TOSCA Giacomo Puccini

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TOSCA Giacomo Puccini opéras 2004 :: 2005 OPERA MARSEILLE TOSCA Giacomo Puccini Opéra en 3 actes Livret de G. Giacosa et L. Illica, d'après la pièce de Victorien Sardou Création à Rome, Théâtre Costanzi, le 14 janvier 1900 Dernière représentation à l'Opéra de Marseille, le 24 octobre 1998 Coproduction Théâtre royal de ia Monnaie de Bruxelles :: Grand Théâtre de Genève 7,9,12,14 avril 2005 à 20h Dimanche 17 avril 2005 à 14h30 Durée du spectacle : 2h30' DISTRIBUTION Direction musicale Floria Tosca Ivan Anguélov Catherine Naglestad Mario Cavaradossi Mise en scène Giuseppe Gipali Uwe Eric Laufenberg Scarpia Réalisation Jean-Philippe Lafont Sybille Wilson Angelotti Frédéric Caton Décors Le sacristain Kaspar Glarner Christophe Fel Spoletta Alain Gabriel Costumes Madlaina Peer Sciarrone François Castel Un berger Lumières Wolfgang Goebbel Marie-Louise Evora Un geôlier Réalisation Andreas Gruter Bernard Albertini Conception des surtitres Maîtrise des Bouches-du-Rhône André Segond Direction : Samuel Coquard Régie surtitrage Jean Oliva Orchestre et Chœurs de l'Opéra de Marseille Régisseur de production Véronique Kespi Chef des Chœurs : Pierre lodice Régisseur Maria Bandieri Chef de coulisses Fabienne Mattei TOSCA TOSCA Opera in three acts by Giacomo Puccini. The Opéra en trois actes de Giacomo Puccini, sur un libretto of Giuseppe Giacosa and Luigi lllica is livret de Giuseppe Giacosa et Luigi lllica, d'après based on a play by Victorien Sardou. le drame de Victorien Sardou, It was premiered at hte Costanzi Theatre in Tosca a été créée au Théâtre Costanzi, à Rome, le Rome on January 14,1900. 14 janvier 1900, avec Dardée, De Marchi et Giraldoni, sous la direction de Mugnone. Severely criticized by composers as famous as Dukas, Fauré and Debussy, Tosca is one of the Sévèrement jugé à sa création par des musiciens most famous and most performed operas in aussi réputés que Dukas, Fauré et Debussy, l'ou­ the world. vrage s'est rapidement imposé comme l'un des opéras les plus réussis de Puccini et reste l'un des Plot summary plus constamment joué dans le monde. Argument The action takes place in Rome in June 1800. In the first act, Caesare Angelotti, an escaped political prisoner, seeks refuge in the church of L'action se déroule à Rome, en juin 1800. Sant' Andrea della Valle. A fellow liberal, Mario Au premier acte, à l'intérieur de l'église Cavaradossi, a painter, helps him while Scarpia's Sant'Andrea della Valle, le peintre Mario secret police is searching for him. Mario is in Cavaradossi cache Angelotti, un fugitif love with the singer Floria Tosca, who jealously recherché par les sbires du baron Scarpia, questions him about the Maddalena he is pain­ chef de la police romaine. La cantatrice Floria Tosca, maîtresse de Mario, est jalouse d'une ting. Scarpia enters the church, takes advantage mystérieuse inconnue qui a servi à son amant of that suspicion and follows her in order to arrest Mario. A "Te Deum" is sung as Scarpia pour un portrait de la Madeleine. Interrogée par Scarpia, elle laisse échapper des paroles impru­ determines to execute Mario and possess Tosca. dentes qui entraînent l'arrestation de Mario. Scarpia has brought Cavaradossi in his apart­ Au deuxième acte, dans les appartements de ment in the Farnese Palace for interrogation. Scarpia, au palais Farnèse, Mario est soumis à la Tosca arrives at the invitation of Scarpia. Unable torture. Pour arrêter les souffrances de son to endure the agonized cries of her lover, she amant,Tosca révèle la cachette d'Angelotti. reveals Angelotti's hiding place. Left alone with Scarpia promet ensuite à Tosca la mise en Tosca, Scarpia invites her to save Mario by giving liberté de Mario si elle consent à se donner à lui. herself to him (it will be, he says, a mock execu­ Dès qu'elle est en possession du précieux sauf- tion ). He gives her a self-conduct certificate. But conduit, elle poignarde Scarpia, et s'enfuit. as Scarpia comes to claim her, she stabs him and runs away. Au troisième acte, sur la plate-forme du château Saint-Ange, Mario doit subir un simulacre d'exé­ In the third act, dawn rises over the Castel cution. En fait, Scarpia a ordonné de fusiller SantAngelo where Mario awaits death. Actually réellement le prisonnier. Constatant la mort de Scarpia has lied and the execution is real.Tosca, Mario,Tosca, désespérée, se précipite dans le vide, about to be captured, is desperate and throws avant que les sbires de Scarpia ne l'arrêtent. herself from the parapet to her death. &pp,©p.5-003 LES PROCHAINS SPECTACLES CONCERTS OPÉRAS Samedi 23 avril 2005 à 20h30 DON GIOVANNI à l'Église Saint-Michel Wolfgang Amadeus Mozart BEETHOVEN Opéra en 3 actes Direction musicale NOUVELLE PRODUCTION Kenneth Montgomery Direction musicale : Kenneth Montgomery Solistes Mise en scène : Frédéric Bélier-Garcia Burcu Uyar, soprano Coréalisatrice : Caroline Gonce Décors : Jacques Gabel Gilles Ragon, ténor Costumes : Catherine Leterrier Éric Martin-Bonnet, basse Lumières : Frank Thévenon Ludwig Van BEETHOVEN avec Pamela Armstrong, Stéphanie D'Oustrac, LE CHRIST AU MONT DES OLIVIERS, Evgeny Nikitin, Oren Gradus, Yann Beuron, Oratorio Feodor Kuznetsov, Daniel Okulitch ORCHESTRE ET CHŒURS 14,17,19, 24 mai 2005 à 20h DE L'OPÉRA DE MARSEILLE 22 mai 2005 à 14h30 Chef des Chœurs : Pierre I0DICE EN CORÉALISATION AVEC LE FESTIVAL DE MUSIQUE SACRÉE DE MARSEILLE MARIA STUARDA Gaetano Donizetti Dimanche 26 juin 2005 à 20h Direction musicale : Patrick Davin à l'Opéra Mise en scène et costumes : Francesco Esposito WAGNER :: BRAHMS :: BEETHOVEN Décors : Italo Grassi Lumières : Daniele Naldi Direction musicale Patrick Davin 15,17, 22 juin 2005 à 20h Soliste 19 juin 2005 à 14h30 Timur SERGEYENIA, piano ORCHESTRE PHILHARMONIQUE DE MARSEILLE LOCATION Samedi 7 mai 2005 à 17h OPÉRA :: du mardi au samedi de lOh à 17h30 au Grand Foyer de l'Opéra FNAC :: VIRGIN :: ESPACE CULTURE Présentation du livre de Georges Farret RÉSERVATION TÉLÉPHONIOUE sur Ernest Blanc et Rita Gorr par Philippe Gueit 04 91 55 1110 Partenariat Opéra de Marseille :: Cercle Richard Wagner Internet : http://opera.mairie-marseille.fr .
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