The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

Total Page:16

File Type:pdf, Size:1020Kb

The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat Sun, May 20, 2018 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 04:40 Delibes Peace ~ Coppelia Golan/Suisse 12274 Decca 478 7309 028947873099 Romande Orchestra/Bonynge 00:07:2535:04 Gliere Symphony No. 1 in E flat, Op. 8 Slovak 06491 Marco Polo 8.220349 489103020349 Philharmonic/Gunzenh 5 auser 00:43:5915:42 Beethoven Piano Sonata No. 14 in C Emil Gilels 08879 DG 400 036 325914000362 sharp minor, Op. 27 No. 2 5 “Moonlight” 01:01:1114:37 Bach Flute Sonata in E minor, BWV Galway/Moll/Cunningh 03361 RCA 62555 090266255528 1034 am 01:17:0329:49 Ravel L'Eventail de Jeanne Philharmonia 09734 Chandos 8356 n/a Orchestra/Simon 01:48:2211:54 Haydn Notturno No. 5 in C The Music 05082 London 458 075 028945807522 Party/Hacker 02:01:4615:43 Scarlatti, D. Six Sonatas Vladimir Horowitz 07042 RCA 63314 09026633142 02:18:4406:59 Delius Summer Night on the River Hallé 06690 EMI 65119 724356511927 Orchestra/Barbirolli 02:27:13 33:17 Bennett Piano Concerto No. 5 in F Binns/Philharmonia/Br 08772 Lyrita 205 502092602052 minor aithwaite 9 03:02:0007:46 Grieg Evening in the Mountains & BBC Scottish 04704 Naxos 8.550864 489103050864 Cradle Song ~ Lyric Pieces, Symphony/Maksymiuk 4 Op. 68 03:11:1640:45 Saint-Saëns Symphony in F, "Urbs Roma" French National Radio 01831 EMI 62643 077776264325 and TV Orchestra/Martinon 03:53:16 07:43 Corbeil Heavy Rain Dubeau/La Pieta 10988 Analekta 28734 774204873424 04:02:2915:53 Tartini Violin Concerto in A minor Ughi/I Solisti 00939 Erato 88096 326965880962 Veneti/Scimone 6 04:19:3716:24 Mozart Horn Quintet in E flat, K. 407 Sommerville/Boston 06633 BSO 0601 828020000424 Symphony Chamber Players 04:37:31 21:57 Karlowicz Serenade for Strings, Op. 2 Polish National 02170 Harmonia 278 1088 314902505612 Radio-TV Mundi 2 Orchestra/Wit 05:00:5804:40 Popper Nocturne Starker/Neriki 02498 Delos 3065 013491306520 05:06:5314:36 Tchaikovsky Capriccio italien, Op. 45 Bavarian Radio 04908 RCA 68471 090266847129 Symphony/Maazel 05:22:59 13:57 Liszt Variations on "Weinen, Klagen, Gregor Weichert 01640 Accord 149020 N/A Sorgen, Sagen" 05:38:1110:05 Vivaldi Concerto in D for Flute & Violin, Rampal/Stern/Franz 01380 Sony 45867 07464458672 RV 512 Liszt Chamber Orchestra/Rolla 05:49:31 10:57 Fill Music: anncr selects 06:02:18 04:22 Boulanger, Lili Pie Jesu Alagna/Orchestra of 04367 EMI 56206 724355620620 the Toulouse Capitole/Plasson 06:07:5509:34 Field Nocturne No. 14 in C John O’Conor 02711 Telarc 80199 089408019920 06:19:1913:34 Danzi Wind Quintet in B flat, Op. 51 Ensemble 01218 CBS 39558 07464395582 No. 1 Vienna-Berlin 06:34:08 25:45 Dvorak String Quartet No. 12 in F, Op. Emerson String 07568 DG 445 551 028944555127 96 "American" Quartet 07:01:4303:08 Copland Long Time Ago ~ Old American Warfield/Columbia 08924 Sony 70047 886977004728 Songs, Set I Symphony/Copland 07:04:51 01:42 Copland Simple Gifts ~ Old American Warfield/Columbia 08924 Sony 70047 886977004728 Songs, Set I