Unió Musical D'alfondeguilla
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Page 1 (1/31/20) Waltz in E-Flat Major, Op. 19 FRÉDÉRIC CHOPIN
Page 1 (1/31/20) Waltz in E-flat major, Op. 19 FRÉDÉRIC CHOPIN (1810-1849) Composed in 1831. Chopin’s Waltz in E-flat major, Op. 18, his first published specimen of the genre and one of his most beloved, was composed in 1831, when he was living anxiously in Vienna, almost unknown as a composer and only slightly appreciated as a pianist. In 1834, he sold it to the Parisian publisher Pleyel to finance his trip with Ferdinand Hiller to the Lower Rhineland Music Festival at Aachen, where Hiller introduced him to his long-time friend Felix Mendelssohn. The piece was dedicated upon its publication to Mlle. Laura Horsford, one of two sisters Chopin then counted among his aristocratic pupils. (Sister Emma had received the dedication of the Variations on “Je vends des scapulaires” from Hérold’s Ludovic, Op. 12 the year before.) The Waltz in E-flat follows the characteristic Viennese form of a continuous series of sixteen- measure strains filled with both new and repeated melodies that are capped by a vigorous coda. Ballade No. 1 in G minor, Op. 23 FRÉDÉRIC CHOPIN Composed 1831. In the Ballades, “Chopin reaches his full stature as the unapproachable genius of the pianoforte,” according to Arthur Hedley, “a master of rich and subtle harmony and, above all, a poet — one of those whose vision transcends the confines of nation and epoch, and whose mission it is to share with the world some of the beauty that is revealed to them alone.” Though the Ballades came to form a nicely cohesive set unified by their temporal scale, structural fluidity and supranational idiom, Chopin composed them over a period of more than a decade. -
De La Serra D'espadà
de la serra d'espadà English version Parc Natural de la Serra d'Espadà C/ Francisco Mondragón, 2 12528 Eslida (Castellón) Tel. 96 462 91 12 Móvil: 679 19 62 94 [email protected] http://parquesnaturales.gva.es Assistance from: Layout: Benjamín Albiach Galán Kun.Xusa Beltrán Photography: Benjamín Albiach Galán Vicente Arnau Jose Miguel Aguilar Sisco Marco Jose Miguel Aguilar Map Design: Pau Pérez Puigcerver Printing this material has been possible thanks to the Cooperation Agreement fuente: ICV (Instituto Cartográfico Valenciano) signed on 21st April 2006 by the Caja de Ahorros y Pensiones de Barcelona, "la Caixa" and the Generalitat Valenciana (Autonomous Community Authority) for Texts: Equipo de Educación Ambiental Undertaking the Integral Management Plan for Conservation of the Natural Systems of the Valencian Communitys Network of Nature Reserves. Printed: IVADIS D. L.: Date of Nature Reserve declaration: 29th September 1998 Date of PORN approval: 30th July 1997 Date of PRUG approval: 11 March 2005 Municipalities inside the Reserve: Of the 19 municipalities connected, 11 have their municipal boundaries within the limits of the nature reserve (Aín, Alcudia de Veo, Almedíjar, Azuébar, Chóvar, Eslida, Fuentes de Ayódar, Higueras, Pavías, Torralba del Pinar and Villamalur); while the other 8 (Alfondeguilla, Algimia de Almonacid, Artana, Ayódar, Matet, Sueras, Tales and Vall de Almonacid), are only partially included. The Serra d'Espadà Nature Reserve is located in the south of Castellón province, in the last foothills of the Iberian System, being one of the best kept natural spaces in the whole Valencian Community. The “Sierra de Espadán” is a large mountain range with countless springs, cool ravines and shady cork oak woods, spreading over the counties of Alto Mijares, Alto Palancia and la Plana Baixa, between the basins of the river Mijares and the Palancia. -
