The Click Bio

Total Page:16

File Type:pdf, Size:1020Kb

The Click Bio The Click Bio It starts in a quaint and unassuming Chelsea, NY living room… This space doubles as a creative lab for the three brothers of the critically acclaimed three-piece AJR—Adam [bass, vocals], Jack [vocals, guitar], and Ryan [ukulele, piano, vocals]. It’s here that these young men assemble a handcrafted hybrid of sticky pop hooks, cinematic electronic beats, live instrumentation, theatrical panache, nineties nerd rock energy, and cleverly colloquial lyrics. This unpredictable homegrown style defines the trio’s second independent full- length offering, The Click and is especially impressive given that RIAA Gold certified lead single “Weak” has achieved viral success. Speaking to an eternally D.I.Y. spirit, the thirteen tracks rally around a central question from the tune “Come Hang Out.” “Should I go for more clicks this year, or should I follow the click in my ear?” “The idea is that society wants me to go for more clicks: more fame and more notoriety, but sacrificing what I want to be on the inside,” Ryan elaborates. “As time went on, we realized it’s the central theme of the entire album. Since we write, produce, and record everything ourselves, the best metaphor to describe the inner struggle of following your own heartbeat is a metronome. Now, the metronome sound bookends The Click.” First appearing on the 2016 EP and album precursor What Everyone’s Thinking, “Weak” introduced The Click to audiences everywhere with a big bang. In less than nine months, the runaway smash generated over 210 million Spotify streams and counting, achieved an RIAA Gold certification, and amassed 12 million-plus YouTube views. The guys delivered a hyper-charged live rendition of the single on TODAY in between selling out the headline “What Everyone’s Thinking” Tour. Simultaneously, the track “I’m Not Famous” would crack 8 million Spotify streams as the aforementioned “Come Hang Out” crossed the 3-million mark. All while, Billboard, Time, Paper, Pop Crush, Idolator, and more praised the group. Beginning with solo piano and a delicate vocal, “Weak” organically builds into a rush of keys, synths, and beats fueling the massive chant, “But I’m weak, and what’s wrong with that?” “A lot of people are faced with temptation and they’re told to be strong and confident,” Adam goes on. “We’re all weak at some point and give in to temptation when we know we shouldn’t. We wanted to turn saying ‘I’m weak’ into an anthem everyone can be proud of and shout together.” Unfurling like a film trailer, the Broadway-style “Overture” kicks off The Click, teasing various choruses and phrases from the songs that follow it over a regal orchestra swell. Punctuated by live strings, “Drama” sharply dissects the modern generation’s preoccupation with gossip, admitting “We act like reality shows, probably cuz reality blows.” “Sober Up” [feat. Rivers Cuomo] represents a “full circle moment” for AJR as the Weezer frontman makes an electrifying cameo. “Rivers followed us on Twitter and said he was a fan of ‘Weak’,” recalls Ryan. “It was such a great moment when he officially agreed to feature on the record. When we’re making decisions about our music and image, we sort of position ourselves as the Weezer of the 2010’s. They’ve been a huge influence. The song itself is about being at a party and feeling too grown up. You get to that moment where you’re like, ‘This isn’t really fun anymore. I’m an adult now.’ This was a true story.” “We wanted to get back to that feeling when you had a crush on someone in elementary school,” adds Jack. “You didn’t know every annoying thing that came with liking another person, it was just a very visceral emotion. It’s a theme of wanting to return to an age of innocence.” Long before they joined Demi Lovato, Train, Andy Grammer, Hoodie Allen, Fifth Harmony and Ingrid Michaelson on high- profile national tours, the brothers began busking in NYC’s Washington Square Park, starting in 2005. At the time, Jack was only eight-years-old as they played covers “well enough to get pre-occupied passersby to actually stop.” Repeating their residency in the park every day for six consecutive summers, they saved enough money to quietly amass an arsenal of recording equipment, outfitting the living room as a makeshift studio. In 2013, AJR’s debut Living Room spawned the hit “I’m Ready.” The song racked up over 47 million Spotify streams, soundtracked the trailer to Amy Schumer’s Trainwreck, went platinum in the US and triple-platinum in Australia. Building a national profile, they later received an invite to perform at the Obama White House for the IT’S ON US Campus Sexual Assault Summit, in addition to crafting the organization’s theme song. Rounding out a multi-dimensional vision, the three members infuse individual idiosyncrasies into the collective whole. “We each have a very unique role in the band,” explains Ryan. “I do the production. Jack and I both write. Adam is involved in the business end and management. We’ve built a well-oiled machine.” Outside of AJR, Adam, Jack, and Ryan are all either current or former Columbia University students. Ryan has also lent his writing acumen to Andy Grammer, co-penning the gold-selling “Back Home” and “Good To Be Alive (Hallelujah)” which recently scored him a BMI award. Adam received his Masters from NYU and is in the midst of working on his PHD in Comparative Constitutional Law, while Jack just completed his first screenplay. As music from The Click resounds louder and louder throughout pop culture by the day, AJR still harbor quite a few surprises up their sleeves. “When people hear us or see us live, I’d love for them to say, ‘I can’t explain this, but I know I’m feeling something’,” Ryan leaves off. “We hope they connect to it and want to listen again and again.” .
