Communiqué Du 13 Mai 2020
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1 ROMAN GRIFFIN DAVIS THOMASIN Mckenzie TAIKA
FOX SEARCHLIGHT PICTURES Presents In Association with TSG ENTERTAINMENT A DEFENDER and PIKI FILMS Production ROMAN GRIFFIN DAVIS THOMASIN McKENZIE TAIKA WAITITI REBEL WILSON STEPHEN MERCHANT ALFIE ALLEN with SAM ROCKWELL and SCARLETT JOHANSSON DIRECTED BY…………………………………………………………………TAIKA WAITITI SCREENPLAY BY………………………………………………………….….TAIKA WAITITI BASED UPON THE BOOK CAGING SKIES BY…………………......CHRISTINE LEUNENS PRODUCED BY……………………………………………………….CARTHEW NEAL, p.g.a. …………………………………………………………………………....TAIKA WAITITI, p.g.a. ………………………………………………………………………..CHELSEA WINSTANLEY EXECUTIVE PRODUCER…………………………………………KEVAN VAN THOMPSON DIRECTOR OF PHOTOGRAPHY…………………………………...MIHAI MALAIMARE JR. PRODUCTION DESIGNER………………………………………………….……RA VINCENT FILM EDITOR…………………………………………………………………….TOM EAGLES MUSIC COMPOSED BY………………………………………………MICHAEL GIACCHINO COSTUME DESIGNER……………………………………….…………….MAYES C. RUBEO MAKE-UP & HAIR DESIGNER………………………………..…..DANNELLE SATHERLEY VISUAL EFFECTS SUPERVISOR……………………………………………….JASON CHEN CASTING BY…………………………………………………………………..DES HAMILTON http://www.foxsearchlight.com/press Running Time: 108 minutes Rating: PG-13 Los Angeles New York Regional Nicole Wilcox Nora Bloom Isabelle Sugimoto Tel: 310.369.0410 Tel: 212.556.8235 Tel: 310.369.2078 [email protected] [email protected] [email protected] 1 Writer director Taika Waititi (THOR: RAGNAROK, HUNT FOR THE WILDERPEOPLE), brings his signature style of humor and pathos to his latest film, Jojo Rabbit, a World War II satire that follows a lonely German boy (Roman Griffin Davis as Jojo) -
Warner Bros. De Lane Lea Asa Shoul
WARNER BROS. DE LANE LEA ASA SHOUL - COLOURIST BAFTA Award Nomination for Special, Visual or Graphic Effects - The Alienist BAFTA Award for Special, Visual or Graphic Effects - The Crown Season 1 BAFTA Nomination for Special, Visual or Graphic Effects - The Crown Season 2 HPA Awards for Oustanding Colour Grading (Drama) - The Crown Season 1 HPA Awards for Oustanding Colour Grading (Drama) - The Crown Season 2 HPA Nomination for Oustanding Colour Grading (Feature) - Brooklyn US Monitor Award for Outstanding Colour Grading (mini series) - Merlin US Monitor Award for Outstanding Colour Grading (mini series) - Alice In Wonderland US Monitor Award for Outstanding Colour Grading (mini series) - Arabian Nights Film Date Title Director DOP 2020 Last Night in Soho Edgar Wright Chung-hoon Chung 2018 The Kid Who Would Be King Joe Cornish Bill Pope 2018 Mission: Impossible - Fallout Christopher McQuarrie Rob Hardy 2018 Isle of Dogs Wes Anderson Tristan Oliver 2018 Annihilation Alex Garland Rob Hardy 2018 The Mercy James Marsh Eric Gautier 2018 The White Crow Ralph Fiennes Mike Eley 2017 Dark River Clio Barnard Andriano Goldman 2017 Summer in the Forest Randall Wright Patrick Duval 2017 Film Stars Don't Die in Liverpoool Paul McGuigan Urszula Pontikos 2017 The Hitman's Bodyguard Patrick Hughes Jules O'Loughlin 2017 Baby Driver Edgar Wright Bill Pope 2017 Paula Rego, Secrets & Stories Nick Willing Juvenal De Figueiroa 2016 War on Everyone John Michael McDonagh Bobby Bukowski 2016 Dancer Steven Cantor Mark Wolf 2016 Sky Ladder: The Art of Cai Guo-Qiang -
Edgar Wright & La Trilogía Del Cornetto
