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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 4-2-2016 “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Criminal Law Commons, Criminology Commons, Family, Life Course, and Society Commons, Public Affairs, Public Policy and Public Administration Commons, and the Social Control, Law, Crime, and Deviance Commons Bosch, Brandon, "“Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films" (2016). Sociology Department, Faculty Publications. 287. http://digitalcommons.unl.edu/sociologyfacpub/287 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 17, ISSUE 1, PAGES 37–54 (2016) Criminology, Criminal Justice Law, & Society E-ISSN 2332-886X Available online at https://scholasticahq.com/criminology-criminal-justice-law-society/ “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln A B S T R A C T A N D A R T I C L E I N F O R M A T I O N Drawing on research on authoritarianism, this study analyzes the relationship between levels of threat in society and representations of crime, law, and order in mass media, with a particular emphasis on the superhero genre. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
47-Blueprints.Pdf
CAT-TALES BBLUEPRINTS CAT-TALES BBLUEPRINTS By Chris Dee Edited by David L. COPYRIGHT © 2006 BY CHRIS DEE ALL RIGHTS RESERVED. BATMAN, CATWOMAN, GOTHAM CITY, ET AL CREATED BY BOB KANE, PROPERTY OF DC ENTERTAINMENT, USED WITHOUT PERMISSION BLUEPRINTS Many Gothamites didn’t even know they existed, these rarified pockets of the world where the subtle and unconscious application of wealth and influence had fended off the ravages of time and change. One of these pockets was right in their midst, only a few minutes from the heart of the city: the Gotham suburb of Bristol. The ancient sycamores that once shaded Iroquois hunters tracking deer and pheasant had never been pulled down to build tract houses on quarter-acre plots. The roads were paved, but they didn’t lead to stripmalls or “superstores.” They led, under a canopy of those same leafy sycamores, to quaint, family-owned businesses like Perdita’s Florals and Harriman’s Gourmet Pantry. Mr. Harriman still wore a clean white apron, kept the customer accounts in a handwritten ledger, and tallied them himself at the end of each month. He didn’t bother sending the bill to Wayne Manor. He merely folded it in a brown envelope, wrote WAYNE on the flap, and handed it to Alfred Pennyworth when he came in the next Monday or Thursday to do his twice-weekly shopping. Alfred slipped the envelope into his pocket, for he would never insult Mr. Harriman by checking it in front of him. He would open it tonight while having his nightcap with Miss Selina’s little friend Nutmeg, and reconcile it with the records kept on his laptop. -
Batman Miniature Game Standard List
BATMANMINIATURE GAME STANDARD DATE VER. MODELS LIST 2020.03.06 35DC176 BATGIRL REBIRTH (MV) STARTERS & BAT-BOXES BATBOX001 SUICIDE SQUAD 35DC177 TWO-FACE STARTER SET BATBOX002 THE JOKER: CLOWNS PARTY 35DC178 JOHN CONSTANTINE (MV) BATBOX003 THE RIDDLER: QUIZMASTERS 35DC179 ZATANNA (MV) BATBOX004 MILITIA: INVASION FORCE 35DC181 JASON BLOOD & DEMON (MV) BATBOX005 THE PENGUIN: CRIMELORD 35DC182 KNIGHTFALL BATMAN BATBOX006 THE COURT OF OWLS: TALON’S NIGHT 35DC183 BATMAN FLASHPOINT BATBOX007 BANE: VENOM OVERDRIVE 35DC185 KILLER CROC (MV) BATBOX008 LEAGUE OF ASSASSINS: DEMON’S HEIR 35DC188 DYNAMIC DUO, BATMAN AND ROBIN BATBOX009 KOBRA: KALI YUGA 35DC189 THE PARLIAMENT OF OWLS BATBOX010 TEEN TITANS 35DC191 GREEN ARROW TV SHOW (MV) BATBOX011 WATCHMEN 35DC192 HARLEY QUINN REBIRTH (MV) BATBOX012 DOOM PATROL 35DC194 CATWOMAN MODERN AGE (MV) BATBOX013 BIRDS OF PREY 35DC195 JUSTICE LEAGUE DARK (MV) BMG009 BMG THE DARK KNIGHT RISES GAME BOX 35DC198 THE BATMAN WHO LAUGHS (MV) BMG010 BMG BACK TO GOTHAM BOX 35DC199 VENTRILOQUIST & MOBSTERS 35DC200 L. LUTHOR ARMOR & HVY. TROOPER (MV) MODELS 35DC201 LEX LUTHOR & LEXCORP TROOPERS (MV) ¨¨¨¨¨¨¨¨ ALFRED (DKR PROMO) 35DC205 PENGUINS “““““““““ JOE CHILL 35DC211 FALCONE CRIME FAMILY 35DC170 BLACKGATE PRISONERS SET 35DC212 BATMAN (MV) 35DC171 NIGHTWING 35DC213 LEGION OF DOOM 35DC172 RED HOOD (MV) 35DC214 ROBIN & GOLIATH 35DC173 DEATHSTROKE (MV) 35DC215 CLAYFACE (MV) 1 BATMANMINIATURE GAME 35DC216 THE COURT OWLS CREW 35DC260 ROBIN (JASON TODD) 35DC217 OWLMAN (MV) 35DC262 BANE THE BAT 35DC218 JOHNNY QUICK (MV) 35DC263 -
