Preview Chapter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Many Faced Masculinities in a Game of Thrones Game of Thrones
DOI: 10.13114/MJH.2018.436 Tarihi: 17.08.2018 Mediterranean Journal of Humanities Kabul Tarihi: 28.11.2018 mjh.akdeniz.edu.tr Geliş VIII/2 (2018) 479-497 The Many Faced Masculinities in A Game of Thrones Game of Thrones’da Çok Yüzlü Erkeklik Türleri Cenk TAN ∗ Abstract: A Game of Thrones is a stunning medieval fantasy which tells the story of the immense struggle for power in an ancient world named ‘The Seven Kingdoms’. It was originally written as a series of novels by the American author George R. R. Martin in 1996 and adapted to the TV screen by HBO in 2011. The series has completed its sixth season and is scheduled to go on for a total of eight seasons. Since its first broadcast in 2011, A Game of Thrones has attracted millions of viewers on a global scale and has received a total of 38 Emmy Awards. In A Game of Thrones, gender is one of the central themes, as power relations generally evolve around different gender roles. This study analyses masculinity in A Game of Thrones and the different types of masculinities which are identified through various male and female characters. This classification places all of the characters in two distinct gender categories. It also reveals the impact of these diverse forms of masculinities on the lives of the main characters and the general storyline of the production. Thus, the paper deconstructs the constructed masculinities in A Game of Thrones by exposing their representation through the main characters. Keywords: A Game of Thrones, Masculinity, Raewyn Connell, Gender Roles, Cultural Studies Öz: A Game of Thrones, Yedi Krallık olarak adlandırılan antik bir dünyada iktidar mücadelesini anlatan eşsiz bir fantastik ortaçağ hikâyesidir. -
The Journal of the New Alchemists 3
Journal of the New Alchemists 3 Table of Contents NEW ALCHEMY Looking Back - Na ncy jack Todd 7 The Trash Fish Cook Book - Bill McLarney and Bryce Butler 15 ENERGY An Advanced Sail-Wing for Water-Pumping Windmills - Earle Barnhart 25 Savonius Rotor - Earle Barnhart 27 Solar Collector for Heating Water - Earle Barnhart 30 Earth Breath : Wind Power -jim Bukey 32 LAND AND ITS USE An Ark for Prince Edward Island -john Todd 41 The Shape of Things to Come: The Architects' View - Ole Hammarlund and David Bergmark 44 Confessions of a Novice Compostor - Tyro ne Cashman 45 Our Gardens... and Our Rabbits - Hilde Atema Maingay 48 Further Experiments in the Irrigation of Garden Vegetables with Fertile Fish Pond Water - William 0. McLarney 53 The World in Miniature - John Todd 54 AQUACULTURE Midge Culture - William 0. McLarney, joseph S. Levine and Marcus M. Sherman 80 A New Low - Cost Method of Sealing Fish Pond Bottoms- William 0. McLarney and ]. Robert Hu nter 85 Cultivo Experimental de Peces en Estanques - Anibal Pa tino R. 86 EXPLORATIONS Populist Manifesto .... for Poets with Love - Lawrenc,e Ferlinghetti 94 Meditation on the Dark Ages, Past and Present - William Irwin Thompson 96 Self-Health: Exploring Alternatives in Personal Health Services -Nancy Milia, Ruth Hubbard 102 Women and Ecology - Nancy ja ck Todd 107 .. · . : f ; �--... .. · . : · · · . .. · . · · . 0 'H:., i,�··®: · . ·�· i/i... ' to Restnre the lands, Protect t;he Seas, And Inform "Gho Eart"h8 SreCJIU'ds The New Alchemy Institute is a small, international organization fo r research and education on behalf of humanity and the planet. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer Permalink https://escholarship.org/uc/item/9ck303t5 Author McGraw, Matthew Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Matthew Theismann McGraw December 2013 Dissertation Committee: Dr. John M. Ganim, Chairperson Dr. Deborah Willis Dr. Andrea Denny-Brown Copyright by Matthew Theismann McGraw 2013 The Dissertation of Matthew Theismann McGraw is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION The Supernatural and the Limits of Materiality in Medieval Histories, Travelogues, and Romances From William of Malmesbury to Geoffrey Chaucer by Matthew Theismann McGraw Doctor of Philosophy, Graduate Program in English University of California, Riverside, December 2013 Dr. John M. Ganim, Chairperson The supernatural, broadly defined as magic, marvels, wonders, and miracles, might at first seem to be wholly separate from material goods and the cultural practices surrounding material objects; miracles occur solely through divine grace, and magic would logically seem to involve making things happen without using physical force. Yet, in the depiction of the supernatural in medieval texts, miracles, marvels, wonders, and magic all depend in some way or another upon material goods. At the same time, the supernatural has a recursive effect upon materiality in the texts in this study; it functions as an amplifier of signification. -
Nostalgia and the Irish Fairy Landscape
The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage -
Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a fictional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and fictional literature (18). To investigate the success of Ice and comparable to real-world social networks. -
