Grey Fox Bluegrass Festival Announces 2013 Artist Lineup
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Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
Bryan Sutton Reveals New Depth with Fourth Sugar Hill Release, Into My Own
BRYAN SUTTON REVEALS NEW DEPTH WITH FOURTH SUGAR HILL RELEASE, INTO MY OWN Solo Record From Bluegrass Guitar Master Due April 29th Nashville, Tenn. (January 27, 2014) –Bryan Sutton returns to Sugar Hill Records with his fourth solo release, Into My Own, available April 29, 2014. “The goal,” Bryan Sutton says, “was to try to make a record that only I could make.” Indeed, even a cursory listen is enough to establish that Into My Own, his fourth album for Sugar Hill Records, fulfills that goal—and does so in a way that reflects not only the instrumental virtuosity that his admirers have come to expect, but also the spirit and sensibilities of a musician intent on challenging himself to continuously grow in every way. For those who think of him as just one of the best acoustic guitarists around, Into My Own will come as an unexpected revelation, while for those who’ve been following his evolution at least since 2009’s Almost Live, it deserves welcome as the culmination of a remarkable musical growth spurt—rich, varied, and, just as he says, a record that only he could make. For what Into My Own does for the first time is present Bryan Sutton, not so much on his own (though there’s a bit of that too), but as an artist who’s worked his way into a musical place that’s all his own, and not just as a phenomenal guitarist, but as a singer and songwriter. Featured alongside Bryan Sutton are some of the best pickers in the genre, also true friends and collaborators; Bill Frisell joins in for “Frissell’s Rag” while Noam Pikelny, Sam Bush, Ronnie McCoury, Stuart Duncan and more stop in to play a few. -
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • a Legend Ireland Tour…
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • A legend Ireland Tour….......….......…..........….4 of American roots music joins us for a guitar workshop Folk Festival Scenes…………..…....8-9 and concert, with a blues jam in between. Emerging Artist Showcase………....6 Looking Ahead……………….…….…...12 Andy’s Wild Amphibian Show….........……..Page 3 Member Recognition.….................15 Wed, Jul 14 • Tadpoles, a five-gallon pickle jar and silly parental questions are just a few elements of Andy Offutt Irwin’s zany live-streamed program for all ages. Resource List Liars Contest……………....……….………...Page 3 Subscribe to eNews Wed, Jul 14 • Eight tellers of tall tales vie for this year’s Sponsor an Event Liars Contest title in a live-streamed competition emceed by storyteller extraordinaire Andy Offutt Irwin. “Bringing It Home”……….……...……........Page 5 Executive Director Jess Hayden Wed, Aug 11 • Three local practitioners of traditional folk 378 Old York Road art — Narda LeCadre, Julie Smith and Rachita Nambiar — New Cumberland, PA 17070 explore “Beautiful Gestures: Making Meaning by Hand” in [email protected] a virtual conversation with folklorist Amy Skillman. (717) 319-8409 Solo Jazz Dance Class……........................…Page 6 More information at Fri, Aug 13, Mt. Gretna Hall of Philosophy Building • www.sfmsfolk.org Let world-champion swing dancer Carla Crowen help get you in the mood to boogie to the music of Tuba Skinny. Tuba Skinny………………........................…Page 7 Fri, Aug 13, at Mt. Gretna Playhouse • This electrifying ensemble has captivated audiences around the world with its vibrant early jazz and traditional New Orleans sound. Nora Brown……………... Page 10 Sat, Aug 14, at Mt. -
Hit & Run Bio 2014
2009 International Bluegrass Music Association "Recorded Event of the Year" Winner (Rebecca Frazier, Daughters of Bluegrass) 2006 First woman on cover of Flatpicking Guitar Magazine (Rebecca Frazier) 2005 International Bluegrass Music Association Showcase Artist First Place, 2005 SPBGMA International Band Championship (Nashville, TN) First Place, 2003 Telluride Bluegrass Festival Band Contest (Telluride, CO) First Place, 2002 Rockygrass Band Contest (Lyons, CO) Rebecca Frazier gained notoriety as the first woman on the cover of Flatpicking Guitar Magazine. With over a decade of touring under her belt, Frazier has returned to the national stage with her flatpicking and songwriting showcase, “When We Fall,” and her new affiliation with Compass Records. In 2013, Rebecca Frazier and Hit & Run have continued to delight audiences across the country with the “handspun yet motor-driven” music that earned Hit & Run their reputation as “one of the tightest groups performing.” They are the only band to win the top triumvirate