DOCSLIB.ORG

Cinema 4D Release 11

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cinema 4D Release 11 CINEMA 4D RELEASE 11 3D FOR THE REAL WORLD Quickstart Manual CINEMA 4D R11 Quickstart I CINEMA 4D Release 11 Quickstart Manual Programming Christian Losch, Philip Losch, Richard Kurz, Tilo Kühn, Thomas Kunert, David O’Reilly, Cathleen Bastian, Per-Anders Edwards, Paul Everett, Aleksander Stompel,Sven Behne, Wilfried Behne, Plugin programming Michael Breitzke, Kiril Dinev, Reinhard Hintzenstern, Eduardo Olivares, Nina Ivanova, Markus Jakubietz, Hendrik Steffen, Jens Uhlig, Michael Welter, Thomas Zeier Product management Marco Tillmann, Bernd Lutz Quickstart writers Glenn Frey, Sven Hauth, Dirk Beichert, Fabian Rosenkranz Layout Oliver Becker, Oliver Krawczyk Translation Scot Wardlaw, Luke Stacy Copyright © 1989 - 2008 by MAXON Computer GmbH All rights reserved. This manual and the accompanying software are copyright protected. No part of this document may be translated, reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or mechanical, for any purpose, without the express written permission of MAXON Computer. Although every precaution has been taken in the preparation of the program and this manual, MAXON Computer assumes no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of the program or from the information contained in this manual. This manual, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. The content of this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by MAXON Computer. MAXON Computer assumes no responsibility or liability for any errors or inaccuracies that may appear in this book. MAXON Computer, the MAXON logo, Sketch and Toon, CINEMA 4D, Hyper NURBS, C.O.F.F.E.E. are trademarks of MAXON Computer GmbH or MAXON Computer Inc. Acrobat, the Acrobat logo, PostScript, Acrobat Reader, Photoshop and Illustrator are trademarks of Adobe Systems Incorporated registered in the U.S. and other countries. Apple, AppleScript, AppleTalk, ColorSync, Mac OS, QuickTime, Macintosh and TrueType are trademarks of Apple Computer, Inc. registered in the U.S. and other countries. QuickTime and the QuickTime logo are trademarks used under license. Microsoft, Windows, and Windows NT are either registered trademarks or trademarks of Microsoft Corporation in the U.S. and/or other countries. LightWave 3D is a registered trademark of NewTek. 3D studio max and 3ds max are registered trademarks of Autodesk/Discreet Inc. UNIX is a registered trademark only licensed to X/Open Company Ltd. All other brand and product names mentioned in this manual are trademarks or registered trademarks of their respective companies, and are hereby acknowledged. II CINEMA 4D R11 Quickstart Contents Welcome to CINEMA 4D ..................................................................... 2 1. Introduction ..................................................................................................................... 2 2. What’s new in CINEMA 4D R11 ........................................................................................ 3 3. General Information / Interface ........................................................................................ 9 4. Sample Images ............................................................................................................... 19 5. Quick Tutorial – Arranging Objects ................................................................................. 21 6. Quick Tutorial – Modeling ............................................................................................... 29 7. Quick Tutorial – Materials ............................................................................................... 36 8. Quick Tutorial – Lighting ................................................................................................. 46 9. Quick Tutorial – Animation ............................................................................................. 52 10. Quick Tutorial – Rendering ............................................................................................ 61 11. Quick Tutorial – Multi-Pass Rendering ........................................................................... 68 12. Quick Tutorial – XPresso .............................................................................................. 75 Welcome to BodyPaint 3D ................................................................ 82 1. Introduction ................................................................................................................... 82 2. General Information / Interface ...................................................................................... 83 3. Sample Images .............................................................................................................. 85 4. Quick Tutorial – The Paint Wizard ................................................................................... 86 5. Quick Tutorial – First Painting Lesson .............................................................................. 88 6. Tips & Tricks .................................................................................................................... 92 Welcome to Advanced Render (Optional module) ......................................................... 94 1. Introduction ................................................................................................................... 95 2. General Information / Interface ...................................................................................... 