A Study of Neurosis Through the Lens of Scopophilia ======
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Sex, Violence and the Body: the Erotics of Wounding
Sex, Violence and the Body The Erotics of Wounding Edited by Viv Burr and Jeff Hearn PPL-UK_SVB-Burr_FM.qxd 9/24/2008 2:33 PM Page i Sex, Violence and the Body PPL-UK_SVB-Burr_FM.qxd 9/24/2008 2:33 PM Page ii Also by Viv Burr AN INTRODUCTION TO SOCIAL CONSTRUCTIONISM GENDER AND SOCIAL PSYCHOLOGY INVITATION TO PERSONAL CONSTRUCT PSYCHOLOGY (with Trevor W. Butt) THE PERSON IN SOCIAL PSYCHOLOGY Also by Jeff Hearn BIRTH AND AFTERBIRTH: A Materialist Account ‘SEX’ AT ‘WORK’: The Power and Paradox of Organisation Sexuality (with Wendy Parkin) THE GENDER OF OPPRESSION: Men, Masculinity and the Critique of Marxism MEN, MASCULINITIES AND SOCIAL THEORY (co-editor with David Morgan) MEN IN THE PUBLIC EYE: The Construction and Deconstruction of Public Men and Public Patriarchies THE VIOLENCES OF MEN: How Men Talk about and How Agencies Respond to Men’s Violence to Women CONSUMING CULTURES: Power and Resistance (co-editor with Sasha Roseneil) TRANSFORMING POLITICS: Power and Resistance (co-editor with Paul Bagguley) GENDER, SEXUALITY AND VIOLENCE IN ORGANIZATIONS: The Unspoken Forces of Organization Violations (with Wendy Parkin) ENDING GENDER-BASED VIOLENCE: A Call for Global Action to Involve Men (with Harry Ferguson et al.) INFORMATION SOCIETY AND THE WORKPLACE: Spaces, Boundaries and Agency (co-editor with Tuula Heiskanen) GENDER AND ORGANISATIONS IN FLUX? (co-editor with Päivi Eriksson et al.) HANDBOOK OF STUDIES ON MEN AND MASCULINITIES (co-editor with Michael Kimmel and R. W. Connell) MEN AND MASCULINITIES IN EUROPE (with Keith Pringle et al.) -
On Voyeurism: Being Seen on the Modern Stage
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2020 On Voyeurism: Being Seen on the Modern Stage Megan M. Mobley Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Dramatic Literature, Criticism and Theory Commons Recommended Citation Mobley, Megan M., "On Voyeurism: Being Seen on the Modern Stage" (2020). Electronic Theses and Dissertations. 2062. https://digitalcommons.georgiasouthern.edu/etd/2062 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ON VOYEURISM: BEING SEEN ON THE MODERN STAGE by MEGAN MOBLEY (Under the Direction of Dustin Anderson) ABSTRACT At the end of the nineteenth century, playwrights grew more interested in exploring the ramifications of the gaze, looking and being looked at. For existentialist Jean-Paul Sartre, the gaze causes a never-ending battle between our subjective selves, how we view ourselves, and our objective selves, or how others view us. The knowledge of the Other’s gaze allows us to self- reflect on our own existence. Sartre and Oscar Wilde each incorporate the gaze into their plays to explore the battle between our subjective and objective selves, gendered perception, differences in perception, and to undercut or demonstrates the dominant structures of seeing. By first exploring Sartre’s No Exit, I can observe how Sartre’s three main characters demonstrate Mulvey’s theories of the male gaze, a structure of looking which is influenced by the dominant social order. -
Queer Baroque: Sarduy, Perlongher, Lemebel
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 Queer Baroque: Sarduy, Perlongher, Lemebel Huber David Jaramillo Gil The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3862 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] QUEER BAROQUE: SARDUY, PERLONGHER, LEMEBEL by HUBER DAVID JARAMILLO GIL A dissertation submitted to the Graduate Faculty in Latin American, Iberian and Latino Cultures in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 HUBER DAVID JARAMILLO GIL All Rights Reserved ii Queer Baroque: Sarduy, Perlongher, Lemebel by Huber David Jaramillo Gil This manuscript has been read and accepted for the Graduate Faculty in Latin American, Iberian and Latino Cultures in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Carlos Riobó Chair of Examining Committee Date Carlos Riobó Executive Officer Supervisory Committee: Paul Julian Smith Magdalena Perkowska THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Queer Baroque: Sarduy, Perlongher, Lemebel by Huber David Jaramillo Gil Advisor: Carlos Riobó Abstract: This dissertation analyzes the ways in which queer and trans people have been understood through verbal and visual baroque forms of representation in the social and cultural imaginary of Latin America, despite the various structural forces that have attempted to make them invisible and exclude them from the national narrative. -
TOWARD a FEMINIST THEORY of the STATE Catharine A. Mackinnon