of major bluegrass band contests at the Telluride, Rockygrass, and SPBGMA Festival Band Championships. Hit & Run formed in late 2001 with the mutual desire to play “authentic yet modern” bluegrass. They quickly launched themselves as a successful touring act out of Colorado, gracing stages of prestigious festivals and venues in 36 states and Canada and eventually migrating to Nashville in 2007 with two studio albums under their belts. Since 2002, Hit & Run has shared stages with the likes of Jimmy Martin, Hot Rize, Rhonda Vincent, Jerry Douglas, Sam Bush, Del McCoury, David Grisman, Ricky Skaggs, Creedence Clearwater Revisited, G. Love & Special Sauce, Galactic, Medeski Martin & Wood, and many other recognized acts bluegrass and popular music. -
October 1999
,. "You don't just need a computer, you need a solution." Fmal Cut Pro ~= Ultura digital video camcorder canon studied your life, your needs and all 27 bones in your hand. Also available, with many of the fine features of the Ultura: Ultura Features: z_~ Genuine canon Optics 16X Opticai/320X Digital zoom Lens Canon Minii)."T Optical Image Stabilization Mini~" (Canon original technology) Canon Flexizone Auto Focus/Auto Exposure (Canon exclusive) on/y$999 2.5" Color LCD View screen & Color Viewfinder PCM Digital Stereo sound Program Auto Exposure Digital Photo Mode alpha tech COMPUTERS.COM (360) 671-2334 • (800) 438-3216 • (360) 671-8571 Fax 2300 James Street, Bellingham, WA 98225 • www.alphatechcomputers.com Hewlett-Packard Apple Solutions We are fully AdvanceNet certified to maintain, We are fully Apple®certified to maintain, alpha tech computers is a place of solutions service and repair all ~ service and repair all Apple® products. for you, no matter what computer equipment Hewlett-Packard products. l...=:J • . Apple Specialist you hove, or, where you bought it . LOCAL SPOTLIGHT ............................ 5 LOCAL SHOWS ................................ 6-7 LOCAL RECORDINGS ................ 8-1 0 ALL AGE VENUES ................ 12-1 5 MAN ... OR ASTROMAN ? .... 16-18 BILL FRISELL ....................... :20-21 FOLKANDWORLD BEAT .................. 23 THEATER REVIEWS ................................ 24 MOVIE REVIEWS ...................................... 25 DINNER WITH HAMILTON ................ 26 P. IN THE SQUARED CIRCLE .......... 27 -
December 2020
Wrap Up Your Holidays with Us! Take a much-needed break from the hustle and bustle of the season and enjoy our December Newsletter. We've got a lot to cover! Watch our fun and informative New Virtual Store Tours and Staff Picks; meet our Instrument Specialist, Ian Dehmel; listen to our "We Recommend" pick - Colorado bluegrass band Hot Rize; see our Top 5 Gifts Under $30; learn what's so special about Breedlove guitars; find out who's battling it out on the banjo in the swamp, and a lot more. So take a few minutes and dive in! You'll be glad that you did. Take Our Ukulele Video Tour! Ukuleles are affordable, fun to play and, with just four strings, relatively easy to learn. The Denver Folklore Center is happy to stock a large selection of new and vintage ukuleles with prices ranging from the very affordable to rare collectibles. Watch our new Ukulele Video Tour! Join Saul, owner of the Denver Folklore Center, for a few tips on picking out the best uke for you or someone you love. Learn some basics like how to play, types of ukuleles, different tonewood attributes and more. Then contact us or come in and let our team help you choose the ideal instrument in your price range. And be sure to read our blog post to find out Which Ukulele Size is Right for You. Staff Focus - Ian Dehmel Originally from the Western Slope His introduction to the Folklore (Fruita, CO), Ian Dehmel is one of Center came from his dad, who had our Instrument Specialists. -
Sarà Il Chitarrista Bill Frisell, Ad Aprire Venerdì 9 Novembre, Ore 21, Alla Fiera Di Cagliari, Una Delle Notti Jazz Che Si P
36° Festival Internazionale Jazz in Sardegna – European Jazz Expo BILL FRISELL (solo) ENRICO RAVA 5et feat. JOE LOVANO Centro Congressi della Fiera di Cagliari, venerdì 9 novembre (ore 21) Sarà il chitarrista Bill Frisell, ad aprire venerdì 9 novembre, ore 21, alla Fiera di Cagliari, una delle notti jazz che si preannuncia esplosiva per il valore e la fama degli artisti che si esibiranno sul palco. Un unico concerto che vedrà, dopo l’esibizione di Frisell in solo, anche il live di un quintetto d’eccezione, il supergruppo formato dal sassofonista Joe Lovano, il trombettista Enrico Rava il contrabbassista Dezron Douglas, il batterista Gerald Ceaver e il pianista Giovanni Guidi. Bill Frisell, stella indiscussa del panorama musicale