S^Itcl Ftoa. the Green Book Vacation Guide
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New York Theatrical
JULY 12. 1980 10-T- HE CAROLINA TIMES SAT., New York Theatrical Over $2,200 in prize money King Jr.'s National Black will.be awarded to winners in Touring Circuit offerings, fter the Harlem YMCA All Stars Washington, "boogie woogie Contest, "sponsored by Ken-tac- ky landscapes" will travel to Cried Chicken and to be Philadelphia, Detroit and held In neighborhood parks Chicago. At present, there are ANNIVERSARY GIFT Ran- and at Downing Stadium no plans for NYC. Thomas B: Shrop- dall's Island on July 19-2- 0. shire Senior Vice Black (left), Top male and female winners Tribute to the President of the Miller (? will receive $500 and '80, held at the prizes Designer Brewing Company i." , one-we- ek two to the Fashion Institute of trips for presented copies ol Bahamas. Deadline for entries Technology, was the third an- commissioned Erints is July 14 and entry blanks can nual event sponsored by to celebrate be picked up at any Kentucky Harvey's Bristol Cream and a the brewer's 125th an- Com- the rv .; Fried Chicken store. celebration of niversary to John H. 18 of black petition for those years and achievements Sengstacke, president up will be in a basketball designers, past and future. of the National "shoot-out- ", push-up- s, chaired the even- broad Naomi Sims Newspaper Publishers jump, obstacle course and ing's program which honored Association at the one-mi- le run. designers Ed Austin, Jeffrey association's recent Carl Banks, Stephen Burrows, convention in Chicago. "Sesame Place," a "21st Davis, James Daughterty, Jon century" play park pioneering Haggins, Keven & Robert, Ar- a new concept in family enter- thur McGee, Lelartd Paul tainment will open in Bucks Michael, Harold Stone, County, Pa., the end of July. -
The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
No Beethoven
No Beethoven No Beethoven An Autobiography & Chronicle of Weather Report by Peter Erskine edited by Rick Mattingly book design by Kio Griffith photography by Shigeru Uchiyama, Peter Erskine & others Front cover photograph: Shigeru Uchiyama Back cover photograph: Norman Seeff, courtesy of CBS Records © 2013 Peter Erskine FUZZ/E/BOOKS Fuzzy Music LLC Exclusive Worldwide Distribution by Alfred Music All Rights Reserved. Printed in USA. ISBN-10: 0-9892530-1-5 ISBN-13: 978-0-9892530-1-7 ALL RIGHTS RESERVED. This book contains material protected under International and Federal Copyright Laws and Treaties. Any unauthorized reprint or use of this material is prohibited. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including printing/photocopying, recording, or by any information storage and retrieval system without express written permission from the author/publisher. “I ain’t afraid of no Beethoven.” – Joe Zawinul to Peter Erskine, circa 1979 About the Author Peter Erskine has played the drums since age four and is known for his versatility and love of working in different musical contexts. He appears on 600 albums and film scores, and has won two Grammy Awards, plus an Honorary Doctorate from the Berklee School of Music. Thirty albums have been released under his own name or as co-leader. He has played with the Stan Kenton and Maynard Ferguson Big Bands, Weather Report, Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, The Brecker Brothers, The Yellowjackets, Pat Metheny and Gary Burton, John Scofield, et al, and has appeared as a soloist with the London, Los Angeles, Chicago, Frankfurt Radio, Scottish Chamber, Royal Opera House, BBC Symphony and Berlin Philharmonic Orchestras. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Anton Wolken Dies in Fairbury Hospital Friday Birds Romp for 53
N O . 13 EIGHTY-FIRST YEAR CHATSWORTH, ILLINOIS, THURSDAY, NOVEMBER 11, 1954 The Younger Generation Chorus Appears for Ortman Electric TO OUR SUBSCRIBERS Birds Romp for Anton Wolken V ets A t D a n v ille Postal regulations now re Store Robbed Approximately thirty members quire payment of subscrip I C. Louis Ortman Electric Shop of the mixed chorus of voices who tions within six month* of was robbed about 3 a.m., Sunday. 53 to 0 Win Dies In Fairbury appeared In the Lions Minstrel when they are due. You can jThe burglary was discovered Sun- Revue here tn September, present help us keep our subscription j day morning when Mr. Ortman ed two performances in the the list up to date by checking j came down to his shop about 10 a. atre of the Vets hospital in Dan when your subscription ex m. A safe was broken into and a Over Kempton Hospital Friday ville Sunday afternoon. pires and paying it prompt considerable amount of money and Under the direction of Joseph ly. The date your paper ex old coins were stolen. Battle Eskimos H. Bauer, with Faye Shafer or pires is printed right beside The time of the robbery was Was Long Time ganist and Mrs. Howard Trinkle your name at the top of the set at three o’clock when the elec Armistice Evening Resident of pianist, with several soloists in the front page. Thank you. tric clocks were stopped In the es In Final Game left to right in this picture are: Peggy, ltt years old, cast, the chorus performed at 2:15 tablishment and the business place and Jerry Lm * 2 months, children of Mr. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Elliot Polot: Immersed in Jazz History
