ROCHESTER TV GUIDE JIMMY O'flynn Rochester's Official TV Program and News Guide FAN CLUB Hi, Kids

Total Page:16

File Type:pdf, Size:1020Kb

ROCHESTER TV GUIDE JIMMY O'flynn Rochester's Official TV Program and News Guide FAN CLUB Hi, Kids PROGRAM SCHEDULES FOR Rochester - Buffalo - Syracuse TER 15c May 5-11, 1951 Guide Vol.Vol. 1 1 No. 15 ROCHESTER'S Official TVTV PROGRAM & NEWS GUIDE MORT NUSBAUM "Starmaker''* COLUMBIA OPEN DAILY FROM 10 A. M. to 9 P. M. Zenith Giont - Circle or Reetangular TV Screens- Marvels for Performance! Zenith TV Prices Start at $209.95 ... Want to enioy TV at its best? Then get TV Set a new TODAY! Co/umbia presenfs the fol- lowing- shows for your TV entertainment 4 WAYS TO PAY AT COLUMBIA Mon.:-Speak-up at 8:30 1. No down payment-30 day 3. No down. payment- on charge. Immediate delivery Columbia's Equity Plan. Tue.--Cinderella Weekend end installation. Delivery of merchandise at 9:00 when 25% down payment 2. 90 day terms. No interest Wed.-Bob Turner Sport or carrying charges. Im- is complete. mediate delivery and in- 4. 25% down-balance with- Show at 7:30 stallatian. in 65 weeks. Immediate Fri.-Ask the Kids! at 7:30 delivery. Sat.--Wrestling Matches at 10:30 ROCHESTER'S TV AND APPLIANCE CENTER- 77 Clinton Ave. So. BALLET RETURNS o r The Eyes Have It ! Robert Sidney, ballet choreographer "TV will give classical doncing o shot in the leg." On the first Jimmy Durante Show last to draw scenery and faces to fit his fall, the "Schnozz" stalked out on the story. Watehing a ballet pantomine on stage, glared at one of the cameras, and TV, the viewer's imagination must create said, "Dis is da only TV show widdout a setting that isn't there, but the story a ballet!" line is open to many interpretations." Jimmy was only partially right. There How do you design dances for TV? are a Iot of TV shows that can't fit "Well," says Sidney, "you first need a ballet in anywhere, but most every a story line. Then you take your dancers show that can find room for dancing, and Iet their motions narrate the story." manages some kind of ballet. In the past Recently on th e "James Melton Show", few years, Ballet has swept the country. there was a western ballet~supposed to Few Broadway shows are without it, be a simple skit of a dancer riding a and most movie musicals have pressed horse and roping a steer. it to their celluloid bosoms. It's "de "That was what it was supposed to rigeur"~a must on the menu. be," explained the choreographer. "But Robert Sidney, in charge of ballet many viewers gave it entirely different for the "Ford Festival" on Thursday interpretations. Some people believed nights, (9 p.m.) has some very definite they were watehing a whole herd of cat- ideas on ballet. tle. One man told me he looked on the "Many critics have claimed the public dance as a mirnie of his favorite west- doesn't have to think anymore now that ern hero. Still others came to the con- we have TV. But they have overlooked clusion they were seeing a rodeo per- one aspect of TV-ballet. Viewing the former." dance on television," Sidney says, "calls "I had one important adjustment to for as much use of the imagination as make when I moved into TV from the radio ever did. In radio, the listeuer has (Continued on Poge 11) TV GUIDE - PAGE 3 ROCHESTER TV GUIDE JIMMY O'FLYNN Rochester's Official TV Program and News Guide FAN CLUB Hi, Kids. Val. No. 15 A Fan Club for me? Boy, all I can say is "Thanks a million!" Owned and Published by I' d like to welcome all the boys and ROCHESTER PUBLICITY SERVICE girls who have joined my club. I hope 242 Powers Bldg. Rochester, 14, N.Y. it won't be too long before we can all Phone: LOcust 6727 get together. Editor Ellison R. J ack W e'Jl be meeting here in this column Bus. Mgr. James M. Trayhern, Jr. every week from now an, and it won't Circulation Mgr. Anthony Ciaraldi THIS WEEK'S TV STORIES The Eyes Have II 3 Jimmy O'Fiynn Fan Club 4 He Keeps Them Laughing 5 Kraft TV Theatre Ann iversary 7 Mee! the Duke B Press Time Flashes 9 Leiters to the Editor 10 Give 'em Air 10 Showtime (Preview of Plays) 12 "Doctor11 Cantor 13 Cable Chatter 15 Starmaker 16 WHEN (Channel 8) 22 Shadow Stopper 24 be lang before we'Jl have Club buttans TV Quiz 28 and pictures plus another BIG s.urprise. Birdie Wateher 29 So keep the letiers coming in. W e'll Over the TV Fence 31 print some of them right here every week. WHAM-TV PROGRAMS A nd don't forget-if you'd like to Saturday join my club just phone or write to: Sunday Mrs. Mary Licciardi Monday 157 Niehals Street Tuesday Wednesday 21 Rochester 9, N. Y. Thursday 23 BAker 9203. Friday 25 See you soon! WSYR-TV . 