95 3. Sample Images ............................................................................................................... 98 4. Quick Tutorial – Global Illumination .............................................................................. 100 5. Quick Tutorial – Caustics ............................................................................................... 104 6. Quick Tutorial – Depth of Field ..................................................................................... 106 7. Tips & Tricks .................................................................................................................. 108 Welcome to PyroCluster ................................................................. 110 1. Introduction ................................................................................................................. 110 2. General Information / Interface .................................................................................... 111 3. Sample Image ............................................................................................................... 112 4. Quick Tutorial – 10 Steps To Glory ................................................................................ 113 5. Quick Tutorial – Optimize and Animate ........................................................................ 116 6. Tips & Tricks .................................................................................................................. 119 7. In Closing ..................................................................................................................... 119 Welcome to Sketch and Toon (Optional module) .......................................................... 121 1. Introduction ................................................................................................................. 121 2. General Information / Interface .................................................................................... 121 3. Sample Images ............................................................................................................. 124 CINEMA 4D R11 Quickstart III 4. Quick Tutorial – Outlines ............................................................................................... 126 5. Quick Tutorial – Shaders and Tags ................................................................................. 130 6. Tips & Tricks .................................................................................................................. 134 Welcome To NET Render (Optional module) ...................................................................... 135 1. Introduction ................................................................................................................. 136 2. General Information / Interface .................................................................................... 136 3. Sample Images ............................................................................................................. 136 4. Quick Tutorial – Installation / Interface ......................................................................... 137 5. Quick Tutorial – Jobs and Administration ..................................................................... 139 Welcome to Dynamics (Optional module) .......................................................................... 142 1. Introduction ................................................................................................................. 142 2. General Information / Interface .................................................................................... 142 3. Sample Images ............................................................................................................. 143 4. Quick Tutorial – Rigid Bodies .......................................................................................
Load more

Recommended publications
  • Making a Game Character Move
    Piia Brusi MAKING A GAME CHARACTER MOVE Animation and motion capture for video games Bachelor’s thesis Degree programme in Game Design 2021 Author (authors) Degree title Time Piia Brusi Bachelor of Culture May 2021 and Arts Thesis title 69 pages Making a game character move Animation and motion capture for video games Commissioned by South Eastern Finland University of Applied Sciences Supervisor Marko Siitonen Abstract The purpose of this thesis was to serve as an introduction and overview of video game animation; how the interactive nature of games differentiates game animation from cinematic animation, what the process of producing game animations is like, what goes into making good game animations and what animation methods and tools are available. The thesis briefly covered other game design principles most relevant to game animators: game design, character design, modelling and rigging and how they relate to game animation. The text mainly focused on animation theory and practices based on commentary and viewpoints provided by industry professionals. Additionally, the thesis described various 3D animation and motion capture systems and software in detail, including how motion capture footage is shot and processed for games. The thesis ended on a step-by-step description of the author’s motion capture cleanup project, where a jog loop was created out of raw motion capture data. As the topic of game animation is vast, the thesis could not cover topics such as facial motion capture and procedural animation in detail. Technologies such as motion matching, machine learning and range imaging were also suggested as topics worth covering in the future.
