P36-40 Layout 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
[WATCH] Shock Wave 2
[WATCH] Shock Wave 2 (2020) Online Movie Full Version ||HD 5 sec ago Don’t miss!~NITFLIX~! Where to Watch Shock Wave 2 Online Free? [DVD-ENGLISH] Shock Wave 2(2020) Full Movie Watch online free HQ [DvdRip-USA eng subs ]] Shock Wave 2! (2020) Full Movie Watch #Shock Wave 2 online free 123 Movies Online !! Shock Wave 2 (2020) | Watch Shock Wave 2 Online (2020) Full Movie Free HD.720Px|Watch Shock Wave 2 Online (2020) Full MovieS Free HD Google Drive!! Shock Wave 2 (2020)with English Subtitles ready for download,Shock Wave 2 (2020) 720p, 1080p, BrRip, DvdRip, High Quality. Watch Shock Wave 2 Google Drives Online Free HD Streamnow ➡ https://movie-bluray.com/movie/559974/shock-wave-2.html Title : Shock Wave 2 Release : 2020-12-24 Rating : 7.6/10 by 5 Runtime : 120 min. Companies : Country : China, Hong Kong Language : 广å·è¯ / 廣å·è©± Genre : Action, Crime Stars : Andy Lau, Lau Ching-Wan, Ni Ni, Tse Kwan-Ho, Marc Ma, Philip Keung Overview : When a bomb went off unexpectedly during a police operation to disarm it, bomb disposal officer Poon Shing-Fung got caught in the blast and lost one of his legs. Poon decided to leave the police service. Three years later, the police suspect Poon, who was found in a coma at the spot of a terrorist bombing attack, of being involved in several bombing attacks in the past two years. Poon can hardly remember his past and even his own identity due to post-traumatic amnesia. He plans to escape to find out the truth. -
Southeast Bank ALLOTNO BANKCODE LOTTERYNO BONO NAME SHARES 059728 06-01-000006 0186741 1204570044777449 JANNATUL NAHIDA CHOWDHUR
SouthEast Bank ALLOTNO BANKCODE LOTTERYNO BONO NAME SHARES 059728 06-01-000006 0186741 1204570044777449 JANNATUL NAHIDA CHOWDHURY 200 059729 06-01-000011 0186746 1202420042849231 MD KHALILUR RAHMAN 200 059730 06-01-000018 0186753 1202420042319446 MD ABDUL JALIL & MST FOREDA PERVIN 200 059731 06-01-000019 0186754 1202420042849213 MD AKKAS ALI 200 059732 06-01-000021 0186756 1203020039271765 MOHAMMAD ALI ZINNAH 200 059733 06-01-000022 0186757 1203020039532499 MOHAMMAD ALI ZINNAH & MST.MOIFUL KHATUN 200 059734 06-01-000027 0186762 1202420042319411 MD.ABDUL JABBAR 200 059735 06-01-000029 0186764 1203020039271227 MST JOHURA BEGUM 200 059736 06-01-000031 0186766 1202420042849122 MD HARUNUR RASHID & HASINA AKTER 200 059737 06-01-000035 0186770 1202420042849280 MOST RABEYA BEGUM 200 059738 06-01-000038 0186773 1201960029726916 MD MONIR HOSSAIN 200 059739 06-01-000047 0186782 1203180010603381 MD MOIN KHAN 200 059740 06-01-000049 0186784 1202020001067901 MD ABU SAYEED GAZI 200 059741 06-01-000053 0186788 1203250024267641 FATEMA BEGUM 200 059742 06-01-000059 0186794 1201580018829375 MD ABU SAYEED GAZI & PARVEEN AKTER 200 059743 06-01-000062 0186797 1203250041716924 MERUNA KHAN 200 059744 06-01-000065 0186800 1204490044314257 MD RAZAUL KABER 200 059745 06-01-000072 0186807 1204490035049567 AKLIMA KHATOON 200 059746 06-01-000073 0186808 1204490027374444 KAZI SOHEB AFZAL 200 059747 06-01-000074 0186809 1204490039453651 KAZI SOHEB AFZAL & MOUSHUMI RAHMAN 200 059748 06-01-000084 0186819 1204390034305301 MD JUWEL RANA & MOSS MARIUM AKTER 200 059749 06-01-000087 -
Master's Recital in Jazz Pedagogy