Aportaciones a La Flora Castellonense, Viii
Flora Montiberica 67: 44-51 (V-2017). ISSN: 1138-5952, edic. digital: 1988-799X APORTACIONES A LA FLORA CASTELLONENSE, VIII Romà SENAR LLUCH C/César Cataldo, 13. 12580-Benicarló (Castellón). [email protected] RESUMEN: Se aportan las citas de varias plantas vasculares observadas en la provincia de Castellón, mejorando con esta información el conocimiento de su distribución. Palabras clave: Plantas vasculares, flora, distribución, Castellón, Comunidad Valenciana, España. ABSTRACT: Contributions to the flora of Castellón (E Spain), VIII. Records several vascular plants observed in Castellon province, improving the knowledge of their distribution area. Keywords: Vascular plants, flora, distribution, Castellón, Comunidad Valenciana, Spain. INTRODUCCIÓN Jardín Botánico de la Universidad de Valencia (VAL) o bien en el herbario Con este artículo se continúa con la personal (RSL). Las cuadrículas UTM serie de trabajos anteriores (SENAR, 2008; indicadas están referidas al sistema 2009; 2010; 2011; 2013; 2014; SENAR & ETRS89. GUMBAU, 2016), con el pretexto de continuar con las aportaciones corológicas LISTADO DE PLANTAS en la zona norte de la Comunidad Valenciana (provincia de Castellón). Aphanes arvensis L. Para la realización de este trabajo se CASTELLÓN: 30TYK2817, Eslida, Sierra han tenido en cuenta otros trabajos an- de Espadán, Barranc de l’Oret, 500 m, pastizal anual sobre arenas silíceas, 21-V-2016, P. teriores ya publicados por diversos autores Gumbau & R. Senar (RSL 7153). y los datos de los catálogos en línea, que Pequeño terófito del que se conocen cada vez ofrecen mayor información pocas localidades para la provincia. Ha acerca de citas, referencias bibliográficas sido indicado en Vistabella del Maestrat y pliegos existentes de diversas especies. -
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; Died March 28, 1881 in St
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; died March 28, 1881 in St. Petersburg A Night on Bald Mountain (1867; arranged in 1886) Arranged by Nikolai Rimsky-Korsakov (1844-1908) PREMIERE OF WORK: St. Petersburg, October 15, 1886 Russian Symphony Orchestra Nikolai Rimsky-Korsakov, conductor APPROXIMATE DURATION: 12 minutes INSTRUMENTATION: woodwinds in pairs plus piccolo, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings In the 1860s, Russian music was just beginning to find its distinctive voice. A number of composers — Balakirev, Cui, Borodin, Rimsky-Korsakov and Mussorgsky — explored native musical and folkloric sources as the basis of a national art, and became loosely confederated into a group known as “The Mighty Handful” in Russia and “The Five” in the West. Since their works took their inspiration largely from indigenous legends and folk music, Mussorgsky considered himself lucky to receive a commission in 1861 (when he was just 21) for a dramatic musical composition based on a specifically Russian subject. On January 7th, he wrote to his mentor, Balakirev, “I have received an extremely interesting commission [for music for a drama titled The Witch by his friend Baron Georgy