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The Work of the Japanese Specialists for New Khmer Architecture in Cambodia
17th IPHS Conference, Delft 2016 | HISTORY URBANISM RESILIENCE | VOLUME 01 Ideas on the Move and Modernisation | Entangled Histories of Cross Cultural Exchange- | Global Connections- THE WORK OF THE JApANESE SpECIALISTS FOR NEW KHMER ARCHITECTURE IN CAMBODIA Kosuke Matsubara University of Tsukuba Cross cultural exchanges are an important aspect in the development of modern architecture. Multiple flows of ideas have shaped the architecture of Cambodia in the second half of the 20th century. Western designers shaped Cambodia’s architectural and urban form, but the country also saw collaboration from Japanese practitioners and this paper explores their respective roles and paradigms. Helen Grant Ross and Darryl Leon Collins, for example, regarded the 1960s as the age of New Khmer Architecture in Cambodia. They have explored the French-educated architect young Cambodian leader Vann Molyvann, who led this age as an architect-administrative official. However, the fact that there were some Japanese architects who collaborated on some of these projects is not well known. In particular, Gyoji Banshoya (1930-1998) and Nobuo Goto (1938-2000), two students of the Japanese leading architect Kiyoshi Seike, officially participated in projects during the 1960s and wrote plans, reports and articles. Based on new resources found in the private libraries of the Japanese planners, this paper discusses New Khmer Architecture based on the largely unknown fact that some Japanese architects participated in projects in Cambodia. Keywords Phnom Penh, Shihanoukville, Angkor Wat, Vann Molyvann, Gerald Hanning, Gyoji Banshoya How to Cite Matsubara, Kosuke. “The work of the Japanese Specialists for New Khmer Architecture in Cambodia”. In Carola Hein (ed.) International Planning History Society Proceedings, 17th IPHS Conference, History-Urbanism-Resilience, TU Delft 17-21 July 2016, V.01 p.251, TU Delft Open, 2016. -
The Study of Private Modern Houses in Boeung Keng Kang Area in Relation to Public Modern Khmer Architecture and Urban Development of Phnom Penh in the 1960S
The Study of Private Modern Houses in Boeung Keng Kang Area in Relation to Public Modern Khmer Architecture and Urban Development of Phnom Penh in the 1960s สโกนา เรือง และ สันต์ สุวัจฉราภินันท์ Sakona Loeung and Sant Suwatcharapinun คณะสถาปัตยกรรมศาสตร์ มหาวิทยาลัยเชียงใหม่ Faculty of Architecture, Chiang Mai University, Chiang Mai, 50200, Thailand Abstract “Modern Khmer Architecture” was an architectural movement that occurred in Cambodia between 1953 and 1970. This movement was a negotiation between the modern and the traditional and the international and the local. Yet, it is also a reflection of the ambition of the government to modernize the national image. Although this movement is mostly thought of as buildings designed by well-known architects, private buildings such as private houses also play an important role to compliment this movement. Unlike public architecture that was sponsored by the government and was intended to be a political symbol of national achievement, private houses were built based on family resources, which thus exposed their socio-economic factors. This research aims to explore the inspiration of public building on private houses located in Boeung Keng Kang, a sub-district that was considered as one of the best locations for living in Phnom Penh. Having said that, this study uses aspects of urban development, architectural modernization and social modernization Modern private house of the post-independence period as lenses to look at twenty of the 1960s in Boeung houses located in Boeung Keng Kang neighborhood in Phnom Keng Kang Penh. These houses are qualitatively analyzed based on six aspects: roof design, decorative features, materials, climatic adaptation features, spatial arrangement, and structural design. -
New Khmer Architecture: Iconic Vernacular Buildings Under Threat?
