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The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
The Club Welcomed Broadway Producer Jeffrey Seller on Monday, May 7 for the 90Th Annual Dinner Meeting Celebrated at the Hilton Chicago Hotel
The Club welcomed Broadway producer Jeffrey Seller on Monday, May 7 for the 90th Annual Dinner Meeting celebrated at the Hilton Chicago Hotel. The evening started with retiring board member Jack Hartman presenting the Nominating Committee’s 2018-2019 slate of officers and directors of the Club, which members unanimously accepted. The program began with remarks from Mr. Seller – producer of Hamilton, Rent and Avenue Q, among many other shows– which detailed his career and the business of making musicals. Afterwards, Chair Mellody Hobson moderated a candid discussion that touched on topics including Mr. Seller’s path to Broadway, his process of creation, and future projects. The previous day, Mr. Seller and Lin-Manuel Miranda announced the opening of Hamilton: The Exhibition, a traveling museum that will open in Chicago on Northerly Island in November. It will serve as an immersive exploration of the American Revolution through the perspective of Alexander Hamilton. In Mr. Seller’s eyes, Chicago is the ideal place to launch the museum. “Chicago embodies the intersection of civic stewardship, cultural engagement and capitalism that define American exceptionalism,” he said. “The Herculean efforts of the business and civic leaders that architects who dreamed up and built the Chicago’s World Fair in 1893 exemplified how a city can enrich the lives of citizens through entertainment, education and illumination. “ These kinds of strategic considerations are skills Mr. Seller honed over his 25-year storied career in theater. Given the role he plays in making artistic visions a reality, he emphasized two points. First, that commercial potential is impossible to predict, so he has only brought to stage art that he loves; and second, he is committed to expanding the demographics of Broadway. -
31St ANNUAL WOMEN of ACHIEVEMENT AWARDS GALA to HONOR
Contact: Vivacity Media Group | 212-812-1483 Leslie Papa, [email protected] Whitney Holden Gore, [email protected] Ailsa Hoke, [email protected] WOMEN’S PROJECT THEATER PRESENTS THE 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA TO HONOR Emmy Award-winning Stage, Screen, and TV Actress & Founder of A Is For.. MARTHA PLIMPTON Celebrated Film, Television and Theater Producer, President of Segal NYC and Gatherer Entertainment JENNA SEGAL Award-Winning Actress, Film Producer, and Director & Founder of The Rainforest Fund TRUDIE STYLER HOSTED BY Celebrated comedienne, Two-time Grammy Nominee & Comedy Central Roast Star LISA LAMPANELLI WITH SPECIAL PERFORMANCES & APPEARANCES BY Fun Home’s Tony Award Nominee & Tony Award Winner BETH MALONE & JEANINE TESORI Acclaimed Dance Company MONICA BILL BARNES & CO. Emmy Award Nominated creator of “Call The Midwife” HEIDI THOMAS AND MORE SOON TO BE ANNOUNCED MONDAY, JUNE 13, 2016 AT THE EDISON BALLROOM, NYC TICKETS AVAILABLE VIA WPTHEATER.ORG (New York, NY) Women’s Project Theater (WP Theater), under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA. The gala will honor Emmy Award winning actress Martha Plimpton; celebrated film, television and Broadway producer Jenna Segal; and actress, producer, environmentalist and UNICEF ambassador Trudie Styler. Hosted by Grammy nominated comedienne Lisa Lampanelli, with special performances by Fun Home’s Tony Award Nominee Beth Malone and Tony Award winner Jeanine Tesori; dance company Monica Bill Barnes & Co. and a presentation by Emmy Award nominee Heidi Thomas (creator of “Call the Midwife”), the Gala will take place on Monday, June 13, 2016 at 6:30pm at The Edison Ballroom, 240 W 47th Street. -
Profile Season 19-20 Media Release