Fyodorovitch Mengden], which I must prepare for next summer. It is this: a whole act to take place on Bald Mountain … a Witches’ Sabbath, separate episodes of sorcerers, a solemn march for all this nastiness, a finale — the glorification of the Sabbath into which is introduced the commander of the whole festival on the Bald Mountain. The libretto is very good. I already have some material for it; it may turn out to be a very good thing.” The mountain to which Mussorgsky referred, well known in Russian legend, is Mount Triglav, near Kiev, reputed to be the site of the annual witches’ sabbath that occurs on St. -
Unit 7 Romantic Era Notes.Pdf
The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music. -
Listado De Montes Gestionados Por La Generalitat Valenciana (Febrero 2021)
LISTADO DE MONTES GESTIONADOS POR LA GENERALITAT VALENCIANA (FEBRERO 2021) 1. Montes de la Generalitat Catalogados provincia de Castellón Superficie Pública PERTENENCIA Nº CUP Num ELENCO IDENTIFICADOR DENOMINACIÓN MUNICIPIO según el catálogo (ha) GV CS001 CS1002 CS001CS1002 SAN JUAN DE PEÑAGOLOSA VISTABELLA DEL MAESTRAT 456 GV CS002 CS1001 CS002CS1001 LA TENALLA LA POBLA DE BENIFASSÀ 1577,4 GV CS003 CS1005 CS003CS1005 SANTO DOMINGO VALLIBONA 847 GV CS004 CS1008 CS004CS1008 BARRANCO DE CHÓVAR ESLIDA 25 GV CS005 CS005 PUNTAL DEL ALJIBE ESLIDA 60 GV CS006 CS1008 CS006CS1008 TARRAGUÁN ESLIDA 15 GV CS007 CS1009 CS007CS1009 BATALLA AÍN 14,5 GV CS008 CS1010 CS008CS1010 SIERRA ESPADÁN ALCUDIA DE VEO 71 PALANCAR DE ABAJO* (Figura el suelo a nombre de GV y el vuelo GV CS009 CS1003 CS009CS1003 compartido con el ayto) BARRACAS 379 PALANCAR DE ARRIBA* (Figura el suelo a nombre de GV y el vuelo GV CS010 CS1004 CS010CS1004 compartido con el ayto) EL TORO 1356 UMBRÍA DE ESCABIA GV CS011 CS1011 CS011CS1011 (copropiedad con ayto, Comunal) EL TORO 115,1562 GV CS080 CS1039 CS080CS1039 RIBERAS DEL RÍO PALANCIA SONEJA 12,4012 GV CS081 CS1034 CS081CS1034 ALTÍS VILLAHERMOSA DEL RÍO 284,975 GV CS082 CS1026 CS082CS1026 MAS DEL BAILE CAUDIEL 150,75 GV CS086 CS1033 CS086CS1033 MAS DE FALCÓ CASTELLFORT 250,8 LA MATA Y PORTELL DE GV CS087 CS1028 CS087CS1028 LES CLAPISES MORELLA 315,625 GV CS088 CS1014 CS088CS1014 TRISTANY Y LA MINA SEGORBE Y GÁTOVA 707,1224 GV CS089 CS1029 CS089CS1029 TORRE ENGUAITA MORELLA 299,225 Página | 1 LISTADO DE MONTES GESTIONADOS POR LA GENERALITAT -
Gnomes” from Pictures at an Exhibition
“Gnomes” from Pictures at an Exhibition Modest Mussorgsky Born: March 21, 1839 In addition to his instrumental Died: March 28, 1881 music, Mussorgsky wrote songs, and several operas. His operatic Modest Mussorgsky was born in masterpiece is Boris Godunov, the Russian village of Karevo. about a Russian Tsar who lived His mother gave him his first in the 1500’s. piano lessons, and it was clear early on that Mussorgsky was a Mussorgsky wrote Pictures at very good pianist. an Exhibition to honor his friend Victor Hartman, an artist and Modest went to military architect who died at the age of boarding school, and when he 39. After viewing a memorial graduated, he joined the army exhibition of Hartman’s work, as an officer. Then, Mussorgsky Mussorgsky decided to create his started studying music with own tribute - music depicting ten Russian composer Mily pieces of art in the show. Pictures Balakirev, and left the army to at an Exhibition was originally become a composer. He was written for piano, but