Immersed in Jazz History An Interactive Virtual Jazz History Unit With Ken Burns' Jazz Series Presented by Elliot Polot at the California All-State Music Education Conference (CASMEC) Saturday, February 20, 2021 | 10:00 AM Why watch Ken Burns’ Jazz in class? • Distance learning friendly • An engaging, memorable way to learn jazz history • Great opportunities for social-emotional learning (SEL) • Important conversations about race, gender, and politics • Builds improvisation skills and style through the transcription process • Students return to big band and combo music with a newfound appreciation and understanding How to view the series: • https://www.pbs.org/show/jazz/ • PBS requires a minimum $60 donation to access the show • Also available on DVD and from the iTunes Store Transcription Assignments: • Transcription assignments are a fun, engaging way for students to “immerse” themselves in each episode. Best of all, they help students become stronger players! • Below are the guidelines we have used in our class. Feel free to structure your assignments however you like. • One solo or head transcription ≥ 30 seconds per episode (more than one is ok/encouraged) • Students have the option of playing the material on their instrument AND/OR doing a written transcription • Should be from the period covered in the episode, preferably from an artist mentioned in the show • Students should choose material that challenges them • Students play along with the reference recording, but should be significantly louder so they don’t blend in Transcription presentation process: • Create or have a student create a Google Slide deck for each episode. (Click here for an example.) • Prior to the start of the presentation, students embed or link the reference recording, as well as their performance video and/or written transcription in their individual slide. -
Extra Large the Oversize Life of Gene Walker
Extra Large The Oversize Life of Gene Walker John Fraim John Fraim [email protected] www.themidnightoilstudios.com 614-397-7559 © 2009 – John Fraim 1 “It is my gift from God to soothe many people of their troubles. This was not given to everyone, and so, it is my purpose in life to carry out just what God appointed me to do. It is an honor to be able to spread a joyful noise that heals and brings comfort to others.” Gene Walker ! 2 Dedicated To Civic leaders across the nation who attempt to bring life back into inner city neighborhoods through art, particularly the art form of jazz. And also, those few who were given the gift of music when they were young and give this gift back. ! ! 3 Table of Contents 1. Blackberry Patch!! ! ! 5! 2. Teachers!!!!!7!! 3. Clubs!!!!!!13 4. Outside World!!!!25 5. The Road!!!!!38 6. The Beatles Tour!! ! ! 45 7. Final New York Years!!!49 8. Return To Columbus!!!52!!! 9. Student Walker !!!!56 10. Professor Walker!!!65 11. Retirement & Recording!!69 12. Return of Music!! ! ! 72 Discography!!!!!85 Bibliography!!!!!87 Acknowledgments!!!!88 Appendix A – Musicians!!!89 Appendix B – Lincoln Theatre!!96 Appendix C – Neighborhood Clubs!97 Appendix D – Favorite Musicians!99 Appendix E – Favorite Music!!100 About John Fraim!!!!101 4 1. Blackberry Patch !At the turn of the century, African Americans moved to Columbus, Ohio from the South looking for a better life. This migration accelerated after World War I to take advantage of the industrial boom that was occurring in many Midwestern cities. -
SEGREGATION in SPOKANE Longtime Black Residents Recount the Injustices and the Victories by Jim Kershner
WashingtonHistory.org SEGREGATION IN SPOKANE Longtime Black Residents Recount the Injustices and the Victories By Jim Kershner COLUMBIA The Magazine of Northwest History, Winter 2000-01: Vol. 14, No. 4 The word "segregation" conjures up vivid images from old civics class lessons: whites-only drinking fountains in Alabama; white mobs jeering at black school children in Mississippi; Ku Klux Klan rallies in Georgia. Up here in the more tolerant Northwest, it's easy to be smug about the bigoted South. Easy, that is, after conveniently blanking out a few of this region's own historical images: the "No Colored Patronage Solicited" signs in Spokane restaurants; the whites- only swimming pool at Natatorium Park; the "Nigger, Read This Sign and Run" sign at the edge of Wallace, Idaho. In fact, the northern states had their own brand of racial segregation, not always legally codified but often just as blatant. In Spokane, as African-American residents were constantly aware, a particularly northern brand of segregation thrived through the 1930s, 1940s, and 1950s and even into the 1960s. It made for a relatively peaceful era of race relations, but at a price. It depended on white people and black people "staying in their place," as more than one black resident has put it. "Staying in their place" meant that black people were restricted to a relatively few restaurants, shops, hotels and jobs in Spokane, sometimes by policy, more often by social pressure. How intense was that social pressure? Listen to Jerrelene Williamson, now 68, tell about her experience breaking into the previously all-white occupation of grocery checker at a Spokane Safeway around 1965: "This man came in, I guess he was middle-aged, and he said, 'I wish I had a baby that looked like you.' I was trying to do my work, and so far everybody had been kind of decent, so I wasn't thinking he meant anything. -
