Friday February 15 Doll Auction
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Barbie® Photo Fashion™ Doll Snaps Her Way to the Top of Hot Holiday Toy Lists
October 8, 2012 Barbie® Photo Fashion™ Doll Snaps Her Way to the Top of Hot Holiday Toy Lists A Fashion Doll and a Digital Camera in One, Barbie® Photo Fashion™ Doll Captures the World through a Whole New Lens EL SEGUNDO, Calif.--(BUSINESS WIRE)-- Barbie® doll has unveiled the newest innovation fashion doll — and it is already topping holiday wish lists. Combining technology and fashion like never-before, the 11.5-inch doll is also a 0.3 megapixel digital camera that makes it easy for girls to point, shoot and style their own photo-to-fashion statement as the snapped images are instantly displayed on Barbie doll's LCD shirt screen. Barbie® Photo Fashion™ doll was recently named one of the "Most Wanted Toys of 2012" at toy and influencer industry event Time to Play in New York City on September 28th. In addition, Parenting magazine named the doll "Best in Play 2012" and one of the most innovative toys in Mattel's portfolio. Furthermore, Barbie® Photo Fashion™ doll received The Oppenheim Toy Portfolio Platinum award for most innovative, engaging new product of the year as well as recognition on retailer Target's annual "Top 20 Toy List" for holiday 2012. "As the world's most popular fashion doll, Barbie has always been at the forefront of fashion and imaginative play for girls," said Cathy Cline, vice president of Barbie® marketing. "And Barbie Photo Fashion doll lets girls do what they love most -- capture, create and customize their world through the lens of their favorite doll." The digital camera features 4 MB of memory and stores up to 200 photos that can be downloaded to make room for more photo-taking fun. -
Klabonneproject.Pdf
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Labonne, Kevina Natacha (2015) The model of artifice: the doll seen as a mimetic and traumatic figure in the paintings of Kevina Labonne. Other thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/18870/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Art Nr129 Dollmagazine.Pdf
Rare world children Black dolls and their history By: Jolie van der Klis Antique black dolls are rare — I actually wanted to write this line last year, to tell the history of the dolls that we may remember from childhood. At the time, I waived it: I didn't want to throw any fuel on any discussion.*) Meanwhile, even much more has happened on the world stage, the brutal murder of George Floyd, one of the many victims of police prejudice. I could of course postpone the article again, but, as I wondered down-hearted: how many years will I postpone it? *) Note: This refers to an awkward debate in The Netherlands, about the altered tradition of the Dutch Santaclaus and his companion, see: https://en.wikipedia.org/wiki/Zwarte_Piet Exhibition in Paris It has been two years since Deborah Neff exhibited her unique collection of antique black dolls in Paris. Handmade from fabric and leather, flour sacks and buttons, by unknown Americans with an African background. These dolls were intended as play dolls: they can sometimes be seen in old family photos. Some are already 180 years old. Photo: press release exhibition at La Maison Rouge, Deborah Neff dolls Caricatures Manufacturers who made black dolls hardly existed at the time; if they were made, the dolls were gross caricatures. Like this doll, that has all the features of a tap dancer from the humiliating Minstrel shows. Photo: Detail undated wooden caricature Doll maker Leo Moss An exception to that rule is doll maker Leo Moss. In the early 1900s he made unique portrait dolls, all modeled after an existing child, the name of which has sometimes been preserved. -
February 29, 2020
