Dept. for Speech, Music and Hearing Quarterly Progress and Status Report

Musical in Russia

Galembo, A.

journal: STL-QPSR volume: 35 number: 2-3 year: 1994 pages: 001-044

http://www.speech.kth.se/qpsr

STL-QPSR 2-311 994

Musical acoustics in Russia

Alexander Galembo

Abstract The former isolation of Russia have made many scientific works and results unknown to researchers in the Western countries. This is unfortunate, as the history of in Russia shows many interesting ideas and pioneer results reached by highly talented and enthusiastic scientists. Best known is probably Lev Termen with his "theremin" - the first application of electronic technology to musical art. A. V. Rimski-Korsakov, one of the most distinguished Russian acousticians, started his scientific carrier with investigations of stringed instruments. This paper presents a bibliography of Russian-Soviet publications on musical acoustics (in original Russian with English translation), covering the period 1885- 1994.

Introduction Science in the Soviet Union was always isolated from the other world for political and language reasons. Still it is not uncommon that scientists in other countries are not aware of the results of the Russians, not even in their own special field of research. Needless to say, important scientific information may be lost due to this gap, waiting for a rediscovery. Russian science in general, and musical acoustics in particular, was one-way- isolated indeed, because Russian researchers knew much about the Western scientific results, mainly due to good scientific libraries in Moscow and Leningrad (most high- level Russian scientists read English and German). The scientists in Russia working in musical acoustics were highly professional and productive, especially in the last decade before World War 11. Only occasionally, some odd publications can be found, like rejecting the classical musical instruments in favor of future electronic substitutes (Abaza-Grigoriev, 1925), or including a political basis in discussing musical (Veprik, 1930). The real start of organised research on musical acoustics in Russia took place about 1930, when the Central Music-Acoustic Laboratory was created in Leningrad by the Musical Union of Russia. Two years later, the laboratory was transformed into the Scientific Research Institute of Musical (Instrument) Industry (SRIMI), which at that time seem to have been the largest research centre on musical instruments in the world. The first important studies at this laboratory were devoted to acoustical investigations of wood for soundboards, conducted by Prof. N. Andreev (head of the laboratory, future member of the Soviet Academy of Sciences) and I. Kuznetsov. After the war, the largest and most active laboratories worlung in musical acoustics in Russia were found at the Moscow Conservatory, at the factory Krasny Oktiabr (Red October) in Leningrad, and at the Scientific Research and Design Technological Institute of the Musical Industry in the Moscow area. Russian research on musical instruments is in general characterised by a bias towards the practical implications. The laboratories were usually supported by the musical instrument industry, with thc task ol' working out ~~ractical~~ucon~~l~c'rlclilIio~is how to perfect the products. A peculiarity is that the talented scientists usually left musical acoustics after having reached important results, heading for a career in a better supported branch of science, such as hydroacoustics (with the exception of some real enthusiasts). Due to the interdisciplinary topic and the specific Soviet state organisation for publishing research material, works related to musical acoustics can be found in the physical, musical, psychological and technical literature, in information from trade associations, as well as in proceedings of scientific conferences.

Special works and persons Among the Russian scientists in musical acoustics some are especially worth to mention. Lev Termen (in English often written as Leon Theremin) did not publish many papers, but the name of this physicist and musician is included in the main encyclopedia in the world. This pioneer in musical acoustics passed away only recently at the age of 97 years, being active up to his last years. Termen was one of the very first who introduced technology in the performing arts. As early as 1920 he invented the world's first concert electronic musical instrument, "termenvox" (or "theremin" in the West), by which the player produced very lyric sounds - reminding of a clear voice or violins. The instrument, which is controlled by graceful movements of the palms close to two metallic antennas, is in several respects still unpassed in its very original idea and playing possibilities. Termen was called to demonstrate the instrument in Kremlin to Lenin, who encouraged him to present it as a product of Bolshevik ingenuity. Termen was also allowed to demonstrate the instrument abroad, and he gave many successful concerts in the big concert halls of the world, such as the Paris Opera and Metropolitan in New York. His instrument was so attractive that in 1929, RCA bought the rights to manufacture it. Among Termen's listeners and admirers were Arturo Toscanini, Sergei Rakhmaninov, Albert Einstein, and Leopold Stokovsky. Other musical inventions during his American period of life were a 4- monophonic (1928), an electronic cello (1930), and an electronic drum machine based on an optic-mechanical principle (1931). He also experimented with microtonal scales, with a musical instrument controlled by the movement of dancers (Terpsitone), and even with a design of the theremin controlled by eye movement alone. Abducted in 1938 by Soviet agents, he was returned to Moscow and then to Siberia. He escaped the common death in prison only to the price of agreeing to conduct research for KGB. In this position he worked out special listening devices, and was even awarded the Stalin Prize after the war. In 1968 he became Professor of Acoustics at the Moscow State University. Rather old, but still active, he reported to the All- Union Acoustical Conference in 1981 about the multi-voiced model of the theremin. He managed to visit USA in the end of the '80ties due to the support by Dr. John Chowning at Stanford University and an enthusiastic initiative taken by the American STL-QPSR 2-311 994

filmmaker Steven M. Martin, who made a documentary "Electronic Odyssey of Leon Theremin". N. Garbusov is well known in Russian acoustics for his research on musical hearing, and his textbook "Musical Acoustics" has been used by many generations of students at the conservatories, up to the present days. His conception of "zonal hearing" was popular among Russian acousticians and psychologists for many years. A. Rimski-Korsakov (relative to the famous composer) was a highly productive researcher in stringed instruments both before and after the war, with his candidate and doctoral dissertations devoted to musical acoustics. He compiled the results of his acoustical measurements on and violins in a book "Musical Instruments" (1952) which has become a classic, also covering the general concepts of the instruments, wood properties, design, and quality aspects. This book has been the main source of information about the acoustics of stringed instruments for all Russian engineers in the field for the last forty years. Rimski-Korsakov later left musical acoustics for other branches of acoustics in which he made many important I contributions. Since 1972, this versatile and talented person has been associated with the editorial staff of the pan-European acoustical journal "Acustica". A. Rivin began with piano acoustics in the early fifties and was the first who developed and calculated a model of the piano hammer with nonlinear compliance of the hammer head. His approach to this problem is commonly recognised today, being rediscovered in Japan and the US during the '80ties. Rivin worked close to the real piano. He made his theoretical and practical research at the piano factory, and he gave really useful practical recommendations for piano hammer technology. The practical difficulties he had to overcome were numerous; for example, even the trigger circuits for the oscillograph had to be designed and made by himself. After receiving his candidate degree, Rivin left musical acoustics and followed the example of Rimsky-Korsakov and joined the Acoustical Institute of the Academy of Science in Moscow as a researcher. This institute was so closed because of dealing with classified materials that musical acoustics was not allowed inside its doors. The author remembers that when he as a student asked Prof. A. Rimsky-Korsakov about consultation in musical acoustics, it was kindly given at the gate to the institute. Applied acoustical research on pianos in Russia were continued at the acoustical laboratory of the Red October piano factory in Leningrad. This work was later summarised in a book by the present author, intended for practicing piano engineers ("Piano tone quality", Moscow 1987). A. Volodin had talents in both research and music and showed a high level of scientific intuition in musical perception. He was highly enthusiastic over the development of electronic musical instruments and developed the first Russian models. After having gained a profound experience in musical synthesis, he investigated the perception of musical sounds. His candidate dissertation on this topic was so impressive that he was awarded a doctoral degree instead! He made some hypothesis in this work which has been verified today, including the functional role of the "pitchiness" property of the musical timbre. His technical skill resulted in a large amount of original ideas and patents in electronic musical instruments (which are not included in the following bibliography to STL-QPSR 2-31 1994 make it reasonably short). As an example, his idea of a touch-sensitive keyboard was patented as early as 1946. V. Morozov began research in the singing voice in 1954 at Leningrad University and Leningrad Conservatory, at which he later initiated the Laboratory of Singing Voice Research in 1960. He is the author of numerous publications on acoustical, physiological, medical and pedagogical aspects of singing, including the first Russian monograph on singing voice biophysics. Presently Prof. V. Morozov is a leader of the Art and Science Centre, organized in Moscow by the Institute of Psychology of the Russian Academy of Sciences and the State Tchaikovsky Conservatoire. B. Yankovskii made several important studies in the field of . He is the most authoritative researcher of bowed instruments in Soviet Russia.

Chronological bibliography 1885 - 1994 The following bibliography, which by no means is claimed being complete, has been compiled in order to present useful information to colleagues in other countries. It is hoped that important Russian works in musical acoustics in this way will be integrated with the Western world of knowledge as a support and inspiration for future studies. It should be possible to obtain copies of the original papers through the main libraries in ~ussia.'-)When ordering an article, name of author, title and other bibliographic data should preferably be given in original Russian. This information is included here. Within each year the authors are presented in alphabetic order. Author's remarks are put in round brackets and marked "A. G. "

Abbreviations M. - MOSCOW(Moc~sa). SPb. - Sankt-Petersburg (CaHKT-neTep6ypr). P. - Petrograd (IIe~porpa~). L. - Leningrad (JIe~s~rpa~). SIMS (I'EIMH) - State Institute of Musical Science at the Moscow State Conservatoire (rOCynapC~~e~~b1iiIlHCTIlTJ'T MY~~IK~JI~HO~~HaYKI4 nPI4 Moc~osc~oii~OCY&~~CT- B~HHOGKOHC~~B~TO~I~H). AJ (AX) -. Acoustic Journal of USSR Academy of Sciences (AK~cTI~~~cKI~~~myp~a~r AH CCCP). JAP (XU@) - Journal of Applied Physics (X~~H~JInp~l~~~an~oii 414314~14). JTP (KT@) - Journal of Technical Physics (Xyp~m~ex~lirec~oii 414314~14).

SRMI - Scientific-research Musical Institute of the Moscow State Conservatoire (Ha- ~HO-BCCJ~~OB~T~JI~CK~MY~~IK~JI~H~I~~ BHCTHTJ'T npll Moc~osc~oiirOCy&3pCT- B~HHOGKOHC~~B~TO~I~I~). STL-QPSR 2-311 994

SRIMI (HHkiMII) - Scientific-Research Institute of Musical Industry, Leningrad (H~~HO-I~CCJI~~OB~T~JI~CKM~MHCTMTYT MY~~IK~JI~HO~ IIPOMbIILUIeHHOCTH, I~HEIH- rpan). CBSTI of LIM RSFSR (LI(E;HTki MMII PCcDCP) - Central Bureau of Scientific- Technical Information of Local Industry Ministry of Russian Soviet Federative Sociali~tic Republic (LI(eHTpaJIbH0e 61opo H~FHO-T~XHMY~CKO~~IIH@OPM~~UII MMHMCT~~CTB~M~CTHOG IIPOMbIIIIJIeHHOCTM PCmCP). SRDTIMI (HMKTklMII)- Scientific-Research and Design-Technological Institute of Musical Industry, near MOSCOW(H~~Ho-MccJI~~oB~T~JI~cKII~~ M T~XHOJIO~~~ZI~CKH~ AHCTMTJ'T MY~~IKNI~HO~~nPOMbIIIIJIeHHOCTH, IIOA MOCKBOG).

Lehman, A. Violin and bow (M., 1885). J~M~HA. ki. C~p~ln~a H CM~IYOK. M., 1885. Zelensky, D. Italian bowed musical instruments. Characteristics of the instruments of old famous Italian makers, their students and followers (Poltava, 1886). 3eJIeHCKMfi A. ~IT~JI~SIHCKA~CMbIYKOBbIe MHCTPYMeHTbI. X~~~KT~~HCTHK~MHCTPYMeHTOB 3Ha- MeHMTbIX MTaJIbXHCKMX MaCTepOB, HX fleHMKOB M nOcJIe~0Ba~eJIe~.~OJIT~B~, 1886. Nesterov, N. "On a wood material". In the journal: "Russian timber industry business", 1894. H~CT~~OBH. 0 Pe30HaHCOBOM JIeCHOM MaTepHNIe. PJ'CCKO~JIeCO- ! IlpOMbIIIIJIeHHOe AeJIO, 1894. 1900 - 1919 Lehman, A. Letters about violin and violoncello (SPb., 1900). ne~a~A. ki. n~cb~a o cKpunKe ki BMOJIOHY~JIH. CII6., 1900. Lehman, A. Violin acoustics (M., 1903). In 2 parts. J~M~HA. ki. AKYCTHK~ CKpNnKH (B 2 sac~ax).M., 1903. Lehman, A. The violin book (M., 1903, 1908, 1914). J~M~HA. ki. K~ura o cspkinse. M., 1903,1908,1914. Lehman, A. On the violin (SPb, 1906). ne~a~A. ki. 0 cspsnae. CII6., 1906. Dreving, A. Volume" of human voice (to the article of Mr. Stevens etc.) (Barnaul, 1908). Apes~~rA. K. 06.6e~reJrosesecKoro ronoca (no noBoAy CTaTbu r-~a C~ese~caH o npo~e~).Eap~ayn, 1908.

Karasev, P. Sound and music (M., 1910). Kapace~n. ~BYKti ~y3b1~a.M., 1910. Anonymous. To the expertise of the instruments made by Pro$ D. K. Tchernov (SPb., 19 1 1). K MCnbITaHMIo MHCTPYMeHTOB np0@. A. K. YepHOBa. CII6., 1911. STL-QPSR 2-31 1994

Lehman, A. Novelties ofthe Russian violin (SPb., 191 1). JIeMaH A. ki. Ho~oeo pyc- c~oiiCKpWnKe. CII6,1911. Lehman, A. Thoughts about violin (SPb., 1912). J~M~HA. kI. &mb1 o CKpkiIIKe. Cn6., 1912. Avraamov. "Future musical science". "Musical Contemporary", 19 1 6. Aspaa~o~. rp5I~yLl&l%MY3bIKaJIbHaH HayKa. "My3. COBP~M~HHMK",1916.

1920 - 1929 Rzhevlun, S. "To the problem of the origin of consonance and dissonance". News of the Physical Institute at the Moscow Scientific Institute" v. 1, issue 2, p. 73, (1920). PX~BKAHC. H. K BOIIpOCy 0 IIpHpOAe KOHCOHaHCa ki flkiCCOHaHCa. ~I~B~CTMH @H~W~CKO~OHHCTkiTJ'Ta IIpM MOCKOBCKOMHaVHOM IIHCTkiTJ'Te, T. 1, BbIII. 2, C. 73, 1920. Nesterov, N. Resonance (wood - A.G.) production for musical instruments (M., 1921). H~CT~~OBH. C. ~POH~BOACTBO Pe30HaHCOB &JI%I MY3bIKaJIbHbIX HHCTPYMeHTOB. M., 1921.

Irisov, A. Sound and Music. (P., 1923; M., 1926). kIpkico~A. C. ~BYKki ~y3b1~a. nr., 1923; M., 1926. Nemirovsky, L. Physical, physiological and musical acoustics (M.-P., 1923). H~MH~OBCKM~~JI. r. AKYCTMK~ @113kiSe~~a%, @N~IIO~OTM~~CK~R R MY3bIKaJIbHaH. M.-II., 1923. Podgorny, T. "Influence of the age of bowed instruments on musicians' judgements. Music Culture", NO. 3, 1924. nO~rOpHb1fi T. Bnkisr~kie CTaPMHbI CMbISKOBbIX ElHCTPYMeHTOB Ha IICkiXOnOTkiH) MY3bIKaHTa. My3b1KaJIbHa~KyJIbTVa, 1924, NO. 3. Abaza-Grigoriev, A. Music and technique (M., 1925). A6asa-Tpwropbes A. My3b1Ka M TeXHEIKa. M., 1925. Beliavsky, A. Hearing theory applied to music. Backgrounds of physical and musical acoustics (M.-L., 1925). Eenrr~c~kifiA. I?. Teopkirr cnyxa B npmomeHkiki K ~ysa~~e. OCHOB~I@113kiSe~K0fi ki MJ'3b1~aJIb~0fiIKYCTkiKki. M. - n., 1925. Garbuzov, N. "Acoustical nature of major and minor keys", Collected papers of SIMS (musical acoustics collection), issue 1 (M., 1925). rap6y30~H. A. AK~CTH~~CK~H IIpkipOAa MalrtOpa Pi MkiHOpa. B ~6.pa6o~ IIO My3b1KaJIbH0fi aKyCTkiKe, TpyAbI TkIMH, sbrn. 1, 1925. Garbuzov, N. "Addition of natural sounds and their significance", Collected papers of SIMS (musical acoustics collection), issue 1, p. 7 (1925). rap6y30~H. A. Ha~ypaJIbHbIeIIPki3BYKki ki HX rapMOHkiSeCKOe 3HaSeHkie. B ~6.pa6o~ no My- 3b1KaJIbHOfi aKyCTkiKe, TPYgbI rkIMH, BbIII. 1, 1925, C. 7. STL-QPSR 2-311 994

