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ALBUMS PAGE ARTIST i TITLE CONTI_NFSVOLUME 123, NO. 44 46 DRAKE/ THE BILLBOARD 200 TAKE CARE

MICHAEL BUGLE / HOLIDAY 48 CHRISTMAS AWOLNATION I HEATSEEKERS 49 MEGALITHIC SYMPHONY

SCOTTY MCCREERY / TOP COUNTRY 53 CLEAR AS DAY

YO-YO MA/OUNCAN/MEYER/THILEI BLUEGRASS 53 THE GREAT RODEO SESSIONS DRAKE/ TOP R &B/HIP -HOP 54 SAKE CARE VARIOUS ARTISTS / CHRISTIAN 56 WOW HITS 2012 WILLIAM MCDOWELL / GOSPEL 56 ARISE THE LIVE WORSHIP EXPERIENCE LMFAO / DANCE /ELECTRONIC 57 ^ORRY FOR PARTY ROCKING MICHAEL BUBLEI TRADITIONAL 57 CHRISTMAS TROMBONE CONTEMPORARY JAZZ 57 FOR TRUE

JEFFREY Y CHRIS/ TRADITIONAL CLASSICAL 57 A STEINWAY CHRISTMAS

ANDREA OCE GI / CLASSICAL CROSSOVER 57 CONCERTO: ONE NIGHT IN CENTRAL PARK UPFRONT CELTIC THUNDER / 8 THE ANTI -BRANDING WORLD 57 STORM 6 MUSIC INDUSTRY ROMEO SANTOS / BETS: IT'LL BE SANTA MUSIC BRANDING TOP LATIN 5$ fORMULA: VOL1 BY A NOSE Strong STRATEGY Why Scion,

0 ARTISTS PAGE ARTIST finish would mark 2011 Converse, Mountain as first sales gain in Dew and others place SOCIAL 50 48 JUSTIN BIEBER seven years. bands before sales.

6 SONGS PAGE ARTIST / TITLE RIHANNA FEATURING CALVIN HARRIS / FEATURES THE BILLBOARD HOT 100 50 WE FOUND LOVE COVER STORY RIHANNA FEATURING CALVIN HARRIS / HOT 100 AIRPLAY 51 WE FOUND LOVE 10 THE ODD COUPLE The story behind RIHANNA FEATURING CALVIN HARRIS / HOT DIGITAL 51 WE FOUND LOVE and 's unlikely partnership. DAVID NAIL/ HEATSEEKERS 49 LET IT RAIN 16 BUILDING DIGITAL DAVID GUErrA FEATURING USHER! MAINSTREAM TOP 40 52 WITHOUT YOU BUSINESSES AROUND PE/ MUSIC & RIGHTS An intelligence ADULT CONTEMPORARY 52 SOMEONE LIKE YOU

ADELE report from Billboard's inaugural 52 SOMEONE LIKE YOU FutureSound conference. BUSH / ROCK 52 THE SOUND OF WINTER

C / 20 ALTERNATIVE 52 THAT'S A WRAP PARADISE Highlights from FutureSound. COLDPLAY / TRIPLE A 52 ] PARADISE BRANTLEY GILBERT/ 24 HI, HATERS! Targeted by critics, HOT COUNTRY 53 COUNTRY MUST BE COUNTRY WIDE

BEYONCE FEATURING ANDRE 3000/ loved by fans -Canada's returns. MAINSTREAM R &B /HIP-HOP 54 PARTY FEATURE RIHANNA FEATURING CALVIN HARRIS / SPECIAL 54 WE FOUND LOVE 27 THE DIVA OF BANDA AND SYRESE/ ADULT R 54 &B STAY BRANDING Jenni Rivera's path: from

1 JAYZ KANYE WEST / aspiring to success to inspiring millions of fans. RAP 54 NI "AS IN PARIS JAYZ KANYE WEST/ HOT R &6 /HIP-HOP 55 NI'"AS IN PARIS MUSIC IN EVERY AARON SHUST/ CHRISTIAN 56 MV HOPE IS IN YOU 37 THINGS ALSO COME ISSUE AARON ISNYT/ 44 Marketplace CHRISTIAN AC 56 go concept MV HOPE IS IN YOU 45 Over The Counter MATT KEARNEY/ on new album . CHRISTIAN CHR 56 DOWN 39 6 Questions: 45 Market Watch EARNEST PUGH / GOSPEL 56 Charts I NEED YOUR GLORY Bob Seger 46 SEXFAN/ 61 Backbeat DANCE 57 40 Reviews CLUB SEXY AND I KNOW IT 42 Happening Now 57 RIHANNA FEATURING CALVIN HARRIS / DANCE /MIX SHOW AIRPLAY WEE FOUND LOVE ON THE COVER: Rick Ross and Wale photograph by Travis Shinn RICHARD NLLIOT/ SMOOTH JAZZ 57 BOOM TOWN ROMEO SANTOS FEATURING USHER I HOT LATIN 58 PROMISE C[OMIIdtIONI THIS WEEK ON .bi ARTIST /TITLE SUSAN eorLE/ CATALOG ALBUMS #1 THE GIFT DRAKE .(,DIVI EXCLUSIVES YEAR -END ISSUE DIGITAL ALBUMS #1 TAKE CARE/ this Who'll be Billboard's 2011 DRAKA/ Looking for music gifts holiday INTERNET ALBUMS #1 TAKE CARE season? Read Billboard.com's Artist of the Year? What CHILDISH GAMBINO/ the stories the INDEPENDENT ALBUMS #1 CAMP track -by -track reviews of brand - were top of Ruses / new releases by Mary J. Blige, past 12 months? Find out SALES #1 TIME MACHINE: LIVE IN CLEVELAND Nickelback, Rihanna, Michael Dec.10 when Billboard SEXYAN/ RINGTONES #1 I SEXY AND KNOW IT Jackson and Lady Gaga. And while publishes its year -end UNCHARTED #1 DJ BLAB you're at it, check out our gallery double issue, the Year of 20 pop star dolls, including in Music. Justin Bieber and .

DECEMBER 3, 2011 www.billboard.biz 5 >>>PANDORA POSTS PROFIT Pandora reported fis- cal third -quarter net income of $638,000, or break -even per share. It swung from RETAIL BY ED CHRISTMAN a loss of $1.8 million, or 15 cents per share, a year earlier, as rev- enue nearly doubled Music Industry Bets It'll Be to $75 million, from $37.7 million. Total listener hours in the Santa By A Nose quarter surged 104% to 2.1 billion from

about 1 billion a year Strong finish would mark 2011 earlier. Pandora's as first sales gain in seven years total active listeners (those who used the Coming into Black Friday, "It doesn't matter that they service during the year -to -date U.S. album aren't going to rely on their 401k past month) reached sales were up 3.2 %, ac- money until years from now," he 40 million during the cord, ng to Nielsen SoundScan, says. "They see what's happen- period, up 65% from a year earlier. leaving music merchandisers ing now and get more conserva- cautiously optimistic thatthis hol- tive with their spending." » >UMG SUES iday selling season will be strong A senior label executive says GROOVESHARK enough to deliver the industry's that he, too, worries about the Universal Music Group first rise in sales since 2004. economy's impact on music sued Grooveshark in Aside from an impressive re- sales. "It's hard to get a read on U.S. District Court in lease schedule, the major music how the holiday selling season Manhattan for alleged labels, led by Universal Music will go," he says. "Since the fi- copyright violations. Stocking stuffers: The The complaint alleges Group (UMG), have fought nancial crash, everything has holiday selling season back for the first time in years been so erratic." includes sets by Michael that Grooveshark management led an against the DVD's domination However, the major labels Bublé, Lady Antebellum and Lil Wayne. effort to upload more of holiday circulars and prime seem prepared for the first time than 100,000 songs store real a to estate, trend since combat the economy and the to its music service. In the mid- 2000s. DVD industry with aggressive Sony provided customized pro- response to the suit, Beyond the label promotions, pricing promotions for the holi- motions to accounts, with titles Grooveshark general retailers and label executives say day season. that made sense for each mer- counsel Marshall the industry will benefit from a Taking a page from the major chant. Pricing was similar to the Custer said in a state- strong class this holiday season. DVD labels, whose hit movie UMG promotion, sources say. ment that Universal's The slate includes Drake's Take and catalog promotions since In addition to UMG and $6.99 will be the low price for sets from the Beatles, Bob claims "rest almost entirely on anony- Care, Justin Bieber's Under the 2005 have all but pushed music Sony, WEA worked individually hit titles. If the past is any in- Dylan, the Doors, Janis Joplin mous, blatantly false Mistletoe, Michael Bublé's Christ- to the back of the store during with accounts to promote titles. dication, that's likely to be the and Pink Floyd; and album sets Internet blog com- mas, Susan Boyle's Someone to the season, UMG offered 115 ti- While its discounting strategy floor price through the remain- from Joplin, , the ments and Universal's Watch Over Me, Coldplay's Mylo tles to merchants at heavily dis- on wholesale pricing wasn't as der ofthe season. The one caveat Grateful Dead and John Lennon. gross mischaracter- Xyloto, Florence & the Machine's counted wholesale prices, given low as the other two, the corn - is that the Army Air Force Ex- Moreover, quantities have ization of information Ceremonials, Jackie Evancho's in the form of a rebate from ac- pany did it earlier. Merchants re- change Services will have four been increased this year so that that Grooveshark Heavenly Christmas, Lady An- tual sales, for featured titles sold port that if Sony and UMG had titles priced at $5 for Black Fri- supplies last beyond Black Fri- itself provided to tebellum's Own the Night, Lil from Nov. 20 through Nov. 27. come out with their programs day, including Lil Wayne and day. Chris Brown, VP of mar- Universal." Wayne's Tha Carter IV, Tony For new hit releases, if mer- sooner than five weeks ago, they Lady Antebellum. keting at the Bull Moose chain, Bennett's Duets II, Jay-Z and chants agreed to feature titles could've provided better expo- Aside from CDs, the other notes that last year the Lennon » >VICE INKS Kanye West's Watch the Throne, like Under the Mistletoe and sure for the promotions. big music sales item DEAL WITH appears to singles boxed set had 7,000 units WARNER Nickelback's Here and Now, Mary Tha Carter IV for less than $7, Nevertheless, the merchants be discounted iTunes gift cards: available, and this year the Bea- Vice Music signed J. Blige's My Life II ... The Jour- they would get a rebate produc- applaud all efforts and say it Sam's Club is selling a $100 gift tles set will have nearly 16,000 a three -year global ney Continues, Rihanná s Talk ing a net wholesale price of $6 shows that labels can put to- card multi-pack for $79.88, Mei- copies available. partnership with War- That Talk, Daughtry's Break the for each unit sold, provided they gether overall pricing programs jer is selling two $15 gift cards Looking at everything that ner Bros. Records in Spell and Taylor Swift's Speak also featured the titles promi- that generate excitement for for $24, and Target is offering a the labels are offering indie a deal that includes Now World Tour Live. nently in stores and where pos- music during the holiday season. $25 iTunes card for $20. merchants for the holiday sell- distribution, market- On the other hand, the in- sible in circulars. "We see it every year from In contrast to the deals being ing season, "the overall view ing, touring support dustry is measuring itself UMG also gave merchants the video side of the business, put together for big -box mer- seems that they have gone for and other compo- against a fourth quarter last the choice of featuring key cata- and this year the DVD suppli- chants and chain retailers, both premium packaging offer- nents. Vice Music, the in -house label at Vice year in which sales rose, par- log titles priced for less than $6, ers even seemed to be offering major and independent labels ing great quality all the way Media, has helped ticularly on the digital side. One with a rebate that would provide a deeper selection and provid- outdid themselves with unique through from the mastering launch acts like Jus- chain merchant points out an- net pricing of $5. For greatest -hit ing more profit," one music exclusives -mainly vinyl -at to the artwork," Brown says. tice, Chromeo, Bloc other challenge: While the collections, merchants that sold merchandiser says. "Let's hope premium pricing aimed at col- "The labels put a lot of care Party, and total number of music trans- featured titles for less than $5 this year's effort by the music lectors for Record Store Day into creating these boxed sets Death From Above actions is holding up, custom- would get net pricing of about labels will open some eyes and indie merchants. with gorgeous details in the 1979. It ended a part- ers are spending less this year $3.25 per unit sold, sources say. capture real estate for the record Dubbed once again the "Back artwork ... you can just tell nership with Atlantic per sale. He says bad economic Likewise, Enter- labels that wouldn't necessarily to Black Friday" promotion, the it's been done with love for the Records in 2007. news and a wobbly Wall Street tainment also designed promo- be there for them." offering includes singles boxed artists and the fans." has consumers watching their tions to combat the DVD industry, Looking at Black Friday sale Reporting by Andrew Hampp and Glenn 401k statements and worrying although it didn't offer a blanket pricing at various merchants, MOBILE: For 24/7 news and analysis on your cellphone or mobile device, go to mobile.billboard.biz. Peoples. about the future. program like Universal. Rather, it seems that for the most part,

6 I BILLBOARD I DECEMBER 3, 2011 Billboard EDITORIAL DIRECTOR BILL WERDE _C)X SC QRE conCer#_Grosses_ EDITORIAL Attendance EDITOR: DANYEL SMITH 1 I1.ß. rd. corn GROSS/ ARTIST(S) Tw_ l Pr Venue. Date Cah1city Promoter BILLBOARD.BIZ EDITOR JemAswad I 1117 DEPUTY EDITOR: Louis Hau - - - ENRIQUE IGLESIAS, PITBULL SPECIAL FEATURES EDITOR: Thom Duffy 1 J3 -4179 $1,319,807 1 13,199 MUSIC EDITOR: Benjamin Meadows- Ingram -193 -4302 $150/$110/$80/$29.50 Madison Square Garden, New York, Nov. 4 Concerts West /AEG Live MANAGING EDITOR: Chris Woods )12-4,, sellout EXECUTIVE DIRECTOR OF CONTENT AND ROYCE PROGRAMMING FOR LATIN MUSIC AND ENTERTAINMENT: Lelia Coho I'- :m1)305-361-52 $1,160,877 ENRIQUE IGLESIAS, PITBULL, PRINCE $129.50/$89.50/$39.50/ 14,445 EXECUTIVE DIRECTOR OF CONTENT AND 2 22 Concerts West /AEG Live PROGRAMMING FOR TOURING AND LIVE ENTERTAINMENT: Ray Waddell nhville)615- 431 -044: $19.50 American Airlines Arena, Miami, Oct. se11011t EXECUTIVE DIRECTOR OF CONTENT AND

. SENIOR CORRESPONDENTS: Ed Christman Phil Gallo. him/ $922,004 TEARS FOR FEARS 123- S25 -22'+_ Andrew Hampp Gail Mitchell -2289 (1,715158 rears) 3 1two1,821512921 T4F -Time For Fun SENIOR EDITORIAL ANALYST: Glenn Peoples $188.15/$43.01 Credicard Hall, Sao Paulo, Oct. 6, 14 hows CORRESPONDENT: Mitchell Peters BILLBOARD EN ESPAÑOL EDITOR: Judy Cantor -Navas $908,076 TIESTO, PORTER ROBINSON, KARLOS ELIZONDO COPY EDITOR: Christa Titus (12,300.077 pesos) 4 16,927 Cookie Presenta ASSOCIATE EDITOR OF LATIN AND SPECIAL FEATURES: Justino Aguila $169.80/$33.22 Expo Bancomer, Mexico City, Sept. 30 20.000 ASSISTANT EDITOR: Devon Maloney 212-493-4366 EXECUTIVE ASSISTANT TO THE EDITORIAL DIRECTOR: Emily Lichtenberg .'I: . r e; .I11, $891,622 ENRIQUE IGLESIAS, PITBULL, PRINCE ROYCE CONTRIBUTING EDITOR, BILLBOARD.BIZ: Andy Gensler 212- 493 -4094 / 5 $99.50/$79.50/$3950 13,885 Concerts West /AEG Live INTERNATIONAL: Lars Brendle 0' u. Wolfgang Spahr r0 rrnr,r y: $19.50 Toyota Center, Houston, Oct. 12 sellout CONTRIBUTORS: Larry Blumenfeld, Paul Heine, Juliana Koranteng, Kern i Mason, Deborah Evans Price, Tom Roland, Paul Sexton, Mikael Wood $883,943 COLD CHISEL, YOU AM I BILL BOAR D.COM ($861,635 Australian) EDITOR: M. TYE COMER 712- 493 -4176 6 10,374 John Watson Management $102.49 Sydney Entertainment Centre, Sydney, Nov. 15 10,500 MANAGING EDITOR: Jessica Letkemann 212-493 -4189 NEWS EDITOR: Marc Schneider 212,493-4155 $778,346 ENRIQUE IGLESIAS, PITBULL, PRINCE ROYCE Lisa Binkert 212- 493 -4174 ARTIST RELATIONS: $99.50/$69.50/$49.50/ ASSOCIATE EDITOR: Erika Ramirez 212-493 -4129 7 14,301 Concerts West /AEG Live $19.50 AT &T Center, San Antonio, Oct. 13 ASSISTANT EDITOR: Jason Lipshutz 212-493-4169 sellout EDITORIAL ASSISTANT: Allan Mapes 212- 493 -4170 SARA BAREILLES VIDEO EDITORS: Matt Campbell, Hanon Rosenthal $766,296 SUGARLAND, 8 10,o69611show.2s 12 ASSISTANT VIDEO EDITOR: Alex Blumberg $76/$56 Mohegan Sun Arena, Uncasville, Conn., Oct. 14 -15 in -house COUNTRY NEWS EDITOR: Chuck Dauphin tw FASHION EDITOR: Gregory DelllCarpini Jr. $727,523 ENRIQUE IGLESIAS, PITBULL, PRINCE ROYCE DESIGN B PHOTOGRAPHY $89.50/$69 50/$39 50/ CREATIVE DIRECTOR: Andrew Horton 212- 493 -4186 9 10,926 Live $19.50 Arena at Gwinnett Center, Duluth, Ga., Oct. 20 Concerts West /AEG PHOTO EDITOR: Amelia Halverson SENIOR DESIGNER: Greg Grabowy sellout ART DIRECTOR: Rachel Been 212 -493 -4172 $704,844 ENRIQUE IGLESIAS, PITBULL, PRINCE ROYCE CHARTS B RESEARCH $89.50/$69.50/$39.50/ DIRECTOR OF CHARTS: SILVIO PIETROLUONGO 10 13,087 Live $19.50 Amway Center, Orlando, Fla., Oct. 21 Concerts West /AEG ASSOCIATE DIRECTOR OF CHARTS /RETAIL: Keith Caulfield sellout ASSOCIATE DIRECTOR OF CHARTS /RADIO: Gary Trust TOBY KEITH, ERIC CHURCH, JT HODGES SENIOR CHART MANAGER: Wade Jessen ntry. Gospel. Nashville) $695,937

7 11 23,395 CHART MANAGERS: Bob Allen Kyle Bylin sal /. $89/$20 Conn., Sept. 16 Live Nation Keith Caulfield Digital Albums, Comcast Theatre, Hartford, 24.090 uI dtracks; L. A ). Gordon Murray Networking. World). Karinah $680,585 & RATELIFF, THE APACHE RELAY Santiago Silvio Pietroluongo Billboard Hot 100. Digital MUMFORD SONS, NATHANIEL ($684,887 Canadian) Gary Trust Is, Mainstream Top 40. 12 14,855 Live Nation . Alex Vitoulis $49.19/$34.28 Air Canada Centre, , Oct. 25 sellout CHART PRODUCTION MANAGER: Michael Cusson ASSOCIATE CHART PRODUCTION MANAGER: Alex Vitoulis $679,914 KATY PERRY, OH LAND, SIDE VIEW BILLBOARD RESEARCH MANAGER:Gordon Murray . I > -4073 13 (6421,717) $45.29/544.34 15'429 SJM Concerts PUBLISHER Arena, Manchester, England, Oct. 31 sellout LISA RYAN HOWARD $676,404 FOO FIGHTERS, SOCIAL DISTORTION, THE JOY FORMIDABLE ADVERTISING & SPONSORSHIP 14 13,938 $59.50/$49.50/$39.50 /$25 Newark, N.J., Nov. 14 Metropolitan Talent Presents, Live Nation ASSOCIATE PUBLISHER, ENDEMIC: Tommy Page Prudential Center, 14,496 ASSOCIATE PUBLISHER, CONSUMER: Jeff Mazzacano I= DIRECTOR, BUSINESS DEVELOPMENT & EAST COAST SALES: Christopher Robbins 212- 493 -4197 $658,393 DEF LEPPARD, HEART, CHOIRBOYS EAST COAST ACCOUNT MANAGER:Caleb Hannabury. I. ($640,398 Australian) - 15 Oct. 20 5,021 McManus Entertainment ACCOUNT MANAGER: Alexandra Hartz 212,497 $169.64/$107.95 Sydney Entertainment Centre, Sydney, 6,000 SPONSORSHIP/BUSINESS DEVELOPMENT MANAGER: Cebele Marquez: -.' _r,! .:199 SPONSORSHIP SALES MANAGER: Ed Plum 212-493 -4291 $651,700 TOBY KEITH, ERIC CHURCH, JT HODGES MIDWEST SALES DIRECTOR: Chauncie Burton 312 -401 -5800 16 14,794 $89/$23 Mich., 30 Live Nation DIRECTOR, SPECIAL FEATURES & WEST COAST SALES: Aki Kaneko DTE Energy Music Center, Clarkston, Sept. sellout WEST COAST SALES DIRECTOR: Onnalee MacDonald 323 -' NASHVILLE: Lee Ann Photoglo 61' 77, , '= :6eis)'. Cynthia Mellow , $641,761 TOBY KEITH, ERIC CHURCH, JT HODGES EUROPE: Frederic Fenucci 011 -44 - 17 17,87 $89/$20 Tampa, Fla., Oct. 14 Live Nation MANAGING DIRECTOR/LATIN:Gene Smith ,~ 746 -2520 1- 800 -ASK -GARY Amphitheatre, 18,2462 LATIN AMERICA/MIAMI: Marcia Olival -05 -1154 -7578, Fax 305- 564 -372i ASIA- PACIFIC /AUSTRALIA: Linda Match 612- 9440 -7777, Fax. 612- 9440 -7788 $638,301 TOBY KEITH, ERIC CHURCH, JT HODGES CLASSIFIEDS/PRO SMALL SPACE SALES: Jeff Serrette 212 -493 -4199 18 $89/$22.50 Verizon Wireless Amphitheater, Maryland Heights, Mo., 18,981 Live Nation JAPAN: Aki Kaneko 323 -525 -2299 Sept. 23 19569 MANAGER OF SALES ANALYTICS: Mima Gomez 212- 493 -4180 EXECUTIVE ASSISTANT/ADVERTISING COORDINATOR: Peter Lodola 212-493-4191 $633,530 KATY PERRY, NATALIA KILLS, DJ SKEET SKEET DIGITAL SALES ASSOCIATES: Alyssa Convertinl, Mandy Evans (7,848,360 pesos) 19 9,944 Zignia DIGITAL $118.27/$24.47 Arena Monterrey, Monterrey, Mexico, Sept. 5 -i-ir8 GENERAL MANAGER: STEVEN TOY 212-493 -4048 DIRECTOR, PRODUCT DEVELOPMENT: Caryn Rose $628,615 RINGO STARR & HIS ALL STARR BAND DIGITAL PROJECT MANAGER: Joseph Bell (8,261,004 pesos) 20 9 OCESA-CIE MANAGER, SOCIAL MARKETING: Katie Morse $143.06/$21.31 Auditorio Nacional, Mexico City, Nov. 1 9,2691;12 MANAGER, AD OPS: Eric Silverstein $623,991 TOBY KEITH, ERIC CHURCH, JT HODGES MARKETING & CREATIVE SERVICES 21 $89/$20 19,740 Live Nation SENIOR MARKETING DIRECTOR: LILA GERSON 213 193 -4013 Riverbend Music Center, Cincinnati, Sept. 29 19,98e SENIOR MARKETING MANAGER: Kerri Bergman 212 -44 -44(r MARKETING MANAGER: Mark Khamsakul.'12- 49_< -44 $618,055 STUDIO 54 MARKETING DESIGN MANAGER: Kim Grasing 22 ( 447,127) $13823/$55.29 7,221 Darcon Productions MARKETING COORDINATOR: Julie Cotton Sportpaleis, Antwerp, Belgium, Sept. 17 8.500 CIRCULATION DIRECTOR, CIRCULATION: JAMIE FALLON $616,519 , J. COLE MANAGER, CIRCULATION: Elisabeth Cesarano 23 (£386.387) $35.90 Nov. 4 16,442 Live Nation SUBSCRIPTIONS:800-698 -8361(U S. loll Fri el 847- 559- 7531(Internationapor obi) 79 rneda con, 02 Arena, , 16.900 CONFERENCES EXECUTIVE DIRECTOR: NICOLE PURCELL $614,137 TOBY KEITH, ERIC CHURCH, JT HODGES SENIOR MANAGER, CONFERENCE MARKETING: Nicole Carbone 212 d9á 4(341 24 $89/$20 17,956 Live Nation CONFERENCE MARKETING MANAGERS: Brooke Barasch, Andrea Martin Aaron's Amphitheatre at Lakewood, Atlanta, Oct. 8 Iä.49 -' DIRECTOR OF OPERATIONS: Kimberly Rose OPERATIONS MANAGER: Elizabeth Hurst, Courtney Marks $610,047 ROXETTE 25 ( 439.423) $83.30/$69.41 7,989 KPS Concertbilro, Marek Lieberberg Konzertagentur LICENSING 02 World, Hamburg, Oct. 25 11f17ó VICE PRESIDENT, BUSINESS DEVELOPMENT & LICENSING: ANDREW MIN 212 -497.4111 DIRECTOR, LICENSING & CUSTOM MEDIA: Diane Driscoll '11.493 -4110 $603,057 RICKY MARTIN DIRECTOR, BUSINESS DEVELOPMENT & LICENSING: Susan Petersen 212- 493 -4118 26 $160/$33 Estadio Modelo Alberto Spencer, Guayaquil, Ecuador, 9,334 T4F -Time For Fun MANAGER, INTERNATIONAL LICENSING S. SALES: Angeline Blesheuvel Sept. 29 23.000 MAGAZINE REPRINTS: Wright's Media '.795 er pg rn awnghtsmedie corn PRODUCTION $602,801 TOBY KEITH, ERIC CHURCH, JT HODGES PRODUCTION DIRECTOR: TERRENCE C. SANDERS 27 Saratoga Performing Arts Center, Saratoga Springs, N.Y., 18,220 Live Nation ASSOCIATE PRODUCTION DIRECTOR: Anthony T. Stallings Sept. 8 23 644 ASSOCIATE PRODUCTION MANAGER: Rodger Leonard GRAPHIC PRODUCTION ARTIST: Gene Williams $602,049 FRANCO DE VITA (2,589.395 bolivares) OPERATIONS 28 2,990 Evenpro /Water Brother /XYZ Live GROUP FINANCIAL DIRECTOR: Barbara Grieninger $342.95/$93 Palacio de los Eventos, Maracaibo, Venezuela, Oct. 28 4.314 PERMISSIONS COORDINATOR: Dana Parra 212- 493 -4112 BILLBOARD OFFICES $600,282 RICKY MARTIN NEW YORK: 770 Broadway, LOS ANGELES:5700 Wilshire Blvd_ MIAMI: 101 Crandon Blvd 29 $95/$10 12,379 Tony Mojena Entertainment New York, NY 10003 2eles. CA 90036 Sul° 466. Key Biscayne. FL Coliseo de Puerto Rico, Hato Rey, Puerto Rico, Nov. 12 12.778 Phone. 212- 493-4100 '5 -2300 33149 Phone: 305- 361 -5279 Edit. Fax 646-654 -5368 2394/2395 Fax 305- 361 -5299 TOBY KEITH, ERIC CHURCH, JT HODGES Ads. Fax: 646- 654-4799 NASHVILLE: I^O. Box 331848 $597,906 30 $89/520 18,301 Live Nation Verizon Wireless Amphitheater, Charlotte, N.C., Oct. 7 sel lout

$597,314 KATY PERRY, YELLE, OH LAND PROMETHEUS 31 (£373,478) $44.78 13,581 Kilimanjaro Live /AEG Live National Indoor Arena, Birmingham, England, Oct. 26 ellout g l o b a l m e d i a

CHIEF EXECUTIVE OFFICER $593,196 SANTANA 32 $195/5155/595/355 5,4638.193 Concerts West /AEG Live RICHARD D. BECKMAN The Joint, Hard Rock Hotel, Las Vegas, Nov. 11 -13 three shows Howard Appelbaum: PRESIDENT, BUSINESS DEVELOPMENT; Gautam Guliani: CHIEF TECHNOLOGY OFFICER; Dana Miller: SENIOR VICE PRESIDENT, CREATIVE SERVICES; ME, TOMMY LEE, DJ AERO Doug Bachelis: VICE PRESIDENT, MARKETING; Madeline Krakowsky: VICE PRESIDENT, $591,873 DEADMAUS, FATBOY SLIM, FEED A -TRAK, CIRCULATION; Rory McCafferty: VICE PRESIDENT, ONLINE; Meghan Milkowski: 33 $75,x$69 8,573 Another Planet Entertainment, Live Nation CORPORATE PRODUCTION DIRECTOR; Richard Tang: VICE PRESIDENT, FINANCE; Bill Graham Civic Auditorium, San Francisco, Oct. 29 sellout Rob Schoorl: VICE PRESIDENT, HUMAN RESOURCES; Andrew Min: VICE PRESIDENT, LICENSING TOBY KEITH, ERIC CHURCH, JT HODGES CHAIRMAN $591,471 34 $89/$20 17,532 Live Nation JAMES A. FINKELSTEIN Cruzan Amphitheatre, West Palm Beach, Fla., Oct. 15 18.762

9erma Expo International $588,423 ENRIQUE IGLESIAS, PITBULL, PRINCE ROYCE Ci neAsia 35 $134.25/5104 25/5 59.50/ 6,271 18 Concerts West /AEG Live The Cho Awards 539.50 Verizon Theatre, Grand Prairie, Texas, Oct. sellout Hooking up: Among the approaches brands are taking to pair up with music include Pepsi's $60 million "X Factor" campaign, Converse's Rubber Tracks recording studio (opposite page, top) and Scion's sponsorship of the Check Yo Ponytail tour featuring SPANK ROCK.

BRANDING BY ANDREW HAMPP

X Factor." In fact, Pepsi's first major TV campaign in three years premiered during "The X Factor," highlighting Pepsi's music cam- The Anti - Branding paigns through the years while showcasing the single "Tonight Is the Night" from emerging artist Outasight. Pepsi also sponsored Outasight's accompanying music video and helped book a perfor- Music Branding Strategy mance by the singer on a recent "X Factor" episode. Pepsi chief marketing officer of sparkling beverages Frank Cultural relevance. Positive buzz. Why Scion, Converse, Intel, Cooper says the company wants to be a "much more integral Mountain Dew and other marketers place bands before sales player in the broader music ecosystem" going forward, helping connect the dots among music discovery, distribution and tour- During October's CMJ Music Festival, Rochester, liamsburg. "You own all this content. Why would we want to own ing. "One thing we know for sure, and we hear this in virtually N.Y. -based indie -pop band Joywave booked some it? We don't want to run a , because we make apparel every quantitative and qualitative study, is that Pepsi and music free time in one of Brooklyn's hottest new studios. and shoes. We wouldn't know how." are interrelated. Our brand equity rests upon it. And to that ex- The state -of-the -art recording space had more Even the brands that do have formal record labels, like Mountain tent, brand equity allows consumers to go to the shelf and pull than enough features to make an upstart, unsigned Dew's Green Label Sound, find the proof-of -sales metrics to be less Pepsi over our competitors. And it allows us to maintain some band feel spoiled -brand -new Fender, Gibson and Music Man gui- than empirical. Green Label has had first -run releases of new singles premium pricing in the process." tars; Yamaha keyboards; a Wurlitzer organ; and Marshall amps all from bands like Holy Ghost, MNDR, Chromeo and Wavves but still Of course, brands like Converse and Mountain Dew are more donated from Center. There were speakers donated from has to work with their existing labels to coordinate exclusivity. And niche brands and in more stable places in terms of sales. It was re- Manhattan's legendary Electric Lady Studios. Even the artwork is fans aren't going to see the members of Holy Ghost, currently on vealed during Nike's fourth -quarter earnings call that Converse's cooler than the typical corporate studio -an original piece from the road with a Green Label Sound -backed tour, cracking open a signature shoe, the Chuck Taylor, has grown from sales of 4 mil- Shepard Fairey adorns the entrance, while street artist Ben Eine Mountain Dew onstage any time soon. lion pairs in 2004 to 70 million at the close of its 2011 fiscal year lent his famous typography to the studio's exterior. "The music becomes decentralized so quickly, a lot of times it's in June. Meanwhile, Mountain Dew continues to enjoy sales in- "We've driven by this a few times and I would never know this not always the best analytics," Mountain Dew brand manager Hud- creases while its parent company PepsiCo's flagship Pepsi brand was a Converse studio," one of Joywave's band members says. son Sullivan says. "It's more about engagement, the conversation. struggles to maintain market share against Coca -Cola. Even Red That's precisely the goal for Converse chief marketing officer Are people talking about GLS on Twitter, on Facebook? Are they Bull, which has in -house record label Red Bull Records and an ag-

Geoff Cottrill ( @yogmoney) and dozens of other marketers who've positive or negative conversations? Are artists talking about it? Our gressive concert and tour sponsorship program, has grown to be- sponsored music programs and events in recent years. Rather than artists become a barometer for the music community- through come a $5.2 billion brand in 2010, according to company figures just slapping their logos on a stage or signing up a dozen bands for singles, videos, tour sponsorships, we can go back to them and reported by Business Week. tour endorsement deals, a growing roster of brands like Converse, gauge how much traffic we're getting." By these measures, there's less risk for healthy brands to invest Scion, Intel, PepsiCo, Red Bull and others are opting for more of in these kinds of music programs. Converse can afford to pay Matt a corporate- underwriting approach to music-from serving as a Mountain Dew's sister brand Pepsi doesn't have the same ability & Kim, Soulja Boy and Andrew W.K. to collaborate on an original part -time label to funding original music videos to hosting record- to rely primarily on social -media buzz as a sales metric. This past song and appear in ads, even if they can't prove how that song sells ing sessions. And many are doing so with little expectation of a spring, the brand dipped to No. 3 in market share for the first time a single pair of Chuck Taylors. direct return on their investment -many marketers cite "positive in decades, losing the No. 2 slot to Diet Coke, according to Bever- So how to explain Scion? Toyota's niche, box -shaped car has buzz" or "cultural relevance" as their key indicators of success, age Digest. The brand was accused of blinking on its marketing supported metal and indie music since it was launched in 2002, not product sales. strategy, supporting grass -roots initiatives like the Refresh Proj- but its sales have slumped in recent years. Since a peak of 173,000 "We're not asking for in return," Cottrill told Joywave ect in favor of Super Bowl ads and major TV advertising. PepsiCo in 2006, Scion finished 2010 by moving just 46,000 vehicles, ac- during its visit to Converse's studio -the much -covered Rubber quickly responded with a 30% increase in marketing spend across cording to Ward's Automotive. And yet the brand ramped up its Tracks -located on the corner of Keap and Hope Streets in Wil- the company portfolio, including $60 million behind Fox's "The support of music this year through its Scion A/V project. In the

8 BILLBOARD I DECEMBER 3, 2011 l' Brands And Bands: By The Numbers CONVERSE 70 million -411111WIP. Number of Chuck Taylors sold as of June 30, 1.*1.11111111PROM the end of Converse's 2011 fiscal year 41 million Number of combined Facebook fans for Converse and Converse All Star 295,000 -plus Combined free downloads for Converse's CÑÉ 4 "Three Artists. One Song" singles "My Drive Thru," pOÑ "All Summer" and "I'm a Goner" SPANK OCR WAVVES 3IG FREEDIA THE DEATH SE TUREPLANE FRAHIM CHAN MOUNTAIN DEW 80%* Mountain Dew's share of the citrus soda market in 2009 4* Mountain Dew's rank among all carbonated beverages in the United States, behind Coke, Diet Coke and Pepsi 7.8 past three months alone, Scion A/V has released new music from Music and Arts Festival. Such acts as Mark Ronson, Florence & million acts like dance DJs Nadastrom, psych -rock band the King Khan the Machine and Justice have since headlined Creators events for Video views for Green Label Sound's YouTube channel, Experience and grindcore group Wormrot; supported a fall tour exclusive performances, while Spiritualized, N.A.S.A. and David featuring such acts as MNDR, Holy Ghost and Chromeo (Check Yo Ponytail) featuring Spank Rock and Big Freedia; and Bowie are among the artists who partnered with the Creators hosted a two -and -a- half-day Music(less) Music Conference in Los Project for exclusive installations. Unlike Converse, Red Bull or Angeles. It's also prepping a mini -album from punk- rockers the Mountain Dew, which turned to music strategies to strengthen INTEL Melvins in 2012. their existing relationships with young tastemakers, Intel turned Like Converse's Cottrill and Mountain Dew's Sullivan, Jeri Yo- to music to start from . shizu -Scion sales promotions manager and head of the brand's "We knew we had a problem with talking to young adults 70%* research. "There is because our product isn't something you can touch and feel music strategy-is equally ambivalent about - share of the processor market it's built inside a computer," says Dave Haroldsen, who works for In- 0000 tel's global partner marketing team and also serves as Intel's creative di- 560,000 "When we don't speak-when artists rector on the Creators Project. "We Attendees at the Creators Project events speak-it's way more powerful. By not wanted to really build a program to showcase the amazing moments putting any demands on the artist, they happening in art and make it as 120 turn around and tell their social media transparent as possible to show peo- million ple worldwide what happens when Video views of the Creators Project content following about our brand." you maximize with technology." -(1FOF'F ('OTI'RILL, CONVERSE Intel conducts extensive focus groups with Creators Project attend- SCION ees after each event, seeking to mea- á no measurement of a lot of initiatives out there. People can tell sure the brand's relevance and awareness among its influential you that there's impressions, but there's no equation. There's no attendees. And coming in 2012, Intel is looking to bring Creators 46,000 * ** magic tool out there that says, 'Because you're associated with the Project materials to its retail spaces in ways it wouldn't dare at its Sales of Scion vehicles in 2010 w Melvins you're guaranteeing a certain amount of kids to sell a car, "' own events. "You're never ever going to go to a Creators Project Yoshizu says. "It's about awareness and familiarity. We let people and have people hand out pamphlets or things like that -it's just 2 know that Scion exists and that Scion sells cars. If somebody has not the way you interact with this audience," Haroldsen says. "It's that software tool that will show you exactly how that patterns down all about the experience and aspirational ideas. You can't buy au- 10,000 Music events Scion has sponsored since 2003 to sales, they're probably going to be a billionaire." thentic trust and respectability. It's all got to mean something to o One brand that is trying to match music marketing with tan- this audience, or it's not going to work." g gible results is Intel, which teamed with Vice in 2009 to form a Authenticity is so important to Converse's Cottrill, he prefers not to lus music, art and technology event series called the Creators Project. actively market to his consumer base at all. "When we don't speak- 10,000 -p Likes Scion A/V Metal on Facebook - says. for á Starting with a launch New York event in 2010 that drew perform when artists speak and we don't -it's way more powerful," he ers like M.I.A., Sleigh Bells and the Rapture, the Creators Proj- "By not putting any demands on the artist, they turn around and According to Beverage Digest, " According to PC World ect has gone on to include dates in London, Sao Paolo, Seoul and tell their social media following about our brand. Fifteen years ago, "' According to Ward's Automotive Beijing, along with a partnership with the 2011 Coachella Valley 'new media' was banner ads. Now this becomes the media."

DECEMBER 3, 2011 I www.billboard.biz 9

No one saw this coming. ¶ Rick Ross, the author of Miami street anthems, becomes a critical darling and forward -thinking entrepreneur? ¶ Wale, the heady rapper everyone wrote off, turns into a chart -rattling star? ¶ It seemed unfathomable 18 months ago. But with the reconstituted turning into a heavyweight rap haven at Warner Bros. Records, the unlikely duo is quickly taking its partnership to unforeseen heights. Ambition has legitimized a year's worth of work with its first -week sales. There's more to come, including Ross' heavily anticipated God Forgives, I Don't and a large -scale MMG game plan for 2012. ¶ How did this happen? The story behind one of the year's most surprising tales of success. -Jason Lipshutz

11 DECEMBER 3, 2011 www.billboard.biz I OH, LET'S DO IT THE HIT -MAKING, PROLIFIC, SUPER-SOCIAL RICK ROSS IS SIGNED TO DEF JAM RECORDINGS AND HAS A LABEL DEAL WITH WARNER BROS. EVEN WITH HIS RECENT HEALTH SCARES, AND HIS FIFTH SOLO ALBUM PUSHED BACK TO 2012, HE SAYS HE "FEELS GOOD" BY JASON LIPSHUTZ

GG lutch" is a word sports fans use to describe a mo- his sophomore album, Ambition, to stunning results on Nov. ment in which someone recognizes the magnitude 1. With Ross executive -producing (with Wale), and relent- of a situation and rises to meet it. lessly promoting Ambition (he even set the avatar of his It's a buzzer -beating jump shot, or a Hail Mary @ rickyrozay Twitter account, which sports 1.5 million fol- touchdown pass -a triumph instantly memorized and placed lowers, with Wale's album artwork), the album sold 164,000 in the history books. copies in its first week, according to Nielsen SoundScan. The idea of being "clutch " -of having a sixth sense for It's an improbable comeback (see story, page 14) that Wale the defining moment -is one that Rick Ross relates to. After acknowledges in the liner notes of the new LP. "Rick Ross," all, the 35- year -old Miami rapper has quietly been clutch his it says simply, "thank you for giving me ." entire career. When he needed a hit first single five years ago, "Hus- On Oct. 14, 18 days before the release of Wale's Ambition, tlin"' became an anthem, selling 733,000 copies, accord- Ross suffered a seizure aboard a Memphis -bound plane, on ing to Nielsen SoundScan. his way to opening a Wingstop restaurant franchise in Fort When he needed to win over critics, he released a front - Lauderdale, Fla. The medical scare required an emergency to -back classic, Teflon Don, in 2010. It sold 682,000 copies landing and treatment at a Fort Lauderdale hospital, and when and topped out at No. 2 on the Billboard 200. Ross tried to fly from Florida later that day, he suffered an- When he needed to deliver guest verses on tracks by other medical setback and was rushed to an emergency room Kanye West, DJ Khaled and Lil Wayne, he crushed them, in Birmingham, Ala. and helped "," "I'm on One" and One month later, Ross says that he "feels great," and al- "John" sell more than 2.1 million cumulative copies, ac- though rumors abound about his physical state, he chalks cording to SoundScan. up the scares to a "lack of sleep." The incidents have de- "I understand why New York's a huge fan of Derek Jeter- layed the release of the anticipated God Forgives, I Don't, because in the playoffs he always delivered, he always came his spectacularly titled fifth full -length originally slated through," Ross says. "And that's what it is when it comes to to arrive Dec. 13. Island Def Jam (IDJ) senior VP of mar- big records, big collaborations. I was fortunate last year to keting Chris Atlas says that the album is now expected have a run with the biggest names in the game." "around first quarter, maybe early second quarter" (Bill - And when Ross moved to join hip -hop's elite (Jay -Z with board.com, Nov. 17). Roc Nation, West with G.O.O.D Music, Lil Wayne with "We're all aware of his recent health issues, and based Young Money) by establishing a solid musical brand, he on some of the minor setbacks with that, we weren't able to expanded his label, Maybach Music Group (MMG), to in- confirm certain opportunities, because he physically wasn't clude Wale, Meek Mill and Pill last spring. The move also able to deal with certain things at the time," Atlas says. "We punched up the identity of Warner Bros. Records' urban want him, as we want for ourselves, to have the best setup department: Maybach inked a distribution deal with the for this album, and to have an artist that is 100% ready to go major in February. And though there are rumors of itchi- in releasing and impacting this record, because the expecta- ness, Ross continues his solo career at his longtime home, tions for it are high." Def Jam Recordings. In the meantime, Ross is still firing on all cylinders, spend- "I said to [Ross], 'I think we could build something great ing marathon studio sessions tweaking God Forgives and other together. You could build the next Cash Money, "' says Joie projects. He's a tireless worker, literally-longtime manager Manda ( @joeyie), executive VP /head of urban music at War- Alex "Gucci Pucci" Bethune says that he and Ross usually ner Bros. Records. "And he said, 'That's what I want to do. get about three hours of sleep per night. Ross is constantly All in: Maybach Music Group's That's my dream.'" thinking, talking and tweeting about MMG, and wants God WALE, RICK ROSS, MEEK MILL and PILL (from left) MMG sports an assortment of lyrical styles, but just when Forgives to pack the epic scope of a Brian De Palma film - Ross needed to prove the power of his brand, Wale released hence the title. "This album is almost like a movie," Ross says. "I wanted [the title] to be something that was extremely emotional, to set up a real roller coaster ride as far as the music and thought According to the Grammy Award -winning production col- TEAM ROSS process. It sounds like a term of retaliation, and with the lective J.U.S.T.I.C.E. League's Kevin "Colione" Crowe ( ®co- picture that I'm painting, it felt perfect." lionejl), who began working with Ross on "," the "Aston ALBUM TITLE: God Forgives, l Don't Martin Music" beat originally was sent to both Drake and LABEL: Def Jam Recordings After breaking out with the 2006 single "Hustlin, " Ross' Ross through a mix -up. When the two rappers met up, Ross first three 2006's Port RELEASE DATE: Reportedly Q1 /Q2 2012 albums- of Miami, 2008's Trilla and folded Drake's hook next to Michele's chorus and created 2009's hit No. 1 on the Billboard 200 a MANAGEMENT: Alex "Gucci Pucci" Bethune -all unique pop track. "Ross has such a vision -he's a musi- and spawned hits like "Push It," "The Boss" and "Magnifi- cal type of guy, and he can see the whole format of a beat," PRODUCERS: various cent." 2010's Teflon Don, however, was a lush, more cohesive Crowe says. A&R: DJ Khaled effort than his previous output, with guest verses by West, The success of Teflon Don presented an opportunity for PUBLISHING:4 Blunts Lit /EMI at Once Blackwood (BMI) Jay -Z and T.I. and tracks like "Tears of Joy" offering insight- Ross: He could begin building a roster of artists on his MMG BOOKING AGENT: Melissa N. Sessoms of Total Access Talent ful introspection. Pitchfork and both included imprint and use his own visibility to give their releases some PUBLICITY: Gabriel Tesoriero of Def Jam Recordings; Teflon Don on their year -end albums lists, and "Aston Martin juice. Maybach's business model could become to Ross what Phylicia Fant ( @PurplePhy) of Warner Bros. Records Music," the sparkling third single featuring Drake and Chrisette Roc -a -Fella was to Jay-Z and what Young Money has become ATTORNEY: Theo Sedlmayr of Sedlmayr & Associates Michele and produced by J.U.S.T.I.C.E. League, gave Ross his to Lil Wayne. SITES: GodForgiveslDont.com, Richforever.tumblr.com biggest hit on Billboard's Hot R&B /Hip -Hop Songs chart, "I've most definitely been a fan of Hoy and his whole TWEETS: @rickyrozay peaking at No. 2 in January. movement," Ross says of Jay -Z. "He gave a blueprint to a lot

12 I BILLBOARD I DECEMBER 3, 2011 "ROSS OUTLINED EXACTLY WHAT HE'D HOPED, WHICH WAS A MULTIYEAR PLAN TO THOUGHTFULLY BUILD AN IMPORTANT LABEL, ARTIST BY ARTIST." -TODD MOSCOWITZ, WARNER BROS. RECORDS

of young entrepreneurs, as well as Wayne, with how active of Attention Deficit didn't deter him from offering Wale a build an important label, artist by artist." Wayne is with artists. There's a lot of different approaches, deal. "It wasn't about hype, and it wasn't about past suc- The first move was the May release Self Made, Vol. 1, but at the end of the day, we've ... just got to be hands -on cess," Ross says. "It was about who Wale was as an MC -an an MMG compilation album, which featured the fero- and walk our own path." incredible MC -that made me a fan. I felt we could make cious single "Tupac Back" and has sold 183,000 copies,

The signings fell into place naturally. Meek Mill (@Meek - history together." according to Nielsen SoundScan. The album came out Mill), a mixtape specialist from Philadelphia, says he asked With Mill and Wale in place on the roster, Ross decided to while Ross was supporting Lil Wayne on his I Am Still Ross through Twitter last year to contribute a verse to his inject some "new energy" in the Maybach imprint after the Music tour, and the rapper peppered his sets with May - "Rozay Red" and started seeing the rapper and talk- label's deal with Def Jam Recordings expired. Rumors of a bach shout -outs. During a March 26 performance at the ing to him on the road. "He must have liked what I was bidding war for MMG spread until the label solidified a part- Wells Fargo Center in Philadelphia, Ross brought Mill, doing. I came down to Miami, and I've been Maybach ever nership with Warner Bros. Records on Feb. 22, the same day as well as Sean "Diddy" Combs and DJ Khaled, onstage, since," Mill says. Ross announced the signing of Atlanta rapper Pill ( @Pi114180), and toasted his MMG signee to Mill's hometown crowd. Wale's manager, Rich Kleiman, who is also Roc Nation an online favorite, to MMG. The audience went wild. VP of management, says that Ross had been talking to Wale "[Ross] was someone we had our eyes on for a long time, so backstage at club shows for months last year-the D.C. rap- as soon as we were in a position to act on it, we did," Warner Meanwhile, Ross began guiding Wale as he readied his come- per's verse on 's hit single "No Hands" Bros. Records co- president /CEO Todd Moscowitz says. "When back album in Atlanta, giving him feedback on each song, had been earning him new recognition. Ross says that he we started having serious conversations, he outlined exactly helping him select the moody "" (featur- could see the passion in Wale's rhymes, and the poor sales what he'd hoped, which was a multiyear plan to thoughtfully ing crooner Miguel) as the impact single. (It was a Greatest

3, DECEMBER 2011 www.billboard.biz I 13 Gainer on the Hot R &B /Hip -Hop Songs chart on Oct. 29.) Ross also appears on two tracks. "He wasn't there all the time, but he was in deciding where Wale was going to record, the people Wale BE%ITTIFITL BLISS was going have around him," Kleiman says. "And then there were periods where he'd meet with Wale in Atlanta or Miami or New York and have quality 24- to 48 -hour periods of going HOT -AND THEN NOT. SIGNED, AND THEN DROPPED. through every song and trying things and giving advice - BUT HIS RECENT SOPHOMORE ALBUM, "AMBITION," truly executive -producing the album." Ross also boosted Wale's social profile with nonstop pro- DEBUTED AT NO. 2 ON THE BILLBOARD 200. HOW WALE motion of Ambition, including 71 mentions of the album on PULLED HIMSELF UP BY HIS NIKE BOOTSTRAPS Twitter the day of its release and links to Wale's latest music BY BRAD WETÉ videos. Now Wale has 1.3 million Twitter followers -almost as many as Ross. Wale knew his new album, Ambition, would be to go to war for [Wale] again. I don't think Interscope met our The MMG deal put Ross in an awkward label position: He'd successful. expectations. Nobody worked [his second single] 'Pretty Girls. "' laid a foundation at Warner Bros. for his label, but was corn - He was absolutely sure his second effort But Kleiman doesn't remember Wale sulking. "Instead of mitted to Def Jam Recordings as a solo artist for three more would be crowned a classic. When he made spending [even] one day wallowing in album sales that were albums. "I get to see two different systems and two different the declaration, on the phone from his Nashville -bound tour bus less than projected, or numbers that weren't nearly as high as perspectives," he says. And Def Jam Recordings is happy to weeks ago, it was a bit of a tough sell- considering his debut, Cudi or Drake, who were in his immediate class, and who he was watch Maybach flourish as it focuses on solo projects like 2009's Attention Deficit (Allido /Interscope), moved only 28,000 grouped with, he hit the ground running and said, 'I'm going God Forgives, 1 Don't. copies in its first week. (Total sales now number 200,000, ac- to work the shit out of this album. "' That he did, continuing to "With all of the incredible activity Ross has been gener- cording to Nielsen SoundScan.) Still, as he made his case, it was make videos for singles -on his own dime, according to Klei- ating in the marketplace with MMG, his profile is as hot as hard to not sip the Kool -Aid. Wale could "just feel it." man -and touring like crazy. ever," IDJ president /COO Steve Bartels says. "This puts us Fast forward: He's fresh offa nap in his Los Angeles hotel room "[He's] an artist that -with or without a hit record -is in the unique position to do what we do best: catapult the days after Ambition's Nov. 1 release and readying himself for a able to tour and give a phenomenal experience," says Jesse artist to the next level, while solidifying and expanding his performance on "Jimmy Kimmel Live!" Ambition opened at No. Kirshbaum, Wale's booking agent of three years and CEO core and his standing in the industry." 1 on Billboard's Top R &B /Hip -Hop Albums chart with 164,000 of New Universal Entertainment Agency. NUE specializes Chris Atlas adds that Ross' many guest verses in 2011 units -and had it not been for Justin Bieber's Christmas album, in "boutique talent" for college fans. But only a few dates on helped increase his visibility in different genres. On the it would've topped the Billboard 200 as well. "It's not surprising," his Ambition tour are at schools. Oct. 22 Hot R &B /Hip -Hop Songs chart, Ross appeared Wale ways coolly of the victory. "I knew I could do it." "Wale's predominantly performing at large -scale clubs that hold on seven of the tally's 100 songs, including Monica's R &B 1,500- 2,000," Kirshbaum says. "And he's selling the majority of jam "Anything (To Find You)," DJ Khaled's chart -topping Olubowale "Wale" Falorin, 27, is as self-assured as they come. them out in advance on most nights -even on days that are less posse cut "I'm on One" and Mill's "Ima Boss" from Self The Washington, D.C., native, a high school and college athlete attractive. Selling out Chicago House of Blues on a Tuesday is Made, Vol. 1. "Whether it's all MMG records or just other (football, track), started out by using his Myspace page to inde- impressive. Selling out Los Angeles' House of Blues two weeks feature records, they've all added to his growing brand," pendently push his free mixtapes. The tapes, like 2008's criti- ahead is pretty impressive." On the eve of his recent album re- Atlas says. cally acclaimed The Mixtape About Nothing, were clever, ironic, lease, Wale sold out New York's Terminal 5 (without an opening Also on the Hot R &B /Hip -Hop Songs chart are a pair intense and filled with everything from quips about retro Air act, save the tastemaker-favorite DJ Cassidy)- capacity: 3,000. of Ross singles -the Nicki Minaj- warmed pop track "You Jordans to poignant lines about economic struggles -all this In addition to his 2010 Attention Deficit tour, Wale hopped on the Boss" and the Just Blaze- produced banger "I Love My neatly wrapped around his hometown's go -go grooves. Atlanta rhymer Waka Flocka Flame's 2010 club thumper "No Bitches" -that will be included on God Forgives. The two Wale also performed at local clubs, and he'd already toured Hands" (Warner Bros.). The song went to No. 13 on the Billboard tracks debuted Oct. 4 -a little more than a week before Europe in 2007 with Mark Ronson, which led to him signing to Hot 100 and has sold 358,000 copies, according to Nielsen Sound - Ross suffered the seizure -and despite the album delay, Ronson's Allido Records. Wale, known as a brash, entertaining Scan. That big look, along with a sequel to his 2008 "Seinfeld" - the songs will remain the focus of Def Jam Recordings' performer, whether with a band or a DJ (or both), was part of a themed free mixtape, 2010's equally priced More About Nothing marketing rollout for God Forgives, with no new single ex- then -new guard of rappers like Cleveland's Kid Cudi, Pittsburgh's (released through hip -hop blog Rap Radar), pretty much made pected before year's end. Wiz Khalifa and Toronto's Drake. And when he got in business him a hot commodity again.

