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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Chapter I Introduction
CHAPTER I INTRODUCTION A. Background of the Study Life is struggle, sacrifice, and worthy. On the other side, the people say that life means study or effort. People must struggle their right and obligation too. The struggling, sacrificing, and affording are one of requisites for acquiring their appreciations, dreams, and aims. The appreciation is the last destination that is brought into reality by the people. So everyone needs appreciation in their life. The appreciation is like a dream, goal or destination. It is a soul in proving something done by people. Appreciation can give the spirit and energy for someone in reaching their aim in their life. Many people that have acquired appreciation, they would be proud and satisfy both for themselves and another people in surrounding. However, sometimes the people have wrong ways to prove their appreciations. Appreciation need includes self actualization of human needs. Self actualization is one fundamental need in humanistic psychological theory. This need is part of hierarchy need in humanistic psychological theory. Humanistic psychology views humans as active creature with freedom. Abraham Maslow had explained the humanistic analysis in the psychological theory. The theory of Maslow is the hierarchy of needs that are the 1 2 psychological needs, safety needs, love and belonging needs and esteem needs. The four points above is the deficient needs or the basic needs. Maslow next had explained the growth needs as a motivation of human. The growth needs include self actualization (Clearer perception of reality, Acceptance of self, Other and nature, Spontaneity, Problem-centering, Detachment and the need for solitude, Autonomy, Independent of culture and environment, Continued fresher of appreciation, The mystic experience, the oceanic feeling, Oneness with humanity, Deep interpersonal relations, Democratic character structure, Ethical means towards moral ands, Philosophical, Creativeness). -
Wazir Hindi Dubbed Movie Download
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2017 Summer Newsletter
SUMMER 2017 Have you Heard? Let our doctors help you navigate your hearing health care Anne Orsene, AuD - Director Jennifer Long, AuD Alyssa Beaton, AuD HES Jill Bernstein, AuD Jennifer Sutton, AuD Claire McIntosh, AuD CLINICAL Rebecca Witter, AuD Nicole Ball, AuD Kim Dahar, Audiology Resident STAFF Donna Lavallee, AuD Carolyn Yates, AuD Yugandhar Ramakrishna, Audiology Resident Kristina Jackson, AuD Nicole Baumgartner, AuD Caitlyn Potter, Audiology Resident Meet the Audiologist consider this Jill C. Bernstein, Au.D. People ask me all the time how I chose the field of audiology and I had a recent experience with a patient that reinforced exactly why I chose this field. Most people don’t know this but, before I was an audiologist, I spent four years working as a Nursing Home Administrator in Pennsylvania and Westchester County in downstate New York. To prepare for that career I obtained my Masters in Health Policy and Management from Harvard University. After graduation, while most of my classmates were taking high paying jobs at fancy consulting firms or going to work in government think tanks, I took a position in a 538 bed nursing home in Philadelphia, Pennsylvania. It was one of Trade-In Days the most humbling and educational experiences of Have you been thinking about upgrading your my life. I had the opportunity to get to know some hearing aids? Wish there was a trade-in value for amazing residents who had lead extraordinary lives your old ones? Well, now is the time! Back by prior to the decline in their health. I kept these popular demand, Hearing Evaluation Services is residents in mind with everything I did to ensure offering for a limited time. -
Girl Rising India
GIRL RISING INDIA Building a Movement for Girls Through Powerful Storytelling Girl Rising uses the power of storytelling to inspire, shift attitudes and change behavior. In India, Girl Rising’s powerful media tools have made meaningful strides towards increasing the agency of girls and women, and inspiring community members to support the movement for gender equality. Girl Rising Film Comes To India After a close consultation with Prime Minister Narendra Modi and a partnership with the Ministry of Women and Child Development, the Girl Rising film was launched in India in August 2015 as Woh Padhegi, Woh Udegi (She Learns, She Rises) on Star television, which has a network of 450 million viewers across the country and a reach of 100+ countries. The film harnessed the talents of India’s biggest Bollywood stars including Priyanka Chopra, Freida Pinto, Parineeti Chopra, Kareena Kapoor Khan, Madhuri Dixit, Sushmita Sen, Amitabh Bachchan, Nandita Das, Farhan Akhtar, and Alia