WINTERGARDEN AUCTION: FEBRUARY 29, 2020 LOT 1-Peppermint Princess "Barbie" 2-Ken the Tin Man & Barbie" Glinda 3-Happy Holidays Special Edition "Barbie" 3A-3 Doll Heads: C-1900 Wood + 1894 Minerva Tin Head + 1879 Paper Mache + Wood Doll 4-Oak Doll Dresser 4A-Grouping of Fancy Doll Clothes 5-Grace Putnam 'Bye-Lo" Baby 6-Ginny Doll Case + Ginny Doll in Box 7-TWO Oriental Dolls 8-TWO Boxed "Kathy Kruse" Dolls 9-Cloth "Mammy" Doll 10-Doll Trunk with Contents 10A-TWO US Zone Kathy Kruse Cloth with Painted Faces Dolls 11-Wicker Doll Carriage with Parasol and Doll 12-Large Rocking Horse 13-"Lenci" Doll with Box & Paperwork, Susanne 14-Lenci Doll with Box 15-THREE Christian Dior "Barbies" 16-Chad Valley Doll with Glass Eyes + Lenci Dolls 17-High Chair with Jointed Bear 18-"Barbie & Ken" Case with Contents 19-"Tammy" Case with Contents 20-Box with Barbie abnd Barbie Clothes 21-"Lenci" Lavinia with Box & Paperwork 22-Suitcase Full of Doll Clothes 23-Suitcae with Dolls & Doll Clothes 24-Small Dome Top Doll Trunk with Contents 25-Huge Lot of Doll Eyes 26-Tray Lot of Doll House Furniture 26A-Box of Fancy Doll Clothes 27-HUGE Box of Mohair Wigs 28-Elvis Doll with Box 29-Mechanical Santa 30-Boxed Sea Witch "Ursula" 31-Doll Cradle with Doll 32-"Little Lady Sewing Center" 33-Doll Bed with JDK 211 Baby 34-Box of German Doll Eyes 35-German Bisque Doll 211 3/0 36-Suitcase Full of Doll Clothes 37-Doll Trunk with Doll Quilts & More! 38-Large Doll Dome Top Trunk with Contents 38A-Sutcase Full of Ginny Items 39-Doll Bed with Bisque KR 28 Doll 40-Germany 196 Bisque -
Fifty Years After She First Hit Toy Shops, 'Sindy' Doll Seeks
Strictly embargoed until 00.01hrs on Monday 2 July 2012 FIFTY YEARS AFTER SHE FIRST HIT TOY SHOPS, ‘SINDY’ DOLL SEEKS A LONG TERM PARTNER Global brand owners expected to show interest in iconic British doll Exeter, 2 July 2012 – After nearly 50 years, the British owner of the Sindy doll brand is looking for a long-term partner to help develop the core range of dolls. For generations of young girls Sindy has been a friend, confidante and cherished toy. The Sindy doll was launched in 1963, and for decades dominated the fashion doll market in Britain. Sindy has repeatedly been the best-selling toy, both in the UK and in overseas markets. Now, Sindy’s Exeter-based owner, Pedigree Toys, is to license or share equity in the iconic brand as part of a strategic shift towards its publishing and third party licensing businesses. Jerry Reynolds, CEO of Pedigree Group Ltd, commented: “Few brands have the emotive power and name recognition of Sindy. Millions of women in Britain grew up playing with her, and have fond memories of their days as ‘Sindy girls’. 1 “Over the years Sindy’s outfits have reflected changing fashions, and her hemlines rose and fell accordingly. But she has never lost her image as the demure girl next door – an enduring image that continues to appeal to young girls around the world. “The core of the Sindy brand remains the development and marketing of fashion dolls. As a business, Pedigree has moved away from toy manufacturing to focus on publishing and third party licensing. -
Ghouls, Dolls, and Girlhoods: Fashion and Horror at Monster High
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks Ghouls, Dolls, and Girlhoods: Fashion and Horror at Monster High Karen E. Wohlwend In Generation Z: Zombies, Popular Culture, and Educating Youth Edited by Victoria Carrington, Jennifer Rowsell, Esther Priyadharshini, Rebecca Westrup This is a preprint; the definitive version is in press at http://www.springer.com/us/ Wohlwend, K. E. (In press). Ghouls, dolls, and girlhoods: Fashion and horror at Monster High. In V. Carrington, J. Rowsell, E. Priyadharshini & R. Westrup (Eds.), Generation Z: Zombies, popular culture, and educating youth. New York: Springer. Girls, Ghouls, and Girlhoods: Horror and Fashion at Monster High Introduction How does a zombie doll in a popular horror franchise for tween girls serve