Edgar Wright & la Trilogía del Cornetto Autor: Ginés Cirera Doña Tutor: Carlos Colón Curso Académico: 2019/2020 Tabla de contenido Abstract / Resumen ..................................................................................................................... 3 Introducción general .................................................................................................................... 3 Edgar Wright: Biografía y comienzos .......................................................................................... 6 Análisis ....................................................................................................................................... 10 Spaced ............................................................................................................................ 10 Shaun of the Dead ......................................................................................................... 14 Hot Fuzz ......................................................................................................................... 35 The World’s End ............................................................................................................ 55 Conclusiones .............................................................................................................................. 74 Tabla de referencias .................................................................................................................. 75 2 ABSTRACT / RESUMEN El objetivo de este trabajo es explorar el trabajo -
Film Flashback… Ghostbusters & Gremlins Opened
Monday, June 7, 2021 | No. 171 Film Flashback… Ghostbusters & Gremlins Opened on 6/8/1984 Weekends with two major openings that aren't targeted to the same audience typically boost box office business – as we just saw Memorial Day weekend. There was, however, a time when studios didn't always avoid going head-to-head with the wrong films. The classic example of what not to do occurred June 8, 1984 when Columbia opened Ivan Reitman's action fantasy GHOSTBUSTERS and Warner Bros. launched Joe Dante's action fantasy GREMLINS. Both were going to play best to younger males. Both studios wanted to kick-off that weekend because in those days early June was when most schools had just closed for the summer, so younger males were now able to see movies all week long. GHOSTBUSTERS looked the strongest. Reitman had already directed hit comedies like MEATBALLS (1979 - $43M) & STRIPES (1981 - $85M). His new film had big star power – Bill Murray, Dan Aykroyd & Sigourney Weaver. GREMLINS' Joe Dante hadn't directed any big hits yet but had gotten lots of attention with his werewolf film THE HOWLING (1981 - $18M). Stars Zach Galligan, Phoebe Cates & Hoyt Axton weren't as well-known as GHOSTBUSTERS' star trio. GREMLINS did have some significant star power behind the camera in executive producer Steven Spielberg, whose Gremlins opened on 6/8/1984, INDIANA JONES & THE TEMPLE OF DOOM had just opened Memorial Day weekend to Directed by Joe Dante and Executive $42.3M and would do $333M worldwide. Despite industry speculation that one title might Produced by Steven Spielberg move, both studios stayed the course. -
EMMA. an Autumn De Wilde Film Running Time: 125 Minutes
EMMA. an Autumn de Wilde film Running Time: 125 minutes 1 TABLE OF CONTENTS I. Synopsis . 3 II. A Screwball Romantic Comedy of Manners and Misunderstandings . 5 III. Casting EMMA.: Bringing Together an Electric Ensemble . 9 IV. About the Production . 16 V. Period Finery: Styling EMMA. 20 VI. Soundtrack and Score: The Music of EMMA. 23 VII. About the Cast . 27 VIII. About the Filmmakers . 39 IX. Credits . 