"" has moved 80,000 copies while "I Love My with Jay -Z's Roc Nation Management (Rihanna, Willow Smith), The release of More About Nothing was celebrated with a sold - Bitches" has sold 17,000, according to Nielsen SoundScan, the assumption was that Wale would cruise to success. out concert (featuring a full band) at New York's Highline Ball- and Atlas says that "Boss" will be crossed over to rhyth- But Attention Deficit's lead single, the frenetic "Chillin "'-fea- room. Roc Nation Records artist J. Cole (who recently debuted at mic and pop after initially finding a home at R &B /hip -hop turing a not -quite -über- famous Lady Gaga -left many fans of his No. 1 on the Billboard 200) -Wale's partner with Melanie Fiona radio. A video for the song is coming, as are TV opportuni- mixtapes confused. The album flopped. In 2010, Wale was qui- on the sleeper song "Beautiful Bliss" from Attention Deficit - ties, live concert events and Twitter campaigns, depending etly dropped from Interscope's roster. His manager, Roc Nation joined him onstage. The place was fairly on fire. on the new release date. On the MMG side, Warner Bros.' VP of management Rich Kleiman, recalls meeting with label This was all accomplished without label assistance. It was all Manda says that a Self Made, Vol. 2 could arrive as early as co- chairman Jimmy Iovine. Kleiman says Iovine wasn't "willing sweat-and social. Wale personally handles his Twitter timeline late January and that Mill's proper debut is expected to be 24 -7. He has more than 1.3 million followers and a million -plus released in March. As for the further expansion of MMG's likes on Facebook. Labels began courting Wale again. But it wasn't roster, including a rumored partnership with veteran MC until a chance meeting with a rap heavyweight in winter 2010 Trina, Manda will only say that Ross "is constantly look- that Wale found a new home. ing for new talent." TEAM WALE Enter Rick Ross. The Def Jam Recordings artist was looking It's not a surprising play for Ross. After all, larger -than- ALBUM TITLE: Ambition for acts to sign to his then -homeless Maybach Music Group im- life personalities are always looking ahead for new oppor- LABEL: Maybach Music Group/Warner Bros. Records print. Ross reached out to Wale at Delaware State University after tunities, searching for ways to "take it to the next level," RELEASED WORLDWIDE: Nov.1 a homecoming show at which they'd both performed. They spoke as he so often says. Even if God Forgives, I Don't is coming EXECUTIVE PRODUCERS: Olubowale "Wale" Falorin; in Ross' dressing room, and then kept in touch afterward. "I was out after the calendar flips due to his seizure in October, William "Rick Ross" Leonard Roberts II on his radar," Wale says. "Ross had the vision from the start." he's making sure he has more clutch opportunities lined PRODUCERS: Diplo, DJ Toomp, Tone P, Mark Henry Wale officially joined MMG/Warner Music Group in February. up for 2012. MANAGEMENT: Rich Kleiman ( @richkleiman) at Roc Nation "Ross believed in him," says Joie Manda, Warner Bros. Records "Rick's a warrior," manager Bethune says. "I hear what BOOKING AGENTS: Jesse "Kay" Kirshbaum ( @JesseKay) executive VP/head of urban music. "And when Ross came in and everyone is saying [about his health], but me knowing him, I at NUE Agency ( @nueagency) played Wale's records, I believed also." see none of that. I just know he probably needs to get a little PUBLISHING: Warner/Chappell Music ( @warnerchappell) Wale was heavily featured on Maybach's summer compilation rest. We all do. But ... we're back at it, and we've been back PUBLICITY: Phylicia Fant ( @PurplePhy) at Warner effort, Self Made, Vol. 1., which has sold 183,000 copies, according at it for a while now." Bros. Records to SoundScan. The track "That Way," featuring Ross and R &B "It could have been a lot worse," Ross adds of the health BIG DEALS: Turntable.fm (tour sponsor); Nuvo Liqueur crooner Jeremih with Wale headlining, was the set's last single scare. "So I'm just thankful. I feel good -and I'm back on UPCOMING TV: "Late Show With David Letterman"; but also seemed like Ambition's unofficial first. my grind already." ESPN's "First Take"; "Late Night With Jimmy Fallon" Wale has good advice coming from all directions. "Jay-Z, es- SITES: WaleMusic.com; Facebook.com /waleofficial; sentially, is my business adviser," Wale says. "Him, Rich and Jason Lipshutz ( @jasonlipshutz) is an assistant editor at Billboard. Myspace.com /wale [Roc Nation's] John Meneilly. I know Jay has a personal place in corn and edits singles reviews for Billboard magazine. TWEETS: @wale his heart for Ambition. I remember one time I was on the phone

I 14 I BILLBOARD DECEMBER 3, 2011 "I WAS ON HIS RADAR. ROSS HAD THE VISION FROM THE START." -WALE

Hands up: WALE appearing on BET's "106 & Park" on Oct. 31.

with Jay, asking him, 'What did I do [wrong]? What can I do differ- (which is No. 5 on Hot R &B /Hip -Hop Songs after seven weeks, something dope. Social networking is important," Wale said re- ently?' He was like, 'Maybe you just didn't come with that single. making it one of the chart's fastest -rising tracks of the year) to cently to Wired.com. "Anything that's social and music com- You made a solid first album. But you didn't come up with that its honesty-and his zodiac sign. "'Lotus Flower Bomb' is a real bined is something I want to be a part of. I'm very hands -on single.' That just added fuel to my fire." love song. It's no secret. I'm a Virgo. I love love." with it." The project is Turntable.fm's first partnership with an Ambition is a concentrated effort, mostly stripped of big -name Wale and Miguel met after Wale reached out to him on Twit- artist for live events. producers. It builds on Wale's go -go base, bringing a genre whose ter. "He had heard a song on my album called 'Vixen' and had Among Ross' support, advice and the quality of Ambition, Wale most notable hits are 1986's "Da Butt" by Experienced Unlimited an idea for a record," Miguel says. "Wale basically quarterbacked appears to be on a bright, new path. What may or may not be and "Sardines" by Junkyard Band, screeching into 2011 with the whole thing " tougher to achieve is his goal of undisputed greatness. tracks like "Don't Hold the Applause" and "Double M Genius." Wale wrote the majority of the song's silky hook, with Miguel "[Rappers] used to take pride in being the best or becoming Along with Wale's ever -improving rhymes, the album boasts sev- providing some "lyrical edits." But Wale was responsible for its the best. Now they just talk about who has the most swag. But eral of those strong, radio -ready records. orgasmic bridge, a call- and -response cooing of vowels. It's the who wants to be the best ?" he asks. Wale really wants to know. "'That Way' is the biggest radio record of his career," Manda part that women are most anxious to sing at concerts. "Come to the table with your albums. I nailed it this time. I'll says. And it's no coincidence that his charming single "Lotus Wale's use of social media doesn't end with sparking creative keep busting my ass until ... you're going to have to respect me. Flower Bomb" (with ByStorm /Jive R &B singer Miguel) also targets partnerships through Twitter. He's also utilizing Turntable.fm I love hip -hop so much, and I'm really a humble dude. We're all women. Wale has a tendency toward romance. "His marketing as his "opening act" on the Ambition tour. Before shows, Wale cocky inside our records -because that's how rap is." director Shari Bryant is super -serving his female fan base and fans gather in a Turntable.fm "room" -it's projected on a wall making sure they know how great he is, and how he's speaking of the venue and they can virtually spin tracks. Elsewhere? Fans Freelance writer Brad Weté ( ®BradWete) is aformer Entertainment to them," Manda says. Wale credits the response to the single can use the app to "DJ" at the club. "I just thought it would be Weekly and Vibe reporter.

DECEMBER 3, 2011 www.billboard.biz 15 Billboard FUTURESOUND IN ASSOCIATION WIIH LOEBs

INTELLIGENCE REPORT Building Digital Businesses Around Music & Rights

By Kyle Bylin, Louis Hau and Glenn Peoples

The excitement -and the power of possibility. if That's what emerged from Billboard's inaugural FutureSound conference in San Francisco Nov. 17 -18. ¶ What made this gathering different? Music rights -holders and digital startup companies had conversations that moved beyond the antagonism of the past. ¶ They're joining to find ways of mutually profiting from new businesses built on social media and cloud -based stream- ing platforms. But as entrepreneurs move to take advantage of opportunities, they're honing their business models, optimizing social tools, but also untangling a thicket of licensing issues and attempting to overcome lingering cultural differences with music companies. ¶ In this exclusive conference wrap -up, and based on public and private discussions held at the conference, Billboard examines these issues -and presents the ultimate white -paper report on the very future of the business of sound.

2011 16 I BILLBOARD DECEMBER 3, A FANATIC'S DILEMMA, 0 EFINING A MUSIC STARTUP'S COALS

THE MUSIC INDUSTRY HAS NO SHORTAGE OF PROBLEMS - but it caught on -in part-because it solves a real -world dilemma: It enables and many startups are vying to provide solutions. But the solutions they fans to identify what song is playing on the radio or TV. At FutureSound, offer don't always offer mass appeal, which can limit their commercial Shazam director of consumer marketing Jeff Roberto shared some user met- potential -not to mention their attraction to music rights -holders. rics: more than 150 million worldwide users, more than songs Sometimes founders misjudge their love for music as repre- sold annually and 2 billion recognitions to date. While it has released numer- senting the wants and needs of the wider major- ous upgrades through the years, Shazam knows what problem it solves and Entrepreneurial ity when, in fact, they don't. This isn't to say that music fans must has brought its solution mainstream. there isn't a place for niche music products and keep their eye Ultimately, not every startup has a goal of becoming a mainstream service. In on the needs of services. Rather, the sticking point is that fanatic mainstream fact, some companies find sustainability and profitability in market niches. Too founders are unknowingly biased; they often solve listeners. often, however, fanatic founders make the flawed assumption that the way they fanatic problems and err in thinking that casual consume and discover music is the same way that everyone else does. Thus, in listeners seek these solutions too. developing new music services and apps, they underestimate the vast divide be- Turntable.fm, the white-hot music startup of 2011, now rests at the chasm be- tween themselves and casual fans, perceiving a problem as more universal than tween its tens of thousands of early adopters and the potential of a wider market. it actually is. In turn, they seek investment for a concept that provides a solution Whether the service crosses over to the mainstream or not, in truth, it may not most people don't need. need to in order to be a called a success. "A lot of people come from their own very specific experience and something But Turntable will want to avoid the fate of Last.fm. A custom radio service they've had frustrations with -maybe for years, right? -and they're like, 'Well, that launched in 2002, Last.fm is an example of a company that focused on somebody hasn't created a product for this, so I'll create the solution,'" RootMu- music fanatics and eluded the mainstream market. It had the same fundamen- sic founder /CEO J Sider says. "But then they find out that, as they build it out, tal idea as Pandora, but Last.fm differentiated itself with a signature "music 'Oh, wow, the market for this, the opportunity for Sustainability, scrobbling" feature, which allowed users to record the details of every song they this to actually succeed as a business, is difficult." even profitability, listed to in a single location. On top of that, Last.fm built on many additional fea- Sider, who presented useful tips for music entre- can be found in tures that increasingly catered to the needs of the fanatic. preneurs at FutureSound (see page 23), says that market niches. By contrast, Pandora focused on creating a mainstream experience, ignor- some products "can definitely exist as a solution ing fanatics and continuing to make the service simpler and easier to use, so that you built for you and a few hundred or thousand people that want to use it." that more people would use it. Today, it's clear that Pandora resides in the main- But, he adds, "once you start getting into having to create a business model to stream and Last.fm-while widely used-still escapes casual fans. sustain this so you keep building and innovating on it, is when that really hits Music -ID app Shazam started as a "techie solution" to a fanatic problem, people as a reality."

THE SOCIALILATION OF MUSIC: MOVING BEYOND FAN ENGAGEMENT

FACEBOOK AND TWITTER, THE DOMINANT SOCIAL PLAT- unique U.S. visitors in September, while Tumblr attracted 14.3 million, according forms, have the potential to connect artists with fans and expose thou- to comScore. sands of users to online music services. They're the path to potentially "By 2015, 50% of a company's sales will come from social," Moontoast VP hundreds of millions of eyeballs and ultimately dollars -a huge op- of client services Tim Putnam says. "There's been a shift in online behavior, portunity for anyone seeking an audience or money. But converting as people are now aggregating their own data -they're letting the information all these fans and followers into paying customers isn't easy. come to them." But ultimately, as one candid digital music executive declares, These platforms provide artists with a great way "Most artists aren't in a position to harvest income from their fans." Artists and labels to reach fans and make new ones, but it also chal- are looking for Facebook holds a beacon of hope for online music services too. Rather than lenges them to create content beyond music. They e- commerce solutions creating its own inferior, internal social network, a music service can tap into must post questions, photos and videos within social platforms, Facebook's Open Graph to import the Facebook relationships of its users. -things not apart from them. that fans want to share and respond to -as well as Some companies think differently. Apple and Google want social experi- make use of social marketing tools. ences to take place within their own ecosystems. Google is hoping to leverage Instead of engaging with fans on Facebook and Twitter, and sending them its Google+ social network by incorporating the service into Google Music. A to a separate storefront to buy products, labels and artists hope to utilize social purchased song can be shared with friends through Google+, creating a unique commerce solutions like Moontoast to enable fans to make purchases directly vertical integration. from these platforms or anywhere else online. Pandora was a notable absence at Facebook's f8 conference that announced a Moontoast's Impulse product allows sellers of all stripes- record compa- round of music service partnerships. Unlike and many other music ser- nies, book publishers, consumer product companies -to place a storefront vices, Pandora doesn't enable users to automatically share their activity in their directly within Facebook and create unique offers that utilize the viral nature Facebook news feeds. Instead, Pandora, which has 40 million active monthly of the program. users as of Oct. 31, built an internal social network using Facebook's Open While the future of social commerce isn't yet clear, it will be built on top of Graph. This allows Pandora to offer social networking features -find friends or today's most popular platforms. The leading platform is Facebook, thanks to its view friends' listening activity- within its ecosystem without having to create a encouragement of third -party developers. social network from scratch. More than 7 million apps and websites are integrated with Facebook, accord- Consider the investment in companies that build on top of Facebook's plat- ing to the company. A growing number of music services -from Spotify to Tick - form. RootMusic, developer of the BandPage app that enables marketing and etmaster-have integrated with Facebook, which drew 163 million unique U.S. sales within Facebook, has raised $18.3 million and is the top music-specific visitors in September, according to comScore. Twitter also has the potential to developer on Facebook. In January, FanBridge announced a $2 million round evolve from a communication tool to an arena for e- commerce, with 32.3 million of funding and the simultaneous acquisition of Damntheradio, developer of a Billboard f UTURESOUND

LOEB: _

Facebook marketing app. Rights owners and tapped Facebook's Open Graph to add social features. The new breed of ticket The reality: Rights owners and online music online music services companies, from Ticketfly to Eventbrite, use Facebook and Twitter to turn don't have the services can't build these platforms themselves. expertise to build ticket buyers into word -of-mouth marketing agents. A ticket purchase shared In the past rights -holders have relied on brick - social platforms on social platforms provides excellent advertising for an event. themselves. and- mortar partners to sell CDs and they've The building blocks are now in place for social commerce. Rights -holders and turned to digital retailers to sell downloads. services will rely on this new generation of social platforms to sell their prod- Similarly, most services lack the audience to create compelling social fea- ucts. Just how they get to this endpoint is still unclear. But they need to draw up tures in- house. a long -term plan to work out the kinks, learn best practices and eventually create Live music has also been deeply affected by social media. Ticketmaster has a successful sales channel.

LICENSED TO ILL: SMOOTHING OUT FRICTION POINTS

THE MUSIC BUSINESS IS A COMPLEX WEB OF RIGHTS and stein explained to the FutureSound audience, licensing would help avoid procedures that create roadblocks for most developers. Without potential lawsuits, help build closer ties with label marketing depart- considerable funding to enable a multiyear product cycle that ments for possible joint promotions and enable the company to expand results in the acquisition of licenses, all but the best -funded internationally. developers are pushed out of the ecosystem. The result is a top- Meanwhile, the provisions of the DMCA can't satisfy the needs down system for incubation that rewards those of all startups that make use of music, whether it be for on- demand Music licensing is entrepreneurs with the best connections and the too costly for all but streams, downloads or other interactive uses. And for such compa- most resources. the most well- funded nies, the arduous, time -consuming task of striking licensing deals re- But the music business shows that good entrepreneurs. mains a significant hurdle. The executive of one such startup argued ideas can come from unlikely places. Oppor- that a company looking to launch a groundbreaking service that cre- tunities do exist to spur innovation at the grass -roots level. One example ates a novel listening experience for its users could wind up saddling is the developer "sandbox," a set of pre -cleared content from EMI and of- the cost of huge legal fees to negotiate unusual label deals, only to fered through music intelligence startup the Echo Nest. The sandbox have copycat rivals seek similar licensing pacts without spending the provides the resources and expertise usually required to use copyrighted same time and expense to reach them. music, video and images. EMI licenses the app and keeps 60% of result- Startup executives regularly call for turnkey music licensing solutions. ing revenue. The developer gets most of the remaining 40% and the Echo "If you have to do a deal," the founder of a music startup says, "it doesn't Nest takes a small cut for providing services and infrastructure. scale. The way businesses do well is `once and done. But performance, Services like the Echo Nest not only aggregate rights for develop- synchronization and mechanical rights are all treated differently under ers, they do much of the heavy lifting required to work with developers. the law. Rights owners shouldn't be expected to specialize in every aspect of the One solution to the high upfront cost of direct licenses is to give rights digital value chain. Companies like this are needed to bridge the gap be- owners equity in the music service. The approach aligns the interests tween content and app. of startups and rights owners and brings about a sense of shared sacri- Provisions of the DMCA Working within the parameters of the Digi- fice -and potential upside. Royalties could be enable cash -strapped Ron Conway tal Millennium Copyright Act can enable a startups to launch waived for a certain period and incrementally recommends that young, cash -strapped startup to launch a legal noninteractive raised upon meeting predetermined mile- music companies build streaming services. service a we- stones and investment portfolios music -streaming -technically metrics. of promising startups bcasting service -in the largest and most During their opening keynote at the Fu- that offer equity evolved digital music market in the world. The DMCA provides webcast- tureSound conference, Loeb & Loeb partner/ stakes in exchange for licenses. ers with a statutory license that allows it to stream any commercially chairman emeritus John Frankenheimer available song without the need for direct negotiation with rights own- asked SV Angel co- founder Ron Conway ers. Another advantage is the predictable nature of the statutory license, whether he thought it was fair for music corn - which includes a per- stream royalty for webcasters established by the panies to seek equity participation in exchange for licensing their intel- Copyright Royalty Board. lectual property. The growth in innovative services that rely on the DMCA shows that "For sure," Conway responded, urging music companies to assemble port- licensing need not be an impediment to services that use copyrighted folios of innovative startups building applications for music -related plat- material. A statutory license with a known and predictable royalty al- forms, providing them with music licenses in exchange for equity stakes. lows creative entrepreneurs to build services quickly and cheaply. Start- How much equity? "Probably to each label a couple percent, in that range," ways a (For ups have found new and exciting to transform typical webcasting he said. more from the Conway/Franken- An equity grant model into something fun, social and textured. heimer keynote, see page 20.) doesn't yield royalties Songza and 8tracks, which were named to Billboard's list of the top But equity stakes raise important issues that go back to artists, reducing startups of 2011, are good examples of how a new company can use the that should be discussed among artists, labels financial DMCA to its advantage. Both services operate as webcasters and pay the and publishers. An equity grant isn't a royalty transparency. statutory royalty rate for streaming music. But neither is a webcaster in that will eventually be returned to artists. As the traditional sense. Rather than mimic or enhance broadcast radio, a result, the practice can reduce transparency Songza and 8tracks offer mixtapes -carefully curated playlists -in a and sow the seeds of artist distrust of label and publisher. wide variety of moods, themes and eras. Like radio, both services pro- The greater question here involves the roles of the label and publisher. They vide a "lean back" style of listening that doesn't require direct licenses. are clearly the risk takers on the music side of the business, but should they By incorporating interactive gaming elements to its listening experi- also be expected to share the risk of launching the next generation of music ence, Turntable.fm appeared poised to test the limits of the DMCA when services? Has the country's investing institutions become broken to the point it launched earlier this year. But Turntable has since opted to negoti- where the parties that are best at identifying entrepreneurial talent and dis- ate licensing deals with labels. Why? Because, co- founder Seth Gold- tributing capital can no longer bear the risk alone?

18 BILLBOARD DECEMBER 3, 2011 ACROSS THE GREAT ifiVIDE: BRIDGING THE CULTURE CAP BETWEEN RIGHTS-HOLDERS & STARTUPS

DURING HIS KEYNOTE, SVANGEL'S CONWAY, an early inves- Tunewiki CEO Larry Goldberg acknowledged that because startup companies tor in Napster, recalled the pioneering peer-to -peer service's failed are often presenting rights- holders with new distribution channels and business efforts to secure licenses from record labels. models, it requires many conversations between the two sides to reach an under- "If people left their egos at the door and walked into meet- standing of how their business works, what their cost structure is and what they ings and said, 'Let's solve this problem in a businesslike man- can afford to pay. ner,' it could've been solved," Conway said. "But as many of you will recall, "Some are more receptive and more willing to try new ways of making Napster was a lightning rod of emotion. People never left their egos at the money in areas where they may not have been able to in the past," Gold- door, and therefore it never got solved and Napster went out of business." berg said. "What is interesting is when you get most of the people to agree The egos, he emphasized, were found on both to a certain model and you get some people who say, 'Well, no, that model Clash persists sides: "Everyone at Napster and everyone in the between cultures doesn't work for me.' It's hard to understand why it works for some and not music industry. It was a two -way negative effort." of experimentation for others. The argument of, 'Hey, well, everyone else is doing this, why can't As that formative experience demonstrated, en- and control. we use your stuff as well ?' That can fall on deaf ears. That's tough. The way counters between early digital startups and record I look at it is it requires more education, more patience, more of an under- labels were typically shot through with suspicion and hostility. But that was before standing that we're really here to generate revenues for ourselves, for the recorded -music sales entered a tailspin. Before iTunes ushered in the era of digital music publishers, for the artists." music retailing. Before the emergence of social networking platforms that made Robert Allen, former senior VP and head of business and legal affairs at familiarity with Facebook, Twitter other online tools of fan engagement an Universal Music Publishing Group, said rights - and Startup executives imperative for artists, managers and labels. And before smartphones revolution- holders aren't interested in startup pitches that wonder: Why aren't ized how consumers interact with online media and entertainment. amount to little more than, "This is what it is rights -holders more open- minded if we're Today, music and technology companies cooperate more than ever be- and everybody else is doing it, and you should be monetizing their fore. But a clash of cultures between the two sides still persists -one that happy with it" content in new ways? hampers the extent to which the two sides could cooperate. NARM VP of "The most successful negotiations and most digital strategy and business development Bill Wilson observed that devel- receptive negotiations I've had are with people opers come from an API culture of openness and experimentation, while that come in and say, 'This is the idea that we have. Here's our P &L, these the music industry is accustomed to a milieu of rules and control over its are our costs, this is what we've allocated for publishing, records and market- content and where marketing, not product innovation, is its forte. ing,"' Allen said. "They really come in as a true partner and want to engage in Music companies and startups do share a key a discussion of how to move forward, and sometimes we might say, 'The split Music companies are similarity, one that the latter in particular would risk -takers too, at least should be this or that,' but at that point we are already negotiating what the probably have a hard time acknowledging: a cul- in A &R. terms are. We've already, in effect, signed on to the possibility of doing a deal." ture of risk -taking. During the Conway keynote, What else could help narrow the culture gap between rights -holders and Loeb & Loeb's Frankenheimer pointed out that startups? Education can be part of the solution. NARM's Music Start Up Acad- even though labels and publishers invest a tremendous amount of capital in emy at provides sessions on music law, licensing deals, con- A &R, only a small percentage of the artists they sign break even, much less tent delivery and other related topics. turn a profit. "So they're starting from a place," Frankenheimer said, "where Greater geographic proximity could also produce dividends. Most major they already view themselves in some form of being venture capitalists . . . music companies don't have the same presence they once did in the San Fran- They have a few things that break through, whether it be compositions or art- cisco Bay Area, and even then they were typically limited to regional sales and ists. They husband those very carefully; that's the lifeblood for them. If they marketing offices. Rights -holders should consider establishing a physical pres- misstep in licensing and sharing that material, it strangles the company." ence in Silicon Valley or the Bay Area, either through their own companies or But even as music companies regularly take risks on signing talent, the majors the trade groups that represent them. They should facilitate regular events in in particular could exhibit more flexibility when it comes to embracing new busi- other markets to spend more time with the investor and entrepreneur commu- ness models, said Charles Caldas, CEO of indie rights organization Merlin. "All nities-on their turf. The creation of better personal relationships should be a of a sudden, the record company knows more about what your service should look top priority and will allow various stakeholders to better relate to one another. like than you do, and tries to get you to shape your service accordingly," he said. For all the struggles that rights- holders and startups have had to understand "And we've seen instances of what we think is lost revenue, because we're there of each other, FutureSound participants said they waiting for a service to get off the ground and the major record labels are, all in were encouraged by recent progress. Despite persistent disagreements, their own way, trying to shape the service to what suits them best and what they "If we had this conference three years ago, it rights -holders and think gives them a particular competitive advantage in the market, which is nuts." would have been brutal-we would have had fist - digital startups arefinding more Jeff Smith, CEO of music app developer Smule, agreed that greater flexibility fights," Allen said with a laugh. ground. is needed on the part of rights -holders. "I'll give the labels and publishers some credit "From our perspective, we're tried to innovate around a business model, to in that it's easier today than it ever has been," actually monetize content that otherwise would not be monetized," Smith said. MOG CEO David Hyman said. "Four years ago, it was way harder. I find that "And the response has not been open- minded." every day is a little easier than the day before." The music business shows that good ideas can come from unlikely places. During their FutureSound keynote, Loeb & Loeb partner JOHN FRANKENHEIMER (left) and SV Angel co- founder RON CONWAY discussed how music rights - holders and digital startup companies can work more closely together.

vestment and tech communities need to focus on is how to get to that monetization even sooner. It brings the music industry much more enthusiastically to the table. Do you see that in the conversations you're having with the young EARLY ACTION companies that come to you? Conway: Yes, we do. But I think in the progression ofthe startups, they are smart to focus on building an audience and engagement Two leadingplayers at the intersection of first. The bigger that audience gets, the better. And then mon- etization will follow. Some of the most successful companies of music and investment talk halo effects, Spotify, this generation-and I'm thinking about Google, Facebook and Twitter-are companies that focused on building audience and audience engagement and raw startups engagement and then monetized it. The music industry and the tech industry have got to be patient and recognize that building audience and engagement really is important. Billboard's inaugural FutureSound conference began billion -dollar industries by selling music digitally only. with Loeb & Loeb partner and chairman emeritus The other way that I look at this is you have these services that Frankenheimer: What you're going to hear from the music John Frankenheimer's engrossing keynote interview Apple, Google, , Spotify and Pandora have [developed] industry oftentimes is that until there is critical mass -an audi- with SV Angel co- founder Ron Conway, an early in- and the analogy I'd like to make is [to] think of those as platforms. ence in sufficient numbers to get their attention-they don't even vestor in Napster, Google, Twitter and Foursquare. Those are platforms that consumers love; they love all those want to go through the process of licensing. We get a hundred of What follows are edited excerpts from their onstage conversation. brand names. Now you're going to see a wave of applications these every month and we can't discern which ones are good and that get developed on top of these platforms so that consumers which ones are going to be successful, so they need to go up to a Frankenheimer: It seems as if there's more receptivity in the can discover and curate in their interest area and go find music certain level before we take them seriously. investment community to be involved with things involving music. in the genre that they like. Is there any particular reason you think that's starting to happen? You know how Facebook has an app society around it? These Conway: My advice to the music industry would be yes, there's Is it a halo effect from Spotify, or something else? Is there a sense music sites are going to have an app society around them- build- thousands of startups that are going to start in the next few years that the music industry is perhaps more open to a dialogue? ing social media on top of these sites, building discovery and in the music space. I think the music industry should want to curation. And this could be thousands of companies. build a portfolio of what they think are the best startups where Conway: Yes, finally there's this delayed reaction where I think the you grant the rights and in that case, become a partner of the digital community and the music industry are working together. Frankenheimer: While it's good to talk about socialization company. I think that the startup should give the music industry Steve Jobs moved the needle more dramatically than anyone, and and curation, people in the music industry are interested equity so that if there's a payout someday, that becomes a liquid- then you have the birth of services like Pandora and then more in monetization. They are very focused on how this is going ity path for the music industry. That's a good thing because then recently Spotify. And even though it took a while for those com- to benefit them. You see just the beginning seeds of some the interests are aligned. panies to negotiate with the labels, the deals did happen. Those pushback even on Spotify, where certain artists and certain You see all the big VC firms now are setting up mechanisms services are up and thriving and consumers love these services, independent labels have started to pull out because they so that they can invest in startups -raw startups, too. The music so success breeds success. don't see the reward at the end of the day. Some of these industry needs to take a lesson from that and say, "Hey, we need I think [the Nov. 16 Google Music announcement] is very sig- are great ideas, they reach big audiences, but there doesn't to have a universal vehicle to allow these young companies to nificant. I think there's a lot of optimism that you can build seem to be a payout. One of the things that perhaps the in- have access to the licensing." Make it a win -win.

20 BILLBOARD DECEMBER 3, 2011 Participating in the Fu- 1 tureSound conference's Visionary Showcase were (from left) moderator Karen Allen, VP of client services at TAG Strategic; Bckstgr founder /CEO Justin Jarvinen; Track - Track.it founder Phil McCarty; Rexly co- founder/ MAKING WEB CEO Joel Resnicow; Thin - gLink chief marketing officer Neil Vineberg; and Music Mastermind co- founder/CEO Matt Serletic. Discussing the experi- RADIO PAY ence of their respective companies during "Navigat- ing the Startup Minefield" l'(lrr(lor(l cL+'o on me were (from left) Groove - shark executive VP of stra- ('vollltloll oJm(' ('011lp(lltg 5 tegic development Paul Geller, RootMusic founder/ blLSlll('.S.S' lllo(l('l CEO J Sider, Headliner.fm founder/CEO Mike More, Mobile Roadie CEO Michael Schneider and DigitalMusic. is been a heady year for Pandora: It went public in org community manager June, expanded its presence in the automotive mar- Antony Bruno, who intro- duced the speakers. ket and partnered with Austin -based music services provider DMX to launch a personalized radio service Superfly Presents 3 co- founder Rick Farman for businesses. In a keynote interview conducted by talked about the festival Billboard editorial director Bill Werde, Pandora CEO Joe Ken- producer's efforts to build nedy talked about the economics of Web radio. Following are the Bonnaroo brand online. edited excerpts. Enjoying a FutureSound 4 cocktail reception were (from left) Warner/Chappell Who do you consider your biggest competitors for Music synch business de- advertising dollars? velopment manager Cecilia Harvey, Red Bull Records Ultimately there are two pieces that you need as an ad- supported head of creative music media company: the advertiser side and the consumer side. licensing Vince Quintero, We're looking to take the time people have been spending lis- Warner Music Group senior director of digital strategy tening to AM and FM and move that to Pandora. That means and business development that most of the consumer time spent is going to come from WMG as- Yi Ping Ho and FM to from Clear Channel, CBS and players sociate director of digital -it's going come strategy and business devel- like that. Who we compete with for ad dollars is actually compli- opment Jessica Park. cated. We compete for interactive digital advertising with Yahoo Attorney Joy Teitel and AOL and all the other major players in interactive, and we (left) of Loeb & Loeb also sell traditional radio advertisements -audio spots-and and Oliver & Sabec partner Jacqueline Sabec. we're competing with Clear Channel and players like that.

S -Curve Records 6 founder /CEO Steve Pandora had a valuable asset in the Music Genome Greenberg (left) and We Project. Describe the thinking that went into the com- the Kings frontman Travis pany's decision to launch an Internet radio service from Clark demonstrated an in- teractive music video using that asset. technology developed by By 2004, our dominant product was providing software for Israeli startup Interlude. kiosks in brick-and -mortar music retailers. ReverbNation COO 7 Jed Carlson (left), with Myxer founder/CEO You wisely got out of that situation. Myk Willis, talked about That was not what we needed. If you're going to be a B2B pro- how artists can connect vider, make sure the second "B" is healthy and growing. In a with new fans on social networks. certain sense, when you're looking at a pivot or a turn or what- ever you want to call it, it's actually nice to have that much clar- Kami Knake (left) 8 of Bckstgr and Ruth ity. Frequently if it's kind of going OK, then you argue, "Well, Gonzalez of 12 South maybe I'm really on the right path and I just need to tweak it." Entertainment. The investors, led by Larry Marcus, who came in at that time said this intellectual property makes the most sense fueling a consumer service. The company is deeply rooted in enabling

PHOTOGRAPHS BY ARNOLD TURNER /A. TURNER ARCHIVES FOR BILLBOARD I DECEMBER 3, 2011 I www.billboard.biz 21 ailitESOUND HOT LABEL EXECUTIVES mssoanoHVnrH JON VANHALA, SENIOR VP OF DIGITAL, BRAND INTEGRATION AND NEW BUSINESS FOR UNIVERSAL WHAT PEOPLE SAID REPUBLIC AND ISLAND DEF JAM MUSIC GROUP

"If I wanted to know something about the digital world and going forward, I'd : illboard go to Jon." HOT STARTUPS HOT STARTUP -Stephen Warner, partner, AIRTIME Third Wave Productions It's the next level of how people are going to meet and relate to each other." EXECUTIVES "He's one of a set of people who's a great -Daniel Glass, founder, THE ECHO NEST CEO JIM LUCCHESE guy, honest and looking out for the interests Glassnote Entertainment Group "He has incredible perspective, creating of all partners." the necessary esprit de corps." -Jason Asbahr, CEO, Monstrous -Jon Vanhala, senior VP of digital, brand ROOTMUSIC integration and new business for "It's simple to use, they've got indepen- Universal Republic and Island Def Jam SONY MUSIC ENTERTAINMENT dent artists, they've got major artists, Music Group EXECUTIVE VP OF GLOBAL DIGITAL they do everything." BUSINESS MICHAEL PAULL -Ken Glaser, VP of sales, "He has a lot of good ideas about Alliance Entertainment SONGKICK CO- FOUNDER IAN HOGARTH; integrations, what services will be TOPSPIN CEO IAN ROGERS more important." "Ian Rogers uniquely understands the -Music startup executive MUSIC MASTERMIND traditional music business and the artist "It allows people to express through business, in addition to being a tech- music how they feel. I'm excited to see nology guru. Ian Hogarth has a very S -CURVE RECORDS FOUNDER STEVE what comes out of it." focused, special vision to merge the live GREENBERG -Robert Allen, former Universal Music experience and social." "He pushes the envelope ... He's on both Publishing Group senior VP/head of -John Boyle, owner, sides -the industry side and the tech side." business and legal affairs BAM Group -Music startup executive

RDIO Pandora CEO JOE KENNEDY ,5 (left) and Billboard editorial director BILL WERDE "Ilove it as afan and as a label. -Dan Koplowitz, founder, Friendly Fire Recordings people to discover and enjoy music that they love -so where's the market where those things can intersect in a powerful way? That's what eventually led us to radio. There were early efforts like LaunchCast that were exploring personalization, using the Internet to personalize radio. And we said, "This is a tremendous, tremendous market."

What did you learn from the last Copyright Royalty BYTHE DOCKOFTHE BAY Board proceeding, and how will you approach the up- coming process? Top music, startup executives converged at Billboards We were not part of that proceeding. We were just getting going but the proceeding had already kind of taken off. Yahoo FutureSozcnd conference in San Francisco and AOL, the early leaders, were really the ones involved in that so we were really just watching from the sideline and ob- viously stunned when that decision came down [to raise Web `LOEBa Billboard MI DEBT Billboard Flak radio royalty rates]. The thing that was different back then is that no one knew what Internet radio would look like when it grew up. The business model was incredibly nascent. It was a tough thing to look at because you really didn't know what the dynamics ofthe business would be. As we look forward to the next Internet radio CRB proceeding, I think the economics "ld of the business will be pretty established- what's the model, how's it work, what are the costs, et cetera, and I think that alone is a basis to believe that there is going to be a rational answer out of all this.

The lack of statutory licensing rights in international mar- kets has stopped you and other services from expanding overseas. Do you see a solution here? We think it is a big miss. We know that there are consum- ers around the world that would enjoy listening to Pandora. We know that there are artists and labels that would like to be receiving royalties from that, artists that would like their Negotiating music rights Jon Vanhala (left), music to be discovered. In many countries there have been 1 was the subject of an ani- 2 senior VP of digital, collection societies for broadcast radio and slowly their remit mated discussion that in- brand integration and new cluded Merlin CEO Charles business for Universal there's still a is being broadened to cover Internet radio, but Caldas, Smule co- founder/ Republic and Island Def lot to work out. CEO Jeff Smith, Tunewiki Jam Music Group, clowns CEO Larry Goldberg, for- around with Echo Nest mer Universal Music Pub- CEO Jim Lucchese. Do you view Spotify as a major competitor? lishing Group senior VP/ No. If you look back at the pre -digital era, there were record head of business and legal stores and there was radio. Though many things will change, affairs Robert Allen and MOG founder /CEO the fundamentals will remain. There will be very substantial David Hyman. periods of time when consumers will want someone else to play DJ where the model will be ad- supported free. And there's times when, you know, "I've just got to hear this track."

I 3, 2011 22 I BILLBOARD DECEMBER 3TIPSFOR MUSIC

1, J Sider, founder/CEO of BandPage developer RootMusic, took the FutureSound stage to share advice for creatives looking to turn a music- related concept into a business.

1. HOW TO TALK TO MANAGERS AND LABELS 2. HOW TO APPROACH INVESTORS J. HOW TO GET TO MARKET FASTER Make sure you're bringing value when you have the opportunity Make sure you're trying a bunch of different things before When you start out, you have this massive idea about what you're to talk to a manager or a label. It's important you understand you place your bet on this one thing and you try to convince going to build and you try to explain it to everybody and put it out that they're super busy, don't have much time. Every day they get everybody of it. Iterate on that product. Watch what works there. Know that right off the bat, that it's going to be very difficult hit up with all kinds of new concepts and ideas. It's important and what doesn't. Then you go to these folks -whether to build out this huge platform, so you need to look at integrat- when you have that moment that you're providing real value. To that's a friend -of-the- family round or a series A -and ing. There are great tech companies that you can integrate with, get started, make the product and give it to your friends or musi- grow from there. But don't feel like you need right upfront whether that's streaming providers or show listings-whatever cians you know and work on building it up from there. And as to get all that money to get started. Just take the first few it is, make sure that you're resourceful and you're focusing only you create case studies around those, then present to managers steps and get going. Another great way to get conversations on what you need to do to get the product out there. A lot of times and labels. That's what we did, and we got a little bit of press. going [with potential investors] is don't go to them saying there will be other folks that are iterating faster and integrating Ryan Chisholm [of Bill Silva Entertainment] read the press. He that you're wanting all this cash, but that you're looking with a partner, so therefore getting to the market before you do with works with Christina Perri and Jason Mraz. We were in our liv- for advisers and you're looking just to get feedback and your product. The way we did that was integrating with Sound - ing room when he called me up and I was like, "Sweet, our first keep in touch with them. One of the guys I first met when Cloud for music. We integrated with Topspin to allow people to big call!" It was because we had slowly built it up to something I got here was Larry Marcus [of Walden Venture Capital], merchandise directly through Facebook. Bandsintown, SonicLiv- that was a working product that showed value and created inter- who's a great investor and a great person in this particular ing, Songkick for show dates. At the end of the day, if you're an est. We continued to work together and he gave feedback so we space, and that's how we started working together in the up- and -coming entrepreneur and trying to start up a company, could make the product much, much better, which then led to very beginning. Now he's on our board and an incredible always make sure that you're focused on exactly what value you other relationships and growing it from there. asset to the company. can bring and present it at the right time.

Assn. of Independent 4Relaxing during a Nov. Loeb & Loeb partner Topspin CEO Ian Rog- 7 Sharing their some- Fuse senior VP of mar- 3 Music Publishers presi- 17 FutureSound recep- 5 Kenneth Krauss (left) ers (left) conducted / times pointed takes on keting and digital Joe dent Richard Feldman (far tion were Billboard pub- with former longtime EMI a keynote interview with music licensing issues were Marchese (right) moder- right) with executives from lisher Lisa Ryan Howard, executive Rupert Perry. Turntable.fm co- founder (from left) National Music ated a discussion about Audio, including Glassnote Entertainment Seth Goldstein about the Publishers' Assn. presi- socialization of music with (from right) VP of prod- Group founder Daniel latter's plans to grow his dent /CEO David Israelite, SoundTracking founder/ uct development Andrew Glass, Fuse senior VP Liana business. Muve Music GM Jeff Toig, CEO Steve Jang (left) and Harding; Harding's wife, Huth Farnham and Bill- Music Reports Inc. senior Twitter director of platform Jennifer Miller; CEO Geoff board associate publisher VP of business affairs and Ryan Sarver. Grotz; and VP of sales and Tommy Page. business development Les business development Dan Watkins and Wolfgang's Korobkin. Vault CEO Bill Sagan.

