A Tutorial for Designing Fundamental Imaging Systems
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F I L T E R K
FILTERKIT 322 Woodwork Lane Palatine IL 60067 P: 847-359-3550 F: 847-359-3567 v2.1 [email protected] June16, 2009 www.midopt.com ABOUT MIDWEST OPTICAL SYSTEMS FK100 FILTER KIT CONTENTS ARTICLES Founded in 1988 as a manufacturer of custom precision Our continued commitment to optical components and systems, we have since been innovation has lead to the rotating Machine Vision Filters An overview involved exclusively in the design, manufacture, import Right Angle Attachment (left) that gives you more options for placing and export of vision-specific elements used by a diverse cameras in your system, and the Types of Filters The 8 major types of filters produced by MidOpt for machine vision applications variety of industries and end users. Over time, the company multi-purpose Slip Mount that lets has evolved and is now recognized worldwide as the premier you add filters to lenses when Machine v/s Photographic Filters Why photographic filters are not suitable for machine vision operations resource for filters, lenses and accessories used in industrial (1) there are no filter threads Testing with Filters Testing the effects of filtering and monochromatic lighting imaging applications. and (2) when a filter is desired for use on a wide- Increase Resolution Filters with High-Resolution and Telecentric Lenses; Chromatic Aberration By combining this extensive optics background with our angle lens. expertise in machine vision imaging, MidOpt continues Filter Applications UV Fluorescence, Polarizing, IR Blocking and Light Balancing Filters to develop economical and solutions for industrial image processing that are simply not found elsewhere. We provide FILTER NO. -
About Resolution
pco.knowledge base ABOUT RESOLUTION The resolution of an image sensor describes the total number of pixel which can be used to detect an image. From the standpoint of the image sensor it is sufficient to count the number and describe it usually as product of the horizontal number of pixel times the vertical number of pixel which give the total number of pixel, for example: 2 Image Sensor & Camera Starting with the image sensor in a camera system, then usually the so called modulation transfer func- Or take as an example tion (MTF) is used to describe the ability of the camera the sCMOS image sensor CIS2521: system to resolve fine structures. It is a variant of the optical transfer function1 (OTF) which mathematically 2560 describes how the system handles the optical infor- mation or the contrast of the scene and transfers it That is the usual information found in technical data onto the image sensor and then into a digital informa- sheets and camera advertisements, but the question tion in the computer. The resolution ability depends on arises on “what is the impact or benefit for a camera one side on the number and size of the pixel. user”? 1 Benefit For A Camera User It can be assumed that an image sensor or a camera system with an image sensor generally is applied to detect images, and therefore the question is about the influence of the resolution on the image quality. First, if the resolution is higher, more information is obtained, and larger data files are a consequence. -
High-Aperture Optical Microscopy Methods for Super-Resolution Deep Imaging and Quantitative Phase Imaging by Jeongmin Kim a Diss
High-Aperture Optical Microscopy Methods for Super-Resolution Deep Imaging and Quantitative Phase Imaging by Jeongmin Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Engineering { Mechanical Engineering and the Designated Emphasis in Nanoscale Science and Engineering in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Xiang Zhang, Chair Professor Liwei Lin Professor Laura Waller Summer 2016 High-Aperture Optical Microscopy Methods for Super-Resolution Deep Imaging and Quantitative Phase Imaging Copyright 2016 by Jeongmin Kim 1 Abstract High-Aperture Optical Microscopy Methods for Super-Resolution Deep Imaging and Quantitative Phase Imaging by Jeongmin Kim Doctor of Philosophy in Engineering { Mechanical Engineering and the Designated Emphasis in Nanoscale Science and Engineering University of California, Berkeley Professor Xiang Zhang, Chair Optical microscopy, thanks to the noninvasive nature of its measurement, takes a crucial role across science and engineering, and is particularly important in biological and medical fields. To meet ever increasing needs on its capability for advanced scientific research, even more diverse microscopic imaging techniques and their upgraded versions have been inten- sively developed over the past two decades. However, advanced microscopy development faces major challenges including super-resolution (beating the diffraction limit), imaging penetration depth, imaging speed, and label-free imaging. This dissertation aims to study high numerical aperture (NA) imaging methods proposed to tackle these imaging challenges. The dissertation first details advanced optical imaging theory needed to analyze the proposed high NA imaging methods. Starting from the classical scalar theory of optical diffraction and (partially coherent) image formation, the rigorous vectorial theory that han- dles the vector nature of light, i.e., polarization, is introduced. -