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2019 Master's recital in jazz pedagogy: A performance-demonstration of rhythm section instruments, trumpet, electric wind instrument, synthesizer, compositions, and arrangements by DeMetrio Lyle DeMetrio Lyle University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2019 DeMetrio Lyle Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Composition Commons, and the Music Pedagogy Commons Recommended Citation Lyle, DeMetrio, "Master's recital in jazz pedagogy: A performance-demonstration of rhythm section instruments, trumpet, electric wind instrument, synthesizer, compositions, and arrangements by DeMetrio Lyle" (2019). Dissertations and Theses @ UNI. 997. https://scholarworks.uni.edu/etd/997 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. MASTER’S RECITAL IN JAZZ PEDAGOGY: A PERFORMANCE-DEMONSTRATION OF RHYTHM SECTION INSTRUMENTS, TRUMPET, ELECTRIC WIND INSTRUMENT, SYNTHESIZER, COMPOSITIONS, AND ARRANGEMENTS BY DEMETRIO LYLE An Abstract of a Recital Submitted In Partial Fulfillment of the Requirements of the Degree Master of Music in Jazz Pedagogy DeMetrio Lyle University of Northern Iowa December 2019 This Recital Abstract by: DeMetrio Lyle Entitled: Master’s Recital in Jazz Pedagogy: A Performance-Demonstration of Rhythm Section Instruments, Trumpet, Electric Wind Instrument, Synthesizer, Compositions, and Arrangements by DeMetrio Lyle Has been approved as meeting the thesis requirement for the Degree of Master of Music Jazz Pedagogy Date Prof. -
An Investigation of Novice Middle and High School Band Directors’ Knowledge of Techniques and Pedagogy Specific to the Horn
AN INVESTIGATION OF NOVICE MIDDLE AND HIGH SCHOOL BAND DIRECTORS’ KNOWLEDGE OF TECHNIQUES AND PEDAGOGY SPECIFIC TO THE HORN Jennifer B. Daigle A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2006 Committee: Carol Hayward, Co-advisor Andrew Pelletier, Co-advisor Vincent J. Kantorski Charles Saenz © 2006 Jennifer B. Daigle All Rights Reserved iii ABSTRACT Carol Hayward, Advisor The purpose of this study was to determine novice middle school and high school band directors’ knowledge of techniques and pedagogy specific to the horn. Ten band directors currently teaching middle or high school band and who were in their first through fourth year of teaching were interviewed. Questions were derived from current brass methods textbooks and placed in one of the following six categories: (a) collegiate background; (b) teaching background; (c) embouchure, posture and right hand placement; (d) construction of single and double horns; (e) muted, stopped and miscellaneous horn pedagogy; (f) care and maintenance. Findings from this study indicate that novice middle and high school band directors have varying amounts of knowledge and expertise of the horn and, in general, are lacking fundamental knowledge of specific horn techniques. In addition, it appears that directors have more knowledge and understanding of concepts relating to the horn that are common to all brass instruments as opposed to concepts associated specifically with the horn. iv This thesis is dedicated to everyone who has helped inspire and motivate me to make music more than a hobby. I would like to thank family and friends for all their patience and encouragement throughout this process. -
Miranda Lambert
Miranda Lambert Biography On the caution-vs.-candor scale, it’s not hard to figure out where Miranda Lambert comes down. “I’m really not careful at all,” she says. “I probably should be. I pretty much don’t have anything to hide, though. I never hid anything growing up. My parents were PIs, so I really couldn’t.” She may have become a songbird instead of snooper, but in her own fashion, Lambert is following in the family business, as a private investigator of the heart—a trade she recommences with relish in her third album, Revolution. The 25-year-old star’s biggest hits have tended to be her boldest songs, so she’s not about to put a lid on her plain- spokenness now. “I mean every word