TRADFEST Belgium 10 – 14 June 2015
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Live and Legendary: Milwaukee Irish Fest to Welcome the Best In
FOR IMMEDIATE RELEASE Media Contact: Kristin Paltzer (414) 316-2100 ext. 126 [email protected] Live and Legendary: Milwaukee Irish Fest to Welcome the Best in Celtic Music and Culture to the 37th Annual Festival TradFest Dublin Showcase, renowned international chef, and more slated for 2017 festival MILWAUKEE, Wis. (August 1, 2017) – The world’s largest celebration of Irish and Celtic music and culture, Milwaukee Irish Fest is back with a talent-packed lineup, August 17 – 20. Featuring performers from the renowned TradFest Temple Bar, up-and-coming contemporary groups and Celtic powerhouse Gaelic Storm opening the festival, Milwaukee Irish Fest has something for everyone! 2017 Festival Highlights New This Year • Entertainment: Milwaukee Irish Fest is excited to welcome Dublin’s world-renowned TradFest Temple Bar for its very first engagement on U.S. soil. Created in collaboration with the Dublin City Council, the TradFest Dublin Showcase will feature artists who have previously appeared at TradFest Temple Bar. The special showcase will include talents such as Aoife Scott, Goitse, Frankie Gavin, The Maguires, Dermot & Flo, The Young Folk, Paddy Keenan and Cúig. Special shows include: o Gaelic Storm Throwback Thursday show o TradFest Dublin All-Stars show o The Beatles – Celtic Style: We Banjo 3, Skerryvore and friends -MORE- Page 2 / Milwaukee Irish Fest Highlights • Culture: Northern Ireland author, Tony Macaulay, will launch the American publication of his memoir, Little House on the Peace Line, at Milwaukee Irish Fest. Macaulay will also appear in the Hedge School to discuss the work he and his wife do towards the reconciliation in Northern Ireland. -
Irish Music If You Are a Student, Faculty Member Or Graduate of Wake and Would Like to Play Irish Music This May Be for You
Irish Music If you are a student, faculty member or graduate of Wake and would like to play Irish music this may be for you. Do you know the difference between a slip jig and a slide? What was the historic connection between Captain O’Neill of Chicago and Irish music? Who was Patsy Touhey and was he American or Irish? What are Uilleann pipes? What is sean-nós singing and is there a connection with Irish poetry? For the answers, join this Irish Music association. GOALS: to have a load of fun playing Irish music and in the process: Create a forum for a dynamic musical interaction recognizing and promoting Irish music Provide an opportunity for musicians to study, learn, and play together in the vibrant Irish folk tradition Promote co-operation between outside music/fine arts departments in Winston-Salem Enhance a community awareness of Irish music, song and culture Expose interested music, and other fine arts, students to an international dimension of folk music based on the Irish tradition as a model Explore the vocal and song traditions in Ireland in the English and Gaelic languages Learn about the history of Irish folk music in America HOW THIS WILL BE DONE: Meet every two weeks and play with a Gaelic-speaking piper and whistler from Ireland, define goals, share pieces, develop a repertoire; organize educational and academic demonstrations/projects; hear historic shellac, vinyl and cylinder recordings of famous pipers, fiddlers, and singers. Play more music. WHAT THIS IS: Irish, pure 100%..... to learn not only common dance music forms including double jigs, reels, hornpipes, polkas but also less common tune forms such as sets, mazurkas, song airs and lullabies etc WHAT THIS IS NOT: Respecting our Celtic brethren, this is NOT Celtic, Scottish, Welsh, Breton, Galician or Canadian/Cape Breton music which is already very well represented by some fine players here in North Carolina. -
Traditional Irish Music Presentation