Preview of “Olympus Microscopy Resou... in Confocal Microscopy”
12/17/12 Olympus Microscopy Resource Center | Confocal Microscopy - Resolution and Contrast in Confocal … Olympus America | Research | Imaging Software | Confocal | Clinical | FAQ’s Resolution and Contrast in Confocal Microscopy Home Page Interactive Tutorials All optical microscopes, including conventional widefield, confocal, and two-photon instruments are limited in the resolution that they can achieve by a series of fundamental physical factors. In a perfect optical Microscopy Primer system, resolution is restricted by the numerical aperture of optical components and by the wavelength of light, both incident (excitation) and detected (emission). The concept of resolution is inseparable from Physics of Light & Color contrast, and is defined as the minimum separation between two points that results in a certain level of contrast between them. In a typical fluorescence microscope, contrast is determined by the number of Microscopy Basic Concepts photons collected from the specimen, the dynamic range of the signal, optical aberrations of the imaging system, and the number of picture elements (pixels) per unit area in the final image. Special Techniques Fluorescence Microscopy Confocal Microscopy Confocal Applications Digital Imaging Digital Image Galleries Digital Video Galleries Virtual Microscopy The influence of noise on the image of two closely spaced small objects is further interconnected with the related factors mentioned above, and can readily affect the quality of resulting images. While the effects of many instrumental and experimental variables on image contrast, and consequently on resolution, are familiar and rather obvious, the limitation on effective resolution resulting from the division of the image into a finite number of picture elements (pixels) may be unfamiliar to those new to digital microscopy. -
Super-Resolution Optical Imaging Using Microsphere Nanoscopy
Super-resolution Optical Imaging Using Microsphere Nanoscopy A thesis submitted to The University of Manchester For the degree of Doctor of Philosophy (PhD) in the Faculty of Engineering and Physical Sciences 2013 Seoungjun Lee School of Mechanical, Aerospace and Civil Engineering Super-resolution optical imaging using microsphere nanoscopy Table of Contents Table of Contents ...................................................................................................... 2 List of Figures and Tables ....................................................................................... 7 List of Publications ................................................................................................. 18 Abstract .................................................................................................................... 19 Declaration ............................................................................................................... 21 Copyright Statement ............................................................................................... 22 Acknowledgements ................................................................................................. 23 Dedication ............................................................................................................... 24 1 Introduction ...................................................................................................25 1.1 Research motivation and rationale ........................................................25 1.2 -
Camerafilters
Section8 CameraFilters Introduction . 324-325 Tiffen Intro Kits . .376 B+W Glass . 326-344 Heliopan Glass . 345-349 Hoya Glass . 350-358 Tiffen Glass . 359-376 Cokin Resin . 377-379 Hitech Resin . 380-385 Lee Resin . 386-393 Lindahl Resin . 393-394 Kodak Flexible . 395-398, 400-401 Lee Flexible . 395-401 Opliflex Flexible . 395-398 Filter Holders . 401-402 Filter Pouches . .376 INTRODUCTION FILTERS Expand Your Vision With Filters If you are serious about photography (and especially if you take pictures for a living), you want as much control as possible over your images. Filters are essential tools that provide control over the quality of the image that appears on your negative or transparency. Filters are also used as an addition to the creative photographer’s palette. A well-chosen filter can not only correct a multitude Hitech 4x4˝ Color Graduated problems on location or in the studio, it can also change the overall look of a scene and the nature of the final filters, are recommended for all outdoor shooting. CAMERA FILTERS work from a literal depiction to an interpretive, even In Color photography, you can add a lightly-colored abstract, creation. filter to enhance an already-dominant color, to add a There are a few basic principles that will help you choose color that isn’t there, or to create a mood. You can also and use the right filter for any given situation. change the mood of a photo by using a fog filter, which 324 will make even the sunniest scene look like it is in deep fog. -
Overcoming the Diffraction-Limited Spatio-Angular Resolution Tradeoff