TOWARD A FEMINIST THEORY OF THE STATE Catharine A. MacKinnon Harvard University Press Cambridge, Massachusetts London, England K 644 M33 1989 ---- -- scoTT--- -- Copyright© 1989 Catharine A. MacKinnon All rights reserved Printed in the United States of America IO 9 8 7 6 5 4 3 First Harvard University Press paperback edition, 1991 Library of Congress Cataloging-in-Publication Data MacKinnon, Catharine A. Toward a fe minist theory of the state I Catharine. A. MacKinnon. p. em. Bibliography: p. Includes index. ISBN o-674-89645-9 (alk. paper) (cloth) ISBN o-674-89646-7 (paper) I. Women-Legal status, laws, etc. 2. Women and socialism. I. Title. K644.M33 1989 346.0I I 34--dC20 [342.6134} 89-7540 CIP For Kent Harvey l I Contents Preface 1x I. Feminism and Marxism I I . The Problem of Marxism and Feminism 3 2. A Feminist Critique of Marx and Engels I 3 3· A Marxist Critique of Feminism 37 4· Attempts at Synthesis 6o II. Method 8 I - --t:i\Consciousness Raising �83 .r � Method and Politics - 106 -7. Sexuality 126 • III. The State I 55 -8. The Liberal State r 57 Rape: On Coercion and Consent I7 I Abortion: On Public and Private I 84 Pornography: On Morality and Politics I95 _I2. Sex Equality: Q .J:.diff�_re11c::e and Dominance 2I 5 !l ·- ····-' -� &3· · Toward Feminist Jurisprudence 237 ' Notes 25I Credits 32I Index 323 I I 'li Preface. Writing a book over an eighteen-year period becomes, eventually, much like coauthoring it with one's previous selves. The results in this case are at once a collaborative intellectual odyssey and a sustained theoretical argument. -
List of Paraphilias
List of paraphilias Paraphilias are sexual interests in objects, situations, or individuals that are atypical. The American Psychiatric Association, in its Paraphilia Diagnostic and Statistical Manual, Fifth Edition (DSM), draws a Specialty Psychiatry distinction between paraphilias (which it describes as atypical sexual interests) and paraphilic disorders (which additionally require the experience of distress or impairment in functioning).[1][2] Some paraphilias have more than one term to describe them, and some terms overlap with others. Paraphilias without DSM codes listed come under DSM 302.9, "Paraphilia NOS (Not Otherwise Specified)". In his 2008 book on sexual pathologies, Anil Aggrawal compiled a list of 547 terms describing paraphilic sexual interests. He cautioned, however, that "not all these paraphilias have necessarily been seen in clinical setups. This may not be because they do not exist, but because they are so innocuous they are never brought to the notice of clinicians or dismissed by them. Like allergies, sexual arousal may occur from anything under the sun, including the sun."[3] Most of the following names for paraphilias, constructed in the nineteenth and especially twentieth centuries from Greek and Latin roots (see List of medical roots, suffixes and prefixes), are used in medical contexts only. Contents A · B · C · D · E · F · G · H · I · J · K · L · M · N · O · P · Q · R · S · T · U · V · W · X · Y · Z Paraphilias A Paraphilia Focus of erotic interest Abasiophilia People with impaired mobility[4] Acrotomophilia -
Camera Stylo 2021 Web
Don’t Gaze Now: The Male Gaze and Self-Refexivity in Don’t Look Now EDDY WANG Eddy Wang was born a philosopher. At some point in his life, he discovered cinema. Hypnotized by the images he saw, he felt his conception of himself as a philosopher disintegrate. Eddy decided the only way to maintain a consistent ego was to think philosophy through cinema and cinema through philosophy. 33 3 DON’T LOOK NOW (1973) directed by Nicolas Roeg positions a straight, white, cismale, John Baxter, as the protagonist of its diegesis. However, looks can be deceiving. Don’t Look Now is a work of counter cinema that employs the male gaze, as theorized by Laura Mulvey, only to critique and negate it. The film ofers an example of alternative cinema Mulvey postulates at the start of her seminal essay “Visual Pleasure and Narrative Cinema.” In other words, Don’t Look Now “conceive[s] a new language of desire” by “leaving the past behind without rejecting it, transcending outworn or oppressive forms” (Mulvey 8). Surprisingly, the film denies voyeuristic scopophilia and complicates narcissistic scopophilia, particularly through its self-reflexive representation of temporality displayed in the photographs of the church and John’s dead body. Through its rejection of voyeuristic and narcissistic scopophilia, the film eschews the sadistic and fetishistic paradigms of female representation to thereby provide a new way of imagining the world (Polan 670). In addition to Mulvey’s insights on the male gaze, Dana Polan’s “A Brechtian Cinema? Towards A Politics of Self-Reflexive Film” provides insight into how self-reflexivity in Don’t Look Now succeeds in imagining the alternative cinema Mulvey contemplates. -