    [Show full text]
  • CMSC427 Computer Graphics
    CMSC427 Computer Graphics Matthias Zwicker Fall 2018 Staff Instructor • Matthias Zwicker ([email protected], https://cs.umd.edu/~zwicker) Teaching assistant • Yue Jiang ([email protected]) 2 Today • Course overview • Course organization • Vectors and coordinate systems 3 Computer graphics applications 4 Computer graphics • „Technology to create images using computers“ • This course: underlying algorithms for interactive applications – AR, VR, games, scientific visualization, etc. • Core areas – 3D rendering – Modeling – Animation 5 Rendering • Synthesis of 2D image from 3D scene description http://en.wikipedia.org/wiki/Rendering_(computer_graphics) – Rendering algorithms interpret data structures that represent scenes using geometric primitives, material properties, and lights • Input – Data structures that represent scene (geometry, material properties, lights, virtual camera) • Output – 2D image (array of pixels) – Red, green, blue values for each pixel 6 Photorealistic rendering See also http://en.wikipedia.org/wiki/Rendering_(computer_graphics) 7 Photorealistic rendering • Physically-based simulation of light, materials, and camera – Physical model expressed using the rendering equation, http://en.wikipedia.org/wiki/Rendering_equation – Shadows, realistic illumination, multiple light bounces • Slow, minutes to hours per image • Special effects, movies • Not in this class 8 Interactive rendering 9 Interactive rendering • Focus of this class • Produce images within milliseconds • Interactive applications (games, …) • Using specialized
    [Show full text]
  • Blender Instructions a Summary
    BLENDER INSTRUCTIONS A SUMMARY Attention all Mac users The first step for all Mac users who don’t have a three button mouse and/or a thumb wheel on the mouse is: 1.! Go under Edit menu 2.! Choose Preferences 3.! Click the Input tab 4.! Make sure there is a tick in the check boxes for “Emulate 3 Button Mouse” and “Continuous Grab”. 5.! Click the “Save As Default” button. This will allow you to navigate 3D space and move objects with a trackpad or one-mouse button and the keyboard. Also, if you prefer (but not critical as you do have the View menu to perform the same functions), you can emulate the numpad (the extra numbers on the right of extended keyboard devices). It means the numbers across the top of the standard keyboard will function the same way as the numpad. 1.! Go under Edit menu 2.! Choose Preferences 3. Click the Input tab 4.! Make sure there is a tick in the check box for “Emulate Numpad”. 5.! Click the “Save As Default” button. BLENDER BASIC SHORTCUT KEYS OBJECT MODE SHORTCUT KEYS EDIT MODE SHORTCUT KEYS The Interface The interface of Blender (version 2.8 and higher), is comprised of: 1. The Viewport This is the 3D scene showing you a default 3D object called a cube and a large mesh-like grid called the plane for helping you to visualize the X, Y and Z directions in space. And to save time, in Blender 2.8, the camera (left) and light (right in the distance) has been added to the viewport as default.
    [Show full text]
  • Christian Otten
    CHRISTIAN OTTEN 3D GENERALIST PORTFOLIO 2018 Demo Scene - Apothecary Modelled with Maya | ngplant 2017 Rendered with Corona for C4D Compositing with Nuke demo scene - sector 51 Modelled with Maya | Cinema 4D 2017 Rendered with Corona for C4D Compositing with After Effects (Lens Flares) and Nuke demo scene - wynyard Modelled with Maya | zBrush | ngplant 2017 Rendered with Vray (Raven) and Corona Compositing with Nuke prototype Modelled with Cinema 4D 2018 Rendered with Corona Compositing with Nuke interiors Modelled with Cinema 4D | 3D Studio Max 2014-2018 Rendered with Corona | Vray | C4D Physical Renderer Compositing with Photoshop | Nuke exteriors Modelled with Cinema 4D | Maya | zbrush | ngplant 2011-2018 Rendered with Corona | Vray | C4D Physical Renderer Compositing with Photoshop | Nuke fantasy Modelled with Cinema 4D | zBrush | ngplant | makehuman 2011-2018 Rendered with Corona | C4D Physical Renderer Compositing with Photoshop | darktable | Nuke futuristic Modelled with Cinema 4D | zBrush 2012-2015 Rendered with C4D Physical Renderer Compositing with Photoshop For a more comprehensive portfolio feel free to visit: christianotten.daportfolio.com or ignisferroque.cgsociety.org A few animated experiments are available on: https://vimeo.com/christianotten All models, scenes and materials presented here where made by me, unless stated otherwise. Photo textures from cgtextures.com Thank you for watching! CHRISTIAN OTTEN Curriculum Vitae PERSONAL INFORMATION EDUCATION: Date of Birth: 09.09.1984 2016-2017 3D Animation and VFX course Place
    [Show full text]
  • Easy Facial Rigging and Animation Approaches
    Pedro Tavares Barata Bastos EASY FACIAL RIGGING AND ANIMATION APPROACHES A dissertation in Computer Graphics and Human-Computer Interaction Presented to the Faculty of Engineering of the University of Porto in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Digital Media Supervisor: Prof. Verónica Costa Orvalho April 2015 ii This work is financially supported by Fundação para a Ciência e a Tecnologia (FCT) via grant SFRH/BD/69878/2010, by Fundo Social Europeu (FSE), by Ministério da Educação e Ciência (MEC), by Programa Operacional Potencial Humano (POPH), by the European Union (EU) and partially by the UT Austin | Portugal program. Abstract Digital artists working in character production pipelines need optimized facial animation solutions to more easily create appealing character facial expressions for off-line and real- time applications (e.g. films and videogames). But the complexity of facial animation has grown exponentially since it first emerged during the production of Toy Story (Pixar, 1995), due to the increasing demand of audiences for better quality character facial animation. Over the last 15 to 20 years, companies and artists developed various character facial animation techniques in terms of deformation and control, which represent a fragmented state of the art in character facial rigging. Facial rigging is the act of planning and building the mechanical and control structures to animate a character's face. These structures are the articulations built by riggers and used by animators to bring life to a character. Due to the increasing demand of audiences for better quality facial animation in films and videogames, rigging faces became a complex field of expertise within character production pipelines.