Variable Aperture Light Field Photography: Overcoming the Diffraction-limited Spatio-angular Resolution Tradeoff Julie Chang1 Isaac Kauvar1 Xuemei Hu1,2 Gordon Wetzstein1 1Stanford University 2 Tsinghua University Abstract Small-f-number Large-f-number Light fields have many applications in machine vision, consumer photography, robotics, and microscopy. How- ever, the prevalent resolution limits of existing light field imaging systems hinder widespread adoption. In this pa- per, we analyze fundamental resolution limits of light field cameras in the diffraction limit. We propose a sequen- Depth-of-Field 10 tial, coded-aperture-style acquisition scheme that optimizes f/2 f/5.6 the resolution of a light field reconstructed from multiple f/22 photographs captured from different perspectives and f- 5 Blur-size-[mm] number settings. We also show that the proposed acquisi- 0 100 200 300 400 tion scheme facilitates high dynamic range light field imag- Distance-from-Camera-Lens-[mm] ing and demonstrate a proof-of-concept prototype system. Figure 1. Photographs captured with different f-number settings With this work, we hope to advance our understanding of exhibit different depths of field and also diffraction-limited resolu- the resolution limits of light field photography and develop tion for in-focus objects (top row). This effect is most pronounced practical computational imaging systems to overcome them. for macro photography, such as illustrated for a 50 mm lens fo- cused at 200 mm (bottom plot). Using multiple photographs cap- tured from different perspectives and with different f-number set- tings, the proposed method seeks to recover a light field with the 1. -
Improved Modulation Transfer Function Evaluation Method of a Camera at Any Field Point with a Scanning Tilted Knife Edge
Improved Modulation Transfer Function evaluation method of a camera at any field point with a scanning tilted knife edge PRESENTED AT SPIE SECURITY+DEFENSE 2020 BY ETIENNE HOMASSEL, TECHNICAL PRODUCT MANAGER HGH, 10 10 rue Maryse Bastié 91430 IGNY –France +33 (1) 69 35 47 70 [email protected] Improved Modulation Transfer Function evaluation method of a camera at any field point with a scanning tilted knife edge Etienne Homassel, Catherine Barrat, Frédéric Alves, Gilles Aubry, Guillaume Arquetoux HGH Systèmes Infrarouges, France ABSTRACT Modulating Transfer Function (MTF) has always been very important and useful for objectives quality definition and focal plane settings. This measurand provides the most relevant information on the optimized design and manufacturing of an optical system or the correct focus of a camera. MTF also gives out essential information on which defaults or aberrations appear on an optical objective, and so enables to diagnose potential design or manufacturing issues on a production line or R&D prototype. Test benches and algorithms have been defined and developed in order to satisfy the growing needs in optical objectives qualification as the latter become more and more critical in their accuracy and quality specification. Many methods are used to evaluate the Modulating Transfer Function. Slit imaging and scanning on a camera, MTF evaluation thanks to wavefront measurement or imaging fixed slanted knife edge on the detector of the camera. All these methods have pros and cons, some lack in resolution, accuracy or don’t enable to compare simulated MTF curves with real measured data. These methods are firstly reminded in this paper. -
A New Method for the Measurement of Photographic Filter Factors
. A NEW METHOD FOR THE MEASUREMENT OF PHOTOGRAPHIC FILTER FACTORS By Raymond Davis ABSTRACT A new method is described whereby the filter factors for orthochromatic and pan- chromatic plates with various filters may be determined with apparatus using a source of light which is corrected in its spectral energy distribution to closely approxi- mate that of average noon sunlight. The apparatus is essentially a single light source photometer in which two beams one from either side of the lamp, are reflected so that they fall side by side on the photographic plate which is used in conjunction with the filter. In the path of one of these beams the filter is inserted, consequently weakening the light in that beam. The lamp, being movable between two of the reflectors, is shifted toward the filter, thus increasing the intensity of the beam on the filter side and diminishing it on the other. Successive exposures are thus made at different lamp positions, so chosen that some fall on one side of the photographic match and some on the other. After development the differences in density between each pair of exposures is measured, and the position of a photographic match obtained therefrom by plotting these differences against the scale of the instrument. Knowing the length of the path of the two beams of light the law of inverse squares is applied to calculate the filter factor. CONTENTS Page I. Introductory 80 II. Apparatus and method of procedure 80 1. Description of instrument 80 2. Experimental procedure 81 3. Measurement of the plates 83 III. -
Deconvolution in Optical Microscopy