PACIFIC NEWS PICTURES New Khmer Architecture: Iconic vernacular buildings under threat? Susanne Bodach & Michael Waibel New Khmer Architecture (NKA) is an architecture style from Cambodia combining modernism with elements of traditional Khmer culture thereby incorporating aspects of vernacular design. It became prominent after King Norodom Sihanouk declared Cambodia's independence in 1953. The New Khmer architecture movement created highly innovative and aesthetically pleasing pieces of architecture works and soon became an important tool of Cambodia’s nation-building. Nowadays some of the major works of NKA are still intact, but others suffer from neglect and are in danger of demolition. Introduction without consideration for the hot Van Molyvann Project (http://www. New Khmer Architecture has its roots and humid climate of Cambodia. In vannmolyvannproject.org/). not only in the modernist architecture contrast, the New Khmer Architecture movement but also draws on vernacular took the spirit of the Cambodian Chaktomuk Conference Hall and ancient Khmer styles as well as culture and successfully integrated The The Chaktomuk Conference colonial heritage from Europe. The elements of tropical design. Hall is Vann Molyvann’s first driving force behind the movement The most famous representative noteworthy building and was was King Norodom Sihanouk, who of the New Khmer Architecture inaugurated in November 1961. This had the vision to modernize Cambodia movement was the Cambodian design reinterprets several indigenous after its independence in all relevant architect Vann Molyvann (23/11/1926- Khmer elements, bringing them into sectors. He promoted the design and 28/09/2017), whose professional a modern context. The conference construction of many new public career lasted from the mid 1950s till hall has a triangular concrete structure buildings across the kingdom, bringing the early 1970s before the Khmer that is suspended from beams. -
Prince Sihanouk: the Model of Absolute Monarchy in Cambodia 1953-1970
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2013 Prince Sihanouk: The Model of Absolute Monarchy in Cambodia 1953-1970 Weena Yong Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Architectural History and Criticism Commons, Asian Art and Architecture Commons, Asian History Commons, Environmental Design Commons, Historic Preservation and Conservation Commons, Military, War, and Peace Commons, National Security Law Commons, South and Southeast Asian Languages and Societies Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Yong, Weena, "Prince Sihanouk: The Model of Absolute Monarchy in Cambodia 1953-1970". Senior Theses, Trinity College, Hartford, CT 2013. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/309 Prince Norodom Sihanouk Prince Norodom The Model of Absolute Monarchy in Cambodia 1953-1970 by Prince Sihanouk: The Model of Absolute Monarchy in Cambodia By Weena Yong Advised by Michael Lestz Janet Bauer Zayde Gordon Antrim A Thesis Submitted to the International Studies Program of Trinity College in Partial Fulfillment of the Requirements for the Bachelor of Arts Degree © May 2013 1 For my parents, MiOk Mun and Yong Inn Hoe, My brothers, KeeSing Benjamin and KeeHup Arie, My sister, Lenna XingMei And to all my advisors and friends, Whom have inspired and supported me Every day. 2 Abstract This thesis addresses Prince Sihanouk and the model of absolute monarchy in Cambodia during his ‘golden era.’ What is the legacy bequeathed to his country that emanated from his years as his country’s autocratic leader (1954-1970)? What did he leave behind? My original hypothesis was that Sihanouk was a libertine and ruthless god-king who had immense pride for his country. -
Unloved Modern House - Shunned Architect Helen Grant Ross, Architect D.P.L.G., D.E.A
