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SPECIAL REPORT AUGUST 25 2006 ENERATION Y A Hopeful Youth Culture Has PLUS Limitless Options -How Can PAR S ACTS: DO THEY MAKE DOLLARS AND SENSE? Radio Hook Them? lass STREr ..N: ACE &TJ'SNEW WHAT MILITARY 'MAN -CRUSH' A 'I IFFTIMF' ACHIFVFMENT LISTENERS WANT KEITH URBAN SHATTERS RECORD e-' . .. RADIO RECORDS IF YOU CAN'T FIND IT, Of The Lund Study.s t INVENT IT . :.ww.RadioandRccord,..cr'

OutKast returns with a brand new . Idlewild. with the movie of the same title. starring Dre and Big Boi. hitting theatres nationwide this Friday, August 25th

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August 25, 2006 NevtisFociim. Field 'Knocks It ON THE WEB Out Of The Park' Costas On Costas Ewr since (:BS Radio ed earlier this year that it would Doh Cotas' radio noes run deep, from sell off uatioms in In markets, the industry has waited to MY who Syracuse University: WAER and news/ a stood to gain from this new d of conM)lid . Enter talk WSYR /Syracuse. N.Y.. to Tung run the first victor with its purchase of 15 stations in tour CBS mar- Field at CBS Radius news /talk KMOX /St. N I lean%, a% well as one outlet trim Radio One in Boston. The c pally paid nearly $.11 (. -s. (asps is also known to radio fans still' for all the asW1% Of lime su each in Austin. (:incintuti and Rochester. N.Y.. as lust of -Costal (:oast to ( :oast. his and three in Memphis. The first two are new reurkets for the c past, giving it pres- p tring. I-KO% Sunday-night net- ence in a total of 22 cities. Enrenonl will operate its new stations throutll a time bro- work sports show. ( : Sept. 14. Contas MOVERS kerage agreement except in Rochester. where FCC nand. require the c pally to is back as host ofa new weekly radio pro- If Kincaid, currently heard in afternoon drive divest two properties. gram via Pre re Radio Ne rks. at KHKS 006.1 Kiss FM)/Dallas, heads to the Enterc president /CEO David Field say% the transaction would create "terrific Contas tells It1(R his shore will fature A-

gaping afternoon vacancy at Clear Channel's opportunities for listeners. cum n, employe % and shareholders.' a stance supported list guests fnuu sports and other walks of CHR/top 40 sister WHTZ (Z100YNew York, by Frank Kalil. president of broker Kahl a Co.: Entenoul made an amazingly good lift along with his own insights. observa- 3 Paul "Cubby replacing deal. both strategically anal finunciall; from any %iesspoimt: he sgs.I )avid Field knocked and e nt.ln. Bryant, who's now co- it out of the ballpark. no two way% about it. It %would have been meet fora key on hosting the Premiere- a nxk. hut fora gory with strategic reaeek its just heck of a buy.- -Cloa-k'Gtylor Top Management syndicated 'Wake Up With Whoopi" morn- Changes At Clear Channel ing show ... Veteran As pan of a atter: .own tile" man - programrner/oonstdt- `,í BFH CR \C ant Robert Scorpio, agement structure kiting implemented at who spent many years Char (:ha 1 Radio. executive VI' of Kincaid programming Radio operuioms titles hase (wen bestowedwed uptol One's urban AC KKBT (the BeatYLos executive VI' of West (oust opera Angeles, has signed on to consult crosstown Charlie Rabin. st. VP /Southwest rival Magic Broadcasting's urban KDAY. He 2 17.3 30.4 Susan Kari% and se VP /Mid -South in "bin 1Newvtalk; rotor ',labor, s spring Arbitron s average nietru replaces Steve Hegwood, who is returning to Number of seconds net, Ion Surr. Increasing the comp.nly% CI AQH share of persons 12., survey response rate in the Radio One's urban WKYS (KissYWashington, ads that will run on 1,100 :2006 Channel stations to promot continuing its status as king of spring 2006 survey, down executia VP ranks to e. the trio will D.C. In related news, Magic has promoted three returning Fox TV she the Arb,tron hill. That's up horn 1.3% from one year ago. In e to manage specific region% while rhythmic KWIE (Wild %YRiverside, Calif., the top 10 metros, the "Prison Break," "House" ar 95.8 in spring 1999. Spanish adding orle duties. Rahilly for example. response rate was bleaker, at PDh r p cling guy Al Fuentes to VP of pro- The Simpsons." Think of formats saw the biggest spring 11.1 down from 27.5% in will ssurk on tlaseloping rational sales gramming of its Southern California cluster, them as radio pop -ups. ..2006 gams, increasing to an 26.1 %, share, up 1.3 from spring 2005. spring 2005. as Well as on the company% which includes KDAY. Fuentes continues in opportunities mornings ... Former SFX regional VP of traffic initiatives. In an nul memo, sales Beth Murphy has joined the Cromwell C( :It president/CEO John Hogan said Group as station manager for hot AC WVNS the still-unloldintg new management (Versus) and alternative WBUZ (the Diary Returns To Blame For appnuch "increases decision-making BuzzYNashville as well as gospel WYCQ (the authority at all leek. More detail% as they LightYClarksville, Tenn. L.A. Country Disappearance? happen at RadituidReconts.com. Its the day that Los Angeles country radio died. With the Aug. 18 announcement that SHAKERS Emmis was punting the format in L.A,-flipping KZLA to rhythmic AC and delegating coun- Citadel Seeks To try to an Internet stream and HD2 channel -three of the top five radio markets are now Renegotiate ABC Deal Clear Charnel's CHR/top 40 WFKS (97.9 sans the format. L.A. joins New York and San Francisco. Tinsehown typically ranks No. 1 or Kiss FM)/Jacksonville, Fla., APO/afternoon acts often sell out the biggest venues in town. (: sting ou his e papy: pending talent Skip Kelly has vacated the premises ... No. 2 in country album sales and country in 1.7 deal purchase from the Michelle P. Connolly, a member of the eco- However, Arbitron ranked KZLA at a lackluster No. 20 12 spring 2006, with a share. to ABC Radio nomics faculty at Duke University, has been Jaye Albright, consulting partner with Albright & O'Malley Country Consulting/RadiolQ, Walt Di Co.. Citadel CEO Fand named chief economist of the FCC ... The places at least part of the blame on faulty diary reporting: "It's getting more diffidllt to con- Sideman told The Wall Street Journal that Opie & Anthony virus spreads to middays- sistently get nonethnic diaries back in these multicultural melting pots that America's "the pertimuarece ofALK: mations is not followirg syndicated morning man Adam largest cities have become." In turn, she says, "Convincing country radio to young, big -city, where it was expected to be" and. as a Carolla -at CBS Radio's alternative KXTE/Las quite possibly ethnic media buyers who know little about it has always been a challenge. All result. M of the financing i- Koch VP of marketing John Franck Vegas ..: they need to do is drive 75 miles from any of these major media centers to hear a country nlet*. have to he red : "hhe c rets gets the upgrade to senior VP of marketing station that solidly ranks in the top three" canoe in the wake of a recent slide in stock ... After a year as MQ/aftemoon driver, for- Add to that Arbitron's format trends report that documents country's ongoing national prices for Citadel dut could trigger a mat veteran Marco Collins has left Finest rebound, from an 8.4 AQH 12+ in spring 2002 to 9.5 in spring 2006. clause in the deal that would increase the City's alternative XTRA -FM (91X)/San Diego is return of Rick Dees to the local airwaves. The papy s payout to I )isnxy. for personal reasons. Creative directarhrght Back in L.A., the good news, at least, the i March from jock Stephen Kallao moves up to afternoon radio legend takes mornings for the new Movin' 93.9, following his 2004 exit MORE ONLINE: www.RadioandRecords.com drive and tacks on some music duties. crosstown Clear Channel CHR/top 40 KITS, where he ruled for two decades. -Chuck Taylor

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most AFRTS radio programming reaches listen- ers. the radio service includes music formats, %port%. news and puny of the talk shows you would Tear in the United States.' AFRTS owns local radio stations in about 34 locations worldwide. "These primarily are in places where we have a lx of people sta ed:' Balanced talk and current music rate highest I. I mays.'Itildtt now there are sea in Iraq. Afghanistan. Japan. South Korea. Germany. Italy. Spain. Cuba and a number Of other locations where we have military personnel :I he, are twer- What the-air sta s licensed by the boost country for Military by the uv U.S. ntiliury.These stations carry pm- g from the network, but also have the option of creating their own programs locally:' Listeners Want I. 1 learned how some decisions are made 'People in about local programming when discussing the the military oldies format pr ogre td by a %unon in Japan. "Most everyone in the military is between 211 to

want to 411 years old :' he "So when I wondered Al Peterson hear more why they would program oldies. a eomnunekr ill APeterson @RadioandRecords corn news, the States eked if I'd ever seen the movie 'Good especially M g Vietnam: Aker renting it that night. I t:teran researcher /consultant John Lund recently conducted a world news learned that. dust Tike in the nitwit% sometimes project conmiissioned by the American Forces Radio and and news what you hear has 11101 to do with the demo- graphics of the base e ender 6 Television Service to learn more about the media wants and home, than with the needs of today's military. Lund from sta ' s audience.' heads two companies: the than is Lund Consultants, a multiformat custom programming and management consultancy, and Lund Media typical in Research, which What Troops Really Want provides perceptual research, focus groups, music testing and retail- client research our studies of civilian when militan 11e%w'p.ger Stan and Stripes first to broadcast media. "The project covered three main areas,' Lund says. To reported details of Lund: study, there were nuny research what military personnel want to listen to, to provide consulting on how U.S. nmconcep abut what it actually rY - to alter programming based on the results and consultation in terms of man - listeners.' mendcd. "I think the most tanxous complaint was agement changes that would need to be implemented." -John Lund when Rush I.imbaugh said on his program that we said AFRTS should drop him in favor of hip -

. What Is AFRTS? 1 statiuneed in non- EnlIish -s Baking coun- hop:' Lund recalls.- Hut was not true. but it was AFRTS is .t division oÌ the U.S. t)epartnxnt of tries hase access to U.S. radio and l V a thrill to hear Rush mention me M n.une° I that ktittsa pnwidks radio anxd'IV pool, g "Basically. whatever you see ou U.S. television I and s.tys nuti h Of whit has been reported is to troops yatit)IMNI awerseas and Is, -ow is AFRTS ncd available to military families via either an on- not .tit orate. "We did rsearcl to disi.)ver %% hat radio stations in about three ak)zen cities outside haw cable-TV system or I )TI I direct -to -hume suer the likes mid dislikes of the audience and North America.Tln U.S. Congress mandated the satellite Lund says. "A dozen radio channels are then made rronunend.mtiuus ¡Or improvement: service to enm that United States military per- also available un the I)TI I system. %which is hose Continued on page 8

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Entertainment provided Panelist Moderator by broadcasters band, Scott Kirsner The Formats. Led by: Ananna Huffmgtun Steve Cropper Co-hou . . E

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THE NAB September 20 - 22, 2006 Hilton Anatole Hotel JI"1 11 Dallas, Texas

www.americanradiohistory.com NEWS / TALK / SPORTS

'For the record, we

Continued from page 6 "When sve first met with the top lase commanders and never said they should .asked theta what it was they really %anted and needed take Rush Limbaugh he ti).. "First we did an affiliate study, lrds although lion) AFRTS, most of them told us pretty It the %sane those local stations are owned by Al.R'IS. they are actu- thing ;' Lund says. "They all !whew it is essnti l that their off of AFRTS. I'm not ally ilxrted b) the individual service brunches at the mops listen to A FItTS radio Ixcause there is command really sure how that bases where they hnl.ldc.lst. In mashy cass.AlltiS mán- information that they need to get out to them. some- ,Igenlent didn't even know exactly oils( was being car- times very quickly. and radio is the best way to do that. idea ever got reported.' ried on those ;i stations. So one of the objectives was to lo them, it's essential that military personnel listen every -John Lund tied out exactly %vh.lt the affiliates %very pr ogr. g aril day, but res.trch showed that they don't:' %%h.lt they scanted or didn't %%.ant fronn AFI.I S. Lund says that iI xis, CI h and music on computers are -We also did (ixus gnmps .It five different base loca- the Overchchuinlg listening choice'. for military person- tions across Lampe.- Lund continues. "Plus, we did a nel. " hheh cut get the music they want front thou: s talk shuns.. "In most cases. AFIkTS has one. two or huge. worldwide audience perceptual study designed to sorces he says." They told in that. for the most part. they sorted lle% three %tatinn% in .1 hxation : Lund ..tvs. "So get .1 Ismail read on %chat programming the majority of scren't hearings hat they wanted on AFRTS, svhich kind what I said was,'If I had three stations I'd make one (:I Ilk, military listeners were interested in hearing on AIR'IS. of contradicts everything commanding officers Really rock and one news/talk. If I had only two stations. the For record, we never said they should take Rush %%.ant. Thew are basically 2- to 40-year olds -mostly yin' could slake a very strong case that one should be rock Limbaugh oil of Alit S. l'in not really wire how that teak-moo %vinat do you think they want? The saute thing and the other CI IR since all (if that talk programming is idea ever got reported :' that 21 t- to 441 -year -old nonnlihtan nt.le,. in the United also available to military listeners on satellite. which most So coward syhat did I and mil company recommend States %%amt to hear -nxk. pop and rhytl (:I Ilk...p om have ,access to. Most of the over-the-air stations are used to AFI& I S management syith regard to pnogrannnmg? and newt's' for short listening periods driving to and from the h.ls. so it only stakes sense to give the audience what they most watt if cot cant them to listen.. News/Talk Lund slays his company Also nconunended that the Programming Valued AFRTS talk channel be upgraded and presented more like

"People In the military usant to .1 typical news /talk stttiu i sxrlxh III the United Stites. "Wc 8 hear more lies)... especially world r conitnended that the channel be time- squcnccd so that news and news tir nn honte. than is It lash. for example. could Ix heard at neon ltx.Jbv as he is typical in our studies of civilian in the U.S., instead of at t. p.m. in ( ;crummy or at midnight

U.S. listeners :" I und saws. "And in Japan. And we also reconitnended that they- have tsvo sports news is Much more impor- television channels for play -by -play sports pnogr.numii g

tant to military listeners than aver- with sports oil radio moving to .1 tixtis on sports iloVs. talk age. Ixc anse they cannot als',ns and sores %ince rust ',collie told tls they rarely listened to catch their team due to the time 111.1y-by-play on radio:'

differences annuli(' the world. We When it writs to talk. I and says he tound that ,l 'sal-

%yen .actually in Fluffily syhen the mis-4:d lineup is the Ixt way to go." 1 he military. doesn't World Series sas on List year. and really take a stand on politics. And shale you may have the game started at 2 .1.nt.. so you preconceived ideas of the political leanings of active -duty can we the problem people, you have to understand that AFR'LS,.is part of the

In addition to news. sports and I )cpartment of I )cfens. reports to Congress. So it just music. military radio listeners also snakes sense to carry shows front both sides of the aisle.

get a hill lineup of talk radio doryx so to speak. For a service like AFRTS. I think it's just as From left are Larry Sichtar, Armed Forces Network affiliate relations chief and Defense Media via the I I s Center pahkc affairs officer; John Lud; Brig. Gen. Robert "Rowdy" Yates, 31st Fighter Wetg )TI talk channel. Some. important for them to earn a variety of talk .I as it Commander, Aviano Air Force Base, Italy, and Jure Lund. but not all, lox-al stations also carry is to carry a variety of music kcheats"

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Moving jocks from behind the table and into the fray Remote Most Experience Marketing Highest Quality Ken Tucker KTiKkerelRadloandRecords.corn

e all know I)Js who would rather chat on their cell phones or linger in the back of the tent at station remotes and events than mingle with lAirthe unwashed masses. While some are chatting up the hot new intern, others are simply uncomfortable meeting listeners face to taco. 13ut when it conies to station marketing, you need all hands on deck. CBS Radio's country KFKF /Kansas City promotion director Renee Fonner knows the situation firsthand -she sometiIC% has to coach air talent and other station person- nel to step out and interact with listeners. "There are sug cstions we make not only to jocks but to our engineers and producers." she says. "They are the marketing tear) for that two hours remote on the air, the producer hangs banners for the station.Yes, the engineer has to get the NOBODY DOES IT BETTER. and the jock talks :About the client, but its two hours of marketing to perhaps new listeners- you never know who will walk up at a remote:. P O I N T - T O - P O I N T

T I 'I D I R E C T M A R K E T I N G S O N S (:Ie.1r ClutnieR county. WIKX: /Baltinor pnnntion Its á.e11 Illtlr' Unlit octal It when our sttt1U11 Is 111 .1 d'tllll- director Annie S.lndor agrees %vital limner and has .a sillu- ixtititc battle. like KK W F i, with (US Itadio country filr- tion. "rte worked pith some air talent that are nut leader KMI'S. "When .1 Wolf jtx k nxets a timid In nature.- she sans. "A great etent person new listener, looks hint in the eye, shakes their h.l. .u1 interactive 'st ll Ii ihinl; on -site tin. the hand and thanks them for listening. lth.lt tar out- remote or airyxarulce.A'l'utt to Win' or'Wheel weighs' some promo kid blindly shoving .1 stick- of Fuu Avila involve your talent with the listeners.' er at them.- he sacs.

'I here% a lot of competition for people. "It's vita tier our jocks to be on -site: he says. attention fixity. Sandor says. adding that station "When the Wolf is at a festival. bar gig or other personnel need to "make sun: %%1 arc doing our appearance. the listener. that color to our tent Sandar Jobs to let listeners k aye appreciate them: don't want to alert .1 street team member. they ( II.Irrisn, PI)!nnx g owl for Clear ( :lunner% want to meet the jocks.' coumtr W(:SO (the ( :ountry (;i. lit) /(tklkevillc.- Iinm.,sm dut lamming the statF..tnngthsand teaknesss is cnxial. "If Ica Mì11111 .11k1 fìon un -.air. but pixy in person. keep him Break Down Barriers

1 Tim Bronsil 5 3.23 1 .0344 tukier kick .11k1 kcv' 11.trris) adynes. "Build good rel.uon- larrisol compares the poxess to dating. "Your on -air ships. hut don't Jnty them \onr hangnails I big toe.- Ic titi is the phone call. Station events an: your face - Former agree..-The Last thing you Meant is for a listen- to- face date. 1w s.qs." Ltxlk as good as you sound. Just Ix Elizabeth Hamilton 703.757.9866

I sit 1 er to h.1vC .1 bad experience and to tell their friend.. '.s31111, friendly, houcst and appnuchable. )on't IxI

1 1 a Mark Heiden 970.472.0 3 Air personalities are .n remote. for .a re.as n according a table and nlic waiting for somebody to care. Grab to S.andor. "The mint inaixxtant thing .dxnit lternuri.11 ( :okc.sticker and "I- shirt.and go get us some listeners' radio is that it's deal she ..ay "Listener need to feel like Walker concurs. "(our jocks and street team nxn11urs Rick Torcasso 972.66 1 . 1 36 1 it's their radio station. and that !MIMIC, air talent. If they know that from the motiont we arrive to the moment take the time to %%.L up each ruing with IWP(X :'.1 '.veer out of sight. the Wolf is 'onstage; " he slays. "It's the

I aerie I )iYoung. ifs important that Laurie I )1Young take difference between .a simple radio station and .a It)e mark' the time for them.' "Your station lxconxs than 'a radio station: www.ptpmarketing.com fntercoul KKWF (the Wull)'Seattic API) /MI) /alicr- Ilarriwn adds "it becomes 'my radio station.

.1 can ntwn I )I Itob Walker the personal touch is important. KEKF'. Former knows the payoff great event "Wr k that the listeners are inyolycd in our lives and bring. "I love Mondays when account execs c in and they want to get to kntny us.- he sans. "It's very important tell time host' great their remote went. especially when the that the jocks put themselves out there for the listener- client is very pleased and h.1s placed additional buys.'

AUGUST 25, 2006 THERE'S MUCH MORE @ www.RadioandRecords.com www.americanradiohistory.com BY THE NUMBERS ARRns RADIO . MARKET SNAPSHOT: Where SOAD Rides . EDITORIAL Cam Eadrta.er OaPwAeYAMw». Shotgun With San %WYNN UMW C.aw. ArrrOwn Pra.tlr Mnep, Huey Lewis Email* MN. Pawl Haw Ala Vita& CHART COMMENTARY BY WEEK EIDING AUGUST 13. 2006 .10E FLEISCHER I've laud it he on.Ixlt it worth repeating:Yahoo Music\ online radio prod- ucts are steadily gaining a lofty place in the hearts and minds of labels and consumers. Offering a wide variety hit and niche genres. spins at Yahoo of PRODUCTION Music radio are pn)ving to he higth valuable in pnw idiug song familiari- or..,useruesumeur. Ilsbdadeer Tama Snits ty and artist imaging. Just click forvideos,photos. bins. you know the r st- araara.aa.,Tsl. Swam ri.Y Paid= Wow elm Win dantn important stuf:This week. at Yahtso we look Music's hottest gainer raaw Rehabs limp, (calculated by BigChanlpagne and available at B(:I)aeh.com) for Aug. 14. anterlatintankam Sawalaa Rasar Kw ida EINAR n.kda While the top three ( Cacsie, Breaking Benjamin. Cherish) represent some According to the latest employment figures comparing ETrL.p.+...Aa.+a. Areer lamed. Aa1wV T. Aiwas of the top hits, a deeper look at the chart lends insight into the wide -rang- LAN r..retia. A.di WINO Adm AWED.. Nampa job growth over a 12 -month period in the four metro OA, e ing tastes of today% listeners and illustrates their ongoing desire to hear pop areas of Tennessee, the Memphis economy is behav- üiwfl.rlwrrCv.i, Mena, d DM.1 Pai.w clacdcs alongside current sntashes.You have to km: when Pit Demur (No. NIU.N.Iffitalmaihontaaa Saw sl..+. ing as it always does: slow and steady, with 2.23% ew+rr War limb D.r.. 17) and 1 tuey Lewis (No. 16) nuke a top 21/ of any kind. aspecially %Olen E.Yí.cR.E job growth. w that chart also features such acts as Font Fighters (No. 5) and System of a WNW Mat Kral Pli,w tadp Alw 5,....r PLIksawlelitaINNIRNednam Down (No. 21l).This chart certainly shows that tuck might just be a little SAL CS la* A rar lewsdrd.... POPULATION: 1,047,900 popular than mainstream top 111 realizes. with Three Days Grace. AdaembagreRrilemOlordum One= r Saba Hwy Lamm Weed. Ar rar Cal A.d. 1A.a,taA.A.neisaw Shinedown, Stott Sour, HURT and H.I.M. all representing. cA.i.+R.r...wa.tar Sim Yang. Kr,Sao RADIO MARKET RANK: 50 Asdr,R,aera.KeAImam IISa..Rdr.N.a.tor. NO. ARTIST TITLE KB.wr.R+er.Awhs. SrawprrYa Mr, Rae Ca.eid OAP law Sao MN* 12 DEMOGRAPHICS:* MI AU SP1+r..A+.r.i rd s. Dim MP Slawvid.a N. (INN TOTAL MOM$ TNE OLANY W JANE Ar.e./aa..wa.ero, M.,eakliee 75- MARKET ARNM011 OORTOR ra.ruir0.. welds laieeunn.r...etrl...m Lim ANIMAL MAIM =OM M1,sr.m,wr.aRis. Kw. ta.w POIßA510I11 NUM NIX 1011.....RadYNNIRNarikam NO M1AI MOl ACE WM 13% 114l% 103 CHARTS Moil Pots THAT WA.eRea...qr.A.or OME MOW Oia. r Orb Was Pl.idme. ACE 31124 1L1% E1% IOS s++eR.+...+i..+.s. A.i mra 11101.061 LEAN KA.aMr...waf+s.. Ali 3544 20% 21% 101 Oeerd Camay Owed N10ES OWNS. A Caw' Oa.lisua.r s..a.r Writ AQ 4654 N% 20% 11% MINI YOU GONNA) ONE IT LAP TO ME A.r. Shm114111WIeraRamka... wlerMi..Iw.l.n. iAa.drdd COLLAGE GRADUATE 141% tOM IN lO 1110 LOAD Ow laret.s Ariry(iAo IIII611016WARMILtell MNR 57% e Il'f GINIr DOWN Ado l.d.. s.r Wwrr.rr (A4.da, Way" giNdelbdIANdbrANILa Ark A) A/MMI AM6ECAN 120 4T% ass T1Lw0Ufi14 CLANS TN* lWpuiA4rar.M..G..r SNAP .Za..peaa.?.a.iss Lt1/1LOY® FuLl-TME !P% S41% WI WINNOW Aa.b(w.a.a (LAW YBIEiIAEiSELIEMíNt !M Mb 1 RAPIIM [MEDIA E1 VINOUS MINTS MINIS OIL Goo rP.(Owl 11.0 w NO. OF RADIO STATIONS: 29 EL NUM LL1M6 NL TIE ISMS TIE NUM OF MOM t L10LL Rfi.....R....wa.A.s. O mni Wer Fr. V.r v R1R =ATM LOVES A fATRMa (a.i.Mmw ADMINISTRATION (Smoak ha) maw AIKNS IF VOWEL GOON THROUGH NRL Pablo Ma RAI. (1M,.R..w.Aamis. 6.Y.a+.iie..s. RADIO OWNERSHIP: E1 'UAL WINGS OFAMURFiMLY Car, L.a AC. AC) AMrirrlWI.(r.iNMK.r[ ohm MO551511016 Ia0B91A e 20 SYST91 OF A DOM HYPNOTIZE crCDR.IA.a...aa.w,.. Oba.sllaaw.sar.bs OEAROI* L 1 AM, SFIA M 35.E Owl Anima May Droa. Kann Oustm ravel) MOIL 4 Fil 15.7E Transactions at a Glance RAM 3 AM. 3 FM (a) 11.11% WNVVAMICalwonm.nt (Pensacola), Fi.. $430.000 WLD-FM/Brodimn (Boston), Mass. $30 million Vvou busness neAa FORMATS: 4 country, 3 urban AC, 3 WT, 3 gospel, WSJI-FMIClrrry Hill (Philadelphia). NJ. $2.45 million Rubino A CEO Sri Ver Po lin/ W WSC- AMrGMns Falls, %CKM- FM/Lahs George Troy) Wart L. Wall Nha. Raros 2 urban, 2 rhythmic, 2 classic rock, 2 oldies, 2 hot AC, and l aire Aia. WCQL- 11A/Qu..nshiry. N.V. $2 million S im VW Perir/ 1 AC, 1 CHR, 1 alternative, 8 other MUY-F /Westerly (Providence-Warwick-Pawtucket), R.L 5100.000 d aim, Ol.er $rash MFG-AM/Jefferson City. Tenn. $100.000 Vò I..lirair...rl. RATINGS LEADERS:** WWII-AMIIAwristown. Tenn. Undisclosed I6.1r011 arm Mud. sumo NOME Aa19M1i12iLlß Waal (Kama MNAL.NM oolPn 7:4 Deal of the Week (Rawly Pets.) PRICE: $262 million TERMS: Asset sale for cash MNIEFRI MN 7N Naiad Pala. BUYEF6 Entercom, headed by president CEO David Field. Phone: 610-660-5610 (M.'b Sai..i Drip) Wt7014111 OOIM1wY 72 It owns 105 stations, including WROC-AM, WBEE-FM, WBZA -FM and WFKL- WRMfM IMAN AC tFd FM/Rochester, N.Y. KJIIS.FM IMAN AC SELLER: CBS Radio, headed by CEO Joel Hollander. Phone: 212 -846 -3939 COMMENT: CBS Radio's stations in Cincinnati; Austin; Memphis; and Doe. SINAI INTERESTING FACT:* Rochester, N.Y to Entercom for $262 million in cash. Entercom intends to begin operation of the stations, except in Rochester, through a time broker- The top five activities of Memphis metro residents in age agreement in early October. In order to meet FCC regulations, Entercom the past 12 months were gardening (41%), swimming will be required to divest two stations in Rochester. (29%L volunteer work (24%), fishing (23%) and e06542- 7)06( --SE Ado 11r..n 81s-610.4562 (..a*us) rai Ara. photography (22%). 2006 Deals to Date Roses 914 iarn.wRiARA s.ka..am Dollars to Dab: $5.446.560.354 (Lau Year S2.834,053.805) Dollars This Quarter. $2.008.9T7,422 (Last Year 5453.612,869) Stations Traded This Year: 694 (Lau Year 888) W%ia1awi.aNlMr.rWi s& Num.alrar.Yodwow r.aa.vA.4resAaarok.d nam *Saw., S..asoyh Rawl A /OM Stations Traded Titis Quarter. 145 (Lac Wee: 168) .asaio4aae4aer ir sor ars.ine.t.NderN.IIIRNN.Ms Raur. A,M.a. San. )006 Rqa. .airear..m,.e a r ice .w rr..lr.ubrwrairl.Aalir.

THERE'S MUCH MORE CA www.RadloandRecords.com AUGUST 25, 2006 www.americanradiohistory.com jocobE ygymedio a.II006, WWI rirt ì

- o Th Murm "The Future Of Radio" David Rehr. CEO of the NAB avid M give us his vision for the NAB, and his plan for radio lr sural and growth In the changing V; media lsndscepe. "The Future Of Generating Revenue Online" Gordon Burrell: CEO of Burrell Associates, Inc. firedogs MN airar us how much Internet revenue b being generated locally - and how radio can get its fair shorts. "The Future Of Media" Jason Calacanïs: "New Media Visionary," CEO of Weblogs, Inc. Jason uncannily predicted the future at Summit 5 In '99 - and this year, hey td us harr mi can participate in the digital future. "The Future Of Marketing: Consumer Generated Media" Ben McConnell: Author & Consultant ( "Creating Customer Evangelists'? Ben I,- ham us harness the power of our au Bartas, and shoos us how their creativity can sat radio A, ate. "The Future Of Management" Jeff Angus: Author of "Management By Baseball" Jeff will shore um seile modeling basabali managers like Joe norm b mors affective than emulating Jack NIs/dr. =MI11111111111140 AVOW MINIM 71111111111.1111.1 Session Times: u ,1 :00 -5:00, Tuesday, September 19th and 10 :30- 12:30, Wednesday, September 20th In iDallas O The Anatole concurrent with the Raft and NAB Conventions For more details & an up -to -the minute agenda, please visit: www.jacobsmedia.cornlsummit

www.americanradiohistory.com BIG SHOTS

Compiled by Susan Visakowitz

Summer May Fade, But Not The Beach Boys dir and R 4 1. ABC entertainment news correspondent Bill Diehl. center, talked to the Beach Boys-Mike Love, left, the lone original remember still in the group, and longtime member Bruce Johnston, right -at the ABC News Radio studios about the band's new Cl) "Songs From 14 Here and Back;' sold exclusively at North American Hallmark Gold Crown stores and featuring unreleased live versions of Beach Boys classics as well as three new solo tracks trtml Love and fellow original Beach Boys Brian Wilson and Al Jardine.

