Sir Thomas Smith's 1566 Library List*
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Italian Renaissance: Dante, Machiavelli and the Wars of Popes and Kings CLCV 22216, ITAL 16000 RLST 22203 KNOW 12203 SIGN 26034 RENS 12203 MDVL 12203
Syllabus for HIST 12203 The Italian Renaissance: Dante, Machiavelli and the Wars of Popes and Kings CLCV 22216, ITAL 16000 RLST 22203 KNOW 12203 SIGN 26034 RENS 12203 MDVL 12203 Dr. Ada Palmer [email protected] Spring 2018, Stuart 104 Office: Social Sciences 222 Class: Mon/Weds 1:30-2:50 PM Office Hours: Weds 3:15 to 5:00 COURSE DESCRIPTION This course covers Florence, Rome, and the Italian city-states in the age of plagues and cathedrals, Dante and Machiavelli, Medici and Borgia (1250–1600), with a focus on literature and primary source readings, as well as the rediscovery of lost texts and technologies of the ancient world, and the place of Church and theology in all aspects of Renaissance culture. We will consider such topics as humanism, patronage, cultural immersion, dynastic and papal politics, corruption, assassination, rivalry, art, music, magic, censorship, religion, education, rare books and manuscripts, science, heresy, reform, and the roots of the Reformation. Writing assignments focus on higher level writing skills and biographical research, with a creative writing component. Non-History majors are welcome. PREREQUISITES: None ASSIGNMENTS 1. Attendance (15%) 2. Class Participation OR class responses (18%) The teaching assistants will take note of which students speak up in class, asking questions or supplying comments. Students who do so will receive credit for class participation. If you don’t have a chance to participate in any given class, or if you prefer to listen rather than to speak, you may instead turn in at the next class a single paragraph (one page maximum) of written comments expressing your own views on the discussion that occurred in the previous class. -
Excitata Est Ea Natio Ante Paucos Annos Singulari Et Eleganti Ingenio Matthiae Regis”: Il Viaggio Del Volterrano in Ungheria*
Verbum Analecta Neolatina X/1, pp. 51–66 DOI: 10.1556/Verb.10.2008.1.4 “EXCITATA EST EA NATIO ANTE PAUCOS ANNOS SINGULARI ET ELEGANTI INGENIO MATTHIAE REGIS”: IL VIAGGIO DEL VOLTERRANO IN UNGHERIA* Enrica Budetta The Johns Hopkins University Department of German and Romance Languages and Literatures Gilman Hall N. Charles Street Baltimore, MD , USA [email protected] Abstract: During the winter of 1479–1480, Pope Sixtus IV determined that humanist Ra=aele Ma=ei from Volterra (1451–1522) should join the cardinal Giovanni d’Aragona, who had been sent as papal legate to Matthias Corvinus’s court. This paper illustrates Ma=ei’s impressions of his trip, as they emerge in a published but little known letter addressed to his friend Nic- colò Lisci, as well as in the eighth book of his famous encyclopedia, the Commentarii Urbani. Although the Hungarians’ bellicose nature and their Spartan habits impressed the Italian hu- manist, Ma=ei was truly amazed by the incredible cultural flourishing of the Corvinian court. Keywords: trip, Hungary, Ra=aele Ma=ei, Giovanni d’Aragona, Matthias Corvinus, Florio Banfi Nel , in occasione del quinto centenario della morte di Francesco Fi- lelfo, Vito Rocco Giustiniani, parlando dell’epistolario filelfiano, uno dei più ampi ed importanti di età umanistica, fornì alcune indicazioni di ca- rattere generale su questa particolare tipologia letteraria.¹ Sebbene lo scopo precipuo del contributo di Giustiniani fosse quello di tracciare un profilo umano ed intellettuale di Filelfo, così come si viene delineando nelle sue lettere, esso conteneva anche una preziosa traccia metodologica per l’edi- zione degli epistolari umanistici, la cui validità non è stata ridimensionata ∗ Borsista dell’Università Cattolica del Sacro Cuore, Milano. -
MUSIC in RENAISSANCE FERRARA 1400–1505 This Page Intentionally Left Blank MUSIC in RENAISSANCE FERRARA 1400–1505