Histochemical Journal 26, 687-694 (1994) REVIEW Deconvolution in 3-D optical microscopy PETER SHAW Department of Cell Biology, John Innes Centre, Colney Lane, Norwich NR 4 7UH, UK Received I0 January 1994 and in revised form 4 March 1994 Summary Fluorescent probes are becoming ever more widely used in the study of subcellular structure, and determination of their three-dimensional distributions has become very important. Confocal microscopy is now a common technique for overcoming the problem of oubof-focus flare in fluorescence imaging, but an alternative method uses digital image processing of conventional fluorescence images-a technique often termed 'deconvolution' or 'restoration'. This review attempts to explain image deconvolution in a non-technical manner. It is also applicable to 3-D confocal images, and can provide a further significant improvement in clarity and interpretability of such images. Some examples of the application of image deconvolution to both conventional and confocal fluorescence images are shown. Introduction to alleviate the resolution limits of optical imaging. The most obvious resolution limit is due to the wavelength Optical microscopy is centuries old and yet is still at the of the light used- about 0.25 lam in general. This limi- heart of much of modem biological research, particularly tation can clearly be overcome by non-conventional in cell biology. The reasons are not hard to find. Much optical imaging such as near-field microscopy; whether it of the current power of optical microscopy stems from can be exceeded in conventional microscopy ('super-res- the availability of an almost endless variety of fluorescent olution') has been very controversial (see e.g. -
Dfx V4 User Guide • • Copyright• 2 • • • COPYRIGHT
Dfx v4 User Guide • • Copyright• 2 • • • COPYRIGHT No part of this document may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, for any purpose without the express written consent of Digital Film Tools. Copyright © Digital Film Tools, LLC. 2015. All Rights Reserved November 17, 2015 • • • Dfx User Guide • • • • • About Us• 3 • • • ABOUT US Tiffen has been a leading manufacturer and supplier of photographic filters and lens accessories for the consumer/professional imaging and the motion picture and broadcast television industries for over 69 years. The company has a rich history of innovative product design, superior optical consistency and unparalleled quality. Tiffen has been recognized for its product and engineering excellence earning two Technical Achievement Awards and a Scientific and Engineering Award from the Academy of Motion Picture Arts & Sciences, as well as an Emmy Award from the Academy of Television Arts and Sciences. The company's Special Effects optical filters, once an exclusive of the Motion Picture and Television industry are now available to still photographers and videographers through the Tiffen Hollywood F/X filter line and digitally through the Dfx line of software. The Dfx software is produced in collaboration with Digital Film Tools, a computer software company which is an off-shoot of a Los Angeles based motion picture visual effects facility. Their work includes hundreds of feature films, commercials and television shows. Together, our combined understanding of optical filters and computer software creates an unbeatable combination. • • • Dfx User Guide• • • • • About this Guide• 4 • • • ABOUT THIS GUIDE This User Guide is a reference for the Tiffen Dfx Digital Filter Suite. -
Copy Photography Ii Us Army Still Photographic Specialist Mos 84B Skill Level 1
SUBCOURSE EDITION SS0512 7 COPY PHOTOGRAPHY II US ARMY STILL PHOTOGRAPHIC SPECIALIST MOS 84B SKILL LEVEL 1 AUTHORSHIP RESPONSIBILITY: SSG Dennis L. Foster 560th Signal Battalion Lowry AFB, Colorado AUTOVON: 926-2521 COMMERCIAL: (303) 370-2521 COPY PHOTOGRAPHY II SUBCOURSE NO. SS 0512-7 (Developmental Date: 30 June 1987) US Army Signal Center and Fort Gordon Fort Gordon, Georgia Two Credit Hours GENERAL Copy Photography II subcourse is designed to teach tasks related to copy photography. Information is provided on filters; function, selection, and filter factors; copy film; and procedures for making a photographic copy. This subcourse is presented in three lessons. Each lesson corresponds to a terminal learning objective as listed below. Lesson 1: USE AND PURPOSE OF FILTERS IN COPY WORK TASK: Determine filter functions, selection of filters, and determine filter factors. CONDITIONS: Given information and diagrams about filters, selection of filters, filter factors, and types of filters. STANDARDS: Demonstrate competency of the task skills and knowledge by correctly responding to 80 percent of the multiple-choice test covering filter functions, selection of filters, and filter factors. (This objective supports SM Task 113-578-1014, Alter the Rendition of Colors Recorded on Black and White Film) i Lesson 2: COPY FILMS TASK: Determine the types of copy film and their uses. CONDITIONS: Given information and diagrams about copy films and their uses. STANDARDS: Demonstrate competency of the task skills and knowledge by correctly responding to 80 percent of the multiple-choice test covering types of copy film and their uses. (This objective supports SM Task 113-578-1012, Perform Copy Photography Using Camera Set KS-7A) Lesson 3: PERFORM COPY PHOTOGRAPHY TASK: Describe procedures for making a photographic copy.