49 2 SHORT SYNOPSIS Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of EMMA. Handsome, clever and rich, Emma Woodhouse is a restless “queen bee” without rivals in her sleepy little English town. In this glittering satire of social class, Emma must navigate her way through the challenges of growing up, misguided matches and romantic missteps to realize the love that has been there all along. LONG SYNOPSIS Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of EMMA. Handsome, clever and rich, 21-year-old Emma Woodhouse (Anya Taylor-Joy) is a restless “queen bee” who has lived all her life in the sleepy English village of Highbury with very little to distress or vex her. When our story begins, Emma has recently discovered the thrill of matchmaking. She has succeeded in orchestrating a marriage between her governess and the kind widower, Mr. Weston. Emma celebrates her success until she realizes that she has also orchestrated the loss of her only mother figure and companion in the house. -
Film Choice Autumn 2021 Director; Euros
Film Choice Autumn 2021 Dream Horse 2021 UK 1h 53mins Director; Euros Lyn Stars; Toni Collette, Damian Lewis, Owen Teale Jan Vokes (Toni Collette) runs a shop in a small, deprived town in Wales. Business is slow, so when she overhears an accountant (Damian Lewis) discussing how profitable horse-racing can be, she has the sort of idea that British comedy dramas are made of. She will form a syndicate with her friends, and together they will use what little cash they have to breed and train a racehorse of their own. Zola 2020 US 1h 27mins Director; Janicza Bravo Stars; Taylor Paige, Riley Keough, Nicholas Braun Zola must be the first ever film to use the credit "based on the tweets by". The tweets in question – all 148 of them – were posted one night in October 2015 by A'Ziah "Zola" King. They told the jaw- dropping story of how King, a waitress in Detroit, agreed to go on a road trip to Florida with a woman she had just met. Siberia 2020 US 1h 32mins Director; Abel Ferrara Stars; Willem Dafoe, Dounia Sichov, Simon McBurney Siberia is the sixth collaboration between Abel Ferrara (Bad Lieutenant, King of New York) and his regular leading man, Willem Dafoe. It's also their wildest and weirdest film yet – and that's saying something. Dafoe plays a loner who hitches his dogsled to a team of huskies and heads off into the Siberian snow. The Sparks Brothers 2021 US 2hrs 15 mins Director; Edgar Wright Stars; Ron & Russel Mael Sparks have been called "your favourite band's favourite band": the Los Angeles art-pop duo may not be mainstream stars, but their oddball genius has entranced and influenced musicians for decades. -
T H E T E L E V I S I O N I S S
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE TELEVISION ISSUE IN THIS ISSUE KILLING EVE GAME OF THRONES BLACK MIRROR: BANDERSNATCH FOSSE/ VERDON LORENA THE GOOD PLACE AND MUCH MORE US $8.95 / Canada $8.95 QTR 3 / 2019 / VOL 69 THE YEAR’S MOST ACCLAIMED NEW COMEDY “ BRILLIANT. A GORGEOUSLY REALIZED, FUNNY, TIGHT AS A DRUM STORY.” VULTURE EMMY® NOMINATIONS INCLUDING OUTSTANDING COMEDY SERIES OUTSTANDING SINGLE CAMERA PICTURE EDITING FOR A COMEDY SERIES “ARIADNE” LAURA WEINBERG FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE ACE, COVER 2 ISSUE: TV ISSUE EMMY FINAL VOTING ISSUE NETFLIX: RUSSIAN DOLL PUB DATE: 08/15/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. -
CINEMA 1895 2021 3 “Cinema Is Like a Battleground: Love, Hate, Action, Violence, in One Word: Emotion”