mondiale, riconosciuto non solo come uno dei chitarristi più inventivi di sempre ma anche come uno dei più versatili e prolifici, si esibirà in solo sul palco della fiera nella prima parte della serata. Con una carriera trentennale e oltre cento dischi pubblicati alle spalle, Frisell è tra le figure più di spicco nell’ambito jazzistico, con un repertorio che sconfina spesso nei territori del folk, del country, del pop e della musica d’avanguardia. Ha collaborato tra gli altri con Paul Motian, John Zorn, Elvis Costello, Marianne Faithfull, John Scofield, Jan Garbarek, Paul Bley, Bono, Robin Sylvian. Alcuni critici lo hanno paragonato a Miles Davis per il suo stile caratterizzato dalla ricerca del puro suono e dall’antitecnica inconfondibile. I suoi dischi coprono un ampio raggio di generi e influenze musicali: dalle colonne sonore di film di Buster Keaton e dei cartoni animati di Gary Larson (Quartet) alle composizioni originali per grossi ensemble con archi e collaborazioni con il bassista Viktor Krauss e il batterista Jim Keltner. -
Master Uten Bilder
A Transforming Voice in a Changing Genre - Alison Krauss Sigrun Sundet Sandstad Master Thesis in Musicology At the Faculty of Musicology University of Oslo Autumn 2016 i A Transforming Voice in a Changing Genre - Alison Krauss - Acknowledgements… First of all I would like to thank my husband, Torkild. Your patience, your eye for detail, and shared love for bluegrass has been priceless in this process. I am also forever thankful for how you and our children have cheered me on in this process. Thank you dad, for introducing me to bluegrass music. Thank you for daring to play and listen to music you loved, although it was not always mainstream. Thank you Holly and Bart, for providing me with language expertise. Thank you, staff at the Grey Fox Bluegrass Festival 2016 for being so helpful. A huge thanks to Barry Bales, Charles Clements, Mike Compton, Jerry Douglas, Leigh Gibson and Sierra Hull for letting me interview you and for providing me with unique and valuable material. Thank you Stan Hawkins, my supervisor, for challenging me, encouraging me, and believing in me. I could never have done this without your guiding. Thank you, Alison Krauss, for loving and respecting bluegrass. Without your love for bluegrass, I wouldn’t have had mine. Sigrun S. Sandstad Stavern, October 2016 ii A Transforming Voice in a Changing Genre - Alison Krauss - iii A Transforming Voice in a Changing Genre - Alison Krauss - PREFACE If you asked me to guess, I would have said that it happened last week. It was one of those defining moments, which feels like days and at the same time a lifetime ago. -
The Banjo Is a Much Loved and Increasingly Popular Instrument, But
° BANJO BONANZA ° ° BANJO BONANZA ° The banjo is a muchA loved and increasinglyLONG popular instrument, but its history is less well-known. Rose Skelton talks to banjo protagonists Béla Fleck, Jayme Stone and Otis Taylor, who are all intent on highlighting its African roots TRIP HOME sparkling moment of stillness dig at the roots of the instrument. Jayme and it got relegated to traditional music and is sandwiched between Stone, a young Canadian banjo player, went to disappeared from common usage.” scenes of children singing at Mali to explore griot music and has since But the banjo’s history didn’t start there. an orphanage in the Malian recorded and toured with kora players with Ethnomusicologists reckon the instrument, capital Bamako, and a noisy their version of the banjo-meets-Africa on his now made from metal, wood and plastic, A street scene in which motorbikes, cars and 2008 album Africa to Appalachia [reviewed actually came from Africa on slave ships in donkey carts chug down a dust-lined road. in #58]. The great American bluesman Otis the form of skin and gourd lutes, like the Béla Fleck, one of modern music’s most Taylor delved into the African-American akonting of Senegal or the ngoni of Mali, the experimental banjo players, and Oumou roots of the instrument on his 2008 album latter of which has been around since at least Sangaré, arguably Africa’s most celebrated Recapturing The Banjo [reviewed in #50], the 14th century. Once these gourd female singer, play together in a small making the point that when the blues came instruments arrived on American soil, the Above: banjo maestro Béla recording studio in Bamako; Béla picking from Africa, it came via the banjo. -
Ringing Bell Or Smoke Machine: Technology and Authenticity in the Punch Brothers’ “Familiarity”
