Sharing Nature with Children
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The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
12 the Way.Pdf
Hi Soulful Song Lovers and Story Tellers, This is the twelfth Friday PDF that we’re emailing or posting on the webpage about songs, stories, storytelling, community, or personal/spiritual growth until we meet again. Sharing our stories, beliefs, and experiences around a theme suggested by a song is a pathway to our higher, better selves. Some who have been exemplars of what this journey could look like—Jesus, Lao Tzu, and others—have had the path they followed/emblazoned referred to as “The Way.” When we seek or walk The Way, sometimes we have company (a mentors, a book, etc.) but in the final analysis, in the words of the song “Lonesome Valley,” “Nobody here can walk it for you, You gotta walk it by yourself.” Some of the people who shine their light so we can find The Way include singer/songwriter Tift Merritt, Thoreau, Rachel Naomi Remen, Sophia Lyon Fahs, John Steinbeck, James Baldwin, Barbara Holmes, and more. If you’d like to get these PDFs emailed to you, register with Jessica Pond, [email protected]. We sorely miss you and your stories. We miss hugs and laughter and coffee/tea with you. We know these mailings are no substitute for meeting face-to-face, but hope that they, in some small way, may fill the gap until we meet again. Take the spirit of Soulful Songs and Stories with you wherever you go; share it, and we hope to see you all, healthy and happy, sooner rather than later. Namasté, Alice and Steve The Way / Lonesome Valley The idea for this week’s piece came from Eliza grimages leading to the shrine of the apostle Saint Borné, -
Issue # 13 January/February, 2003 3
Table of Contents About This Issue Holly's Note Zette's Note Holly's Workshop: Setting Goals Interview: Sharon Lee and Steve Miller Theme: Creating Characters A note on this issue's theme "A Touch of Madness" By Louis E. Catron Characters in Absentia By Rang Lieu Holly Lisle's Vision Issue # 13 January/February, 2003 3 Characters from the Soul By Linda Adams Full Fathom By Peggy Kurilla Characters and Settings By Bonnie Cowgill Characters are People By Feath MacKirin Stepping to Center Stage By Jon Chaisson Using the Plot-Character Interaction By Nick Kiddle Holly Lisle's Vision Issue # 13 January/February, 2003 4 When Characters Develop Minds of Their Own By Laura Brewer What Makes Good Characters By Forward Motion Members The Slush Pile By mistri A Dark and Stormy Night By Kim L. Cole Clad in the Beauty of a Thousand Stars By Lazette Gifford Fantasy: Getting Started in Fantasy Writing By Sandra C. Durham Holly Lisle's Vision Issue # 13 January/February, 2003 5 Mystery: Taking a Clue from the Pros By Russ Gifford Science Fiction: Changing the Valves By Bob Billing Epublishing This Is Not A Test By Lazette Gifford Puzzle By Cassandra Ward Book Review Two Books on Freelance Writing Reviewed By Radika Meganathan Holly Lisle's Vision Issue # 13 January/February, 2003 6 Website Review A Reject is Born By Jenny Mounfield Meet the Moderator JuneDrexler The November Madness Has Passed Good News From Forward Motion Masthead Guidelines Join Forward Motion Holly Lisle's Vision Issue # 13 January/February, 2003 7 Welcome to our third year of publication! Issue # 13 January/February, 2003 Featuring an Interview with Sharon Lee and Steve Miller s you can see, it's time for a few changes. -
A Creed to Live by Don't Undermine Your Worth by Comparing Yourself