Hey, big shot! E-mail high -resolution 2. Ain't No Odour Xtina Christina photos from your promotions, Aguilera played host on "American Top 40" appearances, promo tours and other in Ryan Seacrest's absence, counting down the top 40 hits including her current single, radio and record industry events to "Ain't No Other Man: Flanking Aguilera, ,5dkovv tz`u Í- iadioandkecords.com. center, are the show's executive producer Claudine Cazian, left, and Premiere Radio Networks president/000 Kraig Kitchin. 3. Good Chance As the members of J Records act One Chance toured the Carolinas, they stopped by CBS Radio's 1 urban WPEG (Power 98)/Charlotte, N.C., to vs abc N F WS abc NEWS abc NEWS of meet morning show host No Limit, center, at a screening of `Miami Vice." A. Wrack 'Eon While backstage at a Rascal Flatus obcNE show, members of Clear Channel's country 'WS KUSS/San Diego team ran into the Wreckers' Michelle Branch and Jessica Harp, who have had success at country abc NEWS , obc radio with debut single "Leave the Pieces:" J From left are KUSS MD Cindy Spicer, Branch, Harp and KUSS PD Mike O'Brian. N,. 'rWS abc NE 5. Forever 20 Virgin Records artist Janet Jackson visited Clear Channel's urban WGCl/Chicago studios to promote her new vs (Ix album "20 V.O.7 which streets Sept. 26. The eternally fresh-faced star is pictured with nationally syndicated radio personality Doug Banks. 6. Driven The Drive on Fox," nationally syndicated by Network, welcomed NFL legend Jerry Kramer to discuss the start of his Gridiron Greats Relief Fund to benefit retired NFL players in need of financial assistance. From left are Fox Sports Radio host John Fricke, Kramer and Fox Sports Radio VP/GMkxecutive producer Andrew Ashwood. 7. So Happy Together Rising pop artist Cheyenne Kimball stopped by Clear Channel's CHR/top 40 WDCG/Raleigh, 1C N.C., to promote her new album, The Day Has Come." APD/MD/night host Brody got be the prom date she never had.

www.RdlondRecordalom AUGUST 25, 2006 www.americanradiohistory.com n I

'Mama, I'm Talkin' Fast!' Will Ferrell, the star of "Talladega Nighcs:The Ballad of Ricky Bobby," made a return visit to the syndicated Ace & TJ morning show last week. The boys asked Ferrell about the heat the movie has apparently received from some so- called Christian critics, to which Ferrell remarked, "Apparently, I'm Quick Hits Christophobic ... but all the jokes are on Ricky Bobby." Asked about criti- He Once Was cism he reportedly received from God -knows -who about his stereotypical Anthony "A- One" Morris, longtime afternoon Lost, But Now portrayal of Southern talent on KKBT (100.3 the Beat)/Los Angeles, is He's Found now available for his next radio adventure. Find white males, Ferrell A while back, we told him at 951- 236 -9841 or [email protected]. a you about WMEZ (Soft replied, "l'n) product of WBIG (Big 100.3)/Washington, D.C., adds two Rock 94.1)/Pensacola, the white Southern male new members to the full -time airstaff: Market vet Fla., afternoon dude ... it's kind of funny that Lisa Berigan, famous for her time at crosstown Mike "Sandman" people come up with this WWZZ, grabs middays, and Scott Struber is new Sanders' amazing crazy stuff." to nghts/APD duties. obsession with ABC's You may recall that KKDA (K104)/Dallas and overnight personality "Lost," strhich he has while filming the movie in U.B. Rodriguez have parted ways. He can be parlayed into a popular Charlotte, N.C., the home reached through his Web site, ubchillin.com. weekly update on his M KHTS (Channel 93- 3)/San Diego has a new of Ace & TJ's flagship show. Somehow, the night jock and morning show co -host: Frank Vinci, show's producers WNKS, Ferrell graciously aka Frankie V, will transfer his "Frankie's caught wind of stopped by for an hour- Neighborhood" night show west from Sanders' mad "last" long interview after an on- WKSS/Hartford, Conn., while Kalvin Reed is 15 Ace BTJ skills and sent a camera air listener quest they upgraded from a part -time morning show producer crew from the DVD dubbed "Will Call" Said Ferrell to the boys, "1 feel like you guys were a good role into full -time co -host status. Group in Los Angeles to WLLD (Wild 98.7)/Tampa, Fla., rolls out the luck charm For us and the movie ... I wanted to say thanks." Basking in the red for latest member Pensacola to capture post -interview atterglowTJ remarked of Ferrell, "Hes my new man- cntsh."To freaky carpet the of his magic. Last week, "Orlando and the Freak Show ": Lyrik, who most which Ace eloquently added, "Shake and bake, baby, shake and bake." Sanders got the call recently did part -time at KPRR/EI Paso, Texas, a Los with he'd been waiting his Ferrell has been spotted at suburban Angeles ice rink "Napoleon fills the pumps left behind by Kathy, who depart- whole life for: "I am I )ynamite" star Jon I leder, practicing their mad skating skills for their upcom- ed last month. super jazzed. I made ing movie, "131adcs of Glory" "Will mentioned that at the end of the inter - WHHD (HD98.3)Augusta, Ga., welcomes Chad the final cut and will be view."Yankee fete told ST. "He said.'I thought driving a race car was hard . . Bennett to nights. Bennett, who comes from featured in season 2 of ice skating is much harder: " WAEZ (Electric 94.9)/Johnson City, Tenn., replaces the 'Lost' DVD, in the Cosmo, who exits. Special Features disc," Afternoon talent 'Cannon is leaving Beasley rhyth- he says. The season 2 mic WRDW (Wired %.5)/Philadelphia and is headed boxed set hits stores to Chicago, lured by the overwhelming charm and Sept. 5. Looking ahead The Programming charisma of PO Rick Gillette and regional VP of pro- to season 3, Sanders gramming/Kiss consultant Dorn Theodore, to take remains philosophical: Department the 4 p.m. -8 p.m. slot at Clear Channel CHR/top 40 "My price just went up, WKSC (103.5 Kiss FM). The shift has been up for bitches -they just don't grabs since Tic Tak left in June. know it yet." WNNX (9)X) /Atlanta Idly Bennett- known otF--air as Iloh Grissinlnr -has u Way back in July, Jason "Buckethead" Bailey personality /director of specialty programs Stag left the building. Fur now, API ) /aftenxon guy moved from afternoons on Clear Channel's alterna- Craig. who has been with the station since its Dave Alexander is holding things down on the tive WJRR (Real Rock 101one)/Orlando, Fla., to Launch in I8, er, 1'$)2. has iv-upped for two more pn>gr,unming tip. mornings at active rock sister WXTB (98Rock)/ gars and is awarded Ix s API) stripes. Tampa, Fla. But now, through the magic of a top- KITH' /'Iìilsa. (Ada.. sselcontes new secret process known only as "voice-tracking,"

After five years svith WFLY (Fly 92.3) /Albany, MI) /nilfit jock I )ydan, inbound from nights at Bailey will continue to live on in afternoons at Real N.Y., the last two as I'D, John Foxx has resit med W I IHQ /Memphis, etlectise Sept. 4. Rock 101one as if nothing ever happened. and is headed out for a new gig-1.11A.

Clear Channel /Lexington. Ky.. director of Nightmare For Dream Doctor operations and programming Barry Fox exits as his position is eliminated. Reach him at 859 -245- Our thoughts are with Charles McPhee, host of those diagnosed live three years, 20% live five 2377 or hearfox(a-insightbb.conm. the nationally syndicated "Dream Doctor Radio years and 10% We i° years, while others sur- Show: who revealed that he's been diagnosed vive 30 years. I's impossible to predict." PD/nor g talent Jason Jones, aka Big with amyotrophic lateral sclerosis, better - McPhee says he's committed to remaining Mama. is leasing KQQIt /Spokane, Wash. known as Lou Gehrig's disease. ALS is a pro- the host of the nightly three -hour show for as OM /afternoon jock Steve "Kekeluv' gressive, neuro- degenerative disease that does long as he can while eventually transitioning Kicklighter will add PI duties. not yet have a cure. "I feel OK right now, but hosting duties to his handpicked successor, let's be real, it's a very serious diagnosis," Frank Ru nyeaL a fellow Princeton graduate Aticr 11 sean at WINK -I'M /port Myers. Fli.. McPhee told his listeners. "Fifty percent of who McPhee has worked with for many years. 1'1 //station manager/morning co -host (:. David

AUGUST 25, 2006 THERE'S MUCH MORE @ www.RadioandRecords.com www.americanradiohistory.com PUBLIfHER'f RE4? '

competitive. Also. 5%V wish to pnsitk platform to convey insights and perspectives on imtpnsving our business. We ..ant record-industry pmfìssium- als and executives to get a fair shake and see to it

that the quality of their lives and contributions -- - as %%ell as these of creators and those who invest She went looking for a professional networking organization. in them-an: respected and valued :' When there was none, she founded it herself How one joins: "Go to narip.com.-

Biggest challenge. "My hi ,est enemy is the clock.

finding the tinte to do all the things I %vait to It Tess and do totem properly.

State of the music industry: "We're in a transition period; it is a hardship for many and an oppor- Taylor tunity for others. I stye enormous opportunity'. but to take advantage of it. people must be flexible and swilling to change. Several things are certain: Consumers have an insatiable appetite for music: consuner% don't merely want more choices. they By Erica Farber .want better choices: artists and ians contin-

ue to stake music: there is an ongoing need door hen less Taylor got into the music business, she looked marketing and artist-development expertise. as around for a professional association to join where she could well as a need for investment capital. Simply put- 16 lArmeet industry people, learn more about the business and ting one's music on the Internet isn't meaning- help her advance her career. When she realized no such fill; expertise is needed to market it, stimulate demand and sales :' organization existed, she took matters into her own hands. What started out as inviting a few people to get together Most influential individual: "( Ahcr than my parents. has turned into a full-time job with a mailing list of more than 711,IKIfI protèssion- Thomas A. White. .1 consultant in the recoud and als.'lìxlay. she boasts two titles for two organizations: ti)undcr and president of the music publishing industries. Iras been the most Los Angeles Music Network (LAMN) and National Assn. of Record Industry influential by tar. His humanity, %%isalomt and kind- Professionals (NAI&I P). ness have enriched me tnntentkmsh. I le has given

L ;(er Noter nie more than I can ever repay" Profile: Tess Taylor Beginning her career: "My first music industry job

Title: Founder and was at Illue I ).uutb . ILadio in Vienna as a pro- Career highlight: "Funning-and lust. g - --my president of the Los ducer for its lìnglish- Luiguage returning shove. I business. Its satisfing to lace created something Angeles Music Network %vas .attending the University of Vienna at the that helps others. Also. %Olen ntcaulxn first rela-

and National Assn. of titre. After graduation I ed to Los Angeles. tionships, take the infòrmatiun %ve have been able Record Industry where I got a job at Avalon Attractions. %which. at to provide. apph it and succeed, that gives me the Professionals the unit, %vats the ',wet concert promoter in greatest satisfaction." Favorite : Southern ( :alilornia :' Classical Advice for the record industry: "The relentless pur- Favorite song: Pete Founding LAMN and NARIP: "I uartcd I.AMN afkr suit of profits is often counterpntductive ro httild-

Townshend's "Let My I got my first job at Avalon Attractions. It was clear nig ,t sustainable business. The bottom line is an

Love Open the Door" from the initial mpon%e that ,a Ibnnu like this was otlr' concert but creating relationships should

Favorite book: "The needed. so I began organizing events and grew the he Wrote important. Put rckttiomships firm. and the

Power of Now- association. In l'rn(. I f d NARIP to address nHnesy Will fitlksc. PrOVIli .'aloe M) your cus- Favorite movie "The the needs of professionals. tomers will coule h.tck for mon.This is %what sus-

Lord of the Rings" trilogy "I AMN and NARIP give members an op- tains a prosiness. Force- Heeding a product or serv-

Beverage of choke: portunity t o broaden their pmti'sion,l networks ice may yield short -terns profits. but the business

"Very fine coffee." h1 .Ill: nation.allc and uuw internationally. It's in- .won't sustain itself. Consumers an' too to lore Hulloes "My job is my crraullgly olstuu% that opportunities center on fooled twice,"

hobby, I love it. I also kttanding,uul up- to- the -minute infònnatiun

love spending time with as %well ,IS pmfissiunal relationships. (other bene- my family and friends, fits include learning ,lout precedent, hose rela- and have had the good tiuushqs burnt between companies .end execu- 'Simply putting fortune to meet many tives, their strategic,. what criteria ,Ire used to one's music on the

marvelous people, 1 enjoy make major des. and get the green light on playing the piano, prolects. etc.' Internet isn't traveling the world, meaningful; reading, working on my Mission of NARIP: "'loo promote career advance- ing the U.S. market. Also, the more volatile the expertise is needed books swimming, ment. education and g do d will aiming record business becomes, the more people seek sleeping, composing and executives. duutestically and %vorld%vide. Increas- organizations like NARIItperhaps to help provide to market it, collecting fountain pens." ingly, U.S. emtnpnneun seek to market their .1 sense of stability. stimulate demand E -stall address: music worldwide and vice semi. Professionals out- "Part Of our mission is to provide education to tes. aanarip.com side the States have an ongoing interest in access- enable our rentiers to remain cutting edge and and sales.' -Tess Taylor

THERE'S MUCH MORE Cd www.RadloandRecords,com AUGUST 25, 2006 www.americanradiohistory.com PERFORMANCE -DRIVEN MARKET NG

( ll1l('I Ill(' 11MIL) Senior Vice Pt usiclunt Marketing Strategy

Performance-driven means achieving results, now ancí alWaVs... Catherine's clients return atiain and again because she delivers results. They rely on her to he an extension of their team. She knr\%ti radio. She knows what \vorks. . Nothing matters except results... . 411111111110 tl,it' Irfcrmance-driven narketin~.411.

Find out what (fill' can do for your station. plus res°regu\de download a complimentary copy of dit' \ 2006 Performance- Driven Marketing Resource Guide at: dmr dmrinteractive.com /results

or call us, toll -free at I -800-261-0831

www.americanradiohistory.com www.americanradiohistory.com Oki G A ION

19

Solutions Are Out There, But First, FM Has To Care By Chuck Taylor Illustration By Kate Miller

GenerationY doesn't know what its missing. For a demographic that has grown up with the Internet, sophisticated gaming, mobile phones, ipbds and satellite radio, in many cases terrestrial radio is hardly at the zenith when it comes to media choices for music, entertainment and information. For FM programmers-particularly those who focus on younger demos-the fact that a growing portion of this burgeoning young adult population isn't making radio part of its daily regime is a crisis that is approaching the boiling point. Consistent, long -term declines in time spent listening are no secret, but nowhere is the decline more marked than 'with Generation Y, the demographic that roughly constitutes the 14- to 27 -year- old age group.

AUGUST 25, 2006 THERE'S MUCH MORE @ .r ww.RadioandRcords.com www.americanradiohistory.com Ten Tools To According to Arbitron, between the fall of 1998 happened to discussing the real world that people on their paw and, of course. I use my teenage son Attract and spring of 21N16. radio time spent listening has are living in? Thais what young people want to to see what's hot with music and giveaways:' Generation Y dropped significandy -with younger demos hear about." Parikhal says that in the past, he would main- To Radio showing the most dramatic declines. Listeners Like Rosin, Parikhal says that broadcasters haw tain contact with a couple of high school kids, 1. Recognize that aged 25-54 were listening an average of 22 hours, no one to blame but themselves for the erosion of offering them concert tickets and free Clk in Generation Y is the 45 minutes a week in 1998; that figure is down young listeners. exchange for an open channel to the latest buzz

future of radio. by two hours. 15 . tes now, to 21.311. For 18- "For a wry long time, we just didn't care about around campus: "Then I'd talk to the jocks about 2. Talk to your audience, 341,TSL dipped three hours, 15 minutes over the teenagers," he says. "Now all of a sudden. we it. and they would figure out ways to soured not about yourself. same time period. from 22:15 to 19:I0. And for wonder why they are turning to their iPods. It's young on the air;' he says. Relate to listeners about listeners 12 -17, the differential was two hours, 15 because we neglected them like stepchildren." Being present where listeners hang is just as their lives. minutes, but today, that age group is listening only Saga Communications executiveVP/gaup PI) important for a station. With radio's hip factor 3. Create a cool buzz 12:45 a week, compared with 15:I0 in 1998. Stew Goldstein suggests that the youth audience already in question, face-to-face rendezvous at their about your station. Give So what is radio doing to address this critical would find plenty of value in radio if only sta- perceived cool joints is an essential imaglng element. young listeners a reason issue? Apparently, precious little. tions would target it. "Go to high school events, whether it he a to turn to FM radio. Larry Rosin, co-founder/president of Edison "They still have a desire to be entertained." he football Anne, pep rally or any other school func- 4. Use Web sites as Media Research, admits that he is baffled by radio says "Right now. largely we are not programming tion," Steel says. "By taking time out of your day functional, interactive, groups' ambivalence to embrace Gen Y, who not to that group. New music is harder to find, and to nuke an appearance. you relate to them on informative tools. only command more buying power than any pre- we are not investing in talent which can make eye multiple levels. It's vital," S. MySpace, MySpace, vious generation, but because they feel alienated by contact with this demo. This is a tough one. We "You've got to go to every relevant event and MySpace. radio, an rapidly adopting other burgeoning media need to create buzz and have this generation say, talk about it :' Payne says. "Give away trips to that are actively wooing youth culture. 'Did you hear this ?'" awards shows. present exclusive V IP access to up- gimyspace. corn stars piece 'or en. Rosin claims terrestrial broadcasting's wounds close- and -personal events with their favorite an elf -inflicted: "1 released a report in 31X1 on the when they visit. identify your brand with local 6. Live where the 12- to 24- year -old audience that I truly thought Life Out There teams- varsity. college and pro -car shows, bike demographic hangs: Go would nprscnt a turning point and trattsfornt the If the message is not reaching executives at the shows. Always ask, 'What's next?' It's exhausting, 20 where they go, offer industry," Rosin says. "I cane up with all of the rea- corporate level, it is apparently not lost on real - but we need to understand that we are in the more than a cursory sons that this demographic was no longer listen- world programmers who include Gen Y-ers in entertainment business and it's our responsibility. presence. ing to radio with all kinds of evidence. I believe it their target audiences, particularly at urban, top Listeners must always be entertained with larger - 7. Pay attention to was the single best piece of work I had ever done." 411 and alternative stations.They say they have an than- life personalities and promotions. ringtones, videogames, And the industry's reaction? "Nobody paid any arsenal of tools to make sure that no child is left "It can be as simple as outfitting your station downloads and what kind of attention whatsoever.This is anything but behind when it comes to radio's relevancy. In a with the hottest gaming system so that you can your own kids are into. the first discussion of this topic, but you reap what word, it comes down to technology: cell phones, host Xbox 3611 challenges at sales remotes," he you sow There is this attitude that it's something pagers, text messaging and the like. adds. "You will not believe the response" we can worry about tomorrow. No one is even "First and foremost, you've got to engage these Parikhal stresses, "Go to the null. the places trying:' he says with resignation. listener the way they want to be engaged," says kids hang out. Create your own events. be wher- Rosin is handy the only critic of how broad- 1)ave Steel, PI) of Regent's rhythmic KRKA/ ever they go to show that you care about them." casters are ignoring Generation Y. The ever- Lafayette, La. "If they're online. streaming is one He also suggests making sure a station has pres- outspoken John Parikhal, president of Joint of your tools to gain cume and TSL from some- ence at concert events that relate to a young audi- Communications,unications, insists that radio stations age -old one who may not otherwise listen. Station Web ence, but prove that it's not just a cursory gesture. positio g statahnetus are not only irrelevant to a sites need to be functional, interactive and "People that work in radio are so used to this 8. Go back to high savvy youth audience, but just plain patronizing. informative as well as fun. By updating what you kind of thing that they miss the opening act and school. Sports, pep "'We're the station for nxxe hits:'We play more covered on your morning shone, countdown leave 15 minutes before the main act ends.You've rallies and whatever music of the 71 k, yol k and today.' Its lame bull crap;' shows or other features, you can draw them in got to think like a fan, act like a fan, be a fan." events offer visibility. he says. "We've turned air talent into trained doss. repeatedly. Airstaff must be familiar and proficient Whatever the case, Rosin wants, once again, "If 9. Use H02 side Haw some aspect for the people that are listen- in current technology and applications to be able a radio station isn't targeting these people. it channels as the new ing. (cxnmunicate with them. Stations only talk to relate to the listeners on their level" doesn't matter if they show up where they con - frontier for the youth about thenselves instead of the audience. Al Payne. OM of Radio One's urban AC gregate.The point here is that they must be tar- audience, just as FM did "If you're 17, you want to hear that it's 1110 WKJS (Kiss-FM) /Richmond, Va., echoes that geting them in the first place." in the late '70s. degrees, how sweaty it is outside. Personalities are sentiment. "Wr v got to live where they live.This 10. Get rid of the gray. no longer given the latitude to talk about the fact format is a lifestyle. If most of their time is spent Hire kids to be on -air. that it's raining. that school is starting in a week, on sites like MySpace.com, you better make sure The Road Ahead that Paris Hilton has decided to not have sex, so that your station and all of your personalities and Looking forward-and it sounds so simple-Steel what should she do instead? Engage people. What mixers are in their face there as well. stresses that it is key to make listeners feel like they "We host MySpace parties here and recently are participating in the personality of the radio sta- did a giveaway in which callers won concert tick- tion as opposed to being outside observers. ets by giving us their MySpace address. If you "You have to nuke them involved in your 'I released a report in on the Ì4 2000 \ don't want to get that complicated. just mention- product :" he says. "Whether it's cume- or TSL- to 24-year -old audience that I trul} ing lifestyle items like iPods and MySpace in your reated promotions, on -air content or other station imaging will talk directly to the demo. avenues through which you connect, by remaking thought would represent a turning poin . Take all feedback from your personalities. street then feel like they have some ownership of the and transform the industry. I came ur team and interns and convert it into ways to station. they'll he your voice in the a Wiry with all of the reasons that enhance your stationality." encouraging others to listen as well.-

demographic was no longer listening tc . Mambo, co-morning host at Cumulus' rhythmic Steel adds that ediacy is foremost in the radio with all kinds of evidence. Nobod} KVYB (1113.3 the Vibe) /Ventura, Calif., adds. "I minds of young listeners: "They don't have the paid any kind of attention whatsoever. kook at what music and ringtones they download. capacity to wait for anything anymore," he says. what videokantes are the top sellers. then research "They need as much as they can get as soon as There is this attitude that it's somethinéi the game to see what songs are on them. MySpace possible. Its our job to deliver as much as we can we can worry about tomorrow.' - f w., is something I use to see what songs people have to fulfill their needs."

THERE'S MUCH MORE O www.RadioandRecords.com AUGUST 25, 2006 www.americanradiohistory.com Parikhal ha rs home that spo tloads must "Time after rink, the predominance of HI)2 Scan Lynch. I'1) of-Visionary Related Entcr- r to d h. but lone important.: om tholtes sue JII11tti JI the 25 -i4 audience. Its Tike J c ' nt's rhythmic KI )1)13 /KQMQ H lulu. menials hase to be pertinent to the audience n dcx :' he says. "I Itvv many classic countries dour agrees: "Talk to then[ in their language. ( kt air

. a te g to J given sea ' . hive \er'us music th.it is ai11xYf at (04 listeners% personalities that can relate to this ck Put "They used to hase t thing to do with the Give the entire III )2 tier to youth in just the say kid on the air cote in J while.' f at:" he says. "hut now ash are irrelevant. that FM hnlu &n young listeners from AM:' Payne has done .lust that. Asked what special he has in place for on -air personalities to St - are playing i vials that nobody Second. he offers. only half-joking. "Don'tt trust mining cans about. that haws nothing to do with listen- any pntgeunntcr over the age of 311. If the gray -hair relate to youth. he responds. "Arc you kidding% er:. Its a disservice to listeners and advertises. brigade shows up for a pmmotion.timg t it.A hunch My staff trains me. Most of thrnl ate Gen Y. so I As a tixtyvntxtltiiig. lko im lus tux) prinun sug- of old tarts trying to talk to deli is not going to take what Tye learned about good radio and gestions. First. he says. tic elo p I ) side tha ris as ssork. I )rati .t new regime of people who got it. I lire nxsh my experience with their ideology. It keeps a destitution specifically targeting (*ovation Y. young people %vim know wham they are.' things moving:.

Meet 72 Million Optimistic, Empowered Thstemakers

Some 15 years ago, "Generation X" became a well - from underneath them. They are a savvy genera- entrenched pop culture catchall for a peer group of tion, but are also very distrustful: cynical, angst -filled twentysomethirgs living in the Generation Y appears to have a better take on shadow of the sprawling baby boom. their future. Among the traits Stellin attributes to How five minutes ago. Meet Generation Y, the Gen Y-ers: They are realistic but at the same time last cultural cohort born in the 20th century, optimistic (they know bad things will happen, but 21 branded as a gentler, more optimistic sect, sensi- remain positive in thinking everything will be OK); tized as the boomers' offspring. The group, which individualistic versus fiercely independent (they ranges in age from early teens through late 20s want to be individuals but part of the crowd: "I am (born between 1978 and 1992), has already taken totally one of a kind, just like my friends on a host of catchy nicknames, like Echo Boomers empowered (they think they are smarter than you and iGeneration. In all, the demo encompasses 72 because they have been told that) they serve as million Americans. the CIO, or chief information officer, of the house- For programmers, there is a ton of information hold and have boomer parents asking them how to about Gen Y that can be directly applied to station program the TiVo and for lessons on how to be dynamics, collected by those who study such things cod, which results in Gen Y-ers becoming the for a living. Catherine Stellin, VP of marketing and tastemakers and drivers of family purchases; and multitude of custom Internet -only radio stations. 'Programmers trends for the Intelligence Group, is one such per- they are entrepreneurial and hopeful. "Last.fm is a great example where you can go need to son, an authority on youth culture who has advised "Programmers need to understand that they've online, create a free radio station that is customized understand such wide- ranging clients as HBO, Cosmopolitan grown up in a world of what -you-want -when -you- to play songs similar to artists you've submitted as that they've magazine, Calvin Klein and Xbox on how the retail want -it entertainment," Stellin says. They are favorites," she says. it is providing the service of grown up in a and brand landscape is changing and how to best accustomed to showing many sides of their per- introducing new music you might not have heard world of embrace the next generation of consumers. sonality on a given day, whether it's preppy, punky of. But it's still important for radio stations to have what -you- or rock'n'roll, and they expect to experiment with an online presence that adds value." want -when- different genres of music as well In terms of marketing, Stellin says advertising you- want -it Radio; H Llear Message Customization is key, she stresses, but the group that appeals to Generation Y needs to respect the entertainment.' SteNkn's first line of advice for stations, no matter prefers individuality within the safe confines of a larg- fact that, whether 27 or 14 years old, it's likely they -Catherine Stellin who their primary demographic might be, is to er group: "They will customize their rirgtone -aid it's are already aware of any given trend. make content crystal clear yet adventurous enough one of a kind -but all of their friends are doing it It depends on the tone and the brand of a partic- to meet the demands of a cultural group that ular ad campaign, but "humor is always effective in knows how to find what it wants with limitless that it gets their attention, and they tend to abandon -and to never assume that it is not Tech -Savvy remember it. But it needs to be smart, witty humor already in on what a particular format might be Obviously. Gen Y is the most technically savvy demo- that gives them credit for being smart," she says. selling as the latest thing. graphic yet, gravitating with ease to the Internet, The same goes for station imaging Don't expect "It's important for a station to be true to them- Pods, satellite radio and other new media. But the listeners to not be tuned in to whatever pop culture selves, to not try too hard and yet to not dumb appeal of entertainment that doesn't come with a or music trends are already entrenched on the Web. things down; she says. "Take music seriously, price tag remains at the forefront, Stelln assures. In particular, a song or act branded as new that has because they do. And a lot of times we hear that FM radio "will remain appealing as long as it been circulating on MySpace for the past two radio feels too mainstream, and not just the music, continues to offer a premium product," she says. months creates a disconnect between a hip audi- but because the commentary seems geared toward This is not a group that will be stagnant for the ence and a seemingly tout-of-touch radio station. a less intelligent consumer." sake of comfort. If they think they get something Even if a station's format is classic rock and it plays Whereas Stellin characterizes Gen X as the better from satellite radio, they'll go to satellite lorgestabished favorites, Stein says to not forget to shattered-expectation generation; Gen Y differs radio. But it has to be a lot better to justify the add the occasional element of surprise: "Introduce dramatically. cost. Don't underestimate the value of being free." them to new music you think they night like as well." She explains, "Generation X grew up thinking Station Web sites add great appeal to terrestrial She adds, "It depends on the specific station's life would be one way and as they got older, real- radio's imaging -though, she warns, merely brand, but the most important thing is to be clear ized that was not the case. In their life experiences, streaming a station's signal without offering fur- about the kind of experience they can expect. And you'll see a pattern of the rug being pulled out ther compelling content stands in contrast to a then deliver new, new, new." -CT

AUGUST 25, 2006 THERE'S MUCH MORE ftb www.RadioandRecords.com www.americanradiohistory.com Making Dollars And Sense Of Today's Deals

www.americanradiohistory.com 'Sports deals are egitiating hnudcast rims with prat:, tien:' he says. "Ifall things work pn)ptrht we hope to profit from rights deals. siunal teams is a contact sport. tint the games drive audience that aRnet al - becoming "The lx-st relationship a radio station ...il Ins: Beyond the handshakes and the con- I\ Pi listener. M) that they can sample the sta harder and with a pli tissiolul sports team is when unes Iwaki ALi gratulatory pats On the hack. any broad- But most important. "We look to slake all of harder to benefit :' Red Zebra CEO Zier says."' flunk the caster who enters into a rights deal with r spurts our sports profitable :' he says. (lays are over where one is the loss leader Mott the

franchise better lave a team that's supportive. In a Wall Street world. pmfruhility is key. make other. That doesn'tnet maki stns.. any willing to work closely with the station and above "That's why you're seeing a lot of companies nul- profitable. I le believes .a radio station SI Id hase three all have players who show up and stay in touch g away (null these sports deals.' Schweitzer They're no distinct rani with a %ports team: "First. with the su and its listeners on a regular basis. says. 'Theyre htt g hander and hander to atm the flagship moor the team and I do their play - And that: the easy pan. There an essentially make profitable They're no longeras exclusive as longer as b% -play. he says. "Second. I'm going to talk about only two options new that work for moving ad they were intended to he. exclusive the team. ,bout the players and the stories and /Seattle goes inventory: either .a shared deal between the sta- Fisher 13madcasting: news KOMO as they everything that along with that. The thine tion and the franchise. or bondcaster- controlled. GM Larne Roberts believes the deal he has with n a hip is .1 marketing rel. tion\hip: mating Otherwise. no deb. Broadcaster are fighting MLBS Seattle Mariners benefits the sun on. "The were hoopla and helping the team sell tickets. hand to grab and hold unto listeners. while sports Mainers incnase our AQH and come sir intended -If they -meetgn,tbut that will Ise because franchis% are in an equally brutal battle to sell hs out of the year.' he says. "'they also pro- to be. the relationship between the radio station and the tickets. (: acts that don't generate nsenui vide a cachet for KOMO and boost the image of team is re.dh gixxl and solid, and you have the not just ratings. but revenue-for death sides 110 the su being the nurket leader:' -Jon Sdreidtz f same ye\ of the world.' longer make Sense. The do vlside? "A Major League Baseball con- Lincoln -Media's news/talk MIT-AM-I'M tract is very expensive :' Roberts says. Charkotte. N.(:.. GM Rick Jackson is an advocate The Other Team for change in the imoxk'ast rights areua. "Any It hasn't nude things easier as the bnutkast grenu bnutkasterpaying any professional sports team for Buying Into Broadcasting has been cl led by the emergence of alttnlatt

the rigdns to broadcast genes --if you're just the Indeed. cost and lack of excl city have been nevv -media plate . XM Satellite Radio is vehicle. the flagship station and you're just carry- deciding t.ictur for a number of broadcasters. home tu MIIl \chile Sirius Satellite Itadio car- ing the g. -with sales opportunities" is at ( :13S Radio CEO Joel Hollander. for example. ries NH and NBA games. NI I games are car- r disadvantage. he says. has opted to not renew a her of spurts con- ried on both outlets but will name exclusively to WWI' has the rights to the NII. Carolina tracts. including those with three NFL teams- XM in 2(M17. In mort cals. the games that the sat - Panthers and. until Recently, h.Id a drab with the the Dallas Cowboys. Washington Redskins and casters carry are produced by kcal radio stations.