as a productive site of contestation among overlapping visions of girlhood? In this chapter, I examine Ghoulia Yelps, a zombie character in the popular Monster High fashion doll franchise, not only as a toy in a global flow of licensed consumer goods but also as a site of identity construction and digital media production where facile notions of girlhoods are both enacted and reimagined (Forman- Brunell, 2012). Monster High is reconceptualized here as the site of converging cultural imaginaries (Medina & Wohlwend, 2014) in which children play in and out of gendered futures around fashion, adolescence, diversity, and schooling. Critical analysis of tween girls’ digital play with a zombie doll on social media reveals the resonances, slippages, and paradoxes among identity texts produced about, for, and by girls. After describing the scope of the Monster High franchise and how it materializes expectations for characters, consumers, and players, I next examine how these dolls and identity texts circulate three dominant imaginaries of girlhood. -
Dolls and Waste in Italian Children's Literature
Treasure to Trash, Trash to Treasure: Dolls and Waste in Italian Children’s Literature Cristina Mazzoni A growing preoccupation with waste, trash, and obsolescence may be observed in Western societies beginning in the late nineteenth century and continuing throughout the twentieth and into the twenty-first. This phenomenon is largely due to the rapid and intense development of industrialization and consumer culture—the very movement that eventually prompted the birth, in late nineteenth-century Italy, of the industrial production of dolls.1 A reflection of this historical and societal correlation between dolls and trash, confirmed by connections that are also psychological and philosophical, may be read in several literary texts for children written by Italian women between the late nineteenth and the late twentieth centuries. In each of these narratives, the young protagonists own dolls that, though often on the verge of being dumped into the trash bin, play a crucial role in the formation of the protagonist’s identity—a process represented as shaped by both psychological and material forces. The connection made by women between dolls and trash in Italian children’s literature may be read as a culturally specific instance of the wider-ranging reflection on the role of trash in the formation of value, and even of the self.2 Certainly, psychological models of child development have much to teach us about the role dolls play in the formation of young people’s identity.3 While keeping these models in mind, my reading of dolls in Italian children’s litera- ture, however, relies more overtly on philosophical and social reflections on trash, such as those by Italo Calvino, Gay Hawkins, Greg Kennedy, and John Scanlan. -
(1) Little Daisey Pop
TRAIN & DOLL AUCTION - Saturday, April 30, 2016 4/30/2016 233 COWBOY LONG GUNS & HOLSTERS Includes: (1) Daisey shotgun pop gun; (1) Little Daisey pop gun; (1) Daisey pop gun with nickelplate; (1) pop gun; (1) rifle holster; (1) "Shotgun Slade" double holster; (2) other holsters; wear on holsters; longest L-24", F-G 50.00 - 100.00 234 HUBLEY TOY SIX SHOOTERS (2) PAIR Both have holsters but no belt; (1) pair "Texan Jrs"; (1) pair "Cowboy"; L-9"-11", VG 75.00 - 125.00 235 COWBOY CAP SHOOTERS (4) Nickeled cast iron; Bob, Sliko, etc.; (1) "Lasso 'em Bill" broken; longest L-9", P-G 40.00 - 60.00 236 COWBOY SIX SHOOTERS (5) Die-cast; (2) Hubley Texan Jrs., (1) Mattel Fanner 50; (1) Coyote; (1) Pet; Longest L-10 1/2", F-G 50.00 - 100.00 237 CHILDREN'S CAP GUNS (5) (4) Cast iron: Trooper, Dick, Jr. Police Chief, etc.; normal wear; Longest L-7", F-G 40.00 - 60.00 238 CHILDREN'S TOY GUNS (8) Assorted; Spud Gun in original package; Hubley Padlock Pistol; Pea Matic Pea Shooter; Daisey Water Gun; National; Acme, (2) Star; Longest