University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Classics and Religious Studies Department Classics and Religious Studies September 1979 ROMAN CONCRETE: THE ASCENT, SUMMIT, AND DECLINE OF AN ART Thomas Nelson Winter University of Nebraska-Lincoln,
[email protected] Follow this and additional works at: https://digitalcommons.unl.edu/classicsfacpub Part of the Classics Commons Winter, Thomas Nelson, "ROMAN CONCRETE: THE ASCENT, SUMMIT, AND DECLINE OF AN ART" (1979). Faculty Publications, Classics and Religious Studies Department. 1. https://digitalcommons.unl.edu/classicsfacpub/1 This Article is brought to you for free and open access by the Classics and Religious Studies at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Classics and Religious Studies Department by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Transactions of the Nebraska Academy of Sciences—Volume VII, 1979 ROMAN CONCRETE: THE ASCENT, SUMMIT, AND DECLINE OF AN ART THOMAS N. WINTER Classics Department University of Nebraska–Lincoln Th e evidence of the surviving literature and structure geography with chronology. Of Wallace’s Cypriot or main- provides this chronology for the development of concrete: land Greek samples, only one has a source which is not inde- Fronto dates for us, by naming consuls, two aqueducts utterly terminate. Th is is from the Pnyx, “the platform from which devoid of concrete at 312 and 272 B.C. From Cato, who died Demosthenes and Pericles delivered many of their orations” in 149 B.C., we can discern that (a) concrete has now become (Wallace, 1865). Th e Pnyx with cement mortar would put ce- the normal foundation for building, (b) limeburning is now ment as far back as the sixth century B.C.