THE CAMBODIAN TALIESIN – unloved modern house - shunned architect Helen Grant Ross, Architect d.p.l.g., D.E.A. France FIG 1 line sketch of the house by Rottany Keo, Architect RUFA, Phnom Penh that highlights the complex composition INTRODUCTION After Cambodia gained independence from France in 1953, an unprecedented experiment in development took place, as documented by the author and Darryl Collins (1). Under the impulse of HM Norodom Sihanouk, the Sangkum Reastr Niyum régime1 (1955-1970) promoted the construction of thousands of buildings throughout the Kingdom in a style that has been coined ‘New Khmer'.(3 & 5) The most outstanding architect among the numerous contributors to this unique architecture is Vann Molyvann, born November 23rd 1924, who trained at ENSBA, (Ecole Nationale Supérieure des Beaux-Arts, Paris) from 1948-1955 and whose destiny seems to be entwined with his own country’s. He realized around one hundred works in less than 15 years to a consistently high level of creativity and was then forced to flee in 1970 with the American- backed military coup of General Lon Nol. New Khmer Architecture was cut in the bud by the succession of tragic events that Cambodia suffered in the last decades of the 20th century; internal strife and the overflow of the Vietnam War at the end of the 1960s; a military dictatorship 1970-1975; genocide and the Khmer Rouge 1975-1978; Vietnamese occupation 1978-1991 and a civil war that only ceased in 1999. One of the effects of this tragedy, aggravated by an international embargo from 1979-1991, was to remove Cambodia from the world map at the same time as thirty years of war and deprivation erased this positive part of Cambodian history from the collective memory. -
Siem Reap: Then and Now
03_DarrylCollins:Udaya7 12/28/2007 10:59 AM Page 73 SIEM REAP: THEN AND NOW Darryl Leon Collins Independent scholar, Siem Reap The provincial centre of Siem Reap (which translates as ‘the subdued Siamese’ or ‘the subduing Siamese’) was formed by gradual amalgamation of villages clustered around Buddhist wats that are still to be found within close proximity to the Siem Reap river that flows in a north- south direction through the centre of the town. Although recent research postulates this river is in fact a canal, the riverine pattern of development is common to many Cambodian villages to the present day. As far as we are aware today, extensive historical documentation on the town appears in the 19th century, with European accounts. Khmer Chronicles, written retrospectively, largely in the 19th century, with historical aims but with strong legendary bents, situate the town’s veritable founding as a provincial centre in the post-Angkorian period, after the relocation of the Khmer capital from neighboring Angkor to more southerly regions. 1525 is the founding date most frequently cited in these texts, but only in the mid-19th century do we encounter contemporary descriptions of the town. Missionary Father Charles-Emile Bouillevaux travelled to Angkor in 1850 – “Travelling upriver from the Great Lake, he passed through the small modern town of Siem Reap, and cut through the jungle to emerge at Angkor Wat’s western causeway.”1 Scottish photographer John Thomson mentions the village of Siem Reap following a visit to photograph the ruins of Angkor in March 1866: 1 Quoted in Bruno Dagens, Angkor: Heart of an Asian Empire, Thames & Hudson, London, 1995, p.34. -
PLAYING with POWERS: the POLITICS of ART in NEWLY INDEPENDENT CAMBODIA1 Ingrid Muan from Its Centers, the Cold War
Ingrid_Playing_with_Powers_Trasform:uDAYA 8/24/2006 4:33 PM Page 41 PLAYING WITH POWERS: THE POLITICS OF ART IN NEWLY INDEPENDENT CAMBODIA1 Ingrid Muan From its centers, the Cold War was - and is - often thought of in absolutes of opposition: the capitalist “free world” versus the communist world, abstraction versus social realism, us versus them. For newly independent countries on the periphery of the ideological conflict, choosing sides was untenable, and Cambodia under Sihanouk was particularly forceful in its articulation of a third way: neutrality. For many geo-political reasons, Cambodia became a major battleground in Cold War competitions to win “hearts and minds.” This paper considers a few of the effects of Cold War aid and influence on visual culture in 1950s and 1960s Cambodia. During the 1950s and 1960s, films, performers, exhibits, magazines, and books flooded into Cambodia from both sides of the Cold War in an ever escalating competition to “inform” and “influence.”2 Through the capillary imagination of panicked powers, distribution and “pene- tration” were emphasized. Even remote areas of the Cambodian countryside were treated to screenings of films such as “Life on a Kansas Farm,” “May Day in Peking,” and “Sputnik” 1 Ingrid submitted this paper to the panel entitled “The Colonization of Everydayness: Cold War Histories” of the Annual Conference of the College Art Association (CAA), Atlanta, February 2005. The paper was read in her absence at the conference. Although, thanks to panel conveners Jelena Stojanavic and Anna Botta, we were able to obtain all of the images accompanying this presentation, these were not of publication quality; nor were they sourced or dated. -