there have part of a group of five Russian been many orchestrations of the composers known as “The Five,” piece. The most famous is by or the “Mighty Handful.” Maurice Ravel. Mussorgsky had a hard time The first picture in Mussorgsky’s making a living as a composer, musical exhbition is a sketch especially after his family lost all for a nutcracker shaped like a its money; so he found a gnome. government job, and continued to spend all his spare time composing. Picture This Modest Mussorgsky We can not see the painting of the “Gnomes” Mussorsky saw. -
Contratos De Trabajo Registrados Según Sexo Y Sector De Actividad Económica
CONTRATOS DE TRABAJO REGISTRADOS SEGÚN SEXO Y SECTOR DE ACTIVIDAD ECONÓMICA CASTELLÓN/CASTELLÓ SEPTIEMBRE 2010 TIPO DE CONTRATO SECTORES TOTAL HOMBRES MUJERES AGRICULT. INDUSTRIA CONSTRUC. SERVICIOS MUNICIPIOS INIC. INDEF. INIC. CONVERT. INIC. INDEF. INIC. CONVERT. TEMPORAL INDEF. TEMPORAL INDEF. AIN 2 1 1 2 ALBOCASSER 44 37 1 6 1 2 27 14 ALCALA DE XIVERT 168 4 86 7 2 68 1 8 15 19 126 ALCORA, L' 203 7 119 18 3 52 4 82 21 100 ALCUDIA DE VEO 5 2 2 1 2 1 2 ALFONDEGUILLA 25 12 1 12 15 2 8 ALGIMIA DE ALMONACID ALMAZORA/ALMASSORA 450 12 264 14 11 145 4 8 90 66 286 ALMEDIJAR 4 1 2 0 1 1 3 ALMENARA 143 4 92 3 2 42 0 39 10 14 80 ALQUERIAS DEL NIÑO PERDIDO 192 17 128 1 8 37 1 118 40 1 33 ALTURA 28 2 14 2 9 1 4 2 22 ARAÑUEL 1 1 0 1 ARES DEL MAESTRE ARGELITA 2 2 0 2 ARTANA 60 19 34 4 3 46 1 1 12 ATZENETA DEL MAESTRAT 10 1 6 0 2 1 2 5 3 AYODAR AZUEBAR 3 2 1 2 1 BARRACAS 4 1 1 1 0 1 0 1 3 BEJIS 2 2 0 2 BENAFER 2 2 2 BENAFIGOS 5 4 1 5 BENASAL 5 4 1 1 1 3 BENICARLO 466 26 252 15 9 149 15 51 82 64 269 BENICASIM/BENICASSIM 712 14 317 9 7 361 4 3 24 685 BENLLOCH 15 1 11 2 0 1 0 2 3 7 3 BETXI 235 5 160 12 58 106 27 10 92 BORRIOL 48 3 29 4 12 6 9 10 23 BURRIANA 581 18 278 10 23 245 7 50 38 27 466 CABANES. -
Musically Russian: Nationalism in the Nineteenth Century Joshua J
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:40 PM - 4:00 PM Musically Russian: Nationalism in the Nineteenth Century Joshua J. Taylor Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons Taylor, Joshua J., "Musically Russian: Nationalism in the Nineteenth Century" (2016). The Research and Scholarship Symposium. 4. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/4 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Musically Russian: Nationalism in the Nineteenth Century What does it mean to be Russian? In the eighteenth and early nineteenth centuries, Russian nobility was engrossed with French culture. According to Dr. Marina Soraka and Dr. Charles Ruud, “Russian nobility [had a] weakness for the fruits of French civilization.”1 When Peter the Great came into power in 1682-1725, he forced Western ideals and culture into the very way of life of the aristocracy. “He wanted to Westernize and modernize all of the Russian government, society, life, and culture… .Countries of the West served as the emperor’s model; but the Russian ruler also tried to adapt a variety of Western institutions to Russian needs and possibilities.”2 However, when Napoleon Bonaparte invaded Russia in 1812, he threw the pro- French aristocracy in Russia into an identity crisis. -
Guía Rápida Del Calendario De Festejos En La Comunidad Valenciana De La Segunda Quincena De Agosto