2019-20: GENERATIONS Brenden Jacobs-Jenkins/ Lynn Nottage/ Paula Vogel FOR IMMEDIATE MEDIA RELEASE: Profile Theatre Press Contact: Jen Mitas, Marketing Consultant [email protected] 503-804-2402 Profile Theatre’s 2019-20 Season Celebrates the Voices and Visions of Three Playwrights Across Generations Lynn Nottage, Paula Vogel and Brenden Jacobs-Jenkins PORTLAND, OREGON. May 20, 2019- PROFILE THEATRE’S next season will fea- ture three of America’s most widely celebrated contemporary playwrights: Branden Jacobs-Jenkins (b. 1984), Lynn Nottage (b. 1964), and Paula Vogel (b. 1951). Profile Theatre is one of only three theaters in the country to dedicate their season to an in-depth exploration of a playwright’s vision, using that unique vision as a lens to broaden perspectives on our shared world. Now, in an innovation that deploys Pro- file’s mission to unique effect, we present Generations: two seasons of plays from three of America’s most beloved playwrights whose plays dramatize life, labor and death in the United States and beyond from three different generational vantage points. These visionaries are all connected through the prizes and programs that have shaped them. A gifted playwright, Vogel mentored a generation of playwrights, including Lynn Nottage, who studied with Vogel at Brown. Jacobs-Jenkins was the Paula Vogel Playwright-in-Residence at the Vineyard Theatre, and was on the Su- san Smith Blackburn committee that awarded the prize to Nottage for Sweat. All Pulitzer Prize nominated (or winning), all heralded for the beauty of their writing, their innovative theatricality and deep humanity, Vogel, Nottage and Jacobs-Jenkins’ work stands as a testament to the brilliance of American theatre. -
We Finally See Rockwell, Williams in FX's First 'Fosse/Verdon' Trailer
We Finally See Rockwell, Williams in FX's First 'Fosse/Verdon' Trailer 02.25.2019 FX's upcoming eight-episode limited series, Fosse/Verdon, unpacks the turbulent five-decade relationship of legendary Hollywood director and choreographer, Bob Fosse (Sam Rockwell), and his wife, muse and star in her own right, Gwen Verdon (Michelle Williams). Their relationship starts as a director-star cliche and then evolves into something much more complicated as Fosse fuels his manic creativity with drugs, alcohol and sex. Verdon, meanwhile, reaches the height of her career as a Broadway triple threat and multiple Tony winner but watches Fosse stay in the spotlight as she fades into age and obscurity. Still, she remains his unrecognized collaborator even as their marriage unravels. Eventually, Fosse forges a connection with Ann Reinking (Margaret Qualley), an up-and-coming Broadway dancer who has all the talent and tenacity of a young Verdon. She hopes to follow in Verdon's footsteps, but may not have the stomach to put up with everything Fosse demands. Surrounding the couple are a coterie of fellow artists, friends, collaborators, and rivals: playwright and screenwriter Paddy Chayefsky (Norbert Leo Butz); former modern dancer- turned-homemaker Joan Simon (Aya Cash); Joan's husband, playwright Neil Simon (Nate Corddry); and theater producer and director Hal Prince (Evan Handler). The series is executive produced by Rockwell, Williams, Thomas Kail, Steven Levenson, Lin-Manuel Miranda, Joel Fields and George Stelzner. Levenson wrote the premiere episode, which is directed by Kail. Nicole Fosse, daughter of the couple, serves as key creative consultant, co-executive producer and keeper of the Verdon Fosse legacy. -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
A Love Affair with Danger
A Love Affair With Danger Bill Hastings has been in Norway about 20 times. He was first hired by The Norwegian University College of Dance in 1991 to do Dancin’ Man for their 25th anniversary. Now, he’s back at The Norwegian University College of Dance to rehearse The Rich Man’s Frug for the 50th anniversary. Can you tell me about your career as a dancer? - I went to college on a full music scholarship. I was a self-taught percussionist who dreamed of playing in a classical orchestra; however, I graduated with a degree in theatre. While in college, a friend of mine came to me and said there was an audition for a local production of the musical “Paint your Wagon”. He encouraged me to audition, and so I did. Quite surprisingly I was hired for the job. A whole new world opened to me. The combination of music, theatre and dance was thrilling. I was hooked. A lifelong career as dancer, choreographer and teacher was to follow. About the same time, I saw a film of Martha Graham’s Seraphic Dialogue; and I thought, I want to do THAT - the beautiful, powerful movement; the iconic design; and, the theatrical artfulness. However, it was the bright lights of musical theatre that ultimately won me over. You seem like you like what you are doing. Is that right? - I love what I’m doing; but, it also frightens me. It demands much from the heart, the spirit, the intellect and the body (as with most athletes, age is a constant sparring partner). -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
