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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, You've Heard of Me, Then? (你們聽說
Doctor Who “ Season 2, Episode12-13, “Army of Ghosts” “Doomsday” DOCTOR: You, you've heard of me, then? (你們聽說過我?) YVONNE: Well of course we have. And I have to say, if it wasn't for you, none of us would be here. The Doctor and the Tardis. (那當然了。我得說,要不是因為你,我們根本不會在這裡。博 士和 TARDIS!!) DOCTOR: And you are? (那你是?) YVONNE: Oh, plenty of time for that. But according to the records, you're not one for travelling alone. The Doctor and his companion. That's a pattern, isn't it, right? There's no point hiding anything. Not from us. So where is she? (那可以慢慢說。不過按紀錄,你不是單獨旅行的。博 士,和他的夥伴。就這模式,對吧? 你不用隱藏什麼,至少對我們不用。那,她在哪?) DOCTOR: Yes. Sorry. Good point. She's just a bit shy, that's all. (對,有道理。抱歉。她就是有 點害羞啦。) DOCTOR: But here she is, Rose Tyler. (就是她,Rose Tyler.) DOCTOR: Hmm. She's not the best I've ever had. Bit too blonde. Not too steady on her pins. A lot of that. (她不是我最好的夥伴。有點太金髮,做事不仔細,常這樣。) DOCTOR: And just last week, she stared into the heart of the Time Vortex and aged fifty seven years. But she'll do. (就上個禮拜,她直視時間流,結果老了 57 歲。不過還好啦。) JACKIE: I'm forty! (我才四十歲!) DOCTOR: Deluded. Bless. I'll have to trade her in. Do you need anyone? She's very good at tea. Well, I say very good, I mean not bad. Well, I say not bad. Anyway, lead on. Allons-y! But not too fast. Her ankle's going. (別唬我。上帝保佑。我得把她賣了。你們需要人嗎?他很會泡茶。額,我 說「很會」意思是不差。額,不差啦。反正呢,你帶路吧,出發!別走太快,她的腳不太好。) JACKIE: I'll show you where my ankle's going. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
TORCHWOOD T I M E L I N E DRAMA I 2 K S 2 Sunday BBC3, Wednesday BBC2 ~*T0&> ' ""* Doctor Who Viewers Have Hear
DRAMA SundayI2KS BBC3,2 Wednesday BBC2 TORCHWOOD TIMELINE ~*t0&> ' ""* Doctor Who viewers have heard the name Torchwood before... 11 Jure 2005 In the series one episode It may be a Doctor Who spin-off, but Torchwood Sad Wolf, Torchwood is an is very much its own beast, says Russell T Davies answer on Weakest Link with Anne-droid (pictured above). % Jack's back. But he's changed - he's of course, their leader, and two of the other angrier. The last we saw of Captain actors have also appeared in Doctor Who: Eve 25 December 2005 Jack Harkness, at the tail end of the Myles, who played Victorian maid Gwyneth In The Christmas Invasion, Prime Minister Harriet Jones rejuvenated Doctor Who series one, he'd in The Unquiet Dead; and Naoko Mori continues reveals she knows about top- been exterminated by Daleks (see picture to play the role of Dr Toshiko Sato, last seen secret Torchwood - and orders below), been brought back to life and then examining a pig in a spacesuit in Aliens of London. it to destroy the Sycorax ship. abandoned by the Doctor to fend for himself. As you'll see from the cover and our profile on What does a flirtatious, sexy-beast Time Agent page 14, they're a glamorous bunch. Or, as 22 April 2006 from the 51 st century, understandably miffed at Myles puts it, "It's a very sexy world." In Tooth and Claw, set in being dumped, do next? Easy: he joins Torchwood. Their objective? Nothing less than keeping the Torchwood House, Queen Doctor Who fans - and there are a few - will world safe from alien threat. -
Doctor Who 4 Ep.14
Doctor Who 4 Episode 14 (Christmas 08) By Russell T Davies Shooting Script Pink Revisions 3rd April 2008 Prep starts: 10.03.08 Shooting: 07.04.08 - 03.05.08Tale Writer's The Doctor Who 4 - Episode 14 - Shooting Script - 31/03/08 page 1. 1 OMITTED 1 2 EXT. VICTORIAN STREET #1 - DAY 1 2 FX: a quiet corner; wheeze & grind, and the TARDIS appears. THE DOCTOR steps out. It's snowing. He likes snow! He strolls out of the quiet corner, into... A STREET MARKET. Working class London, busy and bustling. Vendors, cocky lads, working girls, crones, braziers, beggars in doorways, hot chestnuts, smoke, steam, the works. The Doctor walking through. Smiling. He's loving it, the colour and bustle and noise; this is what he travels for. Throughout all this, a CAROL can be heard; a new Murray Gold Christmas Carol. Jolly & sinister, like the best hymns. The Doctor passes the CAROLLERS, stops for a listen. Then he wanders on, calls out to an URCHIN: THE DOCTOR You there, boy, what day is this? URCHIN Tale Christmas Eve, sir! THE DOCTOR In what year? URCHIN You thick or something? THE DOCTOR Oy! AnswerWriter's the question! URCHIN Year of our Lord 1851, sir. THE DOCTOR TheRight. Nice year. Bit dull - Suddenly, a woman's voice, a distance away, yelling - ROSITA OOV Doctor! THE DOCTOR ...who, me? ROSITA OOV Doctor!!! Big grin! And he's running - ! (CONTINUED) Doctor Who 4 - Episode 14 - Pink Amendments - 03/04/08 page 2. 2 CONTINUED: 2 TRACK with him, racing through the snow, exhilarated - he's actually glad to hear someone calling his name - CUT TO: 3 EXT. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Five Goes Mad in Stockbridge Fifth Doctor Peter Davison Chats About the New Season
