Claptrap #2 ’S Graphic Theme Get Any Longer, the Hemlines Head Skyward
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
The Personal Branding of Lucille Ball Honors Thesis
BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Sarah L. Straka San Marcos, Texas December, 2016 BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL by Sarah L. Straka Thesis Supervisor: ________________________________ Dr. Raymond Fisk, Ph.D. Department of Marketing Approved: _________________________________ Heather C. Galloway, Ph.D. Dean, Honors College TABLE OF CONTENTS ABSTRACT……………………………………………….…………..…………………iv CHAPTER I. INTRODUCTION…………………………………………………….….…….1 II. CHILDHOOD………………………………………………………….……...1 III. REBEL………………………………………………………………….….…4 IV. LEADER……………………………………………………...……….....….14 V. ICON……………………………………………………………...………..…17 VI. CONCLUSION……………………………………….............................….18 REFERENCES……………………………………………………………………..........20 CHRONOLOGICAL TIME LINE OF LUCILLE BALL…………………...…..........…21 iii ABSTRACT The extraordinary Lucille Ball was the most loved and iconic television comedian of her time. She was an American icon and the first lady of television during the 1950s. Not only did Lucille Ball provide laughter to millions of people, but Lucille Ball gave women a voice and America heard what she had to say. She showed women they can be accepted, and be in a position both on television and in the working world where they can be strong and independent. She was a leader and set an example for women and showed society that women have a voice to be heard and will be successful, when given the opportunity. Lucille Ball managed her career and created her personal brand by beating all obstacles that were laid in front of her and test boundaries, which lead her to become an entrepreneurial success. Lucille Ball blazed the trails for many women, on and off stage. -
OPUNTIA 339 Temperatures Were Setting Records
THE BLUE CANADIAN ROCKIES photos by Dale Speirs While eastern Canada was blasted by yet another polar vortex, Calgary OPUNTIA 339 temperatures were setting records. On April 2, the forecast was for 23oC, which Late April 2016 is shirt-sleeve weather. I made my first trip out to the mountains, the earliest I have ever done in a hiking season. (I don’t hike in winter; too dangerous.) The view below is from the Canmore Nordic Centre, looking southeast at Mount Opuntia is published by Dale Speirs, Calgary, Alberta. It is posted on www.efanzines.com and Ehagay Nakoda. The peak at right is Ha Ling Peak, named after the Chinese www.fanac.org. My e-mail address is: [email protected] When sending me an emailed letter of railway worker who first climbed it in the 1880s. comment, please include your name and town in the message. The Nordic Centre was built for the 1988 Calgary Winter Olympics and is now Not very exciting, so I took a few photos and left. Canada’s national training facility for cross-country skiing. They were having some sort of all-ages provincial-level race. 2 3 4 The flags are those of all nations who competed in the 1988 Winter Olympics. This is not the race course but just a casual skiway. 5 Heading back to Calgary, I stopped off at a couple of lakes along the way. Gap Lake, looking east, with Canmore a few kilometres behind the camera. Still a bit of ice but rapidly melting. 6 Middle Lake, in Bow Valley Provincial Park, looking west. -
Lucille Ball, 1911-1989: Funniest Woman on TV
19 May 2012 | MP3 at voaspecialenglish.com Lucille Ball, 1911-1989: Funniest Woman on TV MARY TILLOTSON: This is Mary Tillotson. STEVE EMBER: And this is Steve Ember with the VOA Special English program PEOPLE IN AMERICA. Today, we tell about the much-loved performer Lucille Ball. Her famous television series “I Love Lucy” was first broadcast in nineteen fifty- one. MARY TILLOTSON: The “I Love Lucy” show was a huge success. It was the most popular television show of the nineteen fifties. The kind of television program Ms. Ball helped develop is called a situation comedy. Some television experts give her credit for inventing this kind of series. Today, some of the most popular television programs in America are situation comedies. STEVE EMBER: One reason for the great popularity of “I Love Lucy” may have been its real-life connection with Ms. Ball’s family. On the show, she was Lucy, the wife of Ricky Ricardo, a Cuban musician. Ricky was played by band leader Desi Arnaz, who was Lucille Ball’s husband in real life. The show combined issues common to the life of married people living in the city with musical performances and comic theater. Often, a show would include a part with Mister Arnaz acting seriously while Ms. Ball added a funny element. In the following piece, Mister Arnaz tries to sing normally and Ms. Ball adds the comedy. MARY TILLOTSON: Also on the “I Love Lucy” show were Vivian Vance and William Frawley. Ms. Vance played Ethel Mertz and Mister Frawley played Ethel’s husband, Fred Mertz. -