Spider-Woman
DC MARVEL IMAGE ! ACTION ! ALIEN ! ASCENDER ! AMERICAN VAMPIRE 1976 ! AMAZING SPIDER-MAN ! BIRTHRIGHT ! AQUAMAN ! AVENGERS ! BITTER ROOT ! BATGIRL ! AVENGERS: MECH STRIKE 1-5 ! BLISS 1-8 ! BATMAN ! BETA RAY BILL 1-5 ! COMMANDERS IN CRISIS 1-12 ! BATMAN ADVENTURES CONTINUE ! BLACK CAT ! CROSSOVER ! BATMAN BLACK & WHITE 1-6 ! BLACK KNIGHT CURSE EBONY BLADE ! DEADLY CLASS ! BATMAN: URBAN LEGENDS ! BLACK WIDOW ! DECORUM ! BATMAN/CATWOMAN 1-12 ! CABLE ! DEEP BEYOND ! BATMAN/SUPERMAN ! CAPTAIN AMERICA ! DEPARTMENT OF TRUTH ! CATWOMAN ! CAPTAIN MARVEL ! EXCELLENCE ! CRIME SYNDICATE ! CARNAGE BW & BLOOD 1-4 ! FAMILY TREE ! DETECTIVE COMICS ! CHAMPIONS ! FIRE POWER ! DREAMING : WAKING HOURS ! CHILDREN OF THE ATOM ! GEIGER ! FAR SECTOR ! CONAN THE BARBARIAN ! ICE CREAM MAN ! FLASH ! DAREDEVIL ! JUPITERS LEGACY 1-5 ! GREEN ARROW ! DEADPOOL ! KARMEN 1-5 ! GREEN LANTERN ! DEMON DAYS X-MEN 1-5 ! KILLADELPHIA ! HARLEY QUINN ! ETERNALS ! LOW ! INFINITE FRONTIER ! EXCALIBUR ! MONSTRESS ! JOKER ! FANTASTIC 4 ! MOONSHINE ! JUSTICE LEAGUE ! FANTASTIC 4 LIFE STORY 1-6 ! NOCTERRA ! LAST GOD ! GUARDIANS OF THE GALAXY ! OBLIVION SONG ! LEGENDS OF DARK KNIGHT ! HELLIONS ! OLD GUARD 1-6 ! LEGION of SUPER-HEROES ! HEROES REBORN 1-7 ! POST AMERICANA 1-6 ! MAN-BAT ! IMMORTAL HULK ! RADIANT BLACK ! NEXT BATMAN: SECOND SON ! IRON FIST Heart of Dragon 1-6 ! RAT QUEENS ! NIGHTWING ! IRON MAN ! REDNECK ! OTHER HISTORY DC UNIVERSE ! MAESTRO WAR & PAX 1-5 ! SAVAGE DRAGON ! RED HOOD ! MAGNIFICENT MS MARVEL ! SEA OF STARS ! RORSCHACH ! MARAUDERS ! SILVER COIN 1-5 ! SENSATIONAL -
Super Heroes
BRP WRE Bizarro Day! (DC Super Friends) Crime Wave! (DC Super Friends) Super Hardcover B8555BR Brain Freeze! (DC Super Friends) Heroes H2934GO Going Bananas (DC Super Friends) S5395TR T. Rex Trouble (DC Super Friends) W9441CR Crime Wave! (DC Super Friends) Juvenile Fiction Beginning Readers Paperback JUV ASH Batman: The Brave and the Bold Paperback BRP ASH Batman and Friends JUV DCS The Flash: Shadow of the Sun Captain Cold’s Artic Eruption (The BRP BRI Batman Versus Man-Bat Flash) Gorilla Warfare (The Flash) BRP ELI Flying High (DC Super Friends) Shell Shocker (The Flash) BRP FIG Spider-Man Saves the Day The Attack of Professor Zoom! (The Flash) BRP HIL Spider-Man Versus the Scorpion Wrath of the Weather Wizard (The Flash) Spider-Man Versus the Lizard Battle of the Blue Lanterns (Green Spider-Man Amazing Friends Lantern) Beware Our Power (Green Lantern) BRP LEM Superman Versus the Silver Banshee Guardian of Earth (Green Lantern) Batman: Who is Clayface? The Last Super Hero (Green Lantern) The Light King Strikes! (Green Lantern) BRP ROS Friends and Foes (Superman) Man of Steel: Superman’s Superpowers JUV JAF Wonder Woman Team Spirit (Marvel Super Hero Squad) The Trouble with Thor JUV JUS In Darkest Night (Justice League) BRP SAZ Superman: Escape from the Phantom Secret Origins (Justice League) Zone The Gauntlet (Justice League) Wings of War (Justice League) BRP SHE T. Rex Trouble (DC Super Friends) Aliens Attack (Marvel Super Hero JUV LER Batman Begins: The Junior Novel Squad) JUV SUP Superman Returns: The Last Son of BRP STE I Am Wonder -
Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2013 12:00 AM Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance Caitlin Foster The University of Western Ontario Supervisor Dr. Joseph Wlodarz The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Caitlin Foster 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Advertising and Promotion Management Commons, and the Film and Media Studies Commons Recommended Citation Foster, Caitlin, "Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance" (2013). Electronic Thesis and Dissertation Repository. 