26 JIMMY O'FLYNN WHEN 27 WBEN-TV 30 I WISH TO JOIN THE NEW Rochester TV Guide, May 5- 11, JIMMY O'FLYNN FAN CLUB 1951. Published weekly at Roches- Name ter, New York. Vol. 1, No. 15. Address Subscription price $5.00 per year, City in advance. Zone Stole TV GUIDE- PAGE 4 SAM LEVENSON The SAM LEVENSON SHOW prem- her saying as I started out for the gro- iere will take place on Sunday, May cery store a half block away, 'Sammy, ßrst you wash your ears. It might be 6 at :30 p.m. over WHAM- TV. 11 you get run over by the icewagon'. Papa insisted: 'Work hard, get an edu- Sam Levenson, ex-school teacher turn- cation, free yourself'." ed comedian, has been making folks As a boy, Levenson dreamed vaguely hold their sides with laughter in theatres of a career as a conc rt violinist, and and night clubs all over the country. although the family was poor, it dldn't He's a humorist who tells stories, not prevent him from enjoylng or educating the usual brand of dog-eared jokes. himself. He studied his college textbooks His warm humor stems essentially while he pressed suits for his father. from relationships with family and He can still play the violin with a flour- friends. Enjoying the stori·es along with ish, but Levenson gave up music. his audience, he demolishes the theory H e got his B.A. degree from Brooklyn that humor is based on man's inhumanity College, but doesn't have a sheepskin to man. "Affirmation and identification to prove it. Across the only photograph are what I'm after," he says. "If you of Sam's college career is stamped, "This ' get those from the audience, you don't is a proof." need gags. I want humor that is true for When Levenson decided to become a my generation, basic to my time." schoolteacher (he taught in New York Sam, born in N ew York D ecember high schools for 10 years), he told bim- 28, 1911, is the youngest of a· family of self "Levenson, you could starve' Y es, seven boys and one girl. Of his sister Levenson, you could starve, but you'll ,he. says, "Does she know about men!" starve steadily H e took the job. "We were as poor as church mice," At the end of his ßrst year of teaching, he adds, "but that didn't keep Mama Levenson reviewed the term in a satiri- from putting great store by culture, good cal paper. Response was so great that cooking and cleanliness. I can still hear (Continued on Page 25) TV GUIDE- PAGE 5 over 13 days before showtime. Perfor- " TILL DEATH DO US PART," an e x- mers are chosen and rehearsals begin citing drama by Tolstoi will be p re- fiv e days later. N ot until th e day of the sented on the Fourth Anniversary performa nce clo rehearsals go b fo r th c program of the Kraft TV Theatre, cameras o n th c sct which Wednesday, May 9 beginning at 9 have been builcli ng all w ck. o'clock over WHAM-TV. The most diffi cul t pres nta tion was "On Stage," a television play-within-a- television play. T he set used one group This will be the 208th presentation of cameras, stagehands, and performers since the program's debut on May 7th, as "props, " while a duplicate group did 1948 . Since that first play "Double the actual job of putting the show on Door" was televised, things like the co- the air. axial cable and mass production of TV T he toughest show from the stand- sets have trebled their original audience. point of the makeup was the recent play Some 32,000 se t owners have increased called, "Of Famous Memory." The pow- to eight or ten million now. d and putty man had to age Q u en T he Kraft TV T heatre has outgrow n E li zab th fr a girl f 2 t an I I four studios, one a year, and now goes woman of 75 - in thc spa of 60 ml n- to 42 cities from NBC's largest studio, utes. 8-H, recently remodeled at an expendi- Wben the show rnade its debut, tbe ture of a million dcillars. fu ll hour comprised half of NBC-TV's These 208 performances have featured New York daily schedul e. At the time, stories by 138 different writers, ranging no TV station was Operating more than from Groucho Marx to Shakespeare.