Traditional Irish Music Topics Covered: 1. Traditional Irish Music Instruments 2 Traditional Irish tunes 3. Music notation & Theory Related to Traditional Irish Music Trad Irish Instruments ● Fiddle ● Bodhrán ● Irish Flute ● Button Accordian ● Tin/Penny Whistle ● Guitar ● Uilleann Pipes ● Mandolin ● Harp ● Bouzouki Fiddle ● A fiddle is the same as a violin. For Irish music, it is tuned the same, low to high string: G, D, A, E. ● The medieval fiddle originated in Europe in ● The term “fiddle” is used the 10th century, which when referring to was relatively square traditional or folk music. shaped and held in the ● The fiddle is one of the arms. primarily used instruments for traditional Irish music and has been used for over 200 years in Ireland. Fiddle (cont.) ● The violin in its current form was first created in the early 16th century (early 1500s) in Northern Italy. ● When fiddlers play traditional Irish music, they ornament the music with slides, cuts (upper grace note), taps (lower grace note), rolls, drones (also known as a double stop), accents, staccato and sometimes trills. ● Irish fiddlers tend to make little use of vibrato, except for slow airs and waltzes, which is also used sparingly. Irish Flute ● Flutes have been played in Ireland for over a thousand years. ● There are two types of flutes: Irish flute and classical flute. ● Irish flute is typically used ● This flute originated when playing Irish music. in England by flautist ● Irish flutes are made of wood Charles Nicholson and have a conical bore, for concert players, giving it an airy tone that is but was adapted by softer than classical flute and Irish flautists as tin whistle. -
Cs June 2010.Pdf
ISSN 1352-3848 June 2010 VOLUME 27 NO 1 THE JOURNAL OF THE LOWLAND AND BORDER PIPERS’ SOCIETY Jock Agnew and Martin Lowe launch ‘The Wind in the Bellows’ IN THIS ISSUE From the Archive(4): New Tune Book(5): Music Resources(6): John Armstrong’s Sword(7): Tutor Launch(9): Melrose(11): LBPS Annual Competition(13): Stock Imagery(18): Piper Gould(24): Revival or Survival?(26): Event Reports(35): Nate Banton Interview(41): Coming Events(48): Reviews(51): Back Lill(55) 1 President Julian Goodacre Minute Sec. Jeannie Campbell Chairman: Jim Buchanan Newsletter Helen Ross Treasurer Iain Wells Membership Pete Stewart Secretary Judy Barker Editor CS Pete Stewart THE JOURNAL OF THE LOWLAND AND BORDER PIPERS’ SOCIETY EDITORIAL ol 25 no 1 is the 47th issue of some from far-flung parts of the world; Common Stock [issues were there were lowland pipers in America, in V rather erratic in the early years], Australia, in Germany and the Nether- but it is the first I have supervised as lands, in India and in Oman, it seemed, editor. It is extraordinary to find that I and they were all keen to become part of am only the third person to hold this this new organization and share their privileged position. It is indeed a privi- enthusiasm. lege to take over a publication which has And because they did, I am now given recorded the trajectory of bellows piping the honour of editing the journal they from the days nearly thirty years ago first produced in Dec 1983. when various enthusiasts around the This revisiting of the early days has world began to discover that they were been largely the result of the work that not alone in their interest and that there has been done recently on preparing the was demand for an organization which Society’s records for deposit in the Na- would represent it. -
THE JOHN BYRNE BAND the John Byrne Band Is Led by Dublin Native and Philadelphia-Based John Byrne
THE JOHN BYRNE BAND The John Byrne Band is led by Dublin native and Philadelphia-based John Byrne. Their debut album, After the Wake, was released to critical acclaim on both sides of the Atlantic in 2011. With influences ranging from Tom Waits to Planxty, John’s songwriting honors and expands upon the musical and lyrical traditions of his native and adopted homes. John and the band followed up After the Wake in early 2013 with an album of Celtic and American traditional tunes. The album, Celtic/Folk, pushed the band on to the FolkDJ Charts, reaching number 36 in May 2015. Their third release, another collection of John Byrne originals, entitled “The Immigrant and the Orphan”, was released in Sept 2015. The album, once again, draws heavily on John’s love of Americana and Celtic Folk music and with the support of DJs around the country entered the FolkDJ Charts at number 40. Critics have called it “..a powerful, deeply moving work that will stay with you long after you have heard it” (Michael Tearson-Sing Out); “The Vibe of it (The Immigrant and the Orphan) is, at once, as rough as rock and as elegant as a calm ocean..each song on this album carries an honesty, integrity and quiet passion that will draw you into its world for years to come” (Terry Roland – No Depression); “If any element of Celtic, Americana or Indie-Folk is your thing, then this album is an absolute yes” (Beehive Candy); “It’s a gorgeous, nostalgic record filled with themes of loss, hope, history and lost loves; everything that tugs at your soul and spills your blood and guts…The Immigrant and the Orphan scorches the earth and emerges tough as nails” (Jane Roser – That Music Mag) The album was released to a sold-out crowd at the storied World Café Live in Philadelphia and 2 weeks later to a sold-out crowd at the Mercantile in Dublin, Ireland. -