Recommended publications
  • Alternative 2020
    Mediabase Charts Alternative 2020 Published (U.S.) -- Currents & Recurrents January 2020 through December, 2020 Rank Artist Title 1 TWENTY ONE PILOTS Level Of Concern 2 BILLIE EILISH everything i wanted 3 AJR Bang! 4 TAME IMPALA Lost In Yesterday 5 MATT MAESON Hallucinogenics 6 ALL TIME LOW Monsters f/blackbear 7 ABSOFACTO Dissolve 8 POWFU Coffee For Your Head 9 SHAED Trampoline 10 UNLIKELY CANDIDATES Novocaine 11 CAGE THE ELEPHANT Black Madonna 12 MACHINE GUN KELLY Bloody Valentine 13 STROKES Bad Decisions 14 MEG MYERS Running Up That Hill 15 HEAD AND THE HEART Honeybee 16 PANIC! AT THE DISCO High Hopes 17 KILLERS Caution 18 WEEZER Hero 19 TWENTY ONE PILOTS The Hype 20 WALLOWS Are You Bored Yet? 21 LOVELYTHEBAND Broken 22 DAYGLOW Can I Call You Tonight? 23 GROUPLOVE Deleter 24 SUB URBAN Cradles 25 NEON TREES Used To Like 26 CAGE THE ELEPHANT Social Cues 27 WHITE REAPER Might Be Right 28 BLACK KEYS Shine A Little Light 29 LUMINEERS Life In The City 30 LANA DEL REY Doin' Time 31 GREEN DAY Oh Yeah! 32 MARSHMELLO Happier f/Bastille 33 AWOLNATION The Best 34 LOVELYTHEBAND Loneliness For Love 35 KENNYHOOPLA How Will I Rest In Peace If... 36 BAKAR Hell N Back 37 BLUE OCTOBER Oh My My 38 KILLERS My Own Soul's Warning 39 GLASS ANIMALS Your Love (Deja Vu) 40 BILLIE EILISH bad guy 41 MATT MAESON Cringe 42 MAJOR LAZER F/MARCUS Lay Your Head On Me 43 PEACH TREE RASCALS Mariposa 44 IMAGINE DRAGONS Natural 45 ASHE Moral Of The Story f/Niall 46 DOMINIC FIKE 3 Nights 47 I DONT KNOW HOW BUT THEY..