GUÍA RÁPIDA DEL CALENDARIO DE FESTEJOS EN LA COMUNIDAD VALENCIANA DE LA SEGUNDA QUINCENA DE AGOSTO. Sábado 12 o Benlloc, Gestalgar, Domingo 13 o Benlloc, Vilafranca del Cid Lunes 14 o Culla, Fuentes de Ayodar, Torrechiva, Martes 15 o Alfondeguilla o Almedijar o Chiva o Lucena del Cid o Torrechiva o Turís o Vilafranca del Cid o Villar del Arzobispo Miércoles 16 o Albocasser o Alfondeguilla o Almedijar o Azuebar o Carrica o Catí o Chiva o Faura o Pobla Tornesa o Silla o Turís o Vall de Almonacid o Vilafamés o Vilafranca del Cid o Villar del Arzobispo Jueves 17 o Albocasser o Alfondeguilla o Almedijar o Azuebar o Barracas o Benáfer o Benlloc o Borriana (Santa Bárbara) o Canet lo Roig o Carrica o Coves de Vinromá o Chiva o El Verger o Faura o Lucena del Cid o Náquera o Oropesa o Pobla Tornesa o San Vicente de Piedrahita o Silla o Sueras o Teresa o Traiguera o Turís o Vall de Almonacid o Vilafamés o Villar del Arzobispo o Viver o Xert o Xilxes playa Viernes 18 o Albocasser o Alfondeguilla o Almedijar o Argelita o Azuebar o Barracas o Benlloc o Borriol o Borriana (Santa Bárbara) o Canet lo Roig, Carrica, o Coves de Vinromá o Chiva o El Toro o El Verger o Espadilla o Fuentes de Ayodar o Gestalgar o Higueras o La Romana o Lucena del Cid o Matet o Montserrat o Museros o Náquera o Pobla de Farnals o Pobla Tornesa o San Vicente de Piedrahita o Silla o Sueras o Teresa o Traiguera o Turís o Vall de Almonacid o Vilafamés o Vilafranca del Cid o Vilanova de Alcolea o Vilavella Calle San Roque o Viver o Xátiva o Xert Sábado 19 o Albocasser o Alfara del -
Alfondeguilla, Fondeguilla
ARIADNA; CULTURA, EDUCACIÓN Y TECNOLOGÍA. VOL. I, NÚM. 2, JUL. 2013 – HTPP://ARIADNA.UJI.ES ANTROPOLOGÍA CULTURAL DE CASTELLÓN Y SU PROVINCIA PP. 85-91 – DOI: HTTP://DX.DOI.ORG/10.6035/ARIADNA.2013.2.13 Alfondeguilla, Fondeguilla Recaredo Herrero Rodríguez La Historia es muchas cosas, pero, entre otras, significa volver la vista al pasado para encontrar imágenes con las que identificarse, estructuras y episodios que nos reafirmen en lo que creemos que somos. Manuel Ardit. Universidad de Valencia Figura 1. Vista del pueblo de Alfondeguilla 1. El pueblo De los despoblados Castro y Beniçabdón quedan Situado en la vertiente meridional de la sierra de escasos restos. Del primero, unas construcciones Espadán, en la margen derecha del río Belcaire, tie- que pudieran corresponder a una antigua mezqui- ne una superficie de 28 km2, de los que solo el 16 % ta y posterior iglesia dedicada a san Agustín. Es in- es tierra apta para el cultivo, la mayoría (unas 400 teresante el abastecimiento de agua, que se mantie- ha) es tierra de secano. ne en la actualidad, trasportada desde un pequeño embalse, situado en el barranco Cabrera. A unos 3 Alquería del valle de Xon, su origen, como asen- kilómetros al norte se encuentra el castillo de Cas- tamiento estable, es árabe, como los despoblados tro (figura 2), fortaleza inexpugnable que consti- Castro y Beniçapdón. El pueblo se desarrollaría al- tuye una atalaya perfecta que domina la zona lito- rededor del castillo de Al-Fandech, conocido como ral desde Valencia hasta Castellón, especialmente el Piló, situado en la cima de un pequeño otero que el corredor de Borriol por donde trascurría la Vía domina la actual población y que constituye un lu- Augusta, principal arteria romana que unía Gades gar de observación privilegiada del camino natu- con Roma, y la senda de la Palla que, desde Borriol, ral de entrada al angosto valle. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.