DECEMBER 3, 2011 www.billboard.biz 23 1111, 1.1 all Targeted by critics, but embraced on the road and on the charts-Canada's Nickelback returns

BY GARY GRAFF

24 BILLBOARD DECEMBER 3, 2011 Iis been a challenging fall side -and get the train rolling, make two which airs Dec. 13 on USA and Dec. 17 for Nickelback. videos and two campaigns and build it on NBC. The band will also appear dur- As the Canadian quartet up," says manager Bryan Coleman of ing halftime at the 99th Grey Cup Cana- prepared for the Nov. 21 release Union Entertainment Group. "It's maybe dian Football League championship in of its seventh album, Here and the only band out there that can really , which will air on TSN and Now (), the band was do that, successfully, on a major scale." RDS in Canada. named the No. 1 musical turn-off in a poll "Most people assumed this is some- Roadrunner senior VP of marketing conducted by Tastebuds.fm, and found it- thing they'd done all along, throughout and creative services Madelyn Scarpulla self the target of an online petition seek- the band's career," Roadrunner presi- says that online, Here and Now will "have ing to have it removed from a halftime dent Jonas Nachsin says. "They're sur- comprehensive visibility via multiple performance at the Detroit Lions' annual prised it hadn't been done before, but it's third -party partners and extensive online Thanksgiving football game. Launched by the result of over a decade -long career of advertising." That includes a widget that'll a Michigan music fan, the online petition having so many hits at these formats." let album buyers access exclusive online drew more than 40,000 signatures and Nickelback is gearing up for a busy content, a custom Facebook app for "Bot- international attention. period around Here and Now's release. It toms Up" and a Gold Marketing Pack on But the band remained unfazed, performed on "Jimmy Kimmel Live!" on Spotify. ITunes also began streaming the and played the Thanksgiving Day Nov. 22 and is set to make an appearance album on Nov. 15. game anyway. on the WWE's "Tribute to the Troops," The two -prong radio release will carry "We get that all the time. over to online and traditional ad We've never really been a critics' campaigns, including TV and darling or anything like that," radio spots, outdoor billboards says frontman Chad Kroeger, TEAM and lifestyle and event market- who formed Nickelback in 1995 ing as seen in Thanksgiving pa- in Hanna, Alberta, with his NICKELBACK rades in the United States and at brother Mike on bass and guitar- movie theaters and malls on Black ist Ryan Peake. Drummer Dan- Album Title: Friday. iel Adair joined in 2005. "The Here and Now Nickelback's tour, meanwhile, people speak. We sell a lot of re- Label: will wait until the spring. "We're cords and fill a lot of arenas, and Roadrunner Records trying to go a few singles deep, we don't hear many complaints." possibly three or four, before we Released: The statistics certainly bear go out," Kroeger says. "We want to Nov. 21 Kroeger out. Nickelback has sold make sure there's familiarity. We more than 50 million albums Management: don't want to be that band that ev- worldwide, according to the label, Bryan Coleman at Union erybody comes to hear all their fa- and the band's last four releases Entertainment Group vorites, and when there's a new one have debuted in the top 10 of the Producers: they all run up to the concourse to get a beer." Billboard 200 -and at No. 1 in its Nickelback, Joey Moi homeland. Add 17 top 10 main- Also looming on the horizon stream and hits, A&R: is Nickelback's future recording Ron Burman 11 of which have also made the top home. The group signed a 360 10 at adult top 40, and you have a Studio: deal with Live Nation in 2008, and durability and consistency rarely The Warehouse Studio, Vancouver Here and Now is the final studio seen anymore. Publishing: effort under its deal with Road- Here Now the runner. "Roadrunner has been and finds band Arm Your Dillo (SOCAN, administered "back to basics," Kroeger an amazing partner for 12 years," getting by Warner -Tamberlane/BMI) says, following 2008's triple -plat- Coleman says. "We have a great inum Dark Horse. "This isn't our Booking Agents: relationship and may continue that Ralph James (Canada), Steve Kaul (U.S.) and The Wall or anything like that," . but we need to see how the he adds. "This is just four guys Neil Warnock (Europe) at the Agency Group landscape looks and test the free - jumping back in the studio to ( a theagencygroup) agent market." write and record 11 new songs and Upcoming TV: Nachsin says Roadrunner will make sure each one of them gets "Tribute to the Troops" (USA Network, Dec. release a Nickelback greatest hits as much attention as they need." 13; NBC, Dec.17) album "at some point" and plans to make a hard push to keep the Working with Roadrunner, the Publicity: group launched Here and Now group in its stable. And part of Julie Lichtenstein at Roadrunner Records; with two singles -the rowdy, hard - that, he says, is making a solid Maureen O'Connor at Rogers & Cowan rocking "Bottoms Up," which is push for Here and Now. already a top five hit at mainstream Attorneys: "We're approaching this rock, and the more melodic, so- Jonathan Simkin at Simkin & Co. album campaign like we would cially conscious "When We Stand Sites: any other," Nachsin says. "We're Together," which is top 15 on the Nickelback.com, Facebook.com /nickelback, highly motivated to promote and Adult Top 40 chart. They've sold a Myspace.com /nickelback market this new album to the best of our abilities . .. and then we'll combined 245,000 copies, accord- Tweets ing to Nielsen SoundScan. see what happens. The future is a Nickelback, aTeamChadKroeger, "We thought, 'Why not do it all untold. We can only remain hope- a thedanieladair, a ryrypeake at one time -a song to please the ful that it involves us in some ca- rock fans and a pop song for that pacity." Entertainment's MUST THE 'THE 1

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63% Save PRICE Hollritrood OFF THE COVER f REPORTER Calling the shots: JENNI RIVERA commands respect for her business savvy as well as her musical talent. Jenni Rivera's path: from aspiring for success to inspiring millions of fans

BI JUSTINOÁGIiIL

More than a decade ago, Jenni Rivera was another budding singer making her way through the ranks of the re- gional Mexican music busi- ness. Some saw her potential, but others closed their doors on her and deemed her a novelty act. Today, after years of career development, she's a major force in the regional Mexican genre. She's seizing opportunities beyond what anyone had imagined -and doing so on her own terms. A case in point: On a cool night in September, Rivera was backstage at the Staples Center in Los Angeles doing what she does best: multitasking. She was moments away from making her way to the stage as the first female star in her genre to perform at the venue. The success of the night rested heavily on her shoulders. But she remained focused and cool- headed as she balanced business matters, from signing checks to consulting with her team, while preparing for a milestone show in front of more than 13,000 enthusiastic fans. In 2011, Rivera has more than proved that she's no sideline act. That sentiment is a far cry from a decade ago when some promoters passed her by and didn't see her potential. "It was definitely discouraging for Jenni," says Pete Salgado, her longtime business manager. "As her team we kept reassuring her that she could make it in this business even when con- cert promoters didn't." In some ways, those doubters pushed Rivera to work harder. But most important, she understood that her U.S. audience was bilingual, bicultural and growing. The Long Beach, Calif-born per- former knew that she needed to cater to them, stay accessible and let them see the real person be- hind the performer, from the mother struggling to raise a family to sometimes failing at love-all roles reflected in the songs that she sings. "I've seen her cry in private," Salgado says of the pressures and disappointments of the early days. "But when it came time to come out to meet fans and members of the media, she did so looking like nothing was wrong. She's a fighter and she would never let anyone see her broken." Today, Rivera, known as "the Diva of Banda," is calling the shots and making key business

DECEMBER 3, 2011 www.billboard.biz I 27 decisions to strengthen her empire. She has sold more than 1 million albums in the United States, according to Nielsen SoundScan. Her 2009 release, La Gran Señora, has sold 112,000 units and reached No. 2 on Billboard's Top Latin Albums chart, and she's earned five top lOs on the list. On Nov. 22, she released two versions of the albumJoyas Prestadas, one in pop and the other in banda. In addition to her sales achievements, Rivera has a lucrative TV deal with NBC Universal's bilingual music cable network mun2, beauty and fragrance products, a clothing line, a radio show, a healthy touring schedule and a film, "Philly Brown," produced by Edward James

Olmos, that's making its way to the 2012 Sun - dance Film Festival. "She's very business- savvy, and she com- mands respect," AEG Live /Goldenvoice VP of Latin talent Rebeca Leon says. "But she also cares about her [business] partners. During her Sta- ples concert we were part of the bigger picture to help promote the show, but she self-initiated All in the family: JENNI RIVERA (center) with

her TV famil . from "I Love Jenni." From left are a lot of that work herself. She figures out what her gran ughter JAYLA; children JACKIE, she has to do to get somewhere and she does it." MIKEY and JOHNNY; husband Backstage at the concert, Leon looked more Esteban, °d daughters JANNEY "CHIQUIS" and JE ,; KA; inset: with "Chiquis & Rag-C" a like proud sister than an executive behind co -stars C ,., uis (right) and RAQUEL "RAQ -C the scenes, supporting Rivera with last- minute CORDOV elow: PEDRO RIVERA (right) ith son LUPILLO RIVE t details in a show filled with about 50 songs, daug Jenni and the 2008 Latin Grammy Aw along with guest stars Alejandra Guzman and Olga Talion. The night also brought great vocal demands, you get, and that's what everybody responds to as Rivera performed songs ranging in genre and celebrates. She loves life, family, culture and from banda to norteño to pop and even bal- music, and it's very clear that she follows her lads in English. The women in the audience passion with ." dressed like Rivera, mouthed the lyrics to her Mun2 renewed Rivera's contract recently in inspiring songs and raised their fists into the an unprecedented multimillion -dollar commit- air, nodding with approval. ment, according to Salgado, who is also a pro- "Jenni represents these women," Leon says. ducer for her mun2 shows. "They see something in her that's familiar. For mun2 VP of programming Flavio Mo- She's a regular girl, lives in English, sings in rales, knowing Rivera for more than a decade Spanish, and her music is about empowering has meant seeing her grow as a performer who women. She makes her fans want to lay down clearly knows firsthand what it takes to maneu- the law and not be afraid to be who they are. ver through business meetings without losing They see her struggles and that makes them track of what brought her stardom: her loyal fans believe in themselves." and the music that has made her a household Like some of her siblings (most notably nar- name among Mexican Americans. cocorrido artist Lupillo), Rivera has toured con- "She's [also] going beyond Mexican fans," Mo- sistently for years, and her live portfolio keeps rales says. "But a big part of her success is that growing. In July 2009 she sold out two nights at she knows her audience well." Los Angeles' Nokia Theatre, grossing nearly $1 To make his point, Morales refers to a time million with attendance of more than 12,000, during the production of the first season of "I according to Billboard Boxscore. Since then she Love Jenni" when Rivera called a camera crew has continued to outdo herself by repeatedly to her home to film her cleaning. Producers selling out venues. thought it was an odd request, but then the Proof that Rivera is connecting with her magic happened. Rivera is known for her loyalty, according at a store," Lopez says. "Jenni can be tough, but fans is evident on mun2, where earlier this "When she was cleaning her son Johnny's to Salgado, who says that when her contract in a loving way. She'll say you totally flicked up, year producers aired the reality show "I Love room, she found letters to his deceased father with Universal Music Latin Entertainment but she'll say she still loves you and then she'll Jenni." More than 75% of the viewers were fe- and Jenni shared that with us," Morales says. was up in early in 2011, the singer received tell you to go fix the problem." males aged 18 -34, and the program attracted "It was part of a bigger universal message that calls from other labels. "At the time we had Olmos says he personally asked Rivera to ap- more than 3.5 million viewers, according to makes her Jenni." so many different offers," he says, "but she's pear in "Philly Brown," a story about a young network officials. The show is returning for That transparency is a big part of Rivera's loyal and has been like that through the years. female hip -hop artist (played by Gina Rodriguez) a second season, which is now in production story, which began early in her life when she and When it came time to renew with Universal who has a mother (Rivera) in prison. for 2012. her siblings worked at her father Pedro Rivera's she said the label was her home and wanted "This is the first time she has been in a film "I Love Jenni" is the result of another suc- label, Cintas Acuadrio, founded in the mid -'80s. to stay there." and she performed from the heart," Olmos says. cessful reality program, "Jenni Rivera Presents That was where she learned about the music Gustavo Lopez, UM LE executive VP of brand "Jenni and Gina eat up the screen, and when Chiquis and Raq -C." The program features her business before she even stepped into a record- partnerships, business development and digi- they're together-oh, my God. It's amazing." daughter Chiquis, but a large part of the focus ing studio -along with such survival practices tal, says Rivera's straightforward manner makes Olmos says that Rivera has made sacrifices remains on Rivera. Plans to create more pro- as keeping ownership of her master recordings. her likable. He recalls that several years ago she in her life to attain this level of success. gramming around Chiquis are in the works. But getting airplay wasn't easy. Rivera and had a question about why her albums weren't "She deserves it," Olmos says. "She's been "Jenni is a power brand," Telemundo Com- her father knocked on doors until people played stocked at a particular retail store. thrown many curveballs in life. I'm very proud munications COO Jackie Hernandez says. "And her music, most notably KBUE (La Que Buena) "Up to that point I had never had an artist of her. As añ artist she's quite stunning and she's expanding. She's real. What you see is what Los Angeles. call me to ask why their product wasn't located well- rounded."

28 BILLBOARD I DECEMBER 3, 2011 4dta-rrge+r-t tipí &ey-rowiteredtfly taxi

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Winn MIl id &I NS Determined: "Adversity and struggles ended up being my blessing," JENNI RIVERA says.

`1 Bring My Lilie Onto The Stage' Jenni Rivera reflects on a career of struggle and triumph BY CR. kCE B TI1) S

When the inaugural Billboard Mexican submissive female, instead casting herself as an Music Awards launched in Octo- outspoken, tequila- imbibing feminist. ber, the star of the show was banda Needless to say, earning the respect of her queen Jenni Rivera. peers and critics was a challenge. Not even her Not only did she take home the artist of the famous last name -her father, Pedro Rivera, year award, but the Long Beach, Calif., native founded the record label Cintas Acuario, and was also honored with the El Premio de la Es- her Grammy Award -winning brother Lupillo trella accolade for her achievements as a philan- Rivera was already on his way to becoming a thropist and entrepreneur. narcocorrido icon -could convince detractors. Lauded for her professionalism during the The fans, though, came easier. Having always awards show, the singer / has always identified with the hardworking woman behind stood out among the macho cowboys of norteño the marquee lights, they've helped make her music. After all, it's been more than a decade a regional Mexican superstar, according to her since she became an artist just to prove to nay - label. Multiple platinum and gold records hang sayers that she was capable of putting her own in her San Fernando Valley mansion. stamp on the male- dominated genre. And she What's more, her devoted followers have did just that by refusing to play the stereotypical helped her blaze new continued on »p32

WE ARE HONORED TO HAVE BEEN WITH YOU SINCE THE BEGINNING CON LI NIHON S

THE BEST IS YET TO COME...

ANTHONY R LOPEZ, A PROFESSIONAL CORPORATION LAW OFFICE LOPEZ &ASSOCIATES

30 BILLBOARD DECEMBER 3, 2011 ,Ar MUSIC LLC. "LA MAG1A DFL fr Aqr-ddece d lenni Rivera oporuniddd brindddd nuest-ro Auhores, celebromos los éxftos obLenidos en su correrd.

> LERDO DE TEJADA #2081, COL. LAFAYETE, GUADALAJARA, JALISCO. MUM) TEL: 52 (33) 3615.6216 52 (33) 3615.9 013 > #51110 VINELAND AVE. NORTH HOLLYWOOD, CAL1FORN1, USA 91601 PHONE: (818) 763.5822 facebook.com/ARPA_MUS1C twitter.com/drparnusic www.drparnusic.com promociondrpaqmdil.com from »p30 trails as a live performer: In Los retirement may be on the horizon. Angeles, she is the first female banda artist to sell out the Gibson Amphitheatre (2006), the How would you sum up your career now? first Latin artist to sell out the Nokia Theatre I've been recording since 1993. It was a hobby for (2009) and the first female regional Mexican six of those years. In 1999, I decided to do it full artist to headline the Staples Center (2011). time and take it seriously. When I started get- All this success has come with its share ting so many haters and closed doors, I decided of drama both on and off the stage. Infidel- to prove that it could be done. I was a divorced ity, domestic abuse, arrests -Rivera has been single mother of three at the time and a size through it. And while these trials and tribula- 12-not your typical model artist that label s feel tions are regular gossip magazine fodder, they work for the music industry. have also served as inspiration for her heartfelt There were so many no's because of my lyrics and raw performances. The key to Ri- music, how I looked and because I decided to vera's longevity has always been her authen- enter a male- dominated genre. They thought ticity, from the moment she first grabbed a that I was crazy. microphone as a divorced mother of three try- The adversity and struggles ended up being ing to pay the bills to her present -day status as my blessing. That is where my following came a multi- hyphenated performer who is really a from. My fans would say, "She's really like us. .. k businesswoman at heart. She looks like us. She talks like us. She acts like Now, she is attempting to conquer a new le- us. She goes through what we go through." Here gion of listeners with her latest studio album, I am 13 years later. Gala gal: JENNI RIVERA Joyas Prestadas (Fonovisa takes the stage at /Universal). For the Univision's 2010 Premio double -disc collection, she reinterpreted the What attracted you to the norteño genre? Lo Nuestro a La Musica Latina Awards Miami's ballads of such '80s sirens as Lupita D'Alessio That's the first music that I listened to. Not just at American Airlines Arena. and Rocio Durcal as both pop and banda songs. norteño, but mariachi. Mexican music runs The first single, "Basta Ya," a collaboration with through my veins. I loved it. Growing up, my legendary crooner Marco Antonio Solis, has father didn't allow us to listen to English music up a bit when my father opened his own record and I had separated. We liad been together since reached No. 24 on the Hot Latin Songs chart. at home. That's all I heard. I had no choice. store and eventually started his own record label. I was 15. Because of domestic violence and other

Rivera reflects candidly on her roller -coaster As I got older, banda started coming in and I issues in our relationship, I got the courage to ride to stardom, talking about her struggles started liking it. Do you remember your first performance leave him. When we split up, my friends picked along the way, the fears that come with touring We had our own music stands in the local in front of an audience? me up and took me to a nightclub called El Ran- border towns, the burning desire to be the Mex- swap meets. We sold cassette tapes at the time, The first time I got onstage was in 1993, a few cho Grande in Carson, Calif. ican- American Oprah Winfrey and why early and that's how we made a living. We stepped it months after the father of my first three children That's the night I discovered tequila. A sin-

Besides sharing the great honor of being your friend, I have seen how you have conquered your dreams and have faced life with your faith at heart. You have an exceptional and admirable capability of transmitting love, compassion, joy, and hope into peoples lives while asking nothing in return and for that I celebrate you.

Your #1 fan and friend,

Elena Jimenez

32 BILLBOARD DECEMBER 3, 2011 my dad wanted me to be an artist, I figured he still love it to this day. What better way to attract attention than already had a record label; maybe I could have to females? I am a female. I know all about access to the musicians and the studio. That's Did writing come easy to you? us. There are more females in the world than when I started recording. My inspiration is always what I think my fans men. I always thought that was the market to want to listen to. I often write about social prob- go after. Those are the buyers and the people It must have been tough to pursue a lems. If I'm not going through it or I haven't gone who understand me. That's why I continue to career as a single mom. through it, I want to make sure it touches some- write songs like that.

I had no choice but to work hard. I was a straight - one. That's what I base my music on. I'm really A student, went to college, and I loved business. I in touch with my fans. Through their emails, Are you a malandrina? never thought I was going to be a singer myself. It letters and stories is how I decide what music Always have been since I was in school. I'm the came accidentally. When I started getting called I'm going to perform. top malandrina! for events at local nightclubs, I'd leave the kids with

the babysitter and go work and make $100. All I In 1999, you switched from Sony to You scored your second hit with "Mi wanted to do was bring cheese, tortillas, beans Fonovisa /Universal. How was that Querida Socia" from the Latin Grammy and whatever else I could get for the refrigerator. change significant? Award -nominated album DejateAmar. Did It was very big. At that time Sony was very suc- it feel like you had arrived?

What challenges did you face at first? cessful and had a long list of artists that were I started playing more across the U.S. I thought, It's a male- dominated genre. It was hard knock- more successful than me, regional Mexicanmu- "I could do this for a bit longer." And then it just ing on those doors to get my music played. One sicians like my brother [Lupillo Rivera] and other snowballed from there and got bigger and bigger. radio programmer in L.A., the meanest son of artists that my father had licensed out to them. a bitch in the world, threw my CD in the trash I needed to get out of there and go somewhere In 2007, you sang about your crazy life in right in my face. I'm glad I went through that that I could get more attention. I gave Fonovisa the autobiographical album Mi Vida Loca. because it gave me the gas to keep on going. It the album Que Me Entieren Con la Banda [which That was more ofjenni telling her story through made me say, "One day, I'll prove to this guy contained the single "Las Malandrinas"], and music. My life has been so put out there by the that I can make it." they were the ones that marketed it. media that I figured I might as well put it out there myself, in my own words and through my gle mother that had never gone out before, in a When did you start writing your own music? "Las Malandrinas" became a huge hit. music. I wanted to clear up speculations about nightclub with tequila, wasn't a good mix. My I wrote my first corrido, "La Chacalosa," in "Malandrinas" means "bad girls," but not bad my private life. friends dared me to go onstage and sing. I was 1994. I was telling a story about a female drug in a negative way. I wrote it in homage to my a little tipsy and sang "Las Nieves de Enero" by dealer that learned the business from her fa- female fans. The type of girls that go clubbing, You've dealt with more than your share of Chalino Sanchez, who had passed away close ther. At that time, corridos were hardcore. I drink tequila and stand up for themselves. The drama. How has that shaped your career? to a year before. After I was done, all the other figured if I'm the only female that's going to song blew up. People became interested. That's I always try to put a positive spin [on it] no matter drunken people applauded me. I liked it. Since sing one, it's going to attract attention. People when Jenni Rivera the artist was actually born. how difficult the situation, criticism or scandal

"What is a hero, they are defined by their strength, goodwill and the legacy they leave behind. You have become a hero to your generation. A voice to the voiceless, a ray of hope to the those that are in the struggle."

It has been some journey, and we are only getting started!

Pete Salgado

DECEMBER 3, 2011 www.billboard.biz 33 Diva de La Banda! Te queremos, te apoyamos, y celebramos tu éxito.

Backstage boost: JENNI RIVERA (center) is feted before a Sept. 3 show at Los Angeles' Staples Center by (from left) AEG Live's RICK MUELLER, the Staple Center's CHRISTY BUTCHER, AEG Live's REBECA LEON, radio host PEPE GARZA and Liberman Broadcasting's EDDIE DE LEON and RAQUENELLE VILLARREAL.

may be. Why am I going through this? What that I can do is pray and ask God to give me have I done wrong? What have I done right? grace while I'm onstage and get me safely back How am I going to learn from it and how is my home. There's not much that I can do. I have following going to learn from it? It molded me my security team in Mexico, but otherwise as a woman to be able to put up with adversity. I'm pretty simple when it comes to traveling. Since my music and my onstage persona is 80% of the woman in me, then obviously it Simple? Isn't your nickname "la Diva de has to shape my career as well. I bring a lot of la Banda "? Yet you're always so down my life onto the stage. Something like "La Cha- to earth. calosa," which is fiction, would be part of the It depends on what you [think] the term "diva" 20% that doesn't apply to the reality of my life. means. To many people, diva means you're hard But everything else -my divorces, the sexual to please. To me a diva is someone that works abuse on my children, having to pay spousal hard to be at the top of her game. support-it shapes the woman, the artist and the music I'm going to perform. Speaking of that, you started producing your own work with 2008's Jenni. How Jenni, the performer, loves to drink te- did that change your career? quila and cuss onstage. Is that part of I've always chosen and controlled my own the act? music. I began producing in 2008 because People love to see that I'm as normal as they are. the day will come when Jenni will not want to They think that it's a big deal and an honor for record music, and I want to prove to future art- their artist to take a shot with them. As for the ists that I can produce them. I can be known cussing, I've tried to tone it down as much as I as a producer and be in the music industry in can, but when I do it, it's to make my audience that way. That's why I began doing it, so that laugh. But mainly it's to show that I am acces- the title was there and it was my production. sible. I am just like you. Not better. In 2009, you took a break from banda Speaking of fans, you've had a few run - and put out the ranchera album La ins with disrespectful audience members Gran Señora. and were arrested for hitting one with That was very daring, and it marked my career a microphone in 2008. Does your own in a positive way. I had been successful with reaction surprise you? banda for so long that people said, "Why do you Just because I'm 42 years old does not mean want to fix what's not broken ?" But I wanted to that I'm not going to make mistakes. We all grow. Believe it or not, banda is more limited. become upset when we're attacked in a nega- The people that listen to banda will listen to tive way, especially at work when you're trying mariachi ifthey find a good album that they feel to support your kids. I'm the first one to admit is worth buying, but there are certain nationali- that things can be done in a different way. ties that will listen to mariachi and not banda. Those were the people that I was going after. Is the banda audience a bit more rowdy? Commercializing a ranchera album is Our music is so passionate and heartfelt that it much harder. There had not been a success- goes line and line with alcohol. You listen to our ful female mariachi artist in a long time. It was concerts and take a couple of shots of tequila. a big risk, but it was a risk that I was willing to And alcohol makes everyone act differently. take. La Gran Señora ended up being the big- That's when some people go the other way and gest- selling [regional Mexican] album of 2010. instead of applauding, they do dumb things. You already had the blessing of ranchera You've played Juarez and other Mexican icon Vicente Fernandez. border towns plagued by violence. It has I have pictures ofhim carrying me when I was to be scary. 4 years old onstage at the Million Dollar The- Obviously, I've heard all the stories. A lot of my ater here in L.A. I'm such a fan of his. One day friends, colleagues in the business, have been [in 2007] I went to one of his concerts and he kidnapped or murdered or whatever. You do recognized me and asked me to sing with him. think anything can happen. The best thing He loved to watch me continued on »p36

34 BILLBOARD DECEMBER 3, 2011 Featuring all of the best offeenreo .ire / Videos, music, shows and a VIP Fan Club with ón g oin g exclusive `Behind the Scenes' content. . Family affair: JENNI RI ' Ais joined onstage by her brother LUPILLO RIVERA at the 2008 Latin Grammy Awards.

from »p34 sing while he smoked a ciga- I'm a communicator. I want to touch dif- rette and took a tequila shot. ferent subjects-relationship problems, so- The next day he was interviewed on a radio cial issues, immigration, gossip -whatever station here in L.A. and they asked him about people are going through. I want them to inviting me onstage, and he said, "I love the hear firsthand how I feel. Plus, I get to play way she sings. She is a complete artist all music and clear up gossip about myself. It around." When I heard those words I was goes by quickly. driving and had to park on the side of the We have a segment called "Que Haria freeway just to listen to this and cry. For him Jenni" -what would Jenni do in my situa- to support my music and always have some- tion? I have a forgiveness section. If there's thing positive to say, that's a blessing. somebody that you hurt, we can connect you to that person and smooth everything For your new album, the double CD out so that you guys can be friends, lovers, Joyas Prestadas, you're reinterpreting business associates or whatever. I want to anthems by '8Os singers like Rocio Ju- do positive things for my people. rado and Ednita Nazario, as both ballads and pop songs. What are your goals for You have so many different busi- this album? nesses- fragrances, jeans, sportswear, I listened to those songs as a teenager and cosmetics and soon hair products. Do never imagined I would be recording them you consider yourself more of a musi- one day. The plan with the banda is to keep cian or a businesswoman? the audience that I have now, but extend it I am more of a businesswoman. That's what with the pop. That's the goal: to reach my I've always been. Since I was a little girl, I'd people and acquire more. find something to sell to make some extra change, and that continues. Singing is my Is a crossover into the Anglo market part job. I will always be a businesswoman, but TLK Fusion & Partnering brands of the dream? not always an artist, a musician. Rivera on winning I don't know if I would be willing to struggle in Congratulate Jenni a general market and go mainstream. Before I Is there anything else you want to retire, I would like to do an English-language accomplish? country album. I love the storytelling in coun- I'm satisfied. I'm living a true Mexican-Amer- try songs. I think it goes hand in hand with ican dream. That's the story I want to tell BILLBOARD MEXICAN what I do now, but in another language. I love through my autobiography, which will hope- Gretchen Wilson. I'd probably pee my pants if fully be done soon. I want to inspire other MUSIC AWARDS I met Brad Paisley. Patsy Cline, Dolly Parton. human beings. I'm that type of chick. ARTIST THE YEAR It's a dream that didn't come easy. FEMALE OF It's not the first time you've men- I wasn'tbomwith a silver spoon in my mouth. tioned retiring. My parents were immigrants. They were preg- I'm a woman of goals and accomplishments. nant with me when they crossed the border I've accomplished a whole lot in my music illegally. I was the first one born in the United career. Now my heart is set on having a TV States. They came to this country to give my and radio show. I want to be able to talk to the brothers a better life and here they were preg- I My was very honest when TLI1 Pi IR I M people that love me and get paid for it. want nant with me. mom to be the Mexican -American Oprah Winfrey. she told me, "Mija, I tried all kinds of home That's what my goal has always been. remedies for you not to be born, but you were a survivor since then." When she told me that You're on your way. You recently I refused to exit her body that just gave me launched a four -hour radio program more power. I've been a survivor ever since I called "Contacto Directo Con Jenni Ri- was in my mother's womb -and I will con- vera." That's a lot of time to fill. tinue till the end.

36 BILLBOARD DECEMBER 3, 2011 THE NEW STYLE YOU GOTTA BELIEVE LIKE A ROCK COMES ALIVE COLD FRONT Korn, S ex team Hot Chelle F: s talks new "The Voice" artist Snow Patrol bows big for dubstep set even hotter cuiazctun, new music Frampton's solo debut in U.K., preps for U.S.

HIP-HOP BY KEITH MURPHY J Things Also Come Together to b Ahmir "" Thompson had finally reached affiliates , and P.O.R.N. -were subjected for the top of the charts." his breaking point. It was during an early-2011 re- endless rewrites in order to stay on topic. Indeed, when the eight -piece band released its 1993 jazz - cording session for the Roots' new album, undun, "I could actually put out an album called undun -rough draft," inflected independent debut, Organix, the group was an East when the drummer of the acclaimed Philadelphia Trotter says with a chuckle. "There were some good lyrics that Coast hip -hop aberration in the sample -heavy era of A Tribe hip -hop band stormed out of the troop's recording studio. At we thought of and wanted to contribute to the album, but it Called Quest, Gang Starr and the Wu -Tang Clan. Even with its issue? Thompson's meticulous percussive work on an early ver- would have strayed away from the overall topic. I submitted my fiery MC attack and Thompson's boom -bap production sensi- sion of the group's somber first single, "Make My," was rejected lyrics to Richard Nichols, the editor and executive producer of bilities, many observers considered the act a novelty. But after by his fellow members. Cue blow -up. this record, and he would manipulate my words so they would fit a run of critically acclaimed projects highlighted by 1995's Do

"I worked so hard on the drums alone for a month and I pre- into the concept. It was more of a challenge to stick to the script." You Want More ?!!! ? ?! (No. 22 on Billboard's Top R &B /Hip -Hop sented it and they just told me, 'Thumbs down, the usually af- Sticking to the script is something the Roots have largely Albums chart), 1996's (No. 21, Billboard 200), fable Thompson recalls. "And I'm like, `What ?' I instantly said, avoided throughout their 20 -year run. "The artistic freedom 1999's Things Fall Apart (No. 4, Billboard 200) and 2010's How 'I quit.' I left for three weeks. I didn't show up to the studio. I that we fought so hard for during our career has allowed us I Got Over (No. 6, Billboard 200), hip -hop's first official band went to the movies. I went out on DJ gigs. I'm telling the guys in to become a prestige act as opposed to just being a 'Hey, this more than survived. Through its continued success, the Roots the band, 'I'm not coming back ... fuck y'all.' But then I started is our third album' type group," Thompson says of his band's created an alternate rap universe that would go on to influence to think, `If [MC] Tariq [ "" Trotter] can write a improbable run. everyone from Common to the late J Dilla. verse 15 times in a row and not complain, I can do the same. " And the Roots are still rolling the dice. Thompson points to High -profile gigs backing icons like Jay -Z and Eminem, along Through the years Trotter has gained a reputation as the most the group's use of orchestral arrangements on undun, an idea with Thompson's production work for D'Angelo, , uncompromising Roots member. But like Thompson, he had he introduced to the band while he was collaborating with an Al Green and , further established the group's to leave his comfort zone throughout much of the recording for ensemble of classical musicians for an April performance at mainstream presence. Then, in 2008, NBC's "Late Night With undun, the Grammy Award -winning act's 13th set, due Dec. 6 the Philadelphia International Festival of the Arts. Jimmy Fallon" hired the Roots as the show's house band, a slot on Def Jam. For Trotter, writing within the parameters of a 10- "Most of the string players we used on this album were from that Thompson credits with making the group a dramatically song concept album that begins with the 1999 shooting death the same orchestra that I worked with on orchestral projects tighter outfit-a factor that he says can be heard on undun. of lead character Redford Stevens was an exercise in patience. like the `Philly -Paris Lockdown,"' he says. "I feel like we are at "Being on [ "Fallon "] has made us all better , better He says that everyone -including the album's roster of guest the point now where the label respects what we do and there's musicians and better producers," he says of the group. "I believe MCs, such as Mississippi rapper Big K.R.I.T. and longtime Roots not any pressure to get our music on `106 & Park' or beat out people will hear that dedication on the new album."

DECEMBER 3, 2011 www.billboard.biz I 37 ROAD stNve2K

Nostalgia, ultra. For real: M ETAL/ELECTRONICA BY KERRI MASON After postponing his first New York show two weeks ago due to illness (and de- buting new material onstage THE DUB FACTOR in London), Odd Future af- filiate and Def Jam crooner Korn teams with Skrillex and dives into dubstep -surfacing with a hybrid sound that stands tall Frank Ocean will return to Gotham to play two shows at Bowery Ballroom Nov. 27-28. Tickets from the can- celed gig will be honored on Nov. 27. "bring your family. and shit," Ocean wrote on his Tumblr. Maybe leave the kids at home? ... Assalamu alaikum: Yaslin Bey, for- merly known as Mos Def and currently in the middle of a North American swing with Talib Kweli as Black Star, will appear at Providence, R.I.'s Fete (sans Kweli) on Dec. 10, the day after performing alongside Bad Rabbits at Boston's Wilbur Theater. Black Star hits New York's Best Buy Theater on Dec. 3 and Los Angeles' Club Nokia on Dec.15 ... Satisfaction: New York entrepreneur/ impresario Michael Dorf (City Winery, Knitting Fac- tory) has announced that next year's Carnegie Hall All -Star Concert (March 13) to benefit music educa- tion will celebrate the 40th anniversary of the Rolling Stones' Hot Rocks: 1964- 1971. Confirmed performers include the Mountain Goats, Rosanne Cash, Carolina If you ask lead singer Jonathan Skrillex went from [singing lead in a Skrillex during his April 15 Coachella reached out to a host of other young Chocolate Drops and Steve Davis, Korn's foray into dubstep is hardcore] band like From First to Last set and posted the studio version as a dubstep acts: Canadian -born Excision, Earle. Net proceeds will go more natural than the band's metal- to doing what he's doing [today]." free, fan -only download on its Face - whose flinty, metallic sound seemed to such organizations as the head fans might realize -or admit. Korn's interest in bass music started book page four days later. a natural fit: former drum'n'bass pro- Pinwheel Project and the "We were dubstep before there was with Davis, a longtime DJ and student "At first we said, 'You want to give it ducers 12th Planet and Downlink; Center for Arts Education dubstep," Davis says. "Tempos at 140 of new sounds. "I've been a fan of elec- away? Really ?" Katsis recalls with a laugh. U.K. -born Feed Me, who released ... Memory lane: lndie -rock with half-time drums, huge bassed- tronic music since the beginning," In the end, the band's instincts his first full- length on MauStrap darlings Cloud Nothings hit out riffs. We used to bring out 120 Davis says. "When I first heard Skril- proved sound. According to Katsis, this year. the road in support of up- subwoofers and line them across the lex's stuff, I was blown away." Korn had about 4.5 million Face - "These kids are onto something coming third album Attack whole front of the stage, 60 subs per Earlier this year, Davis tried playing book fans before the track posted: completely innovative and new," Davis on Memory (Carpark, Jan. side. We were all about the bass." some guitar riffs over Skrillex tracks, It now has 7.3 million, and the num- says. "It's pure and awesome and un- 24). The jaunt kicks off Nov. Korn mines those roots on its 10th liked what he heard and got the rest ber keeps growing. "We have weekly derground and heavy and different, 24 at the Ten Eleven in San album, The Path of Totality (Dec. 2, of the band's bless- online meetings, not like stale-ass metal and rock'n'roll. Antonio and wraps April 7 at Roadrunner), enlisting the talents of ing. "That's when I 00 and when they I love them all, but the old -school met - Outland Live in Columbus, the aggressive electronic genre's top called Sonny, and "We were pull those stats up alheads are not open to change." Ohio, with a Jan. 26 stop at producers, from poster boy Skrillex he was like, 'Fuck on the screen it's Korn has sold more than 19 million New York's Studio at Web- (aka Sonny Moore) to Noisia, one of yeah," Davis says. dubstep before really impressive. albums in the United States, accord- ster Hall. A Classic Education its most respected experimental col- Some studio was You almost have to ing to Nielsen SoundScan, and even will support ... Everything in lectives, for an 11 -track set that signi- time with Skril- there do a double take," though Davis himself cites the poten- transit: After wrapping a five- fies more than an urgent new sound lex -meant more dubstep. We Roadrunner se- tial for backlash, he says that so far on week fall run, Jack's Man- for the almost 20-year -old band. The as an experiment nior director of the band's 13 -date tour-which kicked nequin will go global in early Path of Totality also stands as dubstep's than a formal were all about marketing Suzi off Nov. 3 in Boston -everyone is get- 2012 in support of its most first official smash -up with its obvious album session - the bass." Akyuz says. ting along. recent Warner Bros. release, cousin, hard rock. And if social media yielded three -JONATHAN DAVIS, "Obviously when "It's really cool to see glow sticks at People and Things. Stops in- tests are any indication, the kids are tracks, including we saw that hap- the show, to see dance music culture clude Australia's Soundwave more than ready for it. "Get Up!," which KORN pen, we said, 'What infiltrating and becoming one with the Festival and a handful of "Probably the most active young audi- Davis says took three -and -a -half hours should we do? Should we make an metal community," he says. "At the last dates in Japan. The run kicks ence out there is the dubstep audience, to write and record. The incendiary EP ?" Katsis says. "'We want to go in show, there was one mosh pit where off Jan.19 at the Pageant in just as Korn's was when they first came track blends Skrillex's loose, half -time this new direction and claim it for our they were moshing, and another with St. Louis. But first: "Jimmy on the scene," says Peter Katsis, the break beats and growling, stuttering own. It's struck a unique chord inside kids doing glow stick tricks. They were Kimmel Live!" on Dec. 2. Hey, band's manager since its self-titled 1994 bass sounds with Korn's moments of all of us, but how do we do it ?' The an- taking turns and shit. I think we've hey, hey! debut. "There's a reason why they're at- melody and Davis' own demon roar. swer ended up being a whole album." opened up a new style that both sides -Maggie Doherty tracted to each other; why a guy like The band premiered the song with Using Skrillex as a conduit, Korn are happy with."

38 BILLBOARD I DECEMBER 3, 2011 POP BY JILL MENZE Radio active Hot Chelle Rae heats up with sophomore set

Unlike many of today's young, upcoming ( "Daddy's Come Around," the Judds' "Love Can bands, Hot Chelle Rae wasn't hot on the Build a Bridge "); and bassist Ian Keaggy's father, Internet before it landed a deal. "One of Phil, is a Grammy Award -nominated guitarist. the main reasons we were getting turned down "We're songwriters, not just a band," Ryan Fol- [by labels] was because we didn't have enough lese says. "We grew up on the radio. We've al- Myspace friends," vocalist /guitarist Ryan Follese ways loved pop music. It's a genre we really love, says of the band's early days. "It was like, 'Oh, and we wanted to touch that same audience." you only have 30,000 Myspace friends. That's In addition to "Tonight Tonight" and second only 30,000 albums. I'm sorry.' We knew we single "I Like It Like That," which features New needed to get the attention of a label that didn't Boyz and is No. 25 on Billboard's Mainstream care about that." Top 40 airplay chart, the band fully explores To say that Sony's now- defunct Jive Records its pop potential on the 11 -track Whatever - didn't care about Internet buzz may be a stretch, tailor -made for a young demographic at radio. but in 2008 the label did see something in the Producer Emanuel Kiriakou (Clay Aiken, Back- then -unknown act, and it wasn't its Myspace street Boys), songwriter Evan "Kidd" Bogart (Be- friends. Three years later, Hot Chelle Rae is yoncé, Rihanna) and production /songwriting far from an online nobody. With the band's team S *A *M & Sluggo (Metro Station) contrib- sophomore set, Whatever, set to arrive Nov. 29 uted to the project. on RCA, the Nashville pop act has more than With radio already onboard, Hot Chelle Rae is 60,000 Twitter followers, 300,000 -plus likes on amping up its online presence: The video for "I Bob Seger, 66, certainly hasn't forgotten how to rock. Inducted into the Rock and Roll Hall Facebook, an American Music Award (AMA) Like it Like That" clocked more than 1 million of Fame in 2004, the Detroit icon is in the midst of his second North American tour this year. for new artist of the year and, perhaps most views in the three days following its Oct. 7 Vevo (The run wraps Dec. 30 in Las Vegas, with a make -up date in South Carolina on Jan.14.) His important, a hit. Released in March, lead single debut, and the group has been active on Spotify, just-released compilation, Ultimate Hits: Rock and Roll Never Forgets (Capitol), packs a ca- "Tonight Tonight" peaked at No. 7 on the Bill- with ad placement targeting specific playlists. reer- spanning collection of hits and rarities ( "Little Drummer Boy" from 1987's A Very Special board Hot 100 in August and has sold 2.3 mil- The band performed Nov. 20 during the Christmas) as well as covers of Tom Waits' "Downtown Train" and Little Richard's "Hey Hey lion copies, according to Nielsen SoundScan. AMAs' preshow (the broadcast's only live per- Hey Hey (Going Back to Birmingham)" onto two discs. And if all goes well, 2012 will bring a new The video has racked up more than 20 million formance) and picked up the Sprint new artist studio album, his first since 2006's Face the Promise (Capitol /EMI). views on YouTube. of the year award. TV appearances are also lined "'Tonight Tonight' was really all it took to up for "The Tonight Show With Jay Leno," "Late 1 It must be a trip to compile Ultimate 4 You recently entered the digital realm change the trajectory into something more Night With Jimmy Fallon," "Today" and "Live! Hits and realize just how much enduring after years of holding out. rapidly upwardly rising," says RCA VP of mar- With Regis and Kelly" during release week. On music you've made. It hasn't really changed anything for me because keting Dan Mackta, who has worked with the Dec. 9, Hot Chelle Rae will share a bill at New Well, you hope that's the case, but you really don't I've never owned an iPod. I don't download. My band since its 2009 Jive debut, Lovesick Electric York's Madison Square Garden with Lady Gaga, know. People choose to like what they like, and wife bought me an iPad and I never even picked (20,000 units, according to SoundScan). "We Pitbull, Kelly Clarkson, David Guetta and others, you can't control that, ever. What's amazing to it up -I gave it to my son. I'm old school. I go had slowly and steadily been building for three as part of WHTZ New York's Jingle Ball. The me still, is how much airplay we've gotten down out and buy CDs because I think the sound of years, and then we had a massive hit record over group will also open for Taylor Swift in March through the years. We've never really gone away, a CD is better than the sound of an MP3, and the summer. That changes the complexion of during her arena tour of Australia. "This is going and even the Beatles have gone away for stretches even over that I prefer the sound of vinyl. My things considerably." to be massive for them, and it's going to have of time. But we never seem to go off the radio. son and his friends are really into vinyl. They Formed in 2005, Hot Chelle Rae is no an echo effect around the world," Mackta says I'm very grateful for that. go down to my basement and break into my stranger to the industry. Follese and his brother of the tour. records all the time. Jamie (drums) are sons of songwriters Keith and Yet, the band sometimes still feels like an 2 You had a particularly fertile period Adrienne Follese (Tim McGraw's "Something unknown act. "Every time we play a show, my between Night Moves and The Distance, 5 What's the status of your next stu- Like That," Faith Hill's "The Way You Love brother Jamie still asks if we're sure people are maybe even Like a Rock. What were you dio album? Me "); lead guitarist /vocalist Nash Overstreet going to be here," Ryan says. "I don't know that taking back then? I've got six [songs] that I really, really like, is the son of singer /songwriter Paul Overstreet we'll ever fully believe it." [Laughs] I really don't know. That was an era- and I'd like to have six more that I feel that [from] '75 to '81 -when I was writing a lot of way about because then I don't have to use songs, even though I didn't have a whole lot of anything old and it'll all be fresh. That's why time to write. We were [performing] a lot more I want to stop [touring on Dec. 30], because than we are now, and I was recording, which there's nothing for me to do here in Michi- took much more time than it does now because I gan in winter -I'm going to try snowmobil- was like [Bruce] Springsteen -I was like a crazy ing this year, but I certainly don't ski -so man. I'd get in there and live in the studio, and I I can sit and write for three solid months, didn't know what I was doing, so it took me a long January through March. I should be able time. But I don't know why I wrote those songs to come up with something good in three in that time period. I don't know what was going months. Then come April, I'll record what through my mind. I was just busy. I've got, we'll put it out in the fall and then do another tour. 3 You've been nominated for the Songwrit- ers Hall of Fame. Is that a different kind of e You've made comments about coming honor than the Rock and Roll Hall of Fame? off the road for good after this tour. I'm very grateful because I really work hard on [Laughs] Well, we'll see. I take it tour by tour. I'll [songwriting]. I like to think that, like [Don] tell you on Dec. 31, because I don't know how Henley says, I leave a little blood on the page, my body's going to react. I could retire Jan. 1 and work really hard on my lyrics and chord in a heartbeat, but I never know. I'm 66. I don't changes and structures and everything. So it's know if I want to do this when I'm 67. But I still pretty heartening to get that nod. I have some love doing it, and I love the band we've got now. stiff competition, so we'll see what happens. So we'll see. -

DECEMBER 3, 2011 www.billboard.biz 39 ALI3LJ IVIS its 2005 namesake, the first BETTY WRIGHT & DAVID NAIL track here is a thudding rap - THE ROOTS The Sound of a Million rock blast called "Martyrial Betty Wright: The Movie Dreams Girl$," in which McCoy yowls, Producers: various Producers: F Liddell, Fred Durst -style, "I never felt S-Curve Records/Ms. B C. Ainlay, G. Worf so alone in a room full of peo- Records MCA Nashville ple!" Indeed, much of the curi- Release Date: Nov. 15 Release Date: Nov. 15 ously aggressive Chronicles Betty Wright ( "Clean Up Simply put, David Nail isn't one of us -at least he sounds designed to notify Woman ") uses the Roots to doesn't sound that way. Take, for instance, the fair -weather McCoy fans of return to her own roots in the stunning title cut on his latest album, The Sound the MC's roots on the Vans years that framed the disco era, of a Million Dreams. It could be argued that Warped tour. Unfortunately, a time when still had Nashville, or any other city, doesn't make music that's an exercise that seems messages and the beat was this great anymore. And that's just the tip of the more satisfying for him than danceable but varied. On her iceberg. Nail is a master storyteller, and this disc for us. The band fares better first album in a decade -and delivers with such tracks as "Half Mile Hill" and the in a handful of frothier cuts, in- the first to combine S -Curve eloquent "Songs for Sale," which features some cluding "Life Goes On," with with her Ms. B imprint -Wright spellbinding harmony from the always -great Lee Danish electro -pop singer Oh sings mostly about troubled Ann Womack. He turns up the tempo on the frisky Land, and lead single "Stereo romance after opening the set "Grandpa's Farm" and the Keith Urban -written Hearts," featuring 's with reminiscenceabout peers "Desiree." But Nail is at his best when he slows Adam Levine. In those mo- from her hit -making days. Rap- down and releases that Mississippi River -drenched ments the Heroes remind that pers Lil Wayne, Snoop Dogg bluesy voice, which he does time and again on before "Billionaire" they had and Robert "the Messenger" cuts like "Catch You While I Can" and the beautiful their own top 40 hit with "Cu- Bozeman provide guest spots; "Catherine," written about his wife. Nail is an artist pid's Chokehold. " -MW Lenny Williams hollersthrough that many in Nashville have been cheering on for a the duet "Baby Come Back "; long time, and listening to The Sound of a Million and Joss Stone, who Wright Dreams makes you realize why. CD SHAILA DURCAL mentored early in the British Asi singer's career, glides through Producers: Shaila Durcal, the smooth "Whisper in the a similar fashion -the groove year of independence with reggae smash "Billionaire," Dorio Ferreira Wind." Throughout the album and sentiment of the mid -'70s his eighth album, Mister Nice GYM CLASS might've EMI Music/Capitol Latin the Roots provide a churning combined with contemporary Guy. A singer/songwriter/ HEROES been expected to pursue a Release Date: Nov. 1 backdrop of funky rhythm gui- brashness. -PG producer who charted a top The Papercut Chronicles Il similarly lightweight vibe To understand Spanish singer tar and rolling drums. Vocally 40 Billboard single, "The Producers: various on The Papercut Chronicles Shaila Durcal, one must note strong, Wright shines bright- ERIC ROBERSON Moon," as a Warner Bros. Fueled by Ramen / /," the New York alt -rap that she grew up in show busi- est on songs that reflect past Mister Nice Guy artist in 1994, Roberson has Release Date: Nov. 15 combo's first album since ness as the daughter of the musical styles. "In the Middle Producers: various since written or collabo- Given the success that front - 2008's . Yet follow- late Rocio Durcal, the legend- of the Game (Don't Change Blue Erro Soul/Purpose rated vocally with Jill Scott man Travie McCoy had on his ing a computer -voice intro ary chanteuse who had a loyal the Play)" taps the Philly soul Music Group /eOne and Musiq Soulchild, among own last year with his pop- that links the new record to following in the millions, espe- and adds a sensually perco- Release Date: Nov. 8 others. But the two -time cially in Mexico and the United lating disco beat. And "Look Eric Roberson, aka the king of Grammy Award nominee still CHILDISH CIMBIna States. At 32, Shaila Durcal re- Around (Be a Man)" works in indie soul, ushers in his 10th regales as a solo artist. On CHILDISH GAMBINO leases her fifth studio set, Asi. this 15 -track set, Roberson Camp Although she always credits polishes his key creative tal- Producers: Donald Glover, Ludwig her mother for guiding her HOT CHELLE RAE ents- smooth, pliable tenor; Göransson through the nuances of the Whatever storyteller lyrics; and sump- Glassnote Records business, it's Durcal's own Producers: various tuous rhythms -to a lustrous Release Date: Nov 15 musical path and impressive RCA Records sheen. Beginning with the When it comes to his dual identity vocal range that makes her Release Date: Nov. 29 opening title track, Mister as a respected underground rapper and the star of a latest project a gift to her fans Nashville pop -rock group Hot Chelle Nice Guy brims with fun, prime -time sitcom, Donald Glover occupies a lane all his and an undeniable contribu- Rae has friends in high places. Singer Ryan Follese and lighthearted grooves laced own. (Let's just say Will Smith wouldn't have blown up the tion to the regional Mexican drummer Jamie Follese are the sons of country songwriter with lyrics that cover every- blogs if they'd existed during "The Fresh Prince of Bel- Air. ") genre. The album features Keith Follese, while guitarist Nash Overstreet's older thing from lovers- turned- Speaking strictly musically, though, Glover -known to TV 11 tracks with two of those brother, Chord, stars on "Glee." And on Whatever, its strangers (on the staccato - viewers from his role on NBC's just-shelved "Community"- songs, "Convenceme" and sophomore disc, Hot Chelle Rae gets an assist from Demi rhythmed "Strangers ") to has much more company: On Camp, his first commercial "El Dia Que Me Fui" in banda Lovato in "Why Don't You Love Me," a midtempo power resisting a woman's tempt- release under the name Childish Gambino, Glover offers up style -the brass -based form ballad not unlike Lovato and Joe Jonas' duet from "Camp ing advances ( "Shake Her a series of moody, introspective emo -rap jams that share of traditional Mexican music. Rock." (Los Angeles teen -rap also -rans New Boyz turn up, Hand "). Atmospheric lead quite a bit with the self- interrogating work of Drake and Another standout is the soul- too, in opener "I Like It Like That " -though they're probably single /love song "Picture Kanye West. His first words on the album, delivered over ful "Tanto Amor," about the benefiting more from the collab than Hot Chelle Rae is.) Perfect," featuring Phonte woozy vocal harmonies that sound sampled from a Grizzly aftermath of breaking up. The

You can hear the result of all those showbiz connections in of the Foreign Exchange, Bear record: "I used to dream every night /Now I never album, arranged by Jose Her-

the radio -ready economy of high -sheen hook bombs like and "How Would I Feel" with dream at all." Camp's familiarity doesn't necessarily detract nandez (director of Mariachi "Keep You With Me" and "Tonight Tonight," the latter of Jean Baylor call to mind Ste- from its quality. Glover raps with an affecting tension in Sol de Mexico), gives Durcal which reached No. 7 on the Billboard Hot 100 earlier this vie Wonder in his '70s /'80s his voice, and the punch lines in tunes like "Bonfire" and a platform to shine on and re- year. Put it this way: The guys of Hot Chelle Rae probably heyday. The bottom line: In "Backpackers" hit as hard as you'd expect from a former minds us that while the road is aren't lacking for people willing to tell them to hurry up and an increasingly Auto -Tuned, writer on "30 Rock." But it's easy to imagine who populated sometimes shared, she stands get to the chorus. -10,V phone -it -in world, Roberson those long -lost dreams.--"114./ prominently on her own in a is an original. -GM well- deserved spotlight. -JÁ

40 BILLBOARD DECEMBER 3, 2011 i VI i SING LES

on a mixtape interlude. The PARTr MAC MILLER dramatic character shift and Party on Fifth Ave. (2:53) the steely No I.D. beat touch ON FIFTH Producer: ID Labs upon a street -level populist , /MAC Writers: various appeal. The switch -up isn't MILER Publishers: various entirely convincing given Rostrum Common's reputation as the On Oct. 27, the video for Mac Miller's "Party on Fifth Ave" conscientious rapper, but of hit YouTube. To date, the clip has garnered more than all the genre archetypes he INGRID 1.7 million views, and for good reason: The clip perfectly could've embodied, "street MICHAELSON encompasses the song's old- school, carefree vibe, as Miller corner philosopher" is prob- Ghost (3:28) and his crew, dressed as senior citizens in wigs and canes, ably the most fun. -EN Producer: David Kahne zoom around the neighborhood on motorized scooters. Writer: I. Michaelson Take the visuals away, however, and the track, featured on COUNTRY Publisher: Cabin 24 Miller's Blue Slide Park, loses some of its groove. Miller's WADE BOWEN Records (ASCAP) isolated rhymes aren't as slick or excited as they seem Saturday Night (3:29) Cabin 24 Records /Mom + when watching the rapper and his friends scoot down the Producer: Justin Niebank Pop Music street. The "Fifth Ave." video is a dance monger, but the Writers: W Bowen, L.T. There's a whisper of Little song alone is less vibrant -it wants for audible raucousness, Miller Earthquakes -era Tori some "outdoor voices." Even the tempo could be hiked up Publishers: House of Sea Amos in "Ghost,' the ach- a notch. This is a party, after all -fight for it! -DM Gayle Music/Sparks to ing first single from Ingrid Strings Music (ASCAP), Michaelson's upcoming Writers of Sea Gayle Music/ Human Again, and as the HIP -HOP "Sweet," the latest single from Itchy Baby Music (BMI) singer seeks songwriting maturity, the darker shade suits her well. Michaelson has said that COMMON The Dreamer, The Believer, Sea Gayle/BNA Records her latest full -length captures "a really dark time" for her, and "Ghost" appears to attack the Sweet (3:38) however, the Chicago rapper Wade Bowen, one of Texas' notion that she can only pen adorable love songs. "I'm a ghost /Haunting these halls /Climbing

Producer: No I.D. breaks character, eschew- brightest stars, has released a up walls that I never knew were there," she wails, sounding defeated and determined to share Writers: L. Lynn, E. Wilson, ing the cloud -gazing wisdom single that sounds a bit more her tale of woe. Michaelson's lyrics are at times too straightforward, but with its muted elec- D. Burton, H. Kelley that has become his wont in akin to mainstream country tric guitar, emotional strings and subtle percussion, "Ghost" includes a haunting atmosphere Publishers: Think Common favor of glowering boasts and than a lot of music coming out that abets her words without overpowering them. Michaelson has long been a talented artist Music (BMI)/Chrysalis references to Air Jordans. "I of the Lone Star State. That's without an immediate persona. With "Ghost," she may have found the key to becoming a Music/Let the Story Begin rhyme for the commoners/ not exactly a bad thing, as "Sat- fully formed star, -JL Publishing (ASCAP)/Iza My name synonymous with urday Night" has natural flow Music (BMI) administered by prominence /I'm to hip -hop that could pay off on country Clyde Otis Music Group what Obama is to politics," radio. His vocals sound remi- and earthy feel ring true. "Why sings. After many years of suc- first to feature guitarist Josh Think Common Music/ he raps gleefully. When he's niscent of Richie McDonald of does everybody love Saturday cess in the Texas scene, Bowen Klinghoffer. Album opener Warner Bros. not rhyming, Common care- Lonestarand invite the listener night /Stale smell of beer and seems ready to take things to "Monarchy of Roses" is a tes- During his nearlytwo- decade- lessly drops insults as if he's in, while the tempo of the song the smoke in your eyes," he another level, and "Saturday tament to such a genesis, but long career, Common has ven- Night," the first single from his the transition to an evolved tured into classic East Coast forthcoming album, appears sound isn't quite complete. rap, neo -soul and pop. On to have all the ingredients for a The absence of former guitar- breakout hit. -CD ist John Frusciante's playful trills are the first noticeable ROCK aspect of "Monarchy," while RED HOT CHILI Anthony Kiedis chimes in with PEPPERS distorted vocals, denying lis- Monarchy of Roses (4:11) teners the chance to decipher Producer: Rick Rubin his storytelling and effort- Writers: Red Hot Chili lessly bright tenor. Eventually Peppers the song kicks into gear with Publishers: Wagging Dog a disco -thump bassline from Brightside (4:30) Tail Music (BMI), Earl Grey Flea, but ultimately, "Monar- Producers: The Knocks, Songs (ASCAP) chy" represents a mixed bag Victor Van Vugt Warner Bros. of new ideas. Like any veteran Writers: B. Ruttner, J. Red Hot Chili Peppers have band, the Chili Peppers are ex- Patterson, D. Barbelivien embarked on something periencing growing pains, and Publishers: Avenue C new with I'm With You, their these "Roses" prick as much as Music/WB Music (ASCAP) 10th studio album and the they please. -MD A &M/Octone Records New York-based production II 101 MZ.X.1t1II 141- duo the Knocks have been building buzz with produc- EDITED BY MITCHELL PETERS All albums commercially avail- (ALBUMS) AND JASON able in the United States are eli- tion work and for everyone from Ellie Goulding to cussion groove, stabbing synths, a wandering female vocalist LIPSHUTZ (SINGLES) gible. Send album review copies to Mitchell Peters at Billboard, to Rihanna. Now, Ben "DJ B -Roc" Ruttner to add a bit of texture and a hands -in- the -air hook tying it all CONTRIBUTORS: Justino Águila, 5700 Wilshire Blvd., Suite 500, and James "JPatt" Patterson have stepped out from behind together. Unfortunately, the formula and overall ingenuity of Jon Blistein, Chuck Dauphin, Los Angeles, CA 90036 and Michael Depland, Phil Gallo, the curtain to deliver "Brightside," the first single from their "Brightside" leaves something to be desired. The Knocks have singles review copies to Jason Jason Lipshutz, Devon Maloney, Lipshutz at Billboard, 770 upcoming Magic EP. It's a dance cut that manages to hit most proved they can craft dancefloor bangers, but "Brightside" Gail Mitchell, Evan Nabavian, Broadway, Seventh Floor, New Mikael Wood genre tropes, with verses building to chorus drops, a funky per- likely wouldn't stand in a DJ's set during an all -night rager. York, NY 10003, or to the writers in the appropriate bureaus.

I DECEMBER 3, 2011 www.billboard.biz I 41 THE RIGHT STUFF When country chart newcomers turn into leading men right off the bat

Brantley Gilbert becomes the 10th solo male artist "Storm Warning" rises 22 -20. The list includes to reach No. 1 with his first appearance on Bill- Casey James (No. 38), Andy Gibson (No. 44), board's Hot Country Songs chart in the Nielsen Brent Anderson (No. 52), Wade Bowen (No. 54) BDS era (since January 1990), as "Country Must and Eric Paslay (No. 56). -Wade Jessen Be Country Wide" jumps 3 -1. The track is from Gilbert's second album, Halfway to Heaven, which has sold more than 303,000 copies, according to Nielsen SoundScan. Traditional country stylist Joe Diffie became the first to accomplish the feat when his senti- mental debut single, "Home," reached the sum- mit in the fall of 1990. Not surprisingly, the only years represented by more than one such artist are 1992 and 1993, when the early -'90s country music boom was at its zenith (see graph, below) - mullet- wearing Billy Ray Cyrus ( "Achy Breaky COUNTRY BY PHIL GALLO Heart ") and vocally potent neo- traditionalist Tracy Lawrence ( "Sticks & Stones ") wore the crown in 1992, followed by cowboy- hatted sing-

ers Toby Keith ( "Should've Been a Cowboy ") and Reality Shows & Clay Walker ( "What's It to You") in 1993. The longest gap between two such achievements was the seven years between Blake Shelton's "Aus- Heartbreak tin" in 2001 and Darius Rucker's "Don't Think I Don't Think About It" in 2008. The latter is in- NBC "The Voice" contestant Dia Frampton cluded on the list because Rucker didn't have any gets raw and personal on solo debut previously charted titles on Hot Country Songs as a soloist or with Hootie & the Blowfish. During one of his first promotional gigs office of Reveille Productions. "I felt very There are six such rookie artists climbing Hot for the second season of NBC's "The alone on this record. On our last [Meg & Dia] Country Songs (see chart, page 53), the highest Voice," Blake Shelton couldn't stop record, we were stuck in this little cabin shar- rank among those held by Hunter Hayes, whose talking about the effect that his charges, Dia ing bedrooms, just the five of us. The guitar Frampton and Xenia, had on him in season amps were in the living room. Date Single Hit No.1 Title Artist OnHot(ountrySongs one. His job was to mentor a singer -it turned "This time I didn't have Meg to ask, 'Do you out to be Frampton -to the finals to compete think this is a good idea? Is this line stupid ?' "Home" Joe Diffie 11/10/90 against three others. But along the way he ex- I don't trust other people as much. I had writ- "Achy Breaky Heart" Billy Ray Cyrus 5/30/92 perienced an artistic reawakening. "Xenia and ten about 40 songs and lost my perspective, so "Sticks & Stones" Tracy Lawrence 1/25/92 Dia rejuvenated me ... maybe that's why I got I called her and said, 'I don't have fresh ears. "Should've Been a Cowboy" Toby Keith 6/5/93 so attached to those two," he said in October. I want you to come out here and be a part of "What's It to You" Clay Walker 10/16/93 "They made me feel alive again." the record. " "What Mattered Most" Ty Herndon 5/27/95 Following a tour on which the two opened Meg traveled to Los Angeles and the sisters "Austin" Blake Shelton 8/11/01 shows for the country singer, Shelton has con- wrote eight songs together, their first -ever col- "Don't Think I Don't Think About It" Darius Rucker 10/4/08 tinued working with Frampton, recording a laborations. One of them, "Hearts Out to Dry," "A Little More Country Than That" Easton Corbin 4/3/10 track on her debut solo album and booking appears on the iTunes version of the album. "Country Must Be Country Wide" Brantley Gilbert 12/3/11 her as an opening act on a tour that begins in "The others sucked," Frampton says. February just as "The Voice" returns. Travel- While collaborating with such songwrit- ing with Shelton will put Frampton on bigger ers and producers as Isabella Summers of Life (briefly) at rest: ELI YOUNG BAND stages than she has played with her sister in the Florence & the Machine, Tom Shapiro, Kid act Meg & Dia and in front of country audiences Cudi, Toby Gad, of Foster the she only saw after appearing on "The Voice." People and Eg White, Frampton was the lyri- This is a singer who, after winning a Myspace cist "90% -100% of the time." That also led to contest, had to duck flying objects while play- the extremely personal nature of the songs ing three separate Vans Warped tours. told directly from a first -person point of view.

"The country crowd is not so self-con- Frampton performed two of those ripped - scious, a little more family, more commu- from- the -heart tunes, "Daniel" and "Tra- nity," Frampton says. "I'm excited to be in peze," at Reveille, which NBC.com filmed and that world. Everybody in my band is so ex- will include in an online series to promote cited. All five of us will be backstage every "The Voice" in February. "Daniel" was writ- night watching and learning." ten about a boyfriend she broke up with just Red, Frampton's debut, arrives Dec. 6 on prior to "The Voice" and after Warner Bros. Universal Republic. She says the album is far had dropped Meg & Dia; "Trapeze" followed more upbeat than Meg & Dia's three albums a friend's disclosure of a horrific childhood and four EPs, owing to her collaborations that he remarkably had kept hidden. with other writers in Los Angeles, Nashville Regarding the song "Daniel," Frampton and London. Without her older sister to split says, "I didn't even change the name. It's re- writer duties-"We don't work together; she ally strange when you're getting so emotional. writes her songs and I write mine "- Framp- While I was cutting the vocals, I was thinking ton found the experience different from what about all the things we could have had. The vocal she expected. [on the album] is the very first demo. Toby Gad "This record is very personal, almost un- said there's no emotion like the first one. When comfortable," the 24- year -old artist says after I wrote it, it had only been a week after we broke doing a promotional concert at the Hollywood up. So we kept that raw vocal track."

42 BILLBOARD DECEMBER 3, 2011 ALL `HEART' Niche artist Jonathan Coulton debuts at No. 1 on Heatseekers following physical release of album

For his new album, Brooklyn -based musician Jonathan Coulton called in a little help from his friends. The result? Artificial Heart, his eighth studio album (and first since 2006) and the first produced by someone other than himself. With They Might Be Giants' John Flansburgh at the Still hot on the trail: helm, the 18 -track set debuted atop SNOW PATROL Billboard's Nov. 26 Heatseekers chart and at No.125 on the Billboard ROCK BY RICHARD SMIRKE 80,000, according to the Official Charts Co. Fallen second single, "This Isn't Everything You Are," has 200, selling 5,000 copies, accord- Empires is the band's fifth top five album and fol- since been added to Radio l's A -list. ing to Nielsen SoundScan. The feat lows 2008's A Hundred Million Suns, which has sold "We're in a pop market, and getting anything with was largely thanks to Coulton's fan 500,000, according to the OCC. Fallen Empires also a guitar on the radio these days is literally like run- base and a tiered -pricing system that debuted at No. 1 in the Netherlands and Ireland. ning up a hill in treacle," says Chancellor, who cites drove anticipation for the release. Since forming in Scotland in the mid -'90s, TV appearances on "The Graham Norton Show," "Jonathan has a great personable White Snow Patrol -Lightbody, guitarist Nathan Con- "Later ... With Jools Holland" and the BBC 1 broad- side that comes across very clearly nolly, bassist Paul Wilson, drummer Jonny Quinn cast "Children in Need Rocks Manchester" charity to anyone that hears his songs, sees and keyboardist Tom Simpson -has sold more concert with further driving sales. The band also him play or chats with him," says Girlie than 11 million albums, according to its label. The performed a free outdoor show in Belfast, North- Media director of label services Kevin Hot group's best -selling album in the United States is ern Ireland, on Nov. 6 for 15,000 fans as part of the Wortis, who represents Coulton. Snow Patrol's sixth album 2006's Eyes Open, which has moved 1.3 million MTV European Music Awards. "It's the best TV plot "When he got his CD made and asked makes strong U.K. debut copies, according to Nielsen SoundScan. A Hun- we've ever had in the history of the band," he says. his fans to buy it from him, they did. to set up U.S. push dred Million Suns peaked at No. 9 on the Billboard TV will also play a big role in the forthcoming U.S. And sales will continue." 200 and has sold 210,000. push. Snow Patrol is booked to play "Late Show With Through his site JonathanCoulton. Snow Patrol has come a long way in recent years. "I feel like they've realized their potential on David Letterman" on Jan. 9 with Fallen Empires - corn, he offered fans the option to A good measure ofjusthow far? The company this record," Fiction Records managing director which features guest contributions from U.S. folk buy one of several packages -$10 that the Irish /Scottish five -piece now keeps. Jim Chancellor says. "Gary summed it up when he singer Lissie, Queens of the Stone Age guitarist Troy for a digital download; $15 for digital When singer Gary Lightbody was suffering from said that they've grasped their inner dance mon- Van Leeuwen and the L.A. Inner City Mass Gospel download and a signed CD; $40 for writer's block last year, for instance, he called up key. There's a lot more groove to the tunes. There's Choir-set to make its North American bow on Jan. digital download, signed CD, poster R.E.M.'s Michael Stipe for advice. Not a bad phone a couple of big songs instead of just one. There's 10 through Island Def Jam. and T- shirt; and $100 for "The Big friend for a band once virtually unknown outside the dancey songs, uptempo rock tracks ... it's just a "Called Out in the Dark" has been serviced to triple Package of Everything," which fea- United Kingdom. Stipe's tutoring had the desired ef- really great palate." A radio ahead of the band traveling to the States in tured everything in the $40 package, fect, providing the creative catalyst for Snow Patrol's Chancellor credits radio support from national December for promotion. A U.K. and Ireland tour plus more music and other items. sixth studio set, Fallen Empires. top 40 station BBC Radio 1 in building a strong will commence Jan. 20 at Dublin's 02 Arena, booked According to Wortis, 1,000 people Recorded in Los Angeles with longtime producer U.K. launch platform. Lead single "Called Out in by London -based X-Ray Touring. The 17-date trek bought the $100 bundle. The project Garret "Jacknife" Lee, the 14 -track set arrived Nov. the Dark" was playlisted on Radio l's A -list (plac- includes two nights at London's 17,000- capacity 02 is now available on iTunes, Amazon 14 on Fiction Records /Universal and debuted at No. ing the track in regular daily rotation) and debuted Arena, followed by a monthlong run of European and Spotify, among other outlets. 3 on the U.K. albums chart with first-week sales of at No. 11 on the U.K. singles chart in September. A dates. U.S. live plans are to be announced. "One reason I've been able to make

this work financially is that I have a very direct relationship with my fans," apparent to see the very real con- official video." says Coulton, who released debut nection happening between the ITunes has also propelled the album Smoking Monkey in 2003, and `CRAZY' GOOD success. "The positioning is best -known for his "Thing a Week" Eli Young Band, country radio and band's Eli Young Band scores first No. 1, country music fans." allowed the band an opportunity series and his work in gaming. (His as `Life at Best' gets even better Eli, guitarist James Young, drum- to not only be top of mind with the song "Want You Gone" appeared in mer Chris Thompson and bassist Jon country consumer, but for all genres "Portal 2. ") According to NPR.org, "It's been a long, yet short road for us," group's best opening week to date. Jones formed the group while they in the digital space, you couldn't miss Coulton cleared $500,000 in music Eli Young Band vocalist Mike Eli says. "We basically took everything were students at North Texas State them on the site, which translated revenue in 2010. "Time flies by and before you know it that EYB had built, reintroduced University. They toured extensively into purchases," Rich says. "Lever- "It very much feels like my career you're a band for 10 years. The first five them to radio and built more on top and released three indie albums be- aging the single sales, we were able is something that we all created to- years our focus was on finishing col- of that," Republic Nashville presi- fore gaining a national platform. But to provide the key indicator informa- gether," Coulton says. "My fans have lege and the band was a hobby. Then dent Jimmy Harnen says. it's "Crazy Girl" that's proved to be a tion to physical retail to enable them done a ton of the heavy lifting, and I'll it turned into this career." The band's previous album, game- changer. to make an educated decision to always be grateful for that." The week of Nov.19, the Eli Young 2008's Jet Black & Jealous, arrived "The strongest driver is the song bring in enough stock to cover our -Jeff Benjamin Band celebrated a career milestone on Universal South, peaked at No. itself ... [it] expanded their consumer street week effectively." with its first No.1, "Crazy Girl," which 30 on the Billboard 200 (No. 5, Top base," Big Machine Label Group VP of The momentum continues with For real: topped Billboard's Hot Country Country Albums) and spawned the sales, marketing and interactive Kelly new single "Even If It Breaks Your JONATHAN'?'- COULTON jl Songs chart after 38 weeks. It's the singles "When It Rains" (No. 34, Hot Rich says. "We have run targeted pro- Heart," co-written by Will Hoge, who lead single from the band's fifth Country Songs) and "Always the motions through [the band's] website released it in 2009. "It already had album and second in the Universal Love Songs" (No. 11, Hot Country and social networks that not only got this cult following before we even Music Group family, Life at Best. Songs; No. 69, Billboard Hot 100). the fans excited but engaged them to recorded it," Eli says, adding that The set arrived Aug.16 on Republic Republic Nashville picked up the participate in spreading the word. By the band was drawn to it because it Nashville and debuted at No. 6 on band earlier this year. empowering their fans to participate felt "autobiographical ": "It's a song the Billboard 200 (No. 3, Top Coun- "Our journey began last Janu- and create their own videos, they about dreamers, and we've been try Albums) with 35,000 sold, ac- ary in a rental van visiting country then took ownership in the visibility dreaming about doing this our whole cording to Nielsen SoundScan, the radio," Harnen says. "It was wildly campaigns around the release of the lives." -Deborah Evans Price BiIIbearl. CONNECT WITH THE MUSIC INDUSTRY'S MOST IMPORTANT DECISION MAKERS MARKETPLACE

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44 BILLBOARD DECEMBER 3, 2011 A WEEKLY ROUNDUP OF NOTABLE CHART 4s111111 ACHIEVEMENTS

Drake's No. 1 As Holiday Season Begins In Earnest As expected, Drake nets the third - new Bob Seger hits package and Big riod." Meaning: Basically every single ing its release on Dec. 22. Immortal is largest sales week of 2011 for an Time Rush's possibly big Elevate.) she releases is a smash. (See also: Ma- a quasi- greatest hits set, in the style of album, as Take Care debuts at No. 1 Rather amazingly, Rihanna has yet donna from 1984 to 1992 and Mariah the Beatles' Cirque- presented Love, on the Billboard 200, selling 631,000 to score a No. 1 album in her prolific - Carey circa 1990 -99.) Intriguingly, where the King of Pop's biggest singles copies in its first week, according to yet still young- career. Her new Talk RiRi's imperial reign still isn't quite po- are mashed up into medleys. Sources Nielsen SoundScan. That Talk is her sixth studio set in a tent enough to land her a No. l album. say Immortal is off to a less- than -royal IIIII The only two sets to sell more in a little more than six years So, what about that start and may only sell around 50,000. Adele's 27 spends its 39th week week this year were Lady Gaga's Born and seems certain to also Nickelback? The rock Jackson's last release, the posthumous in the top five on the Billboard Over The This Way debut (1.1 million) and Lil be her sixth top 10 effort. band's seventh studio studio album Michael, sold 228,000 in 200, setting a record for the most weeks an album has stayed in Wayne's Tha CarterlVstart (964,000). But early word from Coun ter set, Here and Now, might its first week (No. 3) last December, the top five since its in the debut Take Care is Drake's second chart - industry prognostica- KEITH take the top slot next while the Beatles' Love shifted 272,000 chart's 55 -year history. It surpasseg CAULFIEL D Michael Jackson's Bad, which topper, following 2010's Thank Me tors suggests Rihanna week-if Bublé doesn't when it started at No. 4 in 2006. racked 38 straight frames in the Later, which launched with 447,000. could be denied yet stand in its way. Nickel - Don't forget about Daughtry's Break top five following its bow at No.1 another No. 1, as Talk back has had three pre- the Spell, Swift's Speak Now World Tour on Sept -27,1987. might take either the vious efforts start in Live CD /DVD package and Big Time No. 2 or No. 3 slot, be- the tally's top two slots, Rush's Elevate. The lattermost set could Andrea Bocelli's Concerto: one No. 1: surprise everyone with a start that ex- One Night in Central Park debuts hind either (or both) including

at No. 1 on Classical Crossover Nickelback's new Here and Now or 2005's All the Right Reasons. Its last ceeds 100,000. But we'll get back to you Albums (87,000 sold, according Michael Bublé's Christmas. album, 2008's Dark Horse, bowed at on that after Black Friday ... to Nielsen SoundScan), marking his eighth topper on the tally. It Despite Rihanna's staggering suc- No. 2 with 326,000. Its big first week extends his lead as the artist with cess with singles on the Billboard Hot was aided by its hit lead single, "Gotta GOOD WORKS: The latest release in he most No. is in the list's 18- 100 (ii No. is and counting), she's Be Somebody," which reached No. 10 KTCZ Minneapolis' annual charity ear histo never gone higher than No. 2 on the on the Hot 100. compilation, Sampler 23: Live From Billboard 200 (with 2007's Good Girl Wild cards in the mix next week in- Studio C, takes a bow at No. 12 on the Gone Bad). Her best sales week for clude Blige's My Life II: The Journey Billboard 200, shifting 33,000 cop- an album was for 2010's Loud, which Continues, Act I (say that five times fast) ies. Since 1989, the series has raised shifted 207,000 in its premiere frame and Jackson's Immortal, the compan- nearly $9 million for local charities. at No. 3. ion piece to Cirque du Soleil's touring This year, according to KTCZ, the While Rihanna's popularity is ar- production about the entertainer. Target -exclusive set sold out on its 'TALK' OF A NO. 1:The star -filled Nov. guably at its peak, it's not translating Since 1997, all of Blige's studio al- first day of release. Only 33,000 CD 21 release schedule provided an em- into massive first -week album sales. bums have debuted at either Nos. 1 or 2 copies of Sampler 23 were available, barrassment of riches for music fans. In the past year alone, she's scored on the Billboard 200. Can her new My and all of them had sold out on their Among the acts new al- four No. is on Hot 100, includ- Life II continue the streak? Doubtful, Nov. 17 street date. Why were only For the first time, Frank that dropped the Sinatra's greatest hits from his bums that day: Rihanna, Nickelback, ing "We Found Love," the lead single with Nickelback, Bublé and Rihanna 33,000 made? That's the maximum tenures with Capitol and Reprise Daughtry, Mary J. Blige, Michael from Talk. in her way. But we hear a top five bow number that could be manufactured Records are collected on one gra- album: The 23 -song The Best of Jackson and Taylor Swift. And that's A manager friend of mine, David is doable. Blige's last set, 2009's Stron- because of publishing and label the Best debuts at No. 23 on the just the tip of the iceberg. (Don't forget Russell at ie:music, calls this stage ger With Each Tear, landed at No. 2 tis licensing restrictions for charity Billboard 200 (26,000 copies,- Lady Gaga's second remix album, a of Rihanna's career her "imperial pe- with 330,000 in its first week, follow- CD efforts.

I VI a rice ` Watch`ch A Weekly National Music Sales Report For week ending Nov. 20. 2011. Figures are rounded. niclscn CHART Compiled from a national sample of retail store and rack Weekly Unit Sales Year -To -Date sales reports collected and provided by Sound Scan

DIGITAL DIGITAL 2010 BEAT ALBUMS ALBUMS' TRACKS 2010 2011 CHANGE 2011 (HANGE »All that listeners want for This Week 7,043,000 2,172,000 21,727,000 OVERALL UNIT SALES YEAR -TO -DATE SALES BY ALBUM CATEGORY Christmas is, seemingly, "All I Last Week 6,439,000 2,026,000 22,697,000 Albums 261,778,000 2.7% Current 148,183,000 145,081,000 -2.1% Want for Christmas Is You." As 268,939,000 Michael Bublé's cover of Mariah Change 9.4% 7.2% -4.3% Digital Tracks 1,000,622,000 1,099,556,000 9.9% Catalog 113,595,000 123,858,000 9.0% Carey's 1994 carol rises 15 -10 This Week Last Year 8,116,000 1,901,000 22,468,000 Deep Catalog 86,616,000 97,443,000 12.5% on Adult Contemporary, Justin Store Singles 1,912,000 2,113,000 10.5% Bieber's update of the song with Change -13.2% 14.3% -3.3% Total 1,264,312,000 1,370,608,000 8.4% Carey bows at No. 18. The "Glee" .1)1(!tal album sales are also counted within album sales. 4.7% cast has also remade the song on Albums w/TEA' 361,840,200 378,894,600 "Glee, the Music: The Christmas 'Includes track equivalent album sales (TEA) with 10 track downloads equivalent Weekly Album Sales (Million Units) to one album sale. CURRENT ALBUM SALES Album, Volume 2," which debuts 30 on the Billboard 200 at No. 6. '10

»At the AC summit, Adele 25 DIGITAL TRACKS SALES '11 145.1 million ascends to her second leader with "Someone Like You." On '10 Adult Top 40, follow -up "Set 20 2011 CATALOG ALBUM SALES '11 1.1 billion Fire to the Rain" roars in at No. '10 _.. _ 71 milli 25, marking the chart's highest 15 ;-6 si debut by a solo female since '11 123.9 million Alanis Morissette's "Everything" SALES BY ALBUM FORMAT launched at the same rank the 10 week of April 10, 2004. 7.0M CD 186,388,000 178,101,000 -4.4% Digital 73,020,000 87,608,000 20.0% Nielsen SoundScan counts as current only sales within the first 18 months of an GRead Chart Beat Vinyl 2,342,000 3,170,000 35.4% album's release (12 months for classical and jazz albums). Titles that stay in the top half of the Billboard 200, however, remain as current. Titles older than 18 every week at o months are catalog. Deep catalog is a subset of catalog for titles out more than Other 29,000 60,000 106.9% 36 months. billboard.com/chartbeat. J FM A M J J A S O N D J

Go to www.billboard.bi, for complete chart data 45 SALES DATA COMPILED BY DEC niclscn 3 SoundScan

ó r, 8 Ww ARTIST Title J <» wWÑo ARTIST Title % 33 D 0 3ó IMPRINT & NUMBER / DISTRIBUTING LABEL (PRICE) d6 33 s IMPRINT & NUMBER / DISTRIBUTING LABEL (PRICE) HOT SHOT DRAKE TAYLOR SWIFT DEBUT Take Care 1 sw 51 58 m Speak Now B 4 o YOUNG MONEY /CASH MONEY 016135'UNIVERSAL REPUBLIC (17.98) BIG MACHINE T503005 (18.98) 4. MICHAEL BUBLE ERIC CHURCH 2 8 4 Christmas 2 52 37 52 ® Chief 1' © EMI NASHVILLE 143:REPRISE 528350 /WARNER BROS. (18.98) 94266' (16.98) ADELE VARIOUS ARTISTS 5 5 21 1 Could the surging (Ahk -toong Bay -bi) Covered © XL COLUMBIA 44699' /SONY MUSIC (11.98) 04C DIGITAL EX (7.98) 51 ANDREA BOCELLI set (165,000; up GYM CLASS HEROES Concerto: One Night In Central Park 4 The Papercut Chronicles II o ® SUGAR 015977 DECCA (18.98) C, 35 %) take over the ® DECAYDANCE 528050/FUELED BY RAMER (9.98) JUSTIN BIEBER No. 1 slot in the 111 R.E.M. 5 6 1 Under The Mistletoe 11 Part Lies Part Heart Part Truth Part Garbage: 1982 -2011 SCHOOLBOY/RAYMOND BRAUN/ISLAND 016143 /IDJMG (13.98) 1+ WARNER BROS. 529088 (19.98) coming weeks, after SOUNDTRACK Glee: The Music: The Christmas Album: Volume 2 MUMFORD & SONS 6 56 38 Sigh No More the Thanksgiving GENTLEMAN OF THE ROAD 0109' / GLASSNOTE (12.98) 4 O 20TH CENTURY FOX TV /COLUMBIA 98606 /SONY MUSIC (11.98) m ® 3,9 VARIOUS ARTISTS holiday? Don't bet FIVE FINGER DEATH PUNCH 7 3 NOW 40 45 33 Q American Capitalist /SONY MUSIC 95756 (18.98) PROSPECT PARK 50104 (15.98) UNIVERSAUEMI /CAPITOL against it. So far, it SOUNDTRACK El VARIOUS ARTISTS 8 4 The Twilight Saga: Breaking Dawn: Part t has shifted 518,000. 47 25 NOW 39 SUMMIT /CHOP SHOP /ATLANTIC 528055/AG (18.98) UNIVERSAL EMI /SONY MUSIC 95753 /CAPITOL (18.98) COLDPLAY There's even an PINK MARTINI 9 8 7 Mylo Xyloto RE -MITRY Joy To The World CAPITOL 87553' (18.98) outside chance it ® HEINZ 007 (15.98)

SUSAN BOYLE could be No. 1 next CI JACKIE EVANCHO 10 7 4 Someone To Watch Over Me 80 101 O Holy Night (EP) SYCO/COLUMBIA 96252/SONY MUSIC (11.98) SYCO /COLUMBIA 81151 /SONY MUSIC (8.98 CD /DVD) +Ì week. CHILDISH GAMBINO BLAKE SHELTON . Camp 11' 61 44 53 Red River Blue m® GLASSNOTE 0121 (13.98) WARNER BROS NASHVILLE 527370/WMN (1818) VARIOUS ARTISTS u VARIOUS ARTISTS : Live From Studio C: 23 62 53 46 Positively Christmas ® CITIES 97 2011 EX (25.98) The "Glee" cast ® WORD-CARO 888463 EX (4.98) NEWSBOYS 13 SCOTTY MCCREERY Clear As Day returns to the top NEW God's Not Dead 19 /MERCURY NASHVILLE 016022 /IGA/UMGN (13.98) CD INPOP 71592 /EMI CMG (11.98) 1®i 10 (71,000), JACKIE EVANCHO MAROON 5 16 16 Heavenly Christmas 64 58 39 Hands All Over 14 marking the series' A&M /OCTONE 015904/159 II SYCO: COLUMBIA 97768 EX/SONY MUSIC (10.98) ® (15.90) FLORENCE + THE MACHINE 13th top 10 set. EVANESCENCE 15 12 6 Ceremonials es 46 28 Evanescence UNIVERSAL REPUBLIC (13.98) p WINO -UP 13166 (11.98) (4j 016297" Every "Glee" album SOUNDTRACK Glee: The Music, The Christmas Album LADY ANTEBELLUM has debuted in the 77 124 10 16 17 14 I Own The Night CAPITOL NASHVILLE 94431 (18.98) 20TH CENTURY FOX TV /COLUMBIA 70567 SONY MUSIC (11 98) . WEBBIE upper tier, save for KATY PERRY Savage Life 3 73 49 Teenage Dream B ® TRILL 02 (18.98) the Glee: The 3D CAPITOL 84601' (18.98) WALE Concert Movie JACKIE EVANCHO 18 15 2 Ambition 88 60 62 Dream With Me MAYBACH 528687/WARNER BROS. (18.98) SYCD/COLUMBIA 87061 /SONY MUSIC (13.98) I soundtrack, which ROMEO SANTOS BRANTLEY GILBERT 19 9 Formula: Vol. 1 0 I opened and peaked N 59 42 Halfway To Heaven SONY MUSIC LATIN 82046 (11 98) +' SALONS BG0100 (14.98) MIRANDA LAMBERT at No. 16 on Aug. SELENA GOMEZ & THE SCENE 11 3 Four The Record 3 [ 68 54 When The Sun Goes Down 20 HOLLYWOOD (13.98) Q RCA NASHVILLE 90589/SMN (11.98) 0 21. 013517 IL DIVO ZAC BROWN BAND 21 10 Wicked Game 10,(, 71 55 64 You Get What You Give - VC() COLUMBIA 96448/SONY MUSIC (11.98) SOUTHERN GROUND ROAR BIGGER PICTURE/ATLANTIC 524722/AG (18.98) O+ KELLY CLARKSON LADY GAGA 22 19 10 Stronger 2 72 70 41 Born This Way 19 56801 /RCA (11.98) STREAMLINE /KONLIVE /INTERSCOPE 015373'/IGA (13.98) FRANK SINATRA SIGUR ROS Sinatra: Best Of The Best 281 53 NEW Inni ® REPRISE 79764 /CAPITOL (18.98) KRUNK 548' /XL 124.98 CD/UVD') '+ Paying tribute to GEORGE STRAIT ® MAC MILLER 71 A 1 Blue Park 1 74 60 Here For Good Time 24 Slide MCA NASHVILLE 515924/UMGN (13.981 ROSTRUM 218 (13.98) U2's 1991 Achtung LIL WAYNE ®VARIOUS ARTISTS WOW Christmas: 32 Christian Artists And Holiday Songs 25 Tha Carter IV I Baby album, acts 75 76 85 2215® YOUNG MONEY' CASH MONEY 015548' /UNIVERSAL REPUBLIC (13.98) EMI CMG/PROVIDENT- INTEGRITY 888156/WORD-CURB (17.98) ranging from Nine i LUKE BRYAN BRAD PAISLEY 26 25 29 Tailgates & Tanlines 2' 76 52 68 This Is Country Music 21 el CAPITOL NASHVILLE 70412 (16.98) Inch Nails to ARISTA NASHVILLE 83274/SMN (11.98) TONY BENNETT Depeche Mode cover DLAUREN ALAINA 27 17 Duets II ': 77 49 37 Wildflower RPM /COLUMBIA 66253 /SONY MUSIC (13.98) 19 /MERCURY NASHVILLE 016025/IGA /UMGN (13.98) ® every song on the II TYRESE ELVIS PRESLEY 28 18 9 Open Invitation 9h original set for this 82 94 14 It's Christmas Time © VOLTRON RECORDZ 93562 (15.98) RCA SPECIAL PRODUCTS'SONY STRATEGIC MARKETING GROUP 44931/SONY MUSIC (8.98) JASON ALDEAN 2i new charity release YO -YO MA / // 29 20 26 My Kinda Party 79 35 18 1 ® SONY CLASSICAL 84118 /50610 MASTERWORKS (11.98) BROKEN 80W 7697 (18.98) (12,000). All TOBY KEITH IL DIVO 30 24 13 Clancy's Tavern 5 proceeds benefit 60 79 The Christmas Collection SHOW DOG- UNIVERSAL 015592 (9.98) SYCO /COLUMBIA 97715/SONY MUSIC (18.98) Concern, an JAY Z KANYE WEST TOM WAITS 31 30 23 Watch The Throne 81 48 19 Bad As Me ® ROC- A- FELLA/ROC NATION /DEF JAM 015426: IDJMG 113.981 international D ANTI- 87151' /EPITAPH (17.98) SUSAN BOYLE humanitarian 36 61 The Gift 113 71 3 A Holiday Carole ® B ROCKINGALE /HEAR 33162 /CONCORD (14.98) 72077/SONY MUSIC (11.98) m SACO COLUMBIA organization FOSTER THE PEOPLE PISTOL ANNIES 33 29 21 Torches 8,; dedicated to fighting 83 74 66 13 Hell On Heels STARTIME /COLUMBIA 74457'/SONY MUSIC (9.981 COLUMBIA NASHVILLE 94916 EX/SMN (11 98) ADELE hunger and poverty. WILLIAM MCDOWELL 41 34 19 lo 64 63 Arise: The Live Worship Expierence XL: COLUMBIA 31859'/SONY MUSIC (12.98) ® DELIVERY ROOM /LIGHT 2352/EONE (16.98) J. COLE TAYLOR SWIFT 35 32 20 Cole World: The Sideline Story 99 The Taylor Swift Holiday Collection (EP) ROC NATION /COLUMBIA 57920: SONY MUSIC (11.98) CD BIG MACHINE 70012 EX (6.98) The band's first ® ANDREA BOCELLI PINK FLOYD 62 149 My Christmas © 2 career- spanning 86 50 A Foot In The Door: The Best Of Pink Floyd SUGAR 013437/ SECCA (18.98) O+ © CAPITOL 20966 (18.98) ill SHE & HIM hits set features all BRUNO MARS 40 31 A Very She & Him Christmas 121 87 83 80 Doo -Wops & Hooligans ® MERGE 424' (15.98) but two of its nine ® ELEKTRA 525393" (10.98) (0. I THE BAND PERRY BON JOVI 38 26 48 The Band Perry 4¡ top 40 hits on the RE-EYTRY m Greatest Hits REPUBLIC NASHVILLE 014839/UNIVERSAL REPUBLIC (10.98) ISLAND 01490 3IDJMG (13.98) m Billboard Hot 100. VARIOUS ARTISTS KEITH SWEAT . 65 59 WOW Hits 2012 89 38 - 'Til The Morning o WORD -CURB PROVIDENT -INTEGRITY 48085/EMI CMG (17.98) The 40 -song album © THE SWEAT HOTEL 5164/EONE (17.98) Il CHRIS TOMLIN includes three new TRANS -SIBERIAN ORCHESTRA How Great Is Our God: The Essential Collection 40 131 The Lost Christmas Eve SIXSTEPS,/SPARROW 46364/EMI CMG (13.98) VV LAVA 93146/AG (18.98) m® songs, including LMFAO TECH N9NE COLLABOS . 41 34 24 Sorry For Party Rocking 12! "We All Go Back to 91 21 Welcome To Strangeland PARTY ROCK /WILL. I.AWCHERRYTREE /INTERSCOPE 0156781GÁ (9 98) -® STRANGE 012 /NBC (18.98) El Where We Belong" MANNHEIM STEAMROLLER WITH MEMBERS OF THE CZECH PHILHARMONIC ORCHESTRA MINDLESS BEHAVIOR 69 78 Ch istmas Symphony 42 92 87 63 #1 Girl STREAMLINE /CONJUNCTION /INTERSCOPE 015996 /IGA (9.98) AMERICAN GRAMAPHONE 3012 (15.98) (No. 17 this week on a PACE RED HOT PEPPERS I JOSH GROBAN Triple A, see page CHILI 75 129 31 Noel © t 93 81 73 I'm With You SETTER 143 /REPRISE 231548/WARNER ;N r. WARNER BROS. 528134' (18.98) 52). CASTING CROWNS MARTINA MCBRIDE 44 31 22 Come To The Well 100 White Christmas RCA NASHVILLE 67654'SMN (18.98) 1 BEACH STREET /REUNION 1D162 /SONY MUSIC 98) 1 (11 VARIOUS ARTISTS LU FLORENCE + THE MACHINE Let It Snow 49Ç 96 84 72 Lungs IN O ® SONY MUSIC CMG 96823 EX/STARBUCKS (12.98) Its restocking at m UNIVERSAL REPUBLIC 013170" (13.98) VARIOUS ARTISTS Starbucks stores ELVIS PRESLEY 64 105 NOW That's What I Call Christmas! 4 28 109 _ ® Elvis Christmas EMI /UNIVERSAL /SONY MUSIC 95755/CAPITOL (19.98) CD RCA /SONY STRATEGIC MARKETING GROUP 88908/SONY MUSIC (18.98) O prompts its out -of- Il CHRIS TOMLIN NICKI MINAJ 47 42 45 Glory In The Highest: Christmas Songs Of Worship 191 97 90 70 ® Pink Friday SIXSTEPS /SPARROW 93261/EMI CMG (12.98) the -blue re -entry YOUNG MONEY /CASH MONEY 015021 ' /UNIVERSAL REPUBLIC (13.98 BEYONCE with 11,000 (up MARTINA MCBRIDE . ai 48 39 32 4 1 98 72 47 Eleven PARKW000 /COLUMBIA 90824/SONY MUSIC (13.981 REPUBLIC NASHVILLE 016011 /UNIVERSAL REPUBLIC (13.981 2,589 %). On LADY ANTEBELLUM I DISTURBED 49 13 The Lost Children 181 Holiday Albums, it 127 - ® A Merry Little Christmas (EP) REPRISE 528610 /WARNER BROS. (15.98) CAPITOL NASHVILLE 47670 EX (6.98) Il DAVID NAIL jumps back on at MANNHEIM STEAMROLLER The Sound Of A Million Dreams 50 117 189 ® Christmas Extraordinaire AMERICAN GRAMAPHONE 1225 (15.98) B. O MCA NASHVILLE 01622081MGN (10.98) No. 13.

THE CIVIL WARS 175 EVANESCENCE 55 GYM CLASS HEROES ..54 1/1111111 LMFAO 41 MANNHEIM STEAMROLLER THE BILLBOARD 200 ARTIST INDEX ERIC CLAPTON 142 CELINE DION 154 KENNY G 125, 131 TOBY KEITH 30 DEMILOVATO 138 WITH MEMBERS OF THE JEREMY CAMP KELLY CLARKSON 22 DISTURBED 49 NOEL GALLAGHER'S HIGH KIDZ BOP KIDS 122 LYNYRD SKYNYRD 139 CZECH PHILHARMONIC 161 BLINK 140 RYAN ADAMS -182 MARIAN CAREY ..107, 119 COLDPLAY 9 DRAKE 1,130 FEIST 168 FLYING BIRDS 112 IL DIVO 21, 80 CAROLE KING 82 ORCHESTRA 42 BAD MEETS EVIL 103 0 ANDREA BOCELLI 4, 36 ADELE 3,34 CASTING CROWNS ..44, 141 J COLE 35 FIVE FINGER DEATH BRANTLEY GILBERT 69 CHRIS ISAAK 166 MANNHEIM THE BAND PERRY 38 LAUREN ALAINA 77 BON JOVI 88 CRISTIAN CASTRO 145 CREEDENCE CLEARWATER PUNCH .57 VINCE GILL 109 M83. 150 STEAMROLLER ..100, 124 TONY BENNETT ..27, 169 SUSAN BOYLE 10,32 JASON ALDEAN 29 0 CELTIC WOMAN 134 REVISITED 200 JILLIAN FLORENCE + THE SELENA GOMEZ & THE LADY ANTEBELLUM MAC MILLER 24 MAROON 5 64 TOW© BEYONCE 48 BOYZ II 174 ANGELS 8 AIRWAVES 135 MEN ....164. KENNY CHESNEY 157 DAVID CROWDER BAND .. ELI YOUNG BAND 178 MACHINE 15 95 SCENE 70 MICHAEL JACKSON 104 16,99,113 YO -YO MA/STUART BRUNO MARS 87 182 JUSTIN BIEBER ... .5,114 CHRIS BROWN 160 AS I LAY DYING CHILDISH GAMBINO ...11 129 EMINEM 118 FOO FIGHTERS 173 .AMY GRANT 144 JAY Z KANYE WEST 31 LADY GAGA 72 188 DUNCAN/EDGAR MARTINA MCBRIDE ..94, 98 RODNEY ATKINS 163 BIG SEAN 132 ZAC BROWN BAND ..71 136 13 THE CHIPMUNKS WITH JACKIE EVANCHO FOSTER THE PEOPLE . 33 JOSH GROBAN 43 JOE 170 MIRANDA LAMBERT ...20 MEYER /CHRIS THILE 79 SCOTTY MCCREERY BIG TIME RUSH 199 _ .26 AWOLNATION 152 LUKE BRYAN ... DAVID SEVILLE 108 14,60,68 KIRK FRANKLIN 196 DAVID GUETTA 149 LE'ANDRIA JOHNSON 153 LIL WAYNE 25 MANDISA 159 WILLIAM MCDOWELL _84 THE BLACK KEYS 179 BUBLE MFS,AOFTH 105 MICHAEL _2 ERIC CHURCH 52

Data for week of DECEMBER 3, 2011 46 I Go to www.billboard.biz for complete chart data SALES DATA COMPILED BY Iliciscil SoumdScan

411 ó 8 x c1,5 ARTIST Title W flu ARTIST Title 3 Nc 31 IMPRINT 8 NUMBER / DISTRIBUTING LABEL (PRICE) 53 w27 W3ó IMPRINT 8 NUMBER / DISTRIBUTING LABEL (PRICE) as SOUNDTRACK Alvin And The Chipmunks: Chipwrecked LAURA STORY 101 RE-ENTRY Blessings 63 CI 20TH CENTURY FOX FILMS /FOX/REGENCY /ATLANTIC 527915/AG (18.98) FAIR TRADE /COLUMBIA 86417 /SONY MUSIC (10.98) SKRILLEX AWOLNATION 102 91 81 Scary Monsters And Nice Sprites (EP) 69 173 164 Megalithic Symphony 112 BIG BEAT /MAU5TRAP /ATLANTIC 526918/AG (5.98) RED BULL 1086 (9.98) BAD MEETS EVIL LE'ANDRIA JOHNSON 103 89 74 Hell: The Sequel (EP) 1 153 134 86 The Awakening Of Le'Andria Johnson (EP) 24 al SHADY / INTERSCOPE 015729 /IGA (9.98) The third film in the MUSIC WORLD GOSPEL 5218 /MUSIC WORLD (8.98)

11111 MICHAEL JACKSON CELINE DION 159 163 Number Ones El 13 "Alvin & the RE-ENTRY These Are Special Times O 2 MJJ /EPIC 88998/SONY MUSIC (14.98) 550 MUSIC /EPIC 69523 /SONY MUSIC (8.98) Chipmunks" MEGADETH PITBULL 105 57 11 Thlrt3en 11 155 146 131 Planet Pit 7 3 ROADRUNNER 617700'(18.98) franchise sees its MR. 305 /POLO GROUNDS /J 69060 /RCA (11.98) SOUNDTRACK companion ELVIS PRESLEY 106 67 43 (2011) 14 156 140 123 An Afternoon In The Garden 85 3 ATLANTIC NASHVILLE 528899/WMN (18.98) soundtrack enter RCA /SONY MUSIC COMMERCIAL MUSIC GROUP 70971/SONY MUSIC (6.9B) MARIAH CAREY KENNY CHESNEY 194 Merry Christmas II You 4 with 6,000. On Kid 1157 106 155 Hemingway's Whiskey U 1 1/r ISLAND 014785/IOJMG (13.98) O+ BNA 57445/SMN (11.98) O+ THE CHIPMUNKS WITH DAVID SEVILLE Digital Songs, the JAKE OWEN 158 - 3 Christmas With The Chipmunks 64 158 141 120 Barefoot Blue Jean Night 6 Yï CAPITOL 36588 (13.98) set's rover of RCA NASHVILLE 89547/SMN (10.98) VINCE GILL MANDISA 109 86 50 3 Guitar Slinger 14 LMFAO's "Party 159 123 121 What If We Were Real 66 MCA NASHVILLE 015510/UMGN (10.98) SPARROW 67863/EMI CMG (13.98) Rock Anthem" `I THE WHO CHRIS BROWN Quadrophenia 2 bows at No. 4 with 193 103 F.A.M.E. 1 Z®Vii GEFFEN 016090''UME 129.98) JIVE 86067 /RCA (11.98) SOUNDTRACK 3,000 sold. RYAN ADAMS 111 85 69 A.N.T. Farm 29 119 T7 Ashes & Fire 7 3 WALT DISNEY 0013925 (10 98) PAAAM 79070' /CAPITOL (18.98) NOEL GALLAGHER'S HIGH FLYING BIRDS LIONEL RICHIE The Best Of Lionel Richie: 20th Century Masters The Millennium Collection 112 28 Noel Gallagher's High Flying Birds 28 162 135 151 127 SOUR MASH /MERCURY 016018" /IDJMG (13.98) (49 MOTOWN /CHRONICLES 007759/UME (9.98) LADY ANTEBELLUM RODNEY ATKINS 113 96 Need You Now © 1 110 163 108 79 Take A Back Road 8 97 3 CAPITOL NASHVILLE 97702 (18.98) CURB 79255 (18.98) JUSTIN BIEBER The deluxe reissue BOYZ II MEN 115 88 My World 2.0 © 1 164 104 51 Twenty 20 I SCHOOLBOY/RAYMOND BRAUN/ISLAND 014063 /I0JMG (10.98) of the band's 1913 BENCHMARK ENTERTAINMENT 00001 EX/MSM (14.98) TOBYMAC WILCO 132 150 Christmas In Diverse City 115 album sparks its 165 130 84 The Whole Love 5 FOREFRONT 32610/EMI CMG (10.98) DMP /ANTI- 87156" /EPITAPH (17.98) return with 6,000 TEGAN AND SARA CHRIS ISAAK Get Along 116 166 124 107 Beyond The Sun 34 ® 91, (up 1,325%). WICKED VAPOR 529049 WARNER BROS. (21 98 CO /OVO) GAME/VANGUARD 78211 /WELK (15.98) SOUNDTRACK Quadrophenia has CHRIS YOUNG 117 101 99 Shake It Up: Break It Down 22 167 122 106 Neon 4 WALT DISNEY 013523 (15.98 CD /DVD) 4, been absent from IN RCA NASHVILLE 85497/SMN (10.98) EMINEM FEIST 118 114 92 Recovery 13 the Billboard 200 168 118 83 Metals 7 1 WEB /SHADY /AFTERMATH /INTERSCOPE 014411./10A (13.98) ® CHERRYIREE INTERSCOPE 016026' /IGA (13.98) MARIAH CAREY since 1974. TONY BENNETT 142 Merry Christmas The Classic Christmas Album 169 COLUMBIA/LEGACY 64222 /SONY MUSIC (8.9810 D. RPM /COLUMBIA 95576 /SONY MUSIC (8.98) 11111) RIHANNA JOE 120 105 56 Loud 111 170 112 65 The Good, The Bad, The Sexy 8 SRP /OEF JAM 014927/IDJMG (13.98) Q+ 563 000013 /KEDAR (15.98) PINK FLOYD VARIOUS ARTISTS 33 -. Wish You Were Here f3 II Seasons Greetings: A Jersey Boys Christmas 171 CAPITOL 28945* (18.98) (5) RHINO 528475 (18.98) One biggest KIDZ BOP KIDS CHRISTINA PERRI 122 111 104; Kidz Bop 20 2 172 138 89 lovestrong. 4 RAZOR 8 TIE 89256 (18.98) selling Christmas ATLANTIC 525853/AG (13.98) (4, JAMES TAYLOR albums of the F00 FIGHTERS 152 20 James Taylor At Christmas 16 Wasting Light 1 COLUMBIA 00323 /SONY MUSIC (9.98) ROSWELL 84493" /RCA (11.98) 91, e SoundScan era ®MANNHEIM STEAMROLLER BOYZ II MEN The Best Of Boyz II Men: 20th Century Masters The Millennium Collection 200 Christmas: 25th Anniversary Collection 29 (1991 -present) 70 AMERICAN GRAMAPHONE 2525 (18.98) MOTOWN, CHRONICLES 001098 /UME (9.98) KENNY G returns to the tally THE CIVIL WARS 145 The Greatest Holiday Classics 39 Barton Hollow 12 e ARISTA 72234/RCA (18 -98) (up 79 %). So far, SENSIBILITY 017" (11.98) VINCE GUARALDI TRIO THREE DOG NIGHT The Best Of Three Dog Night 20th Century Masters The Millennium Collection 197 A Charlie Brown Christmas (Soundtrack) © 30 the set -first 109 FANTASY 30066 /CONCORD (15.98) /5) MCA 112073/UME (9.98) e released in 1996 JUSTIN MOORE - SOUNDTRACK 127 116 90 13 Outlaws Like Me Elf 102 VALORY JM0200A (10.98) has moved 3.2 NEW LINE 39028 (12.98) TRANS -SIBERIAN ORCHESTRA million. ELI YOUNG BAND RE-ENTRY Christmas Eve And Other Stories © Life At Best 6 II ', rl II 13 LAVA 'II ì.` (15.98) REPUBLIC NASHVILLE 015856 /UNIVERSAL REPUBLIC (10.98) DAVID CROWDER BAND THE BLACK KEYS 190 196 Oh For Joy (EP) Brothers 3 iñ SIXSTEPS SPARROW .76365/EMI CMG (7.98) NONESUCH 520266' /WARNER BROS. (15.98) DRAKE VARIOUS ARTISTS 150 140 © Thank Me Later Tis The Season: Kids Christmas Sing -Along 105 YOUNG MONEY /CASH REPUBLIC II COMPASS 43735 EX MONEY 014325 /UNIVERSAL (13.98) (9.98) 11111 KENNY G VARIOUS ARTISTS 143 Holiday Collection op NOW That's What I Call A Country Christmas IN ARISTA/SONY BMG CUSTOM MARKETING GROUP 86734 /SONY MUSIC (8.98) EMI /UNIVERSAL 56260 /SONY MUSIC (19.98)

BIG SEAN AS I LAY DYING 132 129 98 ® Finally Famous 3 182 Decas G. 0.0.0. /DEF JAM 015421 /IDJMG (10.98) METAL BLADE 15052* (12.98) PINK FLOYD 160 BARRY WHITE The Best Of Barry White: 20th Century Masters The Millennium Collection ion 0133 95 11 Dark Side Of The Moon 1 183 156 130 CAPITOL 28955" (18.98) 4, ISLAND.(CHRONICLES /IDJMG 000884 -UME (9.98) Possibly a gain z CELTIC WOMAN KHALIFA 176 A Christmas Celebration 35 owed to his 184 161 132 WIZ Rolling Papers 2 e MANHATTAN 70124 /BLUE NOTE (18.98) e ROSTRUM /ATLANTIC 527099,AG (13.98) (4) performance on ANGELS & AIRWAVES JEREMY CAMP -35 43 97! Love Albums Parts One & Two 43 We Cry Out: The Worship Project 15: TO THE STARS 059 /ROCKET SCIENCE VENTURES (14.98) C+ì ABC's broadcast of BEC 07916/EMI CMG (13.98) +.. ZAC BROWN BAND the American Music VARIOUS ARTISTS 36 103 116 The Foundation © 9 RE-ENTRY The Essential NOW That's What I Call Christmas 30 ROAR /BIGGER PICTURE/HOME GROWN /ATLANTIC 516931/AG (13.98) UNIVERSAL/EMI /SONY MUSIC 011941 /UME (18.98) Awards (Nov. 20), TAYLOR SWIFT JILLIAN EDWARDS 37 137 156 Fearless D 1 the set jumps by NEW Headfirst (EP) 187', BIG MACHINE 0200 (18.98) C+) JILLIAN EDWARDS DIGITAL EX (6.98) DEMI LOVATO Z2 %. LADY GAGA 38 110 82 Unbroken 4 NE -ENTRY The Fame 2 HOLLYWOOD 004623 (13.98) STREAMLINE /KONLIVE/CHERRYTREE / INTERSCOPE 011805' /ILA (12.98) LYNYRD SKYNYRD The Best Of Lynyrd Skynyrd: 20th Century Masters The Millennium Collection KENNY ROGERS & DOLLY PARTON 139 121 96 © 60 RE -ENTRY Once Upon A Christmas 10 311 MCA 111941/UME (9.98) RCA NASHVILLE /BMG SPECIAL PRODUCTS 45916 /SONY MUSIC (6.98) BLINK -182 RASCAL FLATTS 140 107 76 Neighborhoods 2 144 157 Nothing Like This U 6 DGC'INTERSCOPE 016033/IGA (13.98) BIG MACHINE RF0100A (13.98) CASTING CROWNS AMY WINEHOUSE RE-ENTRY Peace On Earth 15 191 163 87 Back To Black © 2 BEACH STREET /REUNION 10129/SONY MUSIC (13.98) UNIVERSAL REPUBLIC 008428 (15.98) ERIC CLAPTON The Best Of Eric Clapton: 20th Century Masters The Millennium Collection THE TEMPTATIONS Best Of The Temptations -The 60's: 20th Century Masters The Millennium Collection 126 110 66 132 CHRONr Y /OR 002759/UME (9 98) MOTOWN 153362/UME (9.98)

VARIOUS ARTISTS VARIOUS ARTISTS Do You Hear What I Hear?: Women Of Christmas 120 118 NOW That's What I Call Country: Volume 4 193 189 - 164 ® .. '1Y MUSIC 015731/UME (18.98) The second live SONY MUSIC COMMERCIAL MUSIC GROUP 71686 /SONY MUSIC (7.98) AMY GRANT album from the SLASH FEATURING MYLES KENNEDY C 198 The Christmas Collection Live: Made In Stoke 24/7/11 194 ' AMY GRANT PRODUCTIONS /SPARROW 13781/EMI CMG (17.98) ARMOURY 25D64 /EAGLE ROCK (17.98) C former Guns N' CRISTIAN CASTRO Mi El Principe: La Viva Principe. Vol. II Amigo Historia Continua: el RE-ENTRY TAYLOR SWIFT pir 94 5Z Roses guitarist Taylor Swift D 5 UNIVERSAL MUSIC LATINO 016240/UMLE (11.98) /5 BIG MACHINE 079012 (18.98) C k1_ PUSHA T bows with 4,000. KIRK FRANKLIN 1146 66 -. Fear Of God 2: Let Us Pray 196 179 175 Hello Fear 5 5.0.D.D. /RE -UP GANG 120 /DECON (9.98) FO YO (11.98) The double -disc set SOUL/VERITY 77917 /RCA SOUNDTRACK BETTY WRIGHT AND THE ROOTS 147 139 11 Victorious: Music From The Hit TV Show boasts familiar GNR Betty Wright: The Movie 197 NICKELODEON /COLUMBIA 68341 /SONY MUSIC (11.98) MS. 8. 151901 /S -CURVE (13.98) singles like "Sweet SOUNDTRACK VARIOUS ARTISTS This Warm December: A Brushfire Holiday Vol. 2 148 128 - Phineas And Ferb: Holiday Favorites ®1 198 WALT DISNEY 006525 (9.98) Child o' Mine" and BRUSHFIRE 016236 /UNIVERSAL REPUBLIC (13.98) DAVID GUETTA BIG TIME RUSH 49 133 108 Nothing But The Beat "Paradise City," BTR (Soundtrack) 3 WHAT A MUSIC /ASTRALWERKS 78830/CAPITOL (18.98) NICKELODEON /COLUMBIA 42918/SONY MUSIC (8.98) with vocals by e M83. CREEDENCE CLEARWATER REVISITED 102 75 Hurry Up, We're Dreaming. Myles Kennedy. 200 192 154 Extended Versions 74./ = M83 9510' /MUTE (18.98) = POOR BOY SONY MUSIC CMG 52336/SONY MUSIC (6.98) NICKI MINAJ ...... 97 KEITH SWEAT 89 GLEE: THE MUSIC, THE VICTORIOUS: MUSIC FROM TRANS- SIBERIAN 00 YOU HEAR WHAT I NOW THAT'S WHAT I CALL TIS THE SEASON: KIDS BARRY WHITE 183 . MINDLESS BEHAVIOR ..92 BRAD PAISLEY 76 R.E.M. 55 ROMEO SANTOS 19 TAYLOR SWIFT CHRISTMAS ALBUM ..66 THE HIT TV SHOW ...147 ORCHESTRA ....90, 128 HEAR ?: WOMEN OF CHRISTMAS! 4 46 CHRISTMAS SING -ALONG THE WHO 110 JUSTIN MOORE 127 CHRISTINA PERRI ....172 RASCAL FLATTS 190 SHE & HIM 37 51 85,137, 195 GLEE: THE MUSIC: THE TYRESE 28 CHRISTMAS 193 NOW THATS WHAT I CALL 180 WILCO 165 4 WOW 32 AMY WINEHOUSE 191 MUMFORD 8 SONS 56 0KATY PERRY 67 RED HOT CHILI PEPPERS . BLAKE SHELTON 61 CHRISTMAS ALBUM: THE ESSENTIAL NOW COUNTRY: VOLUME _143 CHRISTMAS: PINK FLOYD ..86,121, 133 93 SILUR ROS 73 VOLUME 2 6 JAMES TAYLOR 123 THAT'S WHAT I CALL POSITIVELY CHRISTMAS 62 CHRISTIAN ARTISTS AND WIZ KHALIFA 184 PINK MARTINI 59 LIONEL RICHIE 162 FRANK SINATRA 23 ALVIN AND THE PHINEAS AND FERS: TECH NONE COLLABOS ..91 VINCE GUARALDI TRIO .126 CHRISTMAS 186 SEASONS GREETINGS: A HOLIDAY SONGS 75 BETTY WRIGHT AND THE DAVID NAIL 50 PISTOL ANNIES 83 RIHANNA 120 SKRILLIX 102 CHIPMUNKS: HOLIDAY FAVORITES ..148 TEGAN AND SARA 116 LET IT SNOW 45 JERSEY BOYS WOW HITS 2012 39 ROOTS 197 NEWSBOYS 63 PITBULL 155 KENNY ROGERS 8 DOLLY SLASH FEATURING MYLES CHIPWRECKED 101 SHAKE IT UP: BREAK IT THE TEMPTATIONS 192 0 NOW 39 58 CHRISTMAS 171 ELVIS PRESLEY ..78, 96,156 PARTON 189 KENNEDY 194 A.N.T. FARM 111 DOWN 117 THREE DOG NIGHT 176 (AHK -TOONG BAY-BI) NOW 40 7 THIS WARM DECEMBER: A

PUSHA T 146 LAURA STORY 151 ELF 177 THE TWILIGHT SAGA: TOBYMAC 115 COVERED 53 NOW THAT'S WHAT I CALL BRUSHFIRE HOLIDAY TOM WAITS 81 CHRIS YOUNG 167

JAKE OWEN 158 GEORGE STRAIT 74 FOOTLOOSE (2011) ...106 BREAKING DAWN: PART T CHRIS TOMLIN ....40, 47 CITIES 97 SAMPLER: LIVE A COUNTRY CHRISTMAS VOL. 2 198 WALE 18 8 FROM STUDIO C: 23 ..12 181 WEBBIE 17 0

Data for week of DECEMBER 3, 2011 I For chart reprints call 212.493.4023 Go to www.billboard.biz for complete chart data 47 HOLIDAY ALBUMS O YOUTUBE

x: ARTIST Title á3 3ó IMPRINT 8 NUMBER / DISTRIBUTING LABEL (PRICE) 75 5 ARTIST )IMPRINT /LABEL) 5 ARTIST (IMPRINT / LABEL( GREATEST MICHAEL BUBLE Christmas #1 SEXY AND I KNOW IT #1 I 52 JUSTIN BIEBER SCHOOLBOY /RAYMOND BRAUN /ISLAND /IDJMG #1 o 3WKS GAINER RNER BROS. (18.98) 3IWKS 4WK5 LMFAO 1 PAR TY HO( KWILLI AM CHERRYTREElNITERSCOPEI JUSTIN BIEBER Under The Mistletoe SOMEONE LIKE YOU 2 2 2 42 ADELE XL/COLUMBIA 2 15 SCHOOLBOY /RAYMOND BRAUN /ISLAND 016143/IDJMG (13.98) C+ o AOELE(XUCOLUMBLA) oNOT SHOT SOUNDTRACK The The WE FOUND LOVE Glee: Music: Christmas Album: Volume 2 3 4 52 LADY STREAMLINE/KONLIVE/INTERSCOPE 3 OERYT GAGA 6 20TH CENTURY FOX TV /COLUMBIA 98606 /SONY MUSIC (11.98) RIHANNA FEATURINGCALVIN HARRISISRP/DEFJAMADJMG) Heavenly Christmas THE ONE THAT GOT AWAY JACKIE EVANCHO h 52 RIHANNA SRP /DEFJAM /IDJMG 15 2 SYCO/COLUMBIA 97768 EX/SONY MUSIC (10.98) KATYPERRYICAPOU PARTY ROCK ANTHEM SUSAN BOYLE The Gift 5 3 52 SHAKIRA SONY MUSIC LATIN/EPIC 4 15 SYCO/COLUMBIA 72077 /SONY MUSIC (11.98) LMFAO FEA EAUREN BENNEIT& GOOFRWCK (PARTY ROCKAMLLIAMtCHERMTREEANTERSCOPE)

8 ROLLING IN THE DEEP ANDREA BOCELLI My Christmas El 5 52 KATY PERRY CAPITOL 14 SUGAR 013437/SECCA (18.98) C+ ADELEOD/COLUMBIA) SHE & HIM A Very She & Him Christmas MOVES LIKE JAGGER 5 7 9 52 SELENA GOMEZ HoLLYwooO 7 14 MERGE 424` (15.951 MAROON 5 FEATURING CHRISTINA AGOURA (A&NVOCTONEANTERSCOPE)

MMNIBM STEAMROLLER MIH MEMBERS OF THE CZECH PHILHNOAINIC OR IESTIM Synpin); RAIN OVER ME Shift 8 52 EMINEM WEB/SHADY /AFTERMATH /INTERSCOPE 5 15 o AMERICAN GRAMAPHONE 3012 (15.981 PITBULL FEATURING MARC ANTHONY (MR305/POLO GROUNDS/ACM Noel SUPER BASS JOSH GROBAN 9 7 29 LMFAO PARTY ROCKWILLI .AM/CHERRYTREE/INTERSCOPE 6 15 o 143 /REPRISE 231548 /WARNER BROS. (18.98) C* NICKI MINAJIYOUNG MONEY/CASH MONEYNNIVERSALREPUBUCI VARIOUS ARTISTS It DANZA KUDURO Let Snow 52 DAVID GUETTA WHAT AMUSIC/ASTRALWERKS/CAPITOL 10 9 15 o SONY MUSIC CMG 96823 EX/STARBUCKS (12.98) DON OMAR& WCENZO IYANIW ORFANATO /MACHETFNNNERSAL MUSIC LATINO) VARIOUS ARTISTS NOW That's I Call 4 IT WILL RAIN What Christmas! 11 10 52 NICKI MINAJ YOUNG MONEY /CASH MONEY/UNIVERSAL REPUBLIC 1111 2 EMI /UNIVERSAL/SONY MUSIC 95755 /CAPITOL (19.98) B RUNO MARS (SUMMIT/CHOP SHOP/ELEETRA/ATLANTIC) CHRIS TOMLIN Glory In The Highest Christmas Songs Of Worship WITHOUT YOU 12 6 0 15 50 DRAKE YOUNG MONEY /CASH MONEY/UNIVERSAL REPUBLIC F12 13 6 SI %STEPS /SPARROW 93261/EMI CMG (12.98) ® DAVID COSTA FUNNING USHER (WHAT AMUSIGASTRALWERKS/CAPITOU

PINK MARTINI Joy To The World 14 HIT THE LIGHTS O RE-ENTRY 52 TAYLOR SWIFT BIG MACHINE .13 1 HEINZ 007 (15.98) SELENA GOMEZ & THE SCENE (HOLLYWOOD)

JACKIE EVANCHO O Holy Night (EPI MISTLETOE 15 1 14 12 50 PITBULL MR. 305/FAMOUS ARTIST/POLO GROUNOS/J /SONY MUSIC LATIN/RCA 14 8 5 O ` SYCO /COLUMBIA 81151/SONY MUSIC (8.98 CD /DVD) C+ JUSTI8BIEBERISCHOOLBOYRWYMOND BRAUN/ISLAND/UNIVERSAL) VARIOUS ARTISTS Positively Christmas Al SE EU TE PEGO 15 7 19 41 BRUNO MARS ELEKTRA 15 17 2 WORD -CURB 888463 EX (4.98) MICHEL1E10 (MICHELTEW I 13 SOUNDTRACK Glee: The Music, The Christmas Album E 1 16 13 52 AVRIL LAVIGNE RCA O 20TH CENTURY FOX TV /COLUMBIA 78567/SONY MUSIC (11.98) VARIOUS ARTISTS WOW Chrismias: 32 Christian Artists And Holiday Songs 17 12 22 52 DON OMAR ORFANATO /MACHETE 1 EMI CMG /PROVIDENT -INTEGRITY 888156/WORD -CURB (17.98) ELVIS PRESLEY It's Christmas Time YAHOO! 18 O 16 18 52 COLDPLAYCAPITOL 0 RCA SPECIAL PRODUCTS /SONY STRATEGIC MARKETING GROUP 44931/SONY MUSIC (8.98 0 VIDEO IL DIVO The Christmas Collection 19 14 g 19 16 50 CHRIS BROWN JIVE/RCA SYCO /COLUMBIA 97715/SONY MUSIC (18.98) The weeks most -streamed videos onYahool Music. .41 CAROLE KING A Holiday Carole 20 20 17 51 LIL WAYNE CASH MONEY /UNIVERSAL REPUBLIC ARTIST(IMPRINIT/LABEL) o ROCKINGALE /HEAR 33162 /CONCORD (14.98) THE AWAY 17 The Eli ONETHAT GOT O TAYLOR SWIFT Taylor Swift Holiday Collection (EP) 24 33 JIVE/FICA JUSTINTIMBERLAKE KATY PERRY CAPITf III j/ BIG MACHINE 0175 E% (6.98) IN YOUR ARMS ® TRANS -SIBERIAN ORCHESTRA The Lost Christmas Eve 22 23 20 SKRILLEX BIG BEAT/MAU5TRAP/ATLANTIC 2 24 94 KINA CRI NNIS LAVA 93146/AG (18.98) (INITERSCOPE) WE FOUND LOVE MARTINA MCBRIDE White Christmas 20 45 JIVE/RCA 3 3 2 18 tt 23 BRITNEY SPEARS RIHANNA FEATURING CALVIN HARRIS(SRP/DEFJAWIDJMGI CD RCA NASHVILLE 15469/SMN (18.98) HOW TO LOVE 19 ELVIS PRESLEY Elvis Christmas 30 49 ROSTRuM /ATLANTIc 5 12 WIZ KHALIFA UL WAYNE (YOUNG MONEY/CASH MONEY/UNIVERSALREPUBUCI e RCA/SONY STRATEGIC MARKETING GROUP 88908 /SONY MUSIC (18.981 m PERSONAL A JESUS LADY ANTEBELLUM Merry Little Christmas (EP) 26 52 MJJ/EPIC 5 4 28 22 t MICHAEL JACKSON DEPECHE MODE ISIRE/REPRISE) ® CAPITOL NASHVILLE 47670 E% (6.98) ® SOMEONE LIKE YOU MANNHEIM STEAMROLLER Christmas Extraordinaire Ea 6 2 7 21 P 27 52 LINKIN PARK MACHINE SHOP/WARNER BROS. ADELEIXECOLUMBIA) o AMERICAN GRAMAPHONE 1225 (15.98) o GOD GAVE ME YOU MARIAH CAREY Merry Christmas II You 21 44 UNSIGNED 7 1 34 f 27 CHRISTINA GRIMMIE BLAKE SHELTON (WARNER BROS. NASHVILLE/WMN) ® ISLAND 014785/IOJMG (13.98) O+ M ISTLETOE THE CHIPMUNKS WITH DAVID SEVILLE Christmas With The Chipmunks 25 28 15 2 30 31 28 BOYCE AVENUE 3PEACE J USTIN BIEBER)SCHOOLBOY,RAYMOND BRAUN/ISLAND/103MS) O CAPITOL 36588 (13.981 COUNTDOWN TOBYMAC Christmas In Diverse City 29 52 KONVICTNPFRONIT /SRC 9 5 25 AKON /UNIVERSAL REPUBLIC e EYONCE (PARK W 00 D/COLUMB IA) fOREFRONT 32610/EMI CMG (10.98) m SEXY AND I KNOW IT MARIAH CAREY Merry Christmas 45 37 10 14 4 26 184 TYLER WARD UNSIGNED LMFAO(PARTY ROCKANILLIA WCHERRYTREE/INTERSCOPE) ¡ COLUMBIA/LEGACY 64222/SONY MUSIC (8.98) PARTY ROCK ANTHEM JAMES TAYLOR James Taylor At Christmas 31 51 THE BLACK EYED PEAS INTERSCOPE 11 12 12 IQ LMFAO FEAT. LAUREN BENNETT & GOONROCK (PARTY ROCKA44LLIAMWCHERRYTREF/INRERSCOPEI 29 51 COLUMBIA 00323 /SONY MUSIC (9.98) ' PARTY MANNHEIM STEAMROLLER Christmas: 25th Anniversary Collection 42 52 12 7 2 37 2 USHER LAFACE/RCA BEYONCE FEATURING ANDRE3000IPARKWOOD/COLUMBIA) o AMERICAN GRAMOPHONE 2525 (18.98) ® FLY KENNY G The Greatest Holiday Classics 32 47 13 11 12 28 SNOOP DOGG DOGGYSTYLE/PRIORITY/CAPITOL NICKI MINAJ FEATURING RIHANNA o ARISTA 72234/RCA (18.98) [33 (YOUNG MONEY /CASH MONEY/UNIVERSALMOTOWN) 4 A MOVES LIKE JAGGER CD VINCE GUARALDI TRIO Charlie Brown Christmas (Soundtrack) 37 48 MUSICAL FREEDOM 14 6 7 35 18# TIESTO MAROON 5 FEATURING CHRISTINA AGUILERAIA&M/OCTONEI1NTERSCOPE) FANTASY 30066 CONCORD (15.98) CO o WHEN WE STAND TOGETHER TRANS -SIBERIAN ORCHESTRA Christmas Eve And Other Stories 15 15 8 45 1, er 35 28 CIMORELLI UNSIGNED NICKELBACK(ROADRUNNER/MP) 0 LAVA 92736/AG (15.981 DAVID CROWDER BAND Oh For Joy (EP) 33 7!; 40 45 DEMI LOVATO HOLLYWOOD o SI %STEPS/SPARROW 46365 /EMI CMG (7.98) 27 KENNY G Holiday Collection 4 k 37 38 2 AUSTIN MAHONE UNSIGNED o ARISTA/SONY BMG CUSTOM MARKETING GROUP 86734 /SONY MUSIC (8.98) CELTIC WOMAN A Christmas Celebration 31 7. 38 34 2 ONE DIRECTION svco NEXT BIG SOUND'" BIG MANHATTAN 70124 /BLUE NOTE 118.981 O O SOUND CD4 CASTING CROWNS Peace On Earth 41 4 139 41 'í;, ENRIQUE IGLESIAS UNIVERSAL MUSIC LATINO/UNIVERSAL REPUBLIC The fastest accelerating artists during the past week. across BEACH STREET /REUNION 10129/SONY MUSIC (13.98) - all major social music sites, statistically predicted to achieve AMY GRANT The Christmas Collection future success, as measured by Next Big Sound. 36 4 DAFT PUNK VIRGIN /CAPITOL ARTIST o AMY GRANT PRODUCTIONS/SPARROW 13781/EMI CMG (17.98) o SOUNDTRACK Phineas And Ferb: Holiday Favorites STACY FRANCIS 41 23 11 46 9 MEGAN & LIZ COLLECTIVE SOUNDS WALT DISNEY 006525 (9.98) CELINE DION These Are Special Times 2 YOSHIKI 43 14 ©' 42 35 10 MADDI JANE JOF O 550 MUSIC /EPIC 69523/SONY MUSIC (8.981 TONY BENNETT The Classic Christmas Album MANE DE LA PARRA CD 48 36 52 BEYONCE PARKWODD/COLUMBIA RPM /COLUMBIA 95576/SONY MUSIC (8.98) h 43 VARIOUS ARTISTS Seasons Greetings: A Jersey Boys Christmas LAKODA RAYNE Q RE.UnEY 47 19. SOULJA BOY COLLIPARK/S.0.0. MONEY GANG/INTERSCOPE RHINO 528475 (18.98) 14 SOUNDTRACK Elf GOKHAN TEPE 3 AVENGED SEVENFOLD HOPELESS /SIRE/WARNER BROS. CD .4 NEW LINE 39028 (12.98) VARIOUS ARTISTS Tis The Season: Kids Christmas Sing -Along 6 FREESOL 46. 39 38 JENNIFER LOPEZ ISLAND/IDJMG CD COMPASS 43735 EX (9.98) ..t` CROW BLACK SKY VARIOUS ARTISTS NOW That's What I Call A Country Christmas 44, RE-ENTRY RED HOT CHILI PEPPERS WARNER BROS. O EMI /UNIVERSAL 56260 /SONY MUSIC (19.98) DARLING PARADE VARIOUS The Essential NOW I Call RE -ENIVY ARTISTS That's What Christmas REE PIT R THE WHITE STRIPES THIRD MAN/WARNER BROS. O UNIVERSAUEMI /SONY MUSIC 011941/UME (18.98) lo MIDNIGHT RED 1 KENNY ROGERS & DOLLY PARTON Once Upon A Christmas 48 3 49 5 MAC MILLER ROSTRUM t RCA NASHVILLE/BMG SPECIAL PRODUCTS 45916/SONY MUSIC (6.98) E DUMBFOUNDEAD VARIOUS ARTISTS Do You Hear What I Hear ?: Women Of Christmas 1. 33 2 JYP SO 32 , g,, 50 WONDER GIRLS LI AN WEI

You can always count on the (hipmunks to brighten up the Holiday week marks the one -year anniversary of the launch of DATSIK

Albums chart with their squeaky takes on (hristmas classics. The Billboard's Social 50 chart, which took a bow in the Dec. 11, 2010, 1,13 INDIA MARTINEZ various yuletide albums by the animated trio of Simon. Alvin and issue. While a good number of ads have never left the tally (we're

Theodore (with creator David Seville on two) have sold more than 2.2 looking at you, Justin Bieber and Lady Gaga), there have been 1._ 14 JANA KRAMER million albums in the United States since Nielsen SoundScan began quite a few new artists that notched impressive peaks on the chart. LALA KARMELA tracking data in 1991. In 2010, Christmas With the Chipmunks (2008) They include Pomplamoose (No. 29), Watsky (No. 13), Rebecca was the year's 25th- best -selling holiday set (62.000). Black (No. 9), Karmin (No. 15, pictured) and Nina Grannis (No. 49).

48 Go to www.billboard.biz for complete chart data Data for week of DECEMBER 3, 2011 AIRPLAY SALES DATA SALES DATA MONITORED BY COMPILED BY COMPILED BY DIGITAL niclscn niclscn 11(C)SCII DEC BDS SoundScan SoundScan Billb.arJm 3

NOT 100 AIRPLAY'" OROCK.ROCK-immodOwsist,

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MOVES LIKE JAGGER PARTY PUMPED UP KICKS I DON'T WANT THIS NIGHT TO END 2 I 18 32 6 2 2 44 5 10 MAROON 5 FEAT. CHRISTINA AGUILERA A&M /OCTONE/INTERSCOPE ® BEYONCE FEAT. ANDRE 3000 PARKWOOD /COLUMBIA FOSTER THE PEOPLE STAR' I ME/COLUMBIA LUKE BRYAN CAPITOL NASHVILLE SOMEONE LIKE YOU OWNED THE NIGHT PARADISE IF THIS WAS A MOVIE 3 2 15 33 11 WE 3 10 1 2 ADELE XL/COLUMBIA O LADY ANTEBELLUM CAPITOL NASHVILLE COLDPLAY CAPITOL TAYLOR SWIFT BIG MACHINE BAGGAGE CLAIM WHEN WE STAND TOGETHER OURS 4 16 36 14 6 8 4 2 2 O GYM CLASS HEROES HAT. ADAM LEWM DECAYDANCEJSUELEO BY RAMENIRRP O MIRANDA LAMBERT RCA NASHVILLE NICKELBACK ROAURUNNER/RRP TAYLOR SWIFT BIG MACHINE YOU GOD GAVE ME YOU RUMOUR HAS IT GOD GAVE ME YOU 5 12 WITHOUT 30 31 lU 12 29 8 19 DAVID GUETTA FEAT. USHER WHAT A MUSIC/ASTRALWERKS /CAPITOL BLAKE SHELTON WARNER BROS. NASHVILLE/WMN ADELE XL/COLUMBIA BLAKE SHELTON WARNER BROSIWMN

SEXY AND I KNOW IT SPARKS FLY ROLLING IN THE DEEP IF I 6 10 31 24 15 5 31 6 4 75 O LMFAO PARTY ROCK /WILLI.AM/CHERRYTREE/INTERSCOPE TAYLOR SWIFT BIG MACHINE ADELE XL/COLUMBIA THE BAND PERRY REPUBLIC NASHVILLE YOU MAKE ME FEEL... MR. SAXOBEAT SET FIRE TO THE RAIN JUST A KISS 7 7 18 32 29 16 ALEXANDRA 1 7 12 28 COBRA STAMHIP HAT. SABI DECAYDANCEIFIIEIED BY RAMEWATLANTICAMP STAN ULTRA ADELE XL/COLUMBIA LADY ANTEBELLUM CAPITOL NASHVILLE HEADLINES 29 GOOD LIFE SAIL ALL YOUR LIFE 8 15 33 25 10 33 8 9 12 DRAKE YOUNG MONEY /CASH MONEY/UNIVERSAL REPUBLIC ONEREPUBUC MOSLEY/INTERSCOPE AWOLNATION RED BULL THE BAND PERRY REPUBLIC NASHVILLE NI * *AS IN PARIS KEEP ME IN MIND SHAKE IT OUT WE OWNED THE NIGHT 11 12 40 8 8 6 9 11 14 JAY Z KANYE WEST ROCA- FELLA/ROC NATION/GEF JAM /IDJMC O ZAC BROWN BAND SOUTHERN GROUND /ATLANTIC/BIGGER PICTURE FLORENCE a THE MACHINE UNIVERSAL REPUBLIC LADY ANTEBELLUM CAPITOL NASHVILLE PUMPED UP KICKS CRAZY GIRL NOTHING DRINK IN MY HAND 1 o 9 20 35 35 20 7 17 10 10 11 FOSTER THE PEOPLE STARTIME/COLUMBIA ELI YOUNG BAND REPUBLIC NASHVILLE THE SCRIPT PHONOGENIGEPIC ERIC CHURCH EMI NASHVILLE GOOD FEELING DANCE (ASS) BLACKOUT EASY 17 5 42 5 11 9 11 14 21 FLO RIDA POE BOY/ATLANTIC BIG SEAN FEATURING NICKI MINAS G.O.O.DJDEF JAM/IDJMG BREATHE CAROLINA FEARLESS RASCAL WATTS FEAT. NATASHA BEOINGRELD BIG MACHINE ® 14 9 WORKOUT THAT WAY HEARTBEAT CRAZY GIRL 37 39 13 42 6 1 2 16 37 J. COLE ROC NATION /COLUMBIA WALE FEAT. JEREMIH & RICK ROSS MAYBACH/WARNER BROS. THE FRAY EPIC ELI YOUNG BAND REPUBLIC NASHVILLE IN THE DARK ROLLING IN THE DEEP PRINCESS OF CHINA FOOTLOOSE 13 10 15 38 37 36 13 9 4 1 3 13 3 DEY INDIE -POP/UNIVERSAL REPUBLIC ADELE XL/COLUMBIA COLDPLAY FEAT. RIHANNA CAPITOL BLAKE SHELTON ATLANTIC/WMN

5 O'CLOCK I GOT YOU RUN REMIND ME 15 8 43 17 14 4 3 14 15 24 T. PAIN FEAT. WD KNAUFA & ULLY ALLEN KONVICT/NAPPY BOYAJIVEYCA O THOMPSON SQUARE STONEY CREEK MATT NATHANSON FEAT. SUGARLAND ACROBATNANGUARDICAPITOL BRAD PMSLEY DUET WITH CARNE UNDERWOOD ARISTA NASHVILLE GIVE ME EVERYTHING YOU AND I LONELY BOY TATTOOS ON THIS TOWN 15 12 32 40 38 14 26 4 15 20 10 PITBULL MR. 305/POLO GROUNDS/J /RCA LADY GAGA STREAMLINE/KONLIVE/INTERSCOPE THE BLACK KEYS NONESUCH/WARNER BROS. JASON ALDEAN BROKEN BOW PARTY ROCK ANTHEM NOT OVER YOU 16 13 30 O 46 7 LMFAO PARTY ROCK /WIILIAM/CHERRYTREE/INTERSCOPE GAVIN DEGRAW J /RCA IT WILL RAIN EASY m19 6 44 13 BRUNO MARS SUMMIT /CHOP SHOP/ELEKTRNATIANTIC O RASCAL FLATTS FEAT. NATASHA BEDINGFIELO BIG MACHINE THE ONE THAT GOT AWAY LET IT RAIN 20 6 48 10 LATIN`" Per KATY PERRY CAPITOL O DAVID NAIL MCA NASHVILLE 0 MR. KNOW IT ALL BODY 2 BODY i8 11 44 41 n KELLY CLARKSON 19/RCA ACE HOOD FEAT. CHRIS BROWN WE THE BESTNEF JAM/IOJMG SM TITLE SHE WILL LOTUS FLOWER BOMB TITLE E'S 20 16 14 51 3 giá ARTIST(IMPRINT/PROMOTION LABEL 5 o ARTIST /IMPRINT /PROMOTION LABEL LIL WAYNE HAT. DRAKE YOUNG MONEY/CASH MONEY/UNIVERSAL REPUBUC O WALE FEATURING MIGUEL MAYBACH/WARNER BROS. 1 TAKE CARE PROMISE 1 2 #1 JUST A KISS 7 DRINK IN MY HAND 22 27 50 M DRAKE FU' RIHANNA YOUMIBMYAAWIInIt41MEIS01 ROMEO SANTOS FEAT USOSONY MUSIC LATIN 4WKS e LADY ANTEBELLUM CAPITOL NASHVILLE O ERIC CHURCH EMI NASHVILLE THE MOTTO DANZA KUDURO O COUNTRY MUST BE COUNTRY WIDE MAKE ME PROUD 1 2 66 27 15 58 3 - DON OAEA';ATG. HACHEIENNIVEBSA',I" DRAKE FEAT LIL WAYNE /,u NG MONEYYTASH MOHEYNNNERSAL REPUBUC OMAR& MEAN YA:S ° BRANTLEY GILBERT VALORY CD DRAKE FEAT. NICKI MINK YOUNG MONEY/CASH MONEY/UNIVERSAL REPUBLIC 5 O'CLOCK EL VERDADERO AMOR PERDONA SUPER BASS MARVIN & CHARDONNAY 1 8 4 7 23 21 28 48 47 17 T-PAIN FEAT. WIZ LRAM & KONWCTNAPPY BOY/JNORCA MANA WARNER LATINA NICKI MINAJ YOUNG MONEY /CASH MONEY /UNIVERSAL REPUBLIC BIG SEAN FEAT. WYNE WEST & GOOD /DR JAMDDJMG

DANCE (A$$) I KNOW YOU WANT ME (CALLE OCHO) FLY I DON'T WANT THIS NIGHT TO END 4 2 11 6 98 24 23 10 54 5 BIG SEAN FEAT. NICKI MINAJ G.O.O.DIDEF JAM/IDJMG PITBULL ULTRA NICRI MINN FEAT. RIHANNA YOUNG MONEY/CASH MONEYNNIVERSAL MOTOWN O LUKE BRYAN CAPITOL NASHVILLE NI * *AS IN PARIS WAKA WAKA (THIS TIME FOR AFRICA) IT GIRL BRIGHTER THAN THE SUN 3 15 5 80 26 12 52 8 JAY Z KMRE WEST ROC-A-FELLNROC NATION/DR JAMODJM6_ SHAKIRA FEAT. FRESHLYGROUND EPIC/SONY MUSIC LATIN O JASON DERULO BELUGA HEIGHTS/WARNER BROS. O CO LBIE CAILLAT UNIVERSAL REPUBLIC WORK OUT INTENTALO 8 14 3 2 J. COLE HOC NATION/COLUMBIA 38ALLMTY FEAT. EL BEBETO Y AMERICA SIERRA FONOVISA FLY RABIOSA 7 6 14 7 57 NICE MINN RAT. &HMRA YOUNG MONEY/CASH MONRNNNEASAL MOTOWN SHAKIRA EPIC/SONY MUSIC LATIN SUPER BASS FELIZ NAVIDAD 8 7 33 28 12 HOT SONGS'" NICKI YOUNG MONEY/CASH MONEYNNIVERSAL REPUBLIC JOSE FELICIANO RCA/LEGACY /SONY MUSIC 0 DIGITAL MINN o HATE SLEEPING ALONE HIPS DON'T LIE 1 9 10 98 DRAKE YOUNG MONEY /CASH MONEY /UNIVERSAL REPUBLIC SHAKIRA FEAT. WYCLEF JEAN EPIC/SONY MUSIC LATIN TITLE TITLE YOUNG, FREE HEROE WILD & 15 98 33 ARTIST IMPRINT I PROMOTION LABEL 3 S 3 3 ó ARTIST IMPRINT / PROMOTION LABEL 10 10 6 3 3ó SNOOP DOGG & MZ KHAUFA FEAT. BRAND MARS ROSTRUM/ATLANTIC ENRIQUE IGLESIAS INTERSCOPE/UNIVERSAL MUSIC LATINO WE FOUND LOVE IF THIS WAS A MOVIE 1 9 #1 26 3 2 GIVE ME EVERYTHING BON, BON BWKS RIHANNA FEAT CALVIN HARRIS SRP /DEF JAMADJMG TAYLOR SWIFT BIG MACHINE 13 34 11 11 55 PITBULL FEAT. NE-YO, AMOJACR & AMNIA 305/POLO GROUND&JYBCA PITBULL MR. 305/FAMOUS ARTIST/SONY MUSIC LATIN SEXY AND I KNOW IT WORK OUT 2 2 12 32 9 SHE WILL TABOO LMFAO PARTY ROCRNALLIAWCHERRYTREERNTERSCOPI J. COLE ROC NATION/COLUMBIA 12 11 14 j;, 12 13 38 ® LIL WAYNE FEAT. DRAIDYOUNG MONEY/CASH MOLAR/UNIVERSAL REPUBLIC DON OMAR ORFANATOIMACHETEIUNIVERSAL MUSIC LATINO IT WILL RAIN FLY 8 8 28 30 13 WE'LL BE FINE LOCA BRUNO MARS SUMMIT/CHOP SHOP/ELEKTRA/ATLANTIL NIEB MINAJ RAT. RINMNAYOUNG MONEY/CASH MONRNNNERSAL MOTC 13 12 62 © DRAKE FEAT. YOUNG MONEY /CASH MONEYNNIVBRSAL REFUEL L EL 1 BIRDMAN SHAKIRA FEAT. CATA EPIC/SONY MUSIC LATIN TAKE CARE YOU AND I 29 35 15 HYFR (HELL YA F * * * * *G RIGHT) THE ANTHEM 1 DRAKE FEAT. RIHANNA YOUNG MONEY/CASH MONEYNNIPIF LADY GAGA STREAMLINE/KONLIVE/INTERSCOPE 19 63 O DRAKE FEAT. FEAT. (r) UL WAYNE YOUNG MONEY/CASH MONEYNNIVERSA. PITBULL LIL JON FAMOUS ARTIST/TVT RUMOUR HAS IT / SOMEONE LIKE YOU OURS 30 5 2 SHOT FOR ME VEN CONMIGO 1 14 O - 1 GLEE CAST 20TH CENTURY FOX TV /COLUMBIA TAYLOR SWIFT BIG MACHINE 15 DRAKE YOUNG MONEY/CASH MONEYNNIWRSAL REPUBLIC DADDY YANKEE FEAT. PRINCE ROYCE EL CARTEL WITHOUT YOU WHEN WE STAND TOGETHER 6 4 12 60 8 DAVID GUETTA HAT USHER WHAT A MUSIC/ASTRALWERKS/CAF. NICKELBACK ROADRUNNER/RAP GOOD FEELING SUPER BASS 7 7 8 32 31 29 FLO RIDA POE BOY /ATLANTIC NICKI MINN YOUNG MONEY /CASH MONEY/UNIVERSAL REFUEL SOMEONE LIKE YOU GOD GAVE ME YOU 8 6 18 El 33 29 19 ADELE XI/COLUMBIA BLAKE SHELTON WARNER BROS. NASHVILLE/WMN ®KiD'" YOU DA ONE RUMOUR HAS IT O RIHANNA SRP /DEF JAM/IDJMG O ADELE XL/COLUMBIA THE MOTTO NOT OVER YOU TITLE M+ TITLE - 1 45 12 5 B O DRAKE FEAT. UI WAYNE YOUNG MONEY/CASH MONEYNNMRSN RlFU GAVIN DEGRAW J /RCA 3 3"g ARTIST IMPRINT LABEL Só ARTISTIIMPRINT/IABEL THE ONE THAT GOT AWAY HATE SLEEPING ALONE CALLING ALLTHE MONSTERS MISTLETOE 14 Ir 5 #1 5 PAYNC,L m KATY PERRY CAPITOL O DRAKE YOUNG MONEY/CASH MONEY /UNIVERSAL REPUBLIL CHINA ANNE MCCLAIN WALT DISNEY 3WKS JUSTIN BIEBER SD, S:LBL PF:_V à :N7ILdM6

MOVES LIKE JAGGER IF I DIE YOUNG MUSIC SOUNDS BETTER WITH U ALL I WANT FOR CHRISTMAS IS YOU 9 22 22 58 6 3 3 22 12 o.. 37 El MAROON 5 FEAT CHRISTINA AGUILEM A&M/OCTONE/INTEPS "P. THE BAND PERRY REPUBLIC NASHVILLE o BIG TIME RUSH FEAT. MANN NICKELODEON /COLUMBIA MARIAN CAREY LOLUMBIALEGACI "SONY MUSIC PUMPED UP KICKS YOUNG, WILD & FREE DYNAMITE 1 ALL I WANT FOR CHRISTMAS IS YOU 1 3 lO 27 Ell 38 43 6 3 2 17 FOSTER THE S SNOOP OOGG & )BAT. MARS ROSTRUM ATIANTIS oFF - GLEE FOX MUSIC PEOPLE STARTIME/COLUMBI WIZ KHMER MUND CHINA ANNE MCCLAIN WALT DISNEY CAST 2001 CENTURY W/COLUMBINSONY STEREO HEARTS LEVELS PARTY ROCK ANTHEM DO YOU HEAR WHAT I HEAR 1 a 12 19 1 GYM THE FDK RLMLTOMEGENCNAIIANRUM GLEE FOX CLASS HEROES FEAT. ARAM LBW DECAYBANCDWEUG O AVICIE VICIOUS 1 CHIPMUNKS & 1M CNNETOSZRH CRUD CAST 20TH CENTURY Pt/COLUMBIA/SONY MUSIC 5 O'CLOCK ROLLING IN THE DEEP THE CHIPMUNK SONG DRUMMER BOY 15 11 8 40 41 45 o 24 2 2 3 TPAIN FEAT AID KHAUFA & LILY ALLEN KONVICTMAPPY BOYIJF& F. ADELE XL/COLUMBIA DAVID SEVILLE & THE CHIPMUNKS CAPITOL JUSTIN BIEBER NAT. BUPA RHYMES SCHOCIBOY/RAYMMO BMUMSIANDIDJAB

PARTY ROCK ANTHEM LOVE YOU LIKE A LOVE SONG I SEE THE LIGHT ITS BEGINNING TO LOOK A LOT UKE CHRISTMAS 16 5 34 47 22 7 48 13 4 LMFAOHAI LAUREN DEMO &GORMSUI' e SELENA GOMEZ & THE SCENE HOLLYWOOD MANDY MOORE & ZACHARY LEVI WALT DISNEY MICHAEL BIBLE 143/REPRISE/WARNER BROS. DANCE (A$$) IN THE DARK DETERMINATE HAVE YOURSELF A MERRY LITTLE CHRISTMAS 17 16 6 7 4 32 15 4 BIG SEAN FEAT. NICK! MINAJ G.O.O.D./DEF JAM/IDJMG REV INDIE -POP /UNIVERSAL REPUBLIC 1110511 MENDER ADAM HICKS, NAOMI 5CUTT & RAYUY DYMOWALT DISNEY MICHAEL BIBLE 143/REPRISE/WARNER BROS.

