The Good Shepherd L’Ombra Del Potere
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Marcelo Zarvos
MARCELO ZARVOS AWARDS/NOMINATIONS CINEMA BRAZIL GRAND PRIZE FLORES RARAS NOMINATION (2014) Best Original Music ONLINE FILM & TELEVISION PHIL SPECTOR ASSOCIATION AWARD NOMINATION (2013) Best Music in a Non-Series BLACK REEL AWARDS BROOKLYN’S FINEST NOMINATION (2011) Best Original Score EMMY AWARD NOMINATION YOU DON’T KNOW JACK (2010) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) EMMY AWARD NOMINATION TAKING CHANCE (2009) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) BRAZILIA FESTIVAL OF UMA HISTÓRIA DE FUTEBOL BRAZILIAN CINEMA AWARD (1998) 35mm Shorts- Best Music FEATURE FILMS CELL Michael Benaroya, Shara Kay, Richard Saperstein, Brian Benaroya Pictures Witten, prods. Tod Williams, dir. THE HUMBLING Barry Levinson, Al Pacino, Jason Sosnoff, prods. Nu Image/Millennium Films Barry Levinson, dir. ADULT BEGINNERS Paul Bernon, Karrie Cox, Marcus Cox, Jared Goldman, Burn Later Productions Nick Kroll, Sam Slater, prods. Ross Katz, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 MARCELO ZARVOS LITTLE ACCIDENTS Jason Michael Berman, Anne Carey, Thomas B. Fore, Archer Gray Productions Summer Shelton, prods. Sara Colangelo, dir. ENOUGH SAID Stefanie Azpiazu, Anthony Bregman, prods. Fox Searchlight Nicole Holofcener, dir. REACHING FOR THE MOON Paulo Barreto, prod. The Art of Losing, LLC Bruno Barreto, dir. THE FACE OF LOVE Bonnie Curtis, Julie Lynn, prods. Cutting Edge Ari Posen, dir. THE WORDS Cassian Elwes, Laura Rister, exec. prod. Cutting Edge Brian Klugman, Lee Sternthal, dirs. FRIENDS WITH KIDS Joshua Astrachan, Riza Aziz, Lucy Barzun Donnelly, Lionsgate Jon Hamm, Jake Kasdan, Joey McFarland, Jennifer Westfeldt, prods. Jennifer Westfeldt, dir. WON’T BACK DOWN Mark Johnson, prod. -
Neuerwerbungen Noten
NEUERWERBUNGSLISTE JUNI 2018 FILM Cinemathek in der Amerika-Gedenkbibliothek (aktuelle Medienempfehlungen siehe auch im Webauftritt unter www.zlb.de/fachinformation/spezialbereiche/cinemathek) © Eva Kietzmann, ZLB Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Film 5 Stummfilme 3 Film 7 Fernsehserien 3 Film 10 Tonspielfilme 11 Film 20 Animationsfilme 39 Film 27 Animation/Anime Serien 40 Film 30 Experimentalfilme 40 Film 40 Dokumentarfilme 40 Musi Musikdarbietungen/ Musikvideos 40 K 400 Kinderfilme 42 Ju 400 Jugendfilme 45 Sachfilme nach Fachgebiet 46 Seite 2 von 52 Stand vom: 02.07.2018 Neuerwerbungen im Fachbereich Film Film 5 Stummfilme Film 5 Dupo 3 ¬Das¬ Alte Gesetz / Ewald A. Dupont Regie ; Paul Reno Dreh- a:DVD buchautor/in ; Theodor Sparkuhl Kamera ; Henny Porten Schau- spieler/in ; Ernst Deutsch Schauspieler/in ; Ruth Weyher Schau- spieler/in ; Heinrich Laube ; Philippe Schoeller [Komponist/in]. - 2018 Film 7 Fernsehserien Film 7/19- 19-2. - 4. Staffel. ¬Die¬ komplette vierte Staffel. - 2018 2/1:4.DVD 112/000 033 016 American Gods : [DVD-Video]. - 1. Staffel, Episoden 1-8.. - 2017 (Film 7 AmeGods 1 e:1.DVD) Film 7 Androme 1 Andromeda : [DVD-Video]. - Staffel 4, Episoden 1-22. / Jorge Mon- a:4.DVD tesi Regie ... Ashley Miller Drehbuchautor/in ... Gordon Verheul Kamera ... Kevin Sorbo Schauspieler/in ; Lisa Ryder Schauspieler/in ; Laura Bertram Schauspieler/in ... Gene Roddenberry ; Matthew MacCauley Komponist/in. - 2017 112/000 032 535 Ascencion : die komplette Serie / Adrian A. Cruz Drehbuchautor/in (Film 7 Ascenci 1 ; Philip Levens Drehbuchautor/in ; Tricia Helfer Schauspieler/in ; Gil c:DVD) Bellows Schauspieler/in ; Brian P. Holt Schauspieler/in. - 2016 112/000 034 515 Mit Schirm, Charme und Melone : wie alles begann ; [DVD-Video]. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
September-0Ctober 2013