University of North Carolina football team. dial ' re Ravens -and two MI.11 teams. the St. In another bevel opnellt. Sprint Nextel will son Jackson says he Cut udthe relationship with UN(: Louis Cardinalsdinals and M. -rota Twins. nuke kscal flagship-station bonds:asnavaiLlhk via an even though WIRT was on the receiving end of While the Ravens. Cowboys and Toils have agreenkilt with Major League Baseball Advanced all a I p.l\'llll'nt Of than six figures. mound new broadcaster- owned hones. the Media. the sport; hamlet wing. moor Si!$ r ninth. because the ttJIll is based in Raleigh and not Redskins and Cardinals have opted to his stations The new distribution arrangements have ter- Charllme. which reduced is impact. otltrildu or co-on a radio outlets for their team's restrial-radio rights holders either scratching their He also doesn't Ilieve that a split -inventory coverage. Redskins owner Dan Snyder recently heads or jumping up and down in anger. deal works \cell for ,1 broadcaster. saying that the launched Red Zebra Broadcasting. which is run depending upon whom you talk to. station ends up a iseting against the team for by longtime broadcaster Bennett Zier. Meanwhile. "The leagues led dut it: within their rights to ad revenue: "You tither have them or you don't. the (:ardiluk bought a 54r.. stake in CH hase us produce a program and then deliver it to because the team will kill you: this have all the I Inklings' news/talk/sports X IRS/St. Louis. our e peti :'WTMJ: Schweitzer says. playthings:' such as team roar, event tickets and T\so odes MLB teams have longer histories of -They're looking for every platform. I can't player appearance schedules. owning their mho stations. aldoxugll in both cases fault them fox that:' he ankh. nut "torr us to pro- it was the hnxxk.stcr that b ought the team. !totters duce a product that ultinutely gets delivered to Communications pun-bawd tiell)ntO Blue Jays our petition is a confining tininess model for

Never Again in 21 M t Loeb bxlgalt (J( :I. (die h.ul 5A )) in that mar- nee to understand.-

Jackson says there was .1 tine shell the station ket the next year: Iribiue' nevss/talk W(.N has Ixeu paid for riOts to air Panthers pules, hit W11.1. no broadcasting Chicago ( :ubs baseball panes since the longer doss.-Believe Inc. we will lies er pay again. station mot on the air in 1925. In 1914l.Tribute he says. "I think broadcasters that .IR paying for bought the Cubs titan the Wrigley fancily. basketball, football and hockey an nos. We're nay No nutter who owns the team. bah sides need beyond the elty and age Where we need tient. Bill he says the Panthers are great tu svork with: "I Ivey gist. us pli .b opportunities. Radio's Baseball Rights:

But 11 a years agi) that wasn't the case.' \V hike sox getting into yxtiti(s,Jlnnul: news/ Who's On First? talk sports WTMj /Milwaukee sniorVl' /GM J(o Schweiver ens dut in general WTMJ pays rights CBS Radio is the broadcast leader sports WCCO will lose the rights to the carried on WSCR in that market. fies to hx..uI e',1111s. but keeps the advertising av- when it comes to Major League Minnesota Twins, which have been with In addition, it is negotiating with the enir bmight in by those bnudkast...Hie station is Baseball. But while one -third of base- the station for 45 years, at the end of the Detroit Tigers, New York Yankees,

home to M,ijar I :.igue Baseball: (MI.1t) ball's 30 teams have deals with the 2006 season. The team is moving to Philadelphia Phillies and Pittsburgh Milwaukee the Nhls( nun Ikn Tacker. company, that number is declining. Hubbard Broadcasting's news/talk Pirates to extend contracts that run out the NBA: Milwaukee Bucks and the University of Last year, news/talk/sports KMOX/St. KSTP-AM. CBS dropped out of the after this season. Wisconsin f.x)thall .tel bxasketlbrll trans. Louis lost the Cardinals to CH Holdings' negotiations at the end of June. CBS has agreements with the Los The payod' is threefold. according tu similarly formatted KIRS, which is now CBS isn't walking away from all its Angeles Dodgers, New *tit Mets and Schweitzer. "First and li)rtcm)st. to own the sports co -owned by the team. The Cardinals deals, however. The company is in the Oakland A's that run through the 2008 images in town. to be the first place for listeners had been with KMOX since 1954. first year of a five -year deal with the season. A deal with the Texas Rangers to go for their favorite honlattsvn team. is an Similarly, CBS Radio's news talk/ Chicago White Sox, whose games are extends through 2010. -T5 important part of the strategy tor the radio sta-

AUGUST 25, 2006 THERE'S MUCH MORE Ce www.RadioandRecords.com www.americanradiohistory.com DON'T MISS THE HOTTEST 3 DAYS IN ATLANTA

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Ms CI FARCIIANM. S E S A C -Amp fiti IRR rift >»Ftcwa,t ® 111111111FID( esonicbids www.americanradiohistory.com he THIS WEEK IN DATA.harts For complete charts, there's always more at TIMELINE nn Craig Kailman promoted to chairman/ CEO at AtlantK Records Group. THE SPIN Carson James adds oversight of the 416164 Ai Curb/Asylum Records By Wade Dessen, Gary Trust, Anthony Colombo and Raphael George promotion staff. Mark Anderson moves to Audience Development Group as direc- formats. 'Lifetime tor of contemporary Urban's 'Bridge' Leads John Achievement Bob Visotcky Keith Urban's "Once in a Lifètime" Back To AC Chart named VP/GM l :apitol Nashville) arrives on the Elton John debuts at No. 29 on the AC list of KLAX and 25 (:ouutn chan at No. 17 .und .hatter. the with The Bridge" (Interscope), ending his KXOULos Angeles. Leslie Fram elevated to Nielsen 111)1-era record for the highest longest span away from the chart as a lead director of programming at Susquehanna/ kbttt."Litìtintc" tops a No. 18 star M artist since the Nielsen BDS era began in Atlanta. Jeff Ayeroff named creative director Garth Bnwks. '(; d Ride (:r>,vtxn" in 1993. John was last on the chart as a headlin- of Warner Bros. Records and creative consult- October 20115. which surpassed his own er in May 2005 with "A11 That I'm Allowed." ant of Warner Music Group. pn'vious record for the chart 's highest John also extends his lead for most chart boss; set in May 1991 ss hen "The hits by a male artist in the BDS era to 25. A.D. Washington Thunder Rolls- entered at No. 1'). Celine Dion is the overall leader with 33, and named senior VP 10 Urban had previously bowed as high both, ironically, are longstanding veterans of flAftSMt of marketing and as NO. 37 svith "I ).ivs Go By ut Jtuly. 2010.1. The new single inmxfuccs an the same stage: Caesar's Palace in Las Vegas. promotion of Warner Bros. as -vet- untitled no% all ,duc Nov. 7. Records' Black Music div,sKxn. Mary June Rose appo.nted Shinedown, 'Goodbye' Means Evanescence PD of WGN/Chicago. Rob Hello For Brown Dalton elevated to VP of Nickelback Extend Chris Brown sets a career -high 'Sobers' Up national country promotion at Epic/Nashville. Top 10 Streaks debut at Urban as "Say Goodbye- Evanescence returns to the CHR /Top Shinedown earns its seventh top 10 (Zomba) enters at No. 27.7-h, Jamie Hyatt named PD of KOY/ 40 chart for the first time in two -and- in seven tries at Active Rock as also Phoenix. Matt Mills named presi- track tics Avant's "4 Minutes" a -half years with "Call Me When You're 15 "Heroes" (Atlantic) climbs 11 -9. dent/GM of WPRD and WMGF/Orlando, for the best start by male artist Sober" (Wind -up) at No. 36. It's the That's one short of Creeds mark of Fla. Dave McKay named beautiful music/easy lis- this year. Brown's fourth chart group's third chart hit at the format, 10s from eight straight top the start appearance also collects 1.355 tening PD at Bonneville Broadcasting. following the No. 1 "Bring Me to Life" of a career, which it accomplished spins, the second-highest suns for .t and No. 2 "My Immortal." between 1997 and 2000. Shinedown Robert Wright debut track M a malt since the its is also one shy of the current longest Evanescence also lands third top named presi- log gof2tlW."WhyYou top 10 run recently established by 10 at Alternative, as "Sober" rises 13- dent/CEO of Wanna" by T.I. pulled in 1.3155 ?Q. Godsmack with the title that holds at 10. "Life" spent two weeks atop that NBC. John Carter plays fix his No. 2K entry. in April. No. 7 and is, ironically enough, titled chart in March 2003, and "Going appointed VP of West Coast "Shine Down" (Universal Republic). Under" hit No. 5 in November 2003. operations at Chrysalis. At Heritage Rock, Nickelback lands Pussycat Dolls Claw The group's new CD, "The Open Door," Kid Leo promoted to OM of its eighth consecutive top 10 as Nao Heights streets Oct. 3. WMMS/Cleveland. " Rockstar" (Roadrunner/IDJMG) The Pussycat I )ills hook their sec- jumps 12 -7. That's the third - longest ond top lu and their hest shcsvit)g Denise Oliver appointed PD of ABC string in chart history behind to chats at Rhythmic as "Buttons" Rock Network. Warren Maurer Aerosmith's 11 and 3 Doors Down's (Interscopc) leaps 11-8 with the named VP of the AM Radio Group at nitre. The Canadian quartet has week 's largest increase (up 552 Group W Radio. Ron Riley promoted to OM reached the top 10 with 11 straight plays). The track gains 415 spins at of WCAG and WXYV /Baltimore. songs from its last three , but CHIC /elite -to and is now only its top 10 streak was interrupted 1117 spins :sway from giving the act Linda Clark appointed national director when "Saturday Night's Alright (For of promotion and artist relations at Jet Fighting)" from the "Charlie's its second chart- topper at that for- Records. Alan McLaughlin named PO Angels: Full Throttle" soundtrack mat. In January. "Stickvvitu" of KRIZ/Phoenix. Joshua Blardo named East stalled at No. 31 on the then -40- reached No. I on CHR /Top 44) Coast promotion director at Chrysalis Records. position chart. and No. at Rhythmic.

AUGUST 25. ILLUSTRATIONS BY KUN -SUNG CHUNG THERE'S MUCH MORE www.RadioandRecords.com www.americanradiohistory.com CHR/TOP 40

CHR/TOP TITLE 40 INDIKATOR PLAYS A'T'ST MsTa1n / PROMOTION LABEL Tir U. aMO11IOi101T1AIMIII91iD1TMO6cO attATOaaatrNU9ID6r1aaBMATA 44i7 .'A mwommttirtlltplottMT.TYttro 191510111 4463 46 tÌ1fTlwf 11[11drUT6w1sRAT.9wlorL 46444141601' 4016 469 Malo= aeKISRKIONMaDOrMItA6a[ 3/1W -166 O6áO119i1196lr O11i 1u1I RN9( T1211tJq Ttt1MT 31171411111111111i11111044wMAOMtir So much top 40 ratings goodness, we could just plotz IOM101OtA69NTMOL49 u1aTI1w9.9MaM WI RT1ROaBOUr.Rrtra.eTl[voOVOOts 11111101111MINBRIROE The Spring Ratings r4aAw1Wtt05110t 16r.6...6eArG 239 2M ID 11011nu11111n1a9 faSrra 2(1111 467 it1111 WW1s 91Yw1RAT.IItttti lAo 1116 417 Bonanza aARlli1111allS51181Tl1111ow5T9S 5t911ser991 ; EN 43 1111111OIa91ap658161twa1Ta:6111 189436.489791 1169 -37 1S61w711111101tO1r199NR[O.19LLt99Ot 99095869mum99{ UNI -237 íM11111Ma11191t111111Rt111)111lwRNlRAL9lTl91ma 449449: 13E1 IW f61f11M11X0ta4/61Nat=R meMWIDN6 1359 -i30 Kevin Carter 111iRM11lldwraO R 1546 -420 KCartereRaidloandRecords.ttww 96106311111111111111111010684141116 wlpOIplo. MU 37 1511ra)at1t1 16609911014 111 40 t111T111111-r0 s2r11oiac 13E1 dM is almost like Christmas in July -*wept its been Iikc 144) degrees AM11r91 13111 34 here for the past month. But I digess. There is just so much asse- 11M11967114114111.1.11116111111111. minor 1141644411611601 1211 411

stmicntss (Is that even a word? It should be.) happe ' g all over 611111111/ 11111991111111 959496 1222 15I 26 Top 40 land that we called several l'I ) pals to explain their suc- 90OIa616109T0u6'M11111[ 1f10 -107 wasat69. 1170 -338 cess in their osvn words. even if it meant dr zing them assay &nun ismowwws fig .703 ratings. elchratioms where the Old result of consuming mass quau- titie% of adult beverages plunged them deeply into "I love you. man!" mode. 11411116 i M .324

, 1111Taill.1549U50a119560401119136119 alma ia( 46 1111111111199.4441 111Ae6 as 47 Cat Thomas, WAPE/Jacksonville, Fla. I11ri151111113111111939883 mum. oß 430 "We'd like to dedicate this successful ratings hook in loving memory of Chris Kelly. 1111111115699899.9v411atMr.1Ta mum 547 -3111 ßT60w19M046C64 S70 .16 Chris was a I )I on the Big Ape AM in the 1970s and was our senior account man- (MfafllaO6ra91Wta Smarm( AS 4 ager until he passed away this spring. We pude it our mission to send him off -with MEM561ORAT.OAN1 NIaGEF*K 466 -76 a terrific ratings hook. So. here. Chris. we give spring 21M K, the Jacksonville Arhitron 01.111.a15w116rawtrRloot 1aaL6900o 410 47

to you. I 1 ' If know , he's already sold the firm -ever remote in nx-k'n'roll heaven.- Oti 11tl1101 tM9AtiTA141 wT. taatar 1SN aNiTA MC 400 -116

Brian Kelly, WXSS (103.7 Kiss FM)/Milwaukee CANADA OIR/TOP 40 PU "Kiss -1M lasted its se 17 share in a nsv 12 +. We were No. I sonner 18 -49 and atAtaiR/ RaOMOTiON UaIL TT1

25 -49 and No. 1 personas 114 -4'). Our big on -air pmtuoxion was Think Fast fix a (rand. A11612/Rai 641 a game show we played fixer tines a by c plcte with hells. buzzers and tick -took 641 11111 STI M I edicts. Listeners had (111 seconds to correctly answer the pop-culture questions. 5 111 461 If they did. they won Si INNI. We did backstage pis *ions with the All- American WAIAWI T 463 Rejects, Pink. Mary J. lige, Ne -Yo. Nickelhack. the Fray and Panic! at the Disco. 11116162e1334416,64111 469 Every sin major nix' picture that canne out ill the siring. we owned it with exclu- 420 sive sneak previews. Couple all that with the test airmail-on the planet -Wes. Itahny I181398511869886 and Alley: Jojo: Kraig Kamm: Kracker: and Jesse Mitchell -it's a heck of a conabxi... 1 MOM ti NOT MAINS M1101r156pO111GM11aRM9m6rM1e1r19w 11111MIN1L 1119 wow aMM11a5fM 11N1a6.1W.erpe9t WrMTMRntnaatMtaa Boomer, WRVQ (Q- 94YRkhmond, Va. 114111 NI imam 1161161911011aa1MASM HIPS SOW Ia 9w.ww16.11aza5 a1VS0aR9aü "We've got a great team in place her at Q-94-the credit goes to them tir their 00RTOR O6111IIN11iwa119lQMWVO1KR tNOMIRRArnalw0 ' 283 hand work during the spring. I wouldn't call it a relaunch. but we jumped into spring M L N YMSI 9,165111969183TR AOOlSiallaYA0a1I1001 267 with fresh iuugiiig, a totally revamped Weh site. new database prowani and a tweaked /otVOOVt es-vo fiW916ap9A< 262 sua ' sound that better serves the 18-34 female. MI OM 994609611 /610rtA6 230 "We did a e bina tion of local and loup contesting, 'with' cash. Our best con- 11111111111/M1Y1019naee1R1t1a.Tpm 1110apa111401111010110LAWAll 39 test suas our simplest ... Music Match for Cash. where you listera for the songs to t6621a1MtAC 247 Ka1159M6em 242 play ou a list posted at the Weh site and when the last one spins, you win cash. We 61wOAeA119i 232 also did fix-used contesting tin the database. driving new registration and providing 225 satkEiction for those already registered. I'm a big believer in the notion that database w66..51.á. 221 equals diaries. We continue to average a dozen new members every day and have 09 25 equaled 75% of last year's total registrants in half the time. '161119101o69í661119 210

"To cap off' the spring. we rait a healthy TV campaign and node the coattail of 11111111064011111114861116 ' T07 7M Elliott Y. ' . a Riel I native. through 'American Idol' to the final three. hand- swsar96aetlr ing ourselves as the 'Idol' station in town. We got ridiculous TV coverage-CNN.

L.str.a and any number utl.x'.al .und regional V outlets covered our events oil a week- lump T70 ly basis. plus suc managed to get our morning host on the front page of the paper.-

THERE'S MUCH MORE CD Nww.RadioandRecords.com FOR WttK DOING AUGUST 20, 2006 AUGUST 25, 2006 www.americanradiohistory.com . NIELSEN SOS t4 HRPREDKTOR NEW AND ACTIVE CERTIFICATIONS STATUS TAIE TITLE IMPRINT / PROMOTION LAEL RAYS AMMEILMIL ARTIST ILAM /GAIN

RIGHT MEN! YOU THE QUEEN AND I 7741101 WANT NE Orr oN Ne.Me SUT1pE AIr Ile (DOCAYONBE/pmED Er RAAEIYL AVA) Y1,0001 M PUSSYCAT OQLS FEATIOL SAX? DOLL AAWNTERSCOR MOLL TOM STATU 47 TOTAL STA1061 1 MEOTS ENS NOT TRAGEDIES * CHAIN HANG LOW 444/227 PASO AT TNT NCO DHAVOEKIñILIfD/VRAMWIAVA THESE WALLS AY. IEAU Tali Gip, CASSE NO(TSRECTREYEADOV/ATLMTK (CNOJCOLAANRI) TOTAL STATIONS 46 TOTMSTATO6c !ONOR[! REMEMBER THE NAME 406/247 JUSTIN RADIAN I11/1ß670 111LS NlW GET UP ht mow Feg. 5M1. 01 Eeied OM MV HEAD (CARLE CAR) EMIT /LEE STATORS C ..IIr.CA..i-A-- (MAOVE LIOV/WM/ER EROS.) IN FIAT ERE CALL ME WHEN YOLIRE BAFACEIWIZOMIA) TOTAL STAT1016. A O o R To IT S OStA 17 TOTAL STATU COME TO ME 37200 DëóM FEATURING PAN PNOF THE YOUQDmi SN014F1(ARM. Eowwwww SHOULDER LEAN MA4 roc Iamb idS.ip. CRAZY MOM OW. KKdA KKPR 101021011M WYE IN/ow On Per. T1 (EADaOY/ATUWTIC) CAMS WILLEV COWNTOWN AVA wA1R WELL WCC4 WKCL wKSE. NIEST. (GRAND HUSTLE/ATLANTIC) 1OTLAAlO6 3 AKT NO OTHER ALAN 10 MOU. WLAPL wLL1I wNCL NPR TOTAL STATIONS Oa6TNA AGUE DM AARE I CALL IT LOVE 333/5 PUL.LN' ME SACK 15 ABOUT US IiNr MM. LONDON WOGS OaP N.r. l_ F. Pad WA ODAPORDa6) RWA WI 1 IAWAMWNTERSCOR DìDTAIDT/CARTOU (SWAM) YOWL STATU 31 PAR AWAY * KDINE. IO6.WOO KLAL KSPw. WAl2. TOTAL STATIONS INKEUMEX ROAOaRREMDYC NEWT, wLY. M6Q NEIL wawa:. WPM, WaL WD0 ENNUI YOU GONNA) GIVE IT UP TOLE PAYA KEYLM VP/ATLANTIC SEAN FEAII/W L cat WE RIDE 12 1NLPAITMUR * WW6.14 iM. EMERITI YOU GO PLAYS 20 3695 111137 FOIL INIOR lEAIIINClClY NOOK WONNE NW/WARNER NOS KW( SAR W1E.KOR WAD/. WR(S. MOS. WSPDE. VAIN NATE ME 11411 VOTOWN ZEA aLxT(1RA UNRRA/ 1111111111111111 TIE NAME n SY NNL Y11w Nrt óybe ON EIIYea GALLERY :322 304 NAIRVA2 K7 AR/STARKE MOWN SHOWIMMEN OEM * TOO LITTLE TOO LATE K K(xL KROQ KSAAL KWYE, KIHT, IVIW. DAM CAL/ORMA ON i.e1.e11.dy...alA Wwwl Mom.,) n ZEX WKSZ. WIN WR10. WSNX. WYOY Jab NOT CALI RIPPERS WARNERNOS 7 N J NOT .RKZ«.IO WwT.77. po.@V .77. MI lA (.PS OF AN Ati, :' B NTID 770 AMA .A $ AWUN Al WNW A n PPS GON' DOWN 11395 r1IC a OCMWAO Tar SOUTH/ATLANTIC NA.4r (IIaVENSALREPUELKI * FAR AWAY LOS OP AN 2 MOM 406 7J}3f NAPE WTI. NFU WON ALAN. WU(T, Nl L & rL MINER UNIVERSAL ARSE (Need...e./osac) wACL WM. 1IVKS,M01A WOG SM e)4 polls E NOCC .LA Oç1 S2 KA N .75t wDN SUMP YO AUGERS -36 1770 M.PINY E ROW 47. WSIOI.27. MM .26 0 LL NO.FTATUNCE-4O& SEAN PAUL OF M YOIICAL0002 EAE/TVT SEZYLOVE 10 111 HANDING ON SEXY LOVE 4 IESAU OAYILIU .154 1!95 CMYEME Nq ,L.IEnC ECU. w01. WILL mMi iKRD1MW 9110.410111111131, MA 47. KWIC 75. WIMP /A. WHAT HURTS TIE MOST 244 VANE WIEQN MO WWWA RAMM HATTS LYME STIEEIA(aLYWOOD 1/1110e31KaII147:NFA awry .a WAKI T7 MANEATER 10 THAT GIRL .134 MAiiFWlei SEXYBACK FRANO J NATURAL IRMA W(94 OMAS L OVAIE COUINA O.tOSLEY,fEFTLN) Jumbo KITS. TiFirlia CHASING CARS CKEY, KEAN WALL W®, WINK CUP d2MT1LS.44EIOl 7i WxIS 47. KDT S7. KII(S SNOW PATROL RArDOWAMYNTERSCaE MIR WNST. WVSR, VIM .A LMT 7p.SIMMER WTT IA twn x I DARE YOU BBWEBY ATLANT( 1551 (WHEN YOU GONNA) A PIELIC ARASI S 37 GIVE IT UP TO ME SAiSON ERE 1m XSSKA 54_N Pad FILL KayEY. Cuk Newt...) SO WHAT WET WIZ M. MOW .EWE 470 wM2.211MO 17 095 aÁ95 24 E IELDl01 NATURAL CNU OTPRAAEN AMMO AT... 47. KANT A MO. WM114Mm.B CALL ME WHEN YOU'RE SOBER MOST ADOED NE W memo moo 7.103 33 WIOG 111110 S1F. M 1 CANT KATE YOU ANVMONS 1* 3JH3 36 MOE LANEY AVEROIWA PO leery Noble F.o4r I. TAN GNL I S TARS AM SUES 40 MAN VameNe. Gi.V. a MOB ALION WAVER NOS SON I NdleY, On My OeaA 0 EOR WEEK ENDING AUGUST 20. 7006 PULLRE TN LJKY O IE SAOI .274 11305 3S LA. Tr L. LaOD10. See l4e^d he ePow . KAwt. mochan 1er ..A.. and symbol ..Plan.... DOILY IEA WANG IYRISA 5101 A LOT /CAPITOL GEHE TIMT m CMUroP 40and 5 C..e4 CTNAe. KO NANA An el,ct,oidr..v.(v.d br Nera... a 66 SAM 34 ON. SV.enw 24 Noe a 7 d.l'. we.A. CNaIT+AONM* /NI tab,* CHM SOWNFURRNI. Lt WAAVM JVVIOMBA RNA.. M -'---- .l 72 4wA.s. (e) 2006 RAU MK...I1.rA be. A1 nMe,wwd. clear. consistent. quality.

All hooks are not created equal.

Contact Michael Pelaia for your next project (770)452 -4665 hooks hooks.com www.hooks.com AN CCNTVa .'DISCS . . . E L'

AUGUST 25, 2006 THERE'S MUCH MORE ep .Yw.RadioandRecords.com www.americanradiohistory.com RHYTHMIC pNN j051. OPIA

Miami's Power % tackles a major issue on the air RIS Making A Political Lill Statement .)Ir..

Darnella Dunham I DDunhanteRadioandRacords.com

Invthntic stations do not first %week people would kind of be tired of 28 have a reputation for it because the played it pretty. heavily. but rteeing particularly vocal the phones just kept colningmid coining. So i when it cones to we just decided to put it back in as .1 hill- addressing political nutters. Hut .tfier While he has vet to test it in cannot. Wolf Cuban leader Fidel Castro announced he says he is not at all surprised that "Se was delegating his power to his younger Acabo" is getting such strong phone reac- brother Raul while he underwent intestin- tion from Cuban-American listener. al surgery. WIk)W (Power %)/Miami "Ultimately their parents who were prob-

began airing a song that reflected the feelings ably toot Iiut (:uhaI are still alive. 'chat's of many of in Cuban -American listeners. one thing about the Cuban e ,'- Even though Castri s health status is no they're very tight -knit. very clone and very

longer making national news, it is still a big 61114- oriented. Any time something like deal in Miami. WPOW PI) Ire this happens its .amazing hose "Tony the Tiger- Wolf related the community bands together how Pitbulrs "Se Acabo' ill a ptnitive %VJV. reached his air wave% so quickly Word from Cuba is that Billboard and how his listeners are Castro is recuperating foot sur- responding to the first truly gery and will return to power. political song to receive airplay Rut "Se Acalm ' continues to be

on Power EX). in high demand on Power %. Wolf As son as the news abxxm He just stepped down front ( :astro\ surgery came out. thousmth of the position of power because he was going R&iPhoP Cuban- Americans hit the streets and cele- in for surgery,- Wolf says. "Which is like if brated what they hoped would be the end our president had to go in for surgery he of communism ill (:ub.l. would transfer NSW!" to the vier president "Pithull had some thoughts on his mind until he was out of anrsthevi.l. lint then as SEPTEMBER 6 -8 and wanted to put It bosom on tape'." Wolf soon as he's hack foot anesthesia he's back

says. "So he ran to the studio. stayed tip all in power -.which I think happened in this night lung .mud then brought it to the sta- particular caw. Although there's .t big group

tion' and hand -delivered it to I )J 1.i,. cello of people that believe he 's really dead and $55' hosts our nxoming shore. Its been the No. that they're just propping up old pictuno. of

Pre Res I requested song ewer since... him and using i'hutlshop to supe'riunpxsc Rapped in Spanish and English by the latest editions of nett.pap trs next to his ( :uh.o inunigrant Pithull. "Se Ac.bo- tree Ill MAC it hook like he's still alive." Register Today drive. home the opinion that After 47 years As this major South stun' For more info including .1, the dictator of( ( :.l.trli s time is over. unlblds. Wolf\.ly` Power 'N) will keep sup- ponsorship opportunities "lees .both all these years of anguish, pain porting music that reflects listeners passion and how to register visit: www. B i I I bo rd Eve nts.co m and anxiety that his people have gone .bout such an emotionally charged issue.

through. that it's finally over --it's done." -Cuba is .1 culIillllllIist cullltry that's 911 Wulf ...1.. "It's time to celebrate. mikes away. All 's fair in love and war. and "The reaction on the phone lines was in my opinion Miami has always been at sw.lr immediate.' he adds. "We thought .after the with ( :oha.

THERE'S MUCH MORE @ ..ww.RadioandRecords.com AUGUST 25, 2006 www.americanradiohistory.com POWERED 3V h EVERYTIME THA BEAT DROP" BY MONICA STREAKS 32 -22, iT FOR THE BEST POSITIONAL JUMP J RHYTHMIC ON THE CHART.

NEW AND ACTIVE TITLE CERTIFICATIONS * RAVI MOWN TITLE NAYS TITLE PLAYS ARTIST iNINT/OROLAOTANLAEL 1W 4Y. rUN RAIS f 1 ARTIST / LAPEL RUN ARTST I LAM. !01Áa ME 4U NO. 1(6 WES) "l 1 WEAR MY STUNNA ITS OKAY (ONE MOOD) 293/37 1 21 Mß 41S 3E0402 1 CNN IQI$RIOgMOTA\TYRE GLASSESAT NIGHT 4MMlMt 1 C Po& 17.1.. Tw f.NYlrlw. (WVD4NTIRSCOPE) max RACK 4115 29.714 3 4 (SKY FEATURING TYRES SLOT AiOTI[N1T0. [OMM ONSEMA TER KIM) TOTAL STATER& 33 TOTM.STAIOUI 30 4179 32.1111 2 UNAPPRECIATED 4 2!51112 WILT TTI/Y.YO EDYIYRír[EWMn1YOC4 WALK AWAY * M1/317 Qwh U OAT Poi O.AA. WK. Th. KEY (SIOMJr /CAPITOL) MO 374 351121 S AMATO/PE T PANE WOOS SICK WET n/aSAYARKER NOS (MISTAAIMG) TOTAL STAMM 1 TOTAL STATENe 32 MEXYLAVE 35411 6 SMACK THAT 290/250 NETO OF IAlYD1L 27.5 uni Kw THE WAY 1 LIVE NAM M L Ewl..w YOU GIVE TO ME *11W? I STAMM 111/ OS Whew LOTOWN( DOWN GONNA) R W * 3115 274111 4 L. (UK/UNIVERSAL SCAMPS& SATIRIC STUN (aS VP/ATLANTIC COME TO ME 75 (UMVERBAL NEKIKK) TOTAL STATON& 311 MODULO= LEAN TOTAL STATIONS 30 áL215 s Oily T.w.1WiSd.wrqw LONG WAY 7 GO YONEUOrGTUwETJ. (AAIONUSTUMRAMTK 3332 MAO SOY/AILANTI[) GHETTO STORY Card. KrT. KNS, KCAQ KC/Q KOOK KOGS onion MOST INCREASED PLAYS * 7 CHAPTER 2 31512 INK TSII CCTK' BOY /ATI ANTS 8 11 7 3011 0221 22930 KKFR RMS. KKIEO. KPTY. KQLS. tN11111111:11LSRAILAL9O>.oz AELIINC9500R K6V, OIS. DNA Md. K.P. TOTAL STATION& 23 KN{A KVEG KVYS MUM. I KNOW VDU SM R * ion KM( (AMONOJSUATLANTK) 17077 12 WrOW. MLOW, 7 YINGJx FUTURISM/NOTTAS.6'NAIaAKK SaK/eAOOYSOUTwATWOK 404 wAR, NA" WKVL TOTAL STAMMER 34 KEEP BOUNCIN 235/14 ARS MON Too Shoo Swop D.N.

D O IT TO IT - * 20.0111 10 ICALLITLOVE d 29S/47 (SNORT / JV1//ON14) C)KiLIrrATU1NEYARPAüOT1EYOLJK4L0007 SNO7KFF/CAPITa WE RIDE 16 MEW MM. TOTAL STATIONS: 22 . 05LANCISO1LEGl IT'S GORE °OWN _ KSNNm 20 3E15 - 9 VMS s TLJE KK 01.001110 10Y SOITWARAMTK CEIRm JAMOAK) IOTALSTATOR 24 SNAP YO NOS SSV. KKSS. KAKA KSES IOUS 24 MGM 2529 MUD 9 9 Ll KIN FEATURING 406 SIAN RAU O M YaJKao007 E.E/TYT KEPIS WAIL WOGT. WAWL MApw, WM. MOW R GET UP WW2 I MO.00 372 115.051 13 e (TARA FEATURING (NALRLOMANE LKKE/JYVRaSA á5a FREAKY AS SIS WANNA SE 13 SEXIESAOL 14 6..awldie Slow P.M Rep Swum TIERLAUE ZED 19.910 MhTN (SO SO O6/MIG10 UIEARMUL KOST. KKK. KREM KOR. KKSS IPTV, IS Ma2W ß SWIM KVEG KNIE. W.PW. MOW. WRYZ. MOS. RITZ S LOND0NDM= SAGTE 91'56 ë LOVE ME OR HATE 4W SOSSY 16 >9 17 CT* K YOUIII) 12 UTA IJIKIwENG TOD tif UMFT M/7OSA LAJN Swx.MPN MONEY MAKER AIRPOWER 19 4 * /MO 414 9.043 19 LAWNS FEATURING PIWEU OINMJWMaL MEG ICSV. KKSL KPTY. Kx.M Ka- SO SRLa INKS MOW. WRVL AErS 24 MAT * 1357 -240 SOLS V A rEID NOB FEATURING(ARA oTPRERCWNT[RSCOI 101011 29 TRAT GIRL ARTPOWER 20 s. ES s PLUM MARIMMIIIIIRRINGOLUSUOIME mOSLOMI ßß 475 s.6ß WALK AWAY Ori O..NAN.r.iv WY MOST VANS 20 9 -137 B729 2S WöTAKM IO INCREASED M PIER UPAll MITE /JVLIOWA KOA ISM KOO4OL KM. mi PLAYS 1V=YTMS TWA MAT =MOP 1202 .277 29 KIMOM NORA r7 NMG 5.700 NANO LOW LOVE YOU 110 s 3 OWN * .334 11072 27 ASS LUIDP EKSCON NMPle ABOUT US * MTIAMJaNSMALKMIIMX3 .29 SASE 21 KOT. 1SSIST10111.ISVOWY. WOW NO(MN[EATUWEPY& WALL LIDS E k4 * BUTTONS KWE. Kalt The Oslo F.M. Snoop Dom E NTOURAGE * 1 BON 26 Perm* CASSON TUL MMXYMCK 6 (AEAMmunI.M) CALL ON RE AMY aCL SACKS AU MAI S21OO A MOM . 9 * -331 119317 24 111111317IEAOA KALI.23. ARAN Á.I=11 JANET L KELLY VIRGIN LaNSOLMI a SIM11RMILN RIM, KFwR KA& 11111L MQT, MIO 411 5572 31 ME BACK SUM=P LOS PRL7lS/rt * /PULUN' MOMMY N 11W SANI 6 DMA-LawCwra6 OHMS TWAT : : 19 11112 22 AaagPNM,YNTN155Mi UNNA 7KMVO WIWI .1Z W nJW . WAR E CHNS wIOWN /EAT1JwC l l' WAYS M/20aA MIMINSISMKNORTISOS) KM A KS1M .A MOM 71 KYID.72 Mar 42 WHY YOU WAWA 1s 994 7.723 ß IMO. MULL MANW. YOWL xIITI. T1 CARO HUSTLE/ATLANTIC* Ap * SAY GOODBYE S C UANGL Brown U..rl.....) 9117 5.510 30 MN NSWTa TVT S AY GOODBYE vow 47.MNO4T .32 YAM A Kw .71 KOQ -a OM Sows WOO *XLIMAM Á401L21 WJN .2t WW2 S IMO 1055 907 SMAREEFA MUN KLIAACIK DTP/OTCa*1N s (JYESOMSA) KOQ KOOK WAN. MOW SWIM SEX YBACK TORN * 9311 42ß 33 LETOVA (AWOL Artie TLiMLiJ(Arri..a.) CHAIN NANO LOW Wals .17.111.41041116112.32. KAM a wP(KS A CRAZY KK10 *XL K>f1.1.6 x1R0 10 111 SSM JIM II,MPOaO.INM 6 M ,(AASsKAMPY lxYNr/TOW WLAVUATl ANTIC as WNW, Km. KT'S MAN. MIL. SET %W MAY 0000SV$ * 112 S!Y 32 * Darsenom M/iDNN6A CIME Faxt. OrMlliens ra (L.r.m Arr..a.) KKNO AS KYLD 17, WINO -A WIRT A VOWS 271 M.X. * 747 3.3113 1 lrw IAMICA Ca1AaAl5I12 ASGO AT... KISV .72.1104F 40 W ITT 111.KGM247.KxA16 COMB 70113 MOST ADDED * 700 .33 3500 34 KPRR 2 rIIMMIi1102EM3feOI 1110101aTUNTE O Pew Tx 37 13 MM NI * - 34 STOEEEEATUINGMY2 (OLIANJA5IM w 2Jw PO Path O. AQSb.rarar. GO TO O111101 38 30 4 51 3.947 3S S SPwu. Fag. Fr.liL..L Raw Amer. 19 ICS CURE rEATIJwC SAX, 000GK LE IDS Y. ONY1 Yariw, Ard.sliS N NEW IIAtOS II 411 62 2277 OLwrt O.r, r FOR WEEK DOING AUGUST 20. 2006 SO CENT LLOID BAIRS SAWING Jirb TrrharhhA S..YS.J, MONO. Sw legend N. charts at charts rArNmn I.. ,..A..and .Y.nbl PL. O 01rT QT R TWS110 40 40 2 466 42 1930 65 .I.NI.... RAN.. An darbwarJ...ar..r.A r Nhlr. ro.** Or. Sr.... )41w. W. CAPO[ [ ;TARMAC T WRT A 4.. 74Y. r.á. (.) 2006 VOW Swarm MANN IN. AN .7M..e..r.A

RHYTHMIC PANEL - 65 STATIONS

Albany, N.Y. WAJZ Colorado Springs, Colo. KIBT Honolulu KDDB Madison, Wis. WKPO Philadelphia WRDW San Antonio, Texas KBBT Albuquerque, N.M. KKSS Corpus Christi, Texas KZFM KIKI McAllen, Texas KBFM Phoenix KKFR San Diego XHTZ Atlanta WBTS Denver KQKS KPHW Memphis WMPW Portland, Maine. WRED XMOR Austin, Texas KDHT El Paso, Texas KPRR Houston KPTY Miami WPOW Portland, Ore. KXJM San Francisco KYLD KXBT XHTO Johnson City, Tenn. WXIS Minneapolis KTTB Providence, R.I. WWK X Seattle KUBE Bakersfield, Calif. KBDS Flint, Mich. WRCL Kansas City KCHZ Monterey, Calif. KDON Riverside, Calif. KWIE Tampa, Fla. WLLD KISV Fresno, Calif. KBOS Knoxville, Tenn. WKHT New York WKTU KGGI Tucson, Ariz. KOHT Boston WJMN KSEQ Lafayette, La. KRKA Norfolk, Va. WNVZ Roanoke, Va. wJJS Tulsa, Okla. KTBT Charleston, W.Va. WRVZ Ft. Myers, Fla. WBTT Las Vegas KLUC Oklahoma City KKWD Sacramento, Calif. KBMB Wichita, Kan. KDGS Charlotte, N.C. WIBT Greenville, S.C. WHZT KVEG Orlando, Fla. WPYO KSFM Chicago WBBM Harrisburg, Pa. WWKL Los Angeles KPWR Oxnard, Calif. KCAQ Salt Lake City KUUU KVYB

AUGUST 25, 2006 THERE'S MUCH MORE @ www.RadioandRecords.com www.americanradiohistory.com t

the new a LIBERA in rtoref 11.14.06 feature her debut ringle r)r)r.)

