DOCSLIB.ORG

Annette Shapiro, Piano University of Connecticut

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annette Shapiro, Piano University of Connecticut University of Connecticut OpenCommons@UConn Concert Programs Department of Music 3-26-2011 Music at UConn : Corey Killian, alto saxophone ; Annette Shapiro, piano University of Connecticut. Department of Music. Recitals and Concerts [email protected] Follow this and additional works at: https://opencommons.uconn.edu/concrt_prgms Part of the Music Practice Commons Recommended Citation University of Connecticut. Department of Music. Recitals and Concerts, "Music at UConn : Corey Killian, alto saxophone ; Annette Shapiro, piano" (2011). Concert Programs. 9. https://opencommons.uconn.edu/concrt_prgms/9 find us on facebook! Saturday, March 26th, 2011 at 3:00pm UPCOMING EVENTS von der Mehden Recital Hall see the complete list on facebook Jonathan Garcia, trumpet Saturday, March 26th, 2011 at 5:00pm Corey Killian, Peter Orfitelli, saxophone Saturday, March 26th, 2011 at 8:00pm Candide Uconn Opera Workshop Alto Saxophone Nafe Katter Theatre Saturday, March 26th, 2011 at 8:00pm For the courtesy of the artists and your fellow patrons, kindly turn off cell Annette Shapiro, Piano phones and other electronic devices for the duration of the performance. Visit the School of Fine Arts web site at www.sfa.uconn.edu How to reach us School of Fine Arts 486-3016 Art Department 486-3930 Dramatic Arts Department 486-4025 Music Department 486-3728 Arts Outreach 486-3774 Ballard Institute of Puppetry 486-4605 Benton Museum 486-4520 Connecticut Repertory Theatre 486-4226 Jorgensen Box Office 486-4226 von der Mehden Recital Hall 486-2260 Community School of the Arts 486-1073 24-HOUR INFOLINE 486-2106 You can hear classical music on WHUS (91.7FM), the radio station of the University of Connecticut. On Sundays hear Dan Grieder's "Off the Beaten Track" and Wednesdays listen to "Jazz in the Morning with Cat" both from 10 am to 12 pm. printed on recycled paper DEPARTMENT OF MUSIC * SCHOOL OF FINE ARTS * UNIVERSITY OF CONNECTICUT Sonata for Alto Saxophone and Piano John C. Worley COREY KILLIAN is a Music Education and Saxophone Performance Major Andante moderato, “with intensity” (1919-1996) at the University of Connecticut, anticipating graduation in Spring 2013. Adagio, dolce espressivo, “with contemplation” As a student at Trumbull High School in Trumbull, CT, Corey participated in Freely, “With Exhileration”- Allegro con Brio numerous award-winning ensembles including the Symphonic Band, Jazz Band, and Marching Band. He also participated in the 2008 CMEA Western Connecticut Music Festival, where he earned the honor of first chair Alto Saxophone in the Rapsodie Claude Debussy Wind Ensemble. Currently, Corey performs with the University of Connecticut (1862-1918) Wind Ensemble and UCONN Saxophone Quartet, which has traveled to numer- Arr. Eugene Rousseau ous saxophone conferences and symposiums. In the summer of 2010, Corey trav- (b.1932) eled to Europe with the UCONN Saxophone quartet and studied under numerous prestigious saxophonists including Arno Bornkamp and Johan Von Der Linden of the Aurelia Quartet, John Harle, and Rob Buckland. He has previously participat- Maï Ryo Noda ed in the university Marching Band, usical theater settings. He currently studies (b. 1948) under United States Coast Guard saxophonist Greg Case. Corey would like to thank his family and friends for their patience and endless support throughout his musical career. He would also like to thank Greg Case, Meditation from Thaïs Jules Massenet who has been an inspiration as both a musician and person. (1842-1912) Arr. Eugene Rousseau (b. 1932) ANNETTE SHAPIRO, piano, received her Master of Music from the Univer- sity of Connecticut where she studied with Joseph Villa and Neal Larrabee. Ms. Shapiro has been a member of the Hop River Chamber Players since 1981, and Concertino Da Camera Jacques Ibert continues to freelance as an accompanist and in chamber music performances at Allegro con moto (1890-1962) UConn and throughout the eastern Connecticut and Hartford areas. She has taught Larghetto- Animato molto piano as a lecturer at UConn, for its Community School of the Arts, and for the Hartford Conservatory of Music and Dance. Annette, her husband Paul, and son Sam reside in Storrs..