A Game of Thrones a Song of Ice and Fire by George R.R. Martin
A Game of Thrones A Song of Ice and Fire by George R.R. Martin Book One: A Game of Thrones Book Two: A Clash of Kings Book Three: A Storm of Swords Book Four: A Feast for Crows Book Five: A Dance with Dragons Book Six: The Winds of Winter (being written) Book Seven: A Dream of Spring “ Fire – Dragons, Targaryens Lord of Light Ice – Winter, Starks, the Wall White Walkers Spoilers!! Humans as meaning-makers – Jerome Bruner Humans as story-tellers – narrative theory Humans as mythopoeic–Carl G. Jung, Joseph Campbell The mythic themes in A Song of Ice and Fire are ancient Carl Jung: Archetypes are powerful & primordial images & symbols Collective unconscious Carl Jung’s archetypes Great Mother; Father; Hero; Savior… Joseph Campbell – The Power of Myth The Hero’s Journey Carole Pearson – the 12 archetypes Ego stage: Innocent; Orphan; Caretaker; Warrior Soul transformation: Seeker; Destroyer; Lover; Creator; Self: Ruler; Magician; Sage; Fool Maureen Murdock – The Heroine’s Journey The Great Mother (& Maiden, & Crone), the Great Father, the child, the Shadow, the wise old man, the trickster, the hero…. In the mystery of the cycle of seasons In ancient gods & goddesses In myth, fairy tale & fantasy & the Seven in A Game of Thrones The Gods: The Old Gods The Seven (Norse mythology): Maiden, Mother, Crone Father, Warrior, Smith Stranger (neither male or female) R’hilor (Lord of light) Others: The Drowned God, Mother Rhoyne The family sigils Stark - Direwolf Baratheon – Stag Lannister – Lion Targaryen -
1401882258184.Pdf
The Witch A New Class for Basic Era Games by Timothy S. Brannan Copyright © 2012 Proofreading and editing by and Jeffrey Allen and James G Holloway, DBA Dark Spire. Artists: Daniel Brannan Brian Brinlee Gary Dupuis Larry Elmore Toby Gregory Aitor Gonzalez William McAusland Bradley K McDevitt Bree Orlock and Stardust Publications Howard Pyle Artwork copyright by the original artist and used with permission. Some artwork is in the public domain. Cover art by John William Waterhouse 1 Table of Contents Table of Contents ................................................................. 2 Athamé .................................................................................78 Forward ................................................................................ 3 Broom ..................................................................................78 PART 1: INTRODUCTION ................................................... 5 Cauldron ...............................................................................78 PART 2: THE WITCH CLASS ............................................ 7 Censer ..................................................................................79 Special Restrictions (Optional) ............................................. 8 Chalice .................................................................................79 Witch ................................................................................. 9 Pentacle ................................................................................79 PART 3: TRADITIONS -
Game of Thrones Background Guide Table of Contents
Game of Thrones Background Guide Table of Contents Letter from the Chair Letter from the Crisis Director Committee Logistics Introduction to the Committee Introduction to House Stark Introduction to House Lannister Introduction to House Targaryen Questions to Consider Resources to Use Resources Used Dossiers Appendix Staff of the Committee Chair Azanta Thakur Vice Chair Victoria Lopez Crisis Director Sam Lyons Assistant Crisis Director Ariana Thorpe Under Secretary General Jane Gallagher Taylor Cowser, Secretary General Neha Iyer, Director General Letter from the Chair Dear Delegates, On behalf of our committee, I want to extend a warm welcome to you all to BosMUN XIX. I am so excited that you will be a part of this committee and I expect us all to have a dramatic — yet fantastic — weekend. We have a lot of exciting things in store, so get ready, binge the show, and bring your game face. My name is Azanta Thakur and I will be your Chair for the conference weekend. I’m a senior at Boston University studying Public Health and Environmental Analysis & Policy. This is my fourth BosMUN and I’m really looking forward to my final MUN conference. I’ve held every role in BosMUN; from the Secretariat, to the Dais, to the Crisis Room — I hold this conference very near and dear to my heart. For me, doing my last committee on the greatest TV show of all time was the perfect way to go out with a bang. You have been given the once-in-a-lifetime opportunity to conclude this series the way you want. -
A Comparison of Mythological Traditions from Ireland and Iceland