Symphony/Copland Sun, May 20, 2018 - The Classical Station, WCPE 2 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 07:08:03 10:49 Bach, C.P.E. Trio Sonata in G Rampal/Stern/Ritter/Pa 00402 Sony 37813 07464378132 rnas 07:20:2209:09 Stanley Organ Concerto in B flat, Op. Gifford/Northern 01011 CRD 3409 N/A 10 No. 3 Sinfonia 07:31:01 28:30 SING FOR JOY 08:02:3103:38 Vaughan Come down, O Love divine King's College 05443 EMI 57026 724355702623 Williams Choir/Cleobury 08:06:0906:54 Dunstable Veni Sancte Spiritus - Veni Tonus Peregrinus 09207 Naxos 8.557341 747313234127 Creator 08:15:3307:03 Bach Benedictus and Osanna ~ Boston 05253 Telarc 80517 089408051722 Mass in B minor, BWV 232 Baroque/Pearlman 08:22:3604:54 Tallis Loquebantur variis linguis Taverner Choir/Parrott 01032 EMI 49555 077774955522 08:31:00 11:19 Howells Te Deum Laudamus (for Gloriae Dei 10193 Gloriae Dei 053 709887005329 Washington National Cantores/Patterson Cantores Cathedral) 08:44:4914:34 Handel Chandos Anthem No. 04, "O The 01739 MHS 512777W n/a sing unto the Lord a new song" Sixteen/Christophers 09:02:2309:34 Bach Cantata 59, "Wer mich liebet" Holland Boys' 12050 Brilliant 94050 502842194050 Choir/Netherlands Classics 2 Bach Collegium/Leusink 09:14:2736:13 Paine Pentecost ~ St. Peter, an Pro Arte 06475 GM 2027 n/a oratorio Orchestra/Back Bay Recordings Chorale/Schuller , Inc. 09:53:10 05:53 Duruflé Chorale Variations on "Veni Thomas Murray 03498 Arkay 6143 n/a/ Creator", Op. 4 10:02:0347:40 Schubert Mass No. 1 in F, D. 105 Bavarian RSO and 06363 EMI 86011 724358601121 Choir/Sawallisch Classics 10:52:13 06:50 Tournemire Improvisation on Te Deum David Arcus Downloadn/a n/a n/a Laudamus 11:00:5332:10 Brahms Serenade No. 2 in A, Op. 16 Saint Louis 01966 RCA 7920 078635792027 Symphony/Slatkin 11:34:53 12:32 Poulenc Sonata for flute and piano Roge/Gallois 01842 London 421 581 028942158122 11:48:4010:35 Purcell Music ~ "Distressed Innocence, Chatham Baroque 06035 Dorian 90309 053479030924 or The Princess of Persia" Recordings 12:01:0503:23 Bach Arioso Lloyd Webber/National 05882 BMG 84112 743218411229 Philharmonic/Gerhardt 12:05:4326:53 Gade Symphony No. 5 in D minor, Brautigam/Danish 10151 Musical 5178445 717794784428 Op. 25 National Heritage Symphony/Hogwood Society 12:34:2624:49 Schubert Sonata in A minor, D. 821 Harrell/Levine 00913 RCA 6531 07863565312 "Arpeggione" 13:01:05 25:57 Mozart Symphony No. 40 in G minor, Chamber Orchestra of 00461 London 414 334 028941433428 K. 550 Europe/Solti 13:28:5211:33 Borne Fantasie brillante on Bizet's Similia 08175 Analekta 29819 n/a Carmen 13:41:40 17:26 Ireland A Downland Suite English Chamber 09733 Chandos 8390 n/a Orchestra/Garforth 14:00:5619:12 Grieg Lyric Suite, Op. 54 Gothenburg 00676 DG 419 431 028941943125 Symphony/Jarvi 14:21:58 26:00 Borodin Symphony No. 2 in B minor Suisse Romande 06999 London 430 219 028943021920 Orchestra/Ansermet 14:49:13 11:15 Fill Music: anncr selects 15:02:1815:24 Parry Lady Radnor’s Suite English String 00852 Nimbus 5068 08360350682 Orchestra/Boughton Sun, May 20, 2018 - The Classical Station, WCPE 3 