Load more

Recommended publications
  • Mall Fight to Resume
    Clear tonight Manchester, Conn. and Saturday Fri., Oct. 30, 1981 — See page 2 r Mrralb 25 Cents In Buckland J • 1 $ ^ I « » I Mall fight to resume By Scot French to its approval, including the Herald Reporter requirement that the developer post a $3-million bond for road im­ A South Windsor neighborhood provements. group plans to appeal a zoning Schulman said the suit will ques­ change which would allow construc­ tion the legality of the conditions tion of the massive Buckland Com­ placed on the approval, and will also mons mall on the Manchester/South charge that the approval was in Windsor line. violation of regulations and statutes. The Pleasant Valley He declined to elaborate. Neighborhood Association of South The mall, proposed by Kravco Inc. Windsor plans to file an appeal in and Buckland Associates, both of \ Hartford Superior Court “by the Pennsylvania, would cover 93 acres ' beginning of next week," according in South Windsor and Manchester. It to attorney David L. Schulman of would include four major depart­ Manchester. ment stores, more than 125 other The suit will seek to overturn a stores and restaurants and about 4,- decision last week by the South 000 parking spaces. Windsor Planning and Zoning Com­ The Manchester PZC approved a mission, which approved a zone zoning change to accommodate the Herald photo by Pinto change from one-acre Rural project in March 1974. The property, Residential lots to Designed located in Buckland tobacco land. Commercial zoning. This flat tobacco farmland Is the site of the proposed Buckland Commons, planned for the Manchester-South Windsor border.
    [Show full text]
  • Vets to Offer Alternative Counseling
    Vol. 74 THE TRINITY TRIPOD Issue 18 IVED Z 1976 Vets To Offer Alternative Counseling by Marc Blumenthal The" Veterans Coalition for among others, health care and Members plan to expand the marine recruiters present and to Roberts urged the Trinity Community Affairs will offer school benefits available to program. offer pre-enlistment counseling community to stop in to hear what alternative counseling in op- veterans. Roberts said the Coalition has with the aid of their literature. the Coalition members have to say position to U.S. Marine recruit- Within the last year, the also become involved in the Roberts emphasized that the and to pick up some of their ment on campus on Monday, Coalition nas become involved in military discharge question. It is counseling the Coalition offers literature. March 8. The Coalition has an different issues. It is concerned devoting considerable time to a stems from the actual experience active membership of about 50, with the presence of the military campaign to expose the alleged of people who have been intimately with representation from all four and the military-industrial com- faults in the military justice involved with the military. armed services. plex on college and university system. According to Christopher Shink- According to coalition member, campuses. The Coalition hopes to include man, career counselor, the Tentative Gordon Roberts the group was Recently, the coalition has put the issue of the military justice Coalition will have the opportunity formed two years ago at the together an anti-military slide system in its program here at to present their point in the career University of Massachusetts at show based on Vietnam.
    [Show full text]
  • Dance Festival $Th Annual
    $th annual Vermont State Dance Festival !""# Alumni Auditorium Saturday November !% !""# Lyndon Institute Lyndon Center Vermont The Festival History The Vermont State Dance Festival is an annual event that began in 2003. After touring all of the Vermont high schools that had dance programs in 2002 as part of an independent study in college, I wanted to create an event that allowed teachers and students from all over Vermont to work together, learn from one another, and share knowledge. The Vermont State Dance Festival o!ers high school aged dancers of all disciplines an opportunity to study new and varied techniques with professional dancers and to showcase their skills before professional artists, teachers, their student peers and the general public. The event is composed of three elements: a day-long series of workshops led by the professional artists; a closed session for the dancers to perform prepared choreographies for feedback from a professional, student peers and participating dance instructors; and an evening performance open to the general public. The festival is intended to introduce students to new dance styles and techniques that they might not routinely be exposed to in their high school dance programs, or studios to allow students to interact with experienced professionals, and to provide the students an opportunity to perform before a larger audience than they might typically enjoy. rThe enthusiasm of the kids is truly an inspiration to keep going. rEveryone was welcoming and teachers taught with kindness that made you want to dance. r I got to take classes that I might never have had opportunity to take…I love it.