The Study on National Integrated Strategy of Coastal Area and Master Plan of Sihanouk-Ville for Sustainable Development
JR EID 10-140 10-140 s s D D a a c c i i Cambodia Integrated Coastal Area Area Coastal CambodiaIntegrated Development Strategies NOVEMBER2010 LTD. CO., KOEI NIPPON CORP. INTERNATIONAL KRI INC. INTERNATIONAL, PLANNING VALUE LANDOF MANAGEMENT,MINISTRY URBAN (MLMUPC) PLANNING AND CONSTRUCTION CAMBODIAOF ROYAL GOVERNMENT (JICA) AGENCY COOPERATION JAPAN INTERNATIONAL STRATEGY ON NATIONAL STUDY INTEGRATED THE OF COASTALAREA AND MASTER PLAN OF SIHANOUK-VILLE FOR SUSTAINABLE DEVELOPMENT REPORT FINAL BOOK II SIHANOUK PREAH FOR PLAN MASTER AND KAMPOT FOR STRATEGY DEVELOPMENT C C THE STUDY ON NATIONAL INTEGRATED STRATEGY OF COASTAL AREA FINAL REPORT BOOK II NOVEMBER 2010 AND MASTER PLAN OF SIHANOUK-VILLE FOR SUSTAINABLE DEVELOPMENT MINISTRY OF LAND MANAGEMENT, URBAN JAPAN INTERNATIONAL PLANNING AND CONSTRUCTION (MLMUPC) COOPERATION AGENCY (JICA) ROYAL GOVERNMENT OF CAMBODIA THE STUDY ON NATIONAL INTEGRATED STRATEGY OF COASTAL AREA AND MASTER PLAN OF SIHANOUK-VILLE FOR SUSTAINABLE DEVELOPMENT CiCaDs CCambodia Integrated Coastal Area Development Strategies FINAL REPORT < BOOK II > MASTER PLAN FOR PREAH SIHANOUK AND DEVELOPMENT STRATEGY FOR KAMPOT NOVEMBER 2010 NIPPON KOEI CO., LTD. KRI INTERNATIONAL CORP. VALUE PLANNING INTERNATIONAL, INC. PREFACE In response to a request from the Royal Government of Cambodia (RGC), the Government of Japan decided to conduct “The Study on National Integrated Strategy of Coastal Area and Master Plan of Sihanouk-ville for Sustainable Development”, and entrusted the study to the Japan International Cooperation Agency (JICA). JICA selected and dispatched a Study Team headed by Mr. YAMADA Koji of Nippon Koei Co., Ltd. to Cambodia between March 2009 and June 2010. In cooperation with RGC, the JICA study team conducted field surveys and formulated the National Integrated Strategy of Coastal Area and Master Plan of Sihanouk-viile, through discussions with concerned officials of RGC. -
Writing the Postcolonial City: Phnom Penh and Modernity During Sangkum Reastr Niyum, 1955-1970
Writing the Postcolonial City: Phnom Penh and Modernity during Sangkum Reastr Niyum, 1955-1970 by Siti Galang Keo A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter B. Zinoman, Chair Professor Kerwin Klein Professor Penelope Edwards Summer 2019 Abstract Writing the Postcolonial City: Phnom Penh and Modernity during Sangkum Reastr Niyum, 1955-1970 by Siti Galang Keo Doctor of Philosophy in History University of California, Berkeley Professor Peter B. Zinoman, Chair This dissertation examines novels, essays, films and songs of the Sangkum Reastr Niyum period, 1955-1970, to explore the layers of meanings Cambodians held of Phnom Penh. After the Geneva Accords in 1954, Phnom Penh emerged as the capital city of a newly independent nation-state, the Kingdom of Cambodia. The city under French colonial rule was secondary to Hanoi and Saigon, but once Indochina dissolved, its population exponentially increased. Phnom Penh was at the center of Cambodia’s road networks, its banking system, and was home to the best universities and schools. The many jobs and opportunities attracted rural migrants to the city. The population boom was one of the many ways Phnom Penh transformed. Norodom Sihanouk, then the head of state, made Phnom Penh the epicenter of government modernization projects. Under his watch, the capital transformed from being a marshy, provincial hub into an exciting scene of cosmopolitan innovation. Urban Cambodians combined ideas from Le Corbusier with traditional Khmer architectural details to design their “modern” buildings. -
Suggested Reading List for Cambodia