Download PDF My Favorite Husband, Vol. 1: Classic Radio Collection Online, Download PDF My Favorite Husband, Vol
My Favorite Husband, Vol. 1: Classic Radio Collection by , Download PDF My Favorite Husband, Vol. 1: Classic Radio Collection Online, Download PDF My Favorite Husband, Vol. 1: Classic Radio Collection, Full PDF My Favorite Husband, Vol. 1: Classic Radio Collection, All Ebook My Favorite Husband, Vol. 1: Classic Radio Collection, PDF and EPUB My Favorite Husband, Vol. 1: Classic Radio Collection, PDF ePub Mobi My Favorite Husband, Vol. 1: Classic Radio Collection, Downloading PDF My Favorite Husband, Vol. 1: Classic Radio Collection, Book PDF My Favorite Husband, Vol. 1: Classic Radio Collection, Download online My Favorite Husband, Vol. 1: Classic Radio Collection, My Favorite Husband, Vol. 1: Classic Radio Collection pdf, by My Favorite Husband, Vol. 1: Classic Radio Collection, book pdf My Favorite Husband, Vol. 1: Classic Radio Collection, by pdf My Favorite Husband, Vol. 1: Classic Radio Collection, epub My Favorite Husband, Vol. 1: Classic Radio Collection, pdf My Favorite Husband, Vol. 1: Classic Radio Collection, the book My Favorite Husband, Vol. 1: Classic Radio Collection, ebook My Favorite Husband, Vol. 1: Classic Radio Collection, My Favorite Husband, Vol. 1: Classic Radio Collection E-Books, Online My Favorite Husband, Vol. 1: Classic Radio Collection Book, pdf My Favorite Husband, Vol. 1: Classic Radio Collection, My Favorite Husband, Vol. 1: Classic Radio Collection E-Books, My Favorite Husband, Vol. 1: Classic Radio Collection Online Read Best Book Online My Favorite Husband, Vol. 1: Classic Radio Collection, Read Online My Favorite Husband, Vol. 1: Classic Radio Collection Book, Read Online My Favorite Husband, Vol. 1: Classic Radio Collection E-Books, Read My Favorite Husband, Vol. -
All Old Time Radio Shows
All Old Time Radio Shows While 60 minutes of shows fit on a single audio CD , up to 50+ hours of old time radio shows can be stored on an MP3 CD . It is a great way to collect and store old time radio shows for easy listening. Click here for more information about MP3 ... MP3 Series Episodes CDs ABC Mystery Time 12 1 ADD TO CART $5 Abe Burrows Show 4 1 ADD TO CART $5 Abies Irish Rose 4 1 ADD TO CART $5 Abraham Lincoln Collection 61 2 ADD TO CART $10 Abroad with the Lockharts 9 1 ADD TO CART $5 Academy Award Theater 39 1 ADD TO CART $5 Academy Awards Ceremony 4 1 ADD TO CART $5 Ada Jones Collection 109 1 ADD TO CART $5 Address Unknown 34 1 ADD TO CART $5 $4.50 Adventure Ahead 11 1 ADD TO CART $5 Adventures by Morse 54 1 ADD TO CART $5 Adventures in Research 120 2 ADD TO CART $10 Adventures of Champion 3 1 ADD TO CART $5 Adventures of Ellery Queen 17 1 ADD TO CART $5 $4.50 Adventures of Sea Hound 11 1 ADD TO CART $5 Adventures of the Abbotts (Abbott Mysteries) 13 1 ADD TO CART $5 $4.50 AFVN Recordings (Armed Forces Vietnam) 148 1 ADD TO CART $5 Against the Storm 18 1 ADD TO CART $5 Agnes Moorehead Collection 114 2 ADD TO CART $10 Aimee Semple McPherson 14 1 ADD TO CART $5 Air Adventures Jimmie Allen 102 1 ADD TO CART $5 Airchecks from Great Radio Stations 79 1 ADD TO CART $5 Airchecks of the 1960s 162 4 ADD TO CART $20 Al Jolson Collection 111 2 ADD TO CART $10 Al Pearce Show 12 1 ADD TO CART $5 Aladdin Lamp 36 1 ADD TO CART $5 Alan Freed Show 10 1 ADD TO CART $5 Alan Ladd Collection 77 2 ADD TO CART $10 $9.00 Alan Young Show 48 1 ADD TO -
Lucille Ball Nearly Choked to Death Doing the Grape Stomping Scene in “Lucy’S Italian Movie” Episode (Video)
Lucille Ball Nearly Choked To Death Doing The Grape Stomping Scene In “Lucy’s Italian Movie” Episode (Video) National I Love Lucy Day is observed annually on October 15. This day celebrates one of television’s all-time greatest shows; I Love Lucy. I Love Lucy, an American sitcom starring Lucille Ball, Desi Arnaz, Vivian Vance, and William Frawley made its debut on October 15, 1951. The program created a new television experience with the first filmed and scripted program performed before a live audience. The studio literally knocked a hole in a concrete wall creating room for theater seating inviting the once- banned fans to see the stars perform – for free! The new format and I Love Lucy won five Emmy Awards