FLORIDA FEATURED ARTICLE ❯❯ Page 16-26
AMERICA: A SPECIAL SUPPLEMENT antiquestradegazette.com FLOCKING TO FLORIDA FEATURED ARTICLE ❯❯ Page 16-26 BITES FROM THE BIG APPLE FAIRS & AUCTIONS IN NEW YORK ❯❯ Pages 4-10 BIDDING DATES FOR THE DIARY US AUCTION CALENDAR ❯❯ Pages 23-26 Courtesy of The Travel Channel. Courtesy of The Travel Image: IMPORTANT MARITIME PAINTINGS ROBERT SALMON ENQUIRIES Two Views of a 16-gun +1 (212) 644 9001 AND DECORATIVE ARTS sloop off Liverpool [email protected] Thursday 28 January, 1pm 71.1 x 113.0 cm New York $200,000 - 300,000 VIEWING 23-28 January bonhams.com/maritime PAGE 002 2225 BLEED US.indd 1 15/01/2016 09:40:09 w European Art & Old Masters Auction 01/25/16 Details clockwise from top left: Frank Milton Armington (canadian 1876-1941) “Place de l’Opera, Paris,” $25,000-35,000; John William Godward (british 1861-1922) “Summer Day,” $20,000-$40,000; Lesser Ury David Weiss | +1 267.414.1214 (german 1861-1931) Evening Street Scene with Figures, Berlin, $100,000-150,000; [email protected] Franz Richard Unterberger (austrian 1838-1902) The Bacinodi San Marco, Venice, Looking East, $50,000-70,000 www.freemansauction.com Visit our website or call +1 267.414.1256 to purchase a catalogue. PAGE 003 2225 BLEED US.indd 1 15/01/2016 09:40:29 antiques trade gazette antiques trade gazette User: INITIALS Issue No: 0000 Issue Date: 00/00/15 File Name: IE01- PROOFED: User: INITIALS Issue No: 0000 Issue Date: 00/00/15 File Name: IE01- PROOFED: 4 antiquestradegazette.com Antiques Trade Gazette 5 new york Braving the elements for the bright WINTER ANTIQUES SHOW: MEET THE EXHIBITORS lights of New York’s shows and sales n The Winter Antiques Show and Old Masters under the spotlight early in 2016 Anne Crane & Anna Brady report ELLE SHUSHAN JUST as countries have Shushan is a specialist in portrait miniatures their seasons, so does the based in Philadelphia and has exhibited at the WAS for 17 years. -
How a One-Painting Show Lets You Get Inside the Brilliant Young Basquiat’S Head
How a One-Painting Show Lets You Get Inside the Brilliant Young Basquiat’s Head The Brooklyn Museum's show of the record-setting artwork, bought last year by a Japanese billionaire, has value far above the monetary. Ben Davis, February 8, 2018 A visitor contemplates Jean-Michel Basquiat's Untitled (1982) at the Brooklyn Museum. Money and art celebrity are what make Jean-Michel Basquiat’s Untitled (1982) worthy of a one-painting solo show at the Brooklyn Museum. The artwork was sold for $110.5 million to a Japanese billionaire last year, who has now lent it for the mini -exhibition as part of a world tour of his trophy. And of course, Basquiat’s shadow looms large within pop culture in general now. Leaving all that aside, though, it is still an engrossing painting to dive into. Untitled hails from the young Basquiat’s mercurial early years, even before his first gallery show at Annina Nosei, when he was still a Caribbean -American kid from Brooklyn energetically bootstrapping himself into the limelight of the downtown art scene. A year before, he had played a painter in the film Downtown 81 (excerpts of the film are showing at the Brooklyn Museum in an adjacent gallery), giving him the first chance to paint on actual canvas—a material upgrade from the walls of SoHo, which he notoriously stamped with his tag “SAMO” during his street art days. Jean Michel-Basquiat, Untitled (1982). Courtesy of Brooklyn Museum. Now Basquiat was already scaling up into the huge proportions of New York’s neo - Expressionist ‘80s. -
INTERVIEW Jean Michel Basquiat with Becky Johnston and Tamra Davis
INTERVIEW Jean Michel Basquiat with Becky Johnston and Tamra Davis Becky Johnston: So I'm going to start with your childhood. What were you like as a kid? Jean-Michel Basquiat: Here we're going now, it's going to be terrible now. [ ... ] What was I like as a kid? See? I hate this. BJ: Well, what kinds of things did you do? Did you have a lot of friends or were you a loner? Did you start painting when you were really young? Were you a rebel? Were you a kid who got into a lot of trouble? You know, those are the kinds of questions ... JMB: I don't want to give a one-word answer is what it is. BJ: I know. I want you to go into it. So if you start then we can feed off your answers and keep going .... Did you have any brothers or sisters? You were an only kid, right? JMB: No, I have two sisters. BJ: Oh, you do? JMB: I think I was just pretty naive as a kid, mostly. BJ: What do you mean by "naive" - you believed that if you wanted something you would get it? JMB: I don't think I dealt with reality that much really. BJ: But most kids don't. That's not unusual. JMB: You know, I wasn't [bad]; I wasn't a troublemaker, I just didn't really participate much in school. BJ: Are you younger or older than your sisters? JMB: I'm the oldest. I'm the oldest brother.