I say in every lyric of every song on this record, and every record I’ve ever done,” she declares. “I would never take back one word or lyric or point I’ve ever made, because it’s part of who I am. And there are plenty of artists who wouldn’t do so much of that, if that’s the kind of music you’re into. But if you’re into honesty, I have the records for you,” she laughs. In her most successful single to date, “Gunpowder and Lead,” Lambert declared that some little girls are made less of sugar and spice than more combustible substances. And the title track of her 2005 platinum debut, Kerosene, established her in the country music firmament as a figuratively and maybe even literally incendiary personality. -
Chorabali (Movie) (Online) (Download for Free)
(Yify) (Stream) Chorabali (Movie) (Online) (Download For Free) Search Result: ) Stream Chorabali Movie Online Download Free|( Stream Chorabali Movie Great Quality|(( Watch Chorabali Movie Full In Hd Now|)@ Stream Chorabali Movie Download|)@ Stream Chorabali Movie Download Full Links Movie Title: Chorabali Movie Description: A whodunit thriller set in the backdrop of North Kolkata with its British Raj charm that loosely based on the story of British Writer Agatha Christie. Run Time: 144 mins. Category: Thriller Producer: Subhrajit Mitra Actors: Mou Baidya, Malobika Banerjee, Tathagata Banerjee Movie Rating: - Year: (HD) (Stream) Chorabali (Movie) (Online) (Stream Or Download Now).html[2/17/2016 1:36:24 AM] (Yify) (Stream) Chorabali (Movie) (Online) (Download For Free) 2016 More Information About This Movie: Chorabali (2012) VCDRip Bengali Movie mkv - TorrentProject Top Ads. Label Links. Bangla Movie; Shakib Khan; Misha; Shabnur; Manna; Riaz; Apu Biswas Barun Chanda turns Hercule Poirot in Chorabali - Calcutta Chorabali Download Music>Bengali Movie Songs>Bengali Songs 2016>Chorabali Bengali Songs Chorabali avi 3gp mp4 movie music hd video ringtone wallpaper image picture ... India's 1st Online Movie Multiplex - ScreenPremiere.com Chorabali (2012) Bangla Movie 800 MB VCD RiP [Team TUT] 11 download locations kat.cr Chorabali 2012 Bangla Movie 800 MB VCD RiP E Subs Team TUT movies Chorabali Download Music>Bengali Movie Songs ... - wapzz.in Chorabali (2012) VCDRip Bengali Movie mkv torrent. Information about the torrent Chorabali (2012) VCDRip Bengali Movie mkv. Seeders, leechers and torrent status is ... Download Chorabali (2012) Bangla Movie 800 MB VCD RiP E ... Chorabali Mon Bangla Music Video (Tawsif Ul Haq) HD ..::Basic Info::. -
“China Factor” in Contemporary Hong Kong Genre Cinema
Concentric: Literary and Cultural Studies 46.1 March 2020: 11-37 DOI: 10.6240/concentric.lit.202003_46(1).0002 Re-Negotiations of the “China Factor” in Contemporary Hong Kong Genre Cinema Ting-Ying Lin Department of Information and Communication Tamkang University, Taiwan Abstract Given the long-existing and multifaceted negotiations of the “China factor” in Hong Kong film history, this article centers on the political function of genre films by exploring how contemporary Hong Kong filmmakers utilize filmmaking as a flexible strategy to re-negotiate and reflect on the China factor concerning current post-handover political dynamics. By focusing on several recent Hong Kong genre films as case studies, it examines how the China factor is negotiated in Vulgaria (低俗喜劇 Disu xiju, 2012) and The Midnight After (那夜凌晨,我坐上了旺角開往大埔的紅 VAN Naye lingchen, wo zuoshang le Wangjiao kaiwang Dapu de hong van, 2014), considering the politics of languages alongside the imaginary of the disappearance of Hong Kong’s local cultures in the post-handover era. It also highlights two post-Umbrella- Revolution