and received numerous nominations. In four of its six seasons, I Love Lucy was the most-watched show in the United States. The sitcom was a world of television firsts. It even ended on a first. The I Love Lucy show became the first to end its run at the top of the Nielsen ratings. In 2002, TV Guide ranked the sitcom television’s 2nd greatest show of all time, and in 2007 it landed on TIME Magazine’s “100 Best TV Shows of All-TIME” list. Lucille Ball’s natural hair color was not red. Her natural hair color was actually brown. Upon entering show business, she dyed her hair blonde first, then finally red. CBS didn’t think that Americans would want to see a TV show about an interracial couple. In 1950, CBS asked Lucille to develop a television sitcom based on My Favorite Husband, the hit radio show which starred herself and Richard Denning. -
Abstract I Love Ricky: How Desi Arnaz Challenged
ABSTRACT I LOVE RICKY: HOW DESI ARNAZ CHALLENGED AMERICAN POPULAR CULTURE by Vanessa de los Reyes Conformity is often associated with television shows during the 1950s. This idea of conformity is conveyed by images of a white middle class family living in the suburbs with Mom as the happy homemaker and Dad as the breadwinner. There is a television show that strayed from that image: I Love Lucy. Desi Arnaz, who played Ricky Ricardo on the wildly successful television show, gave America a taste of the tropics. He created a Cuban persona suitable for American consumption. Ricky’s Cuban culture was a large aspect of the show. He is constantly resisting assimilation. A close examination of the popular television show reveals both Cuban-American tensions and the ways Lucille Ball and Desi Arnaz helped smooth them and make the United States in the 1950s a more inclusive place. It also reveals the struggle over an immigrant’s identity. I Love Lucy questions the common perception of a mid-century homogenous culture. I LOVE RICKY: HOW DESI ARNAZ CHALLENGED AMERICAN POPULAR CULTURE A Thesis Submitted to the Faculty of Miami University In partial fulfillment of The requirements for the degree of Master of Arts Department of History By Vanessa de los Reyes Miami University Oxford, Ohio 2008 Advisor_______________________________ Dr. Allan M. Winkler Reader________________________________ Dr. Kevin Armitage Reader________________________________ Dr. Stephen Norris © Vanessa de los Reyes 2008 Table of Contents Acknowledgements………………………………………………………………………iv -
I Love Lucy” Gender Analysis and Its Influence on Opularityp and Longevity
Dominican Scholar Scholarly and Creative Works Scholarly and Creative Works Conference 2020 Conference 2015 Apr 23rd, 6:20 PM - 6:35 PM “I Love Lucy” Gender Analysis and its Influence on opularityP and Longevity Brianna Knoll Dominican University of California Survey: Let us know how this paper benefits you. Knoll, Brianna, "“I Love Lucy” Gender Analysis and its Influence on opularityP and Longevity" (2015). Scholarly and Creative Works Conference 2020. 2. https://scholar.dominican.edu/scw/scw2015/Guz202/2 This Event is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Scholarly and Creative Works Conference 2020 by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. “I Love Lucy” Gender Analysis and its Influence on Popularity and Longevity Brianna Knoll Submitted in Partial Fulfillment of the Requirements for the Degree in Bachelors of Arts in Communications and Media Studies School of Arts, Humanities and Social Sciences Thesis Advisor: John Duvall Dominican University of California San Rafael, California December, 2014 This thesis, written under the direction of the candidate’s thesis advisor and approved by the Chair of the undergraduate program, has been presented to and accepted by the Faculty of the Department of Communications and Media Studies in partial fulfillment of the requirements for the degree of Bachelor of Arts. The content and research methodologies presented in this work represent the work of the candidate alone. _______________________________________ _____________________ [Name ], Candidate Date _______________________________________ _____________________ [Name ], Chair Date _______________________________________ ______________________ [Name ], Thesis Advisor Date Abstract In this thesis, an analytical approach was taken to examine the television show I Love Lucy . -
Television Performances by Pregnant Actresses