Fetishism and Pornography: Some Thoughts on the Pornographic Eye/I
Canadian Journal of Political and Social Theory/Revue canadienne de theorie politique et sociale. Vol . IX, No. 3 (Fall/automne) 1985. FETISHISM AND PORNOGRAPHY: SOME THOUGHTS ON THE PORNOGRAPHIC EYE/I GRAHAM KNIGHT and BERKELEY KAITE It is common for feminist critiques of pornography to argue that its oppressive and sadistic character stems from its objectification of women by and for men. This position is problematic on a number ofgrounds. It assumes an equivalence between oppression and objectivity per .re, and defines the latter as passivity. It takes pornography to be formally and sensuously homogeneous, a static, visual regime of representation varying only in the sexual and violent explicitness of its contents . And it takes for granted the psycho-analytics of perverse pleasure and desire into which pornography has insinuated itself in such a massive way: in its concern with the objectification of women it has generally taken the obverse process of male sexual subjectification as unproblematic. In this respect Geraldine Finn's (1985) analysis of the "pornographic eye/I" opens up a critical area to which it makes an important contribution .' At the same time, we would argue, her analysis remains uncritical in its assumption of the radical separation of subjects and objects. Her analysis does not distinguish fully enough between the voyeuristic and fetishistic, and the political implications of this vis-a-vis the internally contradictory and unstable mode of representation that pornography embodies. Her call for the unspecified de-sexualisation of representation stands in danger of implicitly repro- ducing the essentialist, binarist system of sexual different - 'either/or-ism' - in which patriarchal power consists. -
The Consumption of the Male Gaze in Queer Pages
ARE WE KILLING THE BOYS HARSHLY? THE CONSUMPTION OF THE MALE GAZE IN QUEER PAGES Aron Lee Christian Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of Communication Studies Indiana University August 2010 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. ___________________________________ Elizabeth M. Goering, Ph.D. Chair ___________________________________ Catherine A. Dobris, Ph.D. Master’s Thesis Committee ___________________________________ Kristine B. Karnick, Ph.D. ii Dedication I dedicate this thesis to the idea of change—the type of change that Anne Frank wrote about in her diary. Frank left a legacy that echoes the world over in which she tells us, “How wonderful it is that nobody need wait a single moment before starting to improve the world.” While this thesis took many moments of my life to complete, it is my hope that this research causes a moment for those that come across it. In that moment, I hope your world changes. I hope you reach out to improve the human condition for any that have been persecuted or been discriminated against for simply being who they are. If you have been one of the persecuted many, I hope you find strength in realizing that there are individuals fighting for you, and I hope that strength guides you to help others. Above all, I dedicate this work to those who find the fortitude and hopeful ambition of creating a better tomorrow one moment at a time. -
Pedophilia: a Psychiatric Disorder Or a Perverse Sexual Orientation? a Critical Study of Vladimir Nobokov’S Lolita by Md
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 15 Issue 7 Version 1.0 Year 2015 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Inc. (USA) Online ISSN: 2249-460x & Print ISSN: 0975-587X Pedophilia: a Psychiatric Disorder or a Perverse Sexual Orientation? A Critical Study of Vladimir Nobokov’s Lolita By Md. Shafiqul Islam United International University, Bangladesh Abstract- There are debates whether Pedophilia, a universal psycho-social problem, is a psychiatric disorder or a perverse sexual orientation. Though a few number of pedophilia supporting groups argue that having sexual interests in children is merely a sexual orientation or fantasy, but this paper explores further in analyzing different psychological insights of pedophiles, especially in the contexts of Vladimir Nobokov’s novel Lolita (1955) and its film adaptation of 1962. This paper gives a critical analysis of the views and practices of pedophilia in the contemporary world. In addition to that, this paper explores the binary opposite characters of Humbert and Clare Quilty to determine whether pedophilia is their sexual orientation or they are perverts who are only sexually attracted to young girls. Apart from analyzing this perverse sexual practice, this paper also discusses the established notions of pedophilia, re/de-constructs them and gives an elaborate discussion on this taboo topic from theoretical points of view. In doing so, this paper employs critical commentaries based on a number of established theories like Michel Foucault’s theories on Sexuality, Sigmund Freud’s psychoanalysis and Laura Mulvey’s envision of scopophilia. Keywords: pedophilia; psychiatric disorder; lolita; child sex. -