september-0ctober 2013 On September 10, 1988, Museum of the As we enter our 25th anniversary year, I while doing the rounds through the Moving Image opened its doors to the can tell you that it has been a thrilling ride galleries, and then repair a video arcade public. At the time, years before the for the Museum, at least as action-packed game. He was a true professional, but will promise of the Internet and digital media as The Great Train Robbery. We have be best remembered as a great husband, were captured in the now-quaint phrase transformed and expanded over the years father, and friend, and he will be missed. “Information Superhighway,” the idea of a to serve a growing audience and to offer an We will pay tribute to Richie on October Museum, built on an historic site for movie increasingly ambitious slate of exhibitions, 4 at an event to mark the opening of a production, that would take a unified view screenings, and education programs. wonderful photo exhibit, The Booth, about of the disparate worlds of film, television, Our film programs range from the best projectionists and their workspaces. and video games, seemed as audacious as of classic Hollywood—as in our complete it was unprecedented. There was, simply, Howard Hawks retrospective—to the best Richie was a great showman; more than no museum like it in the world. It was an of contemporary world cinema—as in our anything at the Museum, he was obsessed innovative blend of a science museum, focus on the great French director Claire with making sure that we put on the best an art museum, a technology museum, Denis. -
Academy Administration Chief Executive Officer Dawn Hudson Administrator, Office of the CEO Cheryl Marshall Chief Operating Offi
Academy Administration Director, Science and Committees 2010-2011 General Membership Committee Music Branch Executive Committee Headquarters Chief Executive Officer Technology Council Actors Branch Executive Committee Sid Ganis, Chair Bruce Broughton, Chair 8949 Wilshire Boulevard Dawn Hudson Andrew Maltz Annette Bening, Chair Beverly Hills, California 90211 Subcommittee on Agents New York Events Committee Administrator, Office of the CEO Director, Nicholl Fellowships Art Directors Branch Executive Lawrence Mirisch, Chair Bud Rosenthal, Chair Phone: (310) 247-3000 Cheryl Marshall Greg Beal Committee E-mail: [email protected] Rosemary Brandenburg, Chair Subcommittee on Nicholl Fellowships Committee Website: www.oscars.org Chief Operating Officer Director of Educational Programs Casting Directors Gale Anne Hurd, Chair Academy Awards website: Ric Robertson and Special Projects Audit Committee David Rubin, Chair www.oscar.com Randy Haberkamp Robert Rehme, Chair Producers Branch Executive Chief Marketing Officer Subcommittee on Music Committee Christina Kounelias Director of Exhibitions and Awards Review Committee Supervisors Mark Johnson, Chair Fairbanks Center for Motion Special Events Sid Ganis, Chair Bruce Broughton, Chair Picture Study Controller Ellen M. Harrington Public Relations Branch Executive 333 South La Cienega Boulevard Andy Horn Awards Rules Committee Subcommittee on Stunt Committee Beverly Hills, California 90211 Director of Information Technology Phil Robinson, Chair Coordinators Marvin Levy, Chair Managing Director of Membership -
The Good German the DEPARTED
SDSA_cover_&inside.qxd:Layout 1 12/8/06 11:50 AM Page 1 SET DECOR Winter Set Decorators Society of America Winter 2006 2006 stranger than fiction www.setdecor.com The Good German $5.95 www.setdecor.com THE DEPARTED SDSA_cover_&inside.qxd:Layout 1 12/8/06 11:51 AM Page 2 Set Decor.qxd:Layout 1 12/13/06 12:59 PM Page 1 Set Decor.qxd:Layout 1 12/13/06 12:59 PM Page 2 This event is not affiliated with, or endorsed by, the Academy of Motion Pictures Arts and Sciences. The Alex Theatre is non-pr Alex The Arts and Sciences. Academy of Motion Pictures the with, or endorsed by, This event is not affiliated ofit, 501 (c) organization. Photo courtesy Ken Haber The Set Decorators Society of America and the Alex Theatre are proud to present the RED CARPET GALA: For People who Make Movies and People who Watch Them Please join us on our Red Carpet for an evening of Academy Awards® viewing and celebrating! Hors d’Oeuvres & Desserts 4:30 pm February 25th 2007 Alex Theatre 216 North Brand Boulevard Glendale CA Box Office 818.243.2539 • Online ticketing: www.alextheatre.org Set Decor.qxd:Layout 1 12/13/06 12:59 PM Page 3 Set Decor.qxd:Layout 1 12/13/06 12:59 PM Page 4 Set Decor.qxd:Layout 1 12/13/06 12:59 PM Page 5 Set Decor.qxd:Layout 1 12/13/06 12:59 PM Page 6 contents Set Decorators Society of America Winter 2006 48 26 30 16 56 38 60 Film decor 16 THE GOOD SHEPHERD Gretchen Rau Elaine O’Donnell SDSA, Leslie E Rollins SDSA, Alyssa Winter A glimpse of the art of giving behind the art of storytelling 26 BOBBY Lisa Fisher SDSA In its final performance the -