Lifshits, S. "Optimum of ", Collected papers of SIMS (musical acoustics collection), issue 1 (1925). ~EI+IUH~C. H. OIITHM~Mpesep6epaq~~. B c6. pa6o~ no My3bIKaJIbH0fi aKyCTHKe, TPYabI rklMH, BbIII. 1, 1925. Maltseva, E. "Basic elements of hearing sensation", Collected papers of SIMS (physiologic and psychologic collection), issue 1 (1925). Mmbqesa E. A. OCHOBH~I~ 3JleMeHTbI CJIJ'XOBbIX 0u~eHHfi.B KH.: C~OPHHKpa60~ $H~HoJIo~o-IICNXO- normecaofi ceKqHH. Tpy~b~TkiMH, BbIn. 1, M.-fl., 1925. Orlov, I. "Beats and their significance in modern music", Collected papers of SIMS (musical acoustics collection), issue 1, p. 33 (1925). Opno~ki. E. Ekie~mH HX 3na- YeHHe B H~BefiIUefi MY3bIKe. B ~6.pa60~ IIO MYS~IK~JI~HOUaKyCTHKe, TPYAbI mMH, BbIII. 1, 1925, C. 33. Orlov, I. "Experiments with Rzhevkin's cathode harmonium", Collected papers of SIMS (musical acoustics collection),. issue 1, p. 20 (1952).Op~10~ki. E. O~~IT~Ic KaTOnHbIM raPMOHHYMOM C. H. PX~BKHH~.B ~6. pa6o~ IIO My3b1KaJIbH0fi aKY- CTHKe, ~py~b~rkiMH, BbIn. 1, 1925, c. 20. Rzhevkin, S. "Some remarks on sound analysis by Miller's method, Collected papers of SIMS (musical acoustics collection), issue 1 (1925). PX~BKHHC. H. H~CKOJI~KO 3aMe~aHHfiIIO IIOBOay aHaJIH3a 3ByKa IIO MeTony Mmepa. B C~OPHEIK~pa6o~ IIO MY~~IK~JI~HO~~aKyCTHKe, TPYabI mMH, BbIII. 1, 1925. Rosenov, E. "On the development and transformation of tonal systems", Collected I papers of SIMS (musical acoustics collection), issue 1, p. 42 (1925). Pone~o~3. K. 0 pa3BHTHH H npeo6pa30sa~~~TOHaJIbHbIX CHCTeM. B ~6.pa60~ IIO My3bIKiUIbHofi aKyCTHKe, TPYAbI MMH, BbIn. 1, 1925, C. 42. Braudo, E. "Music, revolution, technique", Music and Revolution, issue 2, 1926. Epay~0E. MY~~IK~,PeBOJIIOqkiH, TeXHUKa. B XPH.: MJ'3bIKa H peBOJIIOqHH, NO. 2, 1926. Klestchev S. "Physiology of musical perception". De Musika, p. 123 (1926). Kneue~ C. @w3aoJIor~~My3bIKaJIbHOrO BOCIIPHHTHH. De Musika, 1926, C. 183. Kovalenkov, V. "Automatic notation of sounds", De Musika, p. 135 (1926). KosaJIe~- KOB B. ABTOM~THY~CK~H3aIIHCb 3BYKOB. De Musika, 1926, C. 135. Nemirovsky, L. "Acoustical nature of the intonation in bowed instruments - the problem of natural intonation", De Musika, p. 126 (1926). H~MHPOBCKH~~JI. r. AKYCTHY~CK~HIIPHPOaa HHTOHaqHH CMbIYKOBbIX HHCTPYMeHTOB - npo6~1e~a Ha~ypaJIbHofiMHTOHa4HH. De Musika, 1926, C. 126. Kazansky, V., Rzhevkin S. "Timbre investigations of the singing voice and the bowed instruments", JAP, v. 5, p.87 (1928). Ka3a~c~HfiB. C., PX~BKMHC. H. kiccneno- BaHHe TeM6pa 3ByKa rOJIOCa H CMbIYKOBbIX MJ'3bIKaJIbHbIX HHCTPYMeHTOB. xn@, T. 5, BbIII. 1, C. 87-103, 1928. STL-QPSR 2-31 1994

Dianin, S. "On the problem of solving the equation of ferromagnetic strings in an alternating magnetic field", Collected papers of Leningrad Experimental Electrotechnical Laboratory, issue 9: "Works in musical acoustics", p. 4 (M., 1929). flkia~ki~C. A. K BOIIpOCy 06 kiHTerpkipOBaHllH ypaBHeHkiR KOJIe6aHEifi @eppOMar- HHTHO~~CTPYHbI B IIepeMeHHOM MarHkiTHOM IIOJIe. B Tpy~axfle~ki~rpaaC~0fi KC- nepki~e~~aJIb~0fi~~~KT~OT~XH~~Y~CKO~~ na60pa~opkiki,BbIII. 9 - "Pa60Tb1 no My- 3bIKaJIbHOfi ~K~CTHK~",M., 1929, C. 4. Dianin, S. "On string vibrations under electromagnetic influence", Collected papers of Leningrad Experimental Electrotechnical Laboratory, issue 9: "Works in musical acoustics", p. 4, (M., 1929). fllla~ki~C. A. 0 KOJI~~~HEIHXCTPYHbI IIOA BJIkiRHHeM 3JIeKTPOMaTHUTHbIX BO~A~~~CTBH~~.B KHHTe: Tpy~b~fle~ki~rpa~C~0h 3KCnepkiMe~- TaJIbHOfi ~JI~KT~OT~XH~~Y~CKO~~na6opa~opwki,BbIn. 9 - "Pa60Tb1 no My3bI~aJIb~0fi ~K~CTHK~",M., 1929. Garbuzov, N. "Harmonic modification of chords by addition of natural sounds", Collected papers of SIMS (musical acoustics collection), issue 2, p. 9 (1929). rap6y- 30B H. A. ~~PMOHHY~CKO~B~Oki3MeHeHEie aKKOPAOB HaTYPaJIbHbIMki nPki3BYKa- Mki. B ~6.pa60~ no ~~3bIKaJIbHofiaKyCTkiKe, TPYabI rkIMH, BbIII. 2,1929, C. 9. Matchinsky, M. "Interference (combination tones) of highest orders", Collected papers of Leningrad Experimental Electrotechnical Laboratory, issue 9: "Works in musical acoustics" (M., 1929). M~YHHCKH~~M. B. kIHTep@epeHqki~ (KOM~IIH~~~~OHH~I~ TO- H~I)BbICIIIkiX IIOPRAKOB. B C~OPHEIK~:Tpy~b~ fle~ki~rpa~~~~fi 3~CnepEiMe~~aJIb- H0fi ~JI~KTPOT~XHHY~CKO~na60pa~op~ki, BbIII. 9 - "Pa60Tb1 IIO MJ'3b1KaJIbHofi ~K~CTHK~",M., 1929. Matcinsky, M. "To the problem of objective decoding of musical material", Collected papers of Leningrad Experimental Electrotechnical Laboratory, issue 9: "Works on musical acoustics", (M., 1929). M~YIIHCKH~~M. B. K BOIIPOCY 06 O~%~KTABHO~~ pacIIIki@pO~KeMy3bIKaJIbHOrO MaTepkiaJIa. B C60pHU~e:Tpynb~ fleHkiHrpa~~K0fi 3~CnepkiMe~~aJIb~Ofi~JI~KT~oT~xH~~Y~cKo~~ ~1a6opa~opkiki, BbIn. 9 - "Pa60Tb1 no ~~3bI~aJIb~0fi~K~CTHK~", M., 1929. Novitsky, E. "Subharmonics", Collected papers of SIMS (musical acoustics ~~lle~ti~n),issue 2, p. 84 (1929). HOBH~KH~~E. B. YHT~PTOH~I. B C~OPHIIK~ pa6o.r IIO M~3bIKaJIbH0fiaKyCTkiKe, TPYAbI rkIMH, BbIn. 2, 1929, C. 84. Orlov, I. "On musical acoustical illusions", Collected papers of SIMS (musical acoustics ~~lle~tion),issue 2, p. 75 (1929). OPJIOB kI. E. 0 MY3bIKaJIbHO-aKYCTH- YeCKkiX ItTLnI03kiRX. B ~6.pa6o.r no ~y3b1~a~1b~oiiaKycTkiKe, ~py~brTkIMH, BbIn. 2, 1929, c. 75. Rabinovitch, A. "On peculiarities in the low register in piano compositions", Collected papers of SIMS (musical acoustics collection), issue 2, p. 45 (1929). P~~HHOBHYA. B. 06 OCO~~HHOCTHXHEi3KOrO PerlICTpa B @O~T~~H~HH~IXCOYIIHeHkiRX. B ~6.pa60~ no ~ysb~~a~~b~ofiaKyCTkiKe, TpYAbI rkIMH, BbIn. 2, 1929, c. 45. STL-QPSR 2-311 994

Ris, R. "Investigation of highest natural additional sounds of orchestral instruments", Collected papers of SIMS (musical acoustics collection), issue 2, p. 62 (1929). Pkic P. ~~ccJI~~oB~H~~C!BepXHMX HaTypaJIbHbIX IIPE13BYKOB OPKeCTPOBbIX HHCTPYMeHTOB. B c6. pa6o~no ~~3b1KaJIbHofiaKyCTEIKe, TpYAbI rHMH, BbIn. 2, 1929, C. 62. Zimin, P. "To the problem of sound generation in bowed musical instruments", Col- lected papers of SIMS (musical acoustics collection), issue 2, p. 91 (1929). ~IIMEIHn. K BOIIpOCy 0 3~~~006pa30~a~kikiY CMMSKOBbIX MY3bIKaJIbHbIX HHCTPYMeHTOB. B c6. pa6o~no My3b1KaJIbHofi aKyCTkiKe, TpYAbI rHMH, BbIn. 2,1929, C. 91.

Zernov, V. Oscillations and waves. Sound and music. (M., 1930). 3ep~o~B. A. Kone- 6a~kiaki BOJIHM. ~BYKki MY3bIKa. Mocnonkirpa*, 1930. Veprik, A. To the problem of a class basis for orchestration, Part 1 (M., 1931). Ben- PHK A. M. K BOIIPOCY 0 KJI~CCOBO~~O~~C~OBJI~HHOCT~~ OPKeCTPOBOrO IIIICbMa. Y. 1. M., 1931. 1 Rabinovitch, A. Oscillographic method for melody analysis (M., 1932). Pa6ki~oskis A. B. Oc~morpa~usec~EliiMeTon aaa~~ki.lsaM~JIOAIIH. M., 1932. Nemirovsky, L. Mechanics, physiology and acoustics of the violin system, Part 1 (L.- M., 1933). H€!M~~POBCKH~~fl. r. MexaHkiKa, @i3ki0JI0~kiH ki aKyCTkiKa CKPkinkiSHOrO annapa-ra. Y. 1, JI. - M., 1933. Andreev, N. "Choice of material for soundboards of musical instruments", in Proceedings of the all-Union Acoustical Conference. (M., 1935). A~apeeBH. H. BLI- 60p MaTepHaJIa AJIH AeK MY3bIKaJIbHbIX IIHCTPYMeHTOB. BC~COH)~H~UIaKYCTkiYeCKaH ! KOH@!~~H~~UI,M., 1935. 1 Garbuzov, N. Acoustical investigation of absolute pitch perception (M., 1935). rap6~30~H. A. AK~CT~~.I~CKO~MCCneAoBaHkie a6con1o~~orocnyxa. M., 1935. Rabinovich, A. "Physical characteristics of the singing voice". Uspekhi Fisicheskih nauk, 15(7), pp. 924 - 930 (1953). Pa6ki~o~rnA. B. @H~IIY~CKE~~XaPaKTePkiCTkiKki I I neBSecKoro ronoca. Ycnexki @H~MS~CKEIXHap, T. 15, sbIn. 3, c. 924-930,1935. Rimski-Korsakov, A. "Calculation of equivalent mechanical resistance for a 1 soundboard model", JTP, v. 5(5), pp. 868-875 (1935). PHMCKH~~-KOPC~KOBA. B. P~CY~T3KBkiBaJIeHTHOrO MeXaHElSeCKOrO COIIpOTElBJIeHIlH MOAeJIki AeKki. XT@, T. 5, No. 5, c. 868 - 875, 1935. Rimski-Korsakov, A., Matveev, P. "Experimental determination of reduced constants of string-soundboard system", JTP, v. 5(4), pp. 685-702 (1935). PIIMCK~I~~-KOPC~KOB A. B., Ma~see~n. A. ~KC~~~HM~HT~JI~HOC!OIIpeAeJIeHkie npIlBeAeHHbIX IIOCTOHH- HbIX CkiCTeMbI CTPJ'Ha-AeKa.)I(T@, T. 5, NO. 4, C. 685-702, 1935. STL-QPSR 2-31 1 994

Garbuzov, N. (ed.) Collected papers of SRMI (Acoustical collection). Issue 1 (M., 1936). rap6y30~H. A. (pen.) Tpynbr H~~.IHo-IIccJI~~oB~T~?.JI~cKo~oMY3bIKaJlbHOTO IIHCTIITYTa MOCKOBCKO~~roc. Ko~cepsa~opkis. AKYCT~~~~CKM~~ C~OPHMK,BbIn. 1, Mysnls, M., 1936. Garbuzov, N. "Correlation between flageolet pitch and the place of string excitation", Collected papers of SRMI (Acoustical collection), issue I, p. 5 (L., 1936). rap6y30~ H. A. ~~BMCHMOCT~MemY BbICOTOH) @JI~xoJI~ToBII MeCTOM B036~~eHkllICTPYHbI. B Tpy~axH~~Ho-IIccJI~~oB~T~J~~cKo~o MY3bIKaJIbHOTO IIHCTIITJ'Ta npll J~H.roc. KOHC~~B~TO~HH,C~OPHIIK pa6o~ aKycTmecKoro pa3~e~1a,sbIn. 1, My3r113, M., C. 5, 1936. Lifshits, S. "The unit of hearing extent", Collected papers of SRMI (Acoustical collection), issue 1, pp. 29-37 (1936). ~II@IIIH~C. H. EAIIHIIU~cnyxo~oii npo- THXeHHOCTII. B Tpy~axH~J'YHO-IICCJI~~OB~T~?.JI~CK~~O MY3bIKaJIbHOTO IIHCTIITJTa nps J~H.roc. KoHc~~B~To~IIII,C~OPHIIK pa6o~aKycTarecKoro pasne~~a,sbIn. 1, c. 29-37, My3r113, M., 1936. Ostroumov, G. "On free oscillations of a circular plate with a frictional support along the edge (to the theory of a soundboard' model - A.G.)", JTP, v. 8, No. 7 (1936). OCTPO~MOBr. A. 0 CBO~OAH~IXKoJI~~~HIIHx KPJTJIo~~ TlUIaCTEIHbI C TpeHBeM B MeC- Tax OnOpbI y KpaX - KT@, T. 8, NO. 7,1936. Simonov, I. "Sound localisation indoors", Collected papers of the SRMI (Acoustical collection), issue I, pp. 39-40, (M., 1936). CIIMOHOBII. H. JIosaJIwsauaa s~y~aB 3a- KPbITbIX KIOMe~eHIISIX. Tpynb~HapHO-IICCJIe~OBaTeJIbCKOrO MY3bIKaJIbHOTO IIHCTII- TyTa npH Moc~o~c~oiiroc. KoHcepsaTopm. C~OPHMKpa6o~ aKycTarecKoro pas- AeJIa, BbIII. 1, M., 1936, C. 38-40. Skrebkov, S. "Role of the initial moments of the sound of musical instruments", Collected papers of SRMI (Acoustical collection), issue 1, p. 13, (M., 1936). CK~~~KOBC. C. P0JIb MOMeHTa B03HEIKHOBeHIIB 3BYKa B MY3bIKaJIbHbIX IIHCT- PyMeHTaX. B Tpynax H~~HO-IICCJI~~~B~T~?.JI~CKO~OMY3bIKaJIbHOrO IIHCTkiTyTa nPII Moc~o~c~oiiroc. KOHC~~B~TO~MM, C~OPHMKpa6o~ aKycTlirecKoro pasnma, sbIn. 1, My3r113, M., 1936, c. 13. Skrebkov, S. "Role of the initial moments of the sound of musical instruments", JTP, issue 7, pp. 2 190-2193 (1936). CKP~~KOBC. C. P0JIb MOMeHTa B03HIIKHOBeHII5I 3BY- Ka B MY3bIKaJIbHbIX IIHCTPyMeHTaX. KT@, NO. 7, C. 2190-2193, 1936. Garbuzov, N. "Activity at SRMI of the Moscow Conservatoire (1934-1936)", Soviet Music, issue 2, pp. 89-91, (1937). rap6y30~H. A. Pa6o~aH~~.IHo-IIccJI~~oB~T~?.JI~- CKOrO IIHCTIITYTa npll Moc~o~c~oiiKOHCepBaTOpIIII (1934-1936). COB~TCK~~IMy- 3bIKa, NO. 2, C. 89-91,1937. Rimski-Korsakov, A. "Problem of a piano hammer striking a string (Parts 1,2)", JTP, v. 7(1), pp. 43-74 (1937). PIIMcKII~~-KoPc~KoBA. B. 3aaara 06 ynape @op~en~a~- STL-QPSR 2-311 994 I