"I think its a good record. Perfect for DC, MD and VA." ' Kathy Brown. WKYS/DC , "This is a good record. Long overdue." Skip Cheatham. KKDA/Dallas "Mya's back!!!" Terry Base, WWWZ/Charlestori, SC

"Mya is an exotic hip hop artist. This is a great record to bring her back." Quinn Echols. KBTT/Shreveport

Already spinning at: "I'm a'Mya fan! So quite naturally

WWPR/New Yoífic'`,1"r, I. love this record. Great come back." KKDA/Dalias Uptown Angela. WQUE/New Orleans

WEDR/Miami "Mya is back in a major way. WQOliate tgtl"y 'AYO' is a great summer, club -and radio record." (:.. - Fattz. 1WPRW/Augusta ° WCDX/Richmond.' WIKS/Greenville 'AYO, the track is crazy, WJTtpllattánow old school feel party record." lncog. WPEG /Charlotte WPKW/usta . WJMI/Jackson "A feel good summer record to get the party started. KMJJ Shreveport I can't wait to see her KTC dancing in the video." Deon Cole. WPEG'Charlotte

www.americanradiohistory.com :1 URBAN

:: IEtLSOH.MR TITLE CERTIFICATIONS PLAYS mama *ROST MRINT I PROMOTION IARI 1w .1. MUMS MAAI PALM INE MACK 110. 1(2 WI(S) 11 13 O/LYIATINLTMINI 40T.A41I11rYllrl 9162 4110 83.728 1 SHOULDER LEAN 7929 .I1B 74.433 e YORK OIOFIATOING Tl GRANDMA l'A I141(M 2 u A NO OAT ID 7162 -38 57.644 4 4OFATUICT.PAN61lANO1rA SICO MT r1A1M AYAFM moos.

1 KNOW YOU SEE II 9 R MOST INCREASED PLAYS TWIG ARAT.HaYBT'MAIMS= f.03401011011WATUNI( 1157 990 57.458 5 (WINN YOU GONNA) GIVE R UP TO M 14 .451 65.761 3 SEAN PAIL RATUILUYY4 TO L VP/MINOR filó Finely honed SNAP YO PMAIIS hit radar skills elevate importance . 481 Lt AN RATUROILIJ0A SUNPAU IX TM YOPAaLF af/TVT 3034 45.246 6 of mix -show DJs ITS MOW DoMN 47211 -723 42.271 7 YUL AC IOTINBAOf1O'/ SOU TIVATIMOR SO WHAT 798 40272 8 TRIO 11011FTATOIICCARA OIPMJIII~OW OM o MONEY MEIN .563 77.905 p The Tale Of LLRIAC1N5rrATU1NLR/APPrII TOP/011 NWOIL WHY YOU WANNA -533 36378 9 Il. ULM IUSIIf/AR ANT 1 CHAN HANG LOW 468 18.327 12 The Tape MORS UT1I WNIFRSIOY STMfTIN' LAKE MY OA00Y .503 16.069 13 WOMAN a Li wAYU CASH HILYAMVT 115A ILITOwN HANDS UP 301 11.474 LLOYDRNSS FEA RLMNL SOTINT E. LNrmTIRYOr Ill MONS -322 16 Hillary Crosley CHAAILONAMF 1TA TURK. ARATOT ROM LRMVtITSAI NnrOFN1 13.220 [email protected] WHAT YOU KNOW TI UM10N/SIIF/AIIANTK -169 13.225 15 VANS 7.921 26 Mr PACK UP Al Mll/M/IOBA A5 our craft may be I Ting. hut programming .t station c.111 1x your LEAN WR R, MOCK WIT R -45 1L179 19 A. their Ienrh.um 6w idntihing the hits e.lri inreas. MUM /AMA ROYI MANIOC. LL KAPUT a (MALAY SOSO OI/v11I11 GHETTO ore station mixers are )s .und l'1 )s. STORY OIAPTIN 2 lxcunliug MI CHAMFATUIGALCMMtK 11A0111N/AII ARIA 425 14.136 14 "A lot ut 1)l. dont w,utt to g t into the Iolitic s and spin..nid WAIT R OUT s 21112 10279 21 Les RIG00111410N m 31 I )S .Ind .dI s.1vs of that," Mister (:ee. nlix -show c()ordinatur at COSS 20 s To M AaPOMER OTOV IMTIMINGI íl1 LI10WIWWW1 MOSOATIM O.5 236 12.529 17 Y).''.nunis' WOHT rhythmic (Hot 97)z New York. "If it's a good PUSH R 3- 8.871 23 record. they Just want to be able to play it. But if your PI ) is already asking you whats IrA ROSS SUP S11001 MMTML tm 447 PEANUT SUTTON Al JOLLY the next hot thing. then yon sl Id consider a career in proizr.unnting." s Iles 47 Bass 24 CAOLN Dow& 1 Were SOTHMOY/ SS. ILASYI W ('onsider the cases of Emperor Searcy. mixer director at Radio SN/EaYAN 1141 IIDWNROY lOW PwLnAM 1375 30 One's WHTA /Arkmta: Big Von. API) at ('Near ('h.mnel'. MoJANGLif KMEL /San Francisco: and DJ Boogie. API) at Sheridan R1IAl 1070 6270 27 I LOVE NY NPPP Broadcasting'. WAMO Pittsburgh. Each has made the 17 1046 9242 22 trnlsi- aR T A R10121 MATURING wLL1AM i MI IS AFIIOMIYMTIR51 OR tit nl from mixer to .hot caller at their urban station. FEELS SO Goon REMY W RATU1LNt-YU AMVRSA ROMAN 022 M 604 n for further evidence of the mixer% rise in prominence. SOS 2SIDE 6 51 5.134 32 look no further than Ilot 97, which counts roughly In I)J. TI 16 MASA RATUICNOACT PAT HNOrIlF IIOVTDUMANAI GO TO CHURCH IS 4.914 on its payroll. Appointing a point person to organize them if CIM FEATURING 000100.4 lA IDN IIMHMORVMr1N 7.7 33 Nor Gm %Va..1 no- brinier. 3 ITS OKAY (ONE SL000) TNM TMM rATUIL AAO1 RD (JFTTNnn1Na[ 202 .70 8.400 25 Yet ing froll) mixer to .1 higher position on the station totem pule may not MONEY N TIE SANE 1371 U. SOIAPPY MATURING YOUNG IKM IAM5P[ANRNSIMAIMRa1Oi 20 5347 31 always 1x 1>ls, s.LV., top of mind titr Mister ('ee though perhaps it should be. N TIE NETTO 2 IRMA t9S 3801 40 "Radio's so constricted by playing the hits. it's hard tie a PI) to know what's hot.'' 16010FATUINGKA JAMS AITTRMAIYNfIRHOIR !I ON SOME SIAL SP* s sWR he continues. -.rte 0111 way to find out is to talk to the mixers." DAI OLAW RA TURK WM MOSS SOSO'rVMM 59 2235 KNOWN ANO SEXY With pop culture's growing embrace ufthe mix tape, it's become difficult to ignore 9 -215 0116111.10116111 Owl, RSA 1/011/010W11 slr 2332 the power of the I)J. Heavyweight I )Js like Hot 97's Kay Slay and WVEE D ONT GET IT TWISTED WI WOK I TEAMING TIWSTA SAL 317 2135 (V 1113L' Atlanta's Greg Street It.1ve paired up for duet mix tapes like "The ('hami CHUNKK LP THE DOUR -A 28 The North Meet. the Sloth." linking entire regions through hot spots like Atlanta LICKDIFLUUMINCPAIA WALL a URA !a TOP MOI and New York. Meanwhile. I )I Khaled has released his own all and p 35 manages a TJ GRAACIUS IL I /ANI Arte 41144

pair of the 'r's hottest producers. the Runner. 1 WEM MY S'UNINA GLASRES AT NIGHT F®MTA1 IMAfNNYAYARARIOS. E 3Úa7 39 But side hustles. like an I production or becoming artist's personal P. don't have THE WAY I LUVI DIY ROT O PRIM .134 to signal the end of mix .1 I)J's radio career. POP W TRINK Meanwhile. the Power Summit's I&ene McLean has built an annual conference that NOTEO A. 3101) NOUNS MOWN taps into the power and influence of I )Js. The Power Summit, which routinely invades Z QIrRAST .7 -2906 tropical locations like Puerto Rico and the I)ominican Republic. mixers from across the country as well as every 111,1jOr Libel. because the industry understands that these mixers get spins for their artists. "Mixers Are Wry 111111011.111C. McLe.ut says. "You look at people like Ebro at Hot REGISTER BY 9/5 97. Green I amen': they're all important guys. And they've been coming to the con - Billboard & SAVE ference for years. and now they've all ed up. They can get your record played. $50! and sometimes it's hard for labels to find them. So my cnufcrence brings them all together in mt le place.-

Still. outlets like (Lear ('barrel's urban WMIB /Mi. ' have only .1 few mixers on R&iPhoP staff. And Mister Lee says that many stations bring in mixers tor holiday weekends and atier th.m you never hear fruii them again. SEPTEMBER then there's always the ominous age ceiling. "People push you out of'this busi- 6 -8 ness when you get to a certain .1ge." Mister Cec Hors. "I'm a crafty veteran. and I've been in hip -hop titr years. I )o I want to put down the ones and twos? No, but even- Register Today: ,vww.BiUboardEvents.com tually 1I'1111 going to have to come to .1 crossroads.-

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URBAN LYFE JENNINGS la91?

7.3".11s NELSEN SOS * Hf7vREacrae NEW AND ACTIVE TITLE CERTIFICATIONS STATUS NAYS ALICE TOLE TITLE ARTIST YAWN / PBOLCOTIO/ LAaEL Pun 1W M MLOONS AMAI ARTIST IUMW /GAN ARTIST / LAM.

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URBAN PANEL - 85 STATIONS

Atlanta WHTA C.nnnnat, WIZF KDAY New York WQHT St. Louis KATZ WVEE Cleveland WENZ Hartford, Conn. WPHH Louusvrlle, Ky. WGZB WWPR San Francisco KMEL Augusta, Ga. WFXA Columbia. S.C. WHXT WZMX Memphis KXHT Norfolk. Va. WOW! Savannah. Ga. WEAS WPRW WXBT Houston KBXX WHRK WWHV WQBT Baltimore WERQ Columbus, Ga. WBFA Huntsville. Ala. WEUP Mrarn, WEDR Oklahoma City KVSP Shreveport. La. KBTT Baton Rouge. La. WEMX WFXE Indianapolis WHHH WMIB Omaha. Neb. KBLR KMJJ Bum.ngham, Ala. WBHJ Columbus, Ohio WCKX Jackson, Miss. WJMI Milwaukee WKKV Orlando. Fla. WJHM Tampa. Fla. WBTP Boston WILD Corpus Christi, Texas KNDA WRJH Mobile, Ala. WBLX Ph.iadelph. WPHI Toledo. Ohio W JUC Buffalo. N.Y. WBLK Dallas KBFB Jacksonville, Fla. WJBT Montgomery, Ala. WJWZ WUSL Tulsa, Okla. KJMM Charleston, S C WWWZ GODA Kansas City KPRS WZHT Pittsburgh WAMO Washington, D.C. WKYS Charlotte, N.C. WPEG Dayton, Ohio WONT Lafayette, La. KRRQ Nashville WUBT Raleigh, N.C. WQOK WPGC Chattanooga. Tenn. WJTT Detroit WHTD Lexington, Ky. WBTF New Bern. N.C. WIKS Richmond. Va. WBTJ West Palm Beach, Fla. WM8 X Chicago WGCI WJLB Little Rock. Ark. KHTE WQSL WCDX Wilmington, Del. WOKS WPWX Fayetteville, N.C. WZFX KIPP New Orleans WQUE Rochester. N.Y. WDKX Sirius HOT JAMZ XM THE CITY

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MUSI W*RLD, ware-... ¡mar .awn. www.americanradiohistory.com RUBEN STUDDARD URBAN AC , sift la91? HEW AND ACTIVE TITLE CEATwKA1 OME RAYS AUDIENCE ARTIST IF1iTM(T /PIENA0r10N LABEL NI .1. tams RAM( TIRE PLAYS TIRI RAYS ARTIST r LANK KAN ARTIST /LAM /GAN PLY LIES A NOD NO.10016) ENTOURAGE NEAUNG ALA 1 1 34 SOS -m 12301 3 íY20 IMINNIONN ISNOOAL. DAM= k.Sv Pro. NNO 11/r[6í N YOU (T.U.G /EPrCC/SUM) ( GOSPO CFN7R/20M6A1 32 1486 6 12376 4 N.ANM(YEAIT INnRSM MDTOWN MOST ADDED TOTAL STA11016 a TOTAL STATIONS. 17 LET CANT 00 SMUT ING I SAMOA GIVE ONI DARLIN' 3LN ANTHONY NOAIR TM //OAlA 1473 4 13.234 2 a0 SOSO Off YOU 63/3 Klemm II CALL I LOVE SwdMw Animal (KACK RARO 1109 SE 1 OWL RETE r,AAEOdDAL DAM. (MUSK WORD) TOTALSTATION& S 10TM STATUS. 7 BORN NASSE) 33í2 W IER WACIR0SS AWL 1150 43 1 s IOW BRING IT MOM CUES .-1E.Y A TM Vww. N MYOIY IMAM MO NT/UM STATIONS Ohm (WORLD WIDE MN Mt 11.303 6 EnAa r...E GOSPEL) war L IRL rtAn7ace11004{TN IAAJANA Wr/rrrt.NTrRí(OE 970 Y01S i0NT0AR 19 (UIVFRSAL 1.1070W16 TOTAL STATION& iN TOTAL STATEN& O In IY6m Ilpwk I*AEY R[Alsf. 11111 a1 e / (rtWiEENTOYOU GIVE (SONE/WAreOR BOS) MINE AGAIN mein ME 32/IO O 1 w11110Ú3 YOU MINI -36 123 7 N)LX, KDKS.KKK. KOKY, KQ10. MN Yrld Cry Sam ti 1.4.11804. 44 MARY LIRE/ OrrtNMItRYOPF ((SLAN040lAG) (VWATLMREq WAKIR WELL %0.T. TMEP,wMUR 0014 LESE TOTAL STATIK& 1/ TOTALSWIM 4 701 WEa(. wIW wU1L VW/GL WONG MIA WANE (ASH LOWY ILASYSUEWRSAL IOTOwr 9.315 S WELL WMEL TYXST SO GOOD 4303 tliT 101 UP 32/2 1 REPINE 767 1s 11.+141 wi K ANN WSTE SM/WARNERMOS a 3/A O MNSS NN 9 (ACE WOOD) (VEpfV/AIaA) MSTAROAY TOTAL STATIK& 3 10344 STEWED 41 sseR 14 YN.Lr1e4 MARY MARY AIYN MAX? (AdWM 7% tND l4 w010í TwAV.1N06. AVE/)OAIA 733 w L7i1 1 ANU¢ SALM 11 i 1r1. MU, wANL w1a wE01 WAIN ANT CANS INNE TO OW L IK fAfY OgTIER OATURILROMA0ti F OF Sq(uSSESAE/ AMONG le a 6.7M D DAY NNASO LOCKING FOR YOU 77 7.719 9 INR6alo / 411 FRANtI N ro VO 501A ALARM INT/1A a TININES HOPI -21 12 .OAARE U1A(RSM 1OTORN 713 Sr1/ Sim MIwLORESENI +.EMS/ CHANGE LEE AIIPOEItAINOST 111131SAttO PLAYS 166 436 SOU A SEXY LOVE 4 MENIMUNIND Aaf. 1tY. CALL OH NI 136 4334 20 (DEF /AIRONL) 1A41 L MI I Y VRTII wow wAa.IMP.7610E YOU" (ANTA 516 104 4.907 N OLIA W 3 TIN FACT IS D MEND YOU) .24 3.967 22 R11.rRP11LLPE ALL 5(OT1 Ew(1110011410M1 SD ISKINOMSNO JA VU Q 4>t .p wEll.SNP. WOE II Y041(AAII LAYt (aU/M/5(A( S10/ MOST MITL TIN 2110 OF TINS . ERNO IT IONN 3 /NOON ,MESON ORPHUS 4 3573 a INCREASED EE%E1E.0 SATISFIED PLAYS 311 IOTOws mrr IMVIRSAL WPM( E 3.]!D 36 SIM wANL wN.L NEST MAMIE IN 4í1S ..RI MANNA FO YOSOUlXAS1O( 377 N INTRA /AMU YISTaDAY 3 SETA SIG SORES s 3311 .a a Noy E1.Y ANTHONY HAIE TON SO SOMA /IOWA 3# CHANGE ME DAY KDDiAKINOMaIRO DAYORIANIG 1YiNM 3r10iNI% (ATNL) NAIME(at VIM 7E6 .a tia V WNAv. AREIi. EMw [RMI1NE6EL walsn Woa.nwax n SUt4wSN.1 qAA 4. WWO 4 Mel 4 TIN ANSWER IS YES LNE A STAN 3 MAR (MOO. a0 O 13M1 29 arrwlrlR,. CALL ON ME LOVE our 373 411 4.336 21 WPM) NDS)/(VLr.) NE Yo Or MWOAL Nog i SIMON* MOP w(E 4 wpp( 7. EOL 4 MOM ó WAN* LI 00 IT FOR ME wENySr WAX *KKK KKVw.4 S 7E1 42 19111 a M (/MIA LOUR 076 BASEr 3 SAND SEE YOU SMUT +91 SEXY LOVE 20 210 -E L7E 11 Mann L N/00w(NS OTOWM (RAO( RARq No-Ye m ..r.VOAC) S FUTIMS ANSVEISARY WJ.Q 42 SMV 40MCP 4. W L23 K1111.1 .E NUL, AW L w1AT SAMSON LOARAOCN >M 0.511 min mm4ww.21091T.3 WA0I2 6 SONSTINQ ASOUT U .20 0.02 STOP PLAYS.' I CALL ITLOVE Of TONY AIN PRORT. LrU(aN s +59 A.Ewq O.MI 1JNaN1 Mee O11.d.0AMG) LLX. (IP AS10 wA17, IBM .7. WEAR 7. WWO1.7,1/0017. 2 l Yn BOILS f0tAl1MS1Y 111 .6 0.734 KN1L KOKY. KKL WNW 4 WRON 4 wA¢ 4.10144 1 KOKY.S 3 LIKE A STAR .7 OMB CON( BAILEY RAI (AWOL a NO WORDS CHANGE YOUR HO Or1Ee 3 0.302 Mom (.1.2) tARTII WOOL 14E 4 AAA 1 6 wlE.nMAJ 4 YAM 4 WAD .1 W112 .l SRC WAS YOUR PORTENT MOST 4130r 4Mw1S10M(.4 41413.4 m .45 0.264 - EEMA11INSTK SOSWAN(AOOS AD0E0 AT. DJ PLAY A LOVE SONG 137 -2 OM FOXX MO AK MST LRrrc OREE/ WBAV Or1.11. 101112 SUNDAY N TIN PAIRE 93 47 TAMP DAVIS IAVIRSM REwA( Qlal Ma TAW Awry TARS NN AS I AM 75 IAw 34 Ebbw M rAARY A all W TRURNK/ttEWNFRS(OPE Sadlwd 1lY4 Toby L. N CAN I TAU YOU HOME 76 41 isa MNY AAr. Y.Irir. MR WEEK DOM AUGUST 20. 2006 MAN IOU LRAL MOM S Iq.1d M dirt. M tarts WIWI Ar Ram ad 1.4.1 wwWrtbm. u MUNI SI1!UN1 UIU 0404311711 SIN AC 241.u.. (Awry 70 .44 13- a AS wM swam w idlr.rJY lwllr.i W NIir1N1WTw OWL Ewa.. AY. 7 awn, .ww. (X) 2006 V14I ells AW LA:- AI Vet w.w..L

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NIEI9EN 80S NEW AND ACTIVE TITLE AM1e101 aRTFICATIOIIS RAYS TERE PLAYS ARTIST ai/RIT / PROMOTION LABEL no M. MLLl01i MS .n' I i: MINT I LAS ARTIST I LAPEL TAN M IUiSSRIr OF AMAIYM NO. 1(16 WKS) LET R BE ME 1R9/3 I'M COVERED 82/3 1 896 46 à.90 1 OKMNRBQ ImoHTKMNOrTK10S IrrMa R1a. OBEY G. U. New ON CmariY OV. E..r.lo Mar. VICTOR (AOROANT HARVEST) P. Kay 793 191 3 DEW LEFNERITY/701BA) 6 LA N TE(GTY GOSPEL NCI UMBINSLAI TOTAL STATISM TOTAL STAMMS T7 ITS ALRIGHT 690 1904 I'M FREE o KKE EBRIAS VEw1Y/ZOMBA L321 L. %Raw SIMI i T..wrr. JUST ANOTHER DAY 8V3 (METRO CC/SKULKS) 111. Mdii. 30 90NN KRIM 13 1345 1 I4 MIT HRKSA M NELSON' NTEWTY WORLDWIDE GOSPEL TOTAL STATOR@ (MICATY GOSPEL .FPI(/SUM TOTAL STATIONS/ 10 1 WELL BUSS TIR LOSO 2 YOU KNOW ME rs 39 C3$FO(ENTRE /1011M 2754 rI.ONCA(l ION Gwe. HAG. BETTER THAN THAT 80/11 AIIrT1IA911. STATOf (WORD-(LAIR) TI. S. jNlw MANN ROOM 1114 S ri a 1E)MNM(RW(N YtATYa0411 TOTS STATIONS (r HAAe.OS V1PITY/ZOANAI o . INS NOES 3 1 MT IS NM MW TOTAL STATEN& n s a 2.1411 7 IF INE UFTED LIP MYRDIURORLIM (M COSPEL IMO .- THAT'S ALRIGHT MAW MIOL.WRER .1. jP111o. Dab 79/9 TIR STRIIGCAE R OVER (MALACO) C.P. 9 T7 U20 lbs. YOUTH/DROWSE EMTIIOCOSPf*Rf NOOK EN MIT n1NOMAD 2 TOTAL STATERS (PUESP RAGS WSW VIM GOSPEL YESTERDAY IPN14 TOTAL STATONSe 7 9 SS LIM HEAVEN KNOWS 'AMY WRY IDILOL(DUOMRM EioIPO (INTRIrRDA)A) W1P. WEIS WM& Hair. IN AWE OF YOU 76/19 LJFT NMI UP (VNNTWZOLKIA) 10 O 46 wRTTROR6 la1 w HfIIK1AHWACxD 1141111141019111104911 2 TOTAL STAMMS (VCR/AG/KOI I RANI IT Yri1NOlIR 101M. STATIONS. 9 O n 1,511 LOTH WORIIOY 111060116 M SRanrl VOWS VOMOWR/wNTVROIA 8111800MrINMLE) TRANI YA MIMR wLaLwnC 17 16 a7s7 © OMRL PRTES6STIBLTHNNRA6E Ill GOSPEL - IRAVENKMOWS 2 r- INPY I11iM. if 19 MOPE= ® KIRK TRAM M ro roSOUAOSPV CENTRIC/me/ (1IwfYA1dEM) NV W/16 WPM R 9 KRAKRILEMO EMGOSPEI GREAT PRAMS 1 HEALING r*r I..d I OD" MO (O40(ENTiK/70111 Ol1T®EY aow/awuR1ARRII wRl[ 16 NI 1 FOLLOW DAME II D EOSIN /MTR'aTY COSPEL/SUM 4 IIALLELU ALI GOO 16 I7 TI.r Sia.i YIIK:R(IEDRLE 'ROWE WWI //R TENS COSPEL G /l ue ROCA PRAISE MN AMPOWEI 230 .11 S TON TORY S71101025/JA/.001 LIN I CAN GOTOOOONPRAM 1 MY STORY a A>IIIrF 35 HEARTGREEN BEM K9 MYNA/ ACO lntP16/Ot01lWMOGD ER TIME U wee TIC WILLIAM MODNM a ACKRRRYAIMA(O R Mr LIVING N VAN 1 PRAYER CAN GO TO GOD M M 7SÁ MNIESaY ITS TRL Of UNMIM(14 BbnAMTIMIS=MU A NOVE Oft GOO K ON THE WAY 21 WOAD HIOI.1INwlOIIS a YOU SNOWED ME GET READY FOR YOUR MMACLEI 30 la)AMNI41.0O16 A. 1..10.4..+ ONFOCURM YOU ALL I WANT TO 00 R MISS 177 APOSTLE 00101DL. MPOD61/E CA11f11LOF WORBISERS W YSFg1/TWOT PRESSURE INTO PRAISE SING INTO TIM KING Lucinda MAW. Ora/H) 1114 4E 29 ASNI PLEDMIIDSCOTT TYYOT WON R VAST./ W,E2Rwx1F .2. WELT .2 ADOER AT... WILE .2. WWI LM/W.L WLIO.I MOST INCRIASED PLAYS PREMIUM INTO PRAISE 162 0605 74 MOEYLMORE MON 40 WPZE Al_... V 7A HEAVEN KNOWS YOUR WORTHY 10 D.Nrkk MANN. (vRy2..4.1 OR (IZAN ESL HAIESMOTIE WMxMNS NSPW TENMAEEE PO/MO Flat [[r Comm wxE7 .R WPa O. WM .E1 KKR A WAS A MT( .3 TITAN IT AROMO 144 45 26 PAW i NE W REED N TE(aIYrOSPrI/COLAKM/SIAI OMAHA H..bA Draw K..w.O THANK YA JESUS IWLL Ull .7 MAD MASSE CDIANMSIM Orr.l Potties A Stro g111 In Praise (EMI ENNA) MIOITY LONG. WAY -2 26 Á7E PACE MIHaTWCOIMRWM 1! WEEK .21, KOLA .7. MISE .S WW.. WSOH.4 WASr4WNW 4WD( .3 IVRY .2MMW .2 YOU MOWS. ME RECURRENTS Kr.. CLr4 -9Trrd (Wbrd -Curb) MEIN 19. WWII .M1 ARABO l WREN M MM. I IIAIJ TITLE 1r5 TITLE WIJIMI MMT / SPRINT / PROMOTION LABEL lW UV ARTIST / .PEINT / PROMOTCY4 RANI Trey Sand RaWeG..P.ALxS) w1E2 R WAR) .A WILL L WI .2. S PEAK LORD WINO SKAO wxN .1 PERFECT PEACE 339 343 279 .2. L IWNNSAFE(V TTY /7010) TAAEIA MAIMn'LYMIN) AVAILABLE LONG AS I GOT SHOES ORJVERANCE N 337 301 211 YEW rOls (PERESPR.LSCOHEL/LMGOSPEL ) N IM(JMIGNNATAL DMONIITTI t MOPED WOE COSPES) A SOIGNER DAY SO MANY TES QNq 323 33E an CMOS(LAME (DE (WNTYRONA) GA=RA KID 0SOR0{LSR) w VICTORY 19 337 LOOKING FOR YOU M4 249 FOR WEEK EWINIG AUGUST 20. 2006 vOtASA ARMS (LUX IRMATIANTIE1 KOKMANI [.I(FO TO SOOU/COSPOCENTRIUZOI8A) LIMNS Sao Ir.wd ro charts .. asse(s w tam lot toles and symbol ..PS.nM. x... N O WAY GOO'S GIST 300 341 241 209 39 gospel ...tow.. re dse.setJlY .o.KVed a Nathan ßod.M D.A. SN.a.. 24 how .. AD MAJORS FEATURING kW.Y MI (MISE OIE/O[RIM) YAWN/16E0EIM (TYS(OT) i Aq. 7 dry.. muti- O 2006 VNU M.... A4Aa An. AA oye. re.e.vea A

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CHRISTIAN AC INDICATOR TnTLE vs ARTIST SWAM / PROMOTION LAW w I01aITAa0/1700 newsy -9 4181111110101113 Ttetm 15 90131111111244010 a M1111015s1111Blar.urnea aáswc .33 trlaswt2sel4Dostoa. susrtrN.w.Ila.csc I73e a rnlsLLr I2sas o..ocwowon.No wSttRyWaeNllunc 721 43 T1ttLL111.kt4E wan cis. 698 .22 Christian AC hits top five Arbitran pay dirt in multiple markets NAM IOW MASTENcASTMr, r.orms .4NST4nlalaaONL fee 23 MOM wrnewwtst - U.rrRSat IlrreRPNrrowlrM 0011111111.004388143 tb 117 131111LL1bl0 sass ma S90 Spring Brings 011Ma1112r1s1ItmTm .UaDaPtc sn 15ALI111roanons.t. SPA.PrwIhMOG tnswrwelewssesr rMtM Ratings Bloom 1r11aá*I1TIOrr.naMtN wsttrsrb.apreaOS sß átAwrMSaeeoa GM sa .,a strlLrastáttal aowasu MITAN) a2 .p Táa rAa Or LO31 sMe11sa1K sr.etraoc sTww TOWS .unes e IP Kevin-Peterson WOW WAY comsat awarwoocw Mf a111111112MM1Teltrwrsourr woman 435 KPsltarsonQDRad IoandRslcords. cw1 10T1111ITI11a=w1 aAaer. >A UMW= ICOMarwtAVt 3sa rhitron's sprint 2(IN1 market reports brought good ncws for ar0/TOTI4iI21 sTabrsota NA Christian A(:: Si c of the lbmut s stations ranked in their nur- INIaMi119Na1a0.6a79 34 ket's top Rive among persons 12 +. while 29 cations placed in their ouT0Rw11103a4TM..G m 1111111811113181180000444006 2a market's top III. KIIS/Minneapolis jumped to a fourth -place 7.0 37 tttaOl IÓ3oi nwrMG.sT.(r share. WMHK /Columbia. S.C.. placed third with a 5.7 share. 213TlátlMa 1r1 SA.. MOM 259 ( Rive WSC:G /Grand )tiler top pertbntitr% include Rapists. Mich.; paA9i1M1INTMrsrNPrtsutcraP WCQR /Johnson City. Tenn.: KLR(: /Fapettoilk. Ark.: and KWND/Springfield. Mo. ÇOR WEEK EKING AUGUST 70. 2001 The spring AQH shares listed Ilelow are for Christian AC stations Monday -Sunday. o a.m.- mnidnight. Market rank is given in parentheses: ties are represented by a "t. á3a1Ti.01 3.90153 201* 118 á3alsps+iLla 3311 1211 Christian AC Spring 2006 Arbitron Ratings 01311118s. a1 tlr I1XAd.tL 3261 4611 MQ64.rda+r11.10i Irto 4303 s 12aion.drrtr/2LOa sp10 .2.1 ) Market 12. 12 33 MON Ww.i. IA OM L7(s1J MA114.4eE10.1011 Za4 ámlY.arllln..rLAr14 3aó1 No. Station/Market ri rs.w a 22053 m ups a Ma010.W.á1L 23138 2.9 (13) 114110.4., Ny 2404) 130 1 01 11141I1.bYY.s3a 13113 15(13 MMatr.r.r 3(133 a MLwtr.i..Oi 33(18 3A(10 truss..+. Rs 33013 23013 r titTlai,tá WON 2911 131I1a.Aqrb Moro 37 Mroaorlld.11s 4.91J 46c78 1181tM1.804 oa AMC .9610 ta 9115114.54114. 2.9810 opro WOW, 29003 9fA9aMAA.r a 9110.1Ss.1.I4.14 23031 32014 177 saQ.rtserUttrt. WO) 1l111.aa MÁ10 32033 la= NM) rtl/lttwElrl.sL. 4313 sapo as 1411115401144141. 13(13 33093 MtwsMrrlsllas. 1.71274 41 91i80sspir 2.701 33053 t/11Mar s90o @ áTQildlo 2AOro áaaFOáwabls.lm 12010 131153 1* 12atsa/IirLLYi LIMO opro á1UMt141.k 21(x3 27OW 1a IOW Tar.lIss. 13(33 WHO 9W11088 .91290 44 11106111111000s uQ10 2.9170 áa 1153t:1.wbs.rp. T+ 3900 43113 9t3sa4094b14c 1111011180 upo Y tseprwr.btsl.11r a 2200 2203 firlilAYbNL .9m3 12ß33 9ICaAirrnf>Ir. T. 21 álws00ad11. 1281) u(M3 11011340 13811 13(4) WO .1018011.11s 27p10 321* a44,.t Tb.41aitAR. 2sß) 11191.13repl1.L 17111 33103 á03A11..+ 126190 U 4.I013 1RAar.tlip.ri 3383 .383 3311 a aK30YámOr,O` 001 222 9/11F.I1NrI.n014 33(90 11(90 á:TSlr.ai 11e1erpramap.Us 22(153 13053 SG 111110114484113. ACM 3010 336 NONAM.Ii. 73613 33153 12/UTb.*4 1` tam 2A(*1 a 9latlerir1.14. LIMO wpft 0lrai.tlw. 17028 30 9I119144144494 171*3_ 230313 101114110111 Isis 30193 !s 1111018880.113 .9p53 t9lRlArptbri 1300 3MOM álara.m 23890 13010 213 áo4M6n.3.a 22010 _41 st IpJCOdyr..w` 4303 1211 M11t1a..Ilsr.A .283 12173 101314r0404 MAO 23a 141011.a44614. 3204 33113 W63 911sTD1.ri. Iarc9l114a.r,1\ 10181041341 LO53 a svritrdr.a...r! 31813 3308 s 300 OW IbAlsp.kTme 33111! 33110 IpdI.D14 374 á3LTa.Mldas2. 23643 áTVifsssmar CAL ANN3 91o11abW+ 340193 I1314bi1r ti 9Ml109144414.4 411* 4.511 ss011áì.lAl. 1680104443. 4300 3.11111 Ylabg,lai waft 33(43 foál..lti.4át WOW M I31C4Iss! 9101I1rprrr4.ML. 2304 22053 23110 2AaA ACM 03(03 a 9Ulworral si.Iri/tL 13(* á1UC.prOMTsr 02001 A.áá1. Ws yet b. quoted o...sosie/ a áucá'amq WEN 0 á'Aa1lNb.rr 2.100 1200 1118Crqy.804 Ar4. WHO 13(43 sabot per Nyasa I.rn isMon tran Arbáy..

