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Quarantine Cabaret Program – Ruth Brown Final
Sheryl McCallum Presents A Tribute to Ruth Brown Featuring Composer David Nehls on Piano Set List MAMA, HE TREATS YOUR DAUGHTER MEAN SENTIMENTAL JOURNEY LUCKY LIPS BE ANYTHING (BUT BE MINE) SO LONG 5-10-15 HOURS IF I CAN’T SELL IT WILD, WILD, YOUNG MEN OH WHAT A DREAM TEARDROPS FROM MY EYES WHAT A WONDERFUL WORLD Crew Jonathan Scott-McKean - Technical Director Justin Babcock - Sound Design Liz Scott-McKean - Set Design Vance McKenzie - Lighting Designer Bryanna Scott - Stage Manager Ray Bailey - Video Thank you to our Patrons, Donors, Volunteers, Board of Directors, the Golden Community, the City of Golden, and our Sponsors The Performers Sheryl McCallum was recently seen on the Miners Alley stage as The Principal in our Henry Award Nominated production of Fairfield. Sheryl was recently seen as Melpomene in Xanadu at the Garner Galleria, and as Aunt Eller in Oklahoma! (DCPA). Other roles include Mother in Passing Strange (Aurora Fox Theatre), Delores in Wild Party (DCPA- Off Center); Ruby Baxter in I’ll Be Home For Christmas; Soul Singer in Jesus Christ Superstar, both at Arvada Center and Elegua, in Marcus: Or The Secret Of Sweet at Curious Theatre. Sheryl has performed on Broadway in Disney’s The Lion King, and several City Center Encores! In NYC. Regional roles include: Lady Thiang; The King And I, and Woman #1; The World Goes ‘Round. European Tour: Blackbirds of Broadway. TV: Golden Boy and Order. Sheryl is the creator and host of the MONDAY! MONDAY!- MONDAY! Cabaret The Source Theatre. David Nehls is a composer/lyricist, musical director and actor. -
Carl Perkins Little Richard the Drifters
Jerry Lee Lewis Lee Jerry CRR019 rock ‘n’ roll legend roll ‘n’ rock Buddy Holly Buddy CRR017 rock ‘n’ roll legend roll ‘n’ rock Bill Haley & His Comets His & Haley Bill CRR005 rock ‘n’ roll legends roll ‘n’ rock CRR019 Chuck Berry Chuck CRR027 rock ‘n’ roll legend roll ‘n’ rock and many more many and Maybe, Baby Maybe, and many more many and CRR017 Oh, Boy! Oh, Break Up Break Everyday High School Confidential School High CRR005 Peggy Sue Peggy Breathless That’ll Be The Day The Be That’ll Great Balls Of Fire Of Balls Great featuring Whole Lotta Shakin’ Goin’ On Goin’ Shakin’ Lotta Whole CRR027 featuring and many more many and Jerry Lee Lewis Jerry Lee Man Handsome Brown-Eyed legend School Day School rock ‘n’ roll ‘n’ rock Roll Over Beethoven Over Roll Buddy HollyBuddy Maybellene Lewis Music Roll & Rock featuring legends rock ‘n’ roll ‘n’ rock Comets legend Jerry Lee Jerry Chuck Berry Bill Haley & His Comets & Haley Bill rock ‘n’ roll ‘n’ rock legend rock ‘n’ roll ‘n’ rock Buddy Holly Buddy Berry and his and and many more many and Haley Bill Burn That Candle That Burn rock ‘n’ roll legend Shake, Rattle And Roll And Rattle Shake, Jerry Lee Lewis Lee Jerry CRR019 Chuck See You Later, Alligator Later, You See rock ‘n’ roll legend roll ‘n’ rock Rock Around The Clock The Around Rock rock ‘n’ roll legend featuring Buddy Holly Buddy CRR017 rock ‘n’ roll legend roll ‘n’ rock rock ‘n’ roll legends Bill Haley & His Comets His & Haley Bill CRR005 rock ‘n’ roll legends roll ‘n’ rock C R R 0 1 9 rock ‘n’ roll legend Chuck Berry Chuck Jerry Lee www.southmiamiplaza.nl CRR027 rock ‘n’ roll legend roll ‘n’ rock Lewis 1. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun -
CPY Document