A Creed To Live By A Hundred Years From Now Don't undermine your worth by comparing yourself A hundred years from now it will not matter what my with others. bank account was, the sort of house I lived in, or the It is because we are different that each of us is kind of car I drove but the world may be different special. because I was important in the life of a child. Don't set your goals by what other people deem A Man important. Only you know what is best for you. A man that made an impression on strangers and friends. Don't take for granted the things closest to your heart. Quiet but firm and even more stern. Cling to them as you would your life, for without Strength and courage I have learned from you, them life is meaningless. but being without you is hard to do. Don't let your life slip through your fingers by living A man with pride in every step he made. in the past or for the future. A man with vigor in every phrase. By living your life one day at a time, you live all the days of your life. The tears I’ve shed cannot surpass the smiles and the laughs we had with you. Don't give up when you still have something to give. To feel your pain I could not do, Nothing is really over until the moment you stop to feel your joy I cannot explain, trying. but being without you is hard to do. -
ガンダム30周年記念 ガンダムシリーズ初の主題歌集dvd 8月25日に2枚同時リリース発
<新商品情報> 2009年4月27日 ガンダム30周年記念 ガンダムシリーズ初の主題歌集DVD 「ガンダム OP/ED COLLECTION Volume1 -20th Century-」 「ガンダム OP/ED COLLECTION Volume2 -21st Century-」 8月25日に2枚同時リリース発売 バンダイビジュアル株式会社 住所:東京都品川区東品川 4-12-4 品川シーサイドパークタワー 社長:川城和実、資本金:21 億 8250 万円 バンダイナムコグループのバンダイビジュアル株式会社は、大人気アニメ「機動戦士ガンダム」 が2009年にTV放送30周年を迎えることを記念し、作品の主題歌(オープニング<以下、OP >とエンディング<以下、ED>)を収録したDVD『ガンダム OP/ED COLLECTION V olume1 -20th Century-』とDVD『ガンダム OP/ED COLLECTI ONVolume2 -21st Century-』(各3,000円/税込)を8月25日に発 売します。 ■ガンダム30周年記念商品!シリーズ初の主題歌集 『ガンダム OP/ED COLLECTION Volume1 -20th Century -』・『ガンダム OP/ED COLLECTION Volume2 -21st Centur y-』はガンダム30周年を記念し、2009年までに発表されたガンダムシリーズのTVアニメ とオリジナルビデオアニメ(OVA)の主題歌(OP、ED)映像をノンクレジットで収録したD VDです。Volume1は1979年「機動戦士ガンダム」から1999年「∀ガンダム」、同 時発売のVolume2には2002年「機動戦士ガンダムSEED」から2007年「機動戦士 ガンダム00」を収録。歌詞字幕のОN/OFF機能のほか、各OP/EDの全バージョンとアイ キャッチ(※)集を収録。さらにガンダム30周年記念店頭PⅤの収録を予定しています。 ※テレビ番組でCMを放送するその前後に映される番組タイトルクレジット ―Volume1― 「翔べ!ガンダム」(池田鴻)、「STAND UP TO THE VICTORY ~トゥ・ザ・ヴィク トリー~」(川添智久)、「JUST COMMUICATION」(TWO-MIX)ほか ―Volume2― 「INVOKE-インヴォーク-」(T.M.Revolution)、「FIND THE WA Y」(中島美嘉)、「DAYBREAK‘S BELL」(L’Arc~en~Ciel)ほか 「機動戦士ガンダム」30周年記念プロジェクト バンダイナムコグループは“機動戦士ガンダム30周年プロジェクト”を始動。ガンダムファン の皆さんへの感謝の気持ちを込めたイベントや商品発売など様々な企画をグループ横断で展開して いきます。 コンセプト :「Always Beginning いつだって始まりだ。」 プロジェクト:Real G「機動戦士ガンダム」等身大(18m)立像(7月上旬~8月末) Feel G「GUNDAM BIG EXPO」開催(8月21日~8月23日) Soul G「ガンダムと音楽のコラボレーションイベント」 1 <商 品 概 要> DVD『ガンダム OP/ED COLLECTION Volume 1 -20th Century-』 発売日 :2009年8月25日 ※2010年3月31日までの期間限定販売 希望小売価格:3,000円(税込) 収録時間:約70分 スペック :リニアPCM(ステレオ)/片面2層/スタンダード 映像特典:30周年記念PV(予定) DVD『ガンダム OP/ED COLLECTION -
Restoring Nature :Perspectives from the Social Sciences and Humanities / Paul H
FVUR NC-4902-2 3.23 AVAILABLE RESTORING NATURE .._._ Perspectives from the Social Sciences _i_._aaQ_ and Humanities g_• _o ot_ _._.__._ ° _° _,._ • "_ EDITED BY PAUL H. GOBSTER AND R. BRUCE HULL ISLANDPRESS Washington, D.C. • Covelo, California Copyright © 2000 by Island Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any means without permission in writing from the publisher: Island Press, 1718 Connecticut Avenue, N.W.., Suite 300, Washington, DC 20009. ISLAND PRESS is a trademark of The Center for Resource Economics. No copyright claim is made in work by the following employees of the federal government: Susan C. Barro, Carol Raish, and Herbert W.. Schroeder. Grateful acknowledgment is made for permission to include the poem "Volunteer Revegetation Saturday"© 1999 by Cindy Goulder. Published by permission of the poet. Library of Congress Cataloging-in-Publication Data Restoring nature :perspectives from the social sciences and humanities / Paul H. Gobster and R. Bruce Hull, editors. p. cm. Includes bibliographical references and index. ISBN 1-55963-767-6 (cloth :alk. paper) --ISBN 1-55963-768-4 (pbk: : alk. paper) 1. Environmental sciences--Philosophy. 2. Restoration ecology. 3. Environmental management. I. Gobster, Paul H. II. Hull, R. Bruce. GE300 .R47 2000 363.7---dc21 00-009375 Printed on recycled, acid-free paper {_ Manufactured in the United States of America 10987654321 CONTENTS Acknowledgments xiii Introduction: Restoring Nature: Human Actions, Interactions, and Reactions 1 Paul H. Gobster PART1.PHILOSOPHYAND RATIONALEOF RESTORATION 1. -
Is Ecological Succession Predictable?