Suggested Reading List for Cambodia Art & Architecture of Cambodia - Helen Ibbitson Jessup Complemented by numerous photographs of freestanding statuary and illustrations of the temples, Jessup’s history of Cambodia from the perspective of Khmer art is a wonderful story. For those interested in Cambodian religion and culture, including the development and evolution of Khmer temple design and decoration, Jessup lays it out through an overview of Cambodia’s rich legacy of sculpture and temple carving. Angkor and the Khmer Civilization - David D. Coe For those interested in the rise of Khmer civilization from prehistory through Angkor, this is a fascinating read. Unlike other histories that focus largely on the temples, Coe’s focus is on the people, their traditions, and the development of their culture. With maps, illustrations, and colorful descriptions, Coe’s work is a fine introduction to Cambodian history and culture to complement any study of the country before, during, or after a visit. A History of Cambodia - David Chandler Chandler is an expert historian in many Southeast Asian nations, and his history of Cambodia is unparalleled. From the earliest days of the Khmer civilization, through Angkor, and including the years of the Khmer Rouge regime, Chandler lays it all out in an easy to understand yet academically researched analysis. So deep is his understanding of Cambodian history that Chandler testified in the trial of high- ranking Khmer Rouge officials in the years following the war. Angkor: An Introduction to the Temples - Dawn Rooney Rooney’s Angkor: An Introduction to the Temples has grown in girth over the years, but remains one of the most important and easy to understand guidebooks to the temples of Angkor. -
Vann Molyvann & Cambodia
Vann Molyvann and His Threatened Architectural Legacy. The innovative Khmer architect Vann Molyvann almost single-handedly changed the face of Phnom Penh during an amazing period of architectural flowering between 1953 and 1970. After the country’s independence from France in 1953, the new King Norodom Sihanouk commissioned more than 100 buildings from a group of young, contemporary architects in an attempt to make the capital symbolise a confident and forward looking attitude. Vann Molyvann was barely thirty, just four years younger than the King, and had recently returned from Paris where he had studied with Le Corbusier at l’Ecole des Beaux Arts. Virtually alone his architecture launched what has become known as “New Khmer Architecture”, but which is now under threat from uncontrolled new development. Phnom Penh was already endowed with several modern architectural gems such as the 1937 deco-inspired Central Market and the 1932 Railway Station, but Vann wished to apply Le Corbusier’s ideas within a distinct Khmer style addressing also the problems of extreme heat and monsoon flooding that are part of Cambodia’s climate. Now 81, Vann still lives in his 1960’s self-designed house on Mao Tse Tung Boulevard, and says “We could not simply repeat things as they were done in Europe, we needed to think with new ideas and to build with a Cambodian approach.” A striking example of the threat to his legacy can be found in the story of the National Theatre, also known as the Tonle Bassac Theatre. a tour de force of 1960’s modernism with sharp angles, walls of glass and whimsical interior spaces from 1964. -
World Bank Document
Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized ACHIEVING THE POTENTIAL OFURBANIZATION THE POTENTIAL ACHIEVING CAMBODIA August 2018 August CONTENTS ACKNOWLEDGMENTS �����������������������������������������������������������������������������������������������������������������������������������������������4 EXECUTIVE SUMMARY �����������������������������������������������������������������������������������������������������������������������������������������������5 SECTION 1: INTRODUCTION AND CONTEXT ����������������������������������������������������������������������������������������������������������11 1.1 INTRODUCTION ................................................................................................................... 11 1.2 URBANIZATION PATTERNS AND THE ECONOMIC POTENTIAL OF CITIES ......................... 12 1.2.1 Cities in Cambodia �������������������������������������������������������������������������������������������������� 12 1.2.2 Introduction to the Economic Potential Index ..................................................... 13 1.2.3 Factors Influencing Economic Potential .............................................................. 13 1.2.4 Methodology for the Construction of Each Indicator Dataset .......................... 15 1.2.5 Construction and Categorization of the EPI ........................................................ 17 1.3 CHARACTERIZING CITY TYPOLOGIES AND ECONOMIC POTENTIAL ............................. 20 1.3.1