Bengal Tiger
20!2 - 20IJ SEASON C T3PEOPLE C ON OTHER STAGES BOARD OF DIRECTORS AT&T PERFORMING ARTS CENTER CHAIR Marion L. Brockette, Jr. FEB 13 - 24 Anything Goes LIAISON, CITY OF DALLAS CULTURAL COMMISSION CIRCLE THEATER Lark Montgomery JAN 24- FEB 23 God of Carnage BOARD MEMBERS Jac Alder, Suzanne Burkhead, Laura V. Estrada, Sally Hansen, David G. Luther, DALLAS CHILDREN'S THEATER Victoria McGrath, David M. May, Margie J. Reese, JAN 25 - MAR 3 Goodnight Moon Dana W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D., Scott Williams DALLAS SUMMER MUSICALS FEB 12 -24 Catch Me IfYouCan D HONORARY BOARD MEMBERS Roland & Virginia TH Dykes, Gary W. Grubbs, John & Bonnie Strauss DALLAS THEATER CENTER NORMA YOUNG ARENA STAGE 2012-2013 ADMINISTRATION JAN 18- FEB 17 King Lear Cl 1- PRODUCER-DIRECTOR Jac Alder FEB 7 • MAR 24 Red PRESENT LAUGHTER MANAGING DIRECTOR Cory Norman EISEMANN CENTER FOR THE z Aug. 2 - Sept. 1 COMPANY MANAGER Terry Dobson PERFORMING ARTS z DIRECTOR OF BUSINESS AFFAIRS Joan Sleight LLJ JAN 20 IfYouGive a Mouse a Cookie 11<,Other Story c:::( a comedy by Noel Coward IN-HOUSE ACCOUNTANT Wendy Kwan Books DIRECTOR OF PUBLICATIONS «(COMMUNICATIONS FEB 6 - 10 Late Nite Catechism Las Vegas: Sister Rolls c:::: � Kimberly Richard the Dice FREUD'S LAST SESSION IT MANAGER Nick Rushing FEB 10 Romona Quimby Z Sept. 20 - Oct. 20 EXECUTIVE ADMINISTRATIVE ASSISTANT FEB 15 Broadway Love Songs lJ Adele Acrey _ a new drama by Mark St. Germain KITCHEN DOG THEATRE HOUSEKEEPING Kevin Spurrier FEB 8 - MAR 9 The Chairs - PRODUCTION c:::( PEGASUS THEATER V) CRAZY FOR YOU TECHNICAL DIRECTOR Daniel Pucul DEC 31 - JAN 20 XSR: Die/ LLJ I- Nov. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
Theatre Getaway
HAMILTON THE MUSICAL THE MUSIC MAN BREAKFAST & DINNER INCLUDED THEATRE GETAWAY T AUGUST 7 – 8, 2021 SATURDAY - SUNDAY FUN & LAUGHTER FEATURING “THE MUSIC MAN” AT THE CHANHASSEN DINNER THEATER AND HAMILTON AT THE ORPHEUM. Join Judy’s Leisure Tours as we travel to Minneapolis for a theater get- away. We have lots to look forward to: food, laughter and two wonderful performances. $495.00Based on Double Occupancy Single Supplement Add $65 For Reservations Contact: • Motorcoach JUDY’S LEISURE TOURS • Quality Accommodations 4906 16TH ST N • Tour Director FARGO, ND 58102 • Chanhassen Dinner Theatre 701-232-3441 • AThe Music Man@ • The Orpheum Theatre • AHamilton” • Breakfast/Dinner Day 1, Saturday, August 7: Traveling down I-94 with our traveling companions we enjoy the view of the Minnesota countryside. We will stop in route for you to have lunch before we arrive in the twin cities at our overnight lodging, the Country Inn and Suites in Chanhassen. You will have time to relax and freshen up before we head over to our performance this evening. We have reserved seats at the Chanhassen Dinner Theatre where we will enjoy a delicious dinner from their menu and see the exciting musical “The Music Man” a fun transformative story. This musical theater classic features songs like “(Ya Got) Trouble.” “Seventy-Six Trombones,” The Wells Fargo Wagon,” Til There Was You,” “Gary, Indiana” and more. Meredith Wilson’s six-time, Tony Award- winning musical comedy has been entertaining audiences since 1957. The Music Man follows fast-talking salesman, Harold Hill, as he cons the people of River City, Iowa into buying instruments and uniforms for a boys’ band that he vows to organize- this, despite the fact that he doesn’t know a trombone from a treble clef. -
Program Notes
PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful.