Segmentation and Indexation of Complex Objects in Comic Book Images
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Comics and War
Representations of war Comics and War Mathieu JESTIN Bettina SEVERIN-BARBOUTIE ABSTRACT Recounting war has always played a role in European comics, whether as an instrument of propaganda, heroisation or denunciation. But it is only in recent decades that the number of stories about war has proliferated, that the range of subjects, spaces treated and perspectives has increased, and that the circulation of stories across Europe has become more pronounced. For this reason, comic books feed into a shared collection of popular narratives of war just as they fuel anti-war representations. "“Everyone Kaputt. The First World War in Comic Books.” Source: with the kind permission of Barbara Zimmermann. " In Europe, there is growing public interest in what is known in France as the ‘ninth art’. The publishing of comic books and graphic novels is steadily increasing, including a growing number which deal with historical subjects; comic book festivals are increasing in number and the audience is becoming larger and more diverse. Contrary to received ideas, the comic is no longer merely ‘an entertainment product’; it is part of culture in its own right, and a valid field of academic research. These phenomena suggest that the comic, even if it is yet to gain full recognition in all European societies, at least meets with less reticence than it faced in the second half of the twentieth century. It has evolved from an object arousing suspicion, even rejection, into a medium which has gained wide recognition in contemporary European societies. War illustrated: themes and messages As in other media in European popular culture, war has always been a favourite subject in comics, whether at the heart of the narrative or in the background. -
How Do Comics Artists Use Speech Balloons? Frank Bramlett University of Nebraska at Omaha, [email protected]
University of Nebraska at Omaha DigitalCommons@UNO English Faculty Publications Department of English 1-23-2014 How do comics artists use speech balloons? Frank Bramlett University of Nebraska at Omaha, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/englishfacpub Part of the English Language and Literature Commons Recommended Citation Bramlett, Frank, "How do comics artists use speech balloons?" (2014). English Faculty Publications. 13. https://digitalcommons.unomaha.edu/englishfacpub/13 This Article is brought to you for free and open access by the Department of English at DigitalCommons@UNO. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. ABOUT CONTRIBUTORS BROWSE BY PENCILPANELPAGE POSTS FEED COMMENTS FEED search How do comics artists use speech balloons? Twitter Facebook by Frank Bramlett January 23, 2014 7:26 am Blog, PencilPanelPage, Top Featured 12 comments RECENT POSTS The Riddle of the Sphinx This post is the first in a series on how comics artists represent talk in comics. I’ll be writing Utilitarian Review 2/13/16 Comics by the Date: May 1952 to June about speech balloons and how the discipline of conversation analysis (CA) helps us 1952 understand how creative these artists can be when they try to show the intricacies of How to Be a Man everyday talk. When I Walk Consider the following two panels. These are from the webcomic Scenes from a Multiverse by Jon Rosenberg. (Click on each of the titles to see the full comic.) Donate to my Patreon! The Symbiote The Superbowl (sic) (February 1, 2013) (February 4, 2013) RECENT COMMENTS Chris Gavaler: Matthias, I’m curious how the 3×2 grid you include above might relate.. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Algerian War of Independence in Algerian bande dessin�e Permalink https://escholarship.org/uc/item/2tk6g7bg Author Dean, Veronica Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Algerian War of Independence in Algerian bande dessinée A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Veronica Katherine Dean 2020 Copyright by Veronica Katherine Dean 2020 ABSTRACT OF THE DISSERTATION The Algerian War of Independence in Algerian bande dessinée by Veronica Katherine Dean Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2020 Professor Lia N. Brozgal, Chair “The Algerian War of Independence in Algerian bande dessinée” is animated by the question of how bande dessinée from Algeria represent the nation’s struggle for independence from France. Although the war is represented extensively in bande dessinée from France and Algeria, French texts are more well-known than their Algerian counterparts among scholars and bédéphiles alike. Catalysts behind this project are the disproportionate awareness and study of French bande dessinée on the war and the fact that critical studies of Algerian bande dessinée are rare and often superficial. This project nevertheless builds upon existing scholarship by problematizing its assumptions and conclusions, including the generalization that Algerian bande dessinée that depict the war are in essence propagandistic in nature. Employing tools of comics analysis and inflecting my research with journalistic work coming out of Algeria, this project attempts to rectify the treatment of Algerian bande dessinée in critical scholarship by illustrating ii the rich tradition of historical representation in the medium. -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
Comic Book Analyst for Children Having Literacy and Visual Barriers
Snap & Hear: Comic Book Analyst for Children Having Literacy and Visual Barriers R. B. Dias Yapa1, T. L. Kahaduwa Arachchi2, V. S. Suriyarachchi1, U. D. Abegunasekara1 and S. Thelijjagoda3 1Department of Software Engineering, Sri Lanka Institute of Information Technology, Malabe, Sri Lanka 2 Department of Information Technology, Sri Lanka Institute of Information Technology, Malabe, Sri Lanka 3Department of Information Systems Engineering, Sri Lanka Institute of Information Technology, Malabe, Sri Lanka [email protected] Keywords: Comics, Visual and Literacy Barriers, Recognition, Association, Image Processing, Machine Learning, Audio Story. Abstract: Comic books are very popular across the world due to the unique experience they provide for all of us in the society without any age limitation. Because of this attraction, which comic books have received, it has proved that comic literature will be able to survive in the twenty first century, even with the existence of multi- dimensional movie theatres as its competitors. While the biggest global filmmakers are busy with making movies from comic books, many researchers have been investigating their time on digitizing the comic stories as it is, expecting to create a new era in the comic world. But most of them have focused only on one or few components of the story. This paper is based on a research which aims to give the full experience of enjoying the comic books for everyone in the world despite of visual and literacy barriers people are having. Proposed solution comes as a web application that translates input image of a comic story into a text format and delivers it as an audio story to the user. -
Article (Published Version)
Article The interaction of cartoonist's gender and formal features of cartoons SAMSON, Andrea Christiane, HUBER, Oswald Abstract The present study investigates gender differences in the use of formal features of cartoons, like the amount of text, the number of panels, or the application of color. For the analysis, 300 cartoons (150 each by female and male cartoonists) were selected randomly from the works of 1519 cartoonists. Twenty-one formal features were analyzed. On average, female cartoonists use more text, include text more frequently, and also draw more panels. These differences were expected, because Differential Psychology has shown for a long time in a variety of cultures that, on average, women tend to perform better in tasks testing verbal intelligence whereas men perform significantly better in tasks that require spatial intelligence. We also found a difference in the type of joke: Women more frequently draw cartoons with incongruity-resolution humor, whereas men prefer to draw cartoons with nonsense humor. The results are discussed in relation to gender differences in humor processing and gender differences in general. Reference SAMSON, Andrea Christiane, HUBER, Oswald. The interaction of cartoonist's gender and formal features of cartoons. Humor, 2007, vol. 20, no. 1, p. 1-25 DOI : 10.1515/HUMOR.2007.001 Available at: http://archive-ouverte.unige.ch/unige:98093 Disclaimer: layout of this document may differ from the published version. 1 / 1 The interaction of cartoonist’s gender and formal features of cartoons* ANDREA C. SAMSON and OSWALD HUBER Abstract The present study investigates gender di¤erences in the use of formal features of cartoons, like the amount of text, the number of panels, or the applica- tion of color. -
University of Dundee Close to the Heart Sinclair, Megan
University of Dundee Close to the Heart Sinclair, Megan; Murray, Christopher; Jindal-Snape, Divya; Horner, Rebecca ; Briggs, Kathryn Elton; Welsh, Gary DOI: 10.20933/100001119 Publication date: 2018 Licence: CC BY-NC-ND Link to publication in Discovery Research Portal Citation for published version (APA): Sinclair, M., Murray, C. (Ed.), Jindal-Snape, D. (Ed.), Horner, R. (Ed.), Briggs, K. E., Welsh, G., Coughlan, A., Charlton, D., Strachan, A., Larkin, A., Vaughan, P. (Ed.), Laird, C., Nero, M., Wilson, L., & Balson , E. (2018). Close to the Heart. https://doi.org/10.20933/100001119 General rights Copyright and moral rights for the publications made accessible in Discovery Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from Discovery Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Close to the Heart Thank you Professor Chris Murray for your constant support and advice on the project, and for helping me to fund this very personal comic. I wouldn’t be here studying comics and doing what I love if it were not for you. -
SEPTEMBER ONLY! 17 & 18, 2016 Long Beach Convention Center SEE NATHAN FILLION at the PANEL!
LONG BEACH COMIC CON LOGO 2014 SAT SEPTEMBER ONLY! 17 & 18, 2016 Long Beach Convention Center SEE NATHAN FILLION AT THE PANEL! MEET LEGENDARY CREATORS: TROY BAKER BRETT BOOTH KEVIN CONROY PETER DAVID COLLEEN DORAN STEVE EPTING JOELLE JONES GREG LAND JIMMY PALMIOTTI NICK SPENCER JEWEL STAITE 150+ Guests • Space Expo Artist Alley • Animation Island SUMMER Celebrity Photo Ops • Cosplay Corner GLAU SEAN 100+ Panels and more! MAHER ADAM BALDWIN WELCOME LETTER hank you for joining us at the 8th annual Long Beach Comic Con! For those of you who have attended the show in the past, MARTHA & THE TEAM you’ll notice LOTS of awesome changes. Let’s see - an even Martha Donato T Executive Director bigger exhibit hall filled with exhibitors ranging from comic book publishers, comic and toy dealers, ENORMOUS artist alley, cosplay christine alger Consultant corner, kids area, gaming area, laser tag, guest signing area and more. jereMy atkins We’re very proud of the guest list, which blends together some Public Relations Director of the hottest names in industries such as animation, video games, gabe FieraMosco comics, television and movies. We’re grateful for their support and Marketing Manager hope you spend a few minutes with each and every one of them over DaviD hyDe Publicity Guru the weekend. We’ve been asked about guests who appear on the list kris longo but who don’t have a “home base” on the exhibit floor - there are times Vice President, Sales when a guest can only participate in a signing or a panel, so we can’t CARLY Marsh assign them a table. -
The Interaction of Image and Text in Modern Comics
240 Lambeens And Pint Chapter 12 The Interaction of Image and Text In Modern Comics Tom Lambeens and Kris PintLambeens and Pint Introduction The combination of image and text is undoubtedly one of the most typical features of the comic strip genre. This combination in itself is, of course, far from new. Sequential images were already combined with textual elements in Egyptian hieroglyphs or medieval manuscripts and paintings.1 The comic strip as such evolved in the first half of the nineteenth century, with artists like Rodolphe Töpffer (influenced by William Hogarth), Wilhelm Busch and Pehr Nord quist, all of whom created stories that were easy to reproduce and com bined words and images, albeit still strictly separated from each other. Inspired by the American newspaper comics of the early twentieth century, like Frede rik Burr Opper’s Happy Hooligan (1900) and Alphonse and Gaston (1901), the European comic strip started to integrate speech balloons into the image itself, with Hergé’s Les Aventures de Tintin as its most prominent and bestknown ex ponent.2 Initially conceived for the youth supplement of a Belgian newspaper, Tintin proved so successful that his adventures were soon published in book form as well. The emergence of real comic books meant an important evolu tion of comics, a move away from the rather transitory medium of the newspa per. Yet for a long time, comic books were mostly seen as children’s entertain ment. In the seventies, this view began to change with the emergence of the socalled “graphic novel,” which featured more mature content and, at times, a more experimental style of drawing as well. -
Nomination Form (Responses) Webmaster's List-Sept 2020
Nomination Form (Responses) Webmaster's List-Sept 2020 Title Creator(s) Copyright Date: Publisher/Imprint: A Quick & Easy Guide to Consent Isabella Rotman 2020 Limerence Press Balzer + Bray/HarperCollins Almost American Girl Robin Ha 2020 Publisher American Dream?: A Journey on Route 66 Discovering Dinosaur Statues, Muffler Men, and the Perfect Breakfast Burrito, The Shing Yin Khor 2019 Zest Books TM Jeff Lemire (Author), Ascender Volume 1 and 2 Dustin Nguyen (Artist) 2019 Image Comics Carly Usdin and Noah Avant- Guards, The Hayes 2019 Boom! Box Kim Hyun Sook (Author), Ryan Estrada (Author), Banned Book Club Hyung-Ju Ko (Illustrator) 2020 Iron Circus Comics Sean Murphy, Klaus Janson, Matt Batman Curse of the White Knight Hollingsworth 2020 DC Black Print Ben Queen, Joe Todd- Bear Stanton 2020 Archaia - Boom! Studios Beastars Paru Itagaki 2019 Viz Jared Reinmuth and Frank “Big Black” Smith, Big Black Stand at Attica illustrated by Améziane 2020 Archaia - Boom Studios Andrews McMeel Book Love Debbie Tung 2019 Publishing Sophie Ansel, Sam Burmese Moons Garcia 2019 IDW Publishing Andrews McMeel Cat's Cafe Matt Tarpley 2020 Publishing Andrews McMeels Cat’s Cafe Matt Tarpley 2020 Publishing Class Act Jerry Craft 2020 Quill Tree Books Class Act Jerry Craft 2020 Quill Tree Books Kwame Alexander, Crossover, The Dawud Anyabwile 2019 HMH Books Dancing at the Pity Party Tyler Feder 2020 Penguin/Dial Books Gene Luen Yang color Dragon Hoops by: Lark Pien 2020 First Second Sweeney Boo and Lylian Eat, and Love Yourself Klepakowsky 2020 BOOM! Box by Sam -
Word Balloons in Children's Picture Books
Portland State University PDXScholar Book Publishing Final Research Paper English 5-2015 Imagine That! Word Balloons in Children's Picture Books Erika Schnatz Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/eng_bookpubpaper Part of the English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation Schnatz, Erika, "Imagine That! Word Balloons in Children's Picture Books" (2015). Book Publishing Final Research Paper. 3. https://pdxscholar.library.pdx.edu/eng_bookpubpaper/3 This Paper is brought to you for free and open access. It has been accepted for inclusion in Book Publishing Final Research Paper by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. IMAGINE THAT! Word Balloons in Children’s Picture Books Erika Schnatz May 15, 2015 Research question When did speech bubbles first appear in children’s picture books? In what ways have speech bub- bles been co-opted from comic books to serve picture book narratives? What does this example suggest about the future of children’s books co-opting the visual language of comic books? 2 Schnatz The visual language of comics has slowly permeated American popular culture since the first regular newspaper strip, Richard Felton Outcault’s The Yellow Kid, back in 1895. From the on- omatopoetic visuals in the campy ’60s Batman television series and pop art paintings of Roy Lichtenstein, to the never-ending string of superhero-based blockbuster movies today, comics have been co-opted and adapted to almost every medium imaginable. -
Beyond Panels Interactive Storytelling: Developing a Framework for Highly Emotive Narrative Experiences on Mobile Devices
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Beyond Panels Interactive Storytelling: Developing a Framework for Highly Emotive Narrative Experiences on Mobile Devices Michael Joseph Eakins University of Central Florida Part of the Arts and Humanities Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Eakins, Michael Joseph, "Beyond Panels Interactive Storytelling: Developing a Framework for Highly Emotive Narrative Experiences on Mobile Devices" (2017). Electronic Theses and Dissertations, 2004-2019. 6272. https://stars.library.ucf.edu/etd/6272 BEYOND PANELS INTERACTIVE STORYTELLING: DEVELOPING A FRAMEWORK FOR HIGHLY EMOTIVE NARRATIVE EXPERIENCES ON MOBILE DEVICES by MICHAEL JOSEPH EAKINS B.A. University of Central Florida, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Emerging Media in the School of Visual Arts and Design in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2017 Major Professor: Rudy McDaniel and Joseph Fanfarelli © 2017 Michael Eakins ii ABSTRACT Balancing passive and interactive experiences within a narrative experience is an area of research that has broad applicability to the video game, cinematic, and comic book industries. Each of these media formats has attempted various experiments in interactive experience.