HOrO MOJIOTKa 0 CTPJ'HY. %CT~ 1 - xT@,T. 7, NO. 1, C. 43-55; saCTb 2 - xT@,T. 7, No. 1, c. 56-74, 1937. Rimski-Korsakov, A. "Spectra of energy transmitted from string to soundboard of a plucked instrument", JTP, v. 7, p. 151 (1937). PI~McKI~~-Ko~c~KoBA. B. Cne~~p 3HeprHI4, TeKyweG OT CTPYHbI B AeKy uElIIKOBOr0 FiHCTPYMeHTa. xT@, T. 7, C. 151,1937. Rimski-Korsakov, A. "Energy spectra of a piano string excited by a hammer", JTP, v. 7(3), pp. 225-241 (1937). PEIMCKEI~~-KOPC~KOBA. B. CIIeKTp 3HeprElEi @oPT€!III~~H- H0fi CTPJ'HbI, B036~e~H0fiMOJIOTKOM. )I(T@, T. 7, NO. 3, C. 225-241,1937. I Rimslu-Korsakov, A., Samoilenko, K. "Experimental determination of stiffness and friction of piano hammer felt", JTP, v. 7(2), pp. 135-150 (1937). PEIMCKM~~-KOPC~KOB A. B., C~MO~~HKOK. T. ~KcII~~I~M~HT~JI~HO~ OIIpeAeJIeHkie XeCTKOCTH I4 TpeHllH @maqa@op~enkia~~oro Monoma. XT@, T. 7, No. 2, c. 135-150, 1937. Andreev, N. "On wood for musical instruments", SRIMI - collection of works, issue 1, p. 13 (M.-L.,1938). am pee^ H. H. 0 AepeBe AJIH My3bIKaJIbHbIX EfHCTPYMeHTOB. B KH: HkikiMII - C~OPHEIKTPYAOB, B~III.1, M.- JI., C. 13,1938. Anonymous. "Electromechanical analogies applied to the grand piano", SRIMI - I collection of works, issue 1, p. 127 (M.-L., 1938). 3~re~~po~exa~~rec~~eaHaJIoruM B IIPIIMeHeHEIII K POIUIH). Tpy~b~HkiklMn, BbIII. 1, C. 127,1938. Anonymous. "Experimental determination of the fundamental of resonators of plucked musical instruments", SRIMI - collection of works, issue 1, p. 157 (M.-L., 1938). ~KcII~~uM~HT~UI~HO~OIIpeAlYIeHlle OCHOBHO~~W3CTOTbI pe30HaTOpa 4EmKO- BbIX UHCTPYMeHTOB. B ~6.:Tpy~b~ HklklMn, BbIII. 1, C. 157, 1938. Anonymous. "Method to determine string tension and wave resistance of tuned musical instruments", SRIMI - collection of works, issue 1, p. 150 (M.-L., 1938). I Me~onOIIpenlYIeHllH HaTHXeHHH CTPJ'H I4 IIX BOJIHOBbIX COIIPOTE~BJI~HI~~~B HaCTpO- eHHbIX MY3bIKaJIbHbIX EIHCTPYMeHTaX. Tpy~b~HklKTklMn, BbIII. 1, C. 150, 1938. Anonymous. "Simplified method for evaluation of acoustical properties of plucked musical instruments", SRIMI - collection of works, issue 1, p. 134 (M.-L., 1938). YIIpOueHHbIfi MeTOA 0UeHKI.I aKYCTRYeCKMX IIapaMeTpOB uHIIKOBOr0 MY3bIKaJIb- HOrO HHCTPYMeHTa. B ~6.:Tpy~b~ HklklMn, BbIII. 1, C. 134,1938. Diakonov, N. "On trends in research works at SRIMI", SRIMI - collection of works, 1 issue 1, p. 3 (M.-L. 1938). ,&HKOHOB H. A. 0 HanpasneHuH ~ayr~o-14ccneno~a- TeJIbCKkiX pa6o~HHCTHTJ'T~ MY~~IK~JI~HoGIIPOMbIIJLIIeHHOCTH. B KHEITe: HklHMn - C~OPHHKTPYAOB, B~III. 1, M.- JI., 1938, c. 3. Kuzin, N. "Elasticity constants for resonance spruce", SRIMI - collection of works, issue 1, p. 28 (M.- L., 1938). KY~HHH. kl. KOHCT~HT~IJTIPJTOCTH APeBeCElHbI ~~~OH~HCOBO~UH. Tpyn1.1 HHHMn, BbIII. 1, C. 28, 1938.

STL-QPSR 2-311994

Konstantinov, B. "On self-sustained oscillations and sound generation in the harmonica reeds", SRIMI - collection of works, issue 2, p. 18 (M.-L., 1939). KOHCT~HTHHOBE. n. 06 ~BTOKOJI~~~HE~~~Xki 3~y~006pa30~a~kiki H3bISKa rapM0- Hkiki. Tpy~b~HkikiMII, BbIII. 2, C. 18, M.- JI., 1939. Konsta~ntinov, B. "On self-sustained oscillation and sound generation of the harmonica reeds", JTP, v. 9(20), pp. 1820- 1831 (1939). KOHCT~HT~~HOBE. n. 06 aBT0~0Jle6a- HHHX ki ~BJ'KOO~~~~OB~HEIEIH3bIYKa ~aPMOHkiki.xT@, T. 9, BbIII. 20, C. 1820- 1831, 1939. Kulikov, N. "Crossgrain influence on the quality of spruce resonance wood, SRIMI - i collection of works, issue 2, p. 148 (M.-L., 1939). KYJIHKOBH. n. Bnki~~kie~oco- CJIOH Ha KageCTBO A~YHO~~ApeBeCMHbI eJIki. TPJ'JLI HkikiMn, BbIII. 2, C. 148, M.- i JI., 1939. Levidov, I. Singing voice in healthy and pathological state. (M.-L., 1939), 254 p. + ill. JI~BWOBki. ki. ne~gec~kifirOJIOC B 3AOPOBOM ki 60JIbH0~COCTOHHHM. M. - I., 1939,254 c. c m. Matveev, P. "Device for acoustical impedance measurement", SRIMI - collection of works, issue 2, p. 141 (M.-L., 1939). M~TB~~Bn. A. YCTPO~~CTBO ~na ki3~epe~kia 1 aKycTsrecKoro conpoTkianeHkia. TPYA~IHkikiMn, B~III. 2. M.,- JI., C. 141,1939. Matveev, P. "Two devices for mechanical impedance measurement", SRIMI - collec- tion of works, issue 2, p. 125 (M.-L., 1939). M~TB~~Bn. A. Ass npki6opa Aria ki3- MepeHHH MexaHkigecKoro COIIpOTkiBJIeHkiH. Tpynb~HkikiMn, BbIII. 2, C. 125, M.- a. 1939. Mironov, N., Kulikov, N. "Investigation of the influence of kiln drying on the quality of soundboard wood", SRIMI - collection of works, issue 2, p. 162 (M.-L., 1939). MH~OHOBH. ki., KYJIHKOBH. II. kiccnenosa~kieankiaHkia ~a~ep~oiicym~ki Ha KareCTBO AerHOfi ApeBeCkiHbI. Tpyab~HkikiMn, BbIII. 2, M.-JI., C. 162,1939. 1 Rimski-Korsakov, A. "Anechoic chamber", SRIMI - collection of works, issue 2, p. 112 (M.-L., 1939). P~~McK~~~~-KoPc~KoBA. B., HOBMKOB A. @. 3arnyrue~~a51KaMe- pa. Tpy~b~HkikIMII, BbIII. 2. C. 112, M.- JI., 1939. Rimski-Korsakov, A. "Investigation of the relations between transient compliance, spectra of oscillation after a single push, frequency and phase characteristics of an oscillating system", SRIMI - collection of works, issue 2, p. 64 (M.-L., 1939). Pki~c~~fi-KOPC~KOBA. B. Conoc~aane~kie nepexon~oii noaaTnkiBocTki, cneKTpa ~0JTe6aHkifiIIpM eAkiHkiYH0M TOJIYKe ki ~~CTOTHO~~M @33~0fi XapaKTepkiCTElK KOJIe- 6aTeJIbHOfi CkiCTeMbI. Tpy~b~HkiHMII, BbIII. 2, C. 64, M.- JI. 1939. Rimski-Korsakov, A. "Investigation of the spectrum of musical tones", SRIMI - col- lection of works, issue 2, p. 80 (M.-L., 1939). PHMCK~~~~-KO~C~KOBA. B. kiccne~o- BaHkie CIIeKTpOB MY3bIKaJIbHbIX TOHOB. Tpy~b~HkikiMn, BbIII. 2, C. 80, M.- JI., 1939. STL-QPSR 2-31 1994

Rimski-Korsakov, A., Kasatkin, 0. "Tonometer with a cathode ray tube", SRIMI - collection of works, issue 2, p. 116 (M.-L., 1939). PHMcKE~~-Ko~c~KoBA. B., K~C~TKHH0. kI. TOHOM~TPC K~TOAHO~~ TPY~KO~. Tpy~a HkIkIMn, BbIn. 2. C. 116, M.- JI. 1939. Rimski-Korsakov, A., Novikov, A., Krishtalevitch, A. "Equipment for objective evaluation of musical instruments", SRIMI - collection of works, issue 2, p. 107 (M.- L., 1939). PIIMCKH~~-KOPC~KOBA. B., HOBHKOB A. @., KPHIIIT~~BHYA. H. Anna- PaTJ'pa An% ~~'~~KTHBHO~OHCnbITaHIIH MY3bIKaJIbHbIX HHCTPYMeHTOB. Tpy~b~ HkIMMII, BbIn. 2, C. 107, M.- JI. 1939. Rimski-Korsakov, A., Krishtalevitch, A. "Statistical investigations of musical instruments", SRIMI - collection of works, issue 2, p. 5 (M.-L., 1939). PIIMCKII~~- Kopca~o~A. B., Kpk~m~meslisA. H. CT~TE~CTHY~CKO~o~cJI~AoB~HII~ MY3bIKaJIb- HbIX HHCTPYMeHTOB. Tpy~b~HkIHMH, BbIn. 2. C. 5, M.- n. 1939. Ugolnikov, N. "On some physical properties of grand pianos", SRIMI - collection of works, issue 2, p. 95 (M.-L., 1939). Y~oJI~HIIKoBH. H. O HeKOTOPbIX @H~MY~CKEIX CBOI%CTB~XpOHJIek. Tpy~brHkIkIMII, BbIn. 2., C. 95, M.- JI. 1939. Yakovlev, N. "Theory and practice of the excitation of the piano string" Part I: JTP, v. 9(4), pp. 321-328 (1939); Part 2: JTP, v. 9(13), p. 1218 (1939). H~oane~H. kI. Teo- PHH II IIpaKTElKa ~036yweHIIH~o~T~~II~HH~Ix CTPYH, YaCTb 1: KT@, T. 9, NO. 4, C. 321-328, 1939, YaCTb 2: KT@, T. 9, NO. 13, C. 1218, 1939.

1940 - 1949 Belov, A. "Soundboard response to ", JTP, v. 10, pp. 807-812 (1940). Eeno~A. kI. Pea~qkiaAeKH Ha s~6paqkimCTP~. XTQ, T. 10, C. 807-812, 1940. Rimslu-Korsakov, A. "Some questions related to theoretical and experimental investigations of a piano hammer blow on the string", Candidate Dissertation, Physical Institute of the USSR Academy of Sciences (M., 1940). PHMCK~~~-KO~C~KOBA. B. H~KOTO~~I~BOnpOCbI TeOpeTkiYeCKOrO II 3KCnepHMeHTaJIbHOrO HCCJIeAOBaHllH YAa- pa @op~en~a~~oroMonoTKa no cTpyHe. fl~lccep~as~rrKaHn. @.-M. H., @113. IIHCTII- T~TAH CCCP, Moc~sa,1940. Teplov, B. "Musical sound sensation", Scientific notes of the State Scientific-Research Institute of P~ychology,V. 1 (1940). Temo~6. M. OuyXQeHEie MY3bIKaJIbHOrO 3BY- Ka. B c6.: "Yyeab~esan~lc~li roc. HkIkI IIc~xonor~~.i",T. 1,1940. Belov, A., Ugolnikov, I. "Frequency characteristics of soundboards in keyboard instruments", SRIMI - collection of works, issue 3, p. 34 (M.-L., 1941). Eeno~A. kI., Y~oJI~HHKoBkI. kI. Y~CTOTH~I~XaPaKTePHCTHKH H3JlJ'YeHllfl AeK KJIaBHIIIHbIX IIHCTPYMeHTOB. Tpy~b~HkIkIMn, B. 3, C. 34,1941. Gurevitch, J. "On methods for experimental study of the process of sound generation in brass instruments", SRIMI - collection of works, issue 3, p. 78 (M.-L., 1941). STL-QPSR 2-31 1994

rypeBHY II. M. K MeTOAHKe 3KCIIepHMeHTaJIbHOrO ki3J"WHkiH IIpO4eCCa 3ByK006pa- 30BaHWI B MeaHbIX AYXOBbIX HHCTPYMeHTaX. Tpy~b~HMkIMn, B. 3, C. 78,1941.

Gurevitch, J. "On the pitch of brass instruments" SRIMI - collection of works, issue 3, p. 49, (M.-L., 1941). rypeBll'4 H. M. 0 CTpOe MeAHbIX AYXOBbIX MHCTPYMeHTOB. Tpy~b~HIIIIMII, B. 3, c. 49. 1941. Gurevitch, J. "Developing devices for artificial excitation of wind instruments", SRIMI I - collection of works, issue 3, p. 69 (M.-L., 1941). rypesus II. M. Paspa60~~a npki60po~ AJIH HCKyCCTBeHHOrO ~036yweHHSIAJXOBbIX HHCTPYMeHTOB. Tpy~b~ HIIIIMII, B. 3, c. 69, 1941. I Rimslu-Korsakov, A. "Theory of energy transfer caused by a piano hammer blow on a string", SRIMI - collection of works, issue 3, p. 5 (M.-L., 1941). PHMcKH~~-Ko~c~KoB A. B. Teopkia nepeaawi 3~epr~~npki yAape @op~en~a~~oroMonoma no cTpyHe. Tpyna~HIIIIMII, B. 3, c. 5,1941. Rusakov, I. "Role of shape and material in violin bows", SRIMI - collection of works, issue 3, p. 80, (M.-L., 1941). Pyca~o~II. r. Ponb @OPMII 11 MaTepkiaJIa B CKPH~HY- HOM CMbIYKe. Tpy~b~HIIMMII, B. 3, C. 80,1941. E Vagin, L. "School harmonium", SRIMI - collection of works, issue 3, p. 98 (M.-L., 1941. B~~HHJI. C. ~KoJI~H~~I @Hc~~~MoHH~I. Tpy~b~ HklUMn, B. 3, C. 98,1941. Korsunsky, S. "Zones of intervals when playing instruments with free intonation", Fiziologicheskii zhurnal SSSR, v. 32(6), pp. 769-776 (1946). Kopcy~c~~iiC. r. 30- HbI HHTepBiSJIOB IIpH BOCnpOM3Be~eHHHHX Ha I4HCTPYMeHTaX CO CBO~OAHO~~HHTO- naukieii.

Garbuzov, N. "To the problem of auditory image 'loudness"'. Reports of the USSR Academy of Sciences, v. 7, pp. 1297-1300 (M., 1948). rap6y30~H. A. K Bonpocy o r'rp~~~~~~~iiCA~XOHHX mpegc~aane~~fi. flo~na~br AH CCCP, 1948, T. 7, c. 1297- 1300. Garbuzov, N. Zonal nature of a pitch perception (M.-L., 1948). rap6y30~H. A. 30HHa5I npHpOfla 3BYKOBbICOTHO~OCJIyXa. M.-J., 1948. Korsunsky, S. "Acoustical research on the vibrato in the singing voice", Problemi fiziologicheskoi akustiki, v. I, pp. 159-165 (1 949). KOPC~HCKH~~C. r. A~yc~llrec~oe HccneAosaHlie BH~~~TOB nesrecKoM ronoce, npo6~1e~b1@~3~0~10r~rec~oii aKyc- THKH, T. 1, C. 159-165, 1949. Rimski-Korsakov, A. "Research on stringed musical instruments", Doctoral disserta- tion (L., 1949). PEIMCKH~~-KOPC~KOBA. B. ~~ccJI~AoB~HH~ CTPyHHbIX My3bIKiNIbHbIX MHCTPYMeHTOB. ~~OKTOPCK~RAHCCePTauHH. J., 1949.