    [Show full text]
  • Karaoke Catalog Updated On: 15/10/2018 Sing Online on in English Karaoke Songs
    Karaoke catalog Updated on: 15/10/2018 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry Someday You'll Want Me To Want You Voices Carry When You're Smiling (The Whole World Smiles With That Old Black Magic (Woman Voice) (H?D) Planet Earth 1930s Standards That Old Black Magic (Man Voice) Blackout Heartaches I Know Why (And So Do You) DUET Other Side Cheek to Cheek Aren't You Glad You're You 10 Years My Romance (I've Got A Gal In) Kalamazoo Through The Iris It's Time To Say Aloha No Love No Nothin' 10,000 Maniacs We Gather Together Personality Because The Night Kumbaya Sunday, Monday Or Always 10CC The Last Time I Saw Paris This Heart Of Mine Dreadlock Holiday All The Things You Are Mister Meadowlark I'm Not In Love Smoke Gets In Your Eyes 1950s Standards The Things We Do For Love Begin The Beguine Get Me To The Church On Time Rubber Bullets I Love A Parade Fly Me To The Moon Life Is A Minestrone I Love A Parade (short version) It's Beginning To Look A Lot Like Christmas 112 I'm Gonna Sit Right Down And Write Myself A Letter Crawdad Song Cupid Body And Soul Christmas In Killarney Peaches And Cream Man On The Flying Trapeze That's Amore 12 Gauge Pennies From Heaven My Own True Love (Tara's Theme) Dunkie Butt When My Ship Comes In Organ Grinder's Swing 12 Stones Yes Sir, That's My Baby Lullaby Of Birdland Far Away About A Quarter To Nine Rags To Riches Crash Did You Ever See A Dream Walking? Something's Gotta Give 1800s Standards I Thought About You I Saw Mommy Kissing Santa Claus (Man
    [Show full text]
  • "ANOTHER YOU" the Debut Single from His Upcoming Solo Release, Son of a Preacher Man
    THE INNOVATORS R &R Kicks Off 2009 With A Celebration THE SPIN: Beyoncé 'Rings' In Year Of People And With Biggest Urban Hit To Date Companies On ine ' n Innovating New PROFILE: Clear Channel's Technologies, Products, Guru Evai Harrison Programming, . TALENT: R &R Debuts New Weekly Revenue Sources, Column Devoted To Air Talent Distribution Platforms And RADIO st RECORDS PROMOTION: Surviving The More Dreaded Post -Holiday 'Dead Zoie' JANUARY 9, 2009 NC. 1796 $6.5C www.RàdioandReco-ds.com Multi- Platinum Artist 3 time ASCAP Songwriter of the Year Host of GONE COUNTRY 1, 2 & 3 One of People Magazine's Most Powerful People in the Music Industry Producer of the #1 Song of 2008 WB Nashville proudly presents "ANOTHER YOU" The debut single from his upcoming solo release, Son Of A Preacher Man www.americanradiohistory.com i TES ìsi Got i d i at agic 107.7 Orlando! Tesh is king of MID -DAY here at Magic We get lots of cDmments from listeners who enjoy his 'lntelligeice for yct r Life.' Even better, that advice triggers listener recall. i like that people think about ourstatien when gang about their daily routine, due to advice they heard Jahn give cw- the air. #1 P12+, #1 P18+, #1 W18+, #1 W25--54, #1P35-64, #1 W45-54* `pry -g 2CC8 Ken Payne Prograr- Diector Magic 137.7 WMGF -FM Clear Channel Radio - Orando IniIIigence our L1ïfe all your host John Tesh Over 300 Affiliates- Fiery dayirart & lormat VitWW.TESH.CONf Contact: Scott Meyers The TeshMedia Group 38E- 548 -8637 or 516-829 -0964 scotigrrEyers.net www.americanradiohistory.com WWW.RADIOANDRECORDS.COM: INDUSTRY AND FORMAT NEWS, AS IT HAPPENS, AROUND THE CLOCK.