    [Show full text]
  • Letter from the President
    VOLUME 3, ISSUE 1 FALL/WINTER 2008 UDEO LETTER FROM THE PRESIDENT It is very exciting and encouragingNEWS to segue into this I would like to reiterate the role of the UDEO General Board and presidency after such a strong season for UDEO. Organizational your role as a member of UDEO as outlined in the Fall/Winter achievements commenced with the success of the 7th Annual 2007-2008 UDEO newsletter by UDEO Past President Doris Statewide High School Dance Festival, mentioned in our last Trujillo: newsletter, followed by our exceptional Spring Conference, “Expanding Boundaries”, held at the University of Utah, on March The UDEO General Board, for the most part, is a representative 1st. The conference keynote speaker, Liz Lerman, spearheaded a board. Their role is to: wonderful day of connectivity and community, sharing insights 1. Identify those of you who are in their sector. concerning our relationships with others, as dancers and as human 2. Build membership among your sector. beings. Her discussions and movement exercises were extremely 3. Act as your voice on the board. inspirational and I continue to hear people reminisce about their 4. Create and direct events or programs as necessary to support experience with her. The subsequent breakout sessions further the mission and goals of the organization for your sector. reinforced her message of equality and the importance of accepting and incorporating a diverse world into our dancing, and into our As a UDEO member your role is to: personal lives. 1. Network with your representative and provide feedback so The month of April offered the 2nd Annual Statewide they can further serve you.
    [Show full text]
  • Trinity Tripod, 1966-10-18
    Ferlinghett i TRIPOD Photos Meeting Pages 6 & 7 Hie Iftttitp frtoi Today at 4 VOL. LXIV NO. b TRINITY COLLEGE, HARTFORD OCTOBER 18, 1966 Cesare Barhieri Center to Present Classes with 15 or Less Premiere of Franchetti's Opera Continue to Drop in9 66 The second opera to be presented Enrollement In class sections year there were 320. in the Austin Arts Center, the world with 15 or less students continued These statistics do not correlate premiere of Arnold Franchetti's to drop this year, with 912 en- directly with increased total reg- "Notturno in La" ("As a Conduc- rollments in 133 sections; Last istration of the College. There are tor Dreams") will open with a gala year 1033 students were enrolled 1170 students registered in the performance on Thursday evening. in the same number of sections. day session of the College at The composer, a native of Lucca, The year before there were 156 present; last year there were a Italy, is chairman of the depart- sections with 15 or less students a total of 1109. ment of composition and~theory_at and at that time, 1206 enrollments However, "the "average number the Hartt College of Music, part were recorded in these sections. of students per section" has risen of the University of Hartford. Be- Even fewer students proportion- only slightly from 17.77 percent fore coming to the United States in ately are enrolled in classes with last year at this time to 17.93 1947 he majored in physics at the registrations under 20. This percent at present.
    [Show full text]
  • The Pursuit of Music Volume IV 2001-2016
    The Musical Club of Hartford Incorporated The Pursuit of Music Volume IV 2001-2016 125th Anniversary 1891-2016 Compiled by Virginia Allen and Anne Mayo Dedicated to Marjorie Jolidon Table of Contents Introduction 3 1, Dedication: Marjorie Jolidon 4 2. 2001-2002 Florence Bowmar 5 3. 2002-2004 Colette Switaj 7 4. 2004-2006 Susan Allen 9 5. Sidelight: High School Competition at 40 13 by Bridget Gilchrist 6. 2006-2008 Robert Connell 15 7. 2008-2010 Barbara Pond 22 8. Sidelight: Men in Musical Club by Robert Connell 24 9. 2010-2012 Ellen Ma 27 10. Sidelight: The Stage Committee at 40 by Jim Day 30 11. 2012-2014 Walter & Anne Mayo 32 12. 2014-2016 Linda MacGougan 37 13. Sidelight: 125th Anniversary Season by Anne Mayo 43 14. Finale: Linda MacGougan’s report to the 125th Annual Business Meeting 47 Appendices Artist Concerts 51 Musical Exploration 52 Special Events 54 Credits: Thanks to the Photography Committee, chaired by Nicole Chapman, for the photographs in Vol. IV 2 INTRODUCTION The Pursuit of Music, Volume IV, tracks the past fifteen years at the Musical Club of Hartford. It begins with 2001 in the second half of Florence Bowmar's presidency and goes through the Spring of 2016, with the conclusion of the celebration of our 125th Anniversary. Contained herein you will find a detailed account of the events, as written by each President of the Club. Also included are lists of Concert performances and Musical Exploration programs, special reports and photos galore. “Sidelights” are interesting topics to amplify the chrono- logical reports.