Elmer Bernstein Elmer Bernstein
v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards. -
The Designers of Herman Miller
the designers of herman miller book design proposal It is clear through a careful examination of the Herman Miller The design of this book seeks to utilize the same philosophies Company’s history and body of work, the astute attention that and ideologies that the designers of Herman Miller ap- is paid to detail in everything that they design. The unique fo- proached their work with. To reflect the simplicity, modernism cus on both function and form is what initially set the Herman and attention to detail that they exhibit in their work in the de- Miller Company apart form other furniture manufacturers. Un- sign and handling of the book. The book should pay homage der the direction of George Nelson, brilliant designers— to the work and careers of the famous Herman Miller designers Charles and Ray Eames, Isamu Noguchi, Alexander Girard and and reflect their personalities and approach to the problem of others, were able to bring modernism to the forefront of the creating something both functional and visually appealing. design world while creating beautiful and lasting pieces of fur- The book will utilize ample white space and simple, consis- niture. As Nelson said in during his final project, “the aim of the tent layouts, letting the furniture and the rich history of the Her- design process is always to produce an object that does some- man Miller Company become the focus of the piece. The de- thing. In problem solving, the limitations are far more impor- sign should reflect the openness of the Herman Miller tant than the freedoms… The only creative freedom that is designers. -
Evangelical Christian Higher Education, Culture, and Social Conflict: a Niebuhrian Analysis of Three Colleges in the 1960'S
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1992 Evangelical Christian Higher Education, Culture, and Social Conflict: A Niebuhrian Analysis of Three Colleges in the 1960's David Larsen Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Education Commons Recommended Citation Larsen, David, "Evangelical Christian Higher Education, Culture, and Social Conflict: A Niebuhrian Analysis of Three Colleges in the 1960's" (1992). Dissertations. 3231. https://ecommons.luc.edu/luc_diss/3231 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1992 David Larsen LOYOLA UNIVERSITY CHICAGO EVANGELICAL CHRISTIAN HIGHER EDUCATION, CULTURE, AND SOCIAL CONFLICT: A NIEBUHRIAN ANALYSIS OF THREE COLLEGES IN THE 1960S A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF EDUCATION IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EDUCATIONAL LEADERSHIP AND POLICY STUDIES BY DAYID LARSEN CHICAGO, ILLINOIS MAY, 1992 ACKNOWLEDGMENTS The author gratefully acknowledges the encouragement and insights offered by the director of this dissertation and the members of the committee, people who embody in their scholarship, teaching, and conversation both wit and wisdom. The staff members of the archive collections at Calvin, Goshen, and Wheaton Colleges were always ready and willing to converse and assist. They clearly love their work. My friends and colleagues at Trinity Christian College were supportive through their prayers, interest, and willingness to read whatever I gave them. -
2 Days in NEW York PRESENTED by ENTERTAINMENT WEEKLY
The Premieres program showcases some of the most highly anticipated dramatic films of the coming year. Catch world premieres and the latest work from established directors at the Sundance Film Festival before they create a splash at local theatres. 