Bhatt, all of whom lent their voices to the film. Celebrities promoted the launch through their social media networks, and #IAMGirlRising trended No. 1 on Twitter India. Film Screenings To stir important conversations about girls’ education among corporations, communities, universities and neighborhoods, a screenings program was launched soon after the television broadcast of the film. Under this program, Woh Padhegi, Woh Udegi was re-purposed for NGO and corporate audiences. Each version consisted of 3 stories from Woh Padhegi, Woh Udegi and was complemented by a screenings toolkit that contained resources including discussion guides, Director’s Q&A, and promotional materials to help steer conversations around barriers to education. -
Nepali Times, but Only About the Kathmandu District Are You Writing an Article
#217 8-14 October 2004 20 pages Rs 25 Weekly Internet Poll # 157 Q. Should the government announce a unilateral ceasefire before Dasain? Peace by peace Total votes:1,001 ANALYSIS by KUNDA DIXIT Hope is strongest Weekly Internet Poll # 158. To vote go to: www.nepalitimes.com Q. Do you think the human rights situation in s Dasain approaches there are indications that both sides will Nepal has improved or deteriorated in the when things seem most hopeless past one year? observe an unofficial festival truce, but prospects of peace A talks to resolve the conflict are more remote than ever. A purported statement from the Maoists declaring a Dasain-Tihar ceasefire on Tuesday turned out to be a hoax. Rebel spokesman Krishna Bahadur Mahara set the record straight by dashing off an e- statement, but that was followed on Wednesday by another release purportedly signed by Prachanda saying the original statement was correct and action would be taken against Mahara. Analysts do not rule out the possibility of army disinformation at work, and see signs of a rift in the Maoist hierarchy following the groups plenum in Dang last month which reportedly rejected peace talks for now. The meeting was followed by strident anti-Indian rhetoric and an intriguing silence on the part of Baburam Bhattarai, who is said to have favoured a softer line on India. The contradictions between central-level statements about links to fraternal parties and recent attacks on the leftist United Peoples Front in the mid-west hint at a breakdown in control. While the leadership calls on UN mediation, grassroots militia defy international condemnation of forced recruitment of school students, abduction of a Unicef staffer and looting of WFP aid. -
Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
Routes 2 Roots Dreams of a Peaceful World Co-Existing with Diverse Cultures, Ruled by Harmony
Routes 2 Roots dreams of a peaceful world co-existing with diverse cultures, ruled by harmony. The world’s largest interactive digital program of teaching performing arts with global reach R-19 LGF, Hauz Khas, New Delhi - 16, Ph: +91 11 41646383 Fax: +91 11 41646384 Studio: Flat No. 5, 1st Floor, Sector - 6 Market, R. K. Puram, New Delhi - 110022, Ph: +91 11 26100114, 26185281 Web: www.routes2roots.com, www.r2rvirsa.in, Email: [email protected] An Initiative of Routes2Roots NGO Routes2Roots twitter.com/Routes2RootsNGO twitter.com/virsar2r virsabyroutes2roots.blogspot.in Board of Advisors & Contributing Maestros of Virsa ROUTES 2 ROOTS Routes 2 Roots is a Delhi based non-profit reputed NGO with a presence all over India. Since its inception in 2004 the NGO is constantly striving to disseminate culture, art and heritage to the common people and the children throughout the world. Ever since its inception in 2004 Routes 2 Roots has dedicated itself to promoting art, culture and heritage throughout the world with the prime objective of spreading the message of peace. We have hosted over 26 international events, 14 exhibitions and 110 concerts throughout the world and all of these programs have been on a non-commercial basis, i.e. no ticketing so that people en masse can come and enjoy a shared experience of each-others’ culture freely. Our organisation is known for quality cultural programs and we have to our credit numerous prestigious international programs such as celebration of 60 years of diplomatic ties between India and China, which was held in 4 cities of China, Celebration of 65 years of Indo-Russian diplomatic ties, which was held in 5 cities of Russia, Festival of India in South Africa covering 4 cities and many more. -
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Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship. -
'Don 2' Puts Berlin in the Limelight in India