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 5-23-2018 Labor and Delivery: Television Performances By Pregnant Actresses From 1948-2016 Evleen Michelle Nasir Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Other Film and Media Studies Commons, Television Commons, Theatre and Performance Studies Commons, and the Women's Studies Commons Recommended Citation Nasir, Evleen Michelle, "Labor and Delivery: Television Performances By Pregnant Actresses From 1948-2016" (2018). LSU Doctoral Dissertations. 4598. https://digitalcommons.lsu.edu/gradschool_dissertations/4598 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. LABOR AND DELIVERY: TELEVISION PERFORMANCES BY PREGNANT ACTRESSES FROM 1948-2016 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre by Evleen Michelle Nasir B.A., Texas A&M University M.A., Texas A&M University August 2018 to my parents for their love and support, to Kirsten for convincing me & to Kevin for everything ii Acknowledgements This project came out of a research trip in 2011. While working in the Ronald L. Davis Oral History Collection as a research assistant for my then mentor and now friend Dr. -
Bernadette Zbicki Heiney on Laughs, Luck ... and Lucy: How I
Jess Oppenheimer, Gregg Oppenheimer. Laughs, Luck ... and Lucy: How I Came to Create the Most Popular Sitcom of All Time. New York: Syracuse University Press, 1996. Index $29.95, cloth, ISBN 978-0-8156-0406-8. Reviewed by Bernadette Zbicki Heiney Published on H-PCAACA (August, 1997) While there has been a multitude of books with writers Madelyn Pugh and Bob Carroll, Jr. on written about Lucille Ball, Desi Arnez, and the I both shows, Oppenheimer describes the intensive Love Lucy show, there has been very little written work involved backstage in writing and produc‐ on the script writing and backstage aspects of the ing the weekly half hour show. Adding to the series. Jess Oppenheimer, writer and producer of book's interest is a chapter completely devoted to the sitcom, provides just this in his new autobiog‐ the art of writing a script. Other unique features raphy. Beginning by defining a memoir as "an in‐ include information about how Oppenheimer complete history of episodes in my life" (p. xvii), came up with many of his ideas for the show, he then proceeds to provide a loosely written ac‐ backstage trivia about particular episodes, and an count of his life up until and including his leaving account of the show's relationship with the CBS the show in 1956. network. Another strength of the book is Oppen‐ Humorously written, Oppenheimer begins by heimer's use of actual documentation to support discussing those events in his childhood that he his claims. For example, he provides readers with believed had a significant impact on his career. -
I Love Lucy in the Midst of the Suburban Revolution Jenna Shaffer University of Redlands
University of Redlands InSPIRe @ Redlands Undergraduate Honors Theses Theses, Dissertations, and Honors Projects 2009 A Not-So-Nuclear Family: I Love Lucy In the Midst of the Suburban Revolution Jenna Shaffer University of Redlands Follow this and additional works at: https://inspire.redlands.edu/cas_honors Part of the American Politics Commons, American Popular Culture Commons, Film and Media Studies Commons, United States History Commons, and the Women's History Commons Recommended Citation Shaffer, J. (2009). A Not-So-Nuclear Family: I Love Lucy In the Midst of the Suburban Revolution (Undergraduate honors thesis, University of Redlands). Retrieved from https://inspire.redlands.edu/cas_honors/493 Creative Commons Attribution-Noncommercial 4.0 License This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License This material may be protected by copyright law (Title 17 U.S. Code). This Open Access is brought to you for free and open access by the Theses, Dissertations, and Honors Projects at InSPIRe @ Redlands. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of InSPIRe @ Redlands. For more information, please contact [email protected]. Lucy Ricardo showing the schedule that Ricky created for her to "manageu her time to Mr. and Mrs. Littlefield and Fred Mertz.l 1 Amazon, http:/fecx.images- amazon.comfimages/1/41XWOY509PL._SX320_SY240_.jpg (accessed Aprill, 2009). Table of Contents INTRODUCTION 3 CHAPTER 1: THE FAMILY FROM RADIO TO TELEVISION IN EARLY COLD WAR AMERICA 17 I LOVE LUCY: WAS IT REALLY TilE MOST POPULAR AND SUCCESSFUL SITCOM OF ALL TIME? 20 UNIQUE ALCHEMY OF TALENT: IN FRONT OF AND BEHIND THE CAMERA 22 FROM '"LIZ" TO •tuCY": •BABy SNOOKS" AS A MODEL 30 SHOW BIZ COUPLE 31 PROM RADIO TO TV 33 ExTENDED URBAN FAMILY 35 ETHNICITY' ON I LoVE LUCY 41 CHAPTER 2; THE SJMBOLIC CONTAINMENT OF WOMEN 46 FEMALB STEREOTYPES: HOUSEWIVES, HOMEMAKERS, AND GLAMOROUS ICONS 51 THE "LUCY" CHARACFHR 57 LUCY RICARDO VS.