    [Show full text]
  • Lightwave Software
    Lightwave software click here to download LightWave fits seamlessly into large multi-software pipelines - with its powerful interchange tools including FBX, ZBrush GoZ, Collada, Unity Game Engine. Create that next killer plugin, or augment your own workflows with the LightWave SDK and scripting resources. The LightWave 3D Software Development Kit. ChronoSculpt Trial. Time-Based Cache Sculpting for All 3D Software Pipelines. Want to try before you buy? Download the full version of ChronoSculpt and use it. LightWave 3D is a 3D computer graphics software developed by NewTek. It has been used in film, television, motion graphics, digital matte painting, visual ​Overview · ​History · ​Movies that LightWave · ​TV Series and miniseries. This is NewTek LightWave. Modeling, animation and rendering tools that bring out the artist in you—not the technician. The LightWave interface is intuitive, with. CGI & VFX Software Showreels HD: "LightWave 3D " - Duration: The CGBros 37, views · 3. Newtek Lightwave ShowReel. Computer graphics software. on Film/Game/Animation Studios, CG. Check out the latest showreel from the LightWave 3D Group, which consists of some of the best LightWave. MARKET: Lightwave is a popular and easy to use choice that is widely used for video and television production around the world. KEY FEATURES: Lightwave. Some things are unique, others are shared among all software packages. Evaluate before you buy. If you are working on big teams for big movies, Lightwave. LightWave is a software application dedicated to creative design that offers great possibilities to improve this kind of work. Its great speed and flexibility when. If You Want To Master The High End Features Of Lightwave , Such As Rigging, Fluids, Collisions, Fur, Flocking, Dynamic Hair And Clothing, Then The.
    [Show full text]
  • CINEMA 4D Release 8
    3D FOR THE REAL WORLD Tutorials CINEMA 4D Programming Team Reinhard Hintzenstern, Tilo Kühn, Thomas Kunert, Richard Kurz, Christian Losch, Philip Losch, David O’Reilly Additional Programming Wilfried Behne, Sven Behne, Michael Breitzke, Kiril Dinev, David Farmer, Jan Eric Hoffmann, Jamie Halmick, Nina Ivanova, Markus Jakubietz, Eduardo Olivares, Hendrik Steffen, Eric Sommerlade, Jens Uhlig, Thomas Zeier, Writers Oliver Becker, Arndt von Koenigsmarck, David Link, Stephen Marriott, Matthew O’Neill, David O’Reilly, Janine Pauke, Perry Stacy, Jeff Walker Layout Heike Bauer, Harald Egel, Jeff Walker Translation Oliver Becker, Michael Giebel, Arno Löwecke, Björn Marl, Janine Pauke, Luke Stacy, Marco Tillmann Cover Graphic Heike Bauer, Onur Pekdemir Special Thanks Kevin Aguirre, Phil ‘Captain 3D’ McNally, NAAM, Kai Pedersen, Christian Rambow, Holger Schlömann, Bunk Timmer Tutorial Manual Copyright © 2001-2002 by MAXON Computer Ltd. All rights reserved. This manual and the accompanying software are copyright protected. No part of this document may be translated, reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or mechanical, for any purpose, without the express written permission of MAXON Computer. Although every precaution has been taken in the preparation of the program and this manual, MAXON Computer assumes no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of the program or from the information contained in this manual. This manual, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. The content of this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by MAXON Computer.