Recommended publications
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • The History of NBC New York Television Studios, 1935-1956"
    `1 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 By Bobby Ellerbee And Eyes Of A Generation.com Preface and Acknowledgement This is the first known chronological listing that details the conversions of NBC’s Radio City studios at 30 Rockefeller Plaza in New York City. Also included in this exclusive presentation by and for Eyes Of A Generation, are the outside performance theaters and their conversion dates to NBC Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the network that pioneered so much of the new medium. As you will see, many shows were done as “remotes” in NBC radio studios with in-house mobile camera units, and predate the official conversion date which signifies the studio now has its own control room and stage lighting. Eyes Of A Generation, would like to offer a huge thanks to the many past and present NBC people that helped, but most especially to Frank Merklein (NBC 1947-1961) Joel Spector (NBC 1965-2001), Dennis Degan (NBC 2003 to present), historian David Schwartz (GSN) and Gady Reinhold (CBS 1966 to present), for their first hand knowledge, photos and help. This presentation is presented as a public service by the world’s ultimate destination for television history…The Eyes Of A Generation. –Bobby Ellerbee http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 `2 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 Contents Please Note: Converted should be understood as the debut date of the facility as an exclusive TV studio, now equipped with its own control room.
    [Show full text]
  • The Early History of Howdy Doody…Television's First
    1 | P a g e The Early History Of Howdy Doody…Television’s First Hit For those not old enough to remember, “The Howdy Doody Show” was much more than just Buffalo Bob and Howdy Doody….it was the beginning of television as a brand new form of entertainment. It was radio with pictures and it was revolutionary. With a TV set and an antenna, suddenly the world could come to your living room. Although primitive by today’s standards, it was the hottest ticket on the planet, and Howdy Doody was the first hit show on television! Television’s second hit was also from NBC, and debuted 6 months after Howdy…it was “The Texaco Star Theater” with Milton Berle. They called Milton “Mr. Television,” because a lot of adults bought a set to see him. With a nation full of kids wanting to see Howdy though, you can rest assured; a lot of sets were bought to keep the children happy too. As is often the case with history, in its retelling, the waters get muddied and important facts become mangled. Before long, it’s hard to know if you are reading the truth or not. With that in mind, I have decided to retell the story of how it all started to the best of our ability, AND…I’m doing it with the help of one of America’s foremost authorities on Howdy Doody, Burt Dubrow. – Bobby Ellerbee / Eyes Of A Generation.com (Revised Dec. 28, 2016) http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 This is a 1952 photo of Buffalo Bob Smith with Howdy, and on the right, Bob Keeshan taking off his Clarabell makeup.
    [Show full text]
  • Nbcuniversal to Provide Unprecedented Coverage of 2012 London Olympics
    NBCUNIVERSAL TO PROVIDE UNPRECEDENTED COVERAGE OF 2012 LONDON OLYMPICS Record 5,535 Hours across NBC, NBC Sports Network, MSNBC, CNBC, Bravo, Telemundo, NBCOlympics.com, Two Specialty Channels & 3D NBC to Broadcast 272.5 Hours, Most-Ever for an Olympic Broadcast Network NEW YORK – May 23, 2012 – NBCUniversal will provide 5,535 hours of coverage for the 2012 London Olympics across NBC, NBC Sports Network, MSNBC, CNBC, Bravo, Telemundo, NBCOlympics.com, two specialty channels, and the first-ever 3D platform, an unprecedented level that surpasses the coverage of the 2008 Beijing Olympics by nearly 2,000 hours. It was also announced today that NBC will broadcast 272.5 hours of coverage, the most ever for an Olympic broadcast network, largely attributable to an increase in daytime coverage. “We are only able to provide this level of coverage to U.S. viewers because of the unmatched array of NBCUniversal assets,” said Mark Lazarus, Chairman, NBC Sports Group. “Whether on television or online, on broadcast or cable, in English or in Spanish, NBCUniversal has the London Olympics covered, providing the American viewer with more choices than ever to watch the Games.” Following are highlights of NBCUniversal’s coverage of the 2012 London Olympics (some of the following information has been previously announced): • NBCUniversal is presenting its 13th Olympic Games and seventh consecutive, both the most by any U.S. media company. ABC is second with 10 and four (twice), respectively. o London will be NBCUniversal’s seventh consecutive Summer Games, having presented each one since Seoul in 1988. • The 5,535 hours of Olympic coverage are the most ever and surpass Beijing’s coverage (3,600 hours) by nearly 2,000 hours.