MUSIC IN RENAISSANCE FERRARA 1400–1505 This page intentionally left blank MUSIC IN RENAISSANCE FERRARA 1400–1505 THE CREATION OF A MUSICAL CENTER IN THE FIFTEENTH CENTURY LEWIS LOCKWOOD 1 2009 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2009 by Lewis Lockwood Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging in Publication Data Lockwood, Lewis. Music in Renaissance Ferrara 1400–1505. Includes index. 1. Music–Italy–Ferrara–15th century–History and criticism. I. Title. ML290.8.F45L6 1984b 780'.945'45 84-4671 ISBN 978-0-19-537827-6 Published in the United Kingdom by Oxford University Press 1984 Published in the United States by Harvard University Press 1984 This edition published by Oxford University Press 2009 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper To Nino Pirrotta This page intentionally left blank Preface to the Paperback Edition For many travellers to Italy Ferrara is a lesser destination among the great ones, a venerable town in the Po valley northeast of Bologna, a place to have lunch before going on to Florence or Venice, depend- ing on your route. -
Raffaele Maffei's Anthropologia (1506): the Birth and Diffusion of A
Dada Rivista di Antropologia post-globale, semestrale n. 1, Giugno 2019 Raffaele Maffei’s Anthropologia (1506): the birth and diffusion of a (quasi)-neologism Leonardo Piasere Abstract After the appearance in 1501 of the term ant(h)ropologium coined by Magnus Hundt, in 1506 Raffaele Maffei (or Raphael Volaterranus) used (perhaps) the Latin term anthropologia, from which the corresponding forms in today’s national languages derive, for the very first time. This scarcely-known fact has remained as such to scholars who in recent decades have dealt with the semantic history of the word “anthropology”. This article shows the emergence of the (quasi-)neologism, the ways in which it spread in Europe during the sixteenth century and how the meaning that Maffei gave the term, close to today’s prosopography, remained practically the same throughout that century. The article shows that authors, whose position has been little understood and sparsely studied to date, fit perfectly into the intellectual genealogy started by Maffei. Keywords: Semantic history of “anthropology”; Aristotle’s anthrōpológos; Early modern Anthropologies; Renaissance Introduction This article aims to contribute to the semantic history of the term “anthropology”. Although this topic is certainly not new, it still needs to be constantly updated, as Santing’s (2018) recent study demonstrates. Philosophy and science historians realized years ago how fascinating the history of the word “anthropology” is, and have not neglected to investigate into the evolution of the term’s usage (see, for example, Marquard 1965; Moravia [1970] 1978: 66-67; Schipperges 1972; Gusdorf 1974: 227-268; Bauer 1984; Blanckaert 1989; Vermeulen 2015: 359-366). -
Humanist Networks and Keepers of Ancient Wisdom: Hermes Trimegistus in Medieval and Early Modern Spain
Humanist Networks and Keepers of Ancient Wisdom: Hermes Trimegistus in Medieval and Early Modern Spain by Juan Udaondo Alegre A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: Spanish) in The University of Michigan 2018 Doctoral Committee: Professor Enrique García Santo-Tomás, Chair Professor Sara L. Ahbel-Rappe Professor George Hoffmann Professor Alexander D. Knysh Professor Brian Schmidt Associate Professor Ryan Szpiech Juan Udaondo Alegre [email protected] ORCID iD: 0000-0003-2297-1337 © Juan Udaondo Alegre 2018 Para Lorena ii TABLE OF CONTENTS Dedication .............................................................................................................................ii Abstract .................................................................................................................................vi Introduction ..........................................................................................................................1 Chapter I. From the Time Hermes Came to Hispania to the “Multicultural” Humanism of Alfonso X Introduction ................................................................................................................9 Praestigium vero Mercurius primus dicitur invenisse. Heresy and Magic: Hermes in Visigothic Hispania................................................................................................13 Isidore ........................................................................................................................20 -