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IMPACTING.NOW!! Already On: K-LOVE. KLTY, KFIS, KLVA, KBIO, WFHM, WJIE. WVFJ. WCRJ, WBGB, WJTL. WJYF NI*Y..RAND "Hallelujah, God Is Near" r- ta /8 Muslo Ch arfan MUSIC Group Acoustic version on Promo Only soon. F Promotional Information contact Brian Thiele bthiele emicmg com

AUGUST 25, 2006 THERE'S MUCH MORE (pl ww.RadioandRecords.com www.americanradiohistory.com NEWSBOYS CHRISTIAN AC REA'

NIELSEN 00S * HrtramlcroR NEW AND ACTIVE TIRE CERTIFICATIONS STATUS ARTIST awRwr / HROONOI LAIR PLAYS T1RE PLA &Et /IASL /GAM ARflRTIIAMIL KA% 16 MOUNTAIN OF 000 NO- 1(5 MS/ * YOUR HAMS 216/35 OCEANS FROM TO RAN 01025 I THROW 6NmMM0 1349 414I AaA, Cwr MI OPW. S.mit 0r15NAtAAw WELCOME HOME MO) OW IMNIRTIRII lROMIG TOMLSTAROit ta TOTAL STATORI C SAVIOR. GOD w w * 43 I WILL LIFT MV EYES 205746 COME ALIVE 1116122 AARON MUST 11001 OA1Re+w Wow= ANIMA MADE YOU N MS STOW * RSSEnTUUPLG) (ESSENTIALPLG) (ASTALCROIIR RIDISINTACRONIi TOTAL STATIO61 /0 TOTAL STATON61 7 ALL OVER TIC WORLD roam 6Ra* ENOUGH 100/101 NEAR OUR SONG 151124 6r1..O.R Ai LAN STRONG TOWN ammo (HC) RUTH% ER WHOMEVER WE GO 8 TOTAL STATEM6 13 TOTAL STATION E MAOE TO WORSHIP RtNAqA (NR TWIN SUS TEPShPM/IOWRYOL won HALLELUJAH, GOD IS REAROS/O YOU ARE HOLY 153/13 IIENE CAA 11410. P IR RUC ww(w. WOOL Wwl wJpk Whit Imp SO LNG ULF (SPAINOWV+OIq ISLINTEIMPIWG HIM WHOM 'NACU. EWIO IO TOTAL STATION& M TOOK STATIONS WHOLLY YOURS eRoECEN E RAILTEM. S WVD(IRMRRSAND SR61DL1RIAO011100 IRA IdiA YOU ALONE 5515 JUST SHOWED UP 14211 SANI ANN. Lee Own HOW GMAT C OUI GOO lII1. * NOI ISP'ONDEA1D) (NR IOAN RI SMINCRIRIORNOOOIIL_ W. WIIOL IRIO TOTAL STATIO6t U TOTAL STAT1016. !w0 YOUR WHIGS DEAD MAN (CANON Min MAW WAWA ND i, 01 ON REAL TO ME OSSENTINAL.G) Lss w10 KM E II(MRMAN SPAIROWRMOL RIO ISS TIC EOOI(EN ROAD K ISM OUR GOD REIGNS v AN CURB OwiA IWO HISTORY OLLPdMIO WTTIRW MST IMYUSAI SO/TIIISPAII(DWRY(TL loes Ow, MCC, MOO OUR GOD MOMS * Lil EN000H w IA4NNATH RIMOVRL zs O MAN SHINE MUMMER PORMPOCI oawo 6110001 V1C1/ L2í7 a ROS wgtwRD TIC REAL MI LSE 21 I WILL LWT MY EYES 3 I ATAIR CVANI -.1Rtom YOU NUM LET GO DSSO(TTALALQ IMTT ROAM 1326 NM VASE LIT IT RISE COI= TO TMI CROSS 3 Rumor MAN MAW IN. IMP WORM AI WIALRI JL mtumMOLG) WAN RNA Ti =GM WADS WIR] MOST =CAUSE Of YOUR LOVE EPEE ME 2 INCREASED PAIA WON Maw &Mk IA4rt A RETTA WAY OR(TAIOO(ETOIWO PLAYS DIATIRRR K OHL WOO SWIFTLY MOILS= ARW RIE 317 536 Lab 21 SHINE 2 EtAIIir our Of NY HANDS QIORO{ am TN TUNIC 3415 ]0 als a +101 ENOUGH S ON OF GOO 1hdfW0116.w.+/Wrd Gob) STARHD 361 .6 Lw a 11NAMRILVOq MUMSR.[ IlwlO( n MC q RRIMIMKTLDN "DDm"T- SPIRIT 1RC4W0G410iewi s IIO SROBRL KCMS O Ell +98 BECAUSE OF YOUR LOVE ALL WHO ARE THIRSTY SMIA. WA .- -_ - Paul 11RdW (Nive.) ANTI RS P0. Scan Valmont, *311F91431011111/ Q WWI .7. WIN .1 lOI i MORE TO THIS LETE MD Swell Wax tOR4M1M4w0E 4WOL7 STOPTSR9 & .I.GM. WyO THE FACE Of LOVE OrIw/ DIR. WO Md.* RlieNE +94 SON OF GOD SAW 'MAIM SEN Ore M, 0 3farS.ld 0Pwd04 C36) I OOLONG TO YOU NT91.1510JS47.I10 .6.IW614 NASA S RUC.. %MAW M. 106.2 WA M. MCA I trzfre=+ +92 WHEREVER WE GO dt/Na RECURRENTS N.vARL .`O0E.6 WHO g WAR .AVINCl/ 7. PAP 4 WWI 4 WNW 4, POOR 3 +88 e OUR GOD REIGNS TITLE PLAYS TITLE áwRdon Heath (ArerrFLG) WON .22. MIN 42.094 1L POP IL WAN 4 WO[ ARTIST / IMPRINT /PROMOTION l ART I 1W LW ARTIST / IMPRINT /PRORIOTON LAIR 1 4 WiM 4.% SC L RI&U .3. PAN 3 OILY GRACE THIS MAN 501 545 441 452 MATTNW WEST DIIMRL1l ITWSP MIOVIS JUL) ARMY Um/61/C) MUSSED VOINI NAME VOICE OF O 477 471 TIMM 421 415 TRT6I(R/ml (AVM CROPMS(wAOI STRITIR EMONRIL) IAM 477 4.1 TAKE YOU SACK 401 425 MARIA REU T?VOW (ARI AIRW CAIW (WC) (OR WEEK ENDING AUGUST 20. 2006 UPRIONG 456 462 CRY OUT TO JESUS 414 LIGDIO. See legend to Ella.... Arts whoa N. .din rd paid .PI.nwen. t MYNA ROMISIRMIN SIR( TM UO.N L) TUMMY RSSENTMC/RU IN HOLY IS TLC LORD MANN 47 ClrMr, AC .Irv.. se eetrrNJr wewlbnd e. N4Ar. R.wdrAd CM. Wow'. 24 443 446 391 Nw.. 7 der. AC MArrw 39..Pa.Ie... J.ew,r. (NM TOM NISMSTIPS/SPARIIOIRM (M(.1 SMVAIOR MOND NUM) 311 M. wA. Clrnr. d.WE.a.Md d CIA 74 rlr..Ar. IAA 35 and wows 20. O 2006 MU EirWr Meda In_ AA rights rammed.

CHRISTIAN AC PANEL - 47 STATIONS Atl. nta WISH Detroit WMUZ McAllen, Texas KVMV Roanoke, Va. WPAR WVFJ Grand Rapids, Mich. WCSG Miami WMCU Rochester, N.Y. WRC Bir Ingham, Ala. WDJC WJQK Milwaukee WFZH Riverside, Calif. KSGN Cha lotte, N.C. WRCM Greenville, S.C. WLFJ Minneapolis KTIS Sacramento, Calif. KKFS Cha tanooga, Tenn. WBOX Houston KSBJ Nashville WFFH Seattle KCMS Cin.innati WAKW Indianapolis WISG New Orleans WBSN Springfield, Mo. KWND Cle eland WFHM Jacksonville, Fla. WBGB New York WAWZ St. Louis KHZR Col. rado Springs, Colo. KBIQ WCRJ Omaha, Neb. KGBI Tampa, Fla. WLPJ Col mbia, S.C. WMHK Johnson City, Tenn. WCQR Orlando, Fla. WPOZ Tulsa, Okla. KKCM Col mbus, Ohio WCVO Kansas City KUC Phoenix KLVA KXOJ Cor.us Christi, Texas KBNJ Los Angeles KISH Portland, Maine WMSJ Washington, D.C. WGTS Dall. s KLTY Louisville, Ky. WJIE Portland, Ore. KFIS

THERE'S MUCH MORE e www.RadioandRecords.com AUGUST 25, 2006 www.americanradiohistory.com CHRISTIAN CHR CHRISTIAN ROCK TTTLE RAYS TITLE in AaTYíT .Fain / PROMOTION LABEL w M- MOIST WANT / PROMOTION LAB w S VERYTINING YOU WWI WANTID OI6 -52 EEEA71e NNO NI ARK NELSON CSSFNIWA1i 333 IaG14 OF 7S 401 CONTACT .34 IeLfNT K FAAIPLV TO)THAWA 011 tls AMD JESUS 119911 OP 711 .R STELLa1WIT MANFI CANIO/TOIN 7E9 PRAYING FOR INNNN SItO/MTS .n Orr a -7G HMO STATC OION SorOFFIS ESSENTMA/1G E VERYDAY YOU MOO ASSN owns MIRROR RSIOAIIIF. .6

S ACK TO YOU YYWPACI M! TOOIIL16TMCT M MIIIYSAVII 0.oFrRr LOST AT WA RALY ALM MOM Ill- .. oCTbM/AOi. Kam of swam MOTOED OVER mum wrap nmouR 11640 NAN tCAI111Y -3 BREATHE YOU IN MRS OF OAT TIOliAMDFOOT OUT cm IO)THiRIAL 747 YOU AM HEIS THE AMEN THE NEIOTOOeAT* SPOOR ImIHANAL 744 TIN FACE OF LOVE COL= SANMMIeAL OYU&%EMAS ESSENTMIDIL m MY SAVIOR WY GOD Tuf TETE MAIN WIT FOD ATIINI[/IIOp(lA 22; EMfARTHRO GH O 1911111111312511 ATE SAUK AM Ss vase STAINONN TItMO TIE COLOÓT HEART sIPOMKOn MASSE ore TOOMAIAAI 7Q EVEMYTII 110 ANON= LOVE ADDICT MEMOIR _FOOT FONTS WMTACOCOIN 711 TIE NOOK TIE REAL COMM* IINOTROLISS 1L[NMP/PlG 3011 UMA MD 11110011111116 o MTON IAYbCOIA/OSE/AYOt 792 w aMwRTION sTAOsD TmTHANAL SO L0sN 110U1 MIAMI RICKGIIF. EMAT1E YOU II THORMOPOT KAMTCN 1LC101ar. WHOLLY YOURS OMMOIOWOO IMO 43 SPMIOw/sYOt OVEN w HEAD (CARLE CAR) 406 TR FAY TOOTH OM TO 1SONSOIP NADI 3N1 ow%TOWN IOOIHARIO MANY -32 ATOM WOODS nNFofNIM TRIOS OF CHANGE .27 SO COLO I ONlae fEt NV MATH .s K UTIOS DERV TOOTNíFMI UP AR011 n ear NrANFLxAnsASCITY sumac .2 TRE YE Tltf fefAl .E PAM S[MNMOAYSOARER INC GMT LR AGAIN -p4 YAWNER. mCYiGOOMN SaARÓ WITHOUT YOWSINTI TIE STAND .3 Malt SOUL UST MOM COO YOU DECOI sa. n EDAUTP L (ONCE YOURS OUT IERE) rIERLT FLLNIEAIPLC n STAYIWNT MAWS Ta -39

PLAYS dmuARTIST IMPRINT / PROMOTION LAAIML TN .1. YaMTAIN or coo wow 65e 790 .7 TIOIIMLYI NLTMEOANT 1 wuwlaNwa AIRNSNUST WASH 35 .13 MIA MOOR TOM Nauss U I1SMEf lar ItIAEMIML MIOMIL ]09 -21 !S MANN w ITONfIE1a1YONANINt

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AUGUST 25 2006 THERE'S MUCH MORE (Ql . ww.RadioandRecords.com www.americanradiohistory.com THE MER' - 117G HO

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ERIC CHURCH "TWO PINK LINES *52 Already spinning on 26 stations! Add Date (Next Monday) 8/28! DEBUT

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www.americanradiohistory.com COUNTRY

COUNTRY INDICATOR TIILJ[ PLAYS a wrT6T eRRWEr/PROIOIIOItAEEe TV/ l. AuRR LL1TIf1Tt125 TM raw (A/RS trvorTxarEanmsauw 3269 .139 8.9Y5

N AM NEW GE1KfRt10 sirti IIpI Y lltla 3248 .146 9234- WONG IT ON NONE tim t t1w TOwN twiny 3120 .68 8.530

EIÌMaAKi moos 111100156 CUM WITH 'ACM (ROW 4 Vitt CAI ARISTA NASHVILLE 2909 102 7.647 miff AWAY u0R¢STMR 1tAN.LIVIAE 2902 256 7.915 991L1S011MManLntrali1NaYA1ISSMIMRROtrA7RM owl MR -346 7.7e7 1111111N1N1G0w11NM JOSH TIOtR IJANALIVItE 273A 134 7227 Industry support critical to success of new R &R t11111111111Mla911111111111llltrYTHlwt WARNrRwOSIWIN 2703 138 7227 MM.101ti1 19119tLYUEaEILTON Mlwun 2235 2n tLRO UIII91MIA19Tm Kin LOW ILL NALIVRlE zon 48! 6282 mow AC01111111111RltEaatPUN EILTAArIwE 1878 .86 5.021 It's Our Turn smog noxious (APIT0. NALNE)E 1851 4.900 MIRY NILE ANIIIIORY was aNTIiY (AqinwLlVllE 542 45 4.604

1mS AST OMIT MOULD Iu f wt I N ENE 533 .tó 5.113

QTNO7M1I11111 BIG A RR H WARNIR ER(IJWIN 1775 .Q5 5.125 {Qe1Q*AQMR At AN IA( s1N RRIA NASNVUF 1644 ffi 4.302 Wade Jessen ILOI99NS191IT WAR IIAY) tOTOI(NIA 1596 .25 4.087 (MQOQtelsuNrHrNw. YIN tOlUM9A 1555 -29 4.597 WJessien @Rad loandRecords.com Et AIaNlrsNi RAs At i tAT TS l rRA íTNn 1471 -859 4.318 EIOIMTAN{ t'. difficult to have imagined the integration of two such wiener- IORSTAR alw 1450 .99 3.654 WANT TO SaiuYeAaR aeKOav 1231 .346 2949 able brands as Radio A Records and the VNU companies that LOY1Y99awlttaa ELWOae 1209 61 3ala Iinclude longtime RAR c petitori Billboard and Billboard SOME POOli OVINE taw I(.ptRY(rNTRY caasaa 1134 .14 1064 Radio Monitor. Many of us who have written about corporate YOU LYE Et u N/11 tHI vtY ON n67 .487 2.82!

conwllida ' on our daily beats have quickly seen the irony in loon KNOW WHAT SIt1MaNMR1MSa1 OINIYAYaaM M2 .77 3.469 the fact that it's dosv our tom -an irony that ohv' l isn't lost N TOEtS OF WWI LrO1RY twat SMUT 933 .24 2.398 4144101101LR1eNM lTR[EMO 835 87 2.041 on our radio and Libel readers. . 41 MOWff1RAI0R11fI1t(MAIM wT1tlIr 901111SK 7% .3R1 1.946 [hiring the past several weeks. we've each gained .1 new set of-colleagues and hid N1rU111/OiTeltcraAw cIw 734 .35 1.616 grew ell to others. and are only Ixgi g to sense the excitement and challenge OIOtNA1N91NN IInM MOM (AaT01 NASNVElE 727 .75 1.796 of the next era fir RAR. OlalNOtATI OMt u.atRw(m ARRIANIRISIANALwEtt 675 780 1.735 specific case. I've conversations with colleagues from !limy enjoyed puny gratihing 181t0iU11rArtaRSRKT ELWtIwt 665 de 1.651 even sector of the industry and can attest that the past few weeks of changes have IRaA141MAY MCA Rafts wAtlU5llYAwISTRRm 608 .48 1.804 TOyVISON been met with the collective and individual support ofso many of our associates. clients O7wmiNTN1AI MINT 1-1/w SMUT 556 1436 and readers at large. 099111111111 TONIGHT TmrREITH LIOWROLNRS11VRlE 532 230 1297 G009NW1 OAERSONOEVE - IOASRKWR[vOtUTO/ 521 1262 That said. the intewa Ì the c panics isn't without challenge. and then is IaMOROI 001111>rARIIaTRs 1[TtIAn 497 .i6 1268 much work to be done. The RIM Country than. which we share with sister pub - ITS TOO LATiTO141111710SrNO1R IIER 436 .5 1.120 Iir.Iuon Billboard and its various plattilnns. is der a renewed level of scrutiny by 1/11111111111111111510166.was AR6TANISIW\U 400 .39 0.975 %sho those use it the most-our label and radio readers. That heightened scrutiny n1wMT10w1MJtIO4s L101115041. 50101 376 .36 1.024 include..i own -to-be -dotes d revis. f Our criteria for reporters that largely detcnllnles the size and c position of our reporting panek. Even though the coining together of the BAR and Monitor staffs has happened in very short order. the analy- COUNTRY MIA RAYS sis of how best to proceed with ongoing management of the panels is some- nponing III ARTST UMW lvROEIOTVtWW1 1W ./ thing we unanimously agree should not he rushed. o 3 1' i11111111111111111111111111151111811111111111IYEIIOSWS) AOIKYATKE6 (uRE4Y um 29 At the moment. most of the stations on Kith the timer RAR and Monitor pan- e 9NWNMO951111117795 rARNIaI twlwtRSla neARrtR sa 40 els are currently reporting to either the Country chart or our Indicator list. Changes 2 12 11111111111111111Moolls6 cow um. VtRVItKORICtRiQOI MISTA wLMiT(StwrPAM sos -5 7 12 UAW 11111111111311 /1e WvdWR/WARNIR army ARNR MI5 in'the industry and the c petitivc Lutist-4w always affect our panel management o mans 9 WLON11tSINOANO MROIIOI1Alaeqs comma 4911 -3 dec.' and the merger of the two largest business journals k no eccep ' . Which a- ALIT1MTfI0IA19 TtaEYRITH TNOWKxNSEEEMnalsr 479 46 leads one to say that any adjustment in reporting criteria will eliminate sane sta o w MANS /11119111111,141191111 s1.E;am mass 40 .34 from their respective panels. while it invariably bring others into the reporter base will s a 90111110919 1111181181081 taaanala MUM 439 ,54 stations be re based This week. we will notih the that will ,ed from our panel on 13 cNY tMCLwRIw,a.l 6IVKaAEeE9aR6 413 -31 our most recent current music usage analysis. resulting in a panel that numbers 133 16 7 aM1TAWAY asNKwN 1[A10111WAGMYIllAI iFä n 10 RItA1NA1E 1 stations. ( -urrentl. our partners at Nielsen BI )S arc working diligent- o ñ I/OfiAlfslNMT 911T09n444936E 319 4 NOLO f11T ARNRlwman ly a small landfill of current-based stations that are significant ratings play- s ñ NIB 041 394 -46 M MINT ONNNE 11TReiTd1N EamRENasAI er:. but tin various reasons wen not being nxmitored at the time the BAR and Ñ 35 -39 12 20 NIMOINV9199111111111 tARwwsm M6TMIE6TA aYe1RRt t (sONY elt Monitor panels were combined. 21 s MANIA tltmlRmwn (FNTI(WI 4 While operating as competitors. the country panels at 1411/412. and M were N a str7Os wtmosY wlArrEIY Sr. constantly under vigilant review. with ratings and cone usage as the two key D a. IsMlslerOAls Rwr/eRAm t YR. VW i TM1MVIRL4 factor: in the periodic panel adjustments. Although the methods employed to assess 22 s MOINNYOf100wIINIS Ala11RIRtn ILA MAL-Milt NNW VAL the current music percentage. differed. both panels were historically managed with a A OIrROa AMNGtGmY YNSARY an eye to the needs of the industries that relied upon them most heavily. And while T-ö s 6.551/1111,11A /1158011Y MYaaRn (AqIQ NALIVeItRY A 801151011 tEwasogpYw 40ALLRVI454 it is always difficult and Wien contr)ersul to balance the changing needs attic Libel a a 20 WI MNr7 ALMAYQ 0161115I5 4nauN IR A NASIVIII AMNRSAI and radio c ' -while at the same time ensuring that we never comp. 'se 21 71191511116 EMOPAISLEY ARRIA MS/Will hd1Y IY. t he integrity of our call expect a slINlhk .torrent music per - 25 a 1 WOULD PON YOU raatMltOm tATERtoYAlrv centage and an inclusive ratings threshold to be conmerstones of the as- yet -unan- © :d 5 MI NM ON NOR atm JIIRSOI ARßIA WISIMU/Sp/NL cd re -porter criteria. Chan criterion is only effective when applied and enforced ái 8 WALK AWAY AAMIOAMRNSOI IEtlear consistently and fairly. and we pledge to del co in all cases. Your f"sxdhack. as always. >ö II 10 NATIMI M LMacY woman is critical to the mission. and we wek your input. 27 a MN1/NprT1Ae t1AarTMYAOIR - - NEEaK 29 7 NNNRes 101e51M In picking up where Illy respected colleague Lon lid Iefi off at RAR. may I aTElO11E1L 30 10 PIMA R911pA0 EIM/SOIYwIL say that I'm both honored and challenged by what lies ahead. AIM= MUM

THERE'S MUCH MORE @ www.RadioandRecords.com FOR WEEK ENDNIL AUGUST 20. 7006 AUGUST 25. 2006 www.americanradiohistory.com Ntans 14 IOS A HITPREDICTOR AUDIENCE :: NELSEN INA V'I HITPREDICTOR AUDIENCE TITLE CNTIVIICATIONS STATUS 0111111111316) PLAYS TITLE CEMTi1CAT1016 STATUS 0111141110151 PLAYS II ARTIST WIRR I PROMOTION LARE Tw / 1M NM ARTIST IMPRINT / PRqOTIDN LARI at N. 1. 11 11/YNNN120AGTINOIININIL_ NUN WES) TOIIO>6 TmY RUTH LOW OCLI4SNVMIIII Miff trait NrtM TPK STINT! WI WT MWAVSmI NEAKEE Q 21.988 -5085 3483 p * 2.741 .1220 S43 41 (ARY ALLAN K A NASI/VI I I SION DOE MA9MlE fNEEB1OE ::Q 21.334 3.186 3055 13 2.652 .0.257 569 40 INNYMSNP INA (LIAR RIMIESTLIED Q Snag Q 19.135 1985 2865 6 2264 -1.076 326 49 PATIMIN 8314 IPM /f GI. UMW VIO.VIMY. UM 18.732 -0230 3128 tt 1.936 0.272 45 u O l Y (UON.T/N K N UIY (KAM SOW +2.363 EYNNMO[AINEiY Q T7.9ß 2231 2979 14 IA5/ .0.339 395 46 BRAND NEW UIVTRSAI SOUTH GIRLFRIEND 19 ILOVNNNFAST AAFOMN Q L721 .0.283 122 9 NfAIRrO E6TQRREEa 361m 320 2483 5 IRK LAY 111111113 Lana 1019/rNrTINA®IMAIEB6TUMi MAE0310? NI W 14.989 04.989 1541 2a L6q 0.037 312 S2 M9NAINN CAPITOL 11119141111 SARAN tila TON LYRIC STREET 91118148-6[83 TNNSEEOL I3A08 0959 2293 N LSN 0.135 S4 KA RAH WARN R(ran.nWN SALYY IIERSwW (ATtt01YS NNW A GOGO NAN AMrMMER NY NV TS( 21 25 13210 17 1343 -0.150 44 42 rmLUwcK IL MUM .0.371 71N IIOIILEL (URIS +2.321 WANT TO SWING 483UMMI 518[1111/11 22 17 12.724 .0.339 2103 N 1.366 .0.096 u TRMQ ANNE CAPITOL NSIA71E LIMN MIES ASSE U1 (LI M tr IEQ ENNA NSE MAYNQ1aAS 12262 0.989 INS 20 1.355 023S o AI AN 41(AVIS ARñTAR451MiF PAT GRIM INA 4ptNLK w-ris 1M9FONLN3 RANß11EMlfn4q 11.612 2322 1111/2 23 1329 0500 % K wL4QLMMY2Om u AN AIO KRIFY ERE DAWN CAPITOL NASNVII F YONßß VINE da MENTAIS Q 11E1118Y118UEUR 11.086 .0.e99 MO 21 L30S -0.047 45 co MST AR INA NM VASSM MIS I A SALMI YOU SAVI III 111111110111 Q IMLLALMAVSNNEINY Q 24 10246 .4.217 1433 29 1289 0.904 N KBNTENBEV II4 WU MANS RCA l/E6A1110IMAY Q 1.19 .1.666 1562 27 ASSAM TWAIN L266 -0.130 ® NAVAL IIAI1. WAS IIKSIEYg 'IRK STRIP TO* RPOV POURS BAIO KADNY INRMr11MYT5NSAE 1NNA5MME 9964 .0.615 5141 22 1.145 -0.D75 59 K AAA I ARSL N UNITS' API R/INA awl GAL KA WASHY" IF EILMIIN 5NEP1rI18383rA Obb 9029 0.415 1683 23 rRE/r1N9EA1NTN L007 0.162 (Capital LI.N..r) ® KNT(2ARRY UNIRA (WARM TNK(FAW (IA RT/f 0201MM ß2Q1 rAUrN.LUNS Q VIENNE EN46 *CM MOM MM. 8499 .591 5601 21 OAR -0.035 57 UI I( HIM WISOI (0 LAMA TNI OST TAMERS INA SAIT ß! VAN MU 1111112.003. KLA 01714 L9EVN TIYTS51\N 8.491 0.140 1637 ä 0.se 0.159 m K TDI 409áW(LY 401792 4(KIIAAN nK. WIHN WOW" WRNS SNOW OOGMAL(VM IT NE MATS 11EAKO1 34 25 WOK OEA6TIIBT6 -0.036 49 UNNUKPPWOOO ARRIPANSTANASNVALE 7.993 .316 3014 36 006

whin. WINO. WIET, AVlE. WOO WKCY, «ATµ Mum NEW AND ACTIVE ONCE IN wen M1Ei MCAT. WOOS WCTA. WICTOL RYCO WYE( IMIIILMNN A UFETIME 99 MISA TITLE MLA MAT, ww1 WIRES wr/w. MOW /IAAL Al GAIL ARTIST / EASEL AID / GAIL ARTIST 1 TAR AUG I GIN Rik Wr AGCY. WQ(R MOM CRASH HERE W LITRl O. 34 NANTALLA vorroL WoE. MITL, wAK wRL TONIGHT 36 fr1AIpN YOU DONT KNOW L/ODUNK IF HER LOVIN DON'T 0.637/0.378 KAM MSG KEQ KUM VVaCQ. VAK10. ALIOS, MKT. M (CLIN TIKE Ti A THING 0.819/0.032 Mims KILL ME 0.459/0.090 REGE KORK. aEEY. KEGA VALUE wKSr. TRIM AMC. (SHOW 00G NASHVLE) KIM KFEY, KFKF. KAM ( MKT KEN. 51.11 Arm MISTA NASHVILLE) LAW Minim MO ONG TVLaI. met. VA9A(T, woGM KAM KAT1M MRU. RMS. AKCS MPS. KOL. KRST. TOTAL 1 10.4 KILT K11Y. KKCS. (DAN(.'KDAS/ E VI N VIA U T ION, STAMINA (RAYRAW/WARUM OROS MEIN) Vt'OrJC WIO(O. WOKO: MIPS KR KIEL KERN KSOL KITS. KEr.IRIIL K AM KMME. TOPS. KEKS TOTAL STATIONS 42 TOTAL STATIONS: 54 MPEV. WOOR MAUI. MAYS K9(S. ALSO. K561. MO. WINMMCR. WOK. KIOL KAST. ARTY. FIND OUT WHO YOUR KRA WOK. *p01. VAOYI. KT15. KM2. 1(AIC. WARM MM. WPM ARIOS. ANO( KAYS. KSCS. 159(5. KSO. r. WINS. wgo4 WSK TALC. MET, MAT. WILL WKíG. MAX MACY.AIOO. I , I 0.646/0.154 FRIENDS ARE 0.626/0.042 COIN TO ( AROLIN KSOP. ASSN. KTOM KTTS. wSOC WOE. wITK. AWAC MT. MENU. MIGTV. V1IOf41AWQYMYR WOOR. Ka..m Ela. Tracy E ms. K TYS. KUSS. KLAGE. 0.362/0.133 KLH. MUSE MUSK MAY. 14Aí08. MS. MKT, WHO. MKAE. WNIOI. MMOA4 :U14flN'.AL SOUTH) (ROCKY COMFORT/COS) SI.. /riiO KW.L. KW! KKRC. KAKT. W WrA MYOM waft MOO. WOOL WO(0. MIR. «XCV. «AQ «VAR TOTAL STATIONS 70 TOTAL STATO6r N (UNIVERSAL SOUTH) FOR WEEK AUGUST 20. legend To /NArt..n In..uM. And .Vw.bal TOTAL STATIONS/ ENOING 2006 LAGOON See /Arts.tTnn Ig1..i.4. ISe /r4Kry we 23 Cords rs.Rr Amon. re.Y.br./JY n.rVer.d a N Broad/au D. Solemn 24Imo, dp ?MN. A sw.l.14áu11. /NAH omIerd d 93 repo.... E 2006 V16Wbna Yá. Inc. A NH. re.rYed.

BDS CERTIFICATIONS JULY 2006 SONG TITLE ARTIST NAME LABEL CERTIFICATION YOU AND ME fehouse GEFFEN 500.000 The following are singles Nielsen Broadcast Data Sys- CLOSING TIME Semisonlc MCA'GE F FE N tems recently recognized for certified airplay of 100,000 BE WITHOUT YOU Mary J. Bilge GEFFEN LONELY NO MORE Rob Thomas MELISMA ATLANTIC 400.000 or more spins. The detection totals account for all spins on HOW'S IT GOING TO BE Third Eye Blind ELEKTRAATLANTIC Nielsen Broadcast Data Systems' monitored panel of more RIGHT HERE Staind FLIP'ATLANTIC UNWRITTEN Natasha Bedingheld EPIC than 1,200 radio stations in 128 markets across the United TEMPERATURE Sean Paul VP;ATLAN TIC States and Canada, as well as airplay on monitored satel- YOU'RE BEAUTIFUL James Blunt CUS TARDATLANTIC ISLANDlDJMG 300.000 lite stations and radio networks. The totals the DON'T FORGET ABOUT US Manah Carey cover GOOD MORNING BEAUTIFUL Steve Holy CURB period from a title's release through July 31. ANTS MARCHING Dave Matthews Band RCARMG DON'T HAPPEN TWICE Kenny Chesney BNA CONFESSIONS PART II Usher LAFACE ZOMBA LIST CONTINUES ON PAGE 44.