Blue Rhythms ----- six LIVES --~- IN RHYTHM AND BLUES Chip Deffaa University of Ilinois Press Urbana and Cbicago copyright 1996 1 --- ----.----------------. RUTH BROWN ------ -_.__... --------- "Nobody knows you. " "We're going to do 'SI. Louis Blues.' There's no arrangement. I want everybody's input for what they think is best," Ruth Brown tells the musicians gathered around her in the studio. Guitarist Rodney Jones asks if he might switch to banjo for this number; she nods. She tells trumpeter Spanky Davis he is to start it out, specifying: "I want an in- tro that won't give away what I'm going to sing-not the melody." She directs the other musicians to hold off until she reaches a certain point in the lyrics. Davis experiments with possible introductions. In the control room, producer Ralph Jungheim says to engineer John Eargle: "Let's roll tape." They don't inform the musicians they're rolling. Davis settles on an intro, and Brown intones, ('I hate to see. II i watch the unfolding of this song in fascination, marveling at the expressiveness she can bring to a line like "if I'm feeling tomorrow like i feel today"-a line that takes on added meaning because I know that in recent days, due to the tlare-up of an injury, her legs have been giving her much pain. In fact, yesterday, the first day of the recording session, she had been in a wheelchair. Now she repeats the line, coming in just a bit later than you'd expect and thereby build- ing anticipation; she's calling out now, testifying with an unexpect- ed urgency: "If I'm fee/iiig tomorrow." This timeless blues is a perfect song for Brown. -
Billboard Top 100 Songs of the 1950S by Year Classic Hits DJ Service
Billboard Top 100 Songs of the 1950s by Year 1950 1 The Fat Man Fats Domino 2 Please Send Me Someone To Love Percy Mayfield 3 Teardrops From My Eyes Ruth Brown 4 Mona Lisa Nat "King" Cole 5 Tennessee Waltz Patti Page 6 Long Gone Lonesome Blues Hank Williams 7 Mardi Gras In New Orleans Professor Longhair 8 I'm Movin' On Hank Snow 9 Rollin' Stone Muddy Waters 10 Double Crossing Blues Johnny Otis (Little Esther & the Robins) 11 Moanin' The Blues Hank Williams 12 Pink Champagne Joe Liggins 13 Bad Bad Whiskey Amos Milburn 14 Count Every Star Ravens 15 Why Don't You Love Me Hank Williams 16 Goodnight, Irene Weavers with Gordon Jenkins Orchestra 17 Chattanoogie Shoe Shine Boy Red Foley 18 Oh Babe! Louis Prima (Keely Smith) 19 Love Don't Love Nobody Roy Brown 20 Blue Light Boogie Louis Jordan 21 Bon Ton Roula Clarence Garlow 22 Bald Head Roy Byrd (Professor Longhair) Classic Hits DJ Service http://classichitsdj.com [email protected] Office 770-591-8383 Billboard Top 100 Songs of the 1950s by Year 23 Safronia B Calvin Boze 24 Rollin' And Tumblin' Muddy Waters 25 Blue Shadows Lowell Fulson 26 Rag Mop Doc Sausage & His Mad Lads 27 Stack-A-Lee Archibald 28 Every Night About This Time Fats Domino 29 Carnival Day Dave Bartholomew 30 I Like My Baby's Pudding Wynonie Harris 31 Nobody's Lonesome For Me Hank Williams 32 I Will Wait Four Buddies 33 Do Something For Me Dominoes 34 Cupid's Boogie Johnny Otis (Little Esther & Mel Walker) 35 Oh Babe! Wynonie Harris & Lucky Millinder 36 Well Oh Well Tiny Bradshaw 37 Hard Luck Blues Roy Brown 38 Anytime, -
Big Al's R&B, Extra Charts
78 The R & B Book RECORDS; 1 CHOO CHOO CH'BQOGIBF-Jordan 53 MY HEART BELONGS TO YOU-Sildham 104 ROUTE eel-Cole 2 AINT NOBODY HERE BUT US CHICKENS/ 54 LITTLE GIRL DONT CRY Jackson 195 HAWK'S BOOGIE-Hawkins LET THE QQOO TIMES ROLL-Jordan 55 BEWILDERED-Mllbum 106 HOP, SKIP, AND JUMP/ 3 HEYI BA-BA.RE-BOP-Hampton 56 MAIN STEM-Elllngton EVERYTHING I DO IS WRONG-Milton 107 A LITTLE BIRD TOLD ME-Watson 4 THE HUCKLE-BUCK-Wllllams 5? APOLLO JUMP-Mlllineler 10G ITS TOO SOON TO KNOW-Orioles 5 PONT CRY. BABY-Hawklns SB SALT PORK, WEST VIRGINIA/F-Jordan 1081 WANT TO BE LOVED-Hampton e THE HQNEYDRIPPER-Llggins SB LETS BEAT OUT SOME LQVE-Johnson 100 WHY DONT YOU HAUL OFF AND 7 TROUBLE BLUES-Brown 60 SWEET SLUMBER-Mllllnder LOVE ME-Jackson B SNATCH AND GRAB ff-l.ee 61 THE QYPSY-Ink Spots 110 NUMBERS BOOGIE-Roblnson 9CALDONIAflF-Jordan 621'MLOST-Carter 