films, Trivisa ( 樹大招風 Shuda zhaofeng, 2016) and The Mobfathers (選老頂 Xuan lao ding, 2016), to explore how the China factor is negotiated in light of the collective anxieties of Hongkongers regarding the handover and controversies in the current electoral system of Hong Kong. By doing so, this article argues that the re-negotiations of the China factor in contemporary Hong Kong genre cinema have become more and more politically reflexive given the increasingly severe political interference of the Beijing sovereignty that has violated the autonomy of Hong Kong, while forming a discourse of resistance of Hongkongers against possible neo- colonialism from the Chinese authorities in the postcolonial city. -
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour -
Directorate of Technical Education Stipend Data for January-June, 2020
Directorate of Technical Education Stipend Data for January-June, 2020 Institute Code: 42045 Institute Name: Barishal Polytechnic Institute Attenden SL Technology Semester Student Roll Student Name Sex Result ce (%) student Mobile Father Mobile Remarks 1 Civil 2nd 442793 MD.ESTIAK AZAM (RIDOY) Male 3.2 78% 01705212963 01735082535 2 Civil 2nd 442794 KHALID MAHAMUD Male 3.23 76% 01307636924 01719562981 3 Civil 2nd 442795 MILON HAWLADER Male 3.6 82% 01728109829 01771490244 4 Civil 2nd 442798 MD. RIMON Male 3.1 90% 01308685046 01319810061 5 Civil 2nd 442799 SAGOR GHOSH Male 3 88% 01300263462 01746604420 6 Civil 2nd 442800 MD. MARUF HOSSAIN Male 3.55 91% 01308836252 01723929128 7 Civil 2nd 442801 BISHWAJIT BEPARY Male 3.76 89% 01308838581 01765371331 8 Civil 2nd 442802 MD. MIRAZUL ISLAM Male 3.79 75% 01306019471 01756572603 9 Civil 2nd 442803 ABDULLAH AL MAMUN Male 3.57 77% 01634570579 01920115016 10 Civil 2nd 442804 MD. MONIR HOSSAIN Male 3.45 76% 01893574054 01706891391 11 Civil 2nd 442807 MAHBUBA ALOM SHAMME Male 3.67 92% 01725777551 01725777551 12 Civil 2nd 442808 NAZMUN NAHAR Male 3.93 88% 01319823403 01740882442 13 Civil 2nd 442809 S.M. NAZMUL ISLAM Male 3.65 93% 01762312233 01764319180 14 Civil 2nd 442810 MD.SAKIB Male 3.93 91% 01752699325 01300519541 15 Civil 2nd 442814 ANAN MAHMUD Male 2.95 78% 01319890258 01727261720 16 Civil 2nd 442815 KHAIRUL ALOM MEAIED Male 3.55 76% 01739962196 01760772063 17 Civil 2nd 442816 MD. RUMAN HOSSEN SIKDER Male 3.48 82% 01991909609 01715308412 18 Civil 2nd 442821 RIDOY HOWLADER Male 3.21 83% 01762246156 01766971072 19 Civil 2nd 442823 MD. -
Day 1 001 Ad Cover.Indd
MONDAY, MARCH 24 2014 DAY 1 AT FILMART www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 fatal_encounter-ad_245x266_fin_전달용 1 2014.3.14 5:41:12 PM MONDAY, MARCH 24 2014 TODAY DAY 1 AT FILMART Hot titles: Korea, page 16 www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 NEWS Pan-Asia Academy expands Hong Kong, Busan and Toyko outline Academy plans » Page 4 Desen teams with Weta REVIEWS The Midnight After Fruit Chan’s opening night film proves a quirky apocalyptic horror on 3D epic Zhong Kui » Page 10 Jamie Marks Is Dead BY LIZ SHACKLETON Weta Workshop is providing FEATURE China’s Desen International Media character and scenery design for Hot titles Celluloid Dreams has brought on board top VFX the fi lm, while its sister company Screen profiles Korean cinema houses including Peter Jackson’s Park Road Post works on compos- highlights acquires Jamie Weta Workshop for $27m 3D fan- iting. The film is one of the first » Page 16 tasy adventure Zhong Kui: Snow Chinese films to use full perfor- Marks Is Dead Girl And The Dark Crystal. mance capture, which will be han- SCREENINGS Acclaimed Hong Kong DoP dled by leading Korean VFX house » Page 19 BY JEAN NOH Peter Pau is serving as producer, Li Bingbing Macrograph (Journey To The West: France’s Celluloid Dreams has DoP and VFX director on the fi lm, Conquering The Demons). picked up international rights on which is currently shooting in stereographer Vincent E Toto Other behind-the-scenes talent Sundance competitor Jamie Marks China with Chen Kun, Li Bingbing, (Dredd). -