    [Show full text]
  • 3D World - the Magazine for 3D Artists
    3D World - The Magazine For 3D Artists http://www.3dworldmag.com/page/3dworld?entry=3d_world_115_now_on SEARCH « Autodesk release Softimag... | Weblog | E-on call for showreel su... » CALENDAR « March 2009 » Monday March 02, 2009 Sun Mon Tue W ed Thu Fri Sat 1 2 3 4 5 6 7 - In Category - 3D World 115 now on sale in the UK 8 9 10 11 12 13 14 Search 15 16 17 18 19 20 21 In our latest issue: complete character workshop, pitch your 3D 22 23 24 25 26 27 28 project, comping tips and particle tricks, plus models and assets 29 30 31 CATEGORIES worth $326 on the CD Today LATEST ISSUE Click the thumbnail to order your copy online IN THE MAGAZINE Character workshop Master key sculpting and texturing techniques to recreate our cover star Modelling: follow videos of the full workflow to build every detail of your figure Texturing: apply a blend of painted textures and carefully chosen NEWS FEEDS shaders The perfect composite LINKS Whether you‘re adding digital creatures to footage or just trying to match two images, compositing is a vital part of VFX work. Brush up your skills with 20 expert tips Particle tricks Master dissolve effects in Blender with Andy Goralczyk Signed on the spot! Experts from across the 3D industry reveal the tricks of the trade that can make all the difference when pitching a project to an agency, potential backer, broadcaster or movie studio The making of Coraline For the animated version of Neil Gaiman‘s Gothic novella Coraline, Laika used CG and digital printing to create 15,000 separate face 1 of 3 4/12/2009 12:37 AM 3D
    [Show full text]
  • Spring 2019- CS 116B-01 Syllabus [Pdf]
    San Jose State University Department of Computer Science CS116B, Advanced Computer Graphics Section 1 Spring Semester 2019 Course and Contact Information Instructor: Kevin Smith Office Location: DH 282 Email: [email protected] Office Hours: Mon 1500-1600 or by appointment Class Days/Time: MW 12:00-13:15 Classroom: MH 223 Prerequisites: CS 116A (with grade of C- or better) or instructor consent Catalogue Description In-depth discussion of algorithms and techniques used in computer graphics and their implementation. Topics include: animation, fractals, anti-aliasing, fill algorithms, visible surface algorithms, color and shading, ray tracing, radiosity and texture maps. Substantial programming required. Course Description In this course, you will learn the apply the foundations you learned in CS 116A towards learning and applying modern graphics techniques used today in the media and entertainment industry. Topics will include advanced rendering including global illumination, subdivision surfaces, physics-based animation such and particle and dynamics systems and advanced character animation including skin/muscle deformations. Course will focus on study of existing tools and custom software development. Course Learning Outcomes (CLO) Upon successful completion of this course, students will be able to: 1: Learn advanced rendering concepts using a commercial renderer as a case study. 2: Learn how to develop physics-based animation systems used in many films and games. 3: Learn theory and techniques for developing realistic computer-generated characters. 4: Gain some experience using industry standard tools used in production. Spring 2019 Page 1 of 6 Required Texts/Readings Textbooks Matt Phar, Wenzel Jakob, Greg Humphries, Physically Based Rendering – Third Edition (available online) Rick Parent, Computer Animation – Third Edition Software and Computer Students will be required to have access to a modern capable laptop or desktop computer running recent version of Windows or macOS.