Ringing Bell or Smoke Machine: Technology and Authenticity in the Punch Brothers’ “Familiarity” Kevin Laskey MUS 568 Professor Matthew Barnson th May 18 , 2015 In June 1933, John Lomax and his son Alan departed Washington, D.C. in an old Ford automobile, embarking on a cross-country trip. In the trunk was a 350-pound Dictaphone recorder, provided by the American Council of Learned Societies and the Library of Congress’s Archive of American Folk Song. Under the auspices of these groups, the Lomaxes were to travel across the United States and document the nation’s musical culture.1 Unlike academically-trained anthropologists, the Lomaxes did not exactly document this musical culture as they found it. John and Alan were looking for what they considered authentic American folk music, uncorrupted by the commerce and technology of modern society. According to music historian Karl Hagstrom Miller, when the Lomaxes met a local musician on their trip, they “…didn’t ask, 'Share the songs that you enjoy singing.' [They] asked for them to find songs that fit into [their] idea of old time folk songs.”2 In particular, they looked to record “the Negro who had the least contact with jazz, the radio, and with the white man… [who] heard only the idiom of their own race.”3 For that reason, the Lomaxes looked for folk materials on the outskirts of American musical culture—jails in particular. The “discovery” that the Lomaxes were most excited about on their 1933 trip was a singer and guitarist named Huddie Ledbetter—better known as “Lead Belly”—an inmate at Louisiana’s Angola Prison. -
Bluegrass Ensembles
The Colorado College Music Department presents Bluegrass Ensembles Keith Reed, director December 13, 2012 7:30 PM Packard Hall Please turn off all electronic devices in Packard Hall Group 1 Andy Allen-Fahlander Andy has been playing guitar for 10 years, mostly in the jazz and improvisational rock tradition. Last year while studying music at Colorado College, he had a fateful encounter with the music of Tony Rice and Bill Monroe that inspired him to dive headfirst into the world of bluegrass, picking up bluegrass guitar as well as the mandolin. He aspires to let distinctive stylistic aspects of his two instruments of choice flow together, importing tremolo picking into guitar and blues- style bends into his mandolin playing. Niels Davis Niels is a guitar player from Vermont. He started out playing fingerstyle blues and folk, and began playing bluegrass in his first year at Colorado College. His influences include Norman Blake, Clarence White, Bryan Sutton and whoever is playing hard at open-mic night. When he’s not playing music he likes to climb and spend time outside. He plays horrible banjo and would like to learn to play the mandolin. Makenna Drake A Colorado native, Makenna Drake grew up in a musical family and experimented with many instruments before picking up the fiddle. She began playing classical music at a young age and earned pocket money playing standard tunes on the local pedestrian mall. After a long hiatus in playing, Makenna rediscovered the violin through fiddle music, arising from a long-standing family tradition of attending the bluegrass academies and festivals in Lyons, Colorado. -
Punch Brothers
WELLS FARGO JAZZ PUNCH BROTHERS PUNCH BROTHERS TD Arena at College of Charleston May 27 at 7:00pm SPONSORED BY WELLS FARGO Chris Thile, mandolin Chris Eldridge, guitar Paul Kowert, double bass Noam Pikelny, banjo Gabe Witcher, violin PUNCH BROTHERS: The title of ideas of one guy into a band presenting the unified idea of five the newest Punch Brothers recording, guys. I had a very clear vision for The Blind Leaving the Blind borrowed from one of their new songs, is and I’m very proud how that turned out, but the reason to put more an exhortation than a taunt. Who’s yourself in this kind of situation is to have the opportunity to Feeling Young Now? contains some of the present a real sense of community to other people. When there most exhilaratingly direct, sonically daring are five dudes up there doing something as a unit that encourages performances the group has ever recorded. people to participate, that’s where Punch Brothers is exhibiting As the five members, ranging in age from a lot of growth. We can actually bring a sense of real musical their mid-20s to early 30s, have matured camaraderie, creative camaraderie, to people who come to our together on the road and in the studio, their approach to writing shows and those who listen to the records.” and performing has, conversely, become looser, simpler, and, Each of the individual musicians has crammed plenty of solo in a sense, more unaffectedly youthful. In fact, the title song work and/or other collaborations in between Punch Brothers —featuring rumbling bass, skittering violin, and wailing multi- commitments.