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 15:18:57 25:41 Handel Ballet Music ~ Alcina English Baroque 01123 Erato 88084 326965880842 Soloists/Gardiner 1 15:46:2813:59 Moszkowski Spanish Dances, Book 1; Op. London 05760 Decca 289 466 028946637821 12 Symphony/Argenta 378 16:02:17 41:16 Dvorak Cello Concerto in B minor, Op. Rostropovich/Berlin 04481 DG 447 413 028944741322 104 Philharmonic/Karajan 16:44:4804:29 Liszt Liebestraum No. 3 in A flat John Ogdon 11500 EMI 57547 509994575472 2 16:50:32 09:57 Stravinsky Selections ~ Pulcinella Ballet Royal 02116 RCA 60394 090266039425 Suite Philharmonic/Temirkan ov 17:01:29 59:40 Renaissance Fare 18:02:5903:25 Granados Spanish Dance No. 5, de Maistre/Tena PV1041 Sony 88985450 889854504526 "Andalusia" Classical 452 18:07:54 07:01 Mozart Finale (Presto) ~ Violin Sonata Hahn/Zhu PV1068 DG 479 8295 028947982951 in A, K. 526 18:16:2514:45 Debussy Images for Piano, Series I Stephen Hough PV1011 Hyperion 68139 034571281391 18:33:0027:05 Brahms Cello Sonata No. 1 in E minor, Peled/Polera PV1080 CAP 018-1 888295766982 Op. 38 Records Sun, May 20, 2018 - The Classical Station, WCPE 4 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 19:01:55 06:46 The Classical Station's Jonny Pierce speaks with harpist Xavier De Maistre about his album, Serenata Espanola 19:10:11 02:42 Malats Serenata espanola Xavier de Maistre PV1041 Sony 88985450 889854504526 Classical 452 19:12:5303:52 Falla Spanish Dance ~ La vida breve de Maistre/Tena PV1041 Sony 88985450 889854504526 Classical 452 19:18:15 05:34 Chopin Impromptu No. 4 in C sharp Daniil Trifonov PV1002 DG 479 8174 002894798147 minor, Op. 66 "Fantasie-Impromptu" 19:25:3905:22 Rachmaninoff Oh, never sing to me again, Fleming/Vienna PV1003 Sony 542593 n/a Op. 40 no. 4 Philharmonic/Eschenb Classical ach 19:32:3114:39 Bach Sonata No. 6 in G for violin & Barton Pine/Vinikour PV1093 Cedille 177 n/a harpsichord, BWV 1019 19:48:40 11:10 Schubert Impromptu in F minor, D. 935 Marc-Andre Hamelin PV1086 Hyperion 68213 034571282138 No. 1 19:59:5006:55 Dvorak O Silver Moon ~ Rusalka Fleming/Vienna PV1003 Sony 542593 n/a Philharmonic/Eschenb Classical ach 20:08:3502:22 Popper Dance of the Elves, Op. 39 Capucon/Paris PV1042 Erato 01902957 019029571585 Chamber 15854 4 Orchestra/Boyd 20:12:27 32:04 Mendelssohn Symphony No. 1 in C minor, Chamber Orchestra of PV1015 DG 479 7337 028947973379 Op. 11 Europe/Nezet-Seguin 20:46:2122:00 Boccherini Cello Concerto No. 10 in D Gabetta/Cappella PV1039 Decca 483 2473 028948324736 Gabetta 21:10:11 33:17 Glass Piano Concerto No. 3 Dinnerstein/A Far Cry PV1092 Orange 0127 801837012729 Mountain Music 21:44:4303:09 Auerbach Speak, Memory Hahn/Smythe 11775 DG 0019103 028947917250 21:49:2219:02 Ben-Haim Concerto for Strings, Op. 40 Royal 12594 Stradivari 8003 084646800323 Philharmonic/Alwyn 22:10:14 04:07 Schubert Spring's Song, D. 780 Robert Shaw Chamber 03302 Telarc 80340 089408034022 Singers/Shaw 22:14:2102:06 Schubert La pastorella, D. 528 Robert Shaw Chamber 03302 Telarc 80340 089408034022 Singers/Shaw 22:17:42 38:24 Dvorak Piano Trio No.
Recommended publications
  • Concert Programme Read
    Available to stream online from 7:30pm, 25 June 2021 until midnight, 4 July Airs and Organists Presented by Anna Lapwood Programme Andrée Concert Overture Annamaria Kowalsky Rhizom (UK premiere) Poulenc Organ Concerto With Chloé van Soeterstède, conductor and special guest Anna Lapwood, presenter & organ soloist London Chamber Orchestra Violin 1 Viola Oboe Trombone Gina McCormack Samuel Burstin Gordon Hunt Andrew Connington Manon Derome Miriam Ruetschi Alison Alty Ruth Molins Charles Sewart May Dolan Paul Lambert Anna Harpham Lowri Thomas Clarinet Imogen East Ilona Bondar Jonathan Parkin (+ bass clarinet) Timpani & Percussion Greta Mutlu Sarah Thurlow Tristan Fry Edward Bale Cello Tim Gill Bassoon Percussion Meyrick Alexander Geoff Boynton Violin 2 Rachael Lander Graham Hobbs Chris Blundell Kathy Shave Rebecca Knight Joby Burgess Ciaran McCabe Victoria Harrild Horn Julian Poole Alexandra Caldon Double Bass Pip Eastop Jo Godden Andy Marshall Gavin Edwards Celesta Harriet Murray Martin Ludenbach Philip Moore Ed McCullagh Trumpet Joanna Watts Flute Ross Brown Karen Jones (+ alto flute) Alex Caldon Chris Hankin If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using the hashtag #LCOTogether Elfrida Andrée Concert Overture This edition of Andree Concert Overture has been kindly produced by Dr. Susan Pickett. Swedish composer and organist Elfrida Andrée (1841-1929) was a pioneer of her time. An activist in Sweden’s suffragette movement, Andrée advocated for law reform so that she would be permitted to work as a professional organist in Stockholm and Gothenburg, and became the first woman in Sweden to do so.
    [Show full text]
  • Poulenc Stabat Mater and Bruckner Motets
    Welcome to Etcetera’s sixth appearance in this prestigious venue. Over 300 events are put on here every year, so do look at what is on – in particular our concert is part of the second St John’s Smith Square Holy Week Festival, curated in partnership with Tenebrae, running to Easter Sunday. Having given a concert here on the Tuesday of Holy Week since 2013 we were delighted to have been welcomed for the inaugural Festival last year. It was during a meeting to discuss our plans for this year that Nigel Short, Director of Tenebrae and curator of the Festival, mentioned Poulenc’s rarely performed Stabat Mater. I shall be forever grateful. The Poulenc setting of the Stabat Mater is an extraordinary piece of music, and many choir members have said what a great privilege it has been to work towards a potentially once-in-a-lifetime performance. This is undoubtedly the most challenging and ambitious concert Etcetera has tackled, and we have had to work very hard, collectively and individually. Whether we made the right decision to do it, we shall find out today. As an un-auditioned workplace choir, meeting one lunchtime a week we have already achieved some remarkable things. We hope we achieve something extraordinary today. I remain immensely grateful to Richard Heason, Director of this venue, and his team, for all their support and for giving us the tremendous opportunity to perform here. On everyone’s behalf I should like to thank you for making it all worthwhile by coming to support us today and for your generosity at the end.
    [Show full text]
  • Poulenc, Francis (1899-1963) by Mario Champagne
    Poulenc, Francis (1899-1963) by Mario Champagne Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Francis Poulenc with harpsichordist Wanda Landowska. One of the first openly gay composers, Francis Poulenc wrote concerti, chamber music, choral and vocal works, and operas. His diverse compositions are characterized by bright colors, strong rhythms, and novel harmonies. Although his early music is light, he ultimately became one of the most thoughtful composers of serious music in the twentieth century. Poulenc was born on January 7, 1899 into a well-off Parisian family. His father, a devout Roman Catholic, directed the pharmaceutical company that became Rhône-Poulenc; his mother, a free-thinker, was a talented amateur pianist. He began studying the piano at five and was following a promising path leading to admission to the Conservatoire that was cut short by the untimely death of his parents. Although he did not attend the Conservatoire he did study music and composition privately. At the death of his parents, Poulenc inherited Noizay, a country estate near his grandparents' home, which would be an important retreat for him as he gained fame. It was also the source of several men in his life, including his second lover, the bisexual Raymond Destouches, a chauffeur who was the dedicatee of the surrealistic opera Les mamelles de Tirésias (1944) and the World War II Resistance cantata La figure humaine (1943). From 1914 to 1917, Poulenc studied with the Spanish pianist Ricardo Viñes, through whom he met other musicians, especially Georges Auric, Erik Satie, and Manuel de Falla.
    [Show full text]
  • Enharmonic Paradoxes in Classical, Neoclassical, and Popular Music By
    Enharmonic Paradoxes in Classical, Neoclassical, and Popular Music by Haley Britt Beverburg Reale A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2011 Doctoral Committee: Associate Professor Ramon Satyendra, Chair Professor Walter T. Everett Professor Kevin E. Korsyn Professor Herbert Graves Winful Associate Professor Wayne C. Petty © Haley Britt Beverburg Reale 2011 Dedication36B To my husband ii Acknowledgements37B I could not have completed this dissertation without the support of numerous people. I would especially like to thank my adviser, Ramon Satyendra, for his encouragement and boundless optimism through the whole process. He never failed to receive my ideas with enthusiasm and give me the confidence to pursue them, and his wide-ranging knowledge and helpful suggestions sparked many bursts of creativity over the past several years. I would also like to thank the other members of my dissertation committee— Kevin Korsyn, Wayne Petty, Walter Everett, and Herbert Winful—for their advice and support. Their expertise in diverse subjects was invaluable to me, and they were always willing and able to answer my many questions. I also had the privilege of working with and being inspired by many other faculty members at the University of Michigan. Special thanks to Karen Fournier for being a sounding board for many of my research ideas and for being a great listener. Additionally, I would like to acknowledge the Rackham School of Graduate Studies, especially Dean Steven M. Whiting, for financial support throughout my time at the University of Michigan. The teaching assistantships, fellowships, and travel grants for presenting at conferences gave me the means to pursue my research.
    [Show full text]
  • September 2016 – July 2017
    SEPTEMBER 2016 –JULY 2017 Director’s Introduction Frances Marshall Photography One of Britain’s foremost singers, Sarah Connolly, opens the Hall’s new season with regular duo partner Malcolm Martineau, leading listeners through a programme rich in emotional contrasts, poetic reflections and glorious melodies. The recital includes Mahler’s sublime Rückert Lieder, the impassioned lyricism of Berlioz’s Les nuits d’été, the exotic subtle narrative impressions of Debussy’s three Chansons de Bilitis, and a selection of Schumann songs. Mark Padmore’s vocal artistry and ability to extract every drop of emotion from poetic texts have secured his place among today’s finest recitalists. Morgan Szymanski, described by Classical Guitar magazine as ‘a player destined for future glories’ joins him on 12 September. Critical acclaim for Angela Hewitt’s Bach interpretations bears witness to the pianist’s extraordinary ability to connect physically and emotionally as well as intellectually with the dance rhythms and expressive gestures of the composer’s keyboard works. The Bach Odyssey will highlight all of this over the next four years. Canadian soprano Barbara Hannigan performs like a force of nature, captivating audiences with her artistry’s presence and expressive vitality. She joins the Calder Quartet, winner of the 2014 Avery Fisher Career Grant, for the world première of The sirens cycle by Peter Eötvös. Beethoven’s piano sonatas occupied forty years of his life. They offer insights into his development as artist and individual, and stand among the greatest of all his works. Igor Levit, now in his late 20s, drew critical superlatives to his debut recording of Beethoven’s late sonatas and has since established his reputation as a visionary interpreter of the composer’s music.
