The Power of a Women's Words
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112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
U·Rvl-T University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, M148106-1346 USA 313/761-4700 800/521-0600
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copysubmitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, ifunauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand cornerand continuingfrom leftto right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copyfor an additional charge. Contact UMI directly to order. U·rvl-T University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, M148106-1346 USA 313/761-4700 800/521-0600 ---._-._---_.• ------------- Order Number 9018995 High tea at Halekulani: Feminist theory and American clubwomen Misangyi Watts, Margit, Ph.D. -
Chart Action News
Thursday, March 3, 2016 NEWS CHART ACTION MusicRow’s 5th Annual Rising Women on the Row New On The Chart —Debuting This Week MusicRow is set to honor ive deserving Artist/song/label—chart pos. businesswomen who have become Brothers Osborne/21 Summer/EMI Nashville— 56 substantial contributors and visionary Clare Dunn/Tuxedo/MCA Nashville— 73 leaders during its annual Rising Women on Smith & Wesley/Sweet Life/Garage Door Records— 77 the Row breakfast. The ifth annual event will be held Friday, April 8, at the Omni Frank Ortega/Tell Me/Villa One Records—78 Hotel Nashville. To reserve your seat for the Jake Clayton/What Not To Do/Rebel Engine— 79 8:30 a.m. breakfast, click here. Tickets will A Thousand Horses/Southernality/Republic Nashville—80 not be sold at the door, as the event ! regularly sells out. To see the list of this Greatest Spin Increase year’s honorees, click here. Artist/song/label—Spin Increase ! Brothers Osborne/21 Summer/EMI Nashville—303 ! Eric Church/Record Year/EMI Nashville— 268 Don Williams Announces Retirement Dierks Bentley/Somewhere On A Beach/Capitol Nashville— 255 Don Williams, a member of the Country Maren Morris/My Church/Columbia Nashville— 232 Music Hall of Fame, is retiring after six Cole Swindell/You Should Be Here/Warner Bros— 211 decades in the music industry. Williams ! was the CMA Male Vocalist of the Year in Most Added 1978 and “Tulsa Time” was the ACM Artist/song/label—No. of Adds Record of the Year for 1979. In 2010, Brothers Osborne/21 Summer/EMI Nashville—29 Williams received country music’s highest honor with his induction into the Eric Church/Record Year/EMI Nashville—14 Country Music Hall of Fame. -
Ashley on Thecover: ©2021 Mcdanielcollege Or Officialpoliciesofthecollege
The McDANIEL COLLEGE | Spring 2021 The Power of a Woman The McDaniel College Spring 2021 Vol. 36, No. 1 The Hill is published three times yearly by: FEATURES McDaniel College 2 College Hill Westminster, MD 21157-4390 www.mcdaniel.edu 10 The Man with a Plan ... and a Plan B How a heart for family and community brought a new brewery Editor: Lindsay Sherman to Carroll County. Staff Writers: Peggy Fosdick, Cheryl Knauer, Vanessa Sanders Design: Katie Grim, 18 The Power of a Woman Jamie Reams Leinauer Ashley Day ’12 is building the program she wishes she’d had as a Photography: Tae Kerney young Black woman in Baltimore. Alumni correspondence to: [email protected] or The Office of Alumni Relations McDaniel College 2 College Hill Westminster, MD 21157-4390 All other correspondence to: [email protected] 410-857-2290 or The Office of Communications and Marketing McDaniel College DEPARTMENTS 2 College Hill Westminster, MD 21157-4390 2 Carpe Diem 30 Alumni Updates McDaniel College, in compliance with federal and News around campus Life after college state laws and regulations governing affirmative action and non discrimination, does not discriminate and beyond in the recruitment, admission, and employment of students, faculty, and staff in the operation of any 56 Keep Climbing of its educational programs and activities as defined by law. 6 Lasting Lessons Lessons I took from the Hill The diverse views presented in this magazine do not necessarily reflect the opinions of the editors A Farewell from President or official policies of the college. Roger N. Casey ©2021 McDaniel College 8 On the cover: On Location Ashley Day ’12 is the founder Sights worth a second look of Women Leading Baltimore, a nonprofit mentoring 24 Invested organization serving young Advancing the vision Black girls in her hometown of Baltimore. -
The Mississippi Mass Choir
R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z. -
Women and the Myth of Having It All
Women and the Myth of Having It All The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37736803 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Women and the Myth of Having It All Caitlin Feeney A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2017 ! © 2017 Caitlin Rae Feeney ! Abstract This thesis traces the formation and development of the idea of “having it all” from the mid-twentieth century to the present. Drawing on film, television, and magazines, I argue that mass media alternately challenged and reinforced the perceived contradiction between women’s roles as mothers and as workers. At times, the feminist call for equality prevailed and onscreen heroines were portrayed as independent and vocal. At other times, when conservative views grew louder, characters renounced their careers for domesticity. Although both progressive and traditional ideals endured throughout this sixty-year period, the relative influence of each waxed and waned. Based upon the teachings of sociologists during the 1950s, the happy housewife and the more fully realized version of her – the Supermother – remained the motherhood ideal for American women throughout that decade and well into the next. After a decade of increased maternal employment, the Supermother became the Superwoman, who fulfilled all of the requirements of her predecessor, plus a career. -
I'll Make a Man out of You 000 Maniacs 10 More Than This 10,000
# -- -- 20 Fingers I'll Make A Man Out Of You Short #### Man 000 Maniacs 10 20th Century Boy More Than This T. Rex 10,000 Maniacs 21St Century Girls Because The Night 21St Century Girls Like The Weather More Than This 2 Chainz feat.Chris Brown These Are The Days Countdown Trouble Me Countdown (MPX) 100% Cowboy 2 Chainz ftg. Drake & Lil Wayne Meadows, Jason I Do It 101 Dalmations (Disney) 2 Chainz & Wiz Khalifa Cruella De Vil We Own It (Fast & Furious) 10cc 2 Evisa Donna Oh La La La Dreadlock Holiday I'm Mandy 2 Live Crew I'm Not In Love Rubber Bullets Do Wah Diddy Diddy The Things We Do For Love Me So Horny Things We Do For Love We Want Some P###Y Things We Do For Love, The Wall Street Shuffle 2 Pac California Love 112 California Love (Original ... Dance With Me Changes Dance With Me (Radio Version) Changes Peaches And Cream How Do You Want It Peaches And Cream (Radio ... Until The End Of Time (Radio ... Peaches & Cream Right Here For You 2 Pac & Eminem U Already Know One Day At A Time 112 & Ludacris 2 Pac & Eric Will Hot & Wet Do For Love 12 Gauge 2 Pac Featuring Dr. Dre Dunkie Butt California Love 1910 Fruitgum Co. 2 Pistols & Ray J. 1, 2, 3 Red Light You Know Me Simon Says You Know Me (Wvocal) 1975 2 Pistols & T-Pain & Tay Dizm Sincerity Is Scary She Got It TOOTIMETOOTIMETOOTIME She Got It (Wvocal) 1975, The 2 Unlimited Chocolate No Limits 1999 Man United Squad Lift It High (All About Belief) 1 # 30 Seconds To Mars When Your Young .. -
Gangsta Rap and the Politics Of
WOMEN RAPPERS AND THE NEOLIBERAL POLITICS OF INDIFFERENCE: REEVALUATING THE RACIAL AND SEXUAL POLITICS OF LOS ANGELES GANGSTA RAP IN THE EARLY 1990s by SAMUEL V. GOLTER A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2017 THESIS APPROVAL PAGE Student: Samuel V. Golter Title