NI * *AS IN PARIS JUST A KISS IF I RULED THE WORLD CHRISTMAS EVE (SARAJEVO 12/24) 19 12 8 5 18 19 22 JAY Z KANYE WEST ROC- A- FELLA/ROC NATIONIDEF JAMIIOJC", LADY ANTEBELLUM CAPITOL NASHVILLE BIG TIME RUSH HAT. RAZ NICKELODEON /COLUMBIA/SONY MUSIC TRANS- SIBERIAN ORCHESTRA LAVA/AG

YOU MAKE ME FEEL... YOU AND I / YOU AND I THE CHIPMUNK SONG (CHRISTMAS DON'T BE LATE) ROCKIN' AROUND THE CHRISTMAS TREE 19 17 19 9 3 3 16 20 COBRA STAMHIP STRAW DECAYDANCMUELED BY RAMENATUNTIC GLEE CAST 20TH CENTURY FOX TV /COLUMBIA DAVID SEVILLE & THE CHIPMUNKS LIBERTY/CAPITOL BRENDA LEE DECCA,UME

PARADISE ALL YOUR LIFE WHEN WILL MY LIFE BEGIN ALL I WANT FOR CHRISTMAS IS YOU (SUPERFESTIVE!) E*c 21 10 11 52 4 3 COLDPLAY CAPITOL THE BAND PERRY REPUBLIC NASHVILLE MANDY MOORE WALT DISNEY LISTA BIEBER DUET WN9 MARIAN CAROSERODBJYOARNMBMUNASIM DA& RED SOLO CUP DOMINO BOYFRIEND SANTA BABY ® 26 4 17 58 1 TORY KEITH SHOW DOG -UNIVERSAL JESSIE J LAVA/UNIVERSAL REPUBLIC BIG TIME RUSH NICKELODEON/COLUMBIA/SONY MUSIC GLEE CAST 20TH CENTURY FOX TV/COLUMBIA/SONY MUSIC

I DON'T WANT THIS NIGHT TO END GIVE ME EVERYTHING ALL I WANT IS EVERYTHING WHERE ARE YOU CHRISTMAS? 25 7 12 8 16 14 22 O LUKE BRYAN CAPITOL NASHVILLE PITBULL FEAT. NE -YO, AFROJACK & MAMMA, 305/POLO GROUNUSUá.: 'YICIDPIOUS CAST FEAT VICTORIA JUSTICE NICKEL00EON/COWMBWSONY MUSIC FAITH HILL INTERSCOPE/IGA IT GIRL WE OWNED THE NIGHT UNDER THE SEA ITS THE MOST WONDERFUL TIME OF THE YEAR 23 18 15 13 10 9 5 20 JASON DERULO BELUGA HEIGHTS/WARNER BROS LADY ANTEBELLUM CAPITOL NASHVILLE SAMUEL E. WRIGHT WALT DISNEY ANDY WIWAMS COLUMBINLEGACY/SONY MUSIC A THOUSAND YEARS SHE WILL FREAK THE FREAK OUT CHRISTMAS CANON 24 20 5 14 15 16 22 CHRISTINA PERRI SUMMIT/CHOP SHOP/ATIANRGRRF UL WAYNE FEAT DINE YOUNG MONEY /CASH MONEYNNIVERSUL REPUBL VICTORIOUS CAST FLAT. VICTORIA JUSTICE NICDLDOEONCOLUMBWSONY MUSK TRANS -SIBERIAN ORCHESTRA LAVA/AG

MR. KNOW IT ALL I CAN'T GO FOR THAT/ YOU MAKE MY DREAMS WATCH ME THE CHRISTMAS SONG (MERRY CHRISTMAS TO YOU) 25 24 11 15 12 22 19 KELLY CLARKSON 19/RCA GLEE CAST 20TH CENTURY FOX TV /COLUMBIA BELLA THORNE & ZENDAYA WALT DISNEY NAT KING COLE CAPITOL pó Imz

Data for week of DECEMBER 3, 2011 I For chart reprints call 212.493.4023 Go to www.billboard.biz for complete chart data I 51 AIRPLAY MONITORED BY DEC niclscn 3 Billboarel BDS

MAINSTREAM ADULT ROCK SONGS TOP 40" At CONTEMPORARY"

um W TITLE W W TITLE A< TITLE TITLE 133ó ARTIST (IMPRINT / PROMOTION LABEL) a33á ARTIST (IMPRINT / PROMOTION LABEL) 3 ARTIST (IMPRINT / PROMOTION LABEL) ARTIST (IMPRINT PROMOTION LABEL) WITHOUT YOU Irg SOMEONE LIKE YOU THE SOUND OF WINTER GREATEST PARADISE 2 12 2 13 2 10 VL c o DAVID GUETTA FEAT. USHER (WHAT A MUSMJASIRN.WERKSCARTOLI ADELE L) WT,/!n SWIG BUSH C NIA CCK EO;E1 GAINER COLDPLAY )CAF .),L, STEREO HEARTS IF I DIE YOUNG WALK THE SOUND OF WINTER 2 1 19 6 2 2 25 1 17 GYM CLASS HEROES FEAT. ADAM LEVAS (DECAYDANCHFUELED BY RAMEAARP) THE BAND PERRY (REPUBLIC NASHVILLE/UNIVERSAL REPUBLIC) FOO FIGHTERS (ROSWELL/RCA) BUSH (ZUMA ROCK/EONE) FOUND LOVE JUST A KISS PARADISE LONELY BOY 6 8 WE 14 3 10 3 4 o RIHANNA FEAT. CALVIN HARRIS (SRP /DEF JAM /IDJMG) Fr 5 LADY ANTEBELLUM (CAPITOL NASHVILLE /CAPITOL) COLOPLAY (CAPITOL) 17 THE BLACK KEYS (NONESUCH /WARNER BROS. SOMEONE LIKE YOU ROLLING IN THE DEEP LONELY BOY COUGH SYRUP 4 3 15 3 37 4 4 Oki 4 20 ADELE (XL /COLUMBIA) ADELE (XL/COLUMBIA) O THE BLACK KEYS (NONESUCH /WARNER BROS.) YOUNG THE GIANT (ROADRUNNER /RRPI SEXY AND I KNOW IT F* *KIN' PERFECT TONIGHT WALK 7 12 6 43 5 5 19 25 O LMFAO (PARTY ROCK/ WILL. I.AM/CHERRYTREE/INTERSCOPE) PINK (LAFACE /RCA) SEETHER (WIND -UP) FAA FIGHTERS (ROSWELL /RCA) MOVES LIKE JAGGER GOOD LIFE FACE TO THE FLOOR SAIL 6 5 19 7 22 7 8 6 42 MAROON 5 FEAT. CHRISTINA AGUILERA (ABM /OCTONE/INTERSCOPE) ONEREPUBLIC (MOSLEY / INTERSCOPE) o CHEVELLE (EPIC) AWOLNATION (RED BULL) YOU MAKE ME FEEL... THE EDGE OF GLORY THE ADVENTURES OF RAIN DANCE MAGGIE DARK HORSES 7 4 21 9 23 19 10 16 COBRA STARSHP FEAT. SAN (DECAYDANCE/FUELEDBY RAMEWATLANTICMRP) LADY GAGA (STREAMLINE /KONLIVE /INTERSCOPE) RED HOT CHILI PEPPERS (WARNER BROS.) SWITCHFOOT (LOWERCASE PEOPLE/ATLANTIC) THE ONE THAT GOT AWAY FOR THE FIRST TIME PUMPED UP KICKS PUMPED UP KICKS 10 6 8 35 8 45 7 44 o KATY PERRY (CAPITOL) a THE SCRIPT (PHONOGENIC /EPIC) FOSTER THE PEOPLE CTARTII.IL'COLUMRIA) FOSTER THE PEOPLE (STARTIME/COLUMBIA) IT WILL RAIN DON'T YOU WANNA STAY THESE DAYS TONIGHT 12 7 10 24 16 prt JASON ALDEAN O BRUNO MARS (SUMMIT /CHOP SHOP /ELEKTRA /ATLANTIC) WITH KELLY CLARKSON (BROKEN BOW /RED) FOX FIGHTERS ) /OSriELL FGA) .11 SEETHER (WIND -UP) I IN THE DARK ALL WANT FOR CHRISTMAS IS YOU j NOT AGAIN 10 9 15 15 10 19 9 -8 DEB (INDIE -POP /UNIVERSAL REPUBLIC) MICHAEL BUGLE (143 /REPRISE/WARNER BROS.) STAIND (FLIP /ATLANTIC) FOSTER THE PEOPLE (STARTIME /COLUMBIA) GOOD FEELING KEEP YOUR HEAD UP BOTTOMS UP FACE TO THE FLOOR 14 8 J'': 11 11 26 9 9 12 8 '¡ FLO RIDA (POE BOY /ATLANTIC) ANDY GRAMMER (5- CURVE) NICKELBACK (ROADRUNNER /RRP) 11) CHEVELLE (EPIC) PUMPED UP KICKS MOVES LIKE JAGGER COUGH SYRUP THESE DAYS 12 8 18 12 12 15 11 17 16 9 FOSTER THE PEOPLE (STARTIME /COLUMBIA) MAROON 5 CHRISTINA AGUILERA (ABM /OCTONE/INTERSCOPE) YOUNG THE GIANT (ROADRUNNER /RRP) F00 FIGHTERS (ROSWELL/RCA) IT GIRL MR. KNOW IT ALL WHAT YOU WANT THE ADVENTURES OF RAIN DANCE MAGGIE ® 11 13 3 14 11 15 8 19 JASON DERULO (BELUGA HEIGHTS /WARNER BROS.) KELLY CLARKSON (19 /RCA) EVANESCENCE (WIND -UP) Flt3 RED HOT CHILI PEPPERS (WARNER BROS MR. KNOW IT ALL BRIGHTER THAN THE SUN SAIL ABERDEEN 13 11 14 13 9 35 13 10 KELLY CLARKSON (19/RCA) COLBIE CAILLAT (UNIVERSAL REPUBLIC) AWOLNATION (RED BULL) CAGE THE ELEPHANT (DOP /JIVE /RCA) PARTY ROCK ANTHEM NOTHING SHAKE IT OUT COLOURS 15 15 33 16 8 19 7 17 16 LMFAO (PARTY ROCK /WILL.I.AM /CHERRYTREE /INTERSCOPE) THE SCRIPT (PHONOGENIC /EPIC) FLORENCE + THE MACHINE (UNIVERSAL REPUBLIC) GROUPLOVE (CANVASBACK/ATLANTIC) FLY ITS BEGINNING TO LOOK A LOT LIKE CHRISTMAS COUNTRY SONG AFTER MIDNIGHT 16 8 28 2 18 20 37 18 7 NICKI MAW FEAT. MANNA (YOUNG MONEY/CASH MONEYAHINTRSAL MOTOWN) MICHAEL BUGLE (143 /REPRISE/WARNER BROS.) SEETHER (WIND -UP) BLINK-182 (DGC / INTERSCOPE) LOVE YOU LIKE A LOVE SONG HAVE A HOLLY JOLLY CHRISTMAS ROLL AWAY YOUR STONE MONARCHY OF ROSES 19 11 NEW 16 23 20 5 L SELENA GOMEZ A THE SCENE (HOLLYWOOD) MICHAEL RUBLE (143 /REPRISE/WARNER BROS.) MUMFORO & SONS (GENTLEMAN OF THE ROAD/RED /GLASSNOTE) RED HOT PEPPERS BROS.) CHILI (WARNER

5 O'CLOCK ALL I WANT FOR CHRISTMAS IS YOU (SUPERFESTIVEI) ROPE WHAT YOU WANT 21 5 NEW 18 16 39 18 14 15 T PAIN FEAT AM KI&WFA & LAY ALLEN (KONVICT/NAPPY BOY /JIVE/RCA) JUSNI BOER DUET WITH AVM &vEr ISCHOOLBOV/RAYMOND BRAUMSUAMDJMG) FOCI FIGHTERS (ROSWELURCA) EVANESCENCE (WIND -UP) NOT OVER YOU TALKING TO YOU (IS LIKE TALKING TO MYSELF) HELENA BEAT SHAKE IT OUT 22 10 19 18 9 19 15 14 21 7 GAVIN DEGRAW (J /RCA) DARYL HALL (VERVE FORECAST /VERVE) FOSTER THE PEOPLE (STARTIME /COLUMBIA) 110 FLORENCE + THE MACHINE (UNIVERSAL REPUBLIC) YOU AND I LAST FRIDAY NIGHT (T.G.I.F.) BURIED ALIVE PUNCHING IN A DREAM 20 18 15 20 9 17 21 8 22 13 LADY GAGA (STREAMLINE/KONLIVE /INTERSCOPE) KATY PERRY (CAPITOL) m AVENGED SEVENFOLD (HOPELESS /SIRE /WARNER BROS.) PeD THE NAKED AND FAMOUS )SOMEWHAT DAMAGED/POLYDORNNNERSAL REPUBLIC) JUSTA KISS A BRIGHTER DAY DARK HORSES PROMISES, PROMISES 24 7 21 21 7 22 15 21 19 19 LADY ANTEBELLUM (CAPITOL NASHVILLE /CAPITOL) THE DOOBIE BROTHERS (HOR) SWITCHFOOT (LOWERCASE PEOPLE /ATLANTIC) INCUBUS (IMMORTAL /EPIC)

HEADLINES TONIGHT TONIGHT MONSTER YOU MADE ALL I EVER WANTED 27 4 22 22 16 23 17 23 12 DRAKE MONEY /CASH HOT ® (YOUNG MONEY/UNIVERSAL REPUBLIC) CHELLE RAE (JIVE /RCA) o POP EVIL (EONE) THE AIRBORNE TOXIC EVENT (MAJORDOMO /ISLAND /IDJMG) 25 9 DOMINO LET'S STAY TOGETHER MONARCHY OF ROSES NOT YOUR FAULT 23 23 4 25 4 27 6 ® JESSIE J - AVA /UNIVERSAL REPUBLIC) SEAL (REPRISE /WARNER BROS.) RED HOT CHILI PEPPERS (WARNER BROS.) CD AWOLNATION (RED BULL) GREATEST MARRY THE NIGHT LET THE RAIN THIS IS GONNA HURT NARCISSISTIC CANNIBAL 27 11 25 4 e GAINER LADY GARA (STREAMLINEIKONLIVEANTERSCOPE) MARGO REY ( ORGANICA) SIXX: A.M. (ELEVEN SEVEN) KORN FEAT. SKRILLEX 8 KILL THE NOISE (ROADRUNNER/RRP) I LIKE IT LIKE THAT FA LA LA PROMISES, PROMISES UP ALL NIGHT 29 7 211- 24 17 25 24 19 O HOT CHELLE RAE FEAT. NEW BOYZ (RCA) JIM BRICKMAN FEAT. GENEVIEVE BELLEMARE ( /MOOD) INCUBUS (IMMORTAL /EPIC) BLINK -182 (DGC / INTERSCOPE) BLACKOUT NARCISSISTIC CANNIBAL 28 5 29 5 BREATHE CAROLINA (FEARLESS /RED) KORN FEAT. SKRILLEX & KILL THE NOISE (ROADRUNNER /RRP) CRIMINAL AFTER MIDNIGHT 27 20 9 ® 28 6 BRITNEY SPEARS (JIVE /RCA) BLINK -182 (DGC / INTERSCOPE) MR. SAXOBEAT UNDER AND OVER IT i 28 23 16 28 26 17 TRIPLE A "î ALEXANDRA STAN (ULTRA) FIVE FINGER DEATH PUNCH (PROSPECT PARK) t HEARTBEAT COLOURS O 32 3`` 30 12 fi THE FRAY (EPIC) TITLE Q GROUPLOVE (CANVASBACK/ATLANTIC) TITLE YOU DA ONE BITCH CAME BACK 30 26 2 ARTIST (IMPRINT / PROMOTION LABEL) 34 9 ARTIST (IMPRINT i PROMOTION LABEL) RIHANNA (SRP /DEF JAM /IDJMG) THEORY OF A HEADMAN (604 /ROADRUNNER/RRP) SOMEONE LIKE YOU PARADISE - ABERDEEN 36 3'`l WORKOUT ADELE (XL/COLUMBIA) 31 6 COLAPLAY (CAPITOL) J. COLE (ROC NATION /COLUMBIA) CAGE THE ELEPHANT (DSP/JIVE /RCA) O MOVES LIKE JAGGER LUCKY NOW WE STAND TOGETHER 2 2 20 THE COLLAPSE 2 12 32 30 6 WHEN MAROON 5 FEAT. CHRISTINA AGUILJRA (ABM / OCTONE/INTERSCOPE) 36 6 RYAN ADAMS (PAX.AM /CAPITOL) NICKELBACK (ROADRUNNER /RRP) AOELITAS WAY (VIRGIN /CAPITOL) o MR. KNOW IT ALL LONELY BOY 3 12 3 3 L, TONIGHT IS THE NIGHT A WARRIOR'S CALL 4 © 35 KELLY CLARKSON (19/RCA) 35 9 THE BLACK KEYS (NONESUCH/WARNER BROS.) OUTASIGHT (WARNER BROS.) VOLBEAT (VERTIGO /UNIVERSAL REPUBLIC) NOTHING CALAMITY SONG NI * *AS IN PARIS 4 4 18 NO MATTER WHAT 6 13 O 39 2 THE SCRIPT (PHONOGENIC /EPIC) 33 16 O THE DECEMBERISTS (CAPITOL) JAY Z KNOT WEST (ROC- A- FELLA/ROC NATIONNEF JAMADJMG) PAPA ROACH (ELEVEN SEVEN) BRIGHTER THAN THE SUN LOST IN MY MIND 2 WISH YOU WERE HERE 5 21 DON'T STOP (COLOR ON THE WALLS) 4 33 COLBIE CAILLAT (UNIVERSAL REPUBLIC) 41 5 THE HEAD AND THE HEART (SUB POP) AVRIL LAVIGNE (RCA) o FOSTER THE PEOPLE (STARTIME /COLUMBIA) JUST A KISS HOW COME YOU NEVER GO THERE INTERNATIONAL LOVE 8 16 PUNCHING IN A DREAM 8 13 LADY ANTEBELLUM (CAPITOL NASHVILLE /CAPITOL) 45 4 FEIST (ARTS 8 CRAFTS) PITBULL FEAT. CHRIS BROWN (MR. 305 /POLO GROUNDS /J /RCA) o THE WHO Mamma (SOMEWHAT DAMAGED/POLYDOFWNNTRSAL REPUBLIC) ® NOT OVER YOU CALLED OUT IN THE DARK 3ÿ 41,3 KEEP YOUR HEAD UP 9 21 CURL OF THE BURL 7 12 j O GAVIN DEGRAW (J/RCA) 11111;39 6 SNOW PATROL (POLYDOR /FICTION /ISLAND /IDJMG) ANDY GRAMMER (S- CURVE) MASTODON (REPRISE /WARNER BROS.) YOU AND I THE WALK COUNTDOWN 8 7 14 UP ALL NIGHT 9 8 LADY GAGA (STREAMLINE /KONLIVE /INTERSCOPE) 37 19 MAYER HAWTHORNE (UNIVERSAL REPUBLIC) BEYONCE (PARKWOOD /COLUMBIA) BLINK -182 (DGC /INTERSCOPE) O PUMPED UP KICKS SHAKE ® 6 22 IT OUT PAPI 9 REMEMBER EVERYTHING 11 5 39 33 4 FOSTER THE PEOPLE (STARTIME /COLUMBIA) 49 2 FLORENCE + THE MACHINE (UNIVERSAL REPUBLIC) JENNIFER LOPEZ (ISLAND /IDJMG) FIVE FINGER DEATH PUNCH (PROSPECT PARK) CRAWLING BACK TO YOU HEY MAMA DON'T HOLD YOUR BREATH 11 9 LUCKY NOW 10 10 28 40 34 7 DAUGHTRY (19 /RCA) 46 5 MAT KEARNEY (AWARE /UNIVERSAL REPUBLIC) ( INTERSCOPE) RYAN ADAMS (PAX.AM /CAPITOL) TONIGHT TONIGHT P HEARTBEAT 11 12 24 BULLET IN MY HAND 12 5 HOT CHELLE RAE (JIVE /RCA) CIF 44 5 m THE FRAY (EPIC) REOLIGHT KING (HOLLYWOOD) WHEN WE STAND TOGETHER SOMEONE LIKE YOU 12 13 9 HELL 12 5 16 David Guetta scores his first Mainstream Top 40 No.1, as "Without NICKELBACK (ROADRUNNER/RAP) 48 2 ADELE (XL/COLUMBIA) m DISTURBED (REPRISE /WARNER BROS.) HEARTBEAT PUMPED UP KICKS You," featuring Usher, rises 2 -1. The song marks the French DJ /pro- 14 6 CALLED OUT IN THE DARK 13 15 29 THE FRAY (EPIC) 43 43 5 FOSTER THE PEOPLE (STARTIME/COLUMBIA) ducer/songwriter's first leader on the list. He had previously peaked SNOW PATROL (POLYDOR /FICTION /ISLAND /IDJMG) STEREO HEARTS HEART ON FIRE HEARTBEAT 17 12 as high as No. 3 "Sexy featuring Akon. last T with (hick." year. 6111DA HEMS RAT MACAW(DECAYDAWEREDD BY RASA 44 40 6 SCARS ON 45 (CHOP SHOP /ATLANTIC THE FRAY (EPIC) Usher earns his second No. 1 after reigning for three weeks with YOU MAKE ME FEEL... FREE 15 14 HOT SHOT THE WALK 21 5 COBRA STAMP FEAT. SABI IDECAYDANCE/FUELED BY RAMEWATLANTIC /RRPI GRAFFITI6 (N .W. FREE /CAPITOL) "Yeah!," featuring Lil Jon and Ludacris, in 2004. He'd stopped just DEBUT MAYER HAWTHORNE (UNIVERSAL REPUBLIC) W IT WILL RAIN O SHE WALKS IN SO MANY WAYS one spot short of the summit six times since then, most recently with 18 7 SOMEONE LIKE YOU 16 16 17 BRUNO MARS (SUMMIT /CHOP SHOP /ELEKTRA/ATLANTIC) 46 38 14 THE JAYHAWKS (ROUNDER/CMG) ADELE (XL /COLUMBIA) "DJ Got Us Fallin' in Love," featuring Pitbull, a year ago. THE ONE THAT GOT AWAY WE ALL GO BACK TO WHERE WE BELONG 5 22 ALL I EVER WANTED 23 3 Also making news is Bruno Mars, who rises 12 -9 with "It Will KATY PERRY (CAPITOL) RE-ENTRY e R.E.M. (WARNER BROS.) THE AIRBORNE TOXIC EVENT (MAJORDOMO /ISLAND /IDJMG) PARADISE DRIVE ALL NIGHT Rain," from the Twilight Saga: Breaking Dawn: Part lsoundtrack 20 6 GET THRU THIS 20 14 COLDPLAY (CAPITOL) 47 gl#1 O NEEDTOBREATHE (ATLANTIC /RRP) (which debuted on last --. ART OF DYING (INTOXICATION /REPRISE /ILG) WITHOUT YOU THE ADVENTURES OF RAIN DANCE MAGGIE 23 7 ®CALAMITY 19 14 18 week's Billboard 200 at OAWD GUETTA FEAT. USHER (WHAT A MUSIC /ASTRALWERKS/CAPITOL) SONG RED HOT CHILI PEPPERS (WARNER BROS.) THE DECEMBERISTS (CAPITOL) No. 4). The song marks THE ADVENTURES OF RAIN DANCE MAGGIE (HAPPY) 20 19 15 IRRESISTIBLE FORCE 20 18 16 RED HOT CHILI PEPPERS (WARNER BROS.) 42 16 (ASTRALWERKS /CAPITOL) Mars' seventh fop 10 in as JANE'S ADDICTION (CAPITOL) KISS ME SLOWLY I MIGHT many tries dating to his 21 12 PARACHUTE (MERCURY /IDJMG) WILCO DBPM /ANTI- /EPITAPH) arrival last year as a fea- WE FOUND LOVE DOWN IN THE VALLEY 29 3 (oldplay collects its second Alternative No. tured vocalist on B.o.B's ® RIHANNA FEAT. CALVIN HARRIS (SRP /DEF JAM /IDJMG) THE HEAD AND THE HEART (SUB POP) I 1, as "Paradise" ascends 2 -1 in its 10th No. 1-peaking " Nothin' LIGHTS DON'T STOP (COLOR ON THE WALLS) 24 9 chart week. "Viva la Vida" reached the top 24 4 ® ELLIE GOULDING (CHERRYTREE /INTERSCOPE) FOSTER THE PEOPLE (STARTIME /COLUMBIA) on You." No other male A THOUSAND YEARS in 11 frames (and reigned for two) in 2008. STAY YOUNG, GO DANCING 34 2 24 22 13 artist has begun with as CHRISTINA PERRI (SUMMIT /CHOP /ATLANTIC /RRP) DEATH CAB FOR CUITE (BARSUK/ATLANTIC) SHOP The group notched the first of its 16 chart many consecutive top lOs SET FIRE TO THE RAIN BRAND NEW DAY entries this week in 2000 with the debut of 26 14 AOELE (XL/COLUMBIA) TREVOR HALL (VANGUARD) on the tally. ® 0 ® the eventual No. 6- peaking "Yellow.'-

52 Go to www.billboard.biz for complete chart data Data for week of DECEMBER 3, 2011 AIRPLAY SALES DATA MONITORED BY COMPILED BY njclscn niclscn DEC BDS SoundScan Billbarl 2011

(R Eo TITPRL Artist TITLE Artist S OOUE CERISONGWflITERI .: Ni IMPRINT & NUMBER / PROMOTION LABEL d# « ç iá PRODUCER (SONGWRITER) INT & NUMBER / PROMOTION LABEL COUNTRY MUST BE COUNTRYWIDE Brantley Gilbert BAITA HOOK Justin Moore 3 4 33 #1 1 26 25 25 o WK 0 HUFF IM DEKLE,C FORD,B.GILBERTI 0 VALORY J STOVERIRAKINS,J.MOOREJ.S.STOVERI O VALORY GREATEST TATTOOS ONTHISTOWN Jason Aldean WHERE I COME FROM Montgomery Gentry 7 15 2 27 28 2Z © 6 GAINER M KNOX IN THRASHER,W.MOBLEY,MDULANEYI ()BROKEN BOW M KNOX(R.CLAWSON,D.DAVIDSON) O AVERAGE JOE S WE OWNED THE NIGHT Lady Antebellum RED SOLO CUP Toby Keith © 5 6 3 31 31 28 16VORLEY,LADY ANTEBELLUM (D.HAYWOOD,C.KELLEY,D.DAVIDSON) O CAPITOL NASHVILLE Singer moves closer O T KEITH (J. BEAVERS ,B.BEAVERS,B.WARREN,B.WARREN) @SHOW DOG- UNIVERSAL BAGGAGE CLAIM Miranda Lambert to a seventh career MY HEART CAN'TTELLYOU NO Sara Evans 7 5 4 28 27 V DO ELLCAINLAYG. WORF IM.LAMBERT,N.HEMBY,LLAIRDI ()RCA I BRO WN IS.CUMIE,D.W.MORGAN) O RCA Q leader (and third O SPARKS FLY Taylor Swift . DIDN'T I James Wesley 5 1 3 from his My Kinda 30 29 29 N CHAPMAN,TSWIFT(T.SWIFT) O BIG MACHINE O DFRIZSELLR.CLAWSON (B.GLOVER,KJACOBS,R.MONTANAI O BROKEN BOW GOD GAVE ME YOU Blake Shelton Party album), as ALONE WITH YOU Jake Owen 6 2 2 32 33 31 S.HENDRICKS ID.BARNES) O WARNER BRDSJ WMN the set's fourth ® J. M01,R.CIAWSON IC.GRAVITEJ THARDING,S.MCANALL) O RCA CRAZY GIRL Eli Young Band THE TROUBLE WITH GIRLS Scotty McCreery 7 4 1 radio single leaps a33 32 32 M WRUCKE(LBRICE,LROSE) O REPUBLIC NASHVILLE M. BRIGHT (P.W HITE,C.TOMPKINS) O 19/INTERSCOPE/MERCU RY 6 -2 with Greatest KEEP ME IN MIND Zac Brown Band 34 LIKE MY DOG Billy Currington 8 8 © 8 O K. STEGALL,ZBROWN (ZBROWN,WAURRETTE,N.COWAN) O SOUTHERN GROUND /ATLANTIC /BIGGER PICTURE Gainer nod (up C CHAMBERLAIN,B.CURRINGTON IS.EMERICK,HALLEN) O MERCURY I GOT YOU Thompson Square 3.2 million listener COME HOME Faith Hill 9 9 9 Q 35 34 NV IS THOMPSON,K.THOMPSONJ.SELLERS,P.JENKINSI @ STONEY CREEK B. GALLIMORE,EHILL IRB.TEDDER) ()WARNER BROSJWAR impressions). He EASY Rascal Flatts Featuring Natasha Bedingfield 39 LOVE'S GONNA MAKE IT ALRIGHT George Strait 10 10 10 most recently 36 35 O. HUFFRASCAL FLATTS IKELAMM.MOBLEYI O BIG MACHINE O T BROWN ,GSTRAITIAANDERSON,C.STAPLETON) O MCA NASHVILLE LET IT RAIN David Nail topped the chart Brice m11 WOMAN LIKE YOU Lee 11 11 O 37 35 A 35 FLIDDELLCAINIAYIO .NAILJ.SINGLETON) OO MCA NASHVILLE with "Dirt Road J.STONE,LBRICE (J.BULFORD,P..BARTON,(STONE) O CURB DRINK IN MY HAND Eric Church Anthem" in August. GOT MY COUNTRY ON Chris Cagle 12 12 12 O 38 36 J. JOYCE IECHURCH,M.PHEENEYLLAIRS1 O EMI NASHVILLE K.STEGALL IKARCHERJ.WEAVER,D.MYRICKI 0 BIGGER PICTURE I DON'T WANT THIS NIGHTTO END Luke Bryan LET'S DON'T CALL IT A NIGHT Casey James 13 39 37 37 J. STEVENS IL. BRYAN ,D.DAVIDSON,R.AKINS,B.HAYSUPI O CAPITOL NASHVILLE C.LINDSEY (CJAMES,B.LONG,TMCBRIDE) 019/BNA ALL YOUR LIFE The Band Perry SOMETHIN' 'BOUT A TRUCK Kip Moore 13 14 13 41 40 N CHAPMAN (B.HENNINGSEN,C.HENNINGSEN) O REPUBUC NASHVILLE 13 JAMES IKMOORE,D COUCH) O MCA NASHVILLE ONE MORE DRINKIN' SONG Jerrod Niemann THIS OLE BOY Craig Morgan 13 40 38 37 J NIEMANN,D.BRAINARD (J.LNIEMAN,R.BROWN) O SEA GAYLE/ARISTA NASHVILLE O PO DONNELLIB.HAYSLIP,O.OAVIDSON,R AKINSI O BLACK RIVER REALITY Kenny Chesney DRINK MYSELF SINGLE Sunny Sweeney 16 16 16 42 41 41 m R. CANNON,KCHESNEY IKCHESNEY,BJAMESI 0 BNA Teenage singer/ CD B.BEAVERS IM.HOLMES,S.SWEENEYI O REPUBLIC NASHVILLE YOU ChrisYoung songwriter/producer GEORGIA PEACHES Lauren Alaina 17 47 43 42 J STROUD m IC.YOUNG,LLAIR01 OO RCA B GALUMOREIM.HOPE,B SALYR.PROCTOR) OO 19/INTERSCOPE/MERCURY lands his first top 20 O I GOT NOTHIN' Darius Rucker HE'S MINE Rodney Atkins 17 17 17 hit with lead single 46 57 F ROGERS ID. RUCKER,C.MILLSI ()CAPITOL NASHVILLE O T HEWITT,RATKINS IC.BEATHARD,PO'DONNELLTJAMESI O CURB I'M GONNA LOVE YOU THROUGH IT Martina McBride from his self- titled MAKE YOU LOVE ME Andy Gibson 20 20 19 44 43 42 WANNA 42 M. MCBRIDE,R.GALLIMORE IB.HAYSLIP,,S.ISAACS,JYEARYI O REPUBLIC NASHVILLE debut album. Song J. STROUO IJ.COLLINS,B.PI NSON) O DMP/R &J AIR STORM WARNING Hunter Hayes MERRY GO ROUND The JaneDear Girls 22 21 30 20 reaches the top 20 44 U.HUFEH.HAYESIH HAYES,G.SAMPSUN,BUSBEEI 49 o POWER O AtLANTICANMN O J.RICH ID LEVERETTPAMATO,O,LEIBERI @ WARNER BROSNWMN in its 30th week, HOME Dierks Bentley MILLION DOLLAR VIEW Trace Adkins 23 23 21 52 58 46 B. BEAVERS,LWOOTEN marking the chart's O ID.WILSON,B.BEAVERS,D.BENTIEY) OCAPITOLNASHVILLE K.BEARD,MWRIGHTIO.LMURPHY,G.G.TEREN 111) 0 SHOW DOG-UNIVERSAL CAMOUFLAGE Brad Paisley longest top 20 SOMEBODY'S CHELSEA Reba 21 22 21 45 44 44' F RO GERS @ARISTA NASHVILLE O. ® (B.PAISLEYC.DUBOIS,KLOVELACEI climb since David HUFF IR.MCENTIRE,LHENGBERWROBINSON) 0 STARSTRUCKNALORY YOU GONNA FLY Keith Urban UNDERDOG The LostTrailers m2930 23 Nail's "Let It Rain" 49 46 D.HUFF,K.URBAN IJJOHNSTON,C.LUCAS,P.BRUSTI 0 CAPITOL NASHVILLE OYY S NIELSON IG S. NIELSON ,D.LMURPHYJ.SEVER,H.TOBINI O STOKES/HRT /C05 LONG WAY TO GO Alan Jackson (No -11) needed 32 M Fowler 24 24 24 THAT GIRL Kevin K.STESALLIAJACKSSNI O 4 0 ACREMI NASHVILLE weeks to do so in D.LMURPHY III FOWLERTWILLMON,C.INGERSOLLI O AVERAGE JOE S AMEN Edens Edge September. HOME SWEET HOME The Farm 25 26 25 55 53 50 M.BRIGHT O ® IS. BLACK,H.BLAYLOCK,C.GRAVITTG.O'BRIEN) O BIG MACHINE D.MYRICK,N HOFFMAN IO MYRICK,N HOFFMAN,K MARIED.HORNEI ()ALL IN /ELEKTRA NASHVILLE/NEW REVOLUTION

TOP COUNTRY ALBUMS'" BLUEGRASS ALBUMS*"

o ME ARTIST Title a ßp5 ME ARTIST Title @a@tt j o tS E ARTIST Title IMPRINT & NUMBER wi rá wig I DISTRIBUTING LABEL (PRICE) BC 73 á WS IMPRINT & NUMBER) DISTRIBUTING LABEL (PRICE) ïi 3 5 g IMPRINT & NUMBER / DISTRIBUTING LABEL (PRICE) N SCOTTY MCCREERY ClearAs Day 1 2 2 7 CHRIS YOUNG Neon YO -YO MA/DUNCAN /MEYER/THILE The Goat Rodeo Sessions 26 26 23 2 1 I 4 #1 19 /MERCURY NASHVILLE 016022/IGNUMGN 113.981 RCA 85497/SMN 110.981 4WK9 SONY CLASSICAL 84118 /SONY MASTERWORKS LADY ANTEBELLUM Own The Night ELI YOUNG BAND Life At Best ALISON KRAUSS & UNION STATION Paper Airplane 2 3 4 1 27 29 28 3 2 CAPITOL NASHVILLE 94431 118.98) REPUBLIC NASHVILLE 015856 /UNIVERSAL REPUBLIC (10.98) I© ROUNDER 610665' /CONCORD MIRANDA LAMBERT FourThe Record RASCAL This 1 1 FLATTS Nothing Like Antifogmatic 3 1 28 30 1 RCA 90589/SMN 111981 rH 28 9 BIG MACHINE RF0100A 113.98) O NONESUCH 521980'1/WARNER BROS. /14 LUKE BRYAN Tailgates &Tanlines 6 6 1 BLAKE SHELTON Loaded:The Best Of Blake Shelton STEVE MARTIN ANDTHE STEEP CANYON RANGERS Rare Bird Alen CAPITOL NASHVILLE 36 34 4 4 O 70412 (16.981 REPRISE 525092/WMN 118.981 O 40 SHARE/ROUNDER 610660'/CONCORD JASON ALDEAN My Kinda Party TIM 5 4 5 1 MCGRAW Number One Hits THE ISAACS Why Can't We BROKEN © 35 38 6 5 3 BOW 7697 (18.98) o CURB 79205 (18.98) GAITHER 46138/EMI CMG TOBY KEITH Clancy'sTavern 6 5 3 1 JOE NICHOLS It's All Good MARK O'CONNOR An Appalachian Christmas SHOW DOG- 31 19 19 UNIVERSAL 01559219.981 SHOW DOG -UNIVERSAL 015211 (718) OMAC 16 THE BAND PERRY The Band Perry 7 7 11 2 HUNTER HAYES Hunter Hayes DIERKS BENTLEY Up OnThe Ridge REPUBLIC NASHVILLE 32 31 25 7 014839/UNIVERSAL REPUBLIC 110381 ATLANTIC 528890/WMN (18.98) CAPITOL NASHVILLE 85410" DAVID NAIL The Sound OfA Million Dreams 1 SARA EVANS Stronger RHONDA VINCENT Taken MCA NASHVILLE 016220 /UMGN 33 30 36 1 O 110.981 RCA 49693/SMN UPPER (10.98) MANAGMENT 0001 GREATEST TAYLOR SWIFT Speak Now 11 15 56 1 SOUNDTRACK Country Strong SARAH JAROSZ Follow Me Down BIB MACHINE TS0300A 118981 + I© 34 37 32 2 o GAINER RCA 7291I/SMN (11.98) SUGAR HILL 4062'NWELK ERIC CHURCH Chief BILLY CURRINGTON EnjoyYourself City Of Refuge 10 8 13 1 41 ABIGAIL WASHBURN EMI NASHVILLE 94266' 35 2 116.981 MERCURY 014407 /UMGN (9.981 FOREIGN CHILDREN /ROUNDER 613289; CONCORD BLAKE SHELTON Red River Blue MONTGOMERY GENTRY Rebels On The Run 11 1 36 34 24 9 WARNER BROS. 527370ANMN 118.981 AVERAGE JOE'S 233 114.98) BRANTLEY GILBERT HalfwayTo Heaven 14 8 2 SUGARLAND The Incredible Machine 1 VALORY 800100(14.981 37 33 49 MERCURY 014758' /UMGN 113.98) O+ ZAC BROWN BAND You Get WhatYou Give GEORGE STRAIT Icon: George Strait BETWEEN THE BULLETS 13 13 17 1 44 33 17 SOUTHERN GROUND /ROAR/BIGGER PICTURE/ATLANTIC 524722/AG 118381 A MCA NASHVILLE 016007/UME (7.98) GEORGE STRAIT Here ForA GoodTime VARIOUS ARTISTS A Very (EP) 16 16 RE-111112T Country Christmas MCA i 39 NASHVILLE 015924NMGN (13.98) ARISTA NASHVILLE 93814 EX/SMN (8.98) `COUNTRY' CLIMB BRAD PAISLEY This Is Country Music THOMPSON SQUARE Thompson Square 15 12 19 1 40 38 48 3 ARISTA NASHVILLE 83274/SMN 111.98) STONEY CREEK 7677 (13.98) With one of this year's longest LAUREN ALAINA Wildflower 2 16 10 7 GEORGE STRAIT Icon 2: George Strait I9 /MERCURY 41 40 40 NASHVILLE 016025/IGNUMGN 113.981 MCA NASHVILLE 016008/UME (12.96) chart climbs, singer /songwriter PISTOL ANNIES Hell On Heels 18 18 DARIUS RUCKER Charleston, SC 1966 17 42 43 44 1 Brantley Gilbert claims his first COLUMBIA 94916 EX/SMN (11.981 CAPITOL NASHVILLE 26939 (18.981 MARTINA MCBRIDE Eleven THE OAK RIDGE BOYS Its Only Natural No. 1 on Hot Country Songs, 18 17 10 4 43 42 31 16 REPUBLIC NASHVILLE 016011 /UNIVERSAL REPUBLIC (13.981 DIFFERENCE MEDIA 44218 EX/CRACKER BARREL 111.981 as Be SOUNDTRACK Footloose (20111 JOSH "Country Must Country 19 15 9 4 47 45 TURNER Icon: Josh Turner ATLANTIC 528899/WMN Q 20 118.98) MCA NASHVILLE 015348/UME 17.98) Wide" jumps 3 -1 in its 33rd VINCE GILL Guitar Slinger BILLY 20 20 12 4 48 40 CURRINGTON Icon: Billy Currington MCA NASHVILLE 45 015510 /UMGN (10.98) MERCURY 015290/UME (7.98) chart week (see story, page 42). It's one of five songs to JUSTIN MOORE Outlaws Like Me 24 21 1 RONNIE DUNN Ronnie Dunn VALORY 46 45 39 clock more than 30 weeks to the in 2011. The JM0200A (10.98) ARISTA NASHVILLE 85762/SMN 111.98) summit

VARIOUS ARTISTS NOWThat's What I Call Country: Volume 4 RASCAL FLATTS The Best Of Rascal Flatts Live 22 25 26 3 47 32 Georgia native's track has amassed 448 million audience UNIVERSAVEMI /SONY MUSIC 015731NME 118.98) LYRIC STREET 014010 110.981 KENNY CHESNEY Hemingway'sWhiskey PACE VARIOUSART1STS Country Christmas impressions (according to Nielsen BDS) since it opened at 23 22 29 1 54 63 3 BNA 57445/SMN 111.98) O+ O SETTER SONY MUSIC CMG 73573/SONY MUSIC (6.98) No. 44 on the April 23 chart. It's from his second album, JAKE OWEN Barefoot Blue Jean Night GLEN CAMPBELL Ghost On The Canvas 27 27 1 49 RCA 89547/SMN (10.98) SURFGOG 528496' 113.98) 2010's Halfway to Heaven, which Valory Records reissued RODNEY ATKINS Take A Back Road ALAN JACKSON 34 Number Ones 25 23 20 3 51 47 CURB 79255 118.981 O ARISTA NASHVILLE 78681/SMN (11.98) in September. -Wade Jessen

Data for week of DECEMBER 3, 2011 I For call chart reprints 212.493.4023 Go to www.billboard.biz for complete chart data I 53 AIRPLAY SALES DATA MONITORED BY COMPILED BY

DEC I11Ci,C11 111CItiCII 3 Billboard 6DS SoundScan

RHYTHMIC

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COLE WET THE BED SHE WILL 25/8 7 8 pi 9 10 MARY /GEFEEN/INTERSCOPE o OR MARIESRUESRNNCN7EAUABH9SOSINMSC CHRIS BROWN FEAT. WDACRIS JIVE/RCA LL W Y E TEA. DIAIEYOUNG MONEY/CASH MONEYANNMOAL REPUBUC J. BUBE MATRIARCH BEYONCE WORK OUT MOVES LIKE JAGGER SO GONE (WHAT MY MIND SAYS) 10 11 14 4 PARKW000/COLUMBIA 90824/SONY MUSIC J. COLE ROC NATION/COLUMBIA MAROON 5 FEAT. CHRISTINA AGUILB A A&M/OCTONEUNTERSCOPE JILL SCOTTFEAT. PAUL WALL BLUES BABE/WARNER BROS. KEITH SWEAT MARVIN & CHARDONNAY DANCE (A$$) MOTIVATION 11 8 2 5 t0 24 111. THE MORNING THE SWEAT HOTEL 5164/NONE BIG SEAN FEB KANYE WET & ROSCOE DASH G0.0.DAB JAMADJMG t6 BIG SEAN FEAT. NICKI MINA) 6.0.0.DJDEF JAM/IDJMG KELLY ROWLAND UNIVERSAL MOTOWNNNIVERSAL REPUBLIC TECH N9NE COLLABOS DANCE (A$$) GOOD FEELING IN THE MOOD 12 2 12 k3 6 Fi'2 26 WELCOME TO STRANGELAND STRANGE 012/RBC TI BIG SEAN FEAT. NICKI MINAI G. 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PHONE PURPOSE/EONE PUSHA T OTIS THAT WAY DON'T KISS ME 20 10 2 20 18 20 FEAR OF GOD 2 G.O.O.DJRE -UP GANG 120/OECON JAY2 VAWEWDTFRS 01G REDMD ROC-APULAR1C NATION/DEE JALYIDJMG WALE FEAT. JEREMIH & RICK ROSS MAYBACHPNARNER BROS. CARL THOMAS VERVE FORECASTNERVE PITBULL UNTIL IT'S GONE INTERNATIONAL LOVE EVERYDAY WOMAN 21 20 22 22 21 PLANET PIT MR. 305/POLO GROUNOS/J 69060/RCA MONICA J/RCA PIIEVa FEAT. CHRIS BROWN MR. 305/POLO GROUNDS/MICA CHRIS WALKER PENDULUM/WOE CHRIS BROWN CAN'T GET ENOUGH YOU MAKE ME FEEL... CAN'T FORGET 25 35 22 II 32 49 FAME JIVE 88067/RCA J. COLE FEAT. TRY S0NGO ROC NATION/COLUMBIA COBRA SPASM FEAT SAM DECAYDANCFAURED BYRAMMATIAMKAOP ANTOBE DUNN ELITE 4 AM BOYZ II MEN I'M FLEXIN' PARTY 12 23 15 4 23 23 TWENTY BENCHMARK ENTERTAINMENT 00001 EX/MSM T.I. FEAT. BIG KALT. GRAND HUSTLE/ATLANTIC B EYONCE FEAT ANDRE 3030 PARKW00D /COLUMBIA MELANIE RONA SRC /UNIVERSAL REPUBLIC JOE Y.U. MAD STRANGE CLOUDS BEST THING I NEVER HAD 24 I7 5 25 THE GOOD, THE BAD, THE SEXY 563 003013/KEDAR EDYNEE1aIBW &LLMMEYRFG LOMYTASHMDEANIERSALWIRE 8.09 FEAT. UL WAYNEREBELROCK/GRANO HUSTLE/ATLANIIC BEYONCE PARKW00D /COLUMBIA WIZ KHALIFA IMA BOSS I GOT THIS 25 23 34 21 ROILING PAPERS ROSTRUM /ATLANTIC 527099/AG O MEEK MILL FEAT. RICK ROSS MAYBACH/WARNER BROS. ROSCOE DASH MUSIC LINE/GEFFEN/INTERSCOPE JENNIFER HUDSON ARISTNRCA KIRK FRANKLIN FLY TOGETHER COUNTDOWN 24 35 26 : HUID FEAR FO YO SOULNERITY 77917/RCA RR) CAR FEAT. NM LISLE &NMI ROSSSHN33304MLBAD BOYAMERSCOPE [25 BEYONCE PARKW000 /COLUMBIA BETTY WRIGHT AND THE ROOTS 4 AM YOUNG, WILD & FREE 27 NEW 27.128; B ETTY WRIGHT: THE MOVIE MS. B. 151901/S -CURVE MELANIE RONA SRC /UNIVERSAL REPUBLIC SNOOP 0066 & A2 MYNA FEB UUW MRS POSTRUM/ATLANTICARP -, MIGUEL DRANK IN MY CUP MARVIN & CHARDONNAY 28 29 ,24 ALL I WANT IS YOU BLACK ICE/BYSTORM/JIVE 75187/RCA KENO BANGS LMG /UNAUTHORIZEONVARNER BROS. 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PTBINLINTERSCOPE THAT WAY WALE EAT. JEREMIH A RICE ROSS MAYBACHWARNER BROS. KEM BOO THANG MR. SAXOBEAT 1 27 18 I INTIMACM ALBUM III UNIVERSAL REPUBLIC 014469 O VERSE S IMONDS IRAT. BUIY ROW AN D BUMSIOWRONLIVE/IDJMG ALEXANDRA STAN ULTRA BODY 2 BODY MAYER HAWTHORNE LATE NIGHTS & EARLY MORNINGS HANGOVER ACE HOOD EAT. CHRIS BROWN WE THE BEST/DEF JAM/IOJMG 1. 37 13 HOW DO YOU DO UNIVERSAL REPUBLIC 016109` MARSHA AMBROSIUS J /RCA MO CRUZ FEAT. RO RIDA MERCURY/1DJMG ISEXY AND I KNOW IT ERIC ROBERSON STRANGE CLOUDS LOTUS FLOWER BOMB MAO PARTY ROCKAMLLIAM/CHHVIYIEE/IMERSCOPFNNIVERSAL MISTER MME GUY PURPOSE 2181/EONE B.0.8 FEAT. UL WAYNE REBEUROCK/GRAND HUSTLE/ATLANTIC WALE FEAT. MIGUEL MAYBACH/WARNER BROS. LOTUS FLOWER BOMB CEE LO GREEN F.A.M.E. PUMPED UP KICKS WALE FEAT. MIGUEL MAYBACHNVARNER BROS. THE LADY RIMER RAW CULTURE 525601/ELEKTRA YOUNG JEEZY FEAT. TJ. CTE/DEF JAM/IDJMG FOSTER THE PEOPLE STARTIME/COLUMBIA MARVIN & CHARDONNAY LALAH HATHAWAY HOUSE PARTY THE MOTTO BIG SEAN RAT KANYE WEST& ROSCOE DARI G 0.0.DROEF JAWING MERERI IT ALL BEGINS HATHAWAY /STAX 32197/CONCORD MEEK MILL FEAT. YOUNG CHRIS MAYBACH/WARNER BROS. DRAIE FEB LL WAYNE YOUNG MONEY/CASH MONEYNNNRISAL REPUBLIC MAKE ME PROUD OAA70 RARIDOMNUYOURMONOICAH ADFEYM&1 EGRI REIBUC PACE R. KELLY SETTER LOVE LETIBI JIVE 80874/RCA I'M ON ONE ILI MATED WE THE BEST/YOUNG MONEY/CASH MONEYMNIVEBSAL REPUBLIC 44 51 THE TEMPTATIONS ICON MOTOWN 014607/UME BETWEEN THE BULLETS YOU THE BOSS TYLER, THE CREATOR RICK ROSS FEAT. NICKI MINA) MAYBACH /DEF JAM/IDJMG 43 38 28 GOBLIN XL 529 OTIS RICK ROSS THREE'S COMPANY JN Z JAKE VASI RA DB IESINE ROGAOULLMMC NA1MHDB JAM161MG TERM DON MAYBACWSIP- N-SUODDEF JAM 014366AOJMG FLY YELAWOLF Drake takes the cake with his sophomore smash, Take Care, lam NUM RA. RILVINA 8 G MONEY/CASH MONEYNNNEUAL REUBUC 45 45 49 1O KNUM OWGHET-O- MSIONDGCANTERSCOPE 01445IGA GOOD FEELING debuting at No. 1 on Top R &B /Hip -Hop Albums (see Over the KANYE WEST RD RIDA POE BOY /ATLANTIC 48 53 WOW 88EOMRWSIO RIMYRICAOULAS6/UW01 /OJEOG Counter, page 45), but is only one -third of the debuting trio that IMA BOSS TECH N9NE MEEK MILL FEAT. RICK ROSS MAYBACIRWARNER BROS. 47 39 24 AU. ES & TS STRANGE 87 /BBC O heads up the list. Coming in at No. 2, actor /comedian Donald TONY MONTANA GOAPELE FUTURE EPIC s 4 Glover of NBC's "Community," rapping under the stage name BREAK OF DAWN SICYBLAZE 133/DECON , CAN'T GET ENOUGH JENNIFER HUDSON Gambino (a result of his toying around with a Wu- J. COLE FEAT. THEY SONGS ROC NATION/COLUMBIA 35 Childish I REMEMBER MEARISTA 60819/RCA O+ ROUND OF APPLAUSE his first studio album WAKA ROOM FLAME FEAT. DRAKE MIZAY/WARNER BROS. KID CUDI Tang Clan name generator), debuts with 0 51 IRAN DL TIE MODI IDEAM ONG.008 OOO4TNNIWRS411EPUBIICO+ LIGHTERS (52,000 sold, according to Nielsen SoundScan). Its lead single, BAD MEETS ERR FEAT. BRUNO MARS SHADY / INTERSCOPE "Bonfire," was released in September and has charted on the FLY TOGETHER 1® CAA RA RYAN IE1E&RICK R065SHAK®QAALBAD BOYANIERSCOPE Jill Scott's "So Gone (What My Mind Says)" R &B /Hip -Hop Digital Songs and Rap Digital Songs lists. Just below Gambino, Webbie's third GOOD GOOD NIGHT featuring Paul Wall just makes the top 10 on ROSCOE DASH MUSIC LI NE/GEFFEN/I NTERSCOPE Life 3, at No. 3, selling nearly 30,000. His last album, the second Adult R&B (11 -10), her 11th title to reach the studio album, Savage starts STRANGE CLOUDS upper tier. Meanwhile, Wall joins the rare rank installment of the "Savage Life" series, also debuted at No. 3. Savage Life 3's current single, B.O.B FEAT. UL WAYNE REBELROCK/GRAND HUS IE/ATLANTC of rappers Ludacris (five titles) and David THE MOTTO "Whats Happenin," sits at No. 95 on the Hot R &B /Hip -Hop Songs chart. -Karinah Santiago DMIEEM LLYMIYEYOLNG MONEY/CASH MONEYINNELS0L REPUBUC Banner (one) who have been credited with SCOT a top 10 on a normally non- hip -hop list. chart data Data for week of DECEMBER 3, 2011 54 I Go to www.billboard.biz for complete AIRPLAY SALES DATA AIRPLAY SALES DATA MONITORED BY COMPILED BY MONITORED BY COMPILED BY 111C)6C11 HiCISC(1 iliCI5C11 nicken SoundScan SoundScan Billboard:..

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PRINCE ROYCE EL CARTEL FANNY LU UNIVERSALMUSIC LATINO 14.14 PREMIUM LATIN 80211/SONY MUSIC LATIN WEPA LATIN GIRL "DESACATE" UN MINUTO DIANA REYES 11 6 14 11 13 13 39 4 36 30 2 GLORIAESTENN CRESCENT MOONNERVEFORECASTNERVF CHOSEN FEW URBANO CHOSEN FEW EMERALD O PEDRO CAPO SO NY MUSIC LATIN AJUSTANDO CUENTAS DR PROMOTIONS 8943 NA, NA, NA, NA, NA LA MELODIA SITUMEBESAS VOZ DE MANDO 12 13 5 12 14 48 37 32 4.LI 37 25 6 BABY RASTA &GRINGO SOARS JOEY MONTANA CAPITOL LATIN VICTOR MANUELLE SONY MUSIC LATIN DE CORAZON RANCHERO DISA721I52/IJMLE TELEFONO OCUPADO EL PUM YOU MAKE ME FEEL... LOS YONIC'S 19 4 13 12 3 42 3 38 33 13 LUIS MIGUEL DEL AMARGUE EUROPA KAUMETS SUENOSVENEMUSIC Q CORRA STARSHIP I EAT SABI DECAYOMICFURJRES BYRAMO/ATIANIIC/RRP J5ANIVERSARIO FONOVISASI4653/UMLE VARIOUS ARTISTS RAIN OVER ME LLUEVE EL AMOR ENERGIA 43 22 19 14 15 52 39 31 11,- 39 42 PTT BULL EAT. MARC ANTHONYMR.305POLO GROUNDS/JARCA TITO "ELBAAFBDO" SIENTE Iy ALEXIS &R00 SONY MUSIC LATIN LAS BANDAS RORAMICASDEARRBRCA DISA7216214/MLE AYER TU BANDERA PEGATE MAS DJ GUEROMIXX 15 17 7 49 38 2 ® 9 15 I_ 40 ENRIQUE IGLESIAS SNIVERSALMUSIC LATINO MIGUEUTO W&D DYUND &LENNY SONY MUSIC LATIN PONTE A BARER EN LA PISTA G M 3206 ENERGIA SUBELO (TURN IT UP) IN THE DARK ALERTA ZERO 18 8 16 19 4 41 38 6 kl 41 36 7 ALEXIS& RIDO SONY MUSIC LATIN ANGEL & KHRIZFEAT FLO VIDA MACHETE/UNIVERSALMUSICLATINO DEV INDIE-POP/UNIVERSAL REPUBLIC VIVO 84111 PIEL FONOVISA35465041MLE CONTIGO ME SIENTO NITIDO GREATEST ME TOCA CELEBRAR MAS QUE NUNCA JOAN SEBASTIAN 23 5 42 36 11 42 43 32 RUMA NUEVA RUINA NUEVA GAINER TITO -EL BAMBINO" SIENTE DUELO FONOVISA ELPOETADELPUEBLO MUSART4433/BALBOA e m® MAQUINA DEL TIEMPO DEJALO TODO ATRAS ENHORABUENA GERARDO ORTIZ 18 4 10 18 18 8 43 37 15 43 40 77 TITO "LL BAMBINO" FEAT. WISIN &VANDAL SIENTE J ALVAREZ NELFLOW FIDEL RUEDA DISA NI HOYNI MANANA DEL68924/SONYMUSIC LATIN EL PUM LA CITA NOBODY LIKE YOU WISIN & YANDEL 19 10 3 44 43 3 44 37 43 KAUMETE SUENOSNENEMUSIC ZION &LENNONX FEAT.JOWEU.&RI NDY PINA FRANCO EGORIA FEAT ONERLNNAAACHEITNNNERSAL MUSIC LATINO LOS VAQUEROS: EL REGRESO WY/MACHETE01521&NMLE MI ALMA LOCA DUTTY LOVE NA, NA, NA, NA, NA TITO NIEVES 24 19 45 46 2 45 26 3 ANDYANDY WEPNPLANET DON OMAR ORFANATO DARN, RASTA& GRINGO DUARS MI IANMAGRABA ION TITO NIEVES MUSIC 1204 WANNA BE YOURS VARIOUS ARTISTS 46 47 3 46 45 54 PW FEAT EL CATA TOP STOP 90 ANIVERSARIO DISA RECORDS:2000-2010 DISM72959OUMLE

HOT SNOT NO SOY TU TIPO CALIBRE 50 47 44 35 DEBUT FEAT EL MOVIMIENTO OE DISA721639/UME BETWEEN THE BULLETS e J'MARTIN MEONA EON SINALOAPARAELMUNDO EL PUNTO FINAL TIERRA CALI 48 50 18 48 52 31 CONJUNTO ATARDECER FEAT. GRUPO MONTE DE DURANGO OISA UN SIGLO E NM MCIORASTNBAUS101NMRSALMIBIC WIN06511SSFMU BIENVENIDO PITBULL RUBIO TAKES A BOW UEW 49 50 55 LAURA PAUSINI WARNERLATINA ARMANDO MRBIWFAMOUSARTIST3IUAYSONYMUSIC LATIN TE ESTOY ENGANANDO CON OTRA EMMANUEL Paulina Rubio debuts her 10th studio album, Brava!, at No. 3 on the 50 50 55 4 rï>AULINA!?Uì5K3T CALLIBES° DISA ACUSTMA UNIVERSAL MUSIC LATINO016221NMLE .. Top Latin Albums chart, selling 3,000, according to Nielsen Sound - P° s Scan. It's her fifth straight studio effort to reach the top three. Her Dyland & Lenny bank their first top 10 Maná holds at No. 2 on Hot Latin Songs for last, 2009's Gran City Pop, bowed at No. 2 with 9,000. The last time on Tropical Airplay with "Pegate Mas," a third week in a row with "El Verdadero their first single from forthcoming album PE CA Amor Perdona" and grabs Greatest Gainer one of her studio albums didn't debut in the top five was in July 2000, My World 1: El fodigo Secreto. " Pegate" honors with a 15% increase in audience when Paulina -her fifth studio album, but only her second to chart- 21 -8, making it the biggest jump impressions (up 1.7 million). The track sits blasts started at No. 43. -Karinah Santiago into the top 10 since Pitbull's "Give Me just 500,000 impressions behind Romeo t7ylGapd F: Lenny Everything" (21 -1) in July. Santos for the No.1 slot.

58 Go to www.billboard.biz for complete chart data Data for week of DECEMBER 3, 2011 EURO o JAPAN GERMANY UNITED KINGDOM I FRANCE DIGITAL SONGS DIGITAL SONGS

á3 (NIELSEN SOUNDSCAN Viw (HANSHIN /SOUNDSCAN (THE OFFICIAL (NIELSEN SOUNDSCAN INTERNATIONAL) DECEMBER 3, 2011 3 3 JAPAN/PLANTECH) DECEMBER 3, 2011 r3 (MEDIA CONTROL) DECEMBER 3. 2011 :3 4 UK CHART CO.) DECEMBER 3. 2011 INTERNATIONAL) DECEMBER 3. 2011 WE FOUND LOVE SEXY ZONE AURA CHRISTMAS SOMEONE LIKE YOU 1 1 63 NEWEW 1 2 1 1 RIHANNA FT. CALVIN HARRIS SRP SEXY ZONE PONY CANYON KOOL SAYAS ES SAH MICHAEL BIBLE 143 /REPRISE ADELE XL

GOOD FEELING PERAPERAPERAO MIV UNPLUGGED: LIVE AUS DEM HOTEL ATLANTIC JUKEBOY WE FOUND LOVE 2 11 2 55 2 j 2 NEW 2 2 FLO RIDA POE BOY NOT YET COLUMBIA UDO LINDENBERG MTV JLS EPIC RIHANNA FT. CALVIN HARRIS SRP SEXY AND I KNOW IT LOVE LETTER FALLEN EMPIRES FALLEN EMPIRES GOOD FEELING 3 4 3 35 3 NEW 3 NEW 3 3 LMFAO PARTY ROCK/WILL.I.AM/CHERRYTREE GREEEEN NAYUTAWAVE SNOW PATROL FICTION /POLYDOR SNOW PATROL FICTION / POLYDOR FLO RIDA POE BOY

WITHOUT YOU LOVE SONG LIEBE MEINES LEBENS MYLO XYLOTO SEXY AND I KNOW IT 4 2 4 95 4 NEW 4 6 5 DAVID GUETTA FT. USHER WHAT A MUSIC FUNKY MONKEY BABYS DREAMUSIC ADORE ADORO COLDPLAY PARLOPHONE 4 LMFAO PARTY ROCK WILL AM CHERRYTREE

MOVES LIKE JAGGER BUSU NI NARANAI TETSUGAKU 5 21 TAKE CARE MOVES LIKE JAGGER 5 3 5 NEW 5 NEW 5 4 MAROON 5 FT. CHRISTINA AGUILERA A &WOCTONE HELLOI PROJECT MOBEKIMASU UP-FRONT ADELE XL DRAKE YOUNG MONEY/CASH MONEYI1N1MRSAL REPUBDC MAROON 5 FT. CHRISTINA AGUILERA A &M/OCTONE SOMEONE LIKE YOU YASASHIKU NARITAI MYLO XYLOTO SOMEONE TO WATCH OVER ME SHE DOESN'T MIND 6 6 6 3 2 6 1 7 ADELE XL KAZUYOSHI SAITO VICTOR COLOPLAY PARLOPHONE SUSAN BOYLE SYCO 6 SEAN PAUL VP PARADISE MY PRIVATE JEALOUSY FUER EINEN TAG WITHOUT YOU 7 12 7 NEW 7 3 7 10 7 8 COLDPLAY PARLOPHONE CLAY FOR LIFE HELENE FISCHER CAPITOL ED SHEERAN ASYLUM DAVID GUETTA FT. USHER WHAT A MUSIC

LEGO HOUSE MY LOVE WIR SIND AM LEBEN 1 PARADISE 8 10 8 10 8 9 8 9 8 10 ED SHEERAN ASYLUM NIKKI JEAN EMI ROSENSTOLZ ISLAND A2DELE XL COLDPLAY PARLOPHONE EARTHQUAKE PV IN DIESEM MOMENT CEREMONIALS DANZA KUDURO 9 5 9 NEW 9 7 9 3 9 9 FT. TINIE TEMPAH SYCO OCIO BLACK CHERRY AVER-J -MORE ROGER CICERO STARWATCH FLORENCE + THE MACHINE ISLAND LUNCENZO FT. DON OMAR YANIS TAKE CARE WE FOUND LOVE LEGACY AND THE WALTZ GOES ON ELLE ME DIT 10 NEW 10 17 10 6 10 7 10 RE DRAKE FT. RIHANNA YOUNG MONEY /CASH MONEY RIHANNA FEAT. CALVIN HARRIS UNIVERSAL CAVIL GARRETIHON MANNROYAI PHILHAMONK ORCHESTRA. ANDRE RIEU A HIS JOHANN STRAUSS ORCHESTRA ANDRE RILL MIKA CASABLANCA

1r CANADA e r KOREA AUSTRALIA NETHERLANDS ALBUMS BILLBOARD KOREA K-POP HOT 100 ALBUMS DIGITAL SONGS

W Hw _ 5 L-31.1 (NIELSEN SOUNDSCAN (NIELSEN SOUNDSCAN r3 (NIELSEN SOUNDSCAN) DECEMBER 3, 2011 (BILLBOARD KOREA) DECEMBER 3, 2011 á3 (ARIA) DECEMBER 3, 2011 F 3 LI3 INTERNATIONAL) DECEMBER 3. 2011 INTERNATIONAL) DECEMBER 3. 2011

TAKE CARE CRY CRY SOMEONE TO WATCH OVER ME SOMEBODY THAT I USED TO SOMEONE LIKE YOU 4 1 1 1 1 1 1 DRAKE YOUNG MONEY/CASH MONEYNNERSAL REPUBUC 7 -ARA CORECONTENTS MEDIA SUSAN BOYLE SACO KNOW ADELE XL bUIYE FI. KIMBHA AMPLE IT BE CHRISTMAS MY BABY CHRISTMAS ELEVEN. LA DIFFERENZA TRA ME E TE 2 1 2 SECONDS 3 MICHAEL RUBLE 143 /REPRISE WONDER GIRLS JVP ENTERTAINMENT 2 MICHAEL RUBLE 143 /REPRISE 2 TIZIANO FERRO EMI IK NttM JE MEt 21 PEOPLE IN SEOUL 21 2 2 WE FOUND LOVE 3 NEW 3 4 GERS PARDOEL TOP NOTCH 3 4 ADELE XL BUSKER BUSKER CJ E &M ADELE XL RIHANNA FT. CALVIN HARRIS SRP

UNDER THE MISTLETOE THE WESTERN SKY CEREMONIALS 3 3 ECLISSI DEL CUORE 4 3 4 3 BIRDY JASMINE VAN DEN BOGAERDE 4 10 JUSTIN WEBERSCHOOLBOY/RAYMOND BRAUNISLAND ULALA SESSION CJ E &M FLORENCE + THE MACHINE ISLAND LAURA ABELA SONY MUSIC

4 Wt -UUiNU LUVt QUE DU VENT ALL I CAN SAY IS, I WANT TO DIE 'S 4 PAPI 5 2 5 6 RIHANNA FT. CALVIN HARRIS SRP 5 2 LES COWBOYS FRINGANTS LA -TRIBU HUH OAK ACURE ENTERTAINMENT SEVEN JENNIFER LOPEZ ISLAND IISTS V10E0 GAMES GLEE: THE CHRISTMAS ALBUM: VOL. 2 I MISS YOU 5 6 WITHOUT YOU 6 5 LA NA DEL RAY STRANGER 6 5 SOUNDTRACK 20TH CENTURY FOX TV /COLUMBIA NOEL ITM ENTERTAINMENT MYLO XYLOTO DAVID GUETTA FT. USHER WHAT A MUSIC 5 6 COLDPLAY PAHLUPHUNE LtVtLS DANSEPLUS 2012 REPLAY 6 5 PARADISE 7 32 AVICII VERATONE 7 6 VARIOUS ARTISTS SONY MUSIC KIM BONG RYUL MUSIC FARM THE BEST OF COLD CHISEL: ALL COLOPLAY PARLOPHONE 7 7 FUH YUU WEMtLUWIJU OMKtS! MYLO XYLOTO THE BOYS 7 NEW 9 I WONT LET YOU GO e 6 COLD CHISEL COLD CHISEL HET METROPOLE ORKEST CLOUD 9 COLOPLAY PARLOPHONE GIRLS GENERATION SM ENTERTAINMENT 8 JAMES MORRISON ISLAND

SLAY ANU 1 KNOW IT SORRY FOR PARTY ROCKING GIRL 8 NEW + B 7 BENVENUTO 9 NEW EO SHEERAN ASYLUM LMFAO PARTY ROCK; WILL I.AM /CHERRYTREE 9 8 LMFAO PARTY ROCKAML.I.MVCHERRYIREBINIERSCOPE DYNAMIC DUO AMEBA CULTURE LAURA PAUSINI WARNER SUHHY HUH YAM 1Y HUCKINL, NtHOtNS LUNUCH JUU STORMS FRIENDS 9. 8 9 NEW MOVES LIKE JAGGER 10 2 10 7 LMFAO PARTY GUIS MEEUWIS FT GERS PARDOEL UNIVERSAL 10 7 HEDLEY UNIVERSAL LEE SEUNG GI HOOK ENTERTAINMENT MAROON 5 FT. AGUILERA A ROCK/ WILL.I.AM /CHERRYTREE.INTERSCOPE CHRISTINA &&VOCTONE

® SPAIN + SWITZERLAND I BELGIUM +SWEDEN DIGITAL SONGS DIGITAL SONGS DIGITAL SONGS DIGITAL SONGS

(NIELSEN SOUNDSCAN W (NIELSEN SOUNDSCAN (NIELSEN SOUNDSCAN Y w (NIELSEN SOUNDSCAN r 3 15,"3 (APED /NIELSEN) NOVEMBER 6, 2011 41 :53 INTERNATIONAL) DECEMBER 3. 2011 11;3 INTERNATIONAL) DECEMBER 3, 2011 ís-3 á3 INTERNATIONAL) DECEMBER 3, 2011 n3 INTERNATIONAL) DECEMBER 3, 2011

AGAPE MUSICAL PERDONAME SOMEONE LIKE YOU I FOLLOW RIVERS ANGELN I RUMMET 1 1 1 1 i 1 1 1 PADRE MARCELO ROSSI SONY MUSIC PAIO AIBORAN CON CARMIN° RICCA ESTIIUOS YPAODUCCKNS ADELE XL LYKKE LI LL RECORDINGS LALEH TV4

O QUE VOCE QUER SABER DE VERDADE MOVES LIKE JAGGER WE FOUND LOVE WE FOUND LOVE ALLA WLL nu. HIMMELEN MEN INGEN VOLL DO 2 NEW 2 2 2 2 2 3 2 MARISA MONTE EMI MAROON 5 FT. CHRISTINA AGUILERA A &M/OCTONE RIHANNA FT. CALVIN HARRIS SRP RIHANNA FT. CALVIN HARRIS SRP LALEH TV4

PAULA FERNANDES AO VIVO WE FOUND LOVE GOOD FEELING SOMEBODY THAT I USED TO KNOW YOU LEARN S 2 3 3 3 7 3 2 3 4 PAULA FERNANDES UNIVERSAL RIHANNA FT. CALVIN HARRIS SRP FLO RIDA POE BOY FT. KIMBRA SAMPLES 'N' SECONDS/ELEVEN DAKIOA UNIVERSAL REBELDES 2011 Al SE EU TE PEGO (ASSIM VOCE ME MATA) HANGOVER SKINNY LOVE JUST NU 4 3 4 4 4 4 4 4 2 REBELDES EMI LA BANDA DEL DIABLO LOS DIABLOS TATO CRUZ FT. FLO RIDA 4TH & BROADWAY BIRDY JASMINE VAN DEN BOGAERDE 4 LALEH TV4 MYLO XYLOTO SOLAMENTE TU RAIN OVER ME VIDEO GAMES SET FIRE TO THE RAIN 5 NEW 5 10 5 9 5 7 5 6 COLOPLAY PARLOPHONE PABLO ALBORÁN TRMECA ESTWOS Y PRODUCCNVNES PITBULL FT MARC ANTHONY MR. 305/P° GROUNDS LANA DEL RAY STRANGER ADELE XL 21 RAIN OVER ME WITHOUT YOU SOMEONE LIKE YOU WE FOUND LOVE 6 5 6 5 6 3 6 6 8 3 ADELE XL /COLUMBIA PITBULL FT. MARC ANTHONY MR. 305/POLO GROUNDS DAVID GUETTA FT. USHER WHAT A MUSIC ADELE XL RIHANNA FT. CALVIN HARRIS SRP

MUSICAS PARA CHURRASCO VOL. 1 ROLLING IN THE DEEP NEW AGE LEVELS SOMEONE LIKE YOU 7 4 7 RE 7 5 7 5 7 8 SEU JORGE UNIVERSAL ADELE XL MAROON ROUDETTE UNIVERSAL AVICII VERATONE ADELE XL 80 SUCESSOS DOS ANOS 80 VENCER AL AMOR WHEN WE STAND TOGETHER WITHOUT YOU MOVES LIKE JAGGER 8 RE 8 6 8 10 8 8 8 5 VARIOUS ARTISTS RADAR INDIA MARTINEZ SONY MUSIC NICKELBACK ROADRUNNER DAVID GUETTA FT. USHER WHAT A MUSIC MAROON 5 FT. CHRISTINA AGUILERA A&M/OCTONE

SALE EL SOL TITANIUM 9 SEXY AND I KNOW IT SEXY AND I KNOW IT PA GATAN DAR JAG BOR 9 6 9 RE 8 9 9 9 NEW SHAKIRA EPIC DAVID GUETTA FT. SIA WHAT A MUSIC LMFAO PARTY ROCK/WILL. 1 41,1 CHERRYTREE LMFAO PARTY ROCK /WILL.I.AM /CHERRYTREE LALEH TV4 AO VIVO COM AMIGOS SOMEONE LIKE YOU PARADISE EPIC LEVELS 10 NEW 10 NEW 10 6 10 NEW 10 7 ZECA PAGODINHO UNIVERSAL ADELE XL COLDPLAY PARLOPHONE SANDRO SILVA 6 QUINTINO BIP AVID! VERATONE

0 MEXICO I IRELAND NEW ZEALAND PORTUGAL GREECE AIRPLAY - DIGITAL SONGS DIGITAL SONGS ALBUMS x (NIELSEN SOUNDSCAN (NIELSEN SOUNDSCAN h Y (NIELSEN SOUNDSCAN á á (NIELSEN SOUNDSCAN 3 3 (NIELSEN BOS) DECEMBER 3. 2011 3 INTERNATIONAL) DECEMBER 3, 2011 3 3 INTERNATIONAL) DECEMBER 3. 2011 INTERNATIONAL) DECEMBER 3, 2011 ¢ 3 INTERNATIONAL) DECEMBER 3. 2011 MOVES LIKE JAGGER WE FOUND LOVE FOUND LOVE SOMEONE LIKE YOU EIMAI MAZI SOU 1 1 1 1 1 WE 1 1 RE MAROON 5 FT. CHRISTINA AGUILERA A&MrOCTUNE RIHANNA FT. CALVIN HARRIS SRP RIHANNA FT. CALVIN HARRIS 5RP ADELE XL NIKOS GRATIS UNIVERSAL DE MI SHAKE IT 2 5 OUT WHAT MAKES YOU BEAUTIFUL WITHOUT YOU LULU CAMILA SONY 2 2 2 3 2 2 2 NEW MUSIC FLORENCE + THE MACHINE ISLAND ONE DIRECTION SYCO DAVID GUETTA FT. USHER WHAT A MUSIC LOU REED &&OUGAMWR NABBYN °FOROEMLKCVERIrU

TE DEJO EN LIBERTAD GOOD FEELING SEXY AND I KNOW IT Al SE EU TE PEGO MYLO XYLOTO 3 2 3 NEW 3 2 3 3 3 NEW HAASH SONY MUSIC FLO RIDA POE BOY LMFAO PARTY ROCK/WILLI.AM /CHERRYTREE MICHEL TELO VIDISCO COLDPLAY PARLOPHONE /MINOS EL ES PASADO PASADO JAR OF HEARTS 8 IT WILL RAIN WE FOUND LOVE 1 21 4 7 4 4 4 4 4 LA ADICINA BANDA SAN JOSE DE MESILLAS SONY MUSK CHRISTINA PERRI ATLANTIC BRUNO MARS SUMMIT/CHOP SHOP RIHANNA FT. CALVIN HARRIS SRP ADELE XL

TE QUIERO A MORIR LEGO HOUSE DOMINO SET FIRE TO THE RAIN 2 TRAGOUDIA APO TA ELLINIKIA 5 4 5 5 5 6 5 6 5 BANDA EL RECODO DE CRUZ LIZARRAGA FONOVISA ED SHEERAN ASYLUM JESSIE J LAVA ADELE XL NANA MOUSKOURI NEMA

PUMPED UP KICKS READ ALL ABOUT IT SOMEBODY THAT I USED TO KNOW PARADISE AKOU 6 16 6 3 6 5 6 5 6 3 FOSTER THE PEOPLE STARTIME /COLUMBIA PROFESSOR GREEN FT. EMELI SANDE VIRGIN GOTYE FT. KIMBRA SAMPLES NE SECONDS/ELEVEN COLDPLAY PARLOPHONE MELISSES UNIVERSAL

EL VERDADERO AMOR PERDONA GOTTA BE YOU WITHOUT YOU SEXY AND I KNOW IT 7 4 PAIHNIDIA STO HIONI 7 9 7 NEW 7 4 7 10 MANU WARNER ONE DIRECTION SYCO DAVID GUETTA FT. USHER WHAT A MUSIC LMFAO PARTY ROCK /WILLIAM /CHERRYTRI SNOUFEL TO LAGOUDAKI HEAVEN GIVE ME EVERYTHING VIDEO GAMES GOOD FEELING ESTA NOITE BIOPHILIA 8 8 8 7 8 7 8 4 8 6 PITBULL R, NEYD, ARKIJACK 6 RAYER MR. 30E POIL STYMIE': LANA DEL RAY STRANGER FLO RIDA POE BOY DAVID CARREIRA FT. JIMI SISSOKO FAROL BJORK ONE LITTLE INDIAN

TU MIRADA SEXY AND I KNOW IT ONLY TO BE MOVES LIKE JAGGER ONEIREVOMAI AKOMA... MAMA 9 6 9 6 9 NEW 9 9 9 NEW REIK SONY MUSIC LMFAO PARTY ROCK /WILL. I.AM /CHERRYTREE SIX60 MASSIVE MAROON 5 FT. CHRISTINA AGUILERA ASWOCTONE EVRISIKI MINOS CORRE WINTER SONG PARADISE A THOUSAND YEARS KLEISTA TA STOMATA 10 11 10 NEW 10 10 10 NEW 1 O 8 JESSE & JOY WARNER SARA BAREILLES & INGRID MICHAELSON HOTEL CAFE COLDPLAY PARLOPHONE CHRISTINA PERRI SUMMITCHOP SHOP ANTONIS REMOS HEAVEN MUSIC

Data for DECEMBER 3, 2011 For week of chart reprints call 212.493.4023 Go to www.billboard.biz for complete chart data I 59 Publishing. 2513 acv J Blige Muse. ASCAP/Unwersal Music Capoah - HB I GOT YOU (This Is Hrt. Inc ASCAP/Flbber & Molly Music, /r Music, BMII, AMPML H100 85 RAH 7 RAIN OVER ME ( Abuela y lia Songs. BM17Sony/AN Sags Music ASCAP /Get A Load Of This Music. ASCAP/ `sien Publishing.ASCAPSIide That Mc DRANK IN MY CUP ',1r Kirk Joel Randle. ASCAP /Twill 137 ASCAPBng Loud Songs. ASCA /Magi Mustang Music, AMI; MARGINS ROOM (EMI Blackwood Music Inc., BMI/Live Write LLC, BM/Songs Of RedOne, BMI/Ma rc Anthony, ASCAP/Berry/ EMI Blackwood Music Inc., AMI/String Stretcher Music. BMI/ c Inc.. ASCAP/E Hudson Music LLL M O B Productions LLC. AMI/Its Mack 2 Music, BMIBg Lord Bakst. BMISorry /AN Cross Key. >)ivor & Moses LLC, SOCAN /Beck, PRS/Delabel AN Tunes LLC, ASCAP/1101 Sags BMI(, HL, LT 13 Rhettneck Music, BM), AMPML. CS 40 RAH ASCAP /Sony Tree Publishing Company. SARL SACEM(, HL RAH 17 REALTY /ATV Milene Muse. ASCAP/Islandsoul Music v:c Inc . BMII, AMP/HL RBH 43 CPI 50 Music Publishing, /AN (Sorry ATHOUSAND YEARS (Miss Perri Lane Publishing, BMI /1296 400 MIL VEINTE ANOS,Venev sion Intertnahonl Pubhshmg DRINK IN MY HAND AN free Publishing Company, BMI/Becky's Boy Music. ASCAPI, HL CS 9 H100 71 MARGINS ROOM REMIS (Not Listed) RAH 81 LLC, ASCAPSary /AN Cross Keys Musc Publishing, ASCAP/ Publishing. BMI/EMI Blackwood Music Inc.. BM/Summit Base .ï, HMI EJ perT Publishing, BMII LT 31 BM1 . , r. ,ins Lt iWI /Sorry /ANAcuff Rose Musc, BMI/ UKE R LIKE THAT (Midas Music. ASCAPSIeep When l'ro MAS QUE NUNCA (Sena Music Publishing Inc.. BMII LT 42 Stage Three Songs. ASCAPBrett James Cornelius Music. Camp Film Music, BMI/TSBD Louisiana, LLC, NS), HL H10043 4 AM -MI Bray Music. SESAG1V o Love Is Still A Rapper. Universal Music - Careers. BMI/High Powered Machine Music, Rich Music. BMIScarlet Moon Music. Inc, BMINWOrds & ME GUSTAS TANTO IP Blonde Music Publishing, BMISony/ ASCAP), AMP/HL, CS 16, H100 93 TONY MONTANAINayyadius Maximus Musrc, B Music. BMI /Songs PolyGram ,xI 66 Music. SESAC,' Grandmas Bay Publishing, I.P.. n.1P DO 51 Music, BMI /Nash 0 Musc. BMI/EeeledBy Music, BMI/ AN Latin Music Publishing, LLC, BMI/Unrversa'Mue ea Unica REAL LOVE Undo Of Universal Fool Muzik, BMIBock BDB Music Publishing Inc., BMII RBH 25 irnky Merle ASCAP/EMI AMI /ChrreSainSongs Publishing, BMI /Fresh Latin Publishing, BMI /Carlos Escalona International BMIBaradse Forever Music, BMI/Universal. SESAC Puóhshug Designee. SESACI, DRINK MYSELF SINGLE ' Music, Walser Tamerlane Publ shirg Cap., RTRENDINIFIyin Tyme Tunes Inc., ASCAP /EMI April Music. Inc.. Street Muse BMI/Richardson Inc BMI /Dan Book Musc. BMI/Alexei Mrsoul Music. BMI/ Publishing Designee. BMII LT 32 Songs Of PolyGram International, BMII, AMPML, BBH 67 WI ASCAPI. HL. RAH 92

' s Al You EL ASCAPI LT 26 Publishing POI/ 50CLOCK . . ; Bay Publishing. ASCAPNnwersal Musc m ASCAPBluewater Music Ser Roditis Musc, ASCAPMere Lookin Kidd Music. BMI/ MENTROSO (Marcha Musical Corporation, RED SOLO CUP (Sony/AN Tine Company, TROUBLE (Ben Maelor Music, BMIBeach Global Songs, BMI/ t,H Sound Publishing ASCAP/WB Muse Corp pu +. nMr Big Muse Machine, BMI/Three Minute Beluga Heights Music BMI /Sara/AN Songs LLC, AMI/Hey MERRY GO ROUND (Sony /AN Tunes LLC. ASCAP/Danelle Beavedime Tunes. BMIBMG Rights Managment Ilrelardl Lim Drearrrvillair, BMI /Songs Of Universal, Inc ., BMII. AMP/ IMRO Tunes LLC, ASCAP /Scey,ATV Music Publish- Movie Music. BMISuper 98 Music. LLC.. BMII. HE CS 41 Kiddo Music, ASCAP / Kobalt Muse Publishing America, Inc ., Leveren Publishing Company, ASCAP /Sony/AN Songs LLC Led /Chestnut Barn Music, BMI /Chrysalis One Songs. HL, RBH 36 ASCAP,SObalt Inc irg UK. PRS12 Music Publishing Ltd . ASCAP.Noon Music. ASCAP /New Boyo Publishing LLC, BMI/Prirnary Wave Brian. BMI /Slice Of Sicilian, BMISilly Da Da Songs. BMLEMI Blackwred Music BMI /StyleSone Music, BMII, H10037 THE TROUBLE WITH GIRLS (Songs Of Universal, Inc.. BMI/ ASCAPEMI April Music Inc . ASCAP/EMI Blackwoof Music BMII, AMP/HL, H100 70 Music Publishing America, Inc. ASCAP), HL. CS 45 AMP/HL, CS 2R Jogax Sangs, BMIBg Loud Songs. ASCAP /tvgel River Songs, Inc. BMI/EMI Most Publishing Ltd, MCPS/EMI Music Publish, I LOVE YOU (Cecile Barker Publishing. ASCAP/Sorry /AN Songs EL MIL AMORES (Pacific Latin Copyright Inc., ASCAP/Topazuo RESPIRA (DaFons Sorgs, BMISoy/AN Latin Music Publish ASCAPI. AMP/HL, CS 32 ing Ltd. PBS/Universal -Sags Of Poytram International. BMII, EASY ISongs Of Universal, Inc.. BMI/Kreauve Songs, BMI/ LLC, BMII, HL, RBH 65 Musical Corporation, ASCAPI LT 3 ing LLC. BMIBranturres Music Publishing, ASCAP /Sorg/ TU DECIDES Music, BM!) LT 34 AMP/HL. H103 15 RBH 10 Universal Music Corporatist ASCAP/Final Final Songs Of IMA BOSS (Robert Williams, A5CAP/4 Blunts Lit At Once MIWON DOLLAR VIEW IOIU Desperados, LLC, ASCAP /520 AN Discos Music Publishing LLC, ASCAP /Groobnri Musc, (Gannex Corp BMI/ Elevation, ASCAP/Wapakonena Music. ASCAP(, AMP/HL. Publishing, BMI /EMI Blackwood Music Inc. BMI /Sorry /AN Publishing Company. Inc, ASCAP/Carol Vincent And Associ- ASCAPI LT 22 TU MIRADA IWameriamerlanePublishing Publishing CS 10 H100 48 Songs ILC, BMI/First N Gold Publishing. BMI /Orlando Jahlil eras LLC., ASCAP/EMI Blackwood Music Inc.. SMI/ferenator ROWNG IN THE DEEP IUniversalSongs Of PolyGram Warner /Chappell Mexico. SACM/Sebastian Schon ENERGIA (Alexis & Fido Music Publishing ASCAP /Sorry /AN Tucker, ASCAP( HL RBH 39 Music, BMI /Date And Dusted Sags, BMII, HL CS 46 Internet gnat BMI /EMI Blackwood Music Ire, BMI /EMI Music Designee, SALMI LT 27 PRS(, TU DIOR ASCAP/VVY Publishing, BMI/Luis Orteil. ALL YOUR LIFE (EMI Blackwood Music Inc , BMI/RrnStw Davos Music Publishing IC, ASCAP/Egben Rosa Cintron rM FIEION IDomeni Ad Ya Majesty's Music, ASCAPNIB MIRROR (Young Marey Publishing Inc_ BMI/Warner Tamerlane Publishing Ltd., AMP/HL. H10036 (Cagey Skyline Music, BMOCacros Moser Music. BMII. HL. CS Publishing Designee, ASCAPI LT 39 Music Corp.. ASCAPSippi Land Publishing, BMI/Songs Of Publishing Corp., BMI/Mars Force Music ASCAPBughouse, ROUND OF APPLAUSE (B Music Corp., ASCAP /Juanguin- ASCAP/Perfect Music Corporation, ASCAP/Pedect Latin Music OMiz, 14 H10047 ENNORABUENAIMaeha Musical Corporation, ASCAPI LT 43 Universal, Inc , BMII, AMPML, RAH 42 ASCAP/Copyright CoinfolBec Nation Music. ASCAP/Music tralphurpublishing, ASCAP /Krrnam Music, BMI /Songs Of Publishing, ASCAP /Joan BMINniversal-Musca Anna ALONE WITH YOU (Songs of Mau Publishing SESAC/Tunes EVERYDAY WOMAN ICCW Publishing. ASCAP /Hat To Da Back rM GONNA LOVE YOU THROUGH ITIWB Music Corp., Famanorrem LLC. ASCAP/EMI April Music. Inc., ASCAP/ Mlzay Entertainment, Inc., BMINJamerTamerlane Publishing Publishing, BMI /La Mente Maestra Music Publishing. BMI/

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ASCAP), SESAC/Tunes of R and T Direct, SESAC/Syd And Sophie Chappell Music Holland, BV/Chrysalis Music, ASCAP/Ava Gold Publishing, BMI /4 Blunts Lit At Once Publishing. BMI/ /.leg. RMI /Dr Clarice Music, ASCAP/Sugar Lake Music, AMP/FIL. 010011 ASCAP /Lisle Champion Music, ASCAP/Tine Lake Publishing, Publishing, Ty Publishing, /Mamas Pebbly Nettles Publishing, ASCAP/Dirkpít Music, BMI/ Songs, SOCAN/Muse Services, BMI/EMI Blackwood Music ASCAPI AMP RBH 71 Sony /AN Songs LLC, BMIBrother Bag, Publishing BMI/ BM VP Muse BMI Publishing RUN (Jennifer ASCAP). HL, CS 48 v. CS 25 FANFARRON Music, SGAENnnversel-Musics Unica Brother Rage Publishing. SOCAN/Live Write LLC, BMI/EMI ASCAP/EMI April Music, Inc.. ASCAPI, HL. ROO 62 Little Victories Muse, ASCAP /Stage Three Songs. ASCAP/ AML, (Universal UN MINUTO (Warner-Tamerlane Publishing Corp., SM65orry! EL AMOR r, ono Musical, ASCAP /Sorry /AN Discos Musc Publishing. BMII LT 35 Blackwood Music Inc BMI /K Sheehan Publishing Designee, MOTIVATION (EMI Blackwood Music Inc.. BMI /Jlmnpub BMG Chrysalis, ASCAPI CS 60 AN Harmony, ASCAP/EKKO Music, ASCAPI LT 36 ASCAPI LT 16 RY (Hereinku Bartle Music, BMI/Money Mack Music, BMI/ BMI /Underground Sunshine Music, BMI/Kobalr Publishing, Music, BM/EMI foray Music, SESAC /Rico Love Is Still A UNTIL TS GONE (Mass Confusion Productions. Inc .. ASCAP/ AMY S SONG 'Name,Tereerlare Publishing Corp., BMI/ Songs Of Universal, Inc., BMI /Jonathan Rotem Music. BMI/ SESAC/Kromatik Music. SESAC/EMI Foray Music, SESACI, Rapper, SESAC/Usher JV SESAC Publishing Designee, SESAC/ Universal Music Corporation, ASCAP/Cannon's Lard Music isir BMI /House Of Sea Gayle Music. ASCAPI, Sorry /AN Songs LLC. BMIBordor Music International. Inc. AMP /HL. RAH 33 Hypnotic Beats, BMIBebel Made LLC, BMISongs Of Kobalt Publishing. ASCAP/EMI April Music. II1C ASCAP/Nappy Puddy ASCAP /NetWorih Entertainment, LLC, ASCAPoKevin Hissink INTENTALOIEMI Blackwood Music Ire., BMI/Beechwood Music Publishing America. Inc., BMI/Yoerg Money Publishing SAIL (iron Songwrrtirg ASCAPBed Bull Media House GmbH, Music, ASCAP/Unwersal Music - Z Tunes LLC ASCAP /Ancho- ANGEL EYES 1?ui Soil Music, Inc.. ASCAPSunboy Songs, Designee, ASCAP/William Jordan, ASCAPNniversal Music Music Corporation, AMI/Songs Of Latin Power, BMI /Labn Inc., BMII AMPML, RBH 21 ASCAP/Kobalt Music PublishingAmerica, Inc., ASCAPI ny Randolph Publishing Designee. HMI Warner- Tamerlane .o: ASCA.P/Hate And Purchase Music. Corporation, ASCAPBIemmie Rishad Penton. BMII, AMP/HL. Power Copyright BMI /Labn Power Music. Inc., BMIBeech THE MOTTO (Live Write LLC. BMI /EMI Blackwood Music Inc.. H10084 Publishing Corp. BMIBDP M :'AP,. AMP/FIL. BAH 31 ills. ASCAPI, HL CS 57 H100 25; RBH 57 wood De Mexico SA de CV SACMI LT 33 BMI/Wamer- Tarerlane Publishing Corp . BMI/Brother Bagz SATURDAY NIGHT (House Of Sea Gayle Music, ASCAP/Sparks ANOTHER ROUND L Lstedl ABH 91 RY TOGETHER (Pen Game Musc, ASCAP/Flrst N' Gold INTERNATIONAL LOVE IPitbull's Legacy Publishing, BMI /Uni- Publishing, BMI /Brother Bag, Publishing, SOCAN/Mix -A -Lot To Strings Music. ASCAPNJriters Of Sea Gayle Music, BMI/ n, F AMP/HL. RBA Itchy Baby Music, BMII, CS 54 A OK d 1, r., ugment(Ireland) Limited. IMRO/Ecglish Publishing, BMISony/AN Songs LLC BMI/NextSelection versa) Muse - Careers, BMI/Notting Hill Music, Inc.. BMI/Tull Publishing, BMI), 010018 55 AMP V RAH 1 ic. BMI Chrysalis One Songs, BMINoversel Music Publishing, ASCAPNnwersal Music Corporation, ASCAPI, 01 Soul Music BMI/NCB, KODA/UespuenesMesic, ASCAP/ MOVES LIKE JAGGER ISudgee Music, BMINdrversal Music SAY ITS SO (Not Listed) 96 INN EL VEROAOERO AMOR PERDONA ..,im Music, ASCAP/ . BMI Aarrytoies, BMI/Hrgh Powered Machine Muse, AMP /HL, RBH 49 Studio Beast Must, AMI/VVamer-Tamrlane Publishing Corp.. 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ASCAP /Lmle Blue Egg, Universal, Inc., BMI/Musry Attic Music, BMI/EMI Blackwood THE NIGHT Publishing Corp., ASCAPNohndeeis Soul Music Publishing, ASCAP/ lishing, BUMA/Pen In The Ground Publishing, ASCAPNniversal Glalae Music Inc., BMISony/AN Tunes LLC ASCAP /Roc ASCAP / Kobalt Music Publishog America, Inc, ASCAP/Mighty Music Inc., BMI/La Kasa Sole. ASCAP /EMI April Music, Ire, WE OWNED IWamer-Tamerlane BMIBWHaywood Music. BMI/RADIOBULLETSPublishing, n.ia Dixon's Muzik, ASCAPL AMP/FIL, RBH 35 Music - Z Tunes LLC., ASCAP /Sony /AN Songs LLC, OMIS Nation Music, ASCAP/Music Farnamanem LLC, ASCAP/EMI Seen Music Publishing LLC, BMISongs For Beans. BMI /JTX ASCAP), AMPML, RBH 32 ASCAP /Red BMI/EMI Blackwood Music Inc., BMI /String Stretcher Musre, BIENVENIDO IBienveodo, S r I /Gente Edizioni Musicali, S r l/ AMP/HL. H100 24, LT5 April Music, Inc , ASCAP/Mars Force Music. ASCAP/Ohaji Music, BMII, AMR CS 53 SOMEBODY'S CHELSEA IZavrston Music Group, Fan AMP/HL, CS H100 34 ..c Union. S.r.I /Warner Bros. Italy, sib LT 49 GOD GAVE ME YOU (No Gang Music Publishing. ASCAPBazr Publishing. ASCAP/Universal Music Corporation, ASCAPI, Sox Music ASCAPSony/AN Cross Keys Music Publish- BMR, 3; BLACKOUT (ll's A Dance Party. ASCAP/Zen Seven Publishing, & fie Music Publishing, LLC. ASCAPI CS 6; H100 31 AMP /HL, RBH 85 ing, ASCAP/Texoma Ten Music, ASCAP/Detect An Intruder WET THE BED (Songs Of Universal, Inc. BMI /Culture Beyond SLAP /EMI April Musc, Inc.. ASCAPMypnotizing Boogie GOOD EEEUNG (Mail On Sunday Music, ASCAP/ELlass JUST A KISS (Warner -Tamerlane Publishing Corp., BMI/ Music. BMIBng Loud Bucks, BMII, HL. CS 47 Ur Experience Publishing, BMI/Seanl Music Publishing, BMI/ Publishing, SOCAN) H100 87 Publishing, BMI /Sorry /AN Tunes LLC. ASCAP /Kasz Money DWHaywood Music, AMIRADIOBULLETSPrhlishing,BMI/ NADA IGUALES IAoal Music, ASCAPI LT 21 SOMEONE UKE YOU (Universal -Sags Of PolyGram Inter- EMI April Music, Inc.. ASCAP/KMacnifcent, BMI /Ambee BODY BODY (Mr. Cashflow Publishing, BMI/ IL Khaled Publishing, ASCARrOnenulogy Publishing, ASCAP/Prescription EMI Foray Music, SESAC/Hillary Dawn Songs. SESAC/EMI NA NA, NA, NA NA ITaiguey Music. BMII LT 45 national, BMI /Chrysalis Music, ASCAPSugar Lake Music, Street Publishing, ASCAP/Ms. Lynn Publishnrg, ASCAP/ Publishing, BMI /Songs Of Universal, Inc BMI/Culture Beyond Songs, LLC ASCAPrereyan Isaac. AMI /Arash Poumouri, Blackwood Music Inc. BMI String Stretcher Music, HMI), NEVER REALLY WANTED (Cal IV Stings, ASCAPÆrve ASCAPI. AMP/HL, H1003: LT 30 Universal Music Corporation, ASCAPMotting Dale Songs Ur Experience Publishing, BMI /Cohorte Rook Barra Publishing, BMI /Copyright Control/EMI Blackwood Music Inc., BMI/EMI AMPML, H100 27 Stone Publishing, ASCAP /Circle C Sags, ASCAP/Cal IV SOMETHIN 'BOUT ATRUCK (Music Of Stage Three, BMI/ Inc., ASCAP/Lonnalistic Hitz. ASCAP/Ludacris Worldwide /HL. AB, Entertainment. LLC, BMI /Full Circle Music Publishing, LLC, Songs Of Commas, BMIBoll Through Music, BMI /Songs From BMI/Warner- TamerlanePublishing Corp.. BMR. AMP Music Publishing Scandinavia BMI/EMI Longitude Muse, Publishing. Inc . ASCAPBMI Blackwood Music Inc, BMI). H100 75; RBH8 OMS H1007 ASCAPI CS 56 The Couch, BMII CS 39 H2 HP.H t7 Tree Company, BMI/Taylor BOO THANG (Verse & Sham Publishing BMIBubision Pubhsh- GOOD GOOD NIGHT (Roscoe Dash Publishing, ASCAPÆInes NI AS IN PARIS (Please Gimme My Publishing Inc.. BMI/ SPARKS RY (Sony /AN Publishing WHAT DOESN'T KILL YOU i/TRONGERI(Universal Music Inc., April Music, Inc _ ASCAP/ Swift Music, BMII, HL, CS 5 H100 54 Ing. BMINerse of the Juggeosoto, BMI/SEW Company Muse In Music Publishing ASCAP /Chef Hatable Music Publishing, KEEP ME IN MIND (Weirnedound Muse BMIÆrl Dub EMI Blackwood Music BMI/EMI ,A. STIM /Sorry /AN Publishing, Inc.. HL RBH 46 Music, BMI /Angelika Music. BMISouthem Ground, BMII Carter Boys Music, ASCAP/Hit-Bay Music. BMI /U Cant Teach STAY (Gibson And Gibson Music Publishing, ASCAP/Oatsdab- Publishing. BMISIiam of the Juggernauts. BMI /Astlee Ross. BMI/EMI Blackwood Music BMII ruup AB, STIM /Sony /AN Tunes BM11 RBH 60 GOOD LIFE IMidnite Miracle Music, ASCAPNelleor Hammer CS 8, H100 49 Bien The Silt. BMI/Sags Of Universal, Inc., BMI/Papa bysay Muse Publishing, ASCAP/Sony /AN Tunes LLC, ASCAP/ r Sags. ASCAP/Kurstin Music. ASCAP/ Lou Muse. BMI/Write Music ASCAPSary Tunes LLC, ASCAP /Acomman Music, YOU) GOOD NIGHT IGos m Publishing. ASCAP/Global George Muse. SMINnichappell Music, Inc., BM!). AMP/HL. Food 4 Yo Saul Music. ASCAP/Christopher Lacy Publishing BRIGHTER THAN THE SUN (Plummy /AN IKI5550 ASCAPI. AMP/HL H100 99 2 Live Publishing, ASCAP/Kobalt Music PublishingAmens, ASCAP/Kobalt Music Publishing America, Irre. ASCAP/Patriot TN Mu ASr,Ar re w Dan 11 : ASCAP 51 H100 17; RBH1 Designee ASCAPSSongs Of Universal, Inc, BMI /Bayjun Beat WAATS HAPPENIN :ni islet) RAH 95 Inc., ASCAPI H100 83 Games Publishing. ASCAP/WF Publishing Company, ASCAPI NOBODY (IRE YOU Not Llstedl LT 44 Music, BMII. AMP /HL, RBH 15 WE TOGETHER Publishing Music ASCAP/ WHEN STAND IWarnerTamerlro HL H100 38 NO FUE FALL ( Mendiera Music Publishing, BMI/IN Ediciones STAY TOGETHER (Universal Corporation, L Ca sting, Inc., SOCAN/ZeraG GOT MY COUNTRY ON (Internal Combustion Music BMI/ "Musicales, BMII LT 17 Notting Dale Songs Inc., ASCAPNncle Buddies Music, Inc. NI. - ,i1 Music Inc., SOCAN/Mon Southsde Publishing. LLC, BMI/Year9 [AY TONME Wei L,, My HM) yur igs Cnini NO ONE GONNA LOVE YOU (Dam Rich Music, BMI/EMI ASCAP/LP2 Music Group. ASCAP /LedHeae Productions, LLC Mr =',1P 0101144 CAMOUFLAGE 'Mouse Of Sea Gayle Music, ASCAP/EMI Publishing BMI /Music Of Stage Three. BMI /Songs 01 Com- vernal, Inc., BMI/H t Boy Music. BMI /U Cart Teach Bien the Blackwood Music Inc., BMII, Hl, RAH 48 ASCAP), AMP/HL, RBH 29 WHERE I COME FROM Toe. BMIBng Lots Bucks. ASCAP/Didn't Have To Be Music. ASCAP), mon BM/Danny Myrick Music. BMIBoot 49 Music. BM!). Shhh, BMI% FF To Ord Publishing, LLC. BMII, AMP/HL, RAH 77 NO SOY TU TIPO (Not Listed) LT 47 STEREO HEARTS (Universal Music - Careers. BMI/February rd BP. d,,5l MI Blackwood Muse Inc AMR CS 37 LET IT RAIN .'ambler Music ASCAP/CamivalMusic Group. NOTHING (Imago, Songs Ltd., PPS/Sonic Graffiti, ASCAP/EMI Twenty Second Music. Inc . BMI/Epileptic Caesar Music, ASCAP/EMI April Inc., BP, Music, AMI). HL CS27 CANT GET ENOUGH ttetsnllain, EMI/Songs Of Universal, ASCAP II ' Songs ASCAP/Glassbean, ASCAPNWe Jeri 4pril Music, Ine.. ASCAP /Stage Three Music Inc.. BMI /Andrew ASCAP/40ayTheoryMusc Music, 'W -gone Conakry, BGDAYrochot Must Writer, -API CS 11, H10058 mmpton Musc, BMI). HL, H100 62 ASCAP /Maria Ball Music, BMI/Where Da Kasz At, BMI/ WITHOUT YOU : Music ASCAP/EMI April Music. RG his Music. BGOAI RBH 28 LETS DON'T CALL IT A NIGHT. boding, BMI /Send Me The NOT OVER YOU IS DeGraw Music. BMINWamer- Tamerlane Mara Cha Cha, BMI/botzah Balls Soup, BMIMngh Deaf Music. Inn S iii I:rve is Still A Rapper, SESAC/EMI Foray CHANGE (Sorry /ATV Tree Publishing Company, BMI /Songs Of HATE SLEEPING ALONE (Not Listed) H100 67 'astre, SESAC /Orblson PublishingCorp., BMI/Write 2 Live Publishing, ASCAP/Kobalt ASCAPBMG Ruby Sags. ASCAP /E A R Entertainment Musa:, SESAC /Shapiro, Bernstein & Co.. Inc., ASCAPNWhat Angels Music. BMIBIank Sheet Music. BMI /Sixteen HEADLINES (Live Write LLC, BMI/EMI Blackwood Music Inc ;Ins Acquisitions, BMI/Tum Music Publishing America, Inc., ASCAPI, AMP 010035 ASCAPI AMP/HL, H1008 A Publishing SIT SACEM /Sorry /AN Songs LLC, BMIBnano Music BMI/HOtPro Entertainment Group, Inc BMI/ BMI/Mavor & Moses LLC, SOCANBoi-lda Productions LLC. STILL GOT T ITygaman Music, BMI/EMI Blackwood Music Songs BMI7:1 ,. Music BV STEMRA/Rister Editions. SACEM/ LLC, Moses LLC, .c: Pecked Music. BM129 Cent Hambergers Music, ASCAP /Sorry /AN Tunes LLC, ASCAPI HL, 075030; RAH 3 LETTER TO MY SON sisal Musc- Z Songs, BMI/Dade Inc, BMI /Live Write BMI/Mavor & SOCANI EMI Mus , rod, MCPS/EMI Music Publishing Ltd., -.AF' /Red Cape Songs. ASCAPI, HL, CS 58 HEARTBEAT (Lincoln & 011ie Music ASCAP/EMI April Music. d.1;1. AMP /HL. ROB 90 RBH 74 PRSI Inc., CHEERS (DRINK TO THAT) (Trac N Feld Entertainment LLC. Inc., ASCAP/Uttle Bike Music, ASCAPI, HL 410068 LEVELS i io lui BMIÆMI Blackwood Music Inc., OLVIDAME IJCAM Editora Musical, SA de CV) U 6 STORM WARNING (Sorge 01 Universal, BMIHappy A WOMAN LIKE YOU'iehanreriamerlane Publishing Corp., hHL rig Of Sea Gayle, BMI/ Little Man Publishing. BMI /DashO Music, ASCAPBughouse. ASCAP/WB Must Corp , ASCAPNnwersal Music Corporation, HE'S MINE ISuny /AN Acuff Rose Music, BMISineen Stars fleeeP blsl Scandinavia AB SLIM/Copyright ONE MORE DRINKIN' SONG INew Songs 'Sixteen Stars Music, AMI /Haw Bout Ozworth Inc., BMII, HL ASCAP/BMG Platinum Songs, BMIMeIla I Love You Musie, ASCAP/Left Pocket Muse. ASCAP/Corey Gibson Publishing Music, BMI /Immokalee Music, EMI/Hodges House At Sorg - 010066 Music, BMI/EMI Blackwood Music iMI/Songs From Ferry Street, BMIBMG Designee. ASCAP Musc Corp.. ASCAP /Avril Lavigne writers, AMI/Wamer- Tamerlane Publishing Corp.. BMI/(- Bird's LIFE OF THE PARTY (Toms Kid Music, BMI/Mamas Pebbly CS 15; H100 77 BMI /Jam Writers Group, BMR, AMP /HL CS 20 /Alpo J, r.: M), AMP, CS 36 /Ferry Hill Music, /HL. CS 43 Publishing, ASCAP/L Tolbert Music, RMI /Lil Eddie Music, BMI/ THE ONE THAT GOT AWAY IKate Morley Publishing, ASCAP/ STRANGE CLOUDS (Kasz Money Publishing ASCAP /Oneirol- Publishing LLC, SOCAN/Primary Wave Brian, BMI BMII AMP WOO logy iMrytes Music, LLC, BMI /Sogs Of Universal. Inc.. LLC , Tamerlane Corp, BMISony/ ME WITH YOUR BEST ONE WAY OR Deanna's Ditties, ASCAP/William Serrano Publishing Designee, Maratone AB, SLIM/Prescription Songs, LLC , ASCAP/When ogy Publishing, ASCAP/Prescription Songs, ASCAPHam Songs ASCAPNVarner- Poblishirg HT SHOT/ '.11,.lAZE 2 Music. SMI/Mtonio Dixon's Muzik, ASCAP/EMI ATV Songs LLC BMI /Aoearhr Music LLC, BMI/EMI Blackwood ANOTHER (Sony/AN Tunes LLC, ASCAP /Sorry /AN Muse ASCAP/EMI Blackwood Music Inc.. BMI), HL, RAH 22 Em Rich You'll Be My Bitch, ASCAPI, AMP H100 10 Squad Music, BMI /Bangs Of Universal, Inc.. BMI /Clarence Music. Inc. ASCAP /Christopher Mathew Music. BMI/ Muse la, EMI). AMP/HL, H100 78, RBH 79 Publishing Canada TOCAN/Chritalis Music. ASCAP/Monster LIKE 'EM ALL (Make M Sound Publishing, ASCAP /Crown ONLY WANNA GIVE IT TO YOU IEllevision Music Publishing. Monigonrery Ill, ASCAP/Pouvios Sounds, ASCAP/Stephen wr wb1 Music, BMII, AMP/HL. RBH 45 COLD SUMMER (Songs In The Key Of Charlie O. SESAC/ Island Music Publishing Corporation, ASCAPBBMG Chrysalis, World Publishing, ASCAP /Sorry /AN Tunes LLC, ASCAP /J BMI/Sorry /AN Songs LLC, BMI /Crow's Tree Pubinshng, BMI/ Joshua Hill Publishing Designee, BMI/Jamieson Xavier Jones W OP ,:^im'eferre Publishing/Slap Dash Publishing. BMII Universal Music Corporation. ASCAP/Lirden Springfield. ASCAPI, HL. H100 86 Down Productions Publishing, ASCAP/Jacobs Ink, BM/Crown Private Stock Emertainment. LLC, BMI/Songs Of Universal, Inc.. Publishing Designee, BMI/Young Money Publishing Inc.. BM' BMI/EMI Blackwood Music Inc .. BMIMIJP Music. ASCAPI, HOME IChrysalis Music. ASCAP /Sugar Lake Music, ASCAP/ World Publishing Inc BMINniversal Musics, Inc., ASCAP/ BMI/Dreamvillain, BMI /CAK Music Publishing, Inc., ASCAP/ Warner- Tamerlane Publishing Corp., OMB, AMP/HL, HIP, WORK o UT 'I aeamyillarn. BMI /EMI Blackwood Music Inc. AMP/HL, RBH 73 BMG flights Managment (Ireland) Limited, IMRO /Chestnut Editions Musicales Fantasia, ASCAP), HL RBH 56 Cold Chillin Music Publishing, Inc, ASCAPSongs Of Marl, 82, RAH 59 mule My Publishing Inc., BMISongs Of COME HOME (Sorry /AN Tunes LLC, ASCAPNelvet Hammer Barn Music, BMIBng White Tracks ASCAP /Chrysalis One LIKE MY DOG (Florida Room Music, BMIBPJ Administration, ASCAPI. AMP/HL. RAH 20 STRIP (Songs Of Universal, Inc. BMI /Culture Beyond Sr Ju rei,i. mc, BMI/Mnimode Musse. BMIBMG Sapphire Muse, ASCAP/Midnigist Miracle Music. ASCAP), HL, CS 34 Muse. LLC, ASCAPI CS 21; H100 85 /WI/Coburn Music, Inc. BMIMarley Allen Music BMII CS 33 D'OS (Please Gimme My Publishing Inc., BMI /EMI Blackwood Experience Publishing, BMI /KMacndicent BMI /Ambee Sneer Sags, BM17John Legend Publishing. BMISukneke Rainey COPY, PASTE (Craw's Tree Publishing. BMISogs Of Universal. HOME SWEET HOME (Root 49 Music, BMI/Danny Myrick LONELY BOY (McMoone McLeest Publishing, BMINWIxen Music Inc. BMI /EMI April Music, Inc., ASCAP /Carter Boys Publishing, ASCAP/Nosing Dale Songs Inc., ASCAP/Lonnalistit ASCAP/Puzzled Pieces Music, ASCAP/EMI Inc BMI/WB Music Corp.. ASCAP /Jerry Lee Publishing, Muse, BMIRailing Loop Music, ASCAP/Krista Marie Music, Music Publishing, BMI /Sweet Adore, ASCAP /Copyright Music. ASCAP/EMI Robbins Catalog, he., ASCAPBMG Gold HIS ASCAPNWest Coast Lion Publishing, ASCAPMniversal Musc. Of Mind ASCAPI, AMPML, RBH 98 BMI/Misla D Publishing, BMI/EMI Blackwood Music Inc., Control) H10094 Songs, ASCAP /Hot Butter Milk Music. Inc., ASCAP/BMG Music Corporation, ASCAPMerderworks Music Publishing, Virgin Music Inc. ASCAP/Elhor Wolff Music, ASCAPI. AMP/ RBH 11 COUNTDOWN 121182 Music Publishing, ASCAP/WB Music RMI) HL CS 50 LONG WAY TO GO (EMI April Music, Inc , ASCAP/Tri -Angels Platinum Songs. BMI /First Priority Music. BMI/Tufamer(oan, BM!), AMP /HL HLH10019.RBH Corp. ASCAPNW Sorgs, ASCAP/Downtowm Music Publishing HOUSE PARTY (Robert Williams, ASCAP/Tone Beats Publishing Music, ASCAPI. HL, CS 24 Inc., BMI /Swing Beat Songs, BMI/Dynamne Publishing SUPER BASS IHaraprku Barbie Music, AMI/Money Mack Pub- LLC, ASCAP/EMI Ape e, Inc, ASCAPB -Day Publishing. Desgnee, ASCAP/Young Chris Music. ASCAPBMG Retry LOTUS ROWER BOMB IWB Music Corp., ASCAP /Dead Company BMIMtersong -U SA., Inc , ASCAP/Unichappell Music, OMI /Songs Of Universal, Inc., BMI/Daniel Andrew ASCAPBat Damn Dean Music. BMI/2412 Songs LLC, AMI/ Songs ASCAP/MXC Music Inc.. ASCAP), CAM, RAH 54 Stock Music, BMI /Jerrie Howard, BMI /Miguel Jesse Pìmrrtel Music, Inc, BMI/Campbell Connelly & Co. LTD POSI. AMP/ lishing, ASCAP /Tat Dario Dean Music, BM12412 Songs SC. Peermusic, BMI /Cannon's Land Music Publishing ASCAPNnr HOW TO LOVE IYoung Money Publishing Ise., BMIANarner- Publishing Designee. SESAC/By The Chi Publishing, SESAC/ HL, HI00 00; RBH 19 BMIBeermusic, BMI/FB Da Mastermind Music Publishing, YES I452h & 3rd Music Publishing Inc., BMI /Sory /AN Songs vrsal Music Corporation. ASCAPBiv Ten Publishing, ASCAP/ Tamerlane Publishing Corp.. BMI/EMI Blackwood Music Inc., Fusician Publishing, ASCACP), AMP H100 59 RBH 5 OURS (Sorry /AN Tree Publishing Company,, BMI/Taylor Swift ASCAP /JMike Music, ASCAP/EMI April Music Inc., ASCAPI. LLC, BMI /Studio Beast Music. BMINWamer- Tamerlane Publish- HL, H100 AMP/HL, H100 26 Mike Ten Publishing Inc., BMI/Totally Famous Meso, ASCAPI, BMI /If You Need Me Don't Leave Me Publishing, BMIBearner LOVE AFTER WAR (I Like Fn Threke Music, ASCAPMaddington Music, BMq, 56 ing Corp . BMII, AMPML, ROO 30 154P /HL, H10073. RBH 37 Boy Publishing, ASCAP/Universal Music Corporation, ASCAP/ Musc UTTAP RBH 34 SURE THING IMJ Publishing, ASCAPNniversal Music YOU (Runnin Behind Publishing, ASCAP /EMI April Music. LOVE ON TOP EMI April Music. Inc., ASCAPB Publishing, Corporation, ASCAP/AmayaSofla Publishing, ASCAPI, AMP/ COUNTRY MUST BE COUNTRY WIDE (Square D Music, Bling BO Music. ASCAP/Songs Of Universal Inc BMI/ -Day Inc.. ASCAPMniversal Muse - Careers, BMIMngh Powered HL, /5 Average ZJS Music Publishing, BMINWamer Dmmmah Boyz Worldwide, LLC, BMI/Money Mack Music. Publishing, ASCAPNJB Music Corp R131-118 Machine Music, BMII, AMP/HL. CS 1T H10064 /Indiana BMII, RAH 40 s, ASCAP /Downtown Music Publishing LLC, PARADISE (Opal Music, London, PRSNmversal Music . MGB SWAGGED UPI BE IO WN (5 Star Protainment Publishing, :ne Publishing Corp., BMI Angel Music, BMIL AMPML, YOU AND I (Stefan' Germanona p/k/a Lady Gaga. BMISony/ YEAH F LLC. -' --I 9BH 41 Songs, ASCAPMpala Music Inc.. BMB AMP/HL, H100 32 ASCAP /Jens Tracks. BMII RBH 82 -10050 HYW (HELL ^"'G RIGHT) (Live Write BMI/Mavor AN Songs LLC. BMIMouse Of Gaga Publishing, Inc., BMI/ CRAZY GIRL 1:1úe Curb Musc BMI /Sweet Hysteria Music. & Moses LLC, SOCAN/Kobalt Music Publishing America, Irre LOVE'S GONNA MAKE T ALRIGHT (International Dog Music, PARA NO PERDERTE (Roes Musical, LLC, BMII LT 14 GloJpe Music Ise . BMII, HL H100 33 o Tree Publishing Company, BMI /Cake Taker, ASCAP/Young Money Publishing Inc., BMI/Warner- Tamerlane Dag, LLC, BMIBucked Up Music. BMIMouse PARTY (Reese Gimme My Publishing Inc., BMI/EMI Blackwood YOU AND I /YOU AND I (Sony /AN Songs LLC, AMIHouse Of 5M11 AMPML, CST H100 42 Publishing Cory, BMIBrother Bay Publishing, BMI/EMI ASCAP/Small Fish Music, ASCAPI CS 35 Music Inc, BMINWay Above Music, BMISony /AN Songs LLC, Gaga Publishing, Inc. BMI /Colgems-EMI Music Inc., ASCAP), CREW LOVE (Dve Write LLC. BMI/Mavor & Moses LLC. Blackwood Music Inc., BMI/E Md B Dream, ASCAPI. AMP/ LOVE YOU LIKE A LOVE SONG (Antonma Songs, ASCAP/ BMI /EMI April Music, Inc. ASCAP/B-Day Publishing, ASCAP/ TABOO ICrown P Music Publishing, BMI/EMI Blackwood HL, H10069 Iris Music Publishing France SA. SACEM/ M1 Kobalt Music Publishing America, Inc-, ASCAP/EMI HL H100 92 sip BMISongs Of Universal, Inc., BMI/Mafla Chrysalis Music, ASCAPNWe Don't Play Even When We Be Music BMI/EMI YOU DA ONE IDat Damn Dean Music, BMI /Songs Of Universal. LT 7 time Inc BMII HL RBH 97 .,u/IN-0 Music. BMI /Downtown Music Publish - Playm'. ASCAP /Get Ya Frog On Publishing, BMI/Entenamment Predca, SACMI Inc, BMI/Kasz Money Publishing. ASCAP/Mnarhi Music CRIMINAL ^ IanaIeee AB STIM /Sags Of Kobalt Music -'i AMPML H100 46 Music, RMI /Slick Rick Music Carp., BMII, HL, H100 52; RAH 2 TAKE CARE (Manor & Moses LLC, SOCAN/Kobalt Music LLC, BMI/EMI Blackwood Music Inc , BMIBojeorran Music, .:rio. Inc., BMI / Maratone. ASCAP/Kobalt Music LOVUMBA ()"IOC) (L s Czngrrro Publishing, ASCAPI LT8 PARTY ROCK ANTHEM (Parry Rock Music. ASCAPI 0100 Publishing Amenca. Inc., ASCAPArve Write LLC, BMI/The ASCAP/EMI April Music. Inc.. ASCAP/Onérology Publishing, 18; LT 18 Clyde Gtls Music Group, BMISony/AN Melody BM!). HL I 1 .rim tic., ASCAPNniversal Music SwedenAB. I CANT GO FOR THAT /YOU MAKE MY DREAMS (Primary ASCAP/Prescription Songs, LLC., ASCAPI. AMP/HL, Hí00 14 H100 81 Brian, Music. la., BMI/Hot -Cha Music PEGATE MAS (Pull The Plug Music, BMI/EMI Blackwood Music H100 9 RBH 70 ST IMI. AMP/HL, Wave BMINnichappell M Inc LT 40 TALK THAT TAUS Listed) RBH 94 YOU GONNA RY (Sony /AN Harmony. ASCAP/Texa Rae Co , BM!), AMP, H100 BO EMI BMIBIue Kraft Music Publishing, WI) (Not /Sony Keys Music Publishing, DO (Not Listed) RBH 72 MAGIC eau IJ,ic..c lvlrsxe 'WI/Making Mazes More PICTURE PERFECT (Blue Erro Soul Music, ASCAP/EMI April TATTOOS ON THIS TOWN IWarnerlamerlane Publishing Music. ASCAP /AN Cross ASCAP /Sony Tree Publishing Company, BM!), HL CS 23 I DON'T WANT 'MIS NIGHT TO END (Sorry /AN Tree PeIr ASCAPI RAH 80 Musrc, Inc., ASCAPAmagnne Nation Music, ASCAP /Music Of Corp., BMI /Boatwright Baby, BMIBesen Treasure Music. BMI/ /AN /Rhythm Feet In The Creek Music ASCAPBMG Gold Sorge. ASCAPI. YOU MAKE ME Music Ltd, PRS/Peermusic DANCE (ASS) (FF To Del Publishing, LLC. BMI/Sary /AN Tunes Company, MAKE ME PROUD (Live Wrote LLC. BMI /EMI Blackwood Windswept ASCAP /Grooveworks Entertainment, BMI FEEL (Bakstone HL AMP CS 2, H100 40 PRSB H100 13, LT 38 LLC. ASCAP /GloJne Music Inc., BMINrva Panama. ASCAP/ nc,BMI Strirg StretcheMusicirBM BMIBheooeek BMIBrother Bag, Publishing, BMINUC, BMI /EMI Lingo, ASCAPI, RBH 63 IUKILtd, &P Songs ltd, BMII Two Works. ASCAP /Jobete Music Inc.. ASCAPStone Dra Music, BMINWB Music Corp. ASCAP/Melrssa's Money Music Fray Music, SESAC/Haraleku Barbie Music. BMI /Money EL POETA (Universal- Musica Arree Publishing, BMII LT 20 TE ESTOY ENGANANDO CON OTRA Arpa Musical, LLC. YOUNG, WILD & FREE (My Own Chit Musrc, BMI/EMI Is A Rap- LT mend Musc BMIBMG Platinum Songs. BMI/8ust -It Publish- Publishing, ASCAP/Get A Load Of This Music. ASCAPI, AMP/ Mack Music. BMI /Songs Of Universal. Inc- OMIS AMP/HL, PROMISE (EMI Foray Music. SESAC/Rico Love Still BMII 50 Blackwood Music Inc , BMI/PGH Sound Publishing, ASCAP/ H10072, BOA per SESAC/Usher JV SESAC Publishing Designee. SESAC! TE QUIERO A MORIR ILGA Music Publishing, BMI /Ideas Enter- ASCAP/Mars Force : WB Music Corp., ASCAPBughouse, ( -+M H1/021-, RBH9 HL. CS 13, H100 29 Inc.. Romeo. ASCAP/ prises, Inc, BMI/DBA Editora De Ideas, BMII LT 10 DE MI 1 "/ Discos Music Publishing LLC, ASCAPI LT 24 IF I DIE YOUNG IPearlfeather Publishing, BMIBio Bravo Muse, AKE YOU SAY 00H IBlaq Chrome Muse, BMI/Sweatie Pub- Mayimbe Music, ASCAPBalabras De Music, ASCAPBoc Nation Music ASCAP/Music Famamanem Publishing, BMII RAH Courtney Madison Music, BMI/Wamer- Tamerlane Publishing THANK YOU ITe -Bass Publishing Inc., BMI /EMI Blackwood DIDN'T I : r Masc. ASCAP/EMI April Music, Inc Inc, BMq, AMP, H100 41 lishing, ASCAP/Zenlab Music 51 LLC, ASCAP /EMI April Music, Inc. ASCAP/Toy Plane Music.

1 Productions Inc, ASCAP y AIS rs ASCAP/Curb Songs ASCAP /Jarob- IF ITS LOVE (Songs Of Universal, Inc., BMI /Kemunity Sorg A MAN WITHOUTA WOMAN (Music Of Cal IV BMI/Trent Corp., BMI), AMP /HL. H100 91, LT Music Inc. BMIByefall /Son ASCAPMniversal Music Corporation, ASCAP/Westside ASCAPN Bulls Music, PUMPED UP KICKS (Smirirs Coffee And Tea Music Publishing, Tunes LLC ASCAP /Alum Music Ire BMINVonda Songs Inc , - --'W Tree Publishing Company, BMII. Chest BMIMnde Buddie's Music, Inc., ASCAPI, AMP/ Tomlinson Songs, BMI /Circle C Songs Independent Publishing, ASCAP/Lale80's Music, ASCAP/ H100 BMI/IC Champion Publishing. AMI,Aettwerk Songs Publishing HL RAH 27 ASCAPrSongs Of Universal. Inc . BMIHorns On The Hood, BMII, AMP, 12 Beechwood Music Corporation, BMIBebellion Corps Publish- (Marcher Musical Corporation, ASCAP / Jodan Ltd ASCAPBig R Publishing. ASCAP/EMI April Music, DI QUE REGRESARAS,Soralos Music. LLC. BMII LT 9 IF THIS WAS A MOVIE (Sony /AN Tree Publishing Company, AMII, AMP/HL, CS 59 EL PUNIC ANAL ing, RMI /South Hutson Music, BMIMeIen Vu. BMII, AMP /HL, ASCAP/ E Patron Publishing, ASCAP/ Publishing, BMI,Pacite Latin Copyright Inc.. ASCAP /Cruz De ASCAPI HL, RBH 66 DO IT LIKE YOU 1. Music Publishing LLC. BMI/Aarner. BMI/Taylor Swift Music, BMI/Manin Johnson Music. MAQUINA DELTIEMPO )Tto H100 57, RBH 100 HL, H100 Sony /AN Discos Music Publishing LLC, ASCAPNVY Pubhsh- Pidra Muse Publishing, ASCAPI LT 48 THAT COULD BE US (Club 700 Music. ASCAPAIl Mt And r p, BMI /Jerry Lee Publishing, ASCAP/ EMI April Music, Inc.. ASCAPI, 53 YOU THE BOSS I4 Blunts Lit At Once Publishing, BMI /EMI 4 RoRo Publishog, ASCAP/i To 15 Publishing. BM!) RAH 86 .,II /Sorry /AN Tunes LLC, ASCAPSergs Of H YOU WANT TO Math a way. SESAC/Ultra Empire Music. g, BMI/Unwersal-Musica Unica Publishing, BMII LT Blackwood Music Ire , BMI /K E On The Track Publishing, /Cisum Naashar Publishing, ASCAP/Terrence Lilly, MARRY THE NIGHT IStefam Germanotta p/k/a Lady Gaga. THAT GIRL (Kevin Fowler Music BMIMappy Cattle Music, rMll, AMPHL. RBH 61 BMI ASCAP/Makng Moves Music Group, ASCA 1Jnwersal Music BMI Smogs LLC. Of Gaga Puhbsh- ASCAP/MayesCountry Songs. BMII CS 49 . AN UK. PAS/Prescription SESACI RBH75 /Sony /AN BMIMouse DOMINO Music Publishing ASCAP /Sags Of Universal Inc., BMI/Money Stock Music, BMINVB Music Corp.. ASCAP /4 Corporation, Publishing, ASCAPStu/o I GOT (Universal Music Corporation, ASCAP/Cadaja Inc BMI /GloJoe Music Inc., BMINWamer-Tamerlane QUICKIE IMJP Music, ASCAP/FedeMusic. BMIB Disale Munk. THAT WAY (Dead CSCAP/Kasz Mates NOTHIN rg. ASCAP AMP/HL. Lit At Once Publishing, BMI/First N' Gold Publishing, Mack Music, Haraluku Barbee Music. BMII, Boas! Musc AMI Warner Tamerlane Publishing Corp BMI/ g, ASCAP/MXC Music Inc., ASCAP /Still Working For Publishing Cap- AMI /Garibay Music Publishing, BMIS AMP/ ASCAPI RBH 23 Blunts Felton Publishing ASCAP /Sags 01 H100 83,RBH 13 Monroe AB STIM /Kobalt Music Publishing Mincer Inc. an. ASCAP/EverGreen Copyrights Acquisitions, AMO. HL, 0100 97 BMI /Jeremy Designee Inc.. Music, BMISongs Of Way Enter Y.U. MAD (Money Mack Musrc, BMI /Harajuku Barbie Music, . rlagy Publishing, ASCAPI AMPML, 0100 55 'O H1009B MARVIN & CHAHDONNAYIFF To DM Pubinshng. LLC AMI/ Universal. BMI/Kimani /Sags Of Universal, Irre BMI /Artist Publishing Group Publishing Inc.. /EMI Music tanment Inc . BMINWarner- Tamerlane Publishing Corp .. BMI/ BMI DONT KISS ME 1EMI Foray Music. SESAC/R ico Love Is Snll I GOT THIS .Ir' Ink Music Publishing, ASCAPSIide That Please My BMI Blackwood RBH West, ASCAP/WB Muse Corp., ASCAP/MADMAX SOUND. - rpl Inc Music, BMIÆMI Blackwood Music Inc, Sorry /AN Songs LLC, BMII, AMPML, H10061. 6 4 Had ON muse SESAC/Grandma's Buy April Marre Inc ASCAP/WB Music Corp. Inc RMI /Sags Of Universal. AMI,71oscoe Dash Publish- RACK MY ITygaman ASCAPI. RBH 53 , 111g, /Campstar April Music. Inc ASCAPI, HL RBH 68 THIS OLE BOY Music Corp, ASCAP/Mellssas Morey AMPHL, =1 SAC Publsh rg Designee. i PF ASCAP Music, ASCAP/EMI BMI/Pay DjMustard, IWB

60 Go to www.billboard.biz for complete chart data Data for week of DECEMBER 3, 2011 EXECtrrivE 13AC KB EAT 'l'URN'l'AI3LI? Send submissions to: exec a billboard.com

RECORD COMPANIES: Warner Music Group names Brian Roberts executive VP/CFO, effective Jan. 1. He currently serves as senior VP /CFO at Warner/Chappell Music. Columbia /BNA Promotion names Norbert Nix VP. He .01 was director of national promotion at RCA Nashville.

PUBLISHING: Razor & Tie Music Publishing appoints Sharon Tapper VP of music publishing (New York), Lisa Johnson VP of creative (Nashville) and Ross Asher creative direc- tor (Nashville). Tapper was VP of creative at Kobalt Music Publishing, Johnson founded Sweet Renegade Music, and Asher was creative director at Universal Music Group's Brentwood -Benson music publishing division. BMI promotes David F. Bills to executive director of on- line communications. He was senior director. POST -CMA AWARDS SOIREES Following the 45th annual CMA Awards -billed TAPPER as "country music's biggest night " -Nashville's industry cognoscenti partied until the wee TOURING: Frank Sette Vendini names VP of sales. He was hours at various celebrations stationed around executive VP at SiteOne Services. Music City. Palace Sports & Entertainment in Detroit -which oversees Warner Music Nashville stayed close to home with the Palace, DTE Energy Music Theatre and Meadow Brook its revelry, celebrating at the company's Music Row offices. Squeezing in some camera time between Music Festival- appoints Sam Walton event coordinator. He partying are (from left) Starstruck Management was Group manager Brandon Blackstock, Tim McGraw, executive producer at Signature Professional Group. Blake Shelton, Faith Hill, John Oates, Warner Music Nashville president /CEO John Esposito, Red Light Management president/CEO Will Botwin and DIGITAL: Pandora promotes Priscilla Valls to VP of sales for Starstruck Management Group CEO /manager Marvel the Eastern region. She was director of Northeast sales. Blackstock. PHOTO: BROOKE KELLY DigitalMusic.org, the home of NARM's digital initiatives, It was a mega -night for Faith Hill, shown here with Warner Music Nashville president /CEO John names David Iscove chairman of its Apps, Music & Gaming Esposito. She debuted her first single in six years, Work Group. He's director of EMI North America's Works "Come Home," at the CMA Awards. PHOTO: BROOKE KELLY Initiative. CONTINUED ON PAGE 62 Zynga taps Lauren Wirtzer Seawood as director of en- tertainment and media. She was VP of marketing at Def Jam Enterprises. -Edited by Mitchell Peters G()() I)WORI(S ARTISTS HELP BOOST PROJECT RISHI FUNDS Los Angeles' Music Box was buzzing with fans and music execu- tives on Nov. 18 for a benefit concert featuring Compton, Calif., MC and DJ Green. All proceeds from the sold-out event -which also featured Azad Right, Schoolboy Q, Mateo, TiRon, Ayomari and Fuze the MC -were donated to nonprofits Project RISHI (Rural India So- cial and Health Improvement) and DWC (Downtown Women's Center of Los Angeles). Project RISHI executive director/co- founder Ravi Menghani I Asia says the goal "was to raise some money so we can have this water Before notching his first No. 1 on the Billboard 200 with his purification project" for impoverished villages in India. The debut release, Blue Slide Park, Mac Miller stopped by the San Francisco headquarters of his distributor INgrooves. overall mission of Project RISHI, a nonprofit that launched in From left are INgrooves GM Dave Zierler, Miller and 2005 at the University of California in Los Angeles, is to estab- INgrooves founder/CEO Robb McDaniels. PHOTO: ALICIA GIESEN lish sustainable projects to improve sanitation, health care and education in poor Indian villages. The Ronnie James Dio Stand Up and Shout Cancer Fund hosted its inaugural awards gala on Nov. 1 "We haven't done the final numbers yet, but I think we'll end at Los Angeles' Playboy Mansion to raise funds up making a couple grand, at least. Some donors are still coming for its cancer prevention initiatives. Awards that vere named after Dio songs were presented to in," Menghani says, noting that the organization's costs were buch industry execs as Eagle Rock Entertainment about $33,000. Since being founded, Project RISHI president for North America Mike Carden (Rainbow has raised in the Dark Award) and Danny Zelisko Presents about $70,000. Donations can be made at ProjectRishi.org. president Danny Zelisko (Killing the Dragon Award). Both executives are cancer survivors. From left are Noting that his first choice for the benefit was Pitbull, who Ronnie James Dio Stand Up and Shout Cancer Fund was out of Project RISHI's price range, Menghani says he hopes medical director/co- founder Dr. Sandeep Kapoor (Sacred Heart Award); Carden; Zelisko; Gloria Butler, to secure even bigger talent in 2012. "We sold out the tickets wife and manager of Black Sabbath bassist Terry eventually and ultimately made a small profit," he says. "Next "Geezer" Butler; Stand Up and Shout founder/ president Wendy Dio; "That Metal Show" host Eddie year we'll hopefully do something bigger." Trunk (Long Live Rock 'N Roll Award); Geezer Butler Meanwhile, is (King of Rock 'N Roll Award); and Rita Haney, widow Lamar working on a new studio album, which of guitarist "Dimebag" Darrell Abbott and winner of is set for release in 2012. -Mitchell Peters the Stand Up and Shout accolade. PHOTO'. GENE KIRKLAND

DECEMBER 3, 2011 www.billboard.biz I 61 I3ACI(13 EAT EDITED BY GAIL MITCHELL

ABOVE: Holding court at Citizen in Music City was Universal Music Group Nashville. Among the revelers was (from left) this heavyweight trio of Live Nation Entertainment executive chairman and Front Line Management Filling this room full of singing and playing talent are (back row, from left) Bradley Gaskin. Joanna Group chairman /CEO Irving Smith, Casey James, Kristen Kelly and Love & Theft's Stephen Barker Lyles. In the middle row ore Azoff, Greenberg Traurig global (from left) Aaron, Clara and Brian Henningsen of the Henningsens: Angaleena Presley; Wade Bowen. entertainment and media group and Bush Hawg members Craig Hand, Jim Phipps, Shaun Ames, Russ Caldwell. Alex Wilshire and Ben chairman Joel Katz and UMG Helton. In the front row are (from left) Jake Owen, Carrie Underwood, Miranda Lambert, Sony Music Nashville chairman /CEO Luke Entertainment CEO Doug Morris, Sony Music Nashville chairman /CEO Gary Overton, Sara Evans, Lewis. PHOTO PEYTON HOGE Kenny Chesney, Grace Potter, Chris Young and Kix Brooks. PHOTO: ALAN POIZNER RIGHT: Flanking artist Easton _ a Corbin are UMG Nashville senior VP of national promotion Royce Risser (left) and senior VP of A &R Brian Wright. PHOTO: PEYTON HOGE POST-CMA AWARDS SOIREES

r

Lady Antebellum celebrates its 2011 CMA Award for Sony Music Nashville took up residence at the Hermitage vocal group of the year. From left are the group's Hotel to wind down after the ceremony. From left: Sony Dave Haywood and Hillary Scott, Capitol/EMI Records Music Entertainment CEO Doug Morris. Grace Potter, Kenny Nashville president /CEO Mike Dungan and the Chesney, Miranda Lambert and Sony Music Nashville group's Charles Kelley. PHOTO: RICK DIAMOND /GETTY IMAGES chairman /C EO Gary Overton. PHOTO: ALAN POIZNER

The RIAA and National Music Publishers' Assn. co- hosted their post -CMA Awards festivities at Valentino's Ristorante. From left: RIAA chairman/CEO Cary Sherman, songwriter Paul Pelt, guest Natalia Parker and NMPA president David Israelite. PHOTO: SUSAN ADCOCK

Capitol /EMI Records Nashville artists and execs toasted the evening at Sambuca restaurant. Among the revelers are (standing, from left) Capitol /EMI Records Nashville senior VP of marketing Cindy Mabe and COO Tom Becci; artists Eric Church, Eric Paslay, Dave Haywood of Lady Antebellum and Jon Pardi; Capitol /EMI Records Nashville president /CEO Mike Dungan; EMI Group COO Leo Corbett; A artists Walker Hayes, Dierks Bentley, Luke Bryan, Lady Antebellum's Charles Kelley and Little Big Former Gospel Music Assn. and Christian Music Trade Town's Phillip Sweet and Jimi Westbrook. Seated are (from left) Chynna Rae Carrion and Lauren Assn. president /CEO John Styli (far left) joins Church Leiter of Lighter Ray; artists Kelleigh Bannen, Darius Rucker, Lady Antebellum's Hillary Scott, Little Music Publishers Assn. CEO Elwyn Raymer (second from Big Town's Kimberly Schlapman and Karen Fairchild and singer Mickey Guyton; and Capitol /EMI right) and his wife Linda, and Nashville Songwriters Assn. Records Nashville senior VP of promotion Steve Hodges. PHOTO RICK DIAMOND/GETTY IMAGES International president Steve Bogard. PHOTO: SUSAN ADCOCK

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