    [Show full text]
  • Free-Digital-Preview.Pdf
    THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.
    [Show full text]
  • Step Back in Time with Blake Hodge
    Step Back In Time With Blake Hodge Approximately one ring the squinty-eyed year ago on December 3, sailor. In 1960 Popeye 2005 Blake Hodge, the The Sailor was the fi rst 12-year-old son of Matt show to feature Popeye and Carol Ann Hodge cartoons made just for started his journey back television. in time. Waiting for the POPEYE’S SONG Eagleville Christmas I’m Popeye the Sailor parade to make its ap- Man, I’m Popeye the pearance in downtown Sailor Man, I’m strong Eagleville, he along with to the fi nich, cause I eats Sonny Lonas was brows- me spinach, I’m Popeye ing in Ralston’s Antique the Sailor Man. Store. Blake happened I’m one tough gazookus, Blake’s favorite place to shop is Ralston’s Antiques in Eagleville. upon a Popeye water L-R: Sonny Lonas, Blake, Charles Ralston glass. Remembering the Which hates all paloo- re-runs of the Popeye kas, Wot ain’t on the up cartoons he had recently watched, decided he would really like to have the glass, so and square, I biffs’em he received it as a gift from Sonny. That one glass defi nitely started his journey to and buffs’em, An’ always the past. He has spent several hours in antique stores and fl ea markets searching for outroughs’em, An’ none Popeye memorabilia and learning the history of this funny looking sailor. of ‘em gets nowhere. Blake discovered that on January 17, 1929, was the fateful day, which would If anyone dasses to risk change the comic strip and cartoon worlds forever.
    [Show full text]
  • INSTITUTION Congress of the US, Washington, DC. House Committee
    DOCUMENT RESUME ED 303 136 IR 013 589 TITLE Commercialization of Children's Television. Hearings on H.R. 3288, H.R. 3966, and H.R. 4125: Bills To Require the FCC To Reinstate Restrictions on Advertising during Children's Television, To Enforce the Obligation of Broadcasters To Meet the Educational Needs of the Child Audience, and for Other Purposes, before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce, House of Representatives, One Hundredth Congress (September 15, 1987 and March 17, 1988). INSTITUTION Congress of the U.S., Washington, DC. House Committee on Energy and Commerce. PUB DATE 88 NOTE 354p.; Serial No. 100-93. Portions contain small print. AVAILABLE FROM Superintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) -- Viewpoints (120) -- Reports - Evaluative/Feasibility (142) EDRS PRICE MFO1 /PC15 Plus Postage. DESCRIPTORS *Advertising; *Childrens Television; *Commercial Television; *Federal Legislation; Hearings; Policy Formation; *Programing (Broadcast); *Television Commercials; Television Research; Toys IDENTIFIERS Congress 100th; Federal Communications Commission ABSTRACT This report provides transcripts of two hearings held 6 months apart before a subcommittee of the House of Representatives on three bills which would require the Federal Communications Commission to reinstate restrictions on advertising on children's television programs. The texts of the bills under consideration, H.R. 3288, H.R. 3966, and H.R. 4125 are also provided. Testimony and statements were presented by:(1) Representative Terry L. Bruce of Illinois; (2) Peggy Charren, Action for Children's Television; (3) Robert Chase, National Education Association; (4) John Claster, Claster Television; (5) William Dietz, Tufts New England Medical Center; (6) Wallace Jorgenson, National Association of Broadcasters; (7) Dale L.