ISSUE 01: CINEMA 1895 2021 3 “Cinema is like a battleground: love, hate, action, violence, in one word: emotion” Samuel Fuller 2 2 “The cinephile is … a neurotic! (That’s not a pejorative term.) The famous French advertising slogan that says, “When you love life, you go to the movies,” it’s false! It’s exactly the opposite: when you don’t love life, or when life doesn’t give you satisfaction, you go to the movies.” François Truffaut 1 2 “Anyone who’s made film and knows about cinema has a lifelong love affair with the experience. You never stop learning about film.” Francis Ford Coppola OF TABLE CONTENTS 7 films to look out for in 2021: what can we expect after a year of closed cinemas? 10 The Vampire and Hedonism: 14 Reading Fan Study The Effect of Cinematography in ‘Psycho’ 20 Mikhaël Hers’ ‘Amanda’ is sad, sweet and strikingly simple 26 The Art of Communication: 3 Films To Watch If You Love Dialogue 28 ‘The Brother in Law’ (N’sibi) Transcending corporeality in Algerian queer cinema 32 Post-Apocalypse and Dystopia on the Big Screen: Why Audiences Enjoy Seeing a World Gone to Pot 36 Sexism, racism and capitalism: An essay 41 on Jane Campion’s, ‘The Piano’ Cathy Yan’s ‘Birds of Prey’ is a pink riot of a good time 46 New Masters of Horror: Ari Aster 48 Ladj Ly’s debut ‘Les Misérables’ makes a thunderous political statement 51 My Love-Hate Relationship With ‘Blue Is The Warmest Colour’ 53 Robert Eggers’ Nightmare: Mythology Meets Misogyny 58 Review: ‘Being Frank: 62 The Chris Sievey Story’ Featured Scripts Segment 64 Sinner 66 Resurrection Men 71 Interviewing Carol Morley: A Retrospective 77 The Credits 88 7 films to look out for in 2021: what can we expect after a year of closed cinemas? by: INÉS CASES solidified her as one of the brightest young o say that 2020 was a difficult stars of her generation. -
1 June 2021 Vol. 50 No. 9
1 JUNE 2021 VOL. 50 NO. 9 2 3 For Complete Line-Up in Both Rooms Use Need MBOX20 Atlanta Room VISIT SOBATL.COM Music Room Storage? for $20 off Easy your order THURSDAY JUNE 17 JUNE 2021 FRIDAY JUNE 18 & Simple SATURDAY JUNE 19 Volume 50 • Issue 9 We offer Find us oN Kelly Willis door to door Done! Storage & SMARTBOX The & Bruce Robison MOVINGAND Vegabonds Moving services @smartboxatl STORAGE.COM 877-627-8269 CREATIVELOAFING.COM 4 A Green Way 404.688.5623 THE MOVE to a Clean Life! PUBLISHER • Ben Eason ben.eason@creativeloafi ng.com Plan accordingly! MANAGING EDITOR • Tony Paris BY EMA CARR tony.paris@creativeloafi ng.com EVENTS EDITOR • Will Cardwell COPY EDITOR • Gina Webb FRIDAY JUNE 11 & GRAPHIC DESIGNERS • Katy Barrett-Alley, AJ Fiegler FRIDAY JUNE 4 SATURDAY JUNE 12 CONTRIBUTING WRITERS 8 Cli Bostock, Doug Deloach, Curt Holman, Seven Year Witch David Ryan Harris Hal Horowitz, Lauren Keating, Skylar Little, Joshua Robinson GRAZING CONTRIBUTING ARTISTS Hell ain’t a bad place to be Tray Butler 1-800-935-6139 ecofriendlymaidservice.com Call us today! THURSDAY JUNE 3 THURSDAY JUNE 17 THURSDAY JUNE 3 SATURDAY JUNE 19 CONTRIBUTING PHOTOGRAPHERS BY CLIFF BOSTOCK Cam and His Dam Big Yen, Poundcake New Lost The Vegabonds Cli Bostock INTERNS • Carolina Avila, Hailey Conway, Drew Thomas ATLANTA ROOM, $10 ADV $15 DOOR NIGHT TWO Jam Band, City Tour Grace Karas ATLANTA ROOM, $10 ADV $15 DOOR | 8PM DOORS Will Blackburn FRIDAY JUNE 18 Whelan/Stone Forrest Finn, CL RADIO & PODCASTS • Jill Melancon Blake Henderson MUSIC ROOM, $20 ADV. -
UN Film DE Edgar Wright
FOCUS FEATURES et A COMPLETE FICTION PRODUCTION présentent UN film DE edgar wright DURÉE : 2h15 Documentaire / Royaume-Uni / VOST / Image : 1.85 / Son : 5.1 SORTIE EN SALLES LE 28 JUILLET DISTRIBUTION PRESSE WEB PRESSE ALBA FILMS OKARINA Jérémie Charrier 128, rue La Boétie Stéphanie Tavilla Tél. : 06 08 75 16 91 75008 Paris Tél. : 06 19 15 36 74 [email protected] Tél. : 01 75 43 29 10 [email protected] [email protected] Comment un groupe de rock peut-il être à la fois prospère, sous-estimé, extrêmement influent et criminellement ignoré ? Le réalisateur acclamé Edgar Wright nous livre THE SPARKS BROTHERS, une odyssée musicale relatant les cinq décennies aussi étranges que merveilleuses des frères/membres du groupe : Ron et Russell Mael. Avec les hommages passionnés de