2 DAYS IN New York DIRECTOR: Julie Delpy France, 2011, 91 min., color English and French with English subtitles Marion and Mingus live cozily—perhaps too cozily—with their cat and two young children from previous relationships. However, when Marion’s jolly father (played by director Delpy’s real-life dad), her oversexed sister, and her sister’s outrageous boyfriend unceremoniously descend upon them for a visit, it initiates two unforgettable days that will test Marion and Mingus’s relationship. With their unwitting racism and sexual frankness, the French triumvirate hilariously has no boundaries or filters . and no person is left unscathed in its wake. Directed and cowritten by Julie Delpy, 2 Days in New York is a deliciously PRESENTED by Entertainment Weekly witty romp. One of the pleasures of this follow-up film to 2 Days in Paris is the addition of Chris Rock, who—amid the Gallic mayhem—convincingly plays the straight man as Marion’s hipster American boyfriend. With great skill and energy, Delpy heightens cultural differences to comedic extremes but also manages to show that sometimes change is the best solution to a relationship that’s been pushed to its limit.—K.Y. Pr: Christophe Mazodier Ci: Lubomir Bakchev Ed: Isabelle Devinck PrD: Judy Rhee Wr: Julie Delpy, Alexia Landeau Principal Cast: Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau, Alex Nahon Monday, January 23, 6:30 p.m. -
Inside the Office of Charles and Ray Eames L E C T U
LECTURE MAX UNDERWOOD INSIDE THE OFFICE OF CHARLES AND RAY EAMES “ o not seek to follow in the footsteps of Eames legacy, it is important to examine the masters. Seek what they sought.” 1 what occurred inside the Office of Charles D MATSUO BASHO, ZEN POET (1644–1694). and Ray Eames, for it is primarily the incu- bation itself, enshrined by Charles and Ray The mere mention of CHARLES and R AY Eames, that gave birth to such as plethora EAMES delivers to an older generation an of ideas, innovative processes, profound in- immediate, collective smile. Countless of sights, and landmark creative works. us from a not-so-distant era remember with fondness our first experiences of their in- Charles and Ray: the formative years “I don’t novative designs, or “gifts,” as the Eameses believe in this ‘gifted few’ concept, just in affectionately referred to their creative people doing things they are really interest- works.2 We lovingly recall relaxing within ed in doing. They have a way of getting good the embrace of an Eames Lounge Chair and at whatever it is.” 4 Ottoman (1956), vividly remember watch- CHARLES EAMES. ing with childlike wonder the exponential journey in the film, Powers of Ten (1977), or As we look back on the formative years of fondly relive the silent approach, through a Charles and Ray’s lives, prior to the founding flowering meadow and a magically-lifting of their office in 1941, we are immediately coastal fog, to the mythical Eames House struck not only by the wealth of their lived itself (Arts and Architecture Case Study experiences, but by their perseverance and House #8, 1949). -
Golden Glow Hollywood
YOlUMf 14 - ~IRST QUARHR 2002 ca e QUARTERLY REP Oscar brings a golden glow ba(~ to Hollywood Starts on Page 12 FRO M THE PRESIDENT We're taking the Academy Report, this periodic newsletter for members, in a new direction with this issue. We're going to publish four quarterly issues that will concentrate on providing a historical record of the Academy's activities during each quarter, and which, taken together, will constitute a calendar year annual report. Each first-quarter report will include a complete review of the annual Academy Award activities; the second quarter's will highlight the Student Academy Awards; the third will feature board elections and the financial reports from the end of the fi scal year, June 30; LAST YEAR, THE ENTRANCE TO THE we'll hear about the Nicholl Fellowship presentations PLAYERS DIRECTORY'S NEW OFFICES AT and updates in board committees and Academy staff in 1313 VINE STREET LOOKED LIKE THIS. the fourth quarter and, of course, each issue will include reports on the myriad public and educational activities The Academy Players Directory, the that take place year-round at the Academy as well as any additional information of interest to the membership. casting bible of the industry since its We'll try to include each event and we'll try to continue to be photo-intensive, because that is what inception in 1937, moved its offices in you've seemed to enjoy in the past. But we won't be very January from the headquarters building timely. We're not a newspaper and we don't have the staff or other resources to turn this thing around quickly.