    [Show full text]
  • Stylistic Trends in Contemporary Organ Music. (Volumes I and II). Robert Michael Rudd Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1967 Stylistic Trends in Contemporary Organ Music. (Volumes I and II). Robert Michael Rudd Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Rudd, Robert Michael, "Stylistic Trends in Contemporary Organ Music. (Volumes I and II)." (1967). LSU Historical Dissertations and Theses. 1360. https://digitalcommons.lsu.edu/gradschool_disstheses/1360 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfihned exactly as received 67-17,343 RUDD, Robert Michael, 1939- STYLISTIC TRENDS IN CONTEMPORARY ORGAN MUSIC. (VOLUMES I AN D n). Louisiana State University and Agricultural and Mechanical College, Ph.D., 1967 Music University Microfilms, Inc., Ann Arbor. Michigan Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. (Ç^ Copyright by ROBERT MICHAEL RUDD 1968 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. STYLISTIC TRENDS IN CONTEMPORARY ORGAN MUSIC Volume I A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Robert Michael Rudd B.M., Louisiana State University, 1962 M.M., Louisiana State University, 1963 August, 1967 Reproduced with permission of the copyright owner.
    [Show full text]
  • Cohesion of Composer and Singer: the Female Singers of Poulenc
    COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>H HOLLAND Decca first recorded the Amsterdam Concertgebouw Orchestra during a visit to London in March 1946 (AR10127-33) and the same matrix series was used for the first recordings made in the orchestra’s own hall. From 1947 a distinctive matrix series was used and Decca allotted many of its most important symphonic sessions to the orchestra, either under van Beinum or distinguished guests, until 1953 when it switched to the Philips label. It stayed there under Haitink until 1980, reappearing on Decca with Ashkenazy and recovering its former importance to the label whilst Chailly was in charge (1988-2004). Since then under Jansons the Concertgebouw has followed the LSO in creating its own record label. There were also a few sessions with the radio orchestra in Hilversum in 1970-74. >RVH VENUES Twelve different venues were used, but only one reached double figures, whilst five were only visited once. BEURS VAN BERLAGE, AMSTERDAM (1988) was originally a stock exchange (1903). The 600 seat concert hall, initially known as the WANG ZAAL and chosen for a piano recording in 1991, had been re-named the YAKULT ZAAL by the time of its next chamber ensemble recording in 2004. CONCERTGEBOUW, AMSTERDAM (1888) contains both the 2000 seat GROTEZAAL, where the resident orchestra was recorded from 1946-2004, and the 400 seat KLEINEZAAL, used occasionally from 1983-98. [107+6 entries] HET MUZIEKTHEATER, AMSTERDAM (1986), a 1600 seat house, staged a production by the resident Netherlands Opera that was televised in 1998. WAALSEKERK, AMSTERDAM (1409) is noted for its acoustics and was favoured from 1988-93 for three Concertgebouw Chamber Orchestra recordings.