    [Show full text]
  • The Jimmy Durante Show
    CD 4 A: Vacations - March 24, 1948 THE JIMMY DURANTE SHOW B: Guest: Rose Marie – March 31, 1948 Program Guide by Elizabeth McLeod CD 5 A: Guest: Dorothy Lamour – April 7,1948 One of the great advantages of being a radio star in the medium’s Golden Era was B: Guest: President Harry Truman – April 14, the relative anonymity it afforded. A performer might entertain tens of millions 1948 of listeners every week, and yet walk the streets in broad daylight without being annoyed by fans. In radio it was the voices, not the faces, that mattered. But there CD 6 were exceptions. A: Guest: Lou Clayton and Eddie Jackson – April 21, 1948 Some radio favorites had a background in stage or film, and their faces were part B: Guest: Lucille Ball – April 28, 1948 and parcel of their appeal. Eddie Cantor, Bob Hope, and even Fred Allen had Lucille Ball physical attributes that matched their voices…and made them easy to pick out in CD 7 any crowd. And there was no performer who could boast a more perfect match A: Transportation Problems – May 5, 1948 of face and voice -- or was more instantly recognizable -- than the beloved Old B: A President’s Wife – May 12, 1948 Schnozzola, Jimmy Durante. CD 8 In a career that extended from the first decade of the 20th Century to the 1970s, A: The Small Businessman – May 19, 1948 Jimmy Durante had two trademarks that transcended every medium in which B: Choice Of Champions – May 26, 1948 he worked. Whether you knew him from his nightclub act, motion pictures, phonograph records, radio programs, or television, you needed no master of ceremonies to tell you who Elizabeth McLeod is a journalist, author, and broadcast historian.
    [Show full text]
  • NBC Television Available
    "_1'.; LIBRARY JORLAC" APRIL Television 5P THE BUSINESS MAGAZINE OF THE INDUSTRY 3I Seventh year of publication CC K 4- - Ct.--I b". o0 if) C 4 Z Aim0 a,cG z to.%P U T GPIN With this little man, you'll have a busy day. liowdy's the top -rated of all children's and all daytime shows in network television...the hero of more than 6,000,000 Doodyites a week on NBC...and the incredible sawed-off salesman who just turned up 240,000 sales with two brief demonstrations-on America's No. 1 Network. A few quarter-hour segments are immediately NBC Television available. Are You Serious About Getting the Most for Your Advertising Dollar? In Los Angeles, TV Station KTLA delivers a larger average evening audience than the leading network radio station - at just about half the cost. And delivers an average audience as big as its 3 nearest TV competitors combined-at 1/4 cost! K TL A's average evening share is a healthy 15% of the combined radio -and -television audience in Los Angeles... morethan twice the share of its closest TV competitor in this 7 -TV -station market. KTLA advertisers also pick up a bonus -31% of San Diego's televiewers who receive K TL A's strong signal direct, 125 miles distant. Amazing? Make us prove it. WRITE FOR ANALYSIS OF LOS ANGELES RADIO -TV COVERAGE. *** I 1 - A -- 4 KTLA * CHANNEL 5 4 KTLA Studios 5451 Marathon St., Los Angeles 38 H011ywood 9-6363 4 aminamt Eastern Sales Office 1501 Broadway, New York 18 BRyant 9-8700 - Ahab KEY STATION OF THE PARAMOUNT TELEVISION NETWORK Television THE THE BUSINESS MAGAZINE OF THE INDUSTRY VolumeVII,Number4,April,1950 ENTERTAINMENT -STATION content THE FUTURE OF THE NETWORKS 11 An analysis of the many problems facing advertisers, stations and networks which might conceivably change their present structure.
    [Show full text]
  • Jimmy Durante Papers PASC-M.0195
    http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels.
    [Show full text]
  • Rick Ludwin Collection Finding
    Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JOE WILDER NEA Jazz Master (2008) Interviewee: Joe Wilder (February 22, 1922 – May 9, 2014) Interviewer: Julie Burstein Date: August 25-26, 1992 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 129 pp. Burstein: I wanted to start by asking you about your beginnings in Colwyn, I guess. [She pronounces it as “coal-win.”] Wilder: Colwyn, it’s pronounced. [Wilder says “coll-win,” as in collar.] Burstein: Colwyn. Wilder: Yeah, Colwyn. Burstein: . Colywn, Pennsylvania, and about your family. Where were your folks from? Wilder: My – I think – I know my father’s family are from North Carolina. I think my mother’s family were also from North Carolina. Apparently they had come North much earlier than my father’s family, because my mother was born in Pennsylvania. My father was born in North Carolina. He left – my grandfather brought his family to Philadelphia – to Colwyn, as a matter of fact. That’s something I don’t really understand. I don’t know how they managed to end up in Colwyn, but that’s where they did. My father was 12 years old at that time. He’s now – he’ll be 92 in November – the 23rd of November. Burstein: So this was in 1912 that they came there. Wilder: Yeah, in 1912 he came – they came to Colwyn. There were – in Colwyn, I think there was my paternal grandparents and my maternal grandparents, and my aunts and uncles, and my family.
    [Show full text]