111 SUNNY ROAD-Sykes 10 STRAIQHTEN UP AND FLY RIQHT/F-Cole 63 TEXAS AND PAGIRCIF-Jordan 11 BOOGIE WOOQIE BLUE PLATE-Jordan 04 'LONQ ABOUT MIDNISHT-Brown 112 IT'S MIDNIGHT-Llttlefleld e& DONT STOP NOW-Banks 113 ROCKIM- AT MIDNIGHT Brown 12BUZZMEfF-Jordan 114 HURRY, HURRY/POINCIflNA Carter 13 INTO EACH LIFE SOME RAIN MUST FALU 66 ROOMIN' HOUSE BOOQIEfF-Mllbum 115 IT CANT BE WRONG 4 Vagabonds I'M MAKING BELIEVE-Flizgsraldflnk Spots 67 BABY GET LOSTf lieTREES-Klbbler 14 Q.I. JIVE/IS YOU IS OR IS YOU AINT-Jordan LONQ JOHN BLUES-Washlngton 117 DONT BE A BABY, BABY-Mllis Bros. -
Soul Music in American Culture
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Hynek Hanzlík Soul music in American culture Bakalářská práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2014 Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně a uvedl jsem všechny použité podklady a literaturu. V Přerově dne 5. 5. 2014 …............................... Hynek Hanzlík Rád bych poděkoval Mgr. Jiřímu Flajšarovi, Ph.D. za vedení mé bakalářské práce a za poskytnutí informací a rad souvisejících s její tvorbou. Content 1 Introduction ................................................................................................................. 1 2 What is soul ................................................................................................................. 2 3 Development of soul music ......................................................................................... 5 3.1 Early developments ....................................................................................... 6 3.2 Sam Cooke's crossover .................................................................................. 8 3.3 From soul to funk .......................................................................................... 9 4 Black American society at the birth of soul ................................................................ 11 4.1 The Civil Rights Movement ........................................................................ 11 4.2 Soul music and the civil rights movement ................................................. -
Jesse Belvin 1 ( 3) - 68
The Great R&B Files (# 7 of 12) Updated July 11, 2019 Ten Sepia Super Stars of Rock ‘n’ Roll Idols Making Music History Presented by Claus Röhnisch The R&B Pioneers Series - Volume Seven of twelve page 1 (90) Ten Sepia Super Stars of Rock ’n’ Roll 2 The Blues Pioneers Series – Volume Seven of twelve Ten Sepia Super Stars of Rock ’n’ Roll Introduction Let us start with the fact that the presentations herein are narrowed to Black Performers. Let’s also agree on a simple definition of the original rock ‘n’ roll era: “American Popular Music circa 1954-1959, pre-dominantly aimed at the new-found teenage market”. Historians today go back to around 1947, but the general American population – including the blacks – did not “recognize” it as a musical art until much later. Fox-Trot (or foxtrot) was the way of dancing to big bands’ popular music after 1914. During the 1930s and 1940s swing by the Big Bands was the thing. The term “Rock ‘n’ Roll” was originally – and for several decades later - used as quite something else than dancing. Musically, the term was first found in Trixie Smith’s blues recording “My Man Rocks Me (With A Steady Roll)” in 1922. The phrase was sporadically in use through the 1930s, and more frequently in the ‘40s (as a term for danceable music and “have-fun” after the successes of swing music, especially expressed in lindy-hop, boogie-woogie (with the original Pinetop boogie of 1928), jive, and jitterbug). It was by many understood as just a new-found name for the black Rhythm & Blues music crossing over to white teenage America in the early 1950s.