Beck, Jane Wiedlin, Flea, Jack Antonoff, Alex Kapranos, Björk, Patton Oswalt et bien d’autres. SYNOPSIS THE SPARKS BROTHERS est une odyssée musicale qui raconte cinq décennies à la fois étranges et merveilleuses avec les frères/membres du groupe, Ron et Russell Mael, qui célèbrent l’héritage inspirant de Sparks : le groupe préféré de votre groupe préféré. NOTES DE PRODUCTION Rares sont les groupes qui fêtent leur 50e anniversaire sur une lancée créative, attirant encore de nouvelles générations de fans, réalisant des albums listés Top 10, le tout en produisant une musique aussi stimulante et inventive que lors de leurs premiers enregistrements. Il n’en existe qu’un, en réalité : Sparks. « SI VOUS VOULEZ OBSERVER RON ET RUSSELL, VOUS DEVEZ LES OBSERVER À TRAVERS UN PRISME. ET CE PRISME, C’EST LE CINÉMA. -
Paul Machliss ACE Editor
Paul Machliss ACE Editor Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Film Production Company Notes THE FLASH DC Entertainment / Warner Dir: Andy Muschietti 2022 Bros. Prods: Michael Disco, Barbara Muschietti LAST NIGHT IN SOHO Working Title Films / Film4 / Dir: Edgar Wright 2021 Focus Features Prods: Tim Bevan, Eric Fellner, Nira Park, Edgar Wright THE GENTLEMEN Miramax Dir: Guy Ritchie 2020 Prods: Ivan Atkinson, Bill Block, Guy Ritchie Editor with James Herbert THE KID WHO Big Talk / Working Title Films / Dir: Joe Cornish WOULD BE KING Twentieth Century Fox Prods: Tim Bevan, Eric Fellner, Nira Park 2019 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes BABY DRIVER Big Talk / Working Title Films / Dir: Edgar Wright 2017 TriStar Pictures Prods: Tim Bevan, Eric Fellner, Nira Park * Nominated: Best Achievement in Film Editing, Academy Awards 2018 * Won: Best Editing, BAFTA Film Awards 2018 * Nominated: Best Edited Feature Film (Comedy), ACE Eddie Awards 2018 * Won: Best Editing, Chicago Independent Film Critics Circle Awards 2017 * Won: Best Editing, Los Angeles Online Film Critics Society 2017 * Won: Best Film Editing, Las Vegas Film Critics Society Sierra Awards 2017 * Won: Best Editing, Chicago Film Critics Association Awards 2017 * Won: Best Editing, San Diego Film Critics Society Awards 2017 * Won: Best Editing, San Francisco Film Critics Circle Awards 2017 * Won: -
Proof of Evidence
SUNNY VOHRA PROOF OF EVIDENCE Introduction 1.1 My name is Sunny Vohra and I am the Chairman of Twickenham Studios. I am an affiliated member of the Association of Certified and Chartered Accountants. I am a serial entrepreneur who started in hotels in 1971 in UK and Kenya, commercial and residential property and also in the automobile parts industry for the last 20 years. Our original family business was the assembly, wholesale and retail sales of bicycles and their spare parts, a business which was started in the early 1950’s by my Grandfather in East Africa and is still running today as a going concern. We are one of the largest bicycle businesses in Africa. 1.2 I have been an avid fan of the film and television industry ever since I was a child and grew up watching movies on both the big and small screen. For me it was always a fascination as to how films and television shows were made. 1.3 I’m the kind of guy that if I had any free time I would go and sit in an empty cinema in the middle of the afternoon even if I was alone just so that I could watch a movie on the big screen and in absolute silence. My involvement in the Studios 1.4 I always wanted to be involved in the industry in some shape, form or other and it was like a dream come true when an opportunity arose in 2011 when I was asked by a film producer to meet him at Twickenham Film Studios to look at a slate of films that he wanted to make.