    [Show full text]
  • Johann Georg Albrechtsberger Organ Concerto in B-‐Flat Major -‐ 2011 Johann
    KNOX MUSIC PROGRAM - MAJOR WORKS REPERTOIRE LIST (UPDATED APRIL 2018) Johann Georg Albrechtsberger Organ Concerto in B-flat Major - 2011 Johann Sebastian Bach Cantata BWV 4, Christ lag in Todesbanden - 1985, 2011 Cantata BWV 63, Christen, ätzet diesen Tag - 2010 Cantata BWV 106, Gottes Zeit ist die allerbeste Zeit - 1985, 1987 Cantata BWV 140, Wachet auf, ruft uns die Stimme – 1983 Cantata BWV 191 Gloria in Excelsis - 2016 Johannes-Passion (St. John Passion), BWV 245 - 1984, 1990, 1995, 2001, 2010 Magnificat, BWV 243 - 1993, 2006, 2017 Mass in B Minor, BWV 232 - 1992, 1996 Matthäus-Passion (St. Matthew Passion), BWV 244 - 1987, 1994, 2002 Missa brevis in F Major, BWV 233 - 1997, 2000, 2004, 2017 Missa brevis in A Major, BWV 234 - 1997, 2000, 2008, 2015 Missa brevis in G Minor, BWV 235 - 1998, 2009, 2014, 2018 Missa brevis in G Major, BWV 236 - 1998, 2013, 2016 Oster-Oratorium (Easter Oratorio), BWV 249 - 2005 Weihnachts-Oratorium (Christmas Oratorio), BWV 248 (complete) - 1985, 1988, 1992, 2011 Weihnachts-Oratorium, BWV 248 (excerpts) - 1997, 2005, 2007, 2016 Ludwig van Beethoven Mass in C Major, Op. 86 - 1989, 2003 Hector Berlioz L’enfance du Christ (The Infant Christ), Op. 25 - 1998, 2012 Te Deum, Op. 22 - 1983 JuDith Bingham Jacob’s Ladder: Parable for Organ and Strings - 2009 Johannes Brahms Ein deutsches Requiem (A German Requiem), Op. 45 - 2000 Benjamin Britten Saint Nicolas Cantata, Op. 42 - 1990, 2008 Marc-Antoine Charpentier Messe de Minuit pour Noël (Midnight Mass for Christmas) (excerpts) – 2009, 2016 Michel Corrette Organ Concerto No. 6 in D Minor - 2010 1 Maurice Duruflé Requiem, Op.
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c.
    [Show full text]
  • Jorai.Music O/Francis Poulenc: a Contextualand Analytical Study
    Durham E-Theses The sacred choral music of Francis Poulenc: a contextual and analytical study Moschard, Toby Patrick How to cite: Moschard, Toby Patrick (2004) The sacred choral music of Francis Poulenc: a contextual and analytical study, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2988/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Toby Patrick Moschard T!Je Sacred C!Jora!Httsic o/Francts Pottlenc.·a contextttaland analyticalstttdy Submitted for the degree of Master of Arts in the Department of Music, Faculty of Arts, University of Durham September 2004 A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. 1 3 JUN 2005 G>ntents Abstract page ill Preface page 1v Introduction page
    [Show full text]
  • Modern Music a Collection of Manuscripts and First & Early Editions
    J & J LUBRANO MUSIC ANTIQUARIANS Catalogue 90 | November 2020 modern music a collection of manuscripts and first & early editions 20TH CENTURY PART I MODERN MUSIC a collection of manuscripts and first & early editions 20TH CENTURY PART 1 TABLE OF CONTENTS in order by composer’s surname 1 Auric - Burleigh 11 Castelnuovo-Tedesco - Honegger 21 Jacob - Milhaud 30 Orff - Satie 43 Schoenberg 62 Schoop - Trillat 70 Vaughan WIlliams - Wolfsohn 81 References 82 Conditions of Sale All items in the catalogue include a link to the item’s listing on our website with further details and purchasing options. Please see our Conditions of Sale notice at the back of the catalogue for further information. J & J Lubrano Music Antiquarians LLC 6 Waterford Way Syosset, NY 11791 U.S.A. (516) 922-2192 | [email protected] www.lubranomusic.com Front cover illustration detail from item #5 AURIC - BARTО`K AURIC, Georges 1899-1983 2. 1. Petite Suite [Solo piano] Paris: Heugel [PNs H. 29,832-29,836], 1928. Original publisher’s ivory printed wrappers. Unbound as issued. 15 pp. I. Prélude – II. Danse – III. Vilanelle et Entrée – IV. Sarabande – V. Voltes “Les nos. 2 et 3 sont écrits d’après des pièces de luth polonaises du XVIe siècle.” Wrappers slightly browned and soiled; publisher’s handstamps to upper, “Hommage de l’Editeur” to title. Small hole to pp. 3-4 just touching text. First Edition. Schmidt GA56, I, pp. 282-283. $100 (33799) 2. Printemps [Solo piano] inspired fashion designers including Christian Paris: Durand & Cie [PN D. & F. 12,621], Dior and Elsa Schiaparelli; he also designed 1935.
    [Show full text]