1950 - 1959 Garbuzov, N. "Zonal nature of tonal hearing", Problemi fiziologicheskoi akustilu, v. 2, pp. 139-152 (1950). rap6~30~H. A. ~OHH~HIIpHpOAa TOHiNIbHOrO CJIyXa. IIpo6~1e- MbI @H~IIoJIo~H~~cKo~~aKYCTHKEI, T. 2, C. 139-152,1950. Garbuzov, N.Zonal nature of tempo and rhythm (M., 1950). rap6y30~H. A. 30HHaR npHpoAa TeMna H pHma. M., 1950. Korsunsky, S. "Influence of sound spectrum on pitch", Problemi fiziologicheskoi akustilu, v. 2, pp. 161- 165 (1950). KOPC~HCKH~~C. r. BnHa~Eie cneKTpa BOC~PHHH- MaeMoro s~y~aHa ero B~ICOT~.npo6ne~b1 @H~HOJIO~H~~CKO aKycTmm, T. 2, C. 161-165, 1950. Korsunsky, S. "To the question of the acoustical research on loudness of the singing voice", Problemi fiziologicheskoi akustiki, v. 2, pp. 153-160 (1950). KOPC~HCKH~~C. r. K BOnpOCy 06 aKyCTHreCKOM HCCJIeAOBaHHH rPOMKOCTH IIeBW!CKOrO rOJIOCa. np06JIeMb1 @H~HoJIoTHY~cKo~~aKYCTHKH, T. 2, C. 153-160,1950. Rimski-Korsakov, A. "Dependence of the frequency and shape of string oscillations on the stored oscillatory energy", in Proc. of the Commission on Acoustics, No. 5, pp. 89- 94, (1950). PHMCKH~~-KOPC~KOBA. B. ~~BIICIIMOCT~ YaCTOTbI H @OPM~I~0JIe6aHllfi CTPYH~IOT sanaca ee ~one6a~e~a~oiisHeprm. TPYA~IKOMHCCHH no aKycTme, No. 5, c. 83-94, 1950. Simonov, I. "Dynamical range of solo and choral voices". Problemi fiziologicheskoi akustiki, v. 2, pp. 166- 169 (1950). CHMOHOBH. fl. ~~IIH~MUY~CKI.~~~lianaso~b~ co- JIHCTOB H aHcaM6JIefi. np06JIeMb1 @H~H~JIo~H~~cKo~~aKYCTHKH, 1950, T. 2, C. 166- 169. Skrebkov, S. "Loudness diagrams for instruments of the symphony orchestra", Proble- mi fiziologicheskoi akustiki, v. 2, pp. 170-175 (1950). CK~~~KOBC. C. flkiarpaMMb1 STL-QPSR 2-31] 994

Garbuzov, N. Interzonal intonation hearing and the methods to develope it (M.-L., 1951). rap6~30BH. A. BH~TPH~OHH~I~~~~HTOH~~IIOHH~I~~ CJIF Fi MeTOAbI er0 pas- BHTHR. M.-JI., 1951. Rimski-Korsakov, A., Diakonov, N. Musical Instruments (methods of research and calculation) (M., 1952). PkiMcKkiii-KopcaKos A. B., ~~~~KOHOBH. A. My3bIKaJIbHble ElHCTPYMeHTbI (M~TOA~IIICCJIeAOBaHIISI ki pacre~a).M., Poc~~~~M~cT~~oM,1952. Anonymous. "Experimental research on piano soundboard oscillations". Report of the Research Scientific Institute of Mathematics and Mechanics, Leningrad State University (1953). 3~Cnepki~e~TaJIb~OeHCCJIeAOBaHkie KOJIe6aHkifi AeK nkiaHllH0 ki porn% O.I.~~THHH MaTeMaTEiKki ki Mexa~ki~w,Jim, 1953. Garbuzov, N. (ed), Bagadurov, V., Zimin, P., Korsunsky, S., Rozhdestvensky, A. Musical acoustics (M., 1954). rap6y30~H. A. (pea.), Eara~ypoBB. A., ~IIMIIH n. H., Kopcy~c~kifiC. r., PO~~CTB~HCKH~~A. A. My3bIKaJIbHaSI aKyCTkiKa. M., My3r113, 1954.

Garbuzov, N.Zonal nature of dynamical hearing (M, 1955). rap6y30~H. A. ~OHH~SI npkipoga naHaMkirecKoro cnyxa. M., 1955.

Diakonov, N. Vertical and grand piano making (M., 1955). ~~HKOHOBH. A. npoki3- BOACTBO ki IIHaHUHO. M., rki3Me~Tn~0~,1955. I Rivin, A. "Experimental research on the forces acting on string and soundboard during the blow of a piano hammer", in Proc. of the Commission on Acoustics, No. 8, p. 51 (1955). PUBHHA. H. ~KC~~~HM~HT~JI~HO~HCCJIeAOBaHkie CHJI, ~~~CTBJ'IOII~MXHa CTP~HY 11 AeKy npH yAape @op~enkia~~oroMonoma. TPYAII KOMHCCUH no I aKyCTkiKe, T. 8, 1955, C. 51. Rivin, A. "Investigation of the process of striking excitation of a piano string", Candidate dissertation (M., 1955). PHBHHA. H. Hccneao~a~kienpouecca yAapHoro ~036ymeHkiSI KOJIe6aHkifi CTPYHbI $OPT~IIH~HO.K~HARA~TcK~SI AkiCCePTa4kiSI. A~~~TkireCKkifikiHCTkiTp AH CCCP, M., 1955. Baranovsky, P., Jutsevitch, E. Pitch analysis of free melodic pitch (Kiev, 1956). EapaHOBCKkifi n. r., H)qeBWI E. E. ~BYKOB~ICOTH~I~~aHaJIki3 CBO~OAHO~OMeJIO- AIISeCKOTO CTPOH. Kae~,1956. Garbuzov, N. Zonal nature of timbre hearing, (M., 1956). rap6y30~H. A. 30HHaSI npkipOAa T~M~POBOTOCJIFa. M., 1956. Rzhevlun, S. "Some results of a singing voice analysis", AJ, v. 2(2), (1956), PX~BKHH C. H. H~KOTO~~I~pe3ynb~a~b1 a~anki3a nesrecKoro ronoca. AX, T. 2, sb~n.2, c. 205-210, 1956. STL-QPSR 2-31 1994

Yankovslui, B. "An objective method for serial examination and evaluation of the violin using impulse excitation", in Proc. of the IV USSR Acoustical Conference (M., 1957). HHKOBCKH~~E. O~'~~KTHBH~I~ MeTO.4 ~epHfiH0~0 HCIIbITaHHH H 04eHKH CKPHIIOK Ha 6a3e HMIIYJlbCHOrO B036y~e~HBHX KoJI~~~HH~~.B TPYAaX 4-fi Bcecoms~oiiKOH@~~~H~HH IT0 aKyCTHKe, M., 1957. Yankovskii, B. "Determination of the optimal parameters of violins for control of industrial production", in Proc. of the IV USSR Acoustical Conference (M., 1957). HHKOBCKH~~E. A. YcT~HoBJI~HH~OIITHMaJIbHbIX IIapaMeTpOB CKPHIIOK &JIB KOHT- POJIB HX B IIPOH3BOACTBe. B TPYAaX 4-fi Bcecolos~oiiKOH@~~~H~HH IIO aKyCTEiKe, M., 1957.). Morozov, V. "On research on the singing process control by vibrometry", Vesti LGU, N 15, pp. 1 1- 12 (1959). MOPO~OBB. n. K HccneAoBaHHH ronoco~oii~~HK~HH IIeBUOB cnoco60~BH~POM~TPIIII. B~CTH JIW, NO. 15, C. 11-12,1959. Struve, B. The process of viol and violin making. (M., 1959). C~pyseE. JI. npoqecc @O~MH~OB~HHSIBHOJI H CKPHIIOK. M., 1959.

1960 - 1969 Ershov, V., Lvovitch, A. "Experimental research on piano soundboard oscillations", Scientific notes of the Leningrad University, Series of Mathematical Sciences, issue 35, pp. 15-24 (1960). Epmo~B. A,, ~~~BOBHYA. H). ~KcII~~HM~HT~JI~HO~HCCJIeAO- same ~one6a~wiiAeK nHaHmo. Yse~bre~~IIHCKH JIe~~~rpanc~oro Y~kisepc~~e- Ta, NO. 220, CepHH MaTeMaTHWXKHX HayK, B. 35,1960, C. 15-24. Gipperpreiter, J. "Auditory pitch perception", Candidate dissertation in psychology (M.,1960). r~lnnepnpeii~epIO. E. BOCII~AXTH~B~ICOT~I 3~y~a. ~IICC~PT~~HB Ha coHcKaHHe yre~oiicTeneHH KaynHnaTa ncHxonorHrecKHx Haw, M., 1960. Morozov, V. "On the role of vibrational sensation in human voice control", Candidate dissertation (L., 1960). MOPO~OBB. II. O POJIH BEI~~~~IIOHHO~OYpCTBa B perynu- POBaHHA ~OJ~OCOBO~@~HK~HM SeJIOBeKa. ~HCC~PT~~EIRHa COHCKaHHe yzieH0fi CTe- nem KaynHAaTa ~~IOJIO~EIY~CK~~XHayK, BMOJIA HM. C. M. K~posa,1960. Mutian, A. "Sound and hearing", Problems of Musicology, v. 3 (M., 1960). M~THHA. @. ~BYKIi cnyx. Bonpocb~MY3bIK03HaHHR - ~6.CT~T~G., T. 3, MY~TH~,1960. Samoilova, I. "Research on the minimal distinctive intervals between two tonal signals", AJ, v. 4(3) (1960). Ca~okmosakl. K. klccnenosa~~eMHHHM~JI~HO P~~JIH- YHMbIX HHTePBaJIOB Memy AByMB TOHaJIbHbIMH CHrHaJIaMH. Ax, T. 4, NO. 3, 1960. Rudakov, E. "Mysteries of unusual voices (on the wide range of the Peruvian singer Ima Sumak)", Znanie - Sila, No. 1, pp. 32-33 (1960). P~H~KOBE. A. 3aran~~ Heo- ~~IYH~IX~OJIOCOB, ~H~HH~-cIZ~~,NO. 1, C. 32-33, 1960. STL-QPSR 2-311 994

Egorov, J. "Why a piano sounds bad", Local Industry and Artistic Craft, No. 2, pp. 10- 11 (1963). Eropo~H). ~OY~MYIIJIOXO 3BJYkiT IIkiaHkiHO. M~CTH~RIIpOMbIIIIJIeH- HOCTb ki XyAOXeCTBeHHbIe IIpOMbICJIbI, NO. 2, C. 10-11, 1963. Morozov, V. "Research on articulation in singing", Transactions of the Leningrad Naturalists Society, v. 73(1), pp. 114-122 (1963). MOPO~OBB. n. Elccne~o~a~kie ~~~~~~SMBOCTIIB0KaJIbH0fi peqki. Tpy~ar fle~ki~rpa~~~Or0 06uec~sa eCTeCTBOkiC- IIb1TaTt?JIefi,T. 73, BbIII. 1, C. 114-122, 1963. Nazaikinsky, E, Rags, J. "On the works of the musical acoustics laboratory at the Moscow State Conservatory named after P. I. Tchaikovskii", in Use of technical aids and a programmed study process in special secondary and high schools, pp. 114-125 (M., 1963). Ha3afiK~~~~kifiE. B., Part H). H. 0 pa60Tax na60pa~opkikiMY3bI- KaJIb~ofiaKYCTElKll MOCKOBCKO~~~OC~A~~CTB~HHO~~ KOHCePBaTOPkiIl HM. n. H. %~UKOBCKO~O. B ~6.:npki~e~e~kie TeXHkireCKkiX CpeACTB ki IIpOrpaMMkipOBaHHOrO 06y.ie~kiaB cpe~~eficneqkianbsofi ki sb~cmeumaone. M., c. 114-125,1963. Rudakov, E. "A new theory of the physiology and acoustics of the singing voice", in The art of singing, by Nazarenko I., 2nd ed., pp. 263-275, (M., 1963). P~A~KOBE. A. Hosaa TeOpAH @~3~0~10rkikiki aKYCTkiKki IIeBYeCKOrO TOJIOCI. B KHkire: Ha3apeHKo I ki. K. HCK~CCTBOneHkia, 2-e H~A.,M., 1963, c. 263-275. Sahaltueva, O., Lobanov, P., Nazaikinsky, E. "Musical dictations of timbre", in Use of technical aids and a programmed study process in special secondary and high schools, pp. 126-131 (M., 1963). CaxaJI~yeBaO. E., fl06aHOB II. B., Ha3afi~ki~~~kifiE. B. Te~6posbreMY3bIKaJIbHbIe AkiKTaHTbI. B ~6.:npki~e~e~kie TeXHkiSeCKkiX CpeACTB ti IIpOrpaMMkiPOBaHHOrO 06pe~kiaB Bb~cIIIefiki cpe~~efiIUKOJIe. M., 1963, C. 126- 131. Yankovskii, B. "Technique for copying violins": Authors certificate of USSR, No. 157209, Bulletin of the USSR Committee on Inventions and Discoveries, No. 17, 1963. HHKOBCKE~~~E. A. T~XHHK~ AJIH KOIIkipOBaHkiR CKpkiIIOK. ABTOPCKO~CBkiAe- TUbCTBO CCCP NO. 157209, EIOJIJI~T~H~KOMHT~T~ IIO AWaM ~306peTe~kifiki OT- ~pb~~kiiiCCCP, No. 17, 1963. Anfilov, G. Physics and music, 1st edition (M., 1962); 2nd edition (M., 1964). I AH@WIOBr. E. @ki3kiKa ki MY3bIKa. 1 M3A. - M., 1962., 2 ki3A. - M., 1964. I Diakonov, N. Design and making of grand and vertical pianos (M., 1964). AbaKoHo~ H. A. POHJIki ki IIkiaHkiHO - KOHCTPJ'MPOBaHkie ki IIPOki3BOACTBO. k13~."flec~aa np0- M~ILUJI~HHOCT~",M., 1964. Nazaikinsky, E. "On the dynamic abilities of the modern symphony orchestra", in Use of acoustical methods in musicology, pp. 101- 130 (M., 1964). Ha3afi~~~c~kiiiE. B. 0 AHHaMkiYeCKkiX B03MOXHOCTHX COBpeMeHHOrO C~~M@OH~~~~CKO~OOpKeCTpa. B KH.: npki~e~e~kieaKYCTkireCKkiX MeTOAOB IlCCJIeAOBaHkiZi B MY3bIK03HaHkiki, M., C. 101-130, 1964. STL-QPSR 2-31]994

Nazailunsky, E, Rags, J. "Musical timbre perception and the significance of certain of the sound", in Use of acoustical methods in musicology, pp. 79-100 (M., 1964). Ha3aii~~~c~kifiE. B., Part H). H. Bocnpkia~kieMy3bIKaJIbHbIX T~M~POBki 3HaseHIIe OTAeJIbHbIX raPMOHkiK 3BYKa. B KH.: ~~MM~H~HH€!aKyCTkireCKkiX MeTOAOB kiCCJIeAOBaHkiR B MY3bIK03HaHkiki, M., C. 79-100, 1964. Nazaikinsky, E., Rags, J. "Use of acoustical methods in musicology", in Use of acoustical methods in musicology (M., 1964). Ha3aii~ki~c~kiiiE. B., Parc H). H. 0 IIpkiMeHeHMM aKYCTkiseCKkIX MeTOAOB EiCCJIeAOBaHkiR B MY3bIK03HaHEIII. B KH.: flpki~e~e~kieaKyCTkiYeCKkiX MeTOaOB MCCJIeAOBaHkiH B MY3bIK03HaHkiE1, M., 1964. Plotkina, N. "To the problem of objective criteria for characterising the quality of musical instruments", in Transactions of educational institutes of communication, USSR Ministry of Communication, issue 19, pp. 165 -175 (L., 1964), IIno~~ki~aH. JI. K BOIlpOCy 06 O~%~KTHBH~IXKPkiTePIIIIX, XapaKTePki3J'IOukiX KaYeCTBO MY3bI- KaJIbHbIX HHCTPJTtIeHTOB. Tpy~b~yW36~b1~ MHCTHTYTOB CBZI3ki, MHHCBH~HCCCP, 1964, BbIII. 19, C. 165 - 175. Rags, J. "Vibrato and perception of pitch", in Use of acoustical methods in musicology, pp. 38-60 (M., 1964). Parc H). H. Bki6pa~oki BOCnpllXTkie BbICOTbI. B KH.: IIpki~e- HeHHe aKYCTHreCKkiX MeTOAOB EiCCJIeAOBaHkilI B MY3bIK03HaHHki. M., C. 38-60, 1964. Rudakov, E. New theory of the formation of the upper singing . In Use of acoustical methods in musicology, pp. 18-37 (M., 1964). P~A~KOB,E. A. Ho~aa Teopkia 06pa30~a~kia~epx~eii ne~rec~oii @OPM~HT~I. B ~6.: IIpki~e~e~lie aKyCTkiYeCKHX MeTOnOB HCCJIeAOBaHllH B MY3bIK03HaHllki, M., C. 18-37, 1964.