L-6", F-G 50.00 - 100.00 Opfer Auctioneering Page: 2 TRAIN & DOLL AUCTION - Saturday, April 30, 2016 4/30/2016 239 PAIR HUBLEY FLINTLOCK DUELING PISTOLS Diecast with marbleized plastic stocks; L-9", G 50.00 - 100.00 240 "BOY RANGER" MACHINE GUN Cast iron; (1) wheel re-cast in aluminum; L-18", F-G 50.00 - 100.00 241 CHILDREN'S COWBOY SPURS (7) SETS Die-cast; (3) have leather straps; G 50.00 - 100.00 242 OLD TIMER CARS (5) Japan; tin and tin litho; friction and spring loaded; (1) steering wheel missing; (1) headlight missing; (1) axle needs work, good for parts cars; longest L-10", F 50.00 - 100.00 243 NAUTICAL TOYS (3) Painted wood; (1) battle fleet; Japan; boxed set, VG (1) sailor in row boat, possibly German, flaking; (1)ocean liner-Japan-flaking; longest 9 1/2 VG 50.00 - 100.00 244 TIN TOY BOATS (4) Litho tin & hand painted; all have either pcs. -
Doll Collecting; a Course Designed for the Adult Education Student. PUB DATE Jul 74 NOTE 145P.; Ed.D
DOCUMENT RESUME ED 099 543 CE 002 628 AUTHOR Berger, Betty M. TITLE Doll Collecting; A Course Designed for the Adult Education Student. PUB DATE Jul 74 NOTE 145p.; Ed.D. Dissertation, Walden University EDRS PRICE MF-$0.75 HC-$6.60 PLUS POSTAGE DESCRIPTORS *Adult Education; *Course Content; Course Descriptions; *Doctoral Theses; Teacher Developed Materials; *Teaching Techniques IDENTIFIERS *Doll Collecting ABSTRACT The author has attempted to organize the many materials to be found on doll collecting into a course which will provide a foundation of know]edge for appreciating and evaluating old dolls. The course has been divided into sessions in which old dolls will be studied by type (images, idols, and early playthings; child, doll, and social realities; wooden dolls; wax dolls; papier mache and composition; china and parian; bisque dolls, cloth dolls; celluloid, metal, leather, and rubber dolls; and doll art in America) in basically the same chronological order in which they achieved popularity in the marketplace (1800-1925). The instructor is urged to employ a variety of teaching strategies in the presentation of the material. A mixture of lecture, slides, show and tell, and much student participation is encouraged. Handouts are provided whichcan be given to students at the end of each session. Brief annotated bibliographies appear at the end of each chapter,as well as a selected bibliography at the end of the course. Thecourse has been designed to introduce the beginning doll collector to the techniques employed in the manufacture of old dolls, to help the novice identify a doll of excellent artistic merit, and to acquaint the collector with some of the better known names in doll making. -
Crissy and More Crissy
Crissy and More Crissy Copyright, May 2005 By Beth-Ellen Colvin (formerly Gunther) All rights reserved, please write for reprint permission Intellectual property laws apply I am often asked for MORE, MORE, MORE information about Crissy and her family & friends. The fact is, I could write a second volume about her, but my publisher tells me the time is not right for one. Time will tell, right!? Until then, this is what you get. This document will be updated on occasion with new information. Contents More history, more information Page 1 What ARE those catalog outfits?? Page 4 What about after-market clothing? Page 5 Ideal issued clothing Page 5 Accessories, cases, paper products Page 6 eBay rules of the road Page 7 Production information Page 10 Other dolls with Crissy’s body Page 12 Will Crissy ever be reissued??? Page 13 Tips! Page 14 Customizations Page 16 So-called rarities NOT! Page 17 1 More history, more information I am imagining here, that you’ve already read my book. Then, as a well-read collector (grin) you already know that every single detail and fact cannot be included in one volume. In fact, my very own publisher left a lot of my pages out of my book in order to keep the costs down (heavy sigh). Let’s get down to business then. Crissy was made from 1969 to 1974 for the first of the original dolls. This does not include the Magic Hair Crissy of 1977. She is a totally different doll. There were two issues released in 1969, hair to her feet and hair to her bottom. -