'Don 2' puts Berlin in the limelight in India. Berlin, 4.1.2012 Berlin in Bollywood. The film “Don 2- The King is back” is on course to set new box-office records as it premieres in India and is also showing signs of becoming an international blockbuster. Indian superstar Shah Rukh Khan’s new film may well lead to a boom in the number of visitors to Berlin, as the German capital is the main setting for this blockbuster action film. Audiences in India love the film; there is a rush for tickets as most showings are sold out and reviews have been positive. “Berlin now also plays a leading role in India. Thanks to Shah Rukh Khan’s new blockbuster the city has been opened up to millions of people in India and Asia. Bollywood films are seen by hundreds of millions of filmgoers and the most enthusiastic fans follow their idols everywhere“, says Burkhard Kieker, Managing Director of visitBerlin. “The film “Don 2- The King is back” creates marketing advantages which would be unthinkable and unaffordable through advertising. Berlin did not mean much to most Indians. That will all change thanks to Shah Rukh Khan and there will be noticeable effects on tourism in Berlin in the coming years.” The film production was brought to Berlin thanks to a joint initiative by visitBerlin, the Medienboard Berlin-Brandenburg, Berlin Partner and Berlin’s airports. Shah Rukh Khan kept Berlin in suspense for 50 days during filming in autumn 2010. In the film Kahn’s alias Don is involved in a top speed pursuit through the Gendarmenmarkt. -
Secuencias, 36
BOLLYWOOD, DE VIAJE POR ESPAÑA Bollywood: Traveling around Spain a ALEJANDRA VAL CUBERO Universidad Carlos III de Madrid RESUMEN La película de Bollywood Zindagi Na Milegi Dobara (ZNMD) traducida al español como Solo se vive una vez, fue un éxito de taquilla en el verano de 2011 en la India. Dirigida por la joven realizadora Zoya Akhtar y financiada por Turespaña, se ha construido como un perfecto pro- yecto de marketing a nivel transnacional, donde España se convierte en el escenario elegido por tres jóvenes que deciden celebrar la despedida de soltero de uno de ellos visitando ciudades y pueblos de nuestra geografía. La película plantea interesantes temas sobre la ascendente clase media alta india que trata de armonizar un nuevo estilo de vida consumista con las tradiciones más ligadas a la generación de sus padres, y es un claro ejemplo de una industria cultural cada vez más globalizada y con más peso económico dentro y fuera de la India. Palabras clave: Bollywood, cine, España, turismo, clase media-alta en India. ABSTRACT The Bollywood film Zindagi Na Milegi Dobara (hereinafter ‘ZNMD’), translated into Spanish as Solo se vive una vez, was a box office success in the summer of 2011 in India. Directed by the young filmmaker Zoya Akhtar and funded by Turespaña, ZNMD was conceived as a perfect marketing product at transnational level, in which Spain becomes the venue chosen by three young people who decide to celebrate the bachelor party of one of them, by visiting some touris- tic towns and villages of the country. The film raises interesting topics on the ascending upper middle class in India which seeks to harmonize a new consumerist way of life with a more tra- ditional lifestyle linked to their parent’s generation, and it is a clear example of an increasingly globalized cultural industry with more economic weight inside and outside India. -
The Past; Preparing for the Future
Vol. 5 No. 08 New York August 2020 Sanya Madalsa Malhotra Sharma breakout Angel face with talent a spunky spirit Janhvi Priyanka Kapoor Abhishek chopra Jonas Navigating troubled Desi girl turns Bollywood Bachchan global icon Learning thefrom past Volume 5 - August 2020 Inside Copyright 2020 Bollywood Insider 50 Dhaval Roy Deepali Singh 56 18 www.instagram.com/BollywoodInsiderNY/ Scoops 12 SRK’s plastic act 40 leaves fans curious “I had a deeper connection with Kangana’s grading Exclusives Sushant” system returns to bite 50 Sanjana Sanghi 64 her Learning from past; preparing for future 06 Abhishek Bachchan “I feel like a newcomer” 56 Sushmita Sen From desi girl to a truly global icon 12 Priyanka Chopra Jonas Perspective Angel face with spunky spirit happy 18 Madalsa Sharma 32 Patriotic Films independence day “I couldn’t talk in front of Vidya Balan” 26 Sanya Malhotra 62 Actors on OTT 15TH AUGUST The privileged one 41 44 Janhvi Kapoor PREVIOUS ISSUES FOR ADVERTISEMENT July June May (516) 680-8037 [email protected] CLICK For FREE Subscription Bollywood Insider August 2020 LOWER YOUR PROPERTY TAXES Our fee 40 35%; others charge 50% NO REDUCTION NO FEE A. SINGH, Hicksville sign up for 2021 Serving Homeowners in Nassau County Varinder K Bhalla PropertyTax Former Commissioner, Nassau County ReductionGuru Assessment Review Commission CALL or whatsApp [email protected] 3 Patriotic Fervor Of Bollywood Stars iti Sunshine Bhalla, a young TV host in Williams during 2008 to 2011. In 2012, Shah New York, anchored India Independence Rukh Khan, Anushka Sharma and Sanjay Dutt R Day celebrations which were televised appeared on her show and shared their patriotic in India and 23 countries in Europe.