Morozov, V. Vocal sensation and voice. (M., L, 1965). BOK~JI~H~I~~cnyx ki ronoc. M. - JI., 1965. Nazaikinsky, E. "Tempo of musical performance and its analysis using sound recording and acoustical technique", in Use of technical aids and a programmed study process in special secondary and high schools, pp. 269-275 (M., 1965). Ha3afiKkiH~K~fiE. B. Te~nMY3bIKaJIbHOrO kiClIOJIHeHkiH ki er0 aHaJIki3 C IIOMOubW 3~~~03ankicb1~amueiiki a~yc~ki~ec~oii annapaTypb1. B c6.: IIpki~e~e~kieTexHki- YeCKElX CPeACTB I.i llpOrpaMMElpOBaHHOr0 o6ve~uaB cpe~~efi~IIe~tfaJIbHofi II ~brcrrreiimaone. M., 1965, c. 269-275. Nazailunsky, E. "To the problem of influence of matching on the perception of modal stability in melodic intervals", Voprosi psychologii, No. 1, pp. 124-130 (1965). Ha3afiKkiH~KkifiE. B. K BOIIpOCy 0 BJIkiXHkiII COBIIaAaEOQkiX O~~PTOHOBHa BOCIIpkiIiTkie JI~AoBo~~YCTO~~W#BOCTM 3BYKOB B MeJIOAkiYeCKkiX IIHTepBaJIaX. Bonpo- C~IIICMXOJIO~~~, NO. 1, C. 124-130, 1965. Plotkina, N. "Research on envelope fluctuations of the transient as a criterion in the evaluation of the sound quality of musical instruments", Candidate dissertation (L., 1965). ILno~~ki~aH. JI. kiccnego~a~kie@ny~~yaqkiii orki6amueii nepexoAHoro STL-QPSR 2-31 1994

Rags, J. "A method for examination of intonational hearing ability", in Use of technical aids and a programmed study process in special secondary and high schools, pp. 263-268 (M., 1965). Part H). H. M~TOAHK~IIpOBepKII EIHTOHa4klOHHOTO CJIFa. B ~6.:Bonpocb~ MeTOAkiKIl IIpMMeHeHElH TeXHHreCKElX CPeACTB ki IIpOI'paMMIIpO- BaHHOrO O~~~HIIH,M., C. 263-268,1965. Skrebkov, S. Acoustical research methods in musicology. (M., 1965). CK~~~KOBC. C. AK~CTH~~CKH~MeTOAbI ElCCJIeAOBaHEiH B MY3bIK03HaHEIII. k13~. "My3b1KaV, M., 1965. Yankovskii, B. "Methods for objective determination of the tonal quality of violins", AJ, V. 11(3), pp. 269-286 (1965). ~~HKOBCKH~~E. A. M~TOA~I~~'~~KTHBHO~ 04eHKkl KaYeCTBa 3BJ9aHEiH CKPIIIIOK. Ax, T. 11, NO. 3, C. 269-286,1965. Petrova, E. Experimental investigations of the dynamics of the singing voice (Kiev, 1966). ~~TPOB~E. n. ~KcII~~IIM~HT~JI~HO~ IICCJIeflOBaHIIe AElHaMkiKH 3BYKa IIeB- recKoro ronoca. Kkie~,1966. Rags, J. "Acoustical methods for analysis of pitch intonation in melody performance", in Problems of systematical use of technical aids and programmed teaching (M., 1966). Part H). H. AK~cTII~~cKII~MeTOAbI aHaJIII3a ~BYKOB~ICOTHO~EIHTOHa4EIEI B IICIlOJIHeHElli MeJIOAEIII. B ~6.: Bonpocb~ MeTOAMKEl IIpliMeHeHliH TeXHEiW?CKElX CpeACTB II IIpOrpaMMlipOBaHHOrO O~J~~HIIB.,M., 1966. Rags, J., Nazaikinsky, E. "Musical-theoretical research and the theory of hearing", in Laboratory of musical acoustics (M., 1966). Parc H). H., Ha3aii~~~c~IIiiE. B. M~~~IK~JI~HO-T~O~~TWI~CKII~IICCJIeAOBaHllH II pa3pa60~Ka TeOpRIl CJIFa. B c60pHIIKe "fla6opa~opwa~~3bIKaJIbH0fi ~KYCTZIKEI", H3A. "MY~~IK~",M., 1966. Rudakov, E. "Singing voice research", in Laboratory of musical acoustics (M., 1966). Pyaa~o~E. A. Mccne~osa~aenesrecKoro ronoca. B c6.: fla6opa~opkiaMY~~I- I ~i3~1bHOiiaKYCTLIKII, M., 1966. Termen, L. Physics and musical art (M., 1966). Tep~e~fl. C. (DII~EIK~II ~y3bIKaJIb- Hoe IICKYCCTBO. ki3~. ~H~HII~",M., 1966.

Morozov, V. Secrets of the singing voice (L., 1967). MOPO~OBB. n. TaiiHb1 BOK~JI~- ~oiipers. JI., 1967. Yankovslui, B. "Differences in the acoustical parameters of unseasoned and aged wood, AJ, v. 13(1) (1967). HHKOBCKII~~E. A. Pa3n~r~eaKycTHrecKkix napaMeT- POB H~B~IA~~X~HHO~~II CT~~HHHO~~ APeBeCIIHbI. Ax, T. 13, NO. 1,1967. Banin, A. "Some problems of the theory of the musical ear", in Proc. of the 6th USSR Acoustical Conference (M., 1968). ~HHHA. A. H~KOTOP~I~BOIIpOCbI TeOpliN My- STL-QPSR 2-3/1994

3bIKaJIbHOTO cnyxa. B ~6.:HoKJIanb1 6-fi Bcecoms~oii~K~CTH'I~CKO~~ KOH@~~~H- 4~1~1,M. 1968. Mazur, A. "Heterodyne harmonic analysers for exact analysis of the timbre of musical sounds", in Proc. of the 6th USSR Acoustical Conference, M., 1968. Masyp A. K. re- TepOAFfHHbIe aHaJrH3aTOpbI TaPMOHHK AJIH TOsHOTO aHaJIE13a ~e~6paMY3bIKaJIb- HbIX 3BYKOB. B ~6.:AoKJI~A~I 6-fi Bcecoms~oii~K~CTH~~CKO~~ KOH@~~~H~HH, M., 1968. Mazur, A., Tcherniavsky, N. "Physical background for sound generation in brass wind instruments and influence of mouthpiece shape on the sound", in Proc. of the VI USSR Acoustical Conference (M., 1968). Masyp A. K., Yep~a~cKEiiiH. K. @EI~H=I~CKH~ OCHOBbI ~BYKOO~~~~OB~HMHB MeAHbIX AFOBbIX HHCTPYMeHTaX El BJIIlHHlle BapHa- ~Eifi@OPMM MmLUTYKOB Ha MY3bIKaJIbHbIe XaPaKTePllCTllKll 3BYKa. B ~6.:Ao- KJImbI 6-fi Bcecoms~oiiaKyC~E1reCKOfi KOH@epeH~ki~, M., 1968. Oruvee, H. "Taking into account some objective factors of choir sounds in recording and architectural practice", in Proc. of the 6th USSR Acoustical Conference (M., 1968). Opj'Be3 X. A. YqeT HeKOTOPbIX ~~'~~KTEIBH~IX@~KTOPOB 3ByWiHMH XOpa B pe~kiCCepC~0fiE1 ~PX~~T~KTYPHO~~IIpaKTHKe. B 6.: AOKJI~~I6-fi Bcecoms~ofi ~K~CTII.I~CKO~~KOH@~~~H~E~H, M., 1968. Pistchik, I. Yankovskii, B. "Research on the dependence between violin dynamics and the principal design elements", in Proc. of the 6th USSR Acoustical Conference (M., 1968). ~H~HKH. kI., HHKOBCKH~~E. A. ~CCJI~AOB~HH~3aBHCIIMOCTkI AHHaMHKll CKPHIIOK OT Fix TJIaBHbIX KOHCTPYKTHBHbIX 3JIeMeHTOB. B ~6.:~~OKJI~A~I 6-fi Bceco- ~3~0fi~KYCTHV~CKO~~ KOH@~P~HIJIIII, M., 1968. Plotluna, N. "Extraction of perceptable combination tones from the response of musi- cal instruments by the Hilbert transform", in Proc. of Scientific Research Conference of the Leningrad Electrotechnical Institute of Communication, pp. 140- 145 (L., 1968). ~JIOTKHH~H. fl. Bb~~eJIeHtleCJIbIILIAMbIX KOM~HH~~HOHH~IXTOHOB E13 OTKJIIlKa MY3bIKaJIbHOTO HHCTPYMeHTa C IICIIOJIb30BaHEieM npeo6pa30~a~enxrHJI6epTa. CGOPHHKMaTepElaJIOB H~~.IHo-T~xHE~~~cKo~~~0~@epe~~kiE1 fle~ll~rpaflC~OT0 3JIeKTPOTeXHklSeCKOTO IlHCTIlTJ'Ta CBH3E1, 1968, BbIII. 5, fleHEfHTpa~, C. 140-145, 1968. Porvenkov, V. "Influence of deformation and relaxation of the bearing frame on the detuning of the strings in piano malng", in Proc. of the 6th USSR Acoustical Conference (M., 1968). ~OPB~HKOBB. r. Bnkia~kie~e@op~aq~u onopHbIx KOHCT- pyK41lfi M peJIaKCa4IIII Ha P~CCTPO~~KYCTPYH B IIP0113BOACTBe @OpTeIIEIaHO. B 6.: noKJIaAb1 6-ii Bcecoms~oii~K~CTA~~CKO~~ K~H@epeHqEiFi, M., 1968. Porvenkov, V. "About the relaxation of the deformed string", in Proc. of the 6th USSR Acoustical Conference (M., 1968). ~OPB~HKOBB. r. 0 PeJIaKcaum ~e@op~~py- e~0fiCTPJ'HbI. B ~6.:noKJIaAb1 6-fi Bcecom3~0ii~KYCTH~~CKO~~ KOH@~P~HJ@~H, M., 1968. STL-QPSR 2-31 1994

Termen, L. "New aids in musical acoustics", in Proc. of the 6th USSR Acoustical Conference (M., 1968). Tep~e~fl. C. Ho~b~eCpeHCTBa My3b1KaJIbHOfi 8KYCTHKH. B ~6:Tpynb~ 6-fi Bcecom3~0fi~KJ'cTH~~cKO~~ KOH@~~~HIJHH, M., 1968. Volodin, A. "Generation of transients in electrical musical instruments", in Proc. of the 6th USSR Acoustical Conference M., 1968. BOJIOAHHA. A. mop~~po~a~senepe- XOAHbIX IIP04eCCOB B 3JIeKTPHYeCKHX MJ'3bIKaJIbHbIX HHCTPYMeHTaX. B ~6.:noma- AbI 6-fi Bcecoms~oii~K~CTH~~CKO~ KOH@~~~H~HH, M., 1968. Yakovlev, L. On the significance of transients in the evaluation of the timbre of plucked instruments", in Proc. of the 6th USSR Acoustical Conference (M., 1968). HKoBJI~Bfl. A. 0 3HaYeHHH IIepeXOAHbIX IIP04eCCOB B 04eHKe ~eM6paWHIIKOBbIX HHCTPYMeHTOB. B ~6.:a0~a~b1 6-fi Bcecom3~0fi ~KJ'cTH~~cKO~~ KOH@~~~H~EIII, M., 1968. Yankovskii, B. Mechanical-acoustical functions of a thickness distribution in violins", in Proc. of the 6th USSR Acoustical Conference (M., 1968). HHKOBCKH~~E. A. Mexa~o-a~yc~~rec~~e@~HK~HEIpacnpeAeJIeHHa TOJIWEIH B cspmsax. B TpyAax 6-fi Bcecoms~oii~KYCTH~~CKO~~ KOH@~P~H~HII, M., 1968. Zaripov, R. "Investigations of musical compositions by cybernetic and psycho- acoustical methods", in Proc. of the 6th USSR Acoustical Conference (M., 1968). 3apFiII0~P. X. 06 HCCJIenOBaHHH My3bIKaJIbHbIX ~04EiHeHkifiKII~~PH~TEIS~CKHMM H IICkiXOaKJ'CTH4eCKHMH MeTOAaMH. B 6.: noKJIanb1 6-6i Bcecom3~06iaKycTHre- CKOG KOH@~P~H~HH,M., 1968. Belenkaia, L. "About the conditioned reflex in the timing of musicians", in Perception of time and space (L., 1969). EeJIe~b~aaJI. H. 06 ycnoBHbIx pe@ne~caxHa spem y MY3bIKaHTOB. B KH.: Bocnpkia~~leIIpOCTpaHCTBa H BpeMeHH, fl., 1969.

Banin, A. "On some acoustical and musical elements of choir pitch", in Musical Art and Science, issue 1, p. 39 (M., 1970). ~HHHA. A. 0 HeKOTOPbIX aKYCTMSeCKHX H MY3bIKaJIbHbIX 3JIeMeHTaX XOPOBOrO CTPOII. B C~OPHHK~:My3b1~aJIb~oe HCKYCCTBO H HayKa, BbIn. 1, H3A. "Mysb~~a",C. 39, M., 1970. Bogino, G. "Modern tuning of pianos", in Musical Art and Science, issue 1, p. 191 (M., 1970). EO~HHOr. COB~~M~HH~H Hac~pOfiKa@o~T~~H~Ho. B C~O~HHK~: MY~~I- KaJIbHOe HCKYCCTBO H HayKa, BbIII. 1, H3A. "MY~~IK~",C. 191, M., 1970. Gurina, B. "Improving the sound of musical instruments", CBSTI of LIM RSFSR, series 1, NO. 134 (M., 1970). rypli~a16. H. YJIy.iIIleHHe 3BFaHHII MY3bIKaJIbHbIX HHCTPYMeHTOB. 4EHTkI MHHM~cTII~oM~PCmCP, Cep. 1, NO. 134, M., 1970.

E. Nazaikinsky (ed.) Musical Art and Science, issue 1 (M., 1970). My3b1KaJIbHoe HCKyCCTBO H HayKa. C~OPHHK,BbIII. 1. IIOA peg. E. B. H~~~~~KEIHCKOTO,H3A. "MY~~IK~",MOCKB~ 1970. STL-QPSR 2-31] 994

Volodin, A. "The role of in perception of pitch and timbre", in Musical Art and Science, issue 1, p. 1 1 (M., 1970). BOJIOAWHA. A. POJI~rapMoaare- CKOrO CneKTpa B BOCIIPWHTWW BbICOTbI W TeM6pa 3ByKa. B C60pHWKe: Mysb~~anb- Hoe WCKYCCTBO W HayKa, BbIII. 1, W3A. "MY~~IK~",MOCKB~ 1970, C. 11. Allon, S., Maximov, N. Musical acoustics (M., 1971). hno~C. M., M~KCHMOBH. ki. My3b1Ka~lbHaHaKyCTWKa. ki3~."Bb~cmaa IIIKOJIa", M., 1971. Apatsky, B., Timofeenko, L. "Research on spectral and dynamical characteristics of the bassoon", in Proc. of the 7th USSR Acoustical Conference, (L., 1971). Ana~cKWii B. H., TWMO@~~HKOfl. n. ~~ccJI~~oB~HW~CneKTpanbHbIX W ,QWHaMllYeCKWX XapaK- TePWCTWK TOT^. B C~OPHMK~Te3WCOB AOKJIaAOB 7-fi Bcecom3~0fi~~KYCTWY~CKO~~ KOH@epeHqWW, fl., 1971. Banin, A., Novikov, V. "Correlation of natural science and aestetics in the acoustics of bowed instruments", in Proc. of the 7th USSR Acoustical Conference, (L., 1971). E~HWHA. A., HOBWKOBB. ki. COOTHOIII~HW~eCTeCTBeHHOHaJ'YHOr0 W 3CTeTWYeCKO- r0 B aKYCTWKe CMbIYKOBbIX WHCTPYMeHTOB. B C~OPHIIK~Te3WCOB AOKJIaAOB 7-fi Bcecoms~oii~K~cTW~~CKO~~ KO~@epe~lu(Wki, fl., 1971. Buneev, V., Gurina, B. "Acoustical properties of ", in Proc. of the 7th USSR Acoustical Conference (L., 1971). Ey~ee~B. M., ryp~~aE. H. A~yc~Wrec~lle CBO~~CTB~@OpTenWa~HOfi IIpOBOJIOKll. B C60pHWKe Te3IICOB AOKJIaAOB 7-fi Bceco- l03~0fi~KJ'CTWY~CKO~~ ~0H@epeHlu(WW, fl., 1971. Detlovs, V. "On the static distribution of pitch", in Proc. of the 7th USSR Acoustical Conference (L., 197 1). fle~ao~cB. 0 cTaTWrecKoM pacnpeAeneHm B~ICOT~I~BYK~. B ~60pHWKeTe3WCOB HOKJIaAOB 7-fi Bcecom3~0fi~KJ'CTWY~CKO~~ KOH@~P~H~~(HII, fl., 1971. Galembo, A. "Acoustical investigations of hammer felt for piano", in Proc. of the 7th USSR Acoustical Conference (L., 1971). rane~6oA. C. A~yc~llrec~WeWccneAoBa- HWH MOJIOTOYHOrO BO~OK~AJIH @OpTenWaHO. B C60pHWKe Te3WCOB AOKJIaAOB 7-fi Bcecom3~ofi~K~CTI~Y~CKO~~ Ko~@epl?Hlu(WW, fl., 1971. Galembo, A. "Dependence of the quality of piano hammers on felt technology", CBSTI of LIM RSFSR, series 1, issue 3 (M., 1971). rane~60A. C. ~~BWCWMOCT~Ka- YeCTBa @OPT~KIW~HH~IXMOJIOTOYKOB OT TeXHOJIOrWW W3rOTOBJIeHWH MOJlOTOYKOBOrO BO~OK~.- UEHTM MWHM~CT~~OM~PCcDCP, cep. 1, BbIII. 3, M., 1971. Galembo, A. "Foreign experience of piano hammer production and recommendations how to improve it", CBSTI of LIM RSFSR, series 1, issue 3, p. 3 (M., 197 1). I'ane~60 A. C Onb1~IIpOW3B0,QCTBa @0pTeIIlla~~bI~MOJIOTOYKOB 38 py6emo~W PeKOMeHAa- UWW no WX YJIJ'YIIIeHWIo. VEHTki MWHM~CTII~OM~PCmCP, cep. 1, BbIII. 3, c. 3, 1971. Galembo, A. "Impregnation of the nonimpacting part of the piano hammer - aid for improvement", CBSTI of LIM RSFSR, series 1, issue 3, p. 9 (M., 1971). ra~1e~60A. STL-QPSR 2-31 1994