A Tradition of Excellence
A Tradition of Excellence April 7 2017 Via Electronic Mail Shirquita Sharrock Data Acquisition Specialist SmartProcure Direct: 954-834-6739 | Support: 888-998-6348 Email: [email protected] | www.smartprocure.us 700 W. Hillsboro Blvd. Suite 4-100, Deerfield Beach, FL 33441 RE: FOIA 17-15 – Response to FOIA Request Thank you for writing to Hinsdale Township High School District 86 with your request for information pursuant to the Illinois Freedom of Information Act (“FOIA”), 5 ILCS 140/1 et seq., received on March 29 2017. You requested the following: SmartProcure is submitting a commercial FOIA request to the Hinsdale Township High School District 86 for any and all purchasing records from 2016-10-13 to current. The request is limited to readily available records without physically copying, scanning or printing paper documents. Any editable electronic document is acceptable. The specific information requested from your record keeping system is: 1. Purchase order number. If purchase orders are not used a comparable substitute is acceptable, i.e., invoice, encumbrance, or check number 2. Purchase date 3. Line item details (Detailed description of the purchase) 4. Line item quantity 5. Line item price 6. Vendor ID number, name, address, contact person and their email address 7. What is the beginning of your fiscal year? Enclosed is documentation responsive to your request. Please note that District purchasing information is available through the District’s Transparency Portal on our website at d86.hinsdale86.org. Select Transparency Portal then select Financial Information then select Check Register to see District purchases by month. [http://d86.hinsdale86.org/Page/923] District purchases are also presented to the Board of Education for approval at their monthly Regular Action Meeting. -
18-19 Fall-Winter FINAL No Crops.Pdf
We are excited to present our Fall 2018 -Winter 2019 catalog! Below you will find a listing of 34 new classes and 7 new trips and special events. Additionally, 4 of our popular daytime classes will now have an evening time slot as well! Interested in trying something new? Or perhaps you’d like to share Community Ed with a friend? Our fourth annual Open House Week is scheduled October 1-5. We invite you to take this opportunity to visit our classes, meet our instructors, and see our facilities at no cost. In addition to all the offerings in the catalog, Community Ed runs many theater trips throughout the year. These announcments, as well as other important information, are sent via email, so please be sure that we have your correct address. We look forward to welcoming you! On behalf of all of us at GNPS Community Education, Samantha Tarantola Director Archaeology of the Islands of the Aegean Sea French Cinema and Songs Portraiture, Beginner Art History: Artists of The Ash Can School French Grammar and Writing Workshop Shakespearean Comedies Art History: Gustav Klimt Gifted: Unique Accessories to Knit and Crochet Spanish: Beginner I & II Art History: Marc Chagall History of Jazz Spanish: Advanced IV &V Art History: More American Artists Israeli Folk Dance for Beginners The Larger-than-Life Presidency of Celebrating The Bernstein Centennial: Journey to Self-Discovery Teddy Roosevelt Bernstein Conducts American Classics Knit a Basic Raglan Baby Sweater Teddy Roosevelt, The Progressive Era Charity Knitting in the Round Native American History -
6. Count Basie's Cleveland Connections
6. Count Basie's Cleveland Connections illiam Basie, pianist and bandleader, was not a In his autobiography, Good Morning Blues, Basie Clevelander, but he certainly perfonned recalled he married the girl from Cleveland in 1943 in Wfrequently in Cleveland and hired a number of Seattle. Their honeymoon was a series ofone-night band Clevelanders to play in his swinging band. Basie' s appearances. strongest tie to Cleveland is frequently forgotten. He The Basie band was working in New York when Katy married a girl from Cleveland and their only child was was about to have a baby. She returned to Cleveland and born here. stayed with her parents. Katy and Bill Basie's only child, Diane Basie, was born in Cleveland. He rushed to Catherine Morgan Basie Cleveland to be with his wife and Catherine Morgan left Cleveland daughter. at the age of 16 in 1931 to become a Later, when they rejoined Basie in dancer. She joined a very popular New York, he said he had vivid vaudeville act, the Whitman Sisters. memories of seeing Katy getting off She was one of three girls in the the plane from Cleveland carrying dance company who called their baby. He said, "It was a special themselves "The Snake Hips thrill bringing my family home from Queens." When they appeared at the the airport that day, Old Base, his Lafayette Theatre in New York City, wife and daughter." there was a jazz band from Kansas They moved into an apartment City on the same bill. The young building near New York' s Central dancer from Cleveland noticed the Park.