    [Show full text]
  • The Uncertainty of Fate Festival May 1-5, 2021
    Larry Alan Smith, Dean Rita Porfiris, Chair of Chamber Music Present The Uncertainty of Fate Festival May 1-5, 2021 celebrating creativity in the face of adversity Program Contents Foreword- a message from the Artistic Director 3 Schedule of Events 4 Festival Personnel 5-6 Programs 7-16 Program notes 17-25 Composer biographies 26-40 Performer and author biographies 41-49 Featured groups 50-51 Production and Acknowledgments 52 “Now is not the time for bigots and racists. No time for sexists and homophobes. Now, more than ever, is the time for ARTISTS. It’s time for us to rise above and to create. To show humanity. To spread hope. We must prevent society from destroying itself, from losing its way. Now is the time for love.” ― Kamand Kojouri A message from the artistic director By any measure of the world, 2020 was a violent, untenable year that pushed the human resolve to its limits. We had a pandemic and countless lives lost (let alone livelihoods). We had the murders of George Floyd, Breanna Taylor, Ahmad Arbery, and so many others, with the resultant social justice uprising and protests that these demanded. On the arts side, in the beginning, with most performing venues shut down and gatherings of people prohibited, the performing arts were especially devastated. Yet one by one, like lights out of darkness, musicians, dancers, writers and other artists began to find ways to express themselves. The festival of the “Uncertainty of Fate” was conceived as a way to solicit and collect these expressions. Over the next 5 days, you will hear 37 new commissions from established as well as emerging composers and activists, interwoven with a few existing works composed earlier, but quite relevant.
    [Show full text]
  • The Trinity Reporter, Spring 1989
    REPORTER SPRING 1989 EDITORIAL ADVISORY BOARD Frank M . Child ill Dirk K uyk Trinity Professor of Biology Professor of Et~glish REPORTER Gerald J . H ansen, J r . '51 T heodore T. Tansi '54 Director of Alum11i & Vol. 19, No. 2 (ISSN 01643983) Spring 1989 College Relation.s Susan E. Weisselberg '76 Editor: William L. Churchill J. Ro nald Spencer '64 Associate Academic Dean Associate Editor: Roberta Jenckes M '87 Sporrs Editor: Gabriel P . Harris '87 NATIONAL ALUMNI .ASSOCIATION Staff Writers: Martha Davidson, Elizabeth Natale Publications A ssistant: Kathleen Davidson Execu tive Committee Photographer: Jon Lester President Robert E. Brickley '67 West Hartford, CT Vice Presidents ARTICLES Alumni Fund Stephen H . Lockton '62 Greenwich, CT EDUCATION WITHOUT BOUNDARIES 8 Admissions Jane W. Melvin '84 By Roberta Jenckes Hartford, CT Growing numbers of international Area Associations Thomas D . Casey '80 students enrich the undergraduate Washington, D.C. expenence. Nominating Comminee David A. Raymond '63 THE 1988 CULTURAL Sourh Windsor. CT ELECTION 16 Members By Paul Lauter Allen B. Cooper '66 Michael B. Masius '63 San Francisco, CA Hartford, CT In his inaugural lecture, the first Smith Professor of English argues for a Karen A. Jeffers '76 Eugene M . Russell '80 Westport, CT Boston, MA comparative study of the multiple cultures of the United States. Robert E. Kehoe '69 Jeffrey H . Seibert '79 C hicago, IL Baltimore, MD TRINITY REUNION '89 Daniel L. Korengold '73 Stanley A. Twardy, Jr. '73 22 Washingcon, D.C. Stamford, CT The annual Bantam Vacation features a Michael Maginniss '89 Pamela W. Von Seldeneck '85 program that appeals to alumni/ae and Senior C la ss President Philadelphia, PA their families of every vintage.