About More2screen
PRESENTS ABOUT MORE2SCREEN More2Screen is a leading distributor of Event Cinema with an unparalleled reputation for the delivery of great cinema events to audiences around the world. Founded in 2006 by CEO Christine Costello, it has been a global pioneer in the harnessing of digital technology to bring the very best in live music, performance arts and cultural entertainment to local cinema audiences. More2Screen won the Screen Award ‘Event Cinema Campaign of the Year’ category in 2018 for the live broadcast of the musical Everybody’s Talking About Jamie, and recent releases include Kinky Boots The Musical, Gauguin from the National Gallery, London, Matthew Bourne’s FILMED LIVE AT THE 3ARENA, DUBLIN Romeo & Juliet and 42nd Street The Musical. RUNNING TIME: 120 minutes (Part 1 55 minutes / Interval 5 minutes / For more information visit More2Screen.com Interval Feature 8 minutes / Part 2 52 minutes) BBFC: U Share your thoughts after the screening #Riverdance25Cinema @Riverdance / @More2Screen BRINGING MORE CHOICE TO YOUR CINEMA Live and recorded theatre, opera, @more2screen ballet, music & exhibitions CAST PRODUCTION Composer Producer Director Riverdance Mide Ni Bhaoill Riverdance Bill Whelan Moya Doherty John McColgan Irish Dance Troupe Andrew O’Reilly Flamenco Soloist Senior Executive Producer Tomas O’Se Rocio Montoya Julian Erskine Principal Dancers Natasia Petracic Bobby Hodges and Callum Spencer Riverdance Poetry and Music Amy-Mae Dolan Megan Walsh Russian Ensemble Riverdance Poetry - Theo Dorgan Peter Wilson dance captain Spoken by -
School Show Study Guide
420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom. -
Réalta Carry on the Bothy Band Tradition of Taking Tunes By the Scruff of the Neck and Firing Excitement Through Them Like Hot Flames!” - Herald Scotland
www.realtamusic.com “Réalta carry on the Bothy Band tradition of taking tunes by the scruff of the neck and firing excitement through them like hot flames!” - Herald Scotland Hailing from the Ulster city of Belfast, this award winning multi- instrumentalist group present an enchanting programme of Irish traditional dance music interspersed with the occasional air and song. Performing on duelling uilleann pipes, whistles, bodhrán, guitar, bouzouki, banjo, double bass and vocals, their unique sound and masterful musicianship has secured Réalta’s position as one of the most exciting acts on the Celtic music scene today. For more information see: www.realtamusic.com / RealtaMusic [email protected] Biography Described by Irish Music Magazine as “a full bodied pipe and whistle extravaganza”, Réalta carry on the Bothy Band tradition of taking tunes by the scruff of the neck and firing excitement through them like hot flames! Hailing from the Ulster city of Belfast, this award winning multi-instrumentalist group present an enchanting programme of dance music interspersed with the occasional story, air and song. While Conor Lamb and Aaron O’Hagan pursue the melody on uilleann pipes and whistles, guitarist and vocalist Deirdre Galway explores the harmony and rhythms within the tunes. All-Ireland champions Dermot Mulholland and Dermot Moynagh complete the line-up with dynamic accompaniments on double bass, bouzouki, banjo, voice and bodhrán, making this one of the most exciting acts on the Irish music scene today. The release of their second album, Clear Skies, has brought Réalta widespread critical acclaim, with the Irish Music Magazine summing things up by writing “Réalta have grown bigger, bolder and braver and this is one of the best CDs to have come out of Ireland this year!”. -
Or Facebook.Com/Fintanband
The Irish music you’ve been searching for FinTan www.facebook.com/fintanband www.fintanband.com Take acoustic instrumentation and traditional Irish pub music, toss in up-to-date arrangements and high-energy performance, and you’ll get the FinTan sound that appeals to diverse fans. FinTan mixes fiddle and whistle tunes with six-part vocal harmonies and a large dose of fun to get you clapping, dancing and singing along to a wide variety of traditional, current and original Celtic music. With this unbeatable combo of strong vocals, tight harmonies and amazing instrumentals, FinTan brings the energy that gets music fans excitedly clapping their hands and stomping their feet, without ever sacrificing the roots of their traditional Irish music sound. Guitarist/vocalist Patrick