C. IIpona~~a~eynap~oii racm MonoTorKa @op~enkia~o- cpeAcTBo nosbImeHkix ero KaqecTBa. UEHTB MAHM~CTII~OM~PC

STL-QPSR 2-31]994

Pistchik, I. "Research on the properties of long-seasoned wood as a material for musical instruments", Candidate dissertation; Moscow Forest Technical Institute (M., 1973). ~H~HKki. ~~ccJI~AoB~HH~ CBOUCTB ApeBeCHHbI AJIHT~JI~Ho~BbIAePXKH KaK MaTePHaJIa WX My3bIKaJIbHbIX HHCTPYMeHTOB. KIHA. AHCCePTaUHSI. M., MJITki, 1973. Porvenkov, V. "Detuning option for reed instruments", CBSTI of LIM RSFSR, issue 4 (M., 1973). ~OPB~HKOBB. r. Bb160p P03JIHBa II3bIYKOBOTO HCTPYMeHTa. 4EHTkI MHHM~cTII~oM~PCmCP, BbIII. 4,1973. Porvenkov, V. "New methods and equipment for quality examination of musical instruments", CBSTI of LIM RSFSR (M., 1973). ~OPB~HKOBB. r. HOB~I~MeTOAbI H aIIIIapaTypa AJISI KOHTPOJISI KaYeCTBa MY3bIKaJIbHbIX HHCTPYMeHTOB. QEHTki ME~HM~CTII~OM~PCmCP, M., 1973. Porvenkov, V., Soldatov, A. "Quality estimation of violin strings", in Proc. of the 8th USSR acoustical conference (M., 1973). ~OPB~HKOBB. I'., CO~A~TOBA. n. 06 OqeHKe KaYeCTBa CKPMIIHYHbIX CTPYH. B Te3HCaX 8-fi Bcecom3~06~KYCTI~Y~CKO~~ KOH@epeHqHH, M., 1973. Vakhitov, Y., Levitchev, A. "On the influence of string tension on the properties of the harp soundboard, in Proc. of the 8th USSR Acoustical Conference (M., 1973). B~XHTOBH. m., X~BMY~BA. A. 0 BJIHIIHHH HaTXXeHHSI CTPYH Ha aKYCTHYeCKNe CBO~~CTB~AeKH ap@b1. B Te3HCaX 8-6 Bcecoms~oii~K~CTHY~CKO~ KOH@~~C!H~HH, M., 1973. Volodin, A. Multifunctionality of the of musical sounds", in Proc. of the 8th USSR Acoustical Conference (M., 1973). BOJIOAHHA. A. MHO~O@~K~HOH~JI~HOCT~ @OPM~HTMY3bIKaJIbHbIX 3BYKOB. B Te3HCaX VIII Bcecoms~o6~K~CTHY~CKO~ KOH- @epeausa,M., 1973. Yarovoy, D. "Localisation of mechanical-acoustical epicentres of antinodes in violin soundboards for the which are responsible for brightness of the fourth string tone", in Proc. of the 8th USSR Acoustical Conference (M., 1973). Hpo~oiiA. B. JIoKWIA~~UE~HB CKPHIIkiYHbIX AeKaX MeXaHO-aKYCTHYeCKIIX 3IIllUeHTPOB IIJTHO- c~e6YaCTOT, OIIpeAeJIIIIO~HXSIPKOCTb YeTBePTbIX CTPYH CKPMITKH. B Te3HCaX 8-6 I Bcecoms~ofi~K~CTAY~CKO~ KOH@~~~H~HH, M., 1973. Zverev, V., Isaev, M., Spiridonova, I. "Investigation of the spectrums of transients in violins when excited by the bow", in Proc. of the 8th USSR Acoustical Conference (M., 1973). 3sepe~B. A., kicae~M. ki., Cnkip~~o~osaki. K. Mccne~osa~~le CIIeKTpOB IIepeXOAHbIX IIpOqeCCOB CKPHIIOK IIpH ~036ymeHHHCMbIYKOM. B Te- 3HCaX 8-fi Bcecoms~oii~K~CTMY~CKO~ KOH@~~~H~HH, M., 1973. Dzhanibekov, E. "Musical acoustics of Al-Faraby", in Proc. of the VIII International Congress on the Science History, 1971, sections 34. pp. 177-180 (M., 1974). Awa~b16eKoBE. M~~~IK~JI~H~HaKyCTHKa y kn-mapa6~. B Tpynax XI11 Memy- STL-QPSR 2-311 994

HaponHoro KoHrpecca no IICTOPIIW HayKw, 1971, ceau. 3-4, M., "Hay~a",1974, c. 177-180. Puchatchev, A. Secrets of a sounding metal (M., 1974). llyx~are~A. 3ara~~u 3syra- uero MeTaJIna. M., "Hay~a"1974. Volodin A. "Perception of vibrato in musical sounds", in New research in psychology, pp. 3-5 (M., 1974). BOJIO~IIHA. A. Bocnp~la~k~eBH~~~TO MY3bIKaJIbHbIX 3BYKOB. B KH.: HOB~I~IICCJIeAOBaHkiH B nCHXOJIOnlH. M., C. 3-5,1974. Arganashvili, L. "East spruce and Caucasian fir wood as a resonant material", Candi- date dissertation. (Tbilisi, 1975). Apra~amsltnliJI. H. Bpeseckf~aenki BOCTO~HO~~II nIIXTbI K~BK~~CKO~~KaK pe30HaHCOBOe Cblpbe. K~H~H~~~TCK~XnIICCepTa4IIH, rpy- ~IIHCKII~~neco~ex~~=rec~kifi IIHCTIIT~T, T~~IICII,1975. Komarov, N. "Some problems of the theory of plucked musical instruments", Candidate dissertation, Moscow Forest Technical Institute, 1975. KOM~~OBH. A. He- KOTOPbIe BOIlPOCbI TeOPIIII QIInKOBbIX MY3bIKaJIbHbIX EIHCTPYMeHTOB. KaI-ulwa~- cKaH AwccepTauHa, M., MJIT13,1975. Kotliar, G. "Temporal and dynamical characteristics of singing as acoustical correlates to emotional expressivity", in Speech and emotions - matherials of symposium, pp. 29- 37, L., 1975. Ko~napr. M. BpeMeHHb~e II AIIHaMMYeCKAe XapaKTepIICTIIKII BO- KaJIbHOfi PeYH KaK aKyCTIIYeCKMe KOppeJIHTbI ee 3~04110~aJIb~0fiBbIPa3IITeJlb- HOCTII. B KH.: PeYb II 3M0411II - MaTepIIaJIbI CIIMIlO3IIyMa, C. 29-37, JI., 1975. Lebedeva, E. "Research on some operational properties of different versions of a piano ", Candidate dissertation (L., 1975). JIe6e~esaE. kl[ccne~osa~neHeKoTo- PbIX 3KCILnOaTa4IIOHHbIX CBO~~CTBPa3JIIISHbIX BaPIIaHTOB KJIaBIIIUHbIX MeXaHII3- MOB aop~en~a~o.Ka~nwa~c~aa AHccepTauHa, JI., 1975. Galembo, A. Ivanovskaia, L., Fedorova, T. "Comparative evaluation of pianos with cast iron and aluminium frames", Acoustical Laboratory Report, Red October piano factory (L., 1976). ~JI~M~OA. C., ~B~HOBCK~H JI. kI., @enOpOBa T. A. C~~BHH- TeJrbHaH 04eHKa 06pa34o~IIIIaHkiHO C YJ'I'J'HHo~~II ~JIIOMIIHII~BO~~ PaMaMII. OTY~T ~K~cTII~~cKO~~na60pa~opIIH aa6pEiKki "Kpac~b~fiOKTR~P~", 1976. Kotliar, G., Morozov, V. "On the acoustical correlates of emotional expressivity of the singing voice". AJ, v. 22 (3), pp. 370-376 (1976). KOTJIHPI'. M., MOPOSOBB. II. 06 aKyCTIIqeCKHX KOppeJlHTHX ~MO~MOH~JI~HO~~BbIpa3IITeJIbHOCTII ~0KaJIbH0fiPeYII. Ax, T. 22, BbIn. 3, C. 370-376, 1976. Gridnev, M., Porvenkov, V.G. "On quality estimation of violins and guitars", AJ, v. 22, issue 5, pp. 691-698 (1976). ~PII)JH~BM. B., ~OPB~HKOBB. I'. 06 OqeHKe KaYeCTBa CKPIIIIOK II rIITap. Ax, T. 22, BbIII. 5, C. 691-698,1976. Kiselev, A. "Controlled influence on voice timbre in singers by changing the frequency characteristics of the acoustical feedback", Vestnik Otolaringologii, No. 3, pp. 81-86 (1976). Kwcene~A. H. 0 4eneHanpasneHHoM ~osneiic~sa~Ha T~M~P ronoca neB- STL-QPSR 2-311 994

Galembo, A., Ivanovskaia, L. "Spectral time structure and noise sources in the high treble of the piano", in Proc. of the 9th USSR Acoustical Conference (M., 1977). raJIe~60A. C., ~~B~HOBCK~H1. kl. C~~KT~~JI~HO-B~~M~HH~HCTpyKTypa I1 EICT09- HMKII III~MOB B s~y~ax~paii~ero AHcKaHTa @op~enkia~o.Roman Ha 9-ii Bcecoms- HOG ~KYCTI~Y~CKO~~KOH@~~~H~EIII, M., 1977. Gorlov, A., Gridnev, M. "Acoustical properties of violins made of plastified wood", in Proc. of the 9th USSR Acoustical Conference (M., 1977). ropno~A. M., rpu~~e~M. B. AKYCTAY~CKH~CBO~~CTB~ CKPIIIIOK I13 IIJI~cTI~@II~IIPoPB~HHo~ApeBeCIIHbI. Roman Ha 9-fi Bcecoms~oii~KYCTIIY~CKO~~ KOH@~P~H~HH, M., 1977. Gromov, J., Rimslu-Korsakov, A., Semenov, A., Gritsenko, J. "Methods for studying the sound generation in the French horn", in Proc. of the 9th USSR Acoustical Conference (M., 1977). POM MOB H). kl., PHMCKII~~-KOPC~KOBA. B., C~M~HOB A. r., rpIi4eHKO H). kl. 0 MeTOAaX ElCCJIeAOBaHElH 3ByKOki3B.JIeYeHIIHHa BaJITOpHe. go- Knan Ha 9 Bcecoms~oii~K~cTIIY~cKO~~ KOH@~~~H~IIII, M., 1977. Lippus, U., Remel, M., Ross, J. "On the explanation of the origin of stretched musical intervals", in Proc. of the 9th USSR Acoustical Conference (M., 1977). JI~lnnycY. 3., pe~eJIbM. H., POCCfl. H). K O~OCHOB~HIIH)B03HIIKHOBeHIIH PaCIIIHPeHHbIX MY- 3bIKaJIbHbIX IIHTepBWOB. fl0KJIw Ha 9 Bcecoms~oii~K~CTIIY~CKO~~ KOH@~~~H~I~H, M., 1977. Mazur, A., Testova, L. "Consonant and dissonant properties of harmonic intervals", in I Proc. of the 9th USSR Acoustical Conference (M., 1977). Masyp A. K., Tec~osaJI. A. KOHCOH~HTH~I~Ii HIiCCOHaHTHbIe CBO~~CTB~raPMOHIlYeCKHX HHTePBaJIOB. no- KJIan Ha 9-fi Bceco~os~oii~KJ'CTIIY~CKO~~ KOH@C!~~H~IIII, M., 1977. 1 Makarieva, T. "Acoustical quality control of wood for soundboards", in Proc. of the 9th USSR Acoustical Conference (M., 1977). MaKapbeBa T. A. AK~CTH~~CKU~~ KOHTPOJIb KaYeCTBa H~YHOGAPeBeCIIHbI. AOKJI~AHa 9-fi Bcecoms~oiiaKyCTIIse- 1 CKOG KOH@~P~H~IIII,M., 1977. Morozov, V. Biophysical fundamentals of singing. (L., 1977). MOPO~OBB. II. E;MO@II- smec~kleOCHOB~I BOK~JI~HO~~ pem. Hay~a,JI., 1977 Novikov, V., Jarovoy, D. "On the performer's control of the sound of bowed instruments and the matching of strings and instrument body", in Proc. of the 9th USSR Acoustical Conference (M., 1977). HOBIIKOBB. kl., IIpo~oiiA. B. 06 IICIIOJI- HllTeJIbCKOM KOHTaKTe CO 3BJ'%3HEieMCMbIYKOBOrO IIHCTPYMeHTa II npo6ne~eCO- rJIacoBaHHH Kopnyca CO CTPYHaMII. Aoma~Ha 9-fi Bcecoms~ofi~KJ'CTHY~CKO~~ KOH@~~~H~IIII,M., 1977.

Porvenkov, V. Tuning of musical instruments (M., 1977). ~OPB~HKOBB. r. Hac~pOiiKaMY3bIKaJIbHbIX IIHCTPYMeHTOB. M., 1977. STL-QPSR 2-31 1994

Porvenkov, V. "On the relation between arching and tuning of violin soundboards", in Proc. of the 9th USSR Acoustical Conference (M., 1977). ~OPB~HKOBB. r. 0 CBZI~H npork160~H H~CTPO~~KHHeK CKPHIIKH. flomaa Ha 9-fi Bcecom3~0ii~KYCTHY~CKO~~ KOH@~~~H~HH,M., 1977. Porvenkov, V. "On differences in the dynamics of vertical pianos", in Proc. of the 9th USSR Acoustical Conference (M., 1977). 0 pa3JIHYHHX B HMHaMHKe 3ByKa nHaHHH0. floua~Ha 9-fi Bcecoms~oii~KJ'CTHY~CKO~ KOH@~~~H~HH, M., 1977. Vanetchluna, I. "Colored hearing and Skriabints idea of "light symphony"", in Proc. of the 9th USSR Acoustical Conference (M., 1977). BaHesKHHa a. JI. UB~THO~~cnyx H kinex "CB~TOBO~~CIIM@OHIIEI" Y A. H. CKPII~IIH~~.~~OKJI~ Ha 94 BC~COH)~HO~~ aKY- CTHY~CKO~~KOH@~~~HIJHH, M., 1977. Zverev, V., Isaev, M., Spiridonova, I. "Spectral investigation of the transients from open violin strings", in Proc. of the 9th USSR Acoustical Conference (M., 1977). 3sepe~B. A., kicae~M. ki., Cn~pki~o~osaki. K. Cne~~paaa~oeHccneHosaHlie nepexonHarx npoueccoB 3~y~aOTKP~IT~IX CTP~H CKPH~KH. ~~OKJI~AHa 9-ii Bce- COIO~HO~~~KYCT~~U~CKO~~ KOH@~~~H~EIII, M., 1977. Galembo, A. Shapotchlun, A. "Felt for musical instruments", CBSTI of LIM RSFSR, issue 9 (M., 1978). ra~1e~60A. C., ~~IIoYKHHA. C. Boiino~aAJIH MY3bIKaJIbHbIX HHCTPyMeHTOB. UEHTM M~~HM~cT~~oM~PC@CP, BbIII. 9, M., 1978. Gurina, B. "Methods of improving the sound properties of keyboard musical instru- ments", CBSTI of LIM RSFSR, in the series "Musical instrument industry", issue 4 (M., 1978). rypHHa E. H. ~YTMYJIYYILIeHHH 3BYKOBbIX KaYeCTB KJIaBHILIHbIX MY3bI- KWIbHbIX HHCTpyMeHTOB. UEHTM MHHM~CT~~OM~PCmCP, Cep. "np01.13~0~~~~0 MY3bIKWIbHbIX HHCTPYM~HTOB", BbIn. 4, 1978. Shapotchkin, A., Borovkov, N., Tchelnokov, N. "Acoustical properties of orchestral cymbals", CBSTI of LIM RSFSR, series "Musical Instrument industry", issue 14 (M., 1978). ~~~oYKHHA. C., EOPOBKOBH. n., %.JIHOKOB H. H. AKYCTHY~CKI~~ CBO~~CTB~OpKeCTpOBbIX TapeJIOK. UEHTH, Cep. "~POII~BOACTBOMY3bIKWIbHbIX HHCTP~M~HTOB",BbIn. 14, M., 1978. Borovkov, N., Sanzharovsky, A., Shapotchkin, A. "Research on orchestral cymbals", Proc. of the 18th Acoustical Conference of Czechoslovakia (Cesky Krumlov, 1979). EOPOBKOBH. n., C~HX~~OBCKH~~A. T., ~~IIoYKHH A. C. kiCCne~0Ba~HeOpKeCT- POBbIX TapUOK. B TpyAaX 18 AKYCTHS~CKO~~KOH@~P~H~I.III YCCP, 1979. Galembo, A. "A method for objective evaluation of the timbre in the piano treble", in Proc. of the 18th Acoustical Conference of Czechoslovakia (Cesky Krumlov, 1979). rWIeM60 A. C. MeToH O~'~~KTMBHO~~04eHKH TeM6pa HHCKaHTOBbIX 3BYKOB @0pTe- nHaH0. B TpyAaX 18 AK~CTI~Y~CKO~~KOH@~P~H~HH YCCP, 1979. Gorlov, A., Gridnev, M. "Acoustical properties of violins with soundboards made of plastified wood", in Theoretical and experimental investigations related to musical i instrument industry, p. 55 (SRDTIMI, M., 1979). ropno~A. M., rpw~e~M. B. STL-QPSK 2-31 1994