THERE'S MUCH MORE ea www.RadioandRecords.com FOR WEEK ENDING AUGUST 20. 2006 AUGUST 25, 2006 www.americanradiohistory.com : AC/HOT AC

TITLE CANADA AC must IMPRINT / PROMOTION 1A.1

IaIwaIT'T61 NAT 15IMInalull0 rPUSONYOIL

SAVE TIR LAST DANCE FON N9 IallMdaa. 14SMnINSUMM1ee ALL A90uT.. warms. R[[MP/YERSY 1MwMSAM AsrNOlus IE1MMMIlAN1[/wMIA 3A MAIMS WOOD Ian aMCYM IfUSO1YOIL 320

.TOMrMMK amass WRR[Mñl 301 Less musical sharing with CHR/top 40, more with country A NINO UMMIS 1MMSO1a1 WARNR 211 MIME mom SOiY Ewa. 271

w1INISM YOU MIL DMLDV9 MTh OEM o.swcF Krim lliBlAM1(IN Y NII. Where AC Gets CAMS M M M1M llewaalatelaRa UaIWSONVOIL YOU MONO Iwolu (I/RN/VIVFRSM

11111221216 NSIMa1ATIMNUWAN[R Its Hits MOM LlMaitls MUM M/sRr/aL AMAMI OI MOM tIM1 sNaTLaOwasTaL üWNtTRUOqAa/Ytittae 2M

MASCANDO aaNMLORwaul( I (11YWUIlY aL 913

SAeYT' oearwls wAMf R NR(K AVAMf 231 Chuck Taylor musk Ham a ma a w Tas. RTN MIMI lïlfNtlTSS/VPIJ.IM 201 MAZY laaafl.OtY IK)WNT(1WIA It ANI[ !WAfMR CTaylor(íaRadioandRacords. com DO YOU DAMA »sr vn FY ITS

AAMDOMTer Amu MLA 1N WARN 110 .i ¡og that i.

A( : is usefill. if not wholly beneficial file the filnnat. Familiarity CANADA NOT AC remains the red lllllillJilt Mantra. T1111 MDR NNW , PNOdOTIOI LABEL -It's always groat to have songs anus torouts: the more expo- K AWAY N(uI BA( R tY 730 41 sure the better in order to nuke them familiar to our (-ore." says ANTI SaM1 MM I oaasTlMAmaFRA R! ARMY NIA 703 27 Bill 1 less, PI ) of( :dear (:knitters AC WASH/ Washington. l ).C. MAW oaasaman Ib.IIOMWAr1ANTI IWARN R "On the other hand. if there are artists that are our. alone. we're II1 aß -29 FI01111Oxlls IaLYAaTANOI I MURK. timM NO I40,dIYRATTTNa1IVIRSN happy to have them." (M DAM CALIFORNIA RFD WIT nu PEPPERS wig( RnOS./wMllR s1 ts Don Kelley. VI' of progr ' g for Greater Media's AC WMJX (Magic WHO K 119 wad IMMt/SONYOIL 106.7)/Boston, adds. "If a song is truly a hit. regardless of which fimmat first Sß 29 WW1 PARTY aas K.KnIFPUSONYOIL excused it. it will anus over to other tonnats. You cannot own a hit. The audi- 151 p ence just wants to hear great songs. The older /newer balance is achieved with your MLIWISOayavareauts cau.usanaL ss 2 _Mr' current /gold balance.'. NOT MADYTOrA11NUM aaOm aNNwauaulaRaaRaL -42 R &R's highly adept and frighte ley thorough AC chart manager Gary Trust WAITING ON 11111 1TOOMNI aMIw1B AwARLCl1lIRaM.NaL .SSF' ]1 ran some hers that reveal insights about the format's music sharing throughout OUT OFWMIrMe MIM anrecot/IMrrRSRI 473 -31 the years. 11111111111,11 0611109HIL awRRIrOO.YSONYRIL 435 p The most dramatic revelation is that AC depends upon CHR /top 44) for only NOON= YOU aaNM.t INNRAIN 431 .Q about half as many hits as it did 20 years ago-a time when top 41) was a balanced NIPS DOIrMIt armaaDMMSato/aw s..Rroa 710 -20 whirlpool of pop, ballads. dance and Rol B. In August 1986. 24 of the titles appear- DM MO1FOa SSe1aM 11911VYpAMßIN1 eoMMl6aK 379 -11 ing on the AC Top 31) chan cattle from The Billboard I lot 100's)'s top 40. For the past WAY a11NVOW so1MmLs wAUlRRNOS/WARIO 373 -n 111 years. however. with CHR /top 41) fix-used on hip -hop. the numher of shared MR MOM 1110011911112 4IMIe1rlTaa CAPITOL/BO 374 a titles has dropped to 16-17: it is currently at an all -time low with 14 shared titles M111110NLr1fi Knawt suasal.Ias -T- between the AC top 30 and CHR /top 40. SOSSMIIrr s ALaIONr memo( MINA 342 411 Country has provided AC fertile replacement fodder. Twenty years ago this MOMSR11QOl WW1 MIMI a1M1111slNalas 371 -II

month. AC shard only one title with country radio, which remained the none until 1111111111111 rosola T.PaIE 331 -a five years agog when the number of dual hits nor to four. There are currently five OTOI w SrMR .KN taeaasaaa9a 311 -n songs shared between the two. including titles from Faith Hill, Keith Urban, Rascal even err Mae ßMEShcq t.ntwr IFdMRraL 309 S Hams and Tim MLI;raw. 1ASM oem1.1442 ORMAtaIMafR 116 a Hot remits a close sister to AC with next to no change in the share At: ratio. MaNOM/MM IaaNISMLtaaLLTMM. WORMINIVINNIIIIM/WAI.R 201 D for the ago. 20 title% shared: When the chan former format launched Io years were MMIITMIMM>rT+aSM mom aauwms.l 249 44 today there are 19. 2S 3 MAIM 2111111 Ta1Io Iaa 237 -o AC certainly isn't known for revolution, but its good to know that it continues 27 MOO MOM 9011025 Onmama ol9aonrrla4s MI ,20 to evolve through time. 30 FIAT Tana IaNllllaRa. 2111 t2 MMOa AATNTmouMt AYF/S[aYaL M Next weak: What is AC's track record for format- exclusive hits? il_

AUGUST 25, 2006 FOI WEEKINO1Ir AUGUST M. 2006 THERE'S MUCH MORE www.RadioandRecords.com www.americanradiohistory.com NICOL SPONBERG'S

NM AC R6R

NIELSEN BM * IsTPREDICTOR NEW AND ACTIVE TITLE CERTIFICATIONS STATUS PLAYS AUDIENCE TITLE PLAYS PLAYS ARTIST AerINT / PRONOUN LABE 1 TV ./- ELLEN wet 11± ARTIST I LANK ARTIST / LAMS /WM I N IMO DAY N0.1(AW151 EATING ON TEL WORLD TO JUST 11E LEAVEN 36/3 I 14344 1 I1NEüORRe CHANGE son MIN MM. UNWRITTEN J dr MI. (ORAAIATI(0) -9O 12A92 2 NATASHA EMU IUD MOST ADDED (1WARE.(OLLAIBIA) TOTAL STAT(OER. 7 TOTAL STATMM WHAT'S LEFT OFME 81 9.026 9 HIPS DON'T UK 2V2 NBA LA04V FAR AWAY 73/35 SNae. F..e.lng WLa14E AMY. MEAUITIFUI Minia (EPIC) MUNI Q85 .94 10.799 3 IALESILINT (ROAOR(I*ER/UAIW TOTAL STATES. s TOTAL STATOSI 6 BECAUSE OF YOU 1201 -72 9.542 6 JUSTNTM 1W7 IOU Y(LAINSOY H AVE YOU EVER SUN THE Tor S.M Owl WIN Itlwl Krl. YOU AND ME aLAta sums RAN 6N40 (RPWCOLLANIA) 1185 .1 7 /maw 9.437 OM %Need HAMMERS, 01191 714 SAR 12 TOTAL STATIONS 2 (ABM) EVER THE SAES Red lYeneq 1158 66 10249 4 TOTAL NOTHING TO LOSE 14/5 ROB THOMAS STATIONS B LIFT LAW) Kamm IBOl4 KVLY, AWAY. MOILL Mr WHO SAYS YOU CAN'T GO HOME INE KiM S IG CITY CONCRETE 995 -Il 9300 8 MLTAIL/W. SAM NINA, WTCN rYr1 (AWARf/COCLABIAI RON ION WEDFLOWIRS 43/4 TOTAL STAMM 3 RACK NORSE 6 TIE CHERRY TREE POT YNNI ROOMS OP 5 TN. Tenon 992 90 9.838 S (MAPLE JAWKON) GOODBYE MY LOVER 14/0 RI TUKTAI I CNN= BIrFEN TOTAL STATOSI 7 Wr WHEN OM YOU FALL ON LOVE WITH NE) J-. (MORKF 823 .39 4.236 NEW MON MK WAIA WVM (CUSTARD/ATLANTIC) AM YOUR WINGS 3BR TOTAL STATOR 3 SAVE LAST DANCE FOR ME ISM E1*rN TIE 753 -6 5.629 12 s 1QNNl NMI M PIP PAN .rF LnOtaAaLIA) TIE WW1 4 1oTYSTAIOE 12 745 -16 7.716 10 KYLY.M 1E0E0. WIN FM FORMA/UAL AWARIAOE PIMA WHAT AMTS THE MOST TIN 4 p 15 NI MSN FIATTS IYRK STIBITAQL MOOD M *MAMA

MO WE NEVER LOVED AT ALL - .Lw * sp 4 eY 11 1(Ip.(W1UOL 1MIC MAN (AITHN I WARNR OlAPAPARN R BROS MAKING NEYDRIts OF US S77 .5 2471 16 117YLRUNT 3 MITI. URBAN (ARTA NANO 1 F/N f. AwMNN.r OAEY N LOVE WET NCRIASEO PLAYS E INGUIKw) 5111 4111 2J14 INNSPONINC o- n MY. NEW NUJ I CALL IT LOVE 3N 45 4/16 13 UM T1 MAIN OD 1111111 3 I OM L PU* 11NILISIW WHEN THE STARS GO RUE EwK Fq 7p 23 s Mlle /MAW 377 2AE0 IOW.EEEWWI SO LONG SELF 44 N 337 7 0.919 SLACK NONNI 1NO111U11t! 3 leR PA KTTIIM1s WAIT FOR ME (RODITLESSMKJO 3Q .m L772 26 BOB N(Jw MAY. wive. W5144 MOST TEE REAL THING 216 -7 2.423 21 PAIN/AY 2 INCREASED ewe! MANNA WALE AWAY OEOIORMENIEREq PLAYS 271 3 L973 25 .LY(IMRSOI WALL NAT LPlNEOOWN WIYT HURTS THE SEOST 2 AIOI D16I506 6 AI.sI NON CRAZY 42 7R 19 0.5111CS7MBITAOLLYW000) 016115NNLE. IMITE, Mfg CRAZY IN LOVE NNW SPaliws (c...0 PINI p 1474 29 DNSEG i IMMLAKIKW 4 WJE4M1E4ME[4WSNa ARENI AT... IE441EtSL4KAr.4LRr4 OVER NY MAO (CABLE CAR) M TRII FLAY WMJX ,a BLACK NORSE a 7ISOIllaRY 001 MAKE You PROUD ek rrN W t994 24 TREE TAVLIWN(KS 4 VP/PP, Om. Nd.r KT RFT YOUR [[CORDS ON AM rr.dY OT.rry Tuntet (Rrw.IrdwW.) .37 1.484 28 MWA RITE! a Wile 42,1091.7. W®9. 4 WIML .4 WQB .S (COIN BAP FY RAI WI L...nc. MBID SKULL 4/110011 6MCW'4 THE WRIER RId Stw.l 1Y.. Yea Wm Sr MI a.AM e 138 48 2.722 111 lbw NM 11r IL ION ANN w14 WHAT. UPT OR NO SAY GOODBYE MP MORE STATIONS L010 113 5 0.438 Nld I+dlq JORDAN KNUIT OUT WI MH MORAN UPSON WEN .Q WAR 4 M9( 4 WVK.4 WINO 4 *SPA 1 I3[1 awe4, Wa/N40014 * MI STAINS 00 UWE RECURRENTS TileMLGwIK.IL_L ) IMAI43 MST 8 KVl .7 We .S MO d.MUOV WOW 4,W9.4.4 aE11 3 WOm3

TITLE RAYS TITLE PLAYS IIW01110ri. ARTIST / IMPRINT / PROMOTION LALL TW LW ARTIST / IT / PROACT1a d LAMS TW LW Ohm tiviWK.r.a.) 16516 rltStß.S WPM l WM a MOO(.4 NLLL.1 LONELY NO MOM TIE PEST CUTE THE OQEST MLTw Wau .2 N' 739 670 t: '- 566 500 KAU 1 2. MK 2, A® THOMAS DEL R1WATl ANT() SHERYL (ROW (AAWNTERS(ON) AM) HOME MATO ß N 667 731 N 547 631 ANA IALrR (COMMA) WNW NMI (41PIPR YI HEAVEN LINE LACE YOU WNN EYING K1 634 626 N. 535 482 I Vi LOML V BOYS IORRIR TNIKwW(Ew) DRIFT AWAY UNWELL N' 596 621 I: 534 477 FON WEEK ENDING AUGUST 20. 2006 IKLf MANOR IIA I DOW (RAY ILAVAI WTCItbt OVUM (ATLANTE) LAMM Soo Iq.Nd II dwm In dons ...IH.. for rues and .Ym4o1.gl.w.IV,.. EA AC. 25 Ca..b PC ma 24 Ca.1.d. A. AC M.IV r..IWNO....Y ..a.lwsd by MA.s.. MEARAWAY OE WILL M LOVED N' 568 620 t: 529 5E3 e.e.dE4 Or. %.1.r 24 NW... deg. 7 eins CO 2006 V1aJ N.r.W.. Ned... k. M MFI l Y(1 MIASONIWAI I IKW YM(II YM01I0) MMIDONS(OCTOM .awe. i PING1 Apes monad

LIST CONTINUED FROM PAGE 42. SONG TITLE ARTIST NAME LABEL CERTIFICATION BDS CERTIFICATIONS JULY 2006 WHERE HAVE ALL THE COWBOYS GONE? Paula Cole IMAGO/WARNER BROS WISH YOU WERE HERE Incubus IMMORTALE PIC 300.000 The following are singles Nielsen Broadcast Data Sys- WAKE ME UP WHEN SEPTEMBER ENDS Green Day REPRISE tems recently recognized for certified airplay of 100,000 HIDIN' Chamlllionalre Feat. Krayzie Bone UNIVERSAL MOTOWN WHO SAYS YOU CAN'T GO HOME Bon Joy! ISLAND/ /ME RUCRY.10.1MG

or more spins. The detection totals account for all spins on AS GOOD AS I ONCE WAS Toby Keith DREAMWORKS NASHVILLE Nielsen Broadcast Data Sytems' monitored panel of more DANCE. DANCE Fall Out Boy FUELED BY RAMEN/ISLANDIDJMG BIG STAR Kenny Chesney BNA 1,200 radio in 128 markets 200.000 than stations across the United SAVIN ME Nickelback ROADRUNNER/IDJMG States and Canada, as well as airplay on monitored satel- FAST CARS AND FREEDOM Rascal Fletts LYRIC STREET lite stations and radio networks. The totals cover the NEVER LEAVE YOU - UH 00H. UH 0001' Lumldee UNIVERSAL MOTOWN TO LOVE YOU MORE Celina Dion 550 MUSIGEPIC period from a title's release through July 31. HAVE YOU FORGOTTEN' Darryl Worley DREAMWORKS NASHVILLE

LIST CONTINUES ON PAGE 47.

THERE'S MUCH MORE (0.7 ' w.RadioandRecords.com AUGUST 25, 2006 www.americanradiohistory.com P. THE FRAY'S t % HOT AC 1

121SDI NOS * IRrPREOsCTOR NEW AND ACTIVE CERTIFICATIONS STATUS NAYS AIR! PLAYS WNW I PROMOTION LABEL 1W mu pums Ií RL1N AMR ILAa /CAN Om I N41pCwr : GOODBYE MV LOVER 1L2/S3 wANTED MAD OR ALIVE I 71 :airsa11NOrYTBs 2406 OL U. 3 174/22 aamtsLlwraM Nan INN CbM D..NI.Y i C1ATAldATIANTC1 MCA/sRaAG) Wina 7 >, 2334 413 SIMS TOOL RA1061 17 TOOK STATIONS. S KAOaAEtI .20 MAMA'S ROOM ISB/2S SEXYIACK 123/43 R IAN. 11. MdMsme O CA.r lrbTIWW 4 U:2 (61-Ain+oló) (JVVmMIA) 6®BER 671wreatali TOTAL STAMM D 1 DAM CALIMOa 1; 43 HALM DOM DARE WAS ROImoalPRli wANONE Prolob - fiar F..r.M . Slr IVA. LMWNTIM (ATLANTCAAVA) (PARLOP/IOFE/VBCM s p * 46 113113 _ IMTA9MNLT1oNB 1R TOTAL STATIONS 10 TOTAL STATO& 6 IgtlaBWMI/lelt KT Trawl 7 1. moaBSIwISRSD7R 4/ ANA BUTTONS 121140 LEARN TO FLY R4ß7 (ROnnLUSnB1uo n...4.4.449.4. Ferrol Sam Dom Carr W a. wYIMN1Ifr

MO DAY :: S _O 44 DOaPOwlu WAWA NOS n GOODBYE MY LAVER M IBM 1111111 NE 121 :: .N6 n 61BO:WB UE19R.LAMIN XUSTALLMTLNOIq SAAB TOLL VIM, AHOI 73 « E1 LvRwwlR a4 WHEN YOU want vOUNG 4 O O 'ANT MsIS11tIrT It * .7S IAxAI FLATS UEtrNOLYISIM 1RINw a PUT YOUR INOOMNI11 454 1778 OLMAMDAMW m6B[ MIT MAE GPM MTG. IwsIL wCLR, TFXID MAIM CARS AwOWER 1035 .U7 4.390 20 ó H BRBRIBia FaTABMYIMBSmE MOON 3 SIT AMIrw011111117 O 36 3203 22 R.I. Nord 45 (rnoAKLF POETLA0IOWXQ MIp'sI/rßMs 40 Sta 19 TOMO6T KLT4 woNU WNW NON AUMt 21 3N TOWN 167 .7s áa7 ä IOW MOVE ALONG 3 CALL Ta. 27 NBwNN1raINSNAM .2211 3146 21 AIAsMr%WM 3 RM1ssn11a moCHOUSI ITPILaoFo NOnNmLEPr1010Bs 790 .32 INS 27 WAIL TRa1A 23 O MATaARRY AWIMOINM Mal NPSDL7YTul Z;2 O SwlwFMnIBiBIO/X411 Bs 470 1379 a CHASING CARS 3 FAR AWAY BIL.PWRtI I WMTSlsNOr7RAGION5 ): 477 7777 23 NASD ATTIEOSW OECAVMKFñUFIIDRTRAMONA* OTLYDONAEAeNIS1CdE7 I00RTIDYOt 0,7/14111NONINPN0p410R.3- 4 Br MD OTHER MAN K IM. PST/. IOU 33 AT I2 SAS p OQ.STIMAOAIR,1 CALL ME WHEN YOU'RE SOBER DIAYONOS CAN' LET GO 3 2 13 46 1.90 EuassDOIDe 1MLwi.PI 101LONLYNM LIMIER. mot' w VAATE I71011.491N5 4 NMI A10RIMU.QIUIC.I WAN 4 36 W RATU1i10LgW1 47 22112 PEMIND IWC Ist Nos CHASING CARS 25 E BOSTON .3/ 2447 MAW AM Sam Patel 0r11+MRILMa11MMAJ ONANANSIL NUT YOUR RECORDS ON 3 IBY1.amusID .1EOdL1BUB.W1LB1 466 TOLO GINANIANNIND STUDY. MON 00GOO (CANTON 3I TKINCONTEUIS .79 aasi I WRITE SINS NOT TRAGEDIES Erin ati mmGx Pail At TM 1:1111070:04.04444.4.14, RROLWLTUOIas 35 1E6 .3f 1114 Wom 7 IOLrR nTAmaATU6iNO6/B IS IT ANY WO110017 2 A.r) No» .2210191 .R w91.í PALO. PILO di WM WAX NIDI 12511 Kum 4 WM glatt 7 1 AMMaal4rt 1D p11aICCPO PUT YOUR RECORDS ON M 1 BVa1YTIMOM1r 290 47 a9p ma mat STAND Ca_Ywe YI/ Ron 3.040 curt LUND MAX .1KYw.iWM*.n IMP GMLO.n 0.276 w2141.ß w wV .S wKTI .L 100.7 LANDONPL7. D ADOSO AT... 4 war MIN Y0M1rWORM MXYM 233 w 0.962 WTMX Mow. L THIN WMAI =303 .74 0.290 MMmT 1TDONON 011111ANNNL PQ Elm Kdi.i MAD NW O.w.o 0001111411 177 0277 AILAIL! K Ur. V W WAN Norm Sig. e A KT MAMA Sri* I Sr, 7 FaR WED( DICING AUGUST 20. 2004 M14131 MINI SAY (TMq 175 S 0.336 Arm EWA Grim I*Lam A1Maa1D1 OaMM L1MN. Sr Word to rem M dr. rrM.I. Moe emir ..Norms. FOR MORE STATIONS GO TO r Nlroar I 7S Mr AC NEW s 1N5 113 0.9p 37 arm w*NbwArrr rid LY IYr.1,..hr1 Or. Som. > Mr. anima A.F, 7 &.. w.L O 2006 VIU MANN= M.r, M.. 4S,yrmoor.

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AUGUST 25, 2006 THERE'S MUCH MORE @ Nww.RadioandRecords.com www.americanradiohistory.com SMOOTH JAZZ

TRt1 SMOOTH JAZZ INDICATOR fiAvf f",,s t ARTIST WANT / Pa0110r10N tANEt ry

A 1 A OtàLA101tiQta7Dtt atatNAaan 271 .3 2 10 lra.lama.a.W OIaI.Pt 2O -3 Q IONalO11aRTOR(10tl.734MI/Iq tD..MfLHr 231 -1 1 03TO>M1(.RwAnewTlsmwz taaRYab 230 0 31 nLML1011NIMI773amataaOa saw 223 .3 7 á111illalwawlM>atwts nwaramna.elQ 223 .3 7 rn01lf1WIRtowurwutoramwo auvHTa 221 M Not Kate Hepburn's film; smooth jazz says buh -bye u .nTOl..rtt..aat ImWaMtOI[OID 1111 o á snratlwttaul.nat.o - aunmvOUs 100 .=7 s IrwwAlpOl.Nwasa www lli s NOr73111111110101103wwNa1ratl tAPRd 130 .1 The Philadelphia 7 M11111111111111141.4 torss 14004 16) 10 tf fi3ftRIN11111301IloaPHtrsarAwaa NtAosv óI .3 O 01111117l011ftvaatlnNAta --- swarm 1@ A Story 1 fi70O1ótaa.as.ws N[ADi4Y 110 U t3 WOW a006nttta.tiaN anaa 135 -a t0 Wrfilrtit.a ttwaraaaarrl 1D o mom VB .7 20 11101IRSN111tO1f>frlotolN AMIN 17 42

Carol Archer 20 1 3 IfYLn11011fminim IttAIOQaL >e 4 CArchargRadloandRacords.ctata 21 ! IUt1ltdiQGAtM1s IPA 111 N NF w 11111110111001111111wwn1wMT.tataaR ECHOIC 100 411 211 s IIOSwOlsytwo0t[ NtAOSV t00 a much received a shock to its heart with the news jar, that. after a1 w71RimttMtar ARUM 101 .b 13 years. WJ Z /I'hiladelphi:a was vacating the format. A flip by 23 3 mislR11el111111amn® ELEIITIWATtANE[ tA 1 ( :Lear Cha 1 to .a "Wake Up With Who opi "- anchored rhyth- 22 3 0111111r1tMT11staNawm mama= 116 -3 46 ink A(: format spelled curtains for l'1) Michael Tozzi and his staff 27 0 If11111111A0L71natlsruua. tawnwas M 0 30 2 Ot1110ialwsfas Nos O N The Om -air %yonara was dramatic. "It's Teen .a privilege to be 20 10 IRR11Na/mmnnt.nt IMOIrIQ IÑ M with you." 'I'ozzi told listeners betiw airing roughly 11 f minuus OtrrPII111as awn. 70 .6 j of artist clips: "I di, this is Rick Braun "; "Hi. this is Gerald Veadey "; "Hi. this is Mindi Abair": "I Ii, this is Jeff Lorb er": "Hi. this is Nick Col movio WONG auWW770,2381 j And w it went. After blue-eyed soul Ixltulehoys Hall & Oates sent WJJZ to the Madly radio graveyard with "She's (;one." the sution aired 30 seconds of white noise. KTWV VI' of programming Paul Goldstein was present at Smooth jazz Ems in Philadelphia wen: in shock. Within a week. the Web site his station's launch and this tilmlat's birth 20 years ago. He is elo-

PhiIIy.com ran 16 pages of listeners' reacti))ns. "When am I going to hear my quent and passionate about cv' g. Having a 'que perspec- now ?" was a typical mac tive on smooth jazz's cynosure. he reiterates the recipe tin- suc- jAt the height of in success roughly IO years ago under the aegis of VI' /GM Sil cess-or failure in the format. / Scagli(aw and l'1) A Gress. the station's a .d billing W.l% reportedly nearly dou- ble BIAfits 2005 figure of $15 million -Sl( million. Liven with 1113 sellers represent- ing Clear (:ha l's market cluster, WJJZ salts softened over the years. But addi- 'A Vicious Cycle' tional draminstancts contributed to the decline and eventual demise of smooth jazz 'What's "Since 9- I I. research and marketing resources for many smooth in radio's sixth-largest market. happening is a jan stations have been consistently cut. causing irreparable dam-

One might c . ' der WJJZ of six stocks that didn't c plement or enhance vicious cycle age," Goldstein says. '"I hoseessential resources. plus salts expert- Clear Charmers Philly portfolio. Plus then were issues of'audience c position - often starting ise and passion, are musts for smooth jazz success. Whams hap- black. white. y g. old and I each sta 's position enhanced the others with a lack of pe ' g is a vicious cycle often starting with a Lick of hilling caused or didn't. billing caused by weak salts. not weak consumer demand for smooth jazz, fol- The battle for 25 -54% is brutally c ptiitivc. Philadelphia supports two urban ACs, by weak sales, lowed by cuts in crucial research and nurketiig resources. fiTl- a recently adopted gospel EM and two ACs (soft and soh rock). along with two sta- not weak lowed inevitably by ratings decline. We know the appetite for

. giving away a vacation per day. a WJJZ benchnurk promotion for nine years. consumer smooth jazz in a ber of markets where it isn't pnspering is Will. wa% pummeled from all sides. demand for ttlom o s. We also know that with the right sales team, the adver- Furthermore. the marketplace bee: compressed to the point where one-tenth smooth azz, tising community embraces smooth jars. of a share point separated seventh place limn I Ith. It was all especially challenging followed by "It will take courage limn (.Ms and regional VI's to get time for smooth jazz ill Pinny. as in any other market. AC timnats are easier to sell. cuts in crucial these stations hack on track and reverse what is absolutely hl Philadelphia. what seller wouldn't pitch Clear ChatuleI's venerable urban A(: research and reversible. Changing fonnats is easy but admitting that you WI )AS -I'M with j market-leading 7.2 .lure in persons 25 -54 over WJJZ's 3.2? marketing have a problems in 'smooth jazzy sales, fixing it. funding the In the end. it eras easier to change formats than to innovate sales techniques to resources, organs needed for 'smooth jazz' success-research and market - further the viability of ith jazz. followed ing-is far nuare difficult." Evidence suggests that smooth jazz sutlers when sold as part of package; the fit - inevitably by Darren Davis, regional VI' of progra g for Clear nut needs the respect that it can be sold on its own. Consider this: The only smooth ratings Channel's Chicago trading , and OM of the market's AC jazz sea ever included Otl the annual MA list of America's 511 top -billing stations decline.' WLIT (Lite FM) and smooth jazz WNUA, recently told R &R: is. of course. CBS Radios KTWV (the Wave) /Los Angeles. It WAS the first fill -tinge -Paul Goldstein The health of the smooth jazz ftlnnat will depend re on sales station to play what Later became known as smooth jazz. and launched on Valentine's managers than on progra rs. The challenge is not trying to I )ay in 19)47. KTWV first entered the BIA top 511 around 1 997.. first at No. 111. bx fore make 25- year -olds fall in love with jazz music: it's about find- Mg to sixth the next year. In 2105, with a salts staff ofjust 12 (plus national rep ing new ways to sell smooth jazz sta as the 35 -54 core ages fine Interep). KTWV re- entered the top 511 at No. 16 and billed almost S45 million. out of the 25 -54 selling de ." ( an the other hand. with more than 010 sakes representing Clear (:ha 1's dus- How the format responds to those sales challenges, as well ter on Philadelphia s streets. WJJZ's 21105 pilling was down to SI5 -I6 million. It's as "the cluster sales mentality" demands for return on invest- unfathonaNe. really that a lortlut with mach incredible salts potential as the Wave ment and other tractors will play a significant role in shaping demonstrates should wither and die. 1)oxs it really have to be that way? its future.

THERE'S MUCH MORE @ www.RadioandRecords.com AUGUST 2S, 2006 www.americanradiohistory.com THE JAZZMASTERS'

.00 Os SMOOTH JAZZ R6R

NEW AND ACTIVE TTTLE p ccnTíTloló suss alma PUYS TIPS PLAYS ff ARTST *PAW I PNOMOl10N LAM. 1111/ II. WOW UMW I ARMY / MM. /GAIN ARTIST /LAM. WHAT DOES IT TAKE (TO WWI YOM LOVE) NO. 1(9WKS) GIRL N TM RED CRESS 40/S GEORGY PORGY SWS 1 12 676 P(Taw1IR: LINCTlO LIMN G.O Krwir ILIA TRUE (TRINMI N Iwynawn (RA 1/1/T501 2 22 RUE 2 .o £& 2 TOTAL STAIRS S TO(AL STATKwk S ALWAYS OF YOU 3 29 TIMING ß S FELIX THE CAT 37/6 I'LL MAKE LOVE TO YOU 20/3 PICK MOM* G.X Adm. 111.1) Whi.. GET DOWN ON IT (WA) (REMSZVOLA) 4 19 44 4 o WAYMW T6DALE TOTAL STATO6r 9 TOTALSTATICS@ 4 CIK1A2tR s 23 ..a 3 SMOKE' N' MIRRORS 36!23 MY GEISHA 27/3 o RUMOR TRY RU Lw RNn..r Pogo ArM1dn FREE AS WIND AEfOT/IAEi ETAIM (OfAKICONCOROI (TEXT AU) e 7 M .73 6 o TIP AIZIIASTIRS MOLDING 11A0( TIE YEARS TOTAL STATIO1& n TOTAL STA110IDc 2 MY LOVES L1A11nf e DOOM S FORMAT rtAT1PIILIKIWEL 1LOOMALD 4 IRI1(Rd MRWIOCOIPYwY[ PUT YOUR ON MOMS i11 t0 COIIPPE BANAT AM IWELKIWV W/2 LETS GET STARTED RrwQLeERTSON ö M TOTAL EXPERIENCE Was, Jww RILL Gm'.Olio ETD IT AGAR 73 16 IDONL SMSY TRO REAM WWL.L WWUU& VO K4 WSW FOIE/AM 111110T1011 NM .a a CRAZY 2 o PRISON AMIAM GwY RP1L.1 WMALOYA MAOI .16 7 RUOwMLAVN o KW PARIER R ICALL RLOVE .32 E+IADR GOT YOU 2 LOIS ROW ElOTes NAT MUST - a -4 II OMAN O wRIOiüT RR MAY is u N sAQT1

SATURDAY COOL a t0 IEamsaRO RINDFINIT IPS ALL RIGHT 2 Mow wi SAY IPS SO a tO NOMAD turn MOWN UM my LfIAirT GOT YOU .s t11 M HEART OP M MATTER 1 47 RR ORRIS *ARM 1172/11C -aIY SIISi® TO CHILL 30 WI I11MALtIENORN N111011EACOWS 1EAOSLP MTA71L - MOST GROOVE N TIE HEART E 7'11 ALL SIGHT 1 N CAMAS E KKK IRALM ARMIN 7 THE TOTAL tXOER1ENCE EWIYWPope. Ames Fist George (c.Xrrq CHUM OUT IFOUNDIM PLAYS Ow D. 911 la(S.O9KM KW Q KTOT g VIOL 9 W. ERIE DARES NAPALM 117211AG 7s Waftwders KW2.L WSJT.7.IOIP.7. WW1/ *7 EASY DOES IT M w BEAUTIFUL oU SUI TIPPPI W RIYTIIRV2 AqI1 KIN= +75 FREE AS THE WIND LOOK WHAT'S HAPPENED so 42 PAM The JaTmwPEMß R.IpY. W R..tlwV1l2) SF/ TS ARTCRIS M12A WSW .2L WPM/ 17 1WP Q WJD41.11S11 a vc a SINE KNOT .7. NNA L WPA .2. MX .2 PAM N a I UTNFRVMOOSS ADO1O AT... +32 I CALL IT LOVE UNDER M SIN -s ME'wEL WINOS X001 a WSMJ Lionel R hie(MW.WAE.) IOW IL WLOO.W WY2 .7. DIP VISIT 1®1.3 M.Rw.a MO d i MONDAY SPEAKS -3 a wlwv x VANE .29E l NM 1 MITT! K& WAWA' PR Lan L..1. SAY G..rN I.rkrY, C*Y, 7 MAMMA .T7 +29 PUT YOUR RECORDS ON AIATlWN BUMP POOUVOUS 3s P.M. óry Jame G.M Di.. CriI e D.E.T Rae One e 11W Taw, E>.rEKS.. O WAM.ß KEL71 KIST KYOr WLVE 3. ClIAZY 36 AIE.s l i I UR LS WAILIV DO.MTOWIWAYA a Illdwl EEYL C. 7 WF24MR1.ZIOMx 165U2 TALK STRUT 43 .3 011111 Omura MATTA LAW/1W +26 FORWARD EMOTION Moos Of A Dream Dir. UP) IwAAMWS1TaI®IA KKR yWYYV VIM d WM x KS6J .2. KYOT 2,K0M.2 RECURRENTS

TITLE TITLE ARTIST / *PROM / PROMOTIONOTION LAPEL ARTIST / AVANT I PROMOTION LAM. YOU GOT MGM PART OF rt 252 R ti OwDPAOMPEAMCON[uD) =MKT WIN REINIIS ES0WMR(KTAMMO 2ND 2 NOIE WINKUR 233 17s PALL K PIWPW) NAE( noes LIP) ON HAPPY DAY DIVE) 94 UIOORAwi WART T6(WARPAI71111G) OARS KO7 LARKS) as PACIFICA POR WEEK DOING AUGUST 2006 STOW OUT tI7 ms 20. sum wAT(NS(9WM O ) MOWS LIIGTb/(RFNO2Y ) LEEM. S.. I.IUI w d.m in cAYT. ..cI..W ter rd.. and .YmkM ..PW..I.a... 29 mow* lw I..1Iww we ickewseM' won** kY IAr1r... be.twl OM. Sn1...+2a 1 CANT NUP W9ELP MAYS NIGHTS 242 se tw k.AMIr duet mown* el O 310011011.1 Oman. NinsTwomCcneourer /mamma w IKSPAAITSR) 1r. 7** wii 22.wor.wa i i 1E41.. Inc. Al ri j.Y...w..A

SONG TITLE ARTIST NAME LABEL CERTIFICATION LIST CONTINUED FROM PAGE 44 PROMISCUOUS Lmbaland MOSLEY;GEFFEN WHAT'S LEFT OF ME Nock LcbPy JIVE ZOMBA UNFAITHFUL Rihanna SRP DEF JAMADJMG BDS CERTIFICATIONS JULY 2006 CRAZY Gnarls Barkley DOWNTOWN-ATLANTIC-LAVA DO IT TO IT Cherish Feat. Sean Paul Of i ne YoungBloodZ SHO'NUFF-CAPITOL The following are singles Nielsen Broadcast Data Sys MOVE ALONG The AII-Amencen Rejects DOGHOUSEINTERSCOPE tems recently recognized for certified airplay of 100,000 BLACK HORSE & THE CHERRY TREE KT Tunstall RE LE NTLE SSNIRGIN GIMMIE THAT Chris Brown JIVE2OM BA 100.000 or more spins. The detection totals account for all spins on WHEN YOU'RE MAD Ne-Vo DEE JAM/IDJMG Nielsen Broadcast Data Sytems' monitored panel of more WHEREVER YOU ARE Jack Ingram BIG MACHINE CAPITOL NASHVILLE than 1,200 radio stations in 128 markets across the United TURN IT UP Chamdl.onaire Feat. GI Flip UNIVERSAL MOTOWN States and Canada, as well as airplay on monitored satel- BEST I EVER HAD Gary Allan MCA NASHVILLE lite stations and radio networks. The totals cover the JUST MIGHT (MAKE ME BELIEVE) Sugarland MERCURY WERE NOT MAKING LOVE NO MORE Dru Hiu LAFACE20MBA period from a title's release through July 31. CRAZY LITTLE THING CALLED LOVE Dwight Yoakam REPRISE NASHVILLE/VAN

AUGUST 25, 2006 THERE'S MUCH MORE Cd www.americanradiohistory.com ROCK

A look at WBCN's Toucher & Rich show The Hub's Radio Future Is Here

Mike Boyle MBoyle(LÒRadioandRecords.com

Ili. is clearly no longerr your father's WH(:N. No slight intended tto the trailblazing forefathers of this 'tentage CBS Radio alterna- tive in Roston. which has seen the likes of (Xipus, Charles ). Garter 48 I aquid.xa, Allvrr ( Alan. Mark I'arenteau, 'Tommy Iadges. Howard Stem. T,uni I kids, Tony Iieranlini and others

roam its airwaves and hallways since the su ' I.IUI1chcY1 an "tmdct)mrund" music tünn.t In March I'MTS. Nowadays. ()pie X Anthony ride herd in mornings. Adam 12 ni.us midday,.