Is ecological succession predictable? Commissioned by Prof. dr. P. Opdam; Kennisbasis Thema 1. Project Ecosystem Predictability, Projectnr. 232317. 2 Alterra-Report 1277 Is ecological succession predictable? Theory and applications Koen Kramer Bert Brinkman Loek Kuiters Piet Verdonschot Alterra-Report 1277 Alterra, Wageningen, 2005 ABSTRACT Koen Kramer, Bert Brinkman, Loek Kuiters, Piet Verdonschot, 2005. Is ecological succession predictable? Theory and applications. Wageningen, Alterra, Alterra-Report 1277. 80 blz.; 6 figs.; 0 tables.; 197 refs. A literature study is presented on the predictability of ecological succession. Both equilibrium and nonequilibrium theories are discussed in relation to competition between, and co-existence of species. The consequences for conservation management are outlined and a research agenda is proposed focusing on a nonequilibrium view of ecosystem functioning. Applications are presented for freshwater-; marine-; dune- and forest ecosystems. Keywords: conservation management; competition; species co-existence; disturbance; ecological succession; equilibrium; nonequilibrium ISSN 1566-7197 This report can be ordered by paying € 15,- to bank account number 36 70 54 612 by name of Alterra Wageningen, IBAN number NL 83 RABO 036 70 54 612, Swift number RABO2u nl. Please refer to Alterra-Report 1277. This amount is including tax (where applicable) and handling costs. © 2005 Alterra P.O. Box 47; 6700 AA Wageningen; The Netherlands Phone: + 31 317 474700; fax: +31 317 419000; e-mail: [email protected] No part of this publication may be reproduced or published in any form or by any means, or stored in a database or retrieval system without the written permission of Alterra. Alterra assumes no liability for any losses resulting from the use of the research results or recommendations in this report. -
The Science of the Struggle for Existence on the Foundations of Ecology
P1: FpQ CY239/Cooper-FM 0 52180432 9 July 29, 2003 15:6 The Science of the Struggle for Existence On the Foundations of Ecology GREGORY J. COOPER Washington and Lee University v P1: FpQ CY239/Cooper-FM 0 52180432 9 July 29, 2003 15:6 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org c Gregory J. Cooper 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Times Roman 10.25/13 pt. System LATEX 2 [TB] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication data Cooper, Gregory John. The science of the struggle for existence : on the foundations of ecology / by Gregory Cooper. p. cm – (Cambridge studies in philosophy and biology) Includes bibliographical references (p. ). ISBN 0-521-80432-9 1. Ecology – Philosophy. I. Title. II. Series. QH540.5.C66 2003 577–dc21 2002041441 ISBN 0 521 80432 9 hardback vi P1: FpQ CY239/Cooper-FM 0 52180432 -
The Lotus Used in Describing Continued on Page 3
“Drink your tea slowly and reverently, as if it is the axis on Volume 4, Issue 4 which the world revolves, - slowly, evenly, without rushing Block 8, May 2008 toward the future. Live the actual moment. Only this mo- ment is life..” -Thich Nhat Hanh (Vietnamese Buddhist monk) Imperialistic Domination: Relations between the Philippines and the US By Raquel Sáenz The United States a struggle ensued between pines has continued to be a has maintained a rather tu- the United States and the close ally with the United multuous relation with the Philippines, which resulted in States. Republic of the Philippines the deaths of one million throughout history. Through Filipinos. After this battle, Continued on Page 3... the imperialistic history of the Philippines remained the US, many Filipinos were under US control until 1946. subjugated by the American During this period of time, government. The Philippines, Filipinos were forced to now an independent nation serve with the US military in located in Southeast Asia, World War II. To this day, was under both Spanish and English remains one of the American control throughout official languages of the Phil- the past 500 years. From ippines, along with Tagalog. 1565 until 1898 Spain con- Nonetheless, about 180 dif- trolled the Philippines. In ferent languages and dialects 1899, the First Philippine are spoken throughout the Republic in Malolos was cre- islands. The influences of ated, but was later dissolved Spain can still be seen by the United States. Accord- through the periodic use of ing to both Spain and the Spanish, the predominance United States, the Philippines of Catholicism, and certain had been ceded to the US by Spanish influenced aspects of Spain. -
Metaphor and Equilibrium in Population Ecology