THE ENCHANTED ISLANDS: A COMPARISON OF MYTHOLOGICAL TRADITIONS FROM IRELAND AND ICELAND A Pro Gradu Thesis by Katarzyna Herd Department of English 2008 JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Englanninkielen laitos Tekijä – Author Katarzyna Herd Työn nimi – Title The Enchanted Islands: A comparison of mythological traditions from Ireland and Iceland Oppiaine – Subject Työn laji – Level Englanninkieli Pro gradu -tutkielma Aika – Month and year Sivumäärä – Number of pages Huhtikuussa 2008 124 Tiivistelmä – Abstract Vertailen tutkielmassani keskenään kelttiläistä ja skandinaavista mytologiaa. Molemmilla maailmankatsomuksilla uskotaan olevan juuret samassa indoeurooppalaisessa lähteessä ja ne ovat olleet historian aikana jatkuvasti tekemisissä toistensa kanssa. Tästä johtuen niiden uskotaan olevan samankaltaisia rakenteeltaan ja sisällöltään. Tutkielman lähtökohtana on, että mytologioiden samasta alkuperästä huolimatta ne ovat kehittäneet omat, toisistaan riippumattomat maailmankuvat. Analyysin päälähteitä ovat englanninkieliset käännökset keskiaikaisista teksteistä, kuten ”Book of Invasions”, Proosa-Edda ja Runo-Edda, sekä Crosslay-Hollandin ja P.B. Ellisin kirjaamat myytit. Kriittisen tarkastelun kohteena ovat myös muun muassa Hermin, Eliaden ja MacCullochin esittämät teoriat mytologioiden synnystä ja tarkoituksesta. Teorioiden ja tekstien vertailu antaa ymmärtää, että molemmat mytologiat kantavat samankaltaisia indoeurooppalaisille isäkulttuureille tyypillisiä maskuliinisia elementtejä, mutta -
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear Delegate: I Have the Pleasure
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear delegate: I have the pleasure of welcoming you to ULSACUNMUN 2020. My name is Kaory Rios and I am honored of being the president and creator of this year´s new committee GOCASK (government Cabinet of the Seven Kingdoms) based on The Game of Thrones series. I'm eager to get to know you, and make the best out of this Model of the United Nations. First of all I would like to tell you a little bit about myself. I´m 18 years old and also a senior in highschool. I enjoy hanging out with my friends, taking pictures, learning new languages, travelling, watching movies, among many other things. My plan is to study film in Puebla and become a director. This is my 5th MUN conference and my third as part of the chair. If there is something I know for sure is that MUN has helped me grow as a person by giving me leadership skills, and the opportunity of having a word that actually matters in world wide problems in order to find the best solution. This topic is more than exciting for me, and hopefully you´ll find the same way. I expect your utmost performance and for you to give your nonpareil effort that is needed for this committee. Remember to be confident with what you say, if you prepared well there is no reason to be nervous. I wish you the best of lucks and I hope this conference to be a remarkable experience for everyone. -
Notes and Errata Rulings and Clarifications
FA Q v1.1, 12/06/2016 NOTES AND ERRATA This section contains notes and errata pertaining to specific cards or sections of the rulebook. Errata overrides the originally printed information on the card it applies to. Unless errata for a card appears below, the original English printing of that card and all of its information is considered accurate, and overrides all other printings. This includes translated cards, promotional cards, and printings which may appear in alternate products. New entries from the last version of this document are marked in red. Rules Errata Rulesheet, page 2, “Playing the Game,” paragraph 3 The phrase “At the end of his turn, if he has an equal or greater number of character cards belonging to a particular House than any of his opponents...” should read: “At the end of his turn, if the character cards he has taken give him an equal or greater number of character cards belonging to that House than any of his opponents...” Example: Kevin moves Varys to the right and takes Cersei Lannister, the final Lannister card in King’s Landing. He chooses and resolves the Hodor companion card, which instructs him to take Bran Stark from King’s Landing or any play area. Because his turn only affected Houses Lannister and Stark, he only checks to see if he has an equal or greater number of Lannister or Stark character cards than any opponent. He does not check any other Houses. Rulesheet, page 3, “Killing and Taking Characters” (v1.1) The phrase “Note: Shae, Jon Snow, and Gendry cannot be taken or killed.” should read: “Note: After they are placed in a play area, Shae, Jon Snow, and Gendry cannot be taken or killed.” RULINGS AND CLARIFICATIONS This section contains additions and clarifications to the game rules. -
Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
the encyclopedia of CELTIC MYTHOLOGY AND FOLKLORE Patricia Monaghan The Encyclopedia of Celtic Mythology and Folklore Copyright © 2004 by Patricia Monaghan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Monaghan, Patricia. The encyclopedia of Celtic mythology and folklore / Patricia Monaghan. p. cm. Includes bibliographical references and index. ISBN 0-8160-4524-0 (alk. paper) 1. Mythology, Celtic—Encyclopedias. 2. Celts—Folklore—Encyclopedias. 3. Legends—Europe—Encyclopedias. I. Title. BL900.M66 2003 299'.16—dc21 2003044944 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K. Arroyo Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS 6 INTRODUCTION iv A TO Z ENTRIES 1 BIBLIOGRAPHY 479 INDEX 486 INTRODUCTION 6 Who Were the Celts? tribal names, used by other Europeans as a The terms Celt and Celtic seem familiar today— generic term for the whole people.