I lardy handles nights. Mark I I.nnilton strolk through Late nights. and luaniti patrols the overnights. show just rolls: we're like a bunch of old friends just sitting around

Oh, alki afternoons you .ask? I hat would be the recently paired Toucher & Rich. at the bar with 'street audio' to go with it." who staved June i. The show's fourth member is Adolfo Gonzalez Jr.. who Rich PtIolucts of college radio. Lnd 'toucherucher anal Rich recruited font his pre-T&R days in !Lilts svorking with the syn- Scherreuleih prey' sly worked at then -Susquehanna dicated Kidd Krad dick sl . (now (: kw) alternative WNNX (99X)/Atlanta. "Adolfo, who is all of 145 pounds. just turned 211 and has never Mier hosting separate shows there. they &t idled to nuke kissed a girl." T -her says. "I le worked at .1 Dunkin' I )onuts a source of a got of it as a [Cans scith the help asset encouragement of when we brought I up. and hr'. tern iunstant Toucher & Rich one i$)X consultant Randy Lane. .1 senient for us. We love him tl glt. he's of us."

"We both started at 49X an I the same tine: we're the sank tgt'," Rich recalls. You can see for yourself - of the strange situations Adolfo

svb a "We're like two snotty kids in the back of the classroom nicking fins of everybody. gets I . 'If into on the 'TXk pale at n.cont. Our senxs Of humor are clone to the sane.,, 'They came With Lane's guiding hand. Toucher & Rich tint auditi e1 for ( :BS in Phoenix. with a ton of The duo says it went well. but titre weren't any opt gs so they flew to Ild).ton .1nd Carving Out A Niche material, and I attain oned for WIM(:N. knew instantly lischesving prep services in favor of urigsal cpts for content. when I them in fur an audition. people liked the fledgling show has already established a fens benchmarks. "'The phones ht up instantly brought I wanted to Sox Recap.' " Toucher says. "which what they were doing." WB(:N l'1) Dave Wellington says. "They cane with a ton have these "We do a'I )nuiken Red has we're known fior." After every lied Sox I of material. and I knew distantly I wanted to have these guys in the building and part in the bed what of our ¡inure." game, the duo gut's out and tints the drunkest people they can buguysilding and The talent blueprint to resurrect this heritage signal after it lost morning man part of our and lets them) recap the gins. usually all wrong. Howard Steno and endued the ensuing David lee Roth debacle cane together future.' "We also do a hit I took from Atlanta." Toucher adds. "called refers stations new drivetine trans as his 'Reality Cheek Girls.' We have girls send in pictures and rate between April and June. Wellington to the -Dave Wellington "twin pillars of pemsoiulity." themselves on a scale of I -111. We then take the pictures to ban "It's peat to get back to the days when we were the station everybody in the nur- and have guys rate them. If the girl's rating of herself is chose to ser is talking about." he adds. "New music has not been setting the world on fire in what the guys say the girl wins a prize." the Hock and alternative world of late. although it's getting Netter. But music can also Then there's "Rich's Musical Movie Review." where he reps be a point of parity and what you cannot duplicate is fresh. exciting and funny con - a new flick while singing to the theme of "Magnum P.I." tent. and that's what we wanted to build luck on'1K:N and bridge music around that." Less than three months into their new hag. Toucher says the team has been well -received so far. "People have been really good as has the local press. The pro The Making Of A Show sports teams have also been receptive to our ideas because they says. doesn't like are phonies. Being thrust together as .a new on -air team can certainly comic with trials and like the show," he "What Boston and we were from here." tabula , but being trirlids %vim are already c fixtahle with each other has We didn't come in pretend its advantages. And could syndication be in TXR's hour? "Ifs been easier than any .how I've had to do," Rich says. "All three of us, Toucher, "We think about it we'd like to make all that stoney." Chris 'Crash' Clark. who handles news and sports, and myself have been friends for Toucher quips. "Hey. we haven't even gotten a trend back yet. years. We give each other hell .I lot, but sve'r still friends at the end of the (Loy. The so what if we get our first book and it's terrible ?"

THERE'S MUCH MORE 0 www.RadioandRecords.com AUGUST 25, 2006 www.americanradiohistory.com ): NIELm nos Q IUTPREDlcron NEW AND ACTIVE WIIwKATIONS STATUS rs TITLE IMPRINT / PRObAOT10NN LAPEL 1W ./- RAIEL PUYS MU PUYS ARTIST /LAMM /GM ARTIST / LAM MAIN MOM NO. 1ßw(S) FAKE TALES OF WORK IT OUT IS MA OM ,M 2.791 1 MS/27 All TEwErUE11P16m! SAN FRANCISCO 270/17 AawN s F. Dave Err... w Mar (MERSCOPE) 20 UMMAL I HAVE M CCAW 3 1Is THEE DATUMS ARMONIA 7.M MOST ADDED TOTAL SIMON . n RIfALAATUi 24 a WO ELL (RARY NS) .37 s ROCKSTAR IOWA VD SNOWS 10 MAPS YORCMICN MOJO át/13 NNb.Ya WN01 YOU WORE YOUNG 1} 45 14.04 Tom ( NOADPINER/DA1.) s TIC KILLERS ölANYOAEL ( IPECAC) 1OTN. STATION[/ IL ONGNAL FMB TOTAL STATU& aW * SEIZE TIR DAY 4L' 1711/211 AIEKOSLAVE M[RYDPFRK -a DNS MO GONE DADDY GONE 241129 A...N./ S..../.N TILL YI BABY Q AWR_/MEIL STAMM Gawk ISM* (ECM !SS/WARMR WICK.I AID HOT CIW I PEPPERS WARIER NOS MAMA 13 (OOWNTOWNAAVA) TOTAL STATIONS 20 DIARY OF JANE TOTAL STATUS 32 T) ßE 6N FLORIDA MAUL RDllA1R( HOLLYWOOD SUNSHINE 170/13 ONttls[0PD HATE (I REALLY DONT A. tow A. THROUGH GLASS UKE YOU) 221/21 s! KAi KRS.101112. KRDIL MOO I OG TOPEN STONE SOW TOTAL STARION 12 S66rAA Nam RITZ WCYY.TIROL DAM CALJFORMA (HOLLYwOOO) WGV11. REDONE CH U PEPPERS s INKING NKR TOTAL STATUS 23 DARK RAJA[ 170/5 AN%I1A.WeIY CALL YOU'RE SOWER _ WIWI NIATE ORALLY 00NT DO R ALONE (MAV[RERMEPKISF) EVANESCING 0 LAß YOU) s TOM. 13 STEADY. AS SIR GOES TtAALfSm) 114 RACONTEURS IMO MAN/Y2. wNYw1AWTy TOTAL STATIONS NAKEDALMNlSS OOüYWOOW TMPL MCA SUNDAY WARIER EROS MQ, KITT. Kr{Z KTEL WRNZ EIRDI! I WRITE SINS NOT TRAGEDIES ß OUTOF00NTROL 6 1 PANE/ AI DI DISCO CECAYDAKF/NEIED BY RAAEWIAVA Walfis ammo 10 KMGjfTS OF CYOONM IA/S[ WARNER RIOS INSTH7KISSRAWLLSSLCoTo0 O TIROL 10wQ. KAHL 610101. WMTG ?2 2 orournosumoomans `s * AT ATLANTIC ms PACE 00011 a ROOFTOPS (A LaO1A1I0N BROADCAST) á IOSTPROPHTS COLMAN 7PRRiJ^I.iAIPMa1N CRAZY/ MOM CANALS MAIM OQRNTOWNM1AYA RM K111rLMINA WARK, WfR, TAJO VICARIOUS Toa TOOL ORSEC TIGIAL/VOLUIO'IIN MRS ROMWIMAM 3 READY TO FALL A C. NY AGAINST cí;rm KAMM) IT ANY wO7 AMOOWOf mot. SAW NI NNW. TEOSS>or W YAR MOST TO EEt LOVED CARL M[M011 PAPA ROACH TIX1IM SCOUR INCREASED CRAZY ß-T01 PLAYS u KOERRY ELEVENSEYOaAVA pNOLI) UPS Of AN ARGIL Q K UM GETS. KIR, T R K VAV C IROER UNIVERSALL RENA( LAND OF CONRISION A MORS OF CVDOIRA DISTURBED REHASE YAW. FACE DOWN a Maw Maos) THE RED LWSUT APPARATUS NNW TRUER WAHL WEIDE TIR POT a TOG TOOL DSYCTIaWA4(AIOUEINA CHASNG CARS D O IT FOR ME NOW /4 E Mw 116441 ARMS AND NNW AKS LAETG KIETTI!1 olomo MUUPETOIscom 1 FOLLOW YOU DARK WLL NTO TIR A KERL KITS. KWOO.WETT DEATREY POR CUTE MIAMI[ 12_ TRE OCEAN NTO AIS RAM PUT YOUR NOSY WIPER[ LtJ OCTOKR UNIVERSAL ROMAN YOUR MOURN R 4 HEROES JW SHNEDYNN ATANTK a (ATLANTIC) SNOW DOWN 31N K EIDSYCk UNNERSAI RERHK N OR RIa, WMRIRWOC SNAKES ON A PLANE ([RING IT) .70 .1011_ ARD M TREE COMBS STARLi K(AYOANEAAVANE W 11E WI1WIRrn CARS DIMING GM SNOW PATROL POEYDOR/KMNRERYOIE amaARertosaoo TAE. sum KROK. WARQ TEARS Darr FALL RALET MANY VAUNTME MOSIN E /AK/7GN1 a TM GIFT -30 35 SEETIER WROIP AGM AT_ NOW TO SAVI A LSE .11 29 KROX nE MAY -- Aas/66 TX YOU ONLY LNI ONCE 7 M STROLL'S KAKI. POLp.Ba.ba W. Tob, Ryan ALIVE win' THE GLORY OP LOVE SAY ANYT)aL DoMOUSE/11114 N 1r a.r..r. Lwl MrA. Nraa, o FULLY ALM 1i N 61.r.Nr,, Mb.r A./ The INN, FOR WM EICRL AUGUST 20. 2006 RAUN aralE/rKc LORN Sw *pod M thals w chat. ..

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Do the costs outweigh the rewards? Crossing The Digital Divide

John Schoenberger JSchoenberper@RadloandRecords .torn

Yates is a veteran major -market progranuner and industry pundit. but fir the past several nears he has been a small-mar- ket sta operator at California Radio Partners triple A 52 KOZT /Fort 13ragg. Calif. However. Yates still keeps his eye on the big picture.

Lately. technology is a top -of- I issue for I . "We're at a place right now. though, where an injudic approach to tech- /j nology can hits us in the butt." he says. "Broadcasters have been barraged. seem- ingly almost s Inane :ly, with several technologies that oiler opportunities and / challenges. Usually I'm one of the first to adopt new tecl logy and occasional- But. besides the expense. Yates thinks III) radio is still in an ly take a %null hit. I've grown to expect things erahn phase and may not he as necessary as some think. like an outdated. 3- h -old cell ph " Plots. he is not completely sold on some of the technology. / Yates feels a need to step hack and careful- Properly engineered. it sounds meat. Yates says. but that is not ly consider next .es when it c to new what he is hearing. technology fix his su -especially HI) "Certainly some of the multicast channels sound like MI'3 radio. Specifically. he is e -rand about the quality on a good day. which means generally awful." he says. thousands of su that ca atfimd the "Don't hype me to install Hl) and then essentially ask me to transition to HI ). He mains. that with a air MP3s. Why should I invest in better tee! logy if we're price tag in the neighborhood of SI(rI,INNI, just going to put out garbage from the gate" he asks. convening to iniquity's HI) radio standard is financially out of reach fir many su with double- or even single -digit rate cards. A Search For Solutions

"If you're a public su , the Corpora ' for Public Broadcasting is handing Yates has s ideas about how to level radio's digital playing out finds to make the HI) transition Yates . "But if you're a smaller -mar- field. One answer would he a program of low- interest (or even ket station -the majority of radio su in America. by the way- you're look- zero -interest) loans for broa dcasten who don't have the finan- ing at anywhere from 19'%. to SI r%. of your al gross to make the conversion. cial wherewithal to stake the HI ) plunge. He also thinks iniquity That's a killer proposition for the majority of small broadcasters. 'Great should oilier a benign approach to its fees. Plus. he wel- "Let's say you can arrange financing and get HI) up and running. There's still programming, comes anion to lower hardware and maintenance costs svith more costs." he continues. "Remember. your utility bill is going to soar. because programming a foal of getting III) technology into everyone's hands. these new devices are grossly inefficient and you'll be putting out as much as fitl'XR that works for "Good traditional broadcaster. will do tine. but we've all also of your new electricity use a d y load and heat and higher air - listeners and realized we are in the radio business-we're in the enter -

cond" g hills. I'Ius. you'll still be feeding the analog setup you've nurtured advertisers, tainment and intimna -crea ' and delivery business. You all these years." wins every have to program where the people are and where they're going. According to Yates. such agencies. rights -collection organiza and ratings time- So please. let us get in the game." he says. services as the FCC. Arbitran, ItIAA. Radio M License C ' r, BMI regardless of Yates also wants that just ge ' g new gadgets like III) ASCAP and SI.SA(: base their ties on market size. Yet iniquity charges broad- the delivery installed doesn't guaranteee success. And he w den whether caster the saute licensing tie regardless of market size. he says. Unlike an analog method.' TSI. declines have been precipitated by such new -media e - equipment purchase. the teed logy's price is not built into the cost of the gear. -Tom Yates petitors as the Internet. satellite radio and il'ods. or whether the Making an analogy to a phrase popularized in the early days of the Internet. Yates real culprits are cookie-cutter program, uing. stopsets that sees the emergence ola digital divide .nnong broadcasters. 'Slit one side you have ignore research and a general lack of attention to the things that

the folks who can atfixd the tecl logy: on the other side. those who get .1 pub- people value. lic grain to get the technology; and. in the great chasm in the middle. the thou- "Talk to any of the tntly legendary su and they'll tell you sands of sta s who simply can't afford the admiss price. things have changed. but they're always adapting and not in spite "It the radio couuuunity really wants to get HI) up and running -oft the true of the changes but due to therm." Yates adds. "Great program-

grass -roots level -we need thing the majority can buy and afford to keep' ' g. pro) ra ' g that works for listeners and advertisers. wins running." he says. every time -regardless of the delivery method."

THERE'S MUCH MORE gb www.RadioandRecords.com AUGUST 25, 2006 www.americanradiohistory.com NEW AND ACTIVE PATIO S RAMS M101 Hawn / PROMOTION LABEL 1W .1 SMEEi ME TITLE MU ARTIST I LABE ARTIST /LABEL

WAITING ON THE WORLD TO CHANGE NO.1(4 S) ANYTHING'S POSSIBLE I KNOW 1 R 467 411 230 1 13/SS ma NOT ALONE BIM ONIMTBI AWAIDOILIEN Lae Hama Nail Ai SissisA (AIMANTERSCOPE) (ANT)-EPITAPI) SAYING GRACE 431 .2P YONRTTY AAER[NVWYIEIIBROS 2 TOE. STAT106F TOT. STATORI S IT ANY WONDER? HOLDING ME DOWN BALANCING THE WORLD 7S/20 LENE wT[KSCOR 4S 36 3 Tir Ujbww NM Bawls CRAZY 1; (LAVA) (UNKIRSALMOTOWN) 43 A WAS BARK EY DOISwTOW'WLAVA TOT. STATIONS. TOT. STATOR. 7 HOW TO SAYS A LEK 317 He 7 TIME ZONES I WISH I WAS A PUNK MFRAY EPE 7ß11I IRA WLby..r Psi ROCKER (WITH FLOWERS CHASING CARS MOST INCREASED PLAYS N11112 HAUL STAMM NC IN MY HAIR) 6311 S 296 (MX SPRE/ YS TUARYI PhOSMTI1 IONDOVAINEIIMOQE ROMS 4 TOT. STATIONS. Soma Kan suDOENLY l sa PrA vlan (C L A) L7ó I WILL FOLLOW YOU INTO a AT 11.415T ALL RLLMIWNRWI 01111MUCIfNH10 TOT. STAT06. n INCKNOCp OAKWPCS THE DARK PUT YOUR RECORDS 0111 O.i OS Fat Cr1. THRILL OF IT 54/52 (OINK WAND RN SHOUT OUT LOUD (ATLANTIC) Rien Rwe11M A T. FAWN 8... GET IT URI YOU LAKE IT .22 aHs Am. in TOT. STATICS& MARNER WIGS) s NSINAf01 NOTE/Btn, TOT. STATOR. OELLE NOT COOKIN' MORI DAYS K YR, WILT. WTTS WIAV TOM G. L . WORK IT OUT 53/6 13 MYLA101TA0E 29 3 (NIL151KNEAIAVERSAI REPUBLIC) 1Rrak S kiwi. M.IKw. e..d STEADY. AS Se GOES _M USI TOTAL STATION& (NITRSCOPT) M RACOIRUFK TOT. STATO& I DIAMONDS AEIIEMB/IEK .7 EASY MINE ED LADES RslrwarEánlwl .a MOW SY YfuRSRF 44 MAVEN TRANKEI NITER 1OT/NNINAY THRILL OF IT 3 HOW WE OPERATI -27 N AM IAREBp a 11.F/H/4 Sri WW2 ATO (IMMEI IaOSJ DAM CAUPOIVIIIA 42 Ulm SFOrE WALT. Walw RED HOT C141.1 PEPPERS wARIEOBROS. SATELLITE 3 LOVE S NM RR7[yON 2 a Gorr ZE,GY BR LEY TUFT GOL ROM FOR LS ANIPOWIA/MOST ADDED MILL WILL WRY MOON RIDBIIABIA T$ .37 OJMS S LOVE NY Rn10ON PILL MSLA S 154 SIMWNCO VII -6 0715 R 53 COMO RI 2 COLORFUL AIRPO IRM.InM _ 1111000NIIEAYRM WWI ". un%I mMALS ALL NOW " 2 3 r SSSRLS OJOS i d.laL.IarMdlr KORTOYWII6/IISR US Tali i 142 0.726 R f.ONGUBVOIS. RIPIMlC7 ii MARK KNOWLES AND Din& WASS KßR. ARM LET 4E GO 3 SOWIAIOKIEM NEAAnT,nIR o- i CHASING CARS 3 LEARNING TIE HARD WAY 0336 w 11.05.5016 HYOID SOW NOW (hM/A/AM) WICK IL NETT .¢MIOOD E KOS Al WRLT.A IOOT.4 3 DGQ'T WAIT WWII 4 KTtZ L WAIN .L WARM 2 OASIWONE (OMTSS1oNAL VACANR/NTERSCAE 0305 ADDED AT... fNTRY STANO W AIO RE STRONG 075 ANYTHING'S POSSIBLE SOL MYUM LEGACY WXRV TILL LE SASSY a.+.. MA WXawRIT(O.WWNWR)S1SP AKTEZ WIOV.Z NEw ano RIR2,WWI .7.WWI.1 REOIm itomPERs wANER BROS. PQ Doss Ii.I.i Noss Skit Or S NTPr MG WITHOUT A CASTLE alli L. Lit OMM WICKEDCAAEIFPwSE IS a Tisi, SNrtrr.0 TWIRL OP IT Shaw HwrL TKM Family TEE ENCORE -- RáAt IIdBy i Band FM TOR WO G AWN/COLUMBIA M OROS a (wann am-) WOO 111W01'L M WOOD Q KR)S .3. KBCO.7. WBOS YOU WOE YOUNG FOR MORE STATIONS GO TO i WION 9 OAS KfQA L KENT .L WTIS.1 MA WR% i FOR US Pal Tan. Kar bò.0 .) IMO *EL NUM 7. K1Q MAIM .3. NOG 2 WÁ12 .2 RECURRENTS iW 4.. EMS4WEIS1 WAITICON THE WORLD TO CHANGE TILE /LAYS TITLE MINT / APRNT r PROEIOTOi LABEL 1W LW ARTIST / SPRINT / PROMOTION LABEL Ji Mayes LTAnn Ci.AIA) W®& WZEW ISKINT 41010Dß WÚ2.4 NUS OMI MAN WMCKI6 MDSE UPSIDEDOWN 4 WP CS.L KOS 2 KWA T L WOW .1 173 1» Gana maw) NCR 1N160N (p61FIWARIKRSAL WPM K) BEAUTIFUL WES01 TALK SHAWN M LLI6(VAI(1WD) COMA' (CAPITOL) NOTRING LOT TO LOSE SOUL INSETS BOOT OUT REARM (AWARL(a*aBIA) DEATH CAB TORCME (ATLANTIC) TOR WEEK EFIDRIG AUGUST 20. 2006 OYEE MY HEAD (CARE CAR) STAY WITH YOU LNr1110. Saw Wpmi chart. m .Iw1....Nan Ia. "de. W symbol ..rL.n.I.an. Tit TRAY (EPEN GOO GDO DOLLS (WARIER NOS) 22 w.LWE../A.dr ...w.eor.d ONE.. Broad... Sy...... 74 Rows RACK NORSE a 701E 011111113 TRW SPEED OF SOUND bipte A.ra a Or. . Raw. 711E0 e.rKL I.dN.b .I.nT .o..v...d ac 56 nmre... E. 2006 VNU 8....as 1.4.1.6. i AT TUMULI (REKRRSIV/IO () COW(AY (CAPITOL) la. Ndjbw.mwi

REPORTING STATION PLAYLISTS R61? www.radioaodrecords.com

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LATIN SONGS MO SER 9DS AMERCE CERTIFICATIONS ON MELONS) RAYS

WNW N PROMOTION LABEL 1W H. 1W RANK CAti1N{COMYTWOti ND. 16 WFS) 21.192 .08111 I uNNM ElAlaa7LATw D0111N 2A_ 17.030 .2364 1972 3 - RAM LNEWT PINtA/VERSAL LATIO MPf DoNrT u tw 2 n SIIAAMRbC1YATIY'CLIEtM FPr /SONY MCNDATT M taNA SOLA PAIASRA AMtPOWQI HrW t3.870 1158 S N aaLAILM *MN - MAS ALLA OLL SOL 12.767 -0.345 um 4 1: AYISEMSTMM PAY.AY 'Playing what we want' format spawns success for to 12.201 1.780 75 21 0 matt YAIRL CALE IL/164 -0.459 7f7 20 Entravision a TT10IL MLIIID 111100 UN AMOR ARIPOWOc II ldrlarOG11R11GMRlYItit 1,.861 NAa SN N N O. IMO n.59 4.030 »2a WI NO IDICME11D1rtiRTSw10S ALIADO MIL TEMPO José Is Growing Up n.2O1 .0.063 1010 n AAAssmoR IaA THREE SOME) TS COMPRO MOST sNt>IIMS AICIONQ s 11 IMO rMA6oL 11.21 44.008 1151 S

ANC/WM 10.97 -3.074 1N1 10 CONO ER *WOVE LA COTILLA 10.066 0.010 11i R AMCNe DAMN UaVERSALLATMD O E RODILLAS TS PIDO 9.877 1.219 Jackie Madrigal MICAS OE LA SaRRA V1VAAlIN91uLLAtMD JMadrIfa I@Rad IoandRacords.eaML SALMO n SOL 5.749 1303 25 O M OMAR VNMCKrT TI 1368 0.263 75 24 KAROO MONA SONY WAG POEM utraVi Radio is the only c pans to introduce a Spanish -lan- LOS MATS 1.359 1427 4111 45 guage adult hits tiomtat. and Tike its English- language predecessor TECOCAIIDRrI 1CfdPVULANt[ IMCIRKANO0 9302 .0.013 41 t h known asJaek. Jtr plays what 1w wants. While other Moos VOMIT ELCARmMNTERSIOt ! t panics opted for the Spanish -language oldies format that was CIGAR[ `6.211 -2.001 7 COUNnOPRa1AYERA rCItOIRA all the rags. I:ntravision bet on José. QM MOD TEME a sao 7,894 LUM 39 UAW ANnOIFY SON BROOM "We were looking to see where there was a hole in the mar- ROW NATURAL 7.779 4.721 m 211 ket tier J different type of ä)nIut." Iintravision Radio VI' of progr. g Nestor TITO EL MAIM WARMING BEEMM HAN& MS EM TRAM LOS Minn 7361 .0.433 Rocha says. In our studies we h)ulxl out that Latin tnllllllunlities love different gen- AVENTWA PREMIUM LATIN ia EN res of sic from rancheros to soft halLEtfs to oldies. and the nurket was looking tier ESTOY CON R Y MONO Ti 6963 -1.642 22 MAR IlMS10N 72 station a that didn't have any interruptions." EL TnUONC 6999 .2.336 222 - HECTOR TL FATHER- °AAABRo Rot LA iAttIaANEr MANORS Entravision first filled that hole at the end o12f 1115. launching (WWI YOU GONNA) GIVE IT UP TO M6 1a91 4385 42 - five stations: KRCX /Sacramento. Calif.; KCVR /Stockton, WAN PALA FIAT1AMC I IYSIMCOLE man MITE FLOR!! Calif.; KMXA /I)enser.. KI&ZY /Albuquerque TI MANCO 6.841 -,20 4116 46 N.M.; and FONSECA FM TONGA KMLX /Salinas-Monts ry. Calif A sixth. KINT/El Paso, Texas. co tes Duns DIARRau OS AMOR) 6520 -0.571 2911 - POEM n THLV6A followed in January. LLIS 6.400 -0196 20 - "In the log tg, we lud all instant response from the market: YAM RAMER LAMM NMI OS CNN TI VAYAS 6394 1.OÓ6 7* 19 people connected w7á1 Josk. ' Rocha says. "They would call in and LAAIKO ANTONIO SOLES FOloY6A say they knew who José is: their dad, brother or grand6ther." n ds. SENA 6269 42215 36 PEDE ACLAM EM TEL Mu Eig hs later. José is growing tlp. Rocha says format clocks have been adjust- TU MOR OIROO 6.257 1.953 Aft 47 ed "to nuke the music flow listener-friendly' and that a new feature has been LA SA ESTWON SONY RAC NORTI NACOS LLORAR AMNION Tt VA 6214 -0390 13 added on Thursdays-- "la Tercia de José "-tlut plays blocks of song. by Jose's t:IVOrite MTOLAILE EM m Tv,SA á all NO Ni UNA NOMA 6073 -0.014 49 artists day long. More specialty shows are in development. 400th A MUMMA MAN

José and distant cousin Jack is " loyal liste ' g to a ces OM The difference between 6069 0347 1d 161 - CIELO SONY SAC NORTE says. an Spanish- language donut." Rtxlu lost: tends to lx more of 'uncle' you AHORA GM NO WAS 5.906 0.987 5411 - respect. anal Jack is self centered. Jack spans genres of music that are more rock- OW ttLOOYFOMNISA LAS NOONES SON TRISTES 5222 -16n 3n1 - driven. whereas José dais across the board of the major Latin music gems.- AmATLIaC AKIIL MOM IMO IACAUTARMSOM OIS VOY Jos has become such a hit that Rocha is anxious to introduce it in other markets. 5.676 -0.714 en 15 AAtTAMMUS SONY MIL NORTE "Wherever there's a hole. José is the first tonnat on our mind to till the void. just as VOLVWATI A AMAR 459 48 ALEAMOIA =MN SONY MC MATT we did when we recently debuted in the I )alias market." he says. Jtsé MATAS r 1606 0836 311 - Roche recites a litany of positive attributes when asked why Entravision is so bull- MANE RENY PI MUNNFRSAILATINO ENTRO 53% -EÁ31 569 34 ish on José: "a large music library. few interruptions. low operation expense and most sAIdPFO E1OSYRICY FONOVISA importantly, he keeps the audience eiwgLd longer because of the mystery of what he'll play next." Yet he admits there are disadvanug s. José "will never do a live broad- cast; he'll have his 'c padres' Out tior I . He's always there on time so PIN can't LATIN RHYTHM PANEL - 13 STATIONS got on I about being late. Other. have l led prxiucts .' lar to Jose:-. Rocha says. but they lack its Chicago 1YV1 Los Angeles K XOL essence. "Unfortunately they still have a radio feel. which we work hard to pre- vent. It c down to the fact thatJosé is a unique personalityand a product that Dallas KFZO Miami WMGE is appealing to audiences... KZZA New York WCAA Rocha says the fining has delivered on expectations. We deputed Jose in El Paso Denver KMGG San Francisco KVVZ during the winter 2t96 book. and in this short time Jose has become the No. I sta- tiOn overall 12 +. In other nurkets such as I )cover and Monterey -Salinas. José'. num- Ft. Myers, Fla. WTLQ San Juan, P.R. WODA bers have increased. despite baying on AM stations. Fresno, Calif. KLLE WvOz "We k that José will survive." Roche concludes. "because research and history show that loyal. Spanish -dominant listening keeps stations like José alive Houston K LOL tier genera

AUGUST 25, 2006 THERE'S MUCH MORE (0 www.RadioandRecords.com www.americanradiohistory.com MARIANO BARBA

REGIONAL MEXICAN

' . NRLsa1 Nos NEW AND ACTIVE TTTLI CERTIFICATIONS l RAYS ARTIST UMW 7 PROIOTION LABEL lw H 1W RAIN MU AIAOIR TTTu AUDIENCE 11 r ART6T/LABEL AbAN MIDST I LABEL TN COMM N a. WONT MONA= MANN= wM) N /E 11.021 *4 009 1261 2 TU NOVIO, TU AMANTE Y TU NECESITO YO UNION AMIGO L73410.710 DUE-A 1.60011.007 TEAS ALLA Na SOL 6 AI.I. O. L. saw. 5_. V.B. O - 10.760 -0.439 tZée 1 LINSEYSTMN - MAART7ALBDa (UNIVERSAL LATAVO) (SONY NAG NORTE ) r-- TOTAL STATIONS& 19 TOTAL STATION& 16 OE 1100NAAS TE POO -L078 1212 3 WEIRS üLASERRA NVWMRSAIIATBO 162 PA' QUE SON REGALO CARO 1.402/0.9111 ALIADO Oa PASIONES L701/0.N34 L.. OM NMI, 30 TIaiO 00.061 SIB 5 Ty.. WNMOBARY THEW SOUND ó4 G.ra.$ B.n (FoWVßA) MANIA (uNMsico4 TOTAL STAT06N 22 11 -L921 1N7 4 TOTAL 13 (OM1lNTOP1INAVERA rOIOVNA 1062 STATOI6. TITLE MA NUELLA DIGITAL 1.40010.2411 ALL{OI TI VA A RLACOI LWNAR _TT I 1A65. STATIONS W CASA NUEVA L5S2 0.071 B.wrt 0 CU1^ . EA Narks INTOGIU EN TnLVRR ON -0.álA 07 6 MI VIDA ERES TU 5 Las Ilw.... r Nimes Low (I ONOVNA) MENCUONTRO (FM TELEVISA) TOTAL STATIC/We 22 -LOA D LA ESAMI. De TANNIEL IBAL BAIOARO(EIOSY/SEY roOVNA i.ló MA) TOTAL STATEN& 26 ImUT, KOMM, K6S. RLOQ RRL QUE ME DIGAN 7 TE Q110O ANI NM NI UNA SOLA LOCO S7A 00.31 EL1N KLVO. MO00. AWY. ASAN, RST)L 1.211410.0311 VMIMNELRA/OT UNIVERSAL LATINO PALA6NA E RA. WLEY, M0O TYp ra. S PAYASO LOCO Pi. SAA. (RATNINONOVISAI -La I 766 á PATRAlA/i OffA :áti6 ANORA QUINN 8 (UNIVERSAL LATINO) 10TM. STATION& 14 TOTAL STATION& VOY A LLORAR POR TI -- nab Tadao 20 -0AN 9 MI ENEMIGO EL LOS REUAOSEELWRIT 101OINA SM MWQ =R. KCDQ KML KiA IIRAY, A7lL1L LENA VERDE AMOR 1.729/0.229 IM 11 R)wL MAY L. A.ANW O. L. SN... Push* INN= LOSEN4R10S08.1011E t 60 43111 411571 IOQ :a (USA) (MRMRT,BALAOA) TOTAL DOME INSTANT 1sOS Y COPAS 8 STATEN& TOTAL STAT1061 25 ALARMESMAEAL -0.71116 7 Mad Nome IOIOV6U LIMAS DE LA PIOTA 4es -0.D14 OfT. KLON. KSANL ASEA. MSTIL A7VE, D MVO R SANMOA I IDI/ MIL CIMANDO ID AJE LOS Id10YOPOSQ0IDAIED AID -0M1 s E6I6ALO CA60 8 Las1posE1811NN 3 u MA TRUMAN, 4OQ VARIOUS MOATS RDrtNú. RsA Osa OEY. RDML ADIOS A MI AMANTS 0111.1051 (/11.50101TURD)WED ßA02 COYO OIIIDId TI AN MBTTwA all 12 00.06 31 LOS IWMAES DEL NORTE 1bi6tiNr44 QM/OA S811 UNA LAMINA LATINO) -0.382 As 2A s M MOO WARM/ CORRAL 11MiT.IOT. 10014 MOB 22 PROLIN)N)O *0.074 SW 0 N UNA HOLA PALANRA 5 EL COVOTT Y SUaAIOA MAL SANTA Podia 1616 55 D CONTIIANALOO 32 I -0.164 405 ANN WNW EaOVNA a IDmIEL IIA 1 MOMETTAww MOST QUE VUELVA ---- 3 -0.271 N1QIf1001LI-A S rAU01ON7UOOAARD ORA 3.327 0 INCREASED QUI NO NADA N IMINCIONTO AUDIENCE VISTA 7.967 -o.ó0 ZAINO fOOF6A OßIMf,161V;ESSAKlV (N MILLIONS) MASACRE IN CA2oNaTo a 2.9T7 -0.101 PA RUN NON PASOINN 105MAVOSN/EL0115 6e s 6RMerlrw ME QIOAN TODAS 2906 3.056 367 111811®0 WWI RRNAIOEI son micron' a OWL BRAY.RIIA KIM +4.009 TE COMPRO SI TU AMOR NO VUELVI Dumb (1.Nro l.w) 2.903 *0A23 353 WINO BIPEDAL 3 IAAMOIAOOU MADAM NON MA NIRRILyAAs ä1N ß7E6 KSCA WSW NUN OANWITT OA74 DONOR ESTES V CON QUINN ESTEN KISS 41.31S1 KRONA DNA KSOL ß2E NOT 41276 2.691 0.293 mown Pig W /WM ß6B (ALPO SWAM Eä V NOSADODATAN LA ORAN PAOLA/NA 2.669 *0.416 OLLnO . MI VIDA ERES TU RMDAELN(o00 TONOVNA 5 a 3 +1.949 A11YtArAd La MANN De Tusando. Mich. (OM.) TNaa,1O a MAD -0.470 s M1.0 DAN MET DAD PRUE .02911005 ß274. LOS ONIWESOE SAN A5IN FM TELEVIA 1M1MRDIR4 a,im íuaLíIMMI MIN! -0037.NINODOM ATTA ß06IDx DOD ANTES DE QM VAYAS NEUINDICUUNNON TI -0.323 1 wno Amy mamas EMMA *IS CUANDO MI VALLA +1.786 CUANDO ME VALLA IOSElMOOS 0.786 210 Los MBR .a KSCA R Ot 414A Ol AERA 0157. ass GENO PINADO 64 a 00.628 10 Mµ I .OLESKI O ( 00072. NW) ß0E6 MOJO U TWALOPM IW NORM .oaót a w -00M !ROLAD LA CALLE AIM 0.200 IUELORVIM MENTE i_- +1.455 NI UNA SOLA PALABRA COMO TE LLAMASAMAS PALOMA Polio Ruble (NSVERSMAATPO) -.>:RI NON 216 31 CAIRENAUS O MLA VOLEON OEA I .TN ßB)6 A(ar 42204. MEN DIM KM ß0Eµ our .0018. IMO *0040. K010 ß0a NSVV ß0116. UNA NOON MAS CONTIGO WV% 410111. KM 4O6 II NW)BMW TREE SOAR .1660 -0340 kW VIDA IRIS TU MOST ADOSO PREFIERO LA CALLE uaRSINIERRNIRA110L mu 1 AM 41.110 202 AIOID AT... LMPMe Rivera noonso kn NO VAS A CRW MUY ßS7µ KSCA ANL; MION AISE 41.014. L914 -1.025 32 KVLO ßR7. ANNMNIA KNOWN Imi 074 ASAN -0OAA IE.OK ß002.43/Tx.m[Q AB..wm, Ia1 ASEA AM011 -0002 Tt ALO L899 -0.196 ì107 25 TIARA (PL1 LOINS PO Ik.. L. SESOS Y COPAS M VY.IS.. T.A L. Elb.ra 4 Urals. L799 -0.107 AIMIIIVFRA rONOV. . MA.w TOR WEEK ENDING AUGUST 20L 2006 ALGO MAN L797 -0.263 LaOM. Sw Nemo/ L. rbrN w Warts *Wow ter nabs W symbol ..Pl..ren. U NS01INTIAO Son SWNORTE 3D a AMOR GRANO L. SA. dort aw.pl.d41 OO....I.w (49.61N.M wrrw 26 LAM. P# Q k4.I wd L7NS 443 22 LAW mw.A..wO (ÚNELOS -0168 0 WNW/ árN..kJy M)A.Im. B...tNA1 INN SrVk.w 24 Rm.... AN. 7 ANV. NLL O 2006 MU DANN. WAN K. M mj.. m.wwA

REGIONAL MEXICAN - 49 STATIONS

Albuquerque, N.M. KJFA Corpus Christi, Texas KLHB Fresno, Calif. KLBN Los Angeles KBUE Oxnard, Calif. KXLM San Antonio, Texas KLEY KLVO KSAB KOND KLAX Phoenix KHOT KROM Austin, Texas KHHL Dallas KDXX KOQO KLYY Raleigh, N.C. WYMY KSAH Bakersfield, Calif. KIWI KESS Houston KLTN KSCA Riverside, Calif. KXSB K XTN KMYX KZMP KQBU McAllen, Texas KCBT Sacramento, Calif. KSTN San Diego KLNV Chicago WLEY Denver KBNO -AM KTJM KKPS KITA XHTY WOJO KXPK Indianapolis WEDJ Monterey, Calif. KLOK -FM Salt Lake City KDUT San Francisco KRZZ Colorado Songs, Cob. KGDQ El Paso, Texas XHNZ Las Vegas KISF KRAY KSOL KSEA Tucson, Ariz. KCMT

AUGUST 25, 2006 THERE'S MUCH MORE @ www.RadioandRecords.com www.americanradiohistory.com t: NSLlBI Os NEW AND ACTIVE TIRE íCERTi1CAT1016 ) PLAYS T1ItL ALOME TITLE AUDIENCE s ARTIST WONTT Tw N- TTI RAIE AaTRT /LAM ?AIL ASSET / lA! LASIOl COMPARING' N0.1(SKR6) MALDITA SUERTE 201VL335 DlJAAE 1.006/0322 EEEIL wAiol LATVIA Vlww Mr* S'W aM Er.w.b.. R.w A Rlw.1. MwAww MORTE) (V WM) SOIAPRAY AlOESI1>OfT MOMS WOW NCI (SONY Re RIM 4 TOTAL 'TANNIN NIUMMIMp UwVßSALLAIMO 7114 4 MOST ADDED TOMI STATO& A TI 466 s DE QUE TE VALE L710/0.015 PAM PAM o.usN0.57t RICARDO /ADNA WWI AALIOER SI E.w. INA. Yu NLPS wort La (VE/OA SC) (ROC HEW') 2 TOTAL 4 NMRW HANNA. WKlIF IAN (PK/SONY NAG ION TOTAL STATIONS S STATIONS.

N O. NO. NO S TE BUSQUE 1.55210.741 DIME VEN 0.60310.12 TIMI u TILT UMW. ONIONY 7KMEO' SANTOS FIA MERSA IMO MA Nw.YFwN.i M- COMO OLIELE (BARRERA O! AMOK) A9E6R/LA66. lCAIONE (ARSLEYIGEIT[N) (wARMER LATINA ) 3/ S TOTAL STATIONS. R NORM no MIMI TE MANDO PLOWED s TOTK STATIO6. OCTAL/ES a Lwow ATAEVETE T!. TTE, 1.543/0.150 LA JUMA 0.736/0.775 YAM WARNER LATE4 yid. OwMY (BA flRLV6A) CAA 13 I TU PEOR ERROR B (MM1E 110NSOfY WAG NORTE) OINVERSAL LA TNO) KJML MTCV. RY VA KIR. WM 1 o LAO MAIM SONY OK NOME MY. TOTAL STATIO6. TOTAL STATIONS 4 SIRE B ANGRA 6 ATRAPADO L53111/L0S EL BESO 0.71410.127 o NEW ACOLAR rI TOEV6A Rawl. AwwW. (OLE) (SONY NAG NORTE) 17 EK 3 u1U ATv NY OCAS SONY AILNORIE (1JNVERSAL LATIR) TRIAL STATE'S. 3 TOTAL STATIONS. 3 VOLVERTE YEAH RJLIN. KTCY. KWA R%SC KYSE 22 SEK Q 02Y. MI ANDRA GUTMAN SONY OIL TORTE 6 N O SE POR QUO 5.112 470 1 TE ROQUE 1 (HAWAII SONY WIGIIOIR Nap RMNbIINA.Amy TI MANDO FLORES MOR A0040 BIOSEwOlIBS RO6RA mama LW NM41OßKTETLY. OVA. REOS. KY! QUO re ALCANCE LA VIDA s1s a sNW TIRA SONY %Loa n LA VOA DEMO 04 Ti 4 LO QUO SON LAS COSAS a amos Le ESTOY c0N O. Y POMO EN n OaRMIBILATINO Ams IAYRRI Á644M OWOVIDA s MARIPOSAS TI [NA IM VERDES LNI LAM M UNA SOLA PALANA 3 1ST! CORAzD11 Pais Olio Q RLO IM TH1Y6A s 6MIINSALLATIR ANEES DE QUE TE VAYAS 56 3 WACO ANTONOs 1K FoNOEIM WAILRMLORA

111 nE 21 PCA VOLAR SM ALAS 2 LOS MAI WAWA WIN MOST 04A 04A Jl>w INCREASED C Eto SSA SEWER 1.01010 AUDIENCE s TOROS ME ROAN INN4ML0A ODIATIEM VMS AINNINDO CAMO806 DEJASE s SOMFBi1eME 011:0117NESREAIIALAPRUMSOar MAr YRbodela Rai LA BOTKLA O MERCI B WtHLOA00T URY56AIAIE10 +6.814 NI UNA SOLA PALABRA LEYOOITE IMAM Palio RIN. mamma Lamo von411:4I0111.4 KtYE 404 TARAR .O s RFK WWI MIENS ßI4 MORONI NANO 17 WIYR (17I4 KTCY 4322 WM /CUM DUKE KWA .021611/T04fN 14 LAN SdY law Well MwAr B ANGSLITO 0A CAULAIev6IO10 +2.348 SE FUE 0 IIIAM/ *week WINE OM AN.wIA.VL .) NYSE IINO ANGRA QLE NO SETAS wT 4711 90002. 4005 7 qaY 4005 MY 42[5:1.105E .0003 OSF IRLOO(ROUYiS ATRAPADO 4 OULU LOCURA IIINIerrombs TU PEOR ERROR LAOIY II VAN(JIJN sow 6L14R +1.850 ROLE) L. SA !Madan CS., 6/6 ELnI.) DOWN wTD wKAO ELT[ .wl wKAO 4!4104 4114 404. WAIL KEN.Y PAMNAVEROLLAM WON 407F arm 40741AW,/*OM DE QM NOS VALE 7LTN 400AwMC 4005 S un DOMO QUID= QUE TI M OUE ~lax LAM) VOR ANTIS OS OM TS VAYAS ALIADO On TIPO 2347 +1.399 7 MA6AIOIOU 1MIEI5A0 Pale Psyrolst Melia Auto& S.Bw vw.ErM) DRAT 4RL ILYI ß71D 000.0516 D EJASE AMAR 2321 a ELNIAIEAL LATIR) Q SIM MAI EM MEWS/ MVO MALDITA SUERTE POR +1.335 s n 2AM ß EANINelle F.ab.IRE SER Baldara MLANOVA wlmsALLATAo WM, (sm Rie woo NfOISE9LE A TI (SE PONE LO,) 1M(AO 41T21MAC .0.211.0CA -02151. WMS1.W AL EMV t ARPIN UNIVERSAL LATIR ARDO AT... NAY LN AMOR AFUERA a WWVA \MA íTA ALS UAVIRSAL LAIIR Ay... GA 9410.7/ Er OLE PRmoo 2111E EL cato 4o Po Goo L.Yw Mar AMTIONY sawReROIR

NADA P M Um S.1. PrYra. M OATOIV6A wiw ay.. IR/". I Todd. Pm Pm.. II LCO cos ELLA cANN... PrvwP A. O. A4 7 FOR WEEK ENOOr AUGUST 70. 1006 OR OINMOI7 DA THEM MOM See lewd w dww w dww wt. M nU.s awl rywAM..R1...rIK... FOR MORI STATIONS GO TO 7A 01.1140 'STAR COIfT1G0 21 VALab pop AIN= w d.bwtdl+wrwA M NNW" lbwAUw Dw. SYwww I.M. M I MIRA WALLA SONY MOWN . do. 7dos ari 0700E VNI4.M.w M.AA Inc Aw.W..wwA

LATIN POP - 26 STATIONS

Albuquerque, N.M. KRZY Fresno, Calif. KMMM Mon WAMR San Diego XLTN Atlanta WWVA Houston KQQK WRMA San Juan, P.R. WFID Austin, Texas KXXS Los Angeles KLVE New York WPAT WIAC Bakersfield, Calif. KPSL KSSE Phoenix KVVA WIOA

Dallas KTCY KWIZ Sacramento, Calif. K XSE WKAQ Denver KJMN McAllen, Texas KNVO San Antonio, Texas KRIO WXYX

El Paso, Texas KYSE XAVO

THERE'S MUCH MORE @ ww.RadioandRecords.com AUGUST 25, 2006 www.americanradiohistory.com TROPICAL 7: tasor SOS LATIN RHYTHM CERTIFICATIONS pt Ptwrs mu CECERTIFICATIONSATIö PLAYS RAW / raaumloN LABEL 1W O. TN RMM ARTIST PAPAW /PROMOTION LAtIEI Tw N- 1111 NMt QUa P1E60o TRIM EL CIELO NO. 1R1Rt51 oowN MD.In61TES) 1 MMCANnaNY SOnNLIaR1E 6407 4317 767 1 1 1 S alO(41®Ir NNAaMNSALUno 11.913 .1 6911 PM 1 NO EI UNA NOVELA PAM PAN 4,t111 9.136 SSO LLOKM'IAIERAIORA AN 41216 277 2 MOM YANRI MY K n 4124 S MUEST10 AMON SE HA VUELTO AVER TENGO LRI AMOi 410311 4.668 á 111: 9.060 .1.040 2 VTCTOR IMiUt I SONY ML TORO MAIL KEN V SORT ISPE AMU 640 2-7-4 CARE 3.900 .0,432 CAY 7.744 -L074 nlon IMAM [Y TREVISA ILRI 7 TTOnIALSep TYTMIVM 696 3 UNA CANCION TE ENAMORE LDI MATE MOST INCREASEDAuIOIMEOAg6T ADOEO Qua 3A70 41340 6 18 SEAVANOOY FLOWN) a tmouL®101 121115555A1171( 7.275 .2.907 716 6 UST= MINIO JO M. SOL 33116 4931 11 6360 .1920 331 4 MARCO FEATURING, IPA 03 i CON MAR LANDS COMPARTIDOS PLOW MAMMAL 3340 41163 170 6.250 6 MANA 1 TMOnIM1S/OPEATtRINCSINEYANaMS EYTIItVKA .0587 42 S TL7 VOL TOIUTUIK,NOTCH SMITE l IOWEPE/SONT OM TORTE DOWN LAS NOOMI SON 2450 -002í VO S TRIMS 5.1% .1.657 262 20 RMIY 'V wwRBVERSA/LATw IOILECA TUTORING MAUI aRK1QaMVO IAEALLEAMVISEN LOS INFIRM MAC111rCAN00 á.366 17 3D -0.202 402 s AVINTURA PRIMA LATIN 4a340 $ oAOOrTAENtr II (ARM ANONYM( 5.09 8 CORAZON MATAI AMtPO0100 2,368 ß140 16 M 5102 .0.779 2M 23 IEr, R11! lMYIaLtIILAKCiAISO WATT RAwIRENr T7AA/IRAVIRSAI IAl O PAM PAM UN 2,271 314 ao0 4.876 -0321 Q WRNS TARSI MACHETE 4067 tp AVENTURA LMLRMLATN 381 LAAVMPA 2112 -0067 74 30 NUNCA 4.709 .0.339 23 LOMAS IMAM AN s 640 LUNA LAMK II 306 8 7 TENGO UN AMOR AIR POWER DE.2ALI CAMP TO PRO 77 15 n 26 10111aKNA11NLANN44404Y SanaACIaRT! 1876 48.147 179 13 YLIO FUTUNA KE TOR 1L EaTKR. CIA DST ARIWLKIt NO RIMO OLVIDARLA gaga S t713 4.000 48 - 11 10 IOTASAIIAED A.P LASSE WOVE IC TENON) BMA IIANTI AY AVON. CYAEOO HARLAN LAS MNADAS LOS RRwaUU 1.M1 27 21 CLAYACAN SORT MAC MORA 4618 Q 3 AMnULA WEINMI AIN 246 57 SAUO EL SOL s UM 43016 Q6 7 4.435 .0.096 36O 0 OEIN OVER VOW TE PMPALLY EURTACO FEATt__«: MID TUFT IN MOM LOat PAGA LO QUE OWNS GOOF DOWN 4311 611 36 Iii 3.633 -1.149 211 25 IN NAIL SMART IIACIETE I VIAL AC aQR/BAO BOT SgII WAILMIII TE MANGO FLORES LA SOTVLLA Q t69 -2.1I9 t40 16 3A2S -0363 272 16 LOWL A DA TELEVISE WIN aOADOY LNNRLR TAINT PARA NO VERTE MAS HIRE wEGOYO LA36 -0558 86 40 3.291 -0.842 WI 30 AHOY ANDY NEPMReAN SOX EREEI LcCTORUTAINERw1111oNATlrcnTVmrtl ROE uTATAAIIIAtYaY

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TROPICAL -12 STATIONS

Hartford, Conn. WLAT -AM Providence, - WKKB Miami W XOJ WPMZ New York WSKQ San Juan, P.R. WPRM

Orlando, Fla. WNUE WZNT WRUM Tampa, Fla. WYUU

Philadelphia WEMG -AM Washington, LLL WLZL

AUGUST 25, 2006 FOR WEEK (AMC AUGUST 20, 1006 THERE'S MUCH MORE CD www.RadioandRecords.com www.americanradiohistory.com NATIONAL R61?

VIDEO CHANNELS STREAMS ARTIST yin AO:a. a1/M1 { RUINER: ammonia LYE[ PRICE) war. AoL:.Metc ®CHRImNA AOUII.ERA Sr wA3rr Beck To Beaks YM.c { !Ws Ea #{,Ìá Jw/ Na.. RU $7IM RUN '7715) wre. 717 MAW iiaelii 212562/lm LIFE JENNINGS / W The PhoeLMR 1515 CI5IN/M 9610, il)NY O/t I 14 M I O.i4 A.iFb Mar M., a II IsosINIK Q CMSNwN 1rRO.irbIYON N a 1 rI1WI3Na5Y Dangerous Men M M LMRIO 1 115 151 JiTWI{iEMIA II n 4 L1\L.Iw n I`waa, á E y KAhYcllr » 161=5i,é g Unappreciated 2Ì r I / 1 ,12151 LAMM 1}y./Aa n 71 /± R`IEaie1'ne.e.li,eEl ri n S GT.WIW.ANia The Cheetah GMs 2 Do 01=04111115 Ñ Ñ a iwl.L.. aA 1K111 NI reAlri,iñ a a I ,IMIRbLT1R.TmlAr 11 14 11 _ VARIOUS ARTISTS ins Tm NOW 22 t2 lre.ya.y,ee,4r4ie f ehH.01/.`I9,,IYIyi IWNr iN/ a SORI' NW STRATI GO MARKila NRp »U/YERMM IOWA {a{110RT WSN 994, M II 14 11 Ñ YIYet1O1RM,Y101 11 Ñ OielIeyyB11A`7N1R¢sYO, N O RICK ROSS II 14 13 Port Of Miami e TATNeeNYseeteYSWWI N II SW IN sup Oi LM 03M54 WAN 1110431.11RWIftwallakw 04r a 11 M R1AMeilllr15{lrOarTr 11 IS i N/ 1111W M. rm,.soe. TINCETIMMY w _LTCo.+1.1WAI °"owrYro.TO'.TAa Ó OME Rounds On Me iR1 i i i a1151 Secad R.h Ir1EW 2 n ° WNW It 1WT a SOUNDTRACK Step Up f NYI Mel TOWN 115101 i We O_ á we 9ArOMACSISGw, ; N I:KELDACK {1 IS a ii.y,. AN TM Right Reasons WIN. 11 ; Re.IyRI To1Mr1} Ml/RI:0 tR 5113LING 115311 t 41 WWI GNARLS BARKLEY 1b.ri 7 St. . ..WEa IS GIOIr i Elsewhere 1111155110201 l0101 ATI ANTIC S w, 111 f{I . I I iWAi.15 B REAKING BENJAMIN 7 Phobia .011 MOOD 153111; M, fHMrIR I Á> RdBie,OVelße KIDZ BOP KIDS YeWy 7 Bop 10 - Hp RADM I le nul le Ni Kdz BET CAT _ CASSIE Cassia 4 BAB 51)r I1MI AG l'I Ni YPAItou Pre, SAO.. RR w. is {T... M 0.. P., T IlL Ibno ITS m -SA THE PUSSYCAT )I7 ITS 4E6 DOLLS PCO hr.. A510 en] /A POI 113 ^ RSL MI . YAHOO! RASCAL FLATTS ,i,aBea.b.,., of MUSIC Me Ant1 MY I rMG T+5MS3I,011 I WAS StMI 130000 II M, 1 Wool ßw.114. AM Mt G.q Jo, Fmk is. r.RirSaw ]NSa415 25 27 JOSH . SfwThayl 15 15 ® Your Men ® WIML1nM11.4 (13 44, CrWy aYWa1r.r. Ge.rTi,eiW.íio.AyY ARAN .N IS N 14 11 E3 High &hoot Musical NMI 14T6`M ,K1715, NM NW HINDER .e.al.15Ar li I SAwY 58 a e/ E'sVwne Behavior a Ta AM sal I1P151K M61101JaG 1115, n aa,.Gn UNII 1 11 5 LaToya ñ fM1I0lN1Ae117151 wM. 73' 7135 YUNG JOG E M 15 New Joc City r Ol.a.r,AaaORIF.{.N MK IS l el O.IIAD IOV SOUTH 33117 AG 115101 n NOW TlSURpO. s JAaWNAAeoKi 3115 sue 20 14 MANIA A Glu Like Me LING 113 151 = w N BIM tun tun ñ r1^1ui i TOM PETTY a WsíOO, e 315 70161 17 S Highway Companion I raT *1515.411411161/M11M[N NOS III NI p.w,oIWW3N 152131 /J0. PANIC! AT THE DISCO w,y Assi Tr* W. SM a 17 A Fever You Can't Sweet Out WWWland 117.73 N CA,IM %1 Ill HASID 15 RAW 1113 III i a Z2i1sy`G` . WWwaW.Ei`n 1.15 DIU EM II 2 Year 01 The Dog..Ag.in - toP UMW 15117 SONY *SIC 115151 : . a TLirII`4 Jh I M R INN M RAM Tl. Ib1AN'1 NMI; All ARM WAWA I1WW111.1 RCI KIM FI.aARIWaft I 41YI 11 311J

THERE'S MUCH MORE @ Nw.RadloandRecords.con, FOR WEEK ENDING AUGUST SO. 2006 AUGUST 25, 2006 www.americanradiohistory.com AMERICANA CHART LEGEND

TRIE ARMY aAPNaIT ( PNOROTIaI LABEL AISRICAN Y( A i11UOi#ifiD HEHIVAVS Charts are ranked by plays except for MOST ADDED: nENY (ASH 303 32 SNAKE FARM Latin and Country charts which are The total number of new adds report- RAY WO f IAAiARO based on audience impressions, com- ed by each station and by automatic THE DEVI YOU KNOW TURO SNIDER puted by cross -referencing exact times add thresholds. Songs not reported as T11E MVÖ/Lt MAN of airplay with Arbitron listener data. adds not WANT I YOTT do count toward the total to LAPS M SEVEN date count. Ties are broken by total to WARM 316 -12 3310 Songs showing increase CONKSOICM SONGS an date adds, then by total plays and, if 3111 40 1113 CAA (l ARR DIIY TONE in plays (audience for still tied at this point, by most SOLDIERS of LOVE ü RAR I RS PA(O CIAO 216 -2 3L Country and Latin) over the increased plays. SEYOI ANGELS ON A SICYCLE previous week, regardless of chart (A(RR RRIRIWI : RA(R PORCH/ILL 301 59 716 ALL THE ROAORUMRNG movement. A song will also receive a TIES: 2110 -23 6163 AWK RNO Wl ER AND (IBMOU INNERS WARNER IRIOS. bullet if its percentage loss in plays A song with the best plays differential 6NnuCM ROPE 271 12 17A (IRIS RNI(NT ORATERS(/AwH PRODUCTIONS (audience for Country and Latin) does (audience for Country and Latin) over IMONG -51 Si AMMAN', RaA(IER 274 470 not exceed the percentage of moni- the previous week is ranked first if S IG SON WORLD 272 30 tored station downtime for the for- tied with another song on the chart. If aD CROW NOW sE NAM sumps EO mat. MI LY3 CAFE Exempting the Country chart, a the songs are still tied at this point, (RDIAUISINTH 2i -II Ala song that has been on the chart for the title that is being played on the INGLORIOUS NALLaUJA4 >31 21 (wTAVI(1R . LAO( POMNA( more than 20 weeks will generally not most stations at that format will be LOST DEAN JOIN -16 receive a bullet, even if it registers an ranked first. RERANRANI. REVNW Il H AISRAN ., DIADM(IIONINLEDIOASS a. increase in plays (audience for WEST OF TIE WEST -37 Latin). DAVE Al VA( REP RR AM Country titles that decline in audience RECURRENT RULE: TIE PILGRIM: CELEEAATION OF KRIS N RISTOFFZRSON 2364 47 23016 VARIOUS ARTISTS NEW AN RATS P(g ISIWA AE MINT but increase in plays will also receive Songs below the top 20 (top 15 for SHAKEN 6Y A LOW SOUND 213 33 07 a if CROOKEOSTK I SE MTURE SOUNDS bullet the total audience erosion Urban AC, Hot AC, AC, Christian AC, *tLMINKANIT6 for the week does not exceed 3 %. A Christian CHR, Inspo, Christian Rock, DAPHNE 204 -4 632 song in its first week at No. 1 will Gospel, Heritage Rock, Triple A and TAXING THE LONG WAY 360 DOM (N(RS OPEN WOIRaU61ASONY E1US1( always receive a bullet, even if it has Smooth Jazz) become recurrents and YO RE ONLY LONELY RAA AA O SAN(TW(IY lost plays (audience for Country and are removed from the chart after 20 Latin). weeks. In addition, have II O SL MIT lNE IYVENRqRP[ 6011V M15E songs that SUITCASE been on the chart for more than 52 AMCIB ONE HAVENRR( %D M MEATS WRONG WITH RIGHT AUDIENCE TOTALS: weeks and rank below No. 10 will WANDA NOON RS PROMRAIERRAN Derived, in part, using certain Arbitran become recurrents and will be 110030 UNN 5/57F ANGES SWF/ ONO Inc. copyrighted Persons 12+ audience removed from the chart. Descending ALL AMERICAN SLUEGRASS GIRL estimates, under license. Country titles move to recurrent after RNONDA VIN I N1 KAMM LISTE SHORT CALL NOW 20 weeks if they rank below No. 15 in DIM( MERAN ROUNDER AIRPOWER: either audience or plays. NVumSb[ RATTLE SONGS 166 31 MIAMI( VERVE FORECAST/VC Awarded to songs appearing in the NEW TATTOO AIM(OWANNAND PR[(ASttF 164 -32 2666 top 20 on both the Airplay and Nielsen BDS certification for A *START LAND TO ROAM. SONGS OF THE CARTER FAY .p DM. Audience charts for the first time with airplay of 100,000 plays on RAM SIMLIY DAEROIUMAISOYI USIC m increases in both plays and audience. all monitored stations, includ- Airpower awards do not appear on the ing satellite and national networks, ORLO bbif a LMV6 T1S Latin, Christian and Gospel charts. across the United States and Canada. ñ Ww 17 NOT MAMAS 7 1S7ITON 7 APqdeelaar ltlqr r.r.. 0186810m Numeral following symbol indicates rMNaISNwFT) MGM NAM OIRMTUREDUFON BREAKERS: multiple level of 100,000 plays. LOVE URI A RECKLSSs 710 MINING MULE 16 KELLY WAS CALL 7 Awarded solely on the Country chart slrv.Irlw N61N6R MIN TO HMS 7 AseAsw anROORDOGaac VIGAS 6 RHIN= Kit LLDIENIIIO to songs that receives airplay on,60% Indicates title earned Rm RrlrS QUrM Ia22RR10 PwoNEUq of the panel for the first time. HitPredictor status in L6ORATISFS d eArg Itr research data provided by pURYNW MOST INCREASED PLAYS: Promosquad. Songs are tested online Awarded to the song with the largest by Promosquad using multiple listens FOR WEEK (ICIN G DATT. 2006 increase in plays (audience for and a nationwide sample of carefully The MwRarr dud nAAArrpe the npc.vd P(.1' d lawman" raaA sIAYnIANNW." A1wi[+i rAiA dwti AYRY rads and .MM Wtan (AM Ir. &peed to ...bout wehte Nw ro nor w(arwr(ISt pNWIS 4111 wrarwl[wwwkay. O 2006 A,rws:w Mink A.enr.alm. Country and Latin). profiled music consumers.

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URBAN AC COUNTRY AC

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COMPLETE URBAN AC CHART ON PAGE 34 COMPLETE COUNTRY CHART ON PAGE 42 COMPLETE AC CHART ON PAGE 44

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COMPLETE HOT AC CHART ON PAGE 45 COMPLETE SMOOTH JAZZ CHART ON PAGE 47 COMPLETE ALTERNATIVE CHART ON PAGE 49

ACTIVE ROCK HERITAGE ROCK TRIPLE A

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COMPLETE ACTIVE ROCK CHART ON PAGE 50 COMPLETE HERITAGE ROCK CHART ON PAGE 51 COMPLETE TRIPLE A CHART ON PAGE 53

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