AKJ'cTH~~cKH~ CBO~~CTB~CKPHIIOK C AeKaMll 113 IIJI~CTH@H~IIPOB~HHO~~ApeBeCH- HbI. B C~OPHHK~:Teope~mecKHe H 3KCIIepHMeHTaJIbHbIe HCCJIenOBaHHH B o6~1a- CTH IIPOII3BOACTBa MY3bIKaJIbHbIX HHCTPYMeHTOB, HkIKTklMn, M., 1979, C. 55. Kalinina, N. "Basic directions in the development of the musical industry: Musical acoustics. Recommended list of literature (1971 - 1977)", CBSTI of LIM RSFSR, series 3 (M., 1979). KaJIHHEiHa H. kI. OCHOBH~I~HaIIpaBJIeHHH pa3BHTHH MY3bI- KaJIbHOG IIPOMbIIlUIeHHOCTH. MJ'3b1KaJIbHaH aKJ'CTHKa. PC!KOM€!H~~T~JI~H~I~~yKa3a- T~JI~nuTepaTypb1 3a 1971-1977 rr. qEHTkl M~~~ec~npo~aPCQCP, cep. 3, 1979. Kotelenko, L. "Neurophysiological mechanisms in the perception of complex harmonic sounds", in Proc. of the 18th Acoustical Conference of Czechoslovakia (Cesky kumlov, 1979). KOT~JI~HKOJI. Heiipo@~3~0~1oruser~lleMeXaHH3MbI BOC-

Kuznetsov, L. "Determination of the dynamical characteristics of piano key actions", in Theoretical and experimental investigations related to musical instrument industry, p. 24, (SRDTIMI, M., 1979). KY~H~~OBJI. A. Onpe~eJIeHHe AHHaMHreCKHX XapaK- TePHCTIIK KJIaBMIIIHbIX MeXaHII3MOB @OpTeIIIIaHO. B C~OPHHK~:T~O~~TH~I~CKM~ H BKCIIepHMeHTaJIbHbIe HCCJIeHOBaHHH B O~JI~CTHIIpOH3BOACTBa MJ'3bIKaJIbHbIX IIH- CTpyMeHToB, HHKTkIMn, M., 1979, c. 24. Kuznetsov, L. "On the dynamical characteristics of key actions for pianos", in Proc. of the 18th Acoustical Conference of Czechoslovakia (Cesky Krumlov, 1979). Ky3~e40~ JI. A. 0 nIIHi3MH~eCKHXXapaKTepHCTHKaX KJIaBHIUHbIX MeXaHH3MOB @O~T~IIM~HO. B TpJ'AaX 18 AKJ'CTHY~CKOGKOH@~P~H~EIII YCCP, 1979. Porvenkov, V. "Optimal rates in well-tuned reed musical instruments", in Proc. of the 18th Acoustical Conference of Czechoslovakia (Cesky Krumlov, 1979).

Porvenkov, V., Gridnev, M., Tchelnokov, N. "Evaluation of evenness of loudness and timbre over the compass of keyboard instruments", in Theoretical and experimental investigations related to musical instrument industry, p. 42 (SRDTIMI, M., 1979). ~OPB~HKOBB. r., ~PWH~BM. B., Y~JIHOKOBH. H. OU~HK~POBHOCTH rPOMKOCTH H Te~6paIIO AHaIIa3OHJ' KJIaBHIIIHOrO HHCTpyMeHTa. B C~OPHHK~:Teope~A~ecKHe H 3KCIIepHMeHTaJIbHbIe HCCJIenOBaHWH B o~JI~cTHIIPOH3BOACTBa MY3bIKaJIbHbIX HHcTpYMeHToB, HkIKTkIMn, M., c. 42,1979. Porvenkov, V., Kirillov, A. "Objective methods for evaluation of violin quality", in Theoretical and experimental investigations related to musical instrument industry, p. 69 (SRDTIMI, M., 1979). ~OPB~HKOBB. r., KH~~ZTL~OBA. B. ~~'~~KTIIBH~I~ MeTO- AbI 04eHKI-l Ka4eCTBa CKPIIIIOK. B C~OPHHK~:Te~peTII~ec~~le H 3KCIIepHMeHTaJIb- STL-QPSR 2-31 1 994

HbIe HCCJIeAOBaHHH B 06nac~u lTpOH3BOACTBa My3bIKaJIbHbIX IIHCTPYMeHTOB, HkIKTkIMII, M., c. 69,1979. Porvenkov, V. Malgina, L. "On significant features and identifiability of violin spectra", in Theoretical and experimental investigations related to musical instruments industry, p. 85 (SRDTIMI, M., 1979). ~OPB~HKOBB. r., MaJIbrll~aJI. A. 0 3~a- YaUHx npm~a~axH Mepe cxoAcTsa cnewpa cKpHnoa. B c6.: T~O~~THY~CKI~~H 3KCIIepHMeHTaJIbHbIe HCCJIeAOBaHHH B O~JIICTN nPOH3BOACTBa MY3bIKaJIbHbIX HHCT- pweHToB, HkIKTkIMII, M., 1979, c. 85.

Galembo, A. "Piano hammers - technology and quality", in Methods for increasing the quality of musical instruments and their structural parts, p. 30 (SRDTIMI, M., 1980). raJIe~60A. C. MOJIOTOYKH@o~T~KIH~Ho - TeXHOJIOrHH H KaYeCTBO. B ~60pHHKe TPYAOB HHKTklMn "IIYTIIlTOBbIIIIeHHH KaYeCTBa MY3bIKaJIbHbIX HHCTPYMeHTOB H HX Y~JIOB", M., C. 30, 1980. Kuznetsov, L. "Methods for qualitative estimation of timbre and spectral contents of string oscillations using nomograms", in Pe$ection of musical instrument industry, p. 85, (SRDTIMI, M., 1980). KY~H~~OBJI. A. M~TOA~I K~Y~CTB~HHOG 04eHKH HeKOTO- PbIX XapaKTePHCTHK ~e~6paH CIIeKTpaJIbHOrO COCTaBa KoJI~~~HHGCTPYH C KIOMO- WbH, HOMOTPaMM. B C~OPHHK~:COB~PIII~HCTBOB~HH~ nPOH3BOACTBa MY3bIKaJIb- HbIX HHCTPYMeHTOB, HklKTkIMn, Moc~sa,C. 85,1980. Pistchik, I. "Analytical investigation of acoustical parameters of wood and their practical determination", in Methods for increasing the quality of musical instruments and their structural parts, p. 55 (SRDTIMI, M., 1980). IIHUHKkI. A~aJIki~Hrec~oe accneAosaHHe aKycTHrecKMx napaMeTpoB ApeseckiHbI H HX npaKTHrecKoe onpe- AweHHe. B c60pHHKe TPYAOB HHKTHMII: "IIJ'TH KIOBbIIIIeHHH KaYeCTBa MY3bI- KaJIbHbIX HHCTPYMeHTOB H HX Y~JIoB", M., C. 55,1980. Porvenkov, V. "Influence of parts made of fiber-board on the tonal quality of vertical pianos", in Perfection of musical instrument industry, p. 50 (SRDTIMI, M., 1980). ~OPB~HKOBB. r. Bn~la~~eA~TNI~G H3 ApeBeCHO-CTpyXeYHbIX IIJIHT Ha 3BYKOBbIe KaYeCTBa IIHaHHHO. B ~60pHEiKe:COB~~III~HCTBOB~HH~ npOH3BOACTBa MY3bIKaJIb- HbIX EIHCTPYMeHTOB, HkIKTkIMII, Moc~sa,1980, C. SO. Porvenkov, V. "Objective methods for the evaluation of tonal quality of musical instruments", CBSTI of LIM RSFSR, series 3, issue 2 (M., 1980). IIopse~~o~B. ~~%~KTHBH~I~MeTOAbI 04eHKH 3BJ'YaHkIH MY3bIKaJIbHbIX HHCTPYMeHTOB. 4EHTH MHHM~CTKI~OM~PCmCP, Cep. 3, BbIKI. 2,1980.

Porvenkov, V. Quality control of musical instruments (M., 1980). ~OPB~HKOBB. r. KOHTPOJI~KaYeCTBa MY3bIKaJIbHbIX HHCTPYMeHTOB. M., M3A. "JIer~aaHH~YCTPEIH", 1980. STL-QPSR 2-311 994

Porvenkov, V. "To the problem of octave stretching in ", in Perfection of musical instrument industry (SRDTIMI, M., 1980). ~OPB~HKOBB. r. K Bonpocy o PaCIIIUpeHMM OKTaB npM Hac~pOfiKeIIMaHMHO. B C60pHMKe: COB~~III~HCTBOB~HM~ IIpOM3BO~CTBaMy3bIKaJIbHbIX MHCTPYMeHTOB, HkIKTkIMn, Moc~sa,1980. Porvenkov, V., Gridnev, M. "Statistical investigation of intensity level and loudness range for piano sounds", in Methods for increasing the quality of musical instruments and their structural parts, p. 3 (SRDTIMI, M., 1980). IIopse~~o~B. r., rpw~e~M. B. CT~TUCTMY~CKO~06cneflosa~~e YpOBHH MHTeHCMBHOCTM M AMaIIa3OHa TPOMKO- CTM 3BYKOB @op~eIIMaHo.B ~6.:~YTM IIOBbIIIIeHMH KaYeCTBa MY3bIKaJIbHbIX MHCT- pweHToB M MX ysno~,c. 3, HkIKTkIMII, M., 1980. Porvenkov, V., Malgina, D. "Comparative evaluation of acoustical properties of guitar strings", in Methods for increasing the quality of musical instruments and their structural parts, p. 108 (SRDTIMI, M., 1980). ~OPB~HKOBB. r., ManbrM~aJI. A. C~~BH~~T~JI~H~HOVeHKa aKyCTMqeCKMX CBO~~CTBCTPYH TMTap. B 6.: "~J'TM IIOBbI- meHkiH KaqeCTBa MJ'3bIKaJIbHbIX MHCTPYMeHTOB M MX YWOB", C. 108, HklKTklMn, M., 1980. Porvenkov, V., Tchelnokov, N. "Objective evaluation of tonal and playing properties of keyboard musical instruments", CBSTI of LIM RSFSR, series 3, issue 4 (M., 1980).

Shapotchlun, A. "Materials for musical instrument production", in Perfection of musical instrument industry, p. 124 (SRDTIMI, M., 1980). LLIanoq~kl~A. C. Ma~e- PMWIbI AJIa IIpOM3BOACTBa MY3bIKaJIbHbIX MHCTPYMeHTOB. B ~6.: COB~PIII~HCT- BOBaHMe IIpOM3BO~CTBa MY3bIKaJIbHbIX MHCTPYMeHTOB, C. 134, HkIKTklMII, MOC- KBa, 1980. Shapotchlun, A. "On the use of modified wood for clarinet and oboe malung", in Perfection of musical instrument industry, p. 172 (SRDTIMI, M., 1980). LII~~o~KHH I A. C. 06 MCIIOJIb30BaHMM MO~M@M~MPOB~HHO~~ApeBeCMHbI B IIpOM3BOACTBe

Shapotchkin, A., Borovkov, N. "Influence of certain factors on the properties of resonance wood", in Perfection of musical instrument industry, p. 145 (SRDTIMI, M., 1980). ~aII0qKllHA. C., ~OPOBKOB H. n. Bnaa~kieHeKOTOPbIX @IKTOPOB Ha CBO~~CTB~pe30HaHcHOfi flpeBeCMHb1. B C~OPHEIK~:COB~~III~HCTBOB~HM~ IIPOM3BOA- CTBa My3bIKiUIbHbIX MHCTPYMeHTOB, C. 145, HMKTklMn, Moc~sa,1980. Galembo, A. "Device for evaluation of musical instrument quality", Invention certificate No. 828215, C1. G 10 1/02, 1981. b~1e~60A. C. YCTPO~~CTBOAna oqeHKM KaVeCTBa MY3bIKaJIbHbIX MHCTPJ'MeHTOB. ABT. CBw. NO. 828215, KJI. GI0 1/02, 1981. STL-QPSR 2-31 1994 I

Galembo, A. "Some data on the tonal structure of pianos", in Proc. ofthe 4th USSR Scientific Technological Conference on Electrical Musical Instruments, part 1 (M., 1981). ~aJIe~60A. C. H~KOTO~~I~AaHHbIe 0 CTpyKTme 3BYKOB (PoPT~IIH~Ho. B ~6.:Ma~epaanb~ 4-fi Bcecom3~oiiH~JTHo-T~xHH~~cKo~~ KOH@~~~H~HH IIO 3JIeKT- POMY3bIKaJIbHbIM HHCTPYMeHTaM, YaCTb 1, M., 1981. Egorov, V. "Some acoustical characteristics of the sound generation process in the ", Baian i bajanisti, issue 3 (M., 198 1). Eropo~B. 0 HeKoTopbrx asycTa- qeCKHX XapaKTepHCTHKaX npoqecca ~B~KOO~~~~OB~HHHHa 6aaHe. B ~6.c~a~efi "~HHH ~~RHIICT~I", BbIII. 3, H3A. COB~TCKH~~KOMIIO~EITOP~~, M., 1981. Kuznetsov, L. "Significance of formants on timbre", in Proc. of the 4th USSR Scientijic Technological Conference on Electrical Musical Instruments, part 1 (M., 1981). KY~H~UOBJI. A. TeM6paJIbHaH 3HaSHMOCTb @OPM~HT. B C~OPHIIK~"Ma~e- PHaJIbI 4-fi Bcecoms~oiiH~J~Ho-T~xHH~~cKo~~ KOH@~~~H~HH IIO 3JIeKTPOMY3bI- KaJIbHbIM HHCTPJ'M~HT~M~~,YaCTb 1, M., 1981. Malgina, L., Porvenkov, V. "Estimation of the quality of musical instruments in terms of pattern recognition theory", AJ, v. 27(5) , pp. 774-782 (1981). Manbrki~aJI. A,, ~OPB~HKOBB. r. 04eHKa KaYeCTBa MY3bIKaJIbHbIX HHCTPYMeHTOB C II03H4Hfi Teoplili pacno3~asa~wrro6pa30~. Ax, T. 27, No. 5,1981, c. 774-782. Pistchik, I. "On some properties of long-seasoned wood", in Research on material properties in musical instrument production, p. 108 (SRDTIMI, M., 1981). ~IH~HK ki. 0 HeKOTOPbIX CBO~~CTB~XHJIHTeJIbHO B~IA~PX~HHO~~APeBeCHHbI. B C~OPHEIK~ 11 TPYAOB kiCCJIefl0~a~HeCBO~~CTB MaTepHaJIOB AJIH IIpOH3BOACTBa MY3bIKaJIbHbIX IIHCTPJ'M~HTOB", C. 108, HkiKTkiMn, M., 1981. Termen, E. "Multivoiced termenvox", in Proc. of the 4th USSR scientific-technological conference on electrical musical instruments, part 2 (M., 1981). Tep~e~JI. C. MHO- rOrOJIO~b1fiTePMeHBOKC. B C~OPHIIK~:MaTepHaJIb1 4-fi Bcecoms~oiiHaJTHO-TeX- HHqeCKOfi KOH@~~C!H~HHIIO 3JIeKTpOMY3bIKaJIbHbIM HHCTPYMeHTaM, qaCTb 2, M., 1981. Galembo, A. "Quality evaluation of musical instruments", Technical Aesthetics, No. 5 (1982). raJIeM60 A. C. OU~HK~KaqeCTBa MY3bIKaJIbHbIX HHCTPYMeHTOB. Tex~aqe- CKaH 3CTeTMKa, NO. 5, 1982. Osadchaia, T., Markitcheva, Z., Galembo, A. "A method for improving the hammer felt in musical instrument production", in Perfection of the industry of non-woven textile materials - problems of increasing quality and economical efliciency, p. 36 (M., 1982). OCaAqaSI T. M., Map~kiqesa3. K., raJIeM60 A. C. Me~onIIOBbIIIIeHHH Ka- YeCTBa MOJIOTOqKOBOrO BO~OK~AJIH IIpOH3BOACTBa MY3bIKaJIbHbIX HHCTPYMeHTOB. B C60pHkiKe: COB~~III~HCTBOB~HH~TeXHOJIOrHH IIpOH3BOACTBa HeTKaHbIX TeKC- TlZnbHbIX MaTepHaJIOB H BOIIpOCbI IIOBbIIIIeHHH HX KaveCTBa H ~KOHOMH~~CKO~~ B@@~KTEIBHOCTII., qHkIkIT3kInernpo~,C. 36,1982. STL-QPSR 2-311 994