Jonathan M. Metzl from Scopophilia to Survivor: a Brief History of Voyeurism
Textual Practice 18(3), 2004, 415–434 Jonathan M. Metzl From scopophilia to Survivor: a brief history of voyeurism In 1945, long before television shows such as Temptation Island and websites such as Voyeurdorm.com promised unlimited access to the activities of unsuspecting others, psychoanalyst Otto Fenichel described the case study of a middle-aged male ‘voyeur’ who rented a room in a bordello.1 Rather than engaging in sexual contact himself, the man ‘obtained gratification’ by looking through a peephole into an adjoining room where another man and a woman had intercourse. The voyeur would begin to cry as the activities progressed, a response, according to Fenichel, to the man’s intense feelings of anxiety and his desire that the woman next door leave her partner and come to comfort him. Subsequently, the voyeur would masturbate and would then leave the bordello feeling calm and relaxed, only to return to repeat the scenario the very next day. According to Fenichel, the man’s short-lived gratification was the result of witnessing a scene that fulfilled specific conditions: Voyeurs are fixated on experiences that aroused their castration anxiety, either primal scenes or the sight of adult genitals. The patient attempts to deny the justification of his fright by repeating the frightening scenes with certain alterations, for the purpose of achieving a belated mastery . these conditions then represent either a repetition of conditions present in an important childhood experience, or more often a denial of these very conditions or of their dangerous nature. The fact that no sight can actually bring about the reassurance for which patients are striving (forces) voyeurs to look again and again, and to see more and more, with an ever increasing intensity. -
Translation Today
Translation Today Editor TARIQ KHAN Volume 14, Issue 2 2020 Editor TARIQ KHAN Officer in Charge, NTM Assistant Editors Patron C. G. VENKATESHA MURTHY, GEETHAKUMARY V., NTM, CIIL Director, CIIL ABDUL HALIM, NTM, CIIL C. V. SHIVARAMAKRISHNA ADITYA K. PANDA, NTM, CIIL Head, Centre for TS, CIIL Editorial Board SUSAN BASSNETT ANTHONY PYM School of Modern Languages and Translation and Intercultural Studies, Cultures, University of Warwick, The RoviraiVirgili University, Coventry, United Kingdom Tarragona, Spain HARISH TRIVEDI PANCHANAN MOHANTY Department of English, Centre for Applied Linguistics and University of Delhi, Translation Studies, University of New Delhi, India Hyderabad, Hyderabad, India MICHAEL CRONIN ALAIN DESOULIERES School of Applied Language and INALCO, France, Visiting Fellow Intercultural Studies, Dublin Centre of French and Francophone University, Dublin, Ireland Studies, JNU, New Delhi, India DOUGLAS ROBINSON SUSHANT KUMAR MISHRA Department of English, Centre of French and Francophone Hong Kong Baptist University, Studies, JNU, New Delhi, India Kowloon Tong, Hong Kong MIKI NISHIOKA SHERRY SIMON Graduate School of Language and Department of French, Culture, Osaka University Concordia University, Osaka 565-0871, Japan Quebec, Canada LAKSHMI HARIBANDI JEREMY MUNDAY Department of Translation Studies, School of Languages, Cultures and The English and Foreign Languages Societies, University of Leeds, University, Hyderabad, India Leeds, United Kingdom Translation Today Volume 14, Issue 2, 2020 Web Address: http://www.ntm.org.in/languages/english/translationtoday.aspx -
Sadistic Scopophilia in Contemporary Rape Culture: I Spit on Your Grave (2010) and the Practice of “Media Rape"
Sadistic scopophilia in contemporary rape culture: I Spit On Your Grave (2010) and the practice of ªmedia rape" Article (Accepted Version) Mantziari, Despoina (2018) Sadistic scopophilia in contemporary rape culture: I Spit On Your Grave (2010) and the practice of “media rape". Feminist Media Studies, 18 (3). pp. 397-410. ISSN 1468-0777 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/84794/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Sadistic Scopophilia in Contemporary Rape Culture: I Spit on Your Grave (2010) and the Practice of ‘Media Rape’ Dr.