Savelli and singer Karen Wohlafka bring the voice of FinTan to the front of the band sharing the stage with Katie Stoffalano on fiddle, mandolin and backing vocals, Mark Reinemann on whistles, accordion and backing vocals, Ken Park on bodhrán and backing vocals, and Ryan Muddiman on electric bass and vocals. This talented sextet creates a sound powerful enough to carry the crowd at any major music festival, yet intimate enough for fireside venues. For More Information and Performance Schedule, check us out online @ www.fintanband.com or facebook.com/fintanband www.fintanband.com www.facebook.com/fintanband For Booking or more information contact Pat at [email protected] or 937-657-6653 The Irish music you’ve been searching for FinTan www.facebook.com/fintanband www.fintanband.com What FinTan Does for You: Working with Irish Music Pros FinTan takes the work out of working with a band! From private firesides or crowded taverns to major music events like St. -
Milwaukee Irish Fest Announces 2014 Festival Entertainment Lineup Includes Scotland Music Showcase and Several Must-See Acts
Media Contact: Brian Meehan (262) 789-7630, ext. 133 [email protected] FOR IMMEDIATE RELEASE Milwaukee Irish Fest Announces 2014 Festival Entertainment Lineup Includes Scotland Music Showcase and Several Must-See Acts MILWAUKEE (June 18, 2014) – Milwaukee Irish Fest, the world‟s largest celebration of Celtic music and culture, announces their entertainment lineup for the 2014 festival taking place August 14-17 along Milwaukee‟s lakefront. With more than 100 acts ranging from fan favorites to emerging talent – plus a Scotland Music Showcase – festival goers will be treated to the “ultimate Celtic playlist.” “To assemble the ultimate Celtic playlist, we travel the world in search of the finest in Celtic entertainment,” said Patrick Boyle, executive director of Milwaukee Irish Fest who visited Scotland earlier this year. “After seeing many phenomenal bands perform in their home towns, we cannot wait to share their talent with our guests.” Entertainment highlights for the 2014 festival include: Fan Favorites Featured fan favorites back by popular demand include: The Red Hot Chilli Pipers have fast become a global phenomenon, taking their signature “Bagrock” sound to the masses. (more) 2014 IRISH FEST ENTERTAINERS – ADD ONE Gaelic Storm, who is celebrating their fifteenth anniversary of appearing at Milwaukee Irish Fest and is famed for their rousing, energetic shows. The Willis Clan, a family of artists and musicians who merge their Irish roots with other music and dance genres to create a unique blend of the old and new. Carlos Núñez, a master showman and groundbreaking artist from the Galician region of Spain who remains undisputed as the tradition‟s greatest piper. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
Traditional Irish Instruments Facts the Fiddle and the Violin Are the Same Instrument! We Call It a Fiddle When It Is Used in Traditional Irish Music
Traditional Irish Instruments Facts The fiddle and the violin are the same instrument! We call it a fiddle when it is used in traditional Irish music. The fiddle has 4 strings and it is played with a bow. It is one of the most popular instruments used in traditional Irish music. Traditional Irish Instruments Facts The flute is a woodwind instrument. It has been used in Irish music for many years. The Irish flute is usually made from wood and has 6 holes and up to eight keys. The Irish flute and the tin whistle have the exact same fingering. Many Irish flute players start off on the tin whistle before moving onto the flute because of this. Traditional Irish Instruments Facts The tin whistle is also known as the penny whistle. It was first used in traditional Irish music in the 19th century. The tin whistle is a small metal tube with 6 holes and a mouthpiece. It is considered a good starting instrument for traditional Irish musicians. Today, many children up and down the country are being taught how to play the tin whistle in school. Traditional Irish Instruments Facts The Irish word for elbow is ‘uillinn’. To produce a sound on the uilleann pipes, the piper must squeeze air into a bag with their elbow, while playing the pipes with their fingers. It is one of the more difficult traditional instruments to play. The uileann pipes are played sitting down. Traditional Irish Instruments Facts A melodeon is similar to an accordion. Music is produced by pressing buttons on either end of the melodeon and moving the instrument in and out, depending on what sound you want to achieve.