Porvenkov, V. "Acoustical properties of wind instruments", CBSTI of LIM RSFSR, series 3, issue 6 (M., 1982). ~OPB~HKOBB. r. AKYCTMY~CKM~CBO~~CTB~ AYXOBbIX MY- 3bIKZUIbHbIX MHCTPYMeHTOB. 9EHTkl MHHM~CTII~OM~PCmCP, Cep. 3, BbIII. 6, M., 1982. Porvenkov, V., Gridnew, M. "Zu den Fragen der Oktavenstreckung bei der Klavier- stimmung", Das Musilunstrument, 11, 1982. Porvenkov, V., Gutorov, A. "Method for quality evaluation of piano strings", USSR invention certificate No. 1012 124, (1982). ~O~B~HKOBB., ~YTOPOB A. Cnoco6 OUeH- KM KaYecTBa CTP~H@op~en~la~o. ABT. CBW. CCCP No. 1012124,1982. Soldatov, A., Porvenkov, V. "Apparatus for investigation of violin strings", USSR invention certificate No. 1008723 (1982). COJIA~TOBA. II., IIopse~~o~B. r. CT~HA AJIH MCCJIeAOBaHUH CTPYH CMbIYKOBbIX MY3bIKNIbHbIX MHCTPYMeHTOB. ABT. CBMA. CCCP No. 1008783,1982. Tuluzakov, V. "On the logarithmic decrement of resonance wood", in Technology and materials for woodworking enterprises, pp. 11-14 (Moscow Forest Technical Institute, M., 1982). TYJIY~~KOBB. B. 0 JIo~~~M@MMY~cKoMAeKpeMeHTe 3aTyXaHkiH ~oJIe6a- HMG P~~OH~HCHO~~ApeBeCHHbI. B KHHTe: Tex~onor~xM MaTepMaJIbI ~epe~oo6pa- ~~T~IB~I~~HXIIpOM3BOACTB - ~6. HapHbIX TPYflOB MJITH, C. 11-14, M., 1982. Tuluzakov, V., Komarov, N., Sapozhnikov, A. "Study of the logarithmic decrement for resonance spruce and 4-layers-birch plywood", in Technology and materials for woodworking enterprises, pp. 104-107 (Moscow Forest Technical Institute, M., 1982). TYJIY~~KOBB. B., KOM~POBH. A., Canomki~o~A. C. klccne~osa~kienorap~@~w- YeCKOrO AeKpeMeHTa KoJI~~~HM~pe30HaHCHOii eJIM M Y~T~I~~xcJIo~~Ho~~6epe30~oii @aHepb1. B KHHre: Tex~onor~aM MaTepHZUIbI ~epe~006pa6a~b1~a1o~M~IIpOM3- BOACTB - ~6.HapHbIX TPJ'AOB MJITH, C. 104-107, M., 1982. i Banin, A., Simonov, I. "A. A.Volodin - musicologist-acoustician, outstanding designer of electronic musical instruments", in Proc. of the 10th USSR Acoustical Conference (M., 1983). E~HHHA. A., CMMOHOBkI. a. - A. A. BOJIOAMH- My3bIKOBeA-aKYCTMK, I ~bI~a1o~MfiC5IKOHCTPYKTOP 3JIeKTPOMY3bIKiiJIbHbIX EiHCTPYMeHTOB. fl0KJIa~Ha X Bcecomsnoii ~K~CTUY~CKO~~KOH@epeHqMH, M., 1983. Borovkov, N., Shapotchkin, A. "Acoustical properties of percussive musical instru- ments", in Proc. of the 10th USSR Acoustical Conference (M., 1983). EOPOBKOBH. n., ~~IIoYKMHA. C. AK~CTHY~CKM~CBO~~CTB~ YAaPHbIX MY3bIKZUIbHbIX MHCTPY- MeHTOB. AoKJIaa Ha X Bcecom3~0ii~KYCTMY~CKO~~ KOH@~P~H~EIII, M., 1983. Buneev, V., Makarieva, T., Butovskaia, T. "To the problem of soundboard radiation in musical instruments", in Proc. of the 10th USSR Acoustical Conference (M., 1983). EJ'H~~BB. M., EJToBcK~HT. C., MaKapbeBa T. A. K BOIIpOCy 06 M3JIJ9eHEIM AeKM MY3bIKZUIbHOTO MHCTPYMeHTa. flo~~~a~Ha X Bcecom3~0ii ~KJ'cTMY~cKO~~ KOH@~- peHquM, M., 1983. STL-QPSR 2-31 1994

Donskoy, D., Zverev, V., Isaev, M. "To the problem of quality estimation of violin sound", in Proc. of the 10th USSR Acoustical Conference (M., 1983). Ao~c~oiiA. M., 3BepeB B. A., klcae~M. kl. K BOnpOCy 06 04eHKe KaYeCTBa 3ByYaHliH CKPEIKIOK. Roman Ha X Bcecoms~oii~K~cTII~~cKO~~ KOH@epeHIJIIH, M., 1983. Galeev, B. "Musical acoustics in a "universal world harmony" conception", in Proc. of the loth USSR Acoustical Conference (M., 1983). ranee^ E. M. My3b1~aJIbHaHaayc- TAKa B KOH4eII4klll "YHHB~Pc~JI~Ho~~raPMOHkill Mkipa". Aoma~Ha X Bcecoms~oii ~K~CTIIY~CKO~~KOH@~~C!H~HII, M., 1983. Galembo, A. "The problem of separate estimations of tonal and playing qualities of musical instruments", in Proc. of the loth USSR Acoustical Conference (M., 1983). raJIeM60 A. C. npo6~1e~apa3AeJIbHOrO 04eHIIBaHIIH 3BYKOBbIX II IIrPOBbIX CBO~~CTBMY3bIKaJIbHOrO HHCTPYMeHTa. AOKJI~AHa X Bcecom3~0f~KYCTHY~CKO~ KOH@epeHIJHII, M., 1983. Gutorov, A., Porvenkov, V. "On a method to detect defects in piano bass strings", in Proc. of the 10th USSR Acoustical Conference (M., 1983). ry~opo~A. A., IIopseH- KOB B. r. 0 MeTOBe KOHTPOJIH aKYCTklYeCKElX H~@~KTOB~~COB~IX CTPYH IIHaHIIHO. Aomaa Ha X Bcecom3~oii~K~CTR~~CKO~ KOH@epeHqIIII, M., 1983. Kirillov, A. "Acoustical properties of polystyrenes as a substitute of wood", in Proc. of the loth USSR Acoustical Conference (M., 1983). KII~LZTLTIOBA. B. AK~CTHY~CKH~ CBO~~CTB~IIeHOMaCTOB KaK MaTepHaJIOB - 3aMeHII~eJIeiiApeBeCEiHbI. Aomaa Ha X Bcecoms~oii~K~CTIIY~CKO~~ KOH@~~~H~HH, M., 1983. Novikov, V. "About a mechanism for the generation of interval-harmonic auditory sensations", in Proc. of the loth USSR Acoustical Conference (M., 1983). HOBHKOBB. M. 0 MeXaHH3Me @o~MII~oB~HIIHIIHTepBNIbHO-rapMOHIIYeCKkiX CJIYXOBbIX Owy- 4eHHfi. Aoma,q Ha X Bcecoms~oii~KYCTMW~CKO~~ KOH@~~~H~HH, M., 1983. Parshina, S., Porvenkov, V., Tchelnokov, N. "Research on acoustical and physical- mechanical parameters of guitar and violo~~cellotop plates", in Rising of quality and pe$ection of industry of musical instruments, (SRDTIMI, M, 1983). IIap~ll~l~aC., ~OPB~HKOBB., r. Y~JIHOKOBH. H. MccJI~AoB~HII~aKYCTIIYeCKUX Ii @H~HKO-M~X~- HkiYeCKkiX IIapaMeTpOB AeK rHTap II ~II0~10~9eJIefi.B C~OPHMK~: nO~b1lIIe~lle Ka- W!CTBa II COBePIIIeHCTBOBaHlie IIPOII3BOACTBa MY3bIKaJIbHbIX HHCTPJ'iMeHTOB, TPYAbI HklKTklMn, M., 1983. Porvenkov, V., Malgina, L. "On a summarised estimation of guitar string quality", in Proc. of the loth USSR Acoustical Conference (M., 1983). nopse~~olsB. r., Manb- rHHa a. A. 06 IIH~erpNIbH0fi04eHKe KaYeCTBa rHTapHbIX CTPYH. AOKJI~Ha X Bcecom3~ofi~K~CTII!I~CKO~~ KOH@epeHqIIII, M., 1983. Sanzharovsky, A., Porvenkov, V., Shulpinov, V. "Use of objective control methods for increasing the quality of the trumpet", in Proc. of the Acoustical Conference: Acoustical and technical aspects of musical instruments, pp. 96-101 (Czechoslovakia, 1883). C~HX~~OBCKM~A. T., ~O~B~HKOB B. r., ~~JI~IIHHOBB. M. npllMeHeHIIe

STL-QPSR 2-31 1994

~KJ'CTHY~CKO~KOH@~~~H~HH IIO @E~~~~OJIO~~~Y~CKO~ aKyCTkiKe, IICkiXOaKyCTkiKe, aKyCTkiKe MY3bIKki ki peyki, B~ICOKH~T~TP~I, %~XOCJIOB~K~~H, 1989. Korsakov, G., Ivanov, B. The principles of musical acoustics: Physiological, architectural and musical acoustics (L., 1989). KO~C~KOBr. C., HB~HOBE. A. Oc- HOBbI ~~3b1KaJIbHofiaKYCTIIKH: @Z~~~~OJIO~MY~CK~R,aPXkiTeKTYPHaH ki MY3bIKaJIb- HaH aKyCTkiKa. J., 1989. Kuznetsov, L. Acoustics of musical instruments (M., 1989). KY~H~UOBX. A. AKYCTM-

Kuznetsov, L. " of overtones in stringed instruments", in Proc. of the 28th Acoustical Conference on Physiological Acoustics, , Acoustics of Music and Speech (Strbskk Pleso, Visokk Tatry, Czechoslovakia, 1989). KY~H~UOBJI. A. H~~~PMOH~~YHOCT~O~~PTOHOBCTPYH MY3bIKaJIbHbIX EiHCTPYMeHTOB. B TPYAaX

Malgina, L., Porvenkov, V., "Influence of the non-speaking length, bridge angle, and twisting on the acoustical characteristics of the string", CBSTI of LIM RSFSR, series 3, issue 2, pp. 1-16, (1989). MaJIbrHHa JI. A., ~OPB~HKOBB. r. BnkiHHkie JJIIlHbI He- pa6oseii YaCTEI, yTJIa OTCeYKki ki IIepeKpyTKH Ha aKyCTMYeCKkie CBO~~CTB~CTPYH. UEHTH ME~HM~CTII~OM~PCQCP, cep. 3, BbIII. 2, C. 1-16, 1989. Malgina, L., Porvenkov, V., Siniavin, N. "An automatised device and a method for quality control of bass strings for vertical pianos", CBSTI of LIM RSFSR, series 3, issue 3 (1989). MaJIbrki~a JI. A,, ~OPB~HKOBB., CHHHBHHH. ABTOM~TH~E~POB~H- HaH J'CTaHOBKa ki MeTOA KOHTPOJIH KaYeCTBa 3BJ'YaHIIH ~~COB~IXCTPYH IIkiaHkiHO. UEHTH M~~HM~CTII~OM~PCmCP, Cep. 3, BbIII. 3,1989. 1 Porvenkov, V. "Present state of the acoustics and tuning of wind instruments. CBSTI of LIM RSFSR, series 3, issue 2, p. 92 (1989). ~OPB~HKOBB. r. COB~~M~HHO~CO- CTOHHkie aKYCTkiKki ki H~CTPO~KI~AJXOBbIX MY3bIKaJIbHbIX EIHCTPYMeHTOB. UEHTkI M~~HM~cTII~oM~PCQCP, Cep. 3, BbIII. 2, C. 92, 1989. 1 Porvenkov, V. "On the dependence between subjective musical and playing properties of wind instruments and their acoustical characteristics", CBSTI of LIM RSFSR, series 3, issue 8, p. 20 (1989). ~OPB~HKOBB. r. 0 CBH3HX CY~%~KTHBH~IXMY3bIKaJIbHO- ElrpOBbIX CBO~~CTBAJXOBbIX IlHCTPYMeHTOB C kiX aKyCTllYeCKkiMEl XapaKTepkiCTkiKa- Mki. U(EHTH ME~HM~cTII~oM~PCaCP, cep. 3, BbIII. 8, C. 20, 1989. Porvenkov, V., Malgina, L., Baraz, V., Rundkvist, N. "Sound quality estimation of string wire", Zavodskaia Laboratoria, No. 9, pp. 62-64 (1989). ~OPB~HKOBB., Mmb- ruHa JI. Eapas B., P~HAKBHCTH. Onpegene~kie KayecTsa ~B~Y~HHHCTP~HHO~~ II~OBOJIOKZI. 3a~o~c~aana60pa~opki51, No. 9, c. 62-64,1989. STL-QPSR 2-31 1994

Porvenkov, V. Acoustics and tuning of musical instruments (M., 1990). ~OPB~HKOBB. r. AKYCTHK~H H~CTPO~~K~ MY3bIKaJIbHbIX HHCTPYMeHTOB. M., "Mysbr~a",1990. Vasiliev, M., Mestcheriakov, M., Porvenkov, V., Nanasov, M. "Applicability evaluation of numerical analyses for calculation of resonance frequencies of reeds", in Actual Problems of Musical Industry, pp. 180- 185 (SRDTIMI, M, 1990). BaclvIbeB M., Meuepano~M., ~OPB~HKOBB., Ha~aco~M. K OqeHKe IIPHMeHHMOCTH YHC- JIeHHbIX MeTOAOB aHaJIH3a AJIH PaCYeTa pe30HaHCHbIX YaCTOT rOJIOCOBbIX II3bIYKOB. B C~OPHEIK~ "AKTY~JI~H~I~IIp06JIeMb1 ~~3b1~aJIbHofiIIPOM~II~ITI~HHOCTII", HkIKTkIMn, M., 1990, C. 180-185. Butovskaia, T., Makarieva, T. "On "double" sounding of xylophone bars", in Proc. of the 11th USSR Acoustical Conference, pp. 5-6 (M., 199 1). &To~c~aaT. C., MaKapb- eBa T. A. 0 "~BO~~HOM"3BJYaHHH ILJIaHOK KCLZTIO@OH~.B TPYAaX XI Bcecom3~0ji aKycTllYecK0fi KOH@~~~H~HH,M., 1991, C. 5-6. Galembo, A., Kravtchun, P., Shliapnikov, V. "On the influence of the piano una corda pedal on tone quality and dynamics", in Proc. of the 11th USSR acoustical conference, pp. 17-20, M., 199 1. raJIeM60 A. C., Kpasrp II. H., ~JIIIIIHHKOBB. A. O BJIEUI- HHH JIeB0fi IIeAaJIH @O~T~IIH~HOHa T~M~~O-~HH~MIIY~CKH~XapaKTepHCTHKH 3B~aHHII.B TpyAaX XI Bcecoms~ofi~K~cTHY~cKO~~ KOH@€!~~H~HH, M., 1991, C. 17-20. Gridnev, M., Lebedeva, L., Malgina, L. "On the problem of quality estimation of sound of strings of acoustical guitar", in Proc. of the 11th USSR Acoustical Conference, pp. 11 - 14, (M., 199 1). rpw~e~M. B., JIe6e~esaJI. a., MaJIbrHHa A. A. K BOIIpOCy OqeHKH KaYeCTBa 3BJYaHHII CTPYH aKYCTHYeCKHX n1TaP. B TPYAaX XI Bcecoms~ofi~K~CTH'~~CKO~ KOH@~~~H~HH, M., 1991, C. 11 - 14. Porvenkov, V. "Influence of string inharmonicity on the precision of tuning of intervals", in Proc. of the 11th USSR Acoustical Conference, pp. 7-10 (M., 1991). ~OPB~HKOBB. r. 0 BTIHIIHHH HeraPMOHHYHOCTH O~~PTOHOBHa TOYHOCTb H~CTPO%- KH HHTePBaJIOB. B TPYAaX XI Bcecoms~ofiaKyCTHreCK0fi KoH@epeHqHH, M., 1991, C. 7-10. Vasiliev, M., Porvenkov, V. "To the problem of sound generation in reedboards", in Proc. of the 11th USSR Acoustical Conference, pp. 15-16 (M., 1991). BacktnbeB M. M., ~OPB~HKOBB. r. K BOIIPOCY ~BYKOO~~~~OB~HHRB rOJIOCOBbIX IIJIaHKaX. B TpyAaX XI Bcecoms~ofi~K~cTHY~cKO~~ KOH@~~~H~HH, M., 1991, C. 15-16. Yarovoy, D. "Physical factors which are to be taken into account when tuning violin soundboards in accordance with Stradivarius' principles", in Proc. of the 11th USSR Acoustical Conference, pp. 21-23 (M., 1991). IIpo~oiiA. B. @H3HYecKIIe @aKTopb~, JYeT KOTOPbIX H~O~XOAHMIIPH H~CT~O%K~CKPHIIHYHbIX AeK IIO IIpHHUHIIaM A. CTpa~EiBapH.B TpyAaX XI Bcecoms~oii~KYCTHY~CKO~~ KOH@~~~H~HM, M., 1991, C.