Biology and Philosophy 16: 463–479, 2001. © 2001 Kluwer Academic Publishers. Printed in the Netherlands. The “Balance of Nature” Metaphor and Equilibrium in Population Ecology KIM CUDDINGTON Department of Ecology and Evolutionary Biology University of Connecticut 75 N. Eagleville Rd., U-43 Storrs, CT 06269-3043, U.S.A. [email protected] Abstract. I claim that the “balance of nature” metaphor is shorthand for a paradigmatic view of nature as a beneficent force. I trace the historical origins of this concept and demonstrate that it operates today in the discipline of population ecology. Although it might be suspected that this metaphor is a pre-theoretic description of the more precisely defined notion of equi- librium, I demonstrate that “balance of nature” has constricted the meaning of mathematical equilibrium in population ecology. As well as influencing the meaning of equilibrium, the metaphor has also loaded the mathematical term with values. Environmentalists and critics use this conflation of meaning and value to their advantage. This interplay between the “balance of nature” and equilibrium fits an interactionist interpretation of the role of metaphor in science. However, it seems the interaction is asymmetric, and the “balance of nature” metaphor has had a larger influence on mathematical equilibrium than vice versa. This disproportionate influence suggests that the metaphor was and continues to be a constitutive part of ecological theories. Key words: ecology, equilibrium, language, metaphor, science Introduction The “balance of nature” metaphor has influenced the development and continued practice of ecology. This metaphor has been used to invoke ideas such as a divinely determined stability, orderliness and predictability in natural systems. -
THE ELEMENTS of STYLE' (4Th Edition) First Published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr
2 OLIVER STRUNK: 'THE ELEMENTS OF STYLE' (4th edition) First published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr. and Edward A. Tenney, 2000 Earlier editions: © Macmillan Publishing Co., Inc., 1959, 1972 Copyright © 2000, 1979, ALLYN & BACON, 'A Pearson Education Company' Introduction - © E. B. White, 1979 & 'The New Yorker Magazine', 1957 Foreword by Roger Angell, Afterward by Charles Osgood, Glossary prepared by Robert DiYanni ISBN 0-205-30902-X (paperback), ISBN 0-205-31342-6 (casebound). ________ Machine-readable version and checking: O. Dag E-mail: [email protected] URL: http://orwell.ru/library/others/style/ Last modified on April, 2003. 3 The Elements of Style Oliver Strunk Contents FOREWORD ix INTRODUCTION xiii I. ELEMENTARY RULES OF USAGE 1 1. Form the possessive singular of nouns by adding 's. 1 2. In a series of three or more terms with a single conjunction, use a comma after each term except the last. 2 3. Enclose parenthetic expressions between commas. 2 4. Place a comma before a conjunction introducing an independent clause. 5 5. Do not join independent clauses with a comma. 5 6. Do not break sentences in two. 7 7. Use a colon after an independent clause to introduce a list of particulars, an appositive, an amplification, or an illustrative quotation. 7 8. Use a dash to set off an abrupt break or interruption and to announce a long appositive or summary. 9 9. The number of the subject determines the number of the verb. 9 10. Use the proper case of pronoun. 11 11. A participial phrase at the beginning of a sentence must refer to the grammatical subject. -
Predators: the Balance of Nature”
THE BALANCE OF NATURE PREDATORS Chewonki’s Balance of Nature presentation explores the adaptations and features of predators and looks at why predators are often feared and persecuted by people throughout the world. Using a slide show and various activities, we will examine the important function predators play in the natural world. We will discuss these animals’ crucial role in the food chain and identify predator-prey relationships in different habitats. Students will closely observe a few of Maine’s predators, including a mounted coyote, as well as several live non-releasable predatory animals from around the world. This program is designed for grades 3 and up and can compliment classes in biology, environmental issues or Maine studies, or be successfully integrated into any curriculum area, such as language arts, math, social studies or art. Equipment and Room Requirements • Classroom or multi-purpose room space is fine. • Students should sit at desks or in seats to easily view slides and displays. • Presentations can be done at a single location or in individual classrooms if 15 minutes is allowed between presentations. • The maximum group size is 30. • Teachers must be present in the room during the program. • Please have students wear name tags provided in packet. Note: Permits are required for most of the specimens (living and stuffed) that are used in Chewonki Traveling Natural History Programs and students are reminded of the legal limitations of private collections. All of our living animals are non-releasable because of injuries or were captive raised before arriving at Chewonki. No animals have been harmed or taken specifically for use in Chewonki programs.