1494. https://ir.lib.uwo.ca/etd/1494 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CLASH OF THE INDUSTRY TITANS: MARVEL, DC AND THE BATTLE FOR MARKET DOMINANCE (Thesis format: Monograph) By Caitlin Foster Graduate Program in Film Studies A thesis submitted in partial fulfillment Of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Caitlin Foster 2013 Abstract This thesis examines the corporate structures, marketing strategies and economic shifts that have influenced the recent resurgence of the comic book superhero in popular Hollywood cinema. Using their original texts and adaptation films, this study will chronologically examine how each company’s brand identities and corporate structures have reacted to and been shaped by the major cultural and industrial shifts of the past century in its attempt to account for the varying success of these companies throughout their histories. -
Playing Superhero": Agency and the Role of the Teenaged Superhero
Longwood University Digital Commons @ Longwood University Theses, Dissertations & Honors Papers Spring 4-25-2012 "Playing Superhero": Agency and the Role of the Teenaged Superhero Jessica R. Saunders Longwood University Follow this and additional works at: https://digitalcommons.longwood.edu/etd Part of the American Popular Culture Commons, Children's and Young Adult Literature Commons, Fiction Commons, and the Literature in English, North America Commons Recommended Citation Saunders, Jessica R., ""Playing Superhero": Agency and the Role of the Teenaged Superhero" (2012). Theses, Dissertations & Honors Papers. 503. https://digitalcommons.longwood.edu/etd/503 This Thesis is brought to you for free and open access by Digital Commons @ Longwood University. It has been accepted for inclusion in Theses, Dissertations & Honors Papers by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected], [email protected]. "Playing Superhero": Agency and the Role of the Teenaged Superhero by Jessica R. Saunders A thesis submitted in partial fulfillmentof the requirement for the degree of Master of Arts in English Longwood University Department of English and Modem Languages Chris W. McGee, Ph.D. Thesis Director Jent er M. Miskec, Ph.D. First Reader -l.:...L-'--h,�'l-.'l-�-Htt._\14A[u-l.-<(1--- Rh011da L. Brock- 'ervais, Ph.D. Second Reader Date Table of Contents Chapter One................. ......................................................................... 1 Chapter -
Spontaneous Generation
by Chris Dee CAT-TALES SSPONTANEOUS GGENERATION CAT-TALES SSPONTANEOUS GGENERATION By Chris Dee COPYRIGHT © 2015 BY CHRIS DEE ALL RIGHTS RESERVED. BATMAN, CATWOMAN, GOTHAM CITY, ET AL CREATED BY BOB KANE, PROPERTY OF DC ENTERTAINMENT, USED WITHOUT PERMISSION SPONTANEOUS GENERATION Prologue: Ivy's Song Weakness. If there was one thing that made her physically ill, it was weakness. Nature was not weak. Nature was the ultimate power. What could man make that Nature could not destroy? Their fleshy bodies, their cities, their pitiful notions of achievement? What was a church compared to a forest? A painting compared to a mountain, a symphony next to a flower… Well, actually, she liked music. Even her plants liked music. Mozart in particular. And there was nothing in Nature to compare it to. The mathematical underpinnings of music were absolutely man-made, and it had to be said, it was… beautiful. A THOUGHT THAT MADE HER WANT TO SCREAM! Beautiful belonged to Nature. It belonged to Flowers. It was hers, and this filthy animal, masculine, homo sapien, civilized, plant-eating THING had made something that was wholly theirs, wholly unique, and wholly beautiful. JUST HAVING THE THOUGHT MADE HER WANT TO RIP HER HAIR OUT BY THE ROOT! It was so weak. Pamela’s little thoughts and feelings. As the living embodiment of the Goddess Lifeforce, Poison Ivy rebelled at the idea of hating any part of herself, but that, that… Pamela had become such a burden. People made something beautiful. It was disgusting. But now she had that thought in her head, and it was all because of that part of herself that, for lack of a better term, she called Pam. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D.