    [Show full text]
  • Lightwave 3D Group and 3 Powers Team up to Offer Powerful
    FOR IMMEDIATE RELEASE LightWave 3D Group and 3rd Powers Team Up to Offer Powerful Creativity Bundle for SIGGRAPH Week 2015 During August 10-17, 2015, purchase a full license of LightWave 2015 for $995 and receive a full suite of 3rd Powers plugins free—a value of more than $600 SIGGRAPH WEEK 2015 - Burbank, CA – August 10, 2015 – The LightWave 3D® Group, a division of NewTek, Inc., has teamed up with Japan-based software developer 3rd Powers to deliver the Powerful Creativity Bundle, featuring a new full license of LightWave 2015 and a complete suite of plugins for LightWave by 3rd Powers. During the week of August 10-17, 2015, artists who buy LightWave 2015 for $995 (USD) will receive free of charge the entire suite of 3rd Powers plugins for LightWave valued at more than $600 (USD). These include LW Brush, Cage Deformer, Lattice Deformer, Meta Mesh, Boolean Tool, and Heat Shrink Plus. This offer is only available on the LightWave website at www.lightwave3d.com. Registered owners of LightWave can upgrade to LightWave 2015 for $495 (USD) during the August 10- 17, 2015 time period and receive free of charge the 3rd Powers LW Brush plugin, valued at $169 (USD). “Artists are always looking for powerful and creative ways to work in 3D,” said Rob Powers, president, LightWave 3D Group. “We are excited to team up with 3rd Powers to deliver the Powerful Creativity bundle for SIGGRAPH Week 2015. It offers artists the opportunity to pair our award-winning LightWave 2015 3D software with some of the most impressive plugins on the market today at no additional cost.
    [Show full text]
  • Poser Pro 2014 Quickly & Easily Design with 3D Figures!
    Poser Pro 2014 Quickly & Easily Design with 3D Figures! Poser Pro 2014 is the fully featured choice for creating new poser content and adding 3D characters to Max, Maya, Lightwave and C4D projects. Poser Pro 2014 provides the fastest way for professionals to create content and render 3D character images and animations from Poser scenes. COLLADA support enables Poser content integration with game engines and other 2D/3D tools. Fully 64-bit native and optimised for multi-core systems, Poser Pro 2014 saves time by efficiently using system memory and processing resources. This is the ideal 3D program for the professional artist and 3D production teams. RRP: £299.99 Product Code: AVQ-SPP14-DVD Barcode: 5 016488 126854 Poser Pro 2014 Uses:- • Supports pro-production workflow – ideal for motion graphics on TV • Medical/forensic reconstruction – crime scene animation • Architectural design – 3D building animation/concept design work • Computer game character design/ flash design for online games • Car/engineering concept construction • Can be used as a standalone or plug-in to other pro graphics packages Poser Pro 2014 Exclusive New Features:- New Fitting Room Interactively fit clothing and props to any Poser figure and create conforming clothing using five intelligent modes that automatically loosen, tighten, smooth and preserve soft and rigid features. Paint maps on the mesh to control the exact areas that you want to modify. Use pre-fit tools to direct the mesh around the goal figure’s shape. With a single button generate a new conforming item using the goal figure’s rig, complete with full morph transfer. New Powerful Parameter Controls Hidden parameters can be displayed so they can be modified automatically, allowing Poser content developers greater power.
    [Show full text]
  • A Virtual Dressing Room Based on Depth Data
    A Virtual Dressing Room based on Depth Data DIPLOMARBEIT zur Erlangung des akademischen Grades Diplom-Ingenieur im Rahmen des Studiums Medieninformatik eingereicht von Philipp Presle Matrikelnummer 0526431 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Priv.-Doz. Mag. Dr. Hannes Kaufmann Mitwirkung: - Wien, 07.06.2012 (Unterschrift Verfasser) (Unterschrift Betreuung) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at A Virtual Dressing Room based on Depth Data MASTER’S THESIS submitted in partial fulfillment of the requirements for the degree of Diplom-Ingenieur in Media Informatics by Philipp Presle Registration Number 0526431 to the Faculty of Informatics at the Vienna University of Technology Advisor: Priv.-Doz. Mag. Dr. Hannes Kaufmann Assistance: - Vienna, 07.06.2012 (Signature of Author) (Signature of Advisor) Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Philipp Presle Gschwendt 2B/1, 3400 Klosterneuburg Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwende- ten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit - einschließlich Tabellen, Karten und Abbildungen -, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Ent- lehnung kenntlich gemacht habe. (Ort, Datum) (Unterschrift Verfasser) i Abstract Many of the currently existing Virtual Dressing Rooms are based on diverse approaches. Those are mostly virtual avatars or fiducial markers, and they are mainly enhancing the experience of online shops. The main drawbacks are the inaccurate capturing process and the missing possibility of a virtual mirror, which limits the presentation to a virtual avatar.
    [Show full text]