626.529.5775 Lifetime Antique Doll
Treasureseeker Auctions LLC 123 West Bellevue Drive Suite #2 Pasadena, CA 91105 Phone: 626.529.5775 Lifetime Antique Doll & Toy Collection Auction 9/29/2019 Lifetime Antique Doll & Toy Collection Auction 9/29/2019 ONLINE ONLY: www.invaluable.com & www.liveauctioneers.com Sunday, September 29th 11:00am Pacific Time PREVIEW: September 28th, 11:00am-4:00pm or by appointment LOT # LOT # 1 Group of 8 Miniature Chairs, Doll Furniture 5 Musical Gilt Doll Chair c. 1920's Including 3 painted yellow white, 2 rush seats, Nice design of spindles and cane seat, all in a Boston rocker and 2 wicker, very good gold gilt, has wind up music box underneath condition, 1 small wicker has broken leg, 19" seat, good condition, music box does not work, tallest tear in caning, 27" x 14" 100.00 - 200.00 20.00 - 300.00 2 Pair of Antique Miniature High Chairs c. 1900 6 Antique 3 Drawer Walnut Miniature Doll Dresser Fabulous pair of pre 1900 miniature high chairs, Circa 1900, with white porcelain pulls, good both walnut with smaller one converting to a condition, 18" x 19" stroller, very good condition, 27" tallest 200.00 - 300.00 300.00 - 400.00 7 Antique 6 Doll Drawer Check w/ Mirror c. 1900 3 3 Antique Doll Trunks c. 1900 Mahogany stained eastlake style chest of 2 flat tops and one dome top, each has their drawers with tilt mirror, 3 drawers on bottom insert trays and in nice condition, good and 3 drawers on top, porcelain pulls, good condition, largest has canvas missing in some condition, 21" x 13" spots, 11" x 16" x 10" largest 200.00 - 300.00 200.00 - 300.00 8 Rare Antique Fancy Fold Up Bed w/ Crazy Quilt 4 Pair of Antique Doll Furniture Cabinets c. -
ST 02 Danielle Barbosa Lins De Almeida - UFSC/UFPB Viviane M
Anais do VII Seminário Fazendo Gênero 28, 29 e 30 de 2006 Sobre gênero e preconceitos: Estudos em análise crítica do discurso – ST 02 Danielle Barbosa Lins de Almeida - UFSC/UFPB Viviane M. Heberle - UFSC As Bonecas da Contemporaneidade: Representações Midiáticas da Identidade Feminina O objetivo desse artigo é propor uma reflexão acerca dos brinquedos enquanto representações semióticas de ‘atores sociais de gênero’ (Caldas Coulthard & van Leeuwen, 2002), a partir da discussão sobre os papéis que bonecas contemporâneas de moda como Barbie, Susi e The Bratz evocam, a fim de examinar como a identidade feminina vem sendo representada pela mídia de dois países distintos – Brasil e Estados Unidos – através de típicas expressões do universo infantil. A análise inclui desvendar alguns dos valores que são incorporados às referidas representações bem como investigar o potencial de negociação da criança no sentido de desafiar as estruturas de significado que subjazem as identidades das chamadas ‘bonecas da contemporaneidade’. Palavras-Chave: bonecas, papéis, identidade. 1. Introdução Em suas inúmeras versões pelo mundo afora, as bonecas são mais comumente conhecidas por seu papel como objetos tridimensionais pertencentes ao universo infantil. Como símbolo inconfundível da infância, o mundo das bonecas não tem sido suficientemente explorado em pesquisas acadêmicas, visto que há relativamente poucos estudos que enfatizam a função das bonecas como fonte de conhecimento social, histórico e cultural (Peers, 2004). Historicamente, em sociedades como o Egito e a Melanésia, às bonecas eram atribuídas uma função mística, sendo então vistas como forma de se espantar maus espíritos e enfermidades, de se conferir proteção e de se prover acesso direto às dimensões espirituais da vida (Fraser, apud Kline, 1993, p.