Princely Ambiguity: a Translation of Nikolaus of Modruš’ Funeral Oration for Cardinal Pietro Riario: Oratio in Funere Petri Cardinalis Sancti Sixti (1474)
2018 V Princely Ambiguity: A Translation of Nikolaus of Modruš’ Funeral Oration for Cardinal Pietro Riario: Oratio in funere Petri Cardinalis Sancti Sixti (1474) Brendan Cook Jennifer Mara DeSilva Article: Princely Ambiguity: A Translation of Nikolaus of Modruš’ Funeral Ortion for Cardinal Pietro Riario Princely Ambiguity: A Translation of Nikolaus of Modruš’ Funeral Oration for Cardinal Pietro Riario: Oratio in funere Petri Cardinalis Sancti Sixti (1474) Brendan Cook UNIVERSITY OF SOUTH FLORIDA Jennifer Mara DeSilva BALL STATE UNIVERSITY Abstract: This article provides an introduction to, and an English translation of, the Latin funeral oration written by Nikolaus, the bishop of Modruš (or Nicholas de Korto), on the occasion of Cardinal Pietro Riario’s death in January 1474. The article opens with a contextualizing introduction to the oration, its author, and its subject, as well as the contemporary late-fifteenth-century trend in publishing funeral orations. Following this introduction is an English translation from, and comparison with, Neven Jovanović’s open- access, peer-reviewed Latin transcription (Croatiae Auctores Latini) and the British Library’s copy of the oration (ISTC No. in000488000), which was first printed in Rome in 1474 by Antonio and Raffaele Volterrano. Keywords: cardinal; Pietro Riario; household; Nikolaus of Modruš; funeral oration; incunabula; papacy; Pope Sixtus IV. The Subject: Pietro Riario, the Cardinal of San Sisto (1445-1474) ooking back on the year 1474, Stefano Infessura, the author of the well-known Diario della Città di Roma, recounted only a single event. L Concerning 1474 on the 5th of January the cardinal of San Sisto [Pietro Riario] died, and was poisoned, and so our parties came to an end, with the death of one for whom every man wept. -
The Italian Renaissance CLAS 32914/CLCV 22914, ITAL 32914/22914 RLST 22900/HCHR 32900 KNOW 21405/31405
Syllabus for HIST 22900/32900: The Italian Renaissance CLAS 32914/CLCV 22914, ITAL 32914/22914 RLST 22900/HCHR 32900 KNOW 21405/31405 Dr. Ada Palmer [email protected] Spring 2018, Harper Memorial 130 Office: Social Sciences 222 Class: Tues/Thurs 3:30-4:50 PM Office Hours: Tues/Thurs 1:30 to 3:00 COURSE DESCRIPTION This course will cover Florence, Rome, and the Italian city-states in the age of plagues and cathedrals, Dante and Machiavelli, Medici and Borgia (1250–1600), with a focus on literature and primary source readings, as well as the rediscovery of lost texts and technologies of the ancient world, and the place of Church and theology in all aspects of Renaissance culture. We will consider such topics as humanism, patronage, cultural immersion, dynastic and papal politics, corruption, assassination, rivalry, art, music, magic, censorship, religion, education, rare books and manuscripts, science, heresy, reform, and the roots of the Reformation. Writing assignments focus on higher level writing skills and biographical research, with a creative writing component. Non-History majors are welcome. PREREQUISITES: None ASSIGNMENTS 1. Attendance (15%) 2. Nine short (three page double-spaced) writing assignments: (45%) a. Petrarch and Boccaccio (week 2) 5% b. Ficino, Pico, Castiglione, Lorenzo (week 3) 5% c. Papal Election Letter 1 (week 4) 5% d. Papal Election Letter 2 (week 5) 5% e. Papal Election Letter 3 (week 5) 5% f. Papal Election Letter 4 (week 6) 5% g. Papal Election Personal Reaction (week 7) 5% h. Machiavelli and Cellini (week 8) 5% i. Dante (week 9) 5% 3. Final Project (20%) due the last day of class 4.