“Our Time Will Come” Wins 5 Trophies at Hong Kong Film Awards The
“Our Time Will Come” Wins 5 Trophies at Hong Kong Film Awards The 37th Hong Kong Film Awards ceremony took place on 15 April at the Hong Kong Cultural Centre. The star-studded event this year was broadcast live on ViuTV, which had produced a series of film awards-themed programmes to usher in the big day, including reality shows on the nominees of Best New Director and Best New Performer. Ann Hui’s wartime epic “Our Time Will Come”, based on the heroics of a resistance group fighting Japanese occupation in Hong Kong, was the big winner bagging five awards. Wilson Yip’s action film “Paradox” received three nods while upcoming director Chan Tai Lee’s “Tomorrow Is Another Day” snatched two. “Tomorrow is Another Day” is a social drama that puts autism on the big screen. Veteran actor Louis Koo continued his awards-winning streak by picking up his first Best Actor honour at the Hong Kong Film Awards. Koo also won Best Actor, the first major acting prize in his career, at the Asian Film Awards in March this year. “I have been thinking how we can all make Hong Kong film thrive,” Koo said in a heartfelt speech. “Hongkongers must be united… the industry needs your support.” Reflecting on inspirational moments encountered in the industry over the last 20 years, Koo paid tribute to the Lifetime Achievement Award winner Chor Yuen, “When I was filming with Uncle Chor Yuen years ago on the set of a TVB show, his advice influenced me until today. He said that we should never give up on any scene, and any line of dialogue. -
The Band Director's Guide To
the band director’s guide to student retention contents The S.M.A.R.T. Approach to Music Ensemble Student Retention 4 5 No-Fail Beginning Band Retention Activities 6 Tips for Music Student Retention 12 Don’t Wait until Spring to Think about Retention 14 Your retention program should begin the instant a beginning band student first walks into your room. To keep them engaged your program has to be rewarding and fun. We’ve asked top directors across the country how they keep students excited about their programs. In this ebook you’ll learn the techniques and activities used to sustain the leading programs in the country. the S.M.A.R.T. approach to music ensemble student retention Once students are in your program, it’s vital that you retain them. Retention What’s more, when we ask high school students – or even our older band starts with our very beginning-level students and it is vital that we focus on students in the same building – to participate in some kind of a modeling keeping them once they have started in the program. activity, they really enjoy it! Many students welcome an opportunity to develop their leadership skills through positive modeling. There are five pillars to effective retention and I offer an acronym to help remember them by. I call this the S.M.A.R.T. approach to student retention. A = Activities These aren’t the actual activities you’ll plan as part of your retention tactics Of course, one of the most important approaches to the recruitment of (we will look at those in the next article), these are the underlying strategies to beginners is ensuring that these youngest musicians are actively involved in guide all of your retention efforts.