    [Show full text]
  • A Rhetorical Analysis of Music As a Mode of Resistance in the 21St Century
    THE REVOLUTION WILL BE SPOTIFIED: A RHETORICAL ANALYSIS OF MUSIC AS A MODE OF RESISTANCE IN THE 21ST CENTURY Triauna Carey A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2020 Committee: Daniel Bommarito, Committee Co-Chair Radhika Gajjala, Committee Co-Chair Julia Halo Graduate Faculty Representative Neil Baird © 2020 Triauna Carey All Rights Reserved iii ABSTRACT Daniel Bommarito, Committee Co-Chair Radhika Gajjala, Committee Co-Chair This research project analyzes how musicians and genres of music are used as rhetorically effective modes of resistance in political and social climates in the West to break down barriers culturally and reveal systems of power. An interdisciplinary approach is implemented that combines cultural rhetorics, popular culture studies, communication studies, and ethnomusicology to investigate the way musicians send messages of resistance to different audiences and listeners. In order to do so, Huckin, Andrus, and Clary-Lemon’s concept of critical discourse analysis is used to analyze the way music lyrics convey meaning and cue the audience to certain resistant messages in different ways. In addition, Royster and Kirsch’s concept of social circulation is utilized to tap into the ways technology and online social spaces are interrogated as complex rhetorical spaces that are multidimensional and add new levels of activism for musicians. The study focuses on four mainstream genres, pop, rap and hip-hop, rock and alternative, and country, to reveal how artists in these genres use the rhetorical strategies available in the genre to reach their audience, while also navigating the power systems and structures at play.
    [Show full text]
  • Ajr the Click Deluxe Full Album Download Metal
    ajr the click deluxe full album download Metal. AJR - The Click is one of the best albums, released in 2017. The genre of the album is not surprising - Indie rock, The best audio rip (CD and Vinyl) is in MP3 320 kbit/s and you can download it as RAR or ZIP file format. The album is recorded in United States and the lyrics language is English. If you like the album and you can purchase it from your country, please visit the official website of the band: http://gfds. List of songs/tracklist included in the album: 1. Overture 2. The Good Part 3. Weak 4. Sober Up (feat. Rivers Cuomo) 5. Drama 6. Turning Out 7. No Grass Today 8. Three-Thirty 9. Call My Dad 10. I'm Not Famous 11. Netflix Trip 12. Bud Like You 13. Come Hang Out. The Click (Deluxe Edition) The Click (Deluxe Edition) is a English album released on Sep 2018. The Click (Deluxe Edition) Album has 17 songs sung by AJR, Rivers Cuomo. Listen to all songs in high quality & download The Click (Deluxe Edition) songs on Gaana.com. Related Tags - The Click (Deluxe Edition), The Click (Deluxe Edition) Songs, The Click (Deluxe Edition) Songs Download, Download The Click (Deluxe Edition) Songs, Listen The Click (Deluxe Edition) Songs, The Click (Deluxe Edition) MP3 Songs, AJR Songs. The Click (Deluxe Edition) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $9.99. The Click (Deluxe Edition) Copy the following link to share it.
    [Show full text]
  • Excesss Post-COVID TITLE
    Excesss post-COVID TITLE Song Title Artist Song Title Artist (Funky) Sex Farm Spinal Tap Afterglow (feat Ariana Swift, Taylor (You Gotta) Fight For Beastie Boys Grande) Your Right (To Party) Afterglow (Inst) Sheeran, Ed (You Make Me Feel Like) King, Carole Afterlife Steinfeld, Hailee A Natural Woman Again Flyleaf . girl in red Agree To Disagree Sleeping With Sirens 1,000,000 Nine Inch Nails Ain't A Train Jinks, Cody 10,000 Hours (w Justin Dan + Shay Ain't A Train Jinks, Cody Bieber) (Instrumental Version) 100 Bad Days AJR Alaska Between The Buried And 17 Pink Sweats Me 17 (Inst) Pink Sweats Alexander Hamilton Musical/Hamilton 21 Summer Brothers Osbourne Alice Lady Gaga 34+35 Grande, Ariana Alice (Inst) Lady Gaga 34+35 (inst) Grande, Ariana Aliens Exist Blink-182 4am girl in red Alive Daughtry 5 Minutes Alone Pantera Alive With The Glory Of Say Anything 505 Arctic Monkeys Love 7 Summers Wallen, Morgan All I Want Musical/High School Musical: The Musical: The 7 Summers (Inst) Wallen, Morgan Seri 8-10 (Parody of 9-5 by Calm Down Ace All is Found Frozen 2 Dolly Parton) All is FOund Musgraves, Kacey 911 Lady Gaga All is Found (end credits) Frozen 2 911 (inst) Lady Gaga All is Found Frozen 2 Musgraves, Kacey 99 Revolutions Green Day All is Found Frozen 2 Musgraves, Kacey A Favor House Atlantic Coheed and Cambria (Instrumental Version) A Little Bit Yours Saxe, JP All My Favorite Songs Weezer A Little Dive Bar in McBryde, Ashley All My Favorite Songs Weezer Dahlonega (Inst) A Little Faster There For Tomorrow All Night Brothers Osborne A Little
    [Show full text]
  • Excesss Post-COVID ARTIST
    Excesss post-COVID ARTIST Artist Song Title Artist Song Title 1975, The Girls (clean) Alestorm Drink If You're Too Shy (Let Me Alice In Chains Brother (Unplugged) Know) God Smack It's Not Living (If It's Not Heaven Beside You With You Low Ceiling It's Not Living (If It's Not Low Ceiling With You) Sea of Sorrow 3 Inches of Blood Battles and Brotherhood Stone 3 Seconds of Summer Teeth Stone 311 Creatures (For A While) All That Remains Days Without 88-Keys That's Life (feat Mac Forever In Your Hands Miller) This Calling AC/DC Shot in the Dark Allan, Gary Waste of a Whiskey Drink Shot in the Dark (inst) Waste of a Whiskey Drink Adele Best For Last (Inst) Someone Like You Allen, Jimmie This is Us (feat Noah Affiance Call To The Warrior Cyrus) Aguilera, Christina Loyal Brave True This is Us (feat Noah Reflection (from the Cyrus) [Inst] motion picture Mulan) Allie X Super Duper Party People AJR 100 Bad Days Amberian Dawn My Only Star Bang! Willow Of Tears Bang! (inst) Amine BLACKJACK Sober Up Reel It In Way Less Sad Spice Girl Way Less Sad Andress, Ingrid Both Way Less Sad (Inst) Both (Instrumental Alaina, Lauren Other Side, The Version) Other Side, The Lady Lake (Instrumental Version) Lady Lake (Instrumental Run Version) Run (Inst) Lady Like Aldean, Jason Blame It On You More Hearts Than Mine Blame It On You (inst) The Stranger Camouflage Hat The Stranger (Inst) Camouflage Hat Waste of Lime (Instrumental Version) Waste of Lime (Inst) Got What I Got We're Not Friends Got What I Got We're Not Friends (Inst) (Instrumental Version) Anne-Marie Birthday
    [Show full text]
  • Us Music Industry Consumption
    U.S. MUSIC INDUSTRY CONSUMPTION 1 00 • Contents BuzzAngle Music 2018 Year-End Report (U.S.) Contents Industry Introduction Consumption by P. 4 Release Period 01 06 P. 25 Industry Summary Consumption by P. 7 Title Distribution 02 07 P. 30 Highlights Awards 03 P. 10 08 P. 35 Industry Album Charts Consumption Details P. 43 04 P. 16 09 Industry Consumption Song Charts by Genre P. 49 05 P. 20 10 2 00 • Contents BuzzAngle Music 2018 Year-End Report (U.S.) Artist Charts Airplay Charts 11 P. 53 13 P. 74 Genre Charts Closing 12 P. 57 14 P. 84 3 01 • Introduction BuzzAngle Music 2018 Year-End Report (U.S.) 01 Introduction 4 01 • Introduction BuzzAngle Music 2018 Year-End Report (U.S.) Welcome to the BuzzAngle Music 2018 Year-End Report Welcome to BuzzAngle Music’s 2018 report on U.S. music consumption. For the second year in a row, overall consumption growth was up double- digits. 2018 total consumption showed a 16.2% increase over 2017, which we showed last year to be up 12.8% over 2016. On-demand audio stream consumption continued to fuel the overall growth, increasing 41.8% to 534.6B streams, up from 376.9B streams last year. Total on-demand streams, including both audio and video, topped 809B for the year. In the fourth quarter of 2018, a dominant 85% of all audio streams were subscription-based. The # of unique titles audio-streamed in 2018 totaled 3M more than in 2017, a 9.2% increase. Consumers are exercising their choice to explore new music, which is a terrific sign for the industry.
    [Show full text]