ISSUE #8 OCTOBER 2009 FREE! NOT FOR RESALE JUDGE DREDD Writer David Bishop on taking another shot at ‘Old Stony Face’ DOCTOR WHO Scribe George Mann on Romana’s latest jaunt FIVE GOES MAD IN STOCKBRIDGE FIFTH DOCTOR PETER DAVISON CHATS ABOUT THE NEW SEASON PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Hello. More Vortex! Can you believe it? Of course studio session to make sure everyone is happy and that you can, you’re reading this. Now, if I sound a bit everything is running on time. And he has to do all those hyper here, it’s because there’s an incredibly busy time CD Extras interviews. coming up for Big Finish in October. We’ve already started recording the next season of Eighth Doctor What will I be doing? Well, I shall be writing a grand adventures, but on top of that there are more Lost finale for the Eighth Doctor season, doing the sound Stories to come, along with the Sixth Doctor and Jamie design for our three Sherlock Holmes releases, and adventures, the return of Tegan, Holmes and the Ripper writing a brand new audio series for Big Finish, which and more Companion Chronicles than you can shake may or may not get made one day! More news on that a perigosto stick at! So we’ll be in the studio for pretty story later, as they say… much the whole month. I say ‘we’… I actually mean ‘David Richardson’. He’s our man on the spot, at every Nick Briggs – executive producer SNEAK PREVIEWS AND WHISPERS Love Songs for the Shy and Cynical Bernice Summerfield A short story collection by Robert Shearman Secret Histories Rob Shearman is probably best known as a writer for Doctor This year’s Bernice Summerfield book is a short Who, reintroducing the Daleks for its BAFTA winning first stories collection, Secret Histories, a series of series, in an episode nominated for a Hugo Award. -
Web Version Please Subscribe to the Relative Times For
Volume XVI Number 2 November/December 2004 Inside: Fast Forward, Part 3 Blake’s 7 Spinoffs All I Want for Dalekmas MTL’s 15th Anniversary Celebration And More WEB VERSION PLEASE SUBSCRIBE TO THE RELATIVE TIMES FOR THE FULL VERSION Milwaukee Time The Relative Times Lords Officers Logo Design Published 8 times a year by — Jay Badenhoop, Marti (2004-2005 term) The Milwaukee Time Lords Madsen, Linda Kelly c/o Lloyd Brown President th Contributors (Who to Blame): 2446 N. 69 Street Howard Weintrob . Wauwatosa, WI 53213-1314 Barbara Brown, John Brown, Andy DeGaetano, Debbie Frey, Dean Gustin, Jay Editor: ............. Barbara Brown Harber, Ed Hochman, and Marti Madsen. Vice President Art Editor ............ Marti Madsen Andy DeGaetano . News Editor .......... Mark Hansen And thanks to anyone whose name I may Newsletter Staff: have neglected to include. Treasurer Ellen Brown, Lloyd Brown Julie Fry.................... Secretary Ross Cannizzo............... Sergeant-at-Arms Contents Items in RED not included in web version Dean Gustin................. Meeting Schedule 3 Dalekmas Wishes 14 Chancellory 5 Fast Forward, pt. 3 17 Videos SF Databank 6 Blake’s 7 Spinoffs 24 Dean Gustin................. MTL 15th Anniversary 11 The Gallifrey Ragsheet 26 Fundraising From Beyond the Vortex Position open Newsletter Back to 28 pages again! I can breathe. Our cover is part of a much larger Barbara Brown............... drawing by Jay Harber. He did several versions of the same drawing – this one is of just the background. There are several versions with a rather nude Romana I, which are very good drawings, but which I can’t print in the Events newsletter. -
Doctor Who: Time Warrior
His spaceship crippled in an interstellar battle, the Sontaran warrior, Linx, is forced to crash-land on earth. He arrives in the Middle Ages, a time too primitive to provide the technology he needs to repair his ship. Allying himself with the local robber chief, Linx uses his powers to ‘borrow’ scientists and equipment from twentieth-century earth. Doctor Who tracks down the missing scientists and journeys into the past to save them. But can he defeat the ruthless Linx and his savage human allies before the course of human history is changed forever? Distributed in the USA by Lyle Stuart Inc, 120 Enterprise Ave, Secaucus, New Jersey 07094 UK: £1 · 35 *Australia: $3 · 95 USA: $2 ·95 *Recommended Price Science Fiction/TV tie-in ISBN 0 426 20023 3 DOCTOR WHO AND THE TIME WARRIOR Based on the BBC television serial by Robert Holmes by arrangement with the British Broadcasting Corporation TERRANCE DICKS A Target Book published by the Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1978 by the Paperback Division of W. H. Allen & Co. Ltd. A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks 1978 Original script copyright © Robert Holmes 1974 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1974, 1978 Printed in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 20023 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.