    [Show full text]
  • Benton Harbor Michigan; Chicago Illinois; and Finally in Charlotte, North Carolina
    l \ 1968 BENNINGTON College Dance Tour Group PROGRAMBIOGRAPHIES Martha Armstrong a senior at Bennington, has live in a variet of places: White Plains New York; Benton Harbor Michigan; Chicago Illinois; and finally in Charlotte, North Carolina. She has studied dance at the National Music Caop in Interlachen, Michigan, at the Stone-Caoryn School of Dance in Chicago, and at the Connecticut College Sunmer School of Dance. Before cooing to Bennington, Marty had danced with the Chicago Contenporary Dance Compony, Inc., and had opened her own school for the summer just before college. Although very interested in performing and choreography, Marty enjoys teaching most She has spent her free time teaching children of various ages at the following schools: Park School's Sumner Educational Enrichment Prograo in Brookline, Massachu­ setts, Francis W. Parker in Chicago Chatham Hall in Virginia Green Mountain College in Poultney, Vermont and her own school in Benton Harbor Michigan Marty hopes to continue teaching under-privileged children after graduation. Her outside interests, when she has any spare time, include science and sewing. The focus on the first is in biology, and in the second on her own wardrobe. Marty is lecturer and teacher of oaster classes for the tour. -2- HOLLY Barrett a junior at Bennin gton, is from Kenilwort h , Illinois, a cuburb of Chicago Outside of Bennington she ha s studi ed dance with Trudl Zip pe r, Suzanne Went e , 8.Ild Patrici a. Boyer. She h::i,s taught danc e at New Tri er High School in Winnetk a , Illinoi s , and at th e Garrison Forest School in Garri s on, Maryland Holl y ' s main interests other than dance are political science jazz and th e oth er arts.
    [Show full text]
  • A Wider World Concert Program Booklet
    National Association of Composers/USA Cascadia Composers (Cascadia Chapter of the National Association of Composers/USA) Lewis & Clark College Department of Music jointly present A Wider World Sunday, May 2nd, 2021 @ 5:00 pm PDT Online at cascadiacomposers.org NACUSA is a 501(c)(3) non-profit organization. Founded by Henry Hadley in 1933, it is one of the oldest organizations devoted to the promotion and performance of American concert hall music. Many of America's most distinguished composers have been among its members. NACUSA and its chapters present chamber concerts each year featuring music by its members. Welcome from Andrew Sigler, NACUSA president: Hello Everyone, As president of our organization, it is with great pleasure that I welcome you to the re-imagined 2021 NACUSA National Festival curated by the Cascadia chapter. Typically we would gather for our festival, but I am excited to virtually welcome you all from far and wide to Portland to enjoy this year’s offerings. It is enough of a challenge to organize a multi-day festival, but to do it twice in as many years and with such significant changes is quite a feat! In addition to those who have assisted through the national organization and the Cascadia chapter, I would also like to thank Lewis & Clark College and the Oregon Cultural Trust for their support and participation in this festival. NACUSA is committed to making significant contributions to the world of music in general and the compositional community in particular. The national conference is our opportunity to come together from across the country to share music, scholarship, and a vision for the future.
    [Show full text]
  • Emergent Choreography: Spontaneous Ensemble
    EMERGENT CHOREOGRAPHY: SPONTANEOUS ENSEMBLE DANCE COMPOSITION IN IMPROVISED PERFORMANCE A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF ARTS AND SCIENCE BY NINA MARTIN, B.A., M.F.A. DENTON, TEXAS AUGUST 2013 ACKNOWLEDGMENTS To the participants that have made this study possible: all my gratitude. Over the years, my students and my colleagues in the performance ensembles of Channel Z, Locktime, and Lower Left Performance Collective have served as the fertile fields of inquiry that inspired my work. I value the support of my Ph.D. cohort, including that of Valerie Alpert, Tamara Ashley, Adrienne Clancy, Joan Frosch, and especially Nona McCaleb, whose camaraderie in scholarship and life has been invaluable. My dissertation chair, Dr. Linda Caldwell, and my committee members Dr. Rosemary Candelario and Sarah Gamblin, M.F.A., have helped me immeasurably toward my goals as a scholar. I am grateful to my graduate professor and mentor, Dr. Frances Bruce, who elevated the intellectual framework that underpins this research and served as my content reader. I thank Dr. Steve Sherwood, Director of the TCU Writing Center and Josh Wariya-Daniel who have helped shaped my words in order to more eloquently convey my meaning. I appreciate the support of my siblings, Sharon Martin Kocurek, Laura Martin Labatt, Helen Martin Reeves, and Loretto Martin Patterson, whose support for this endeavor has been crucial to my success. I especially value my sister, Dr. Mary Martin Patton, Dean of the College of Education at TCU, who has mentored me from my return to undergraduate studies in 2003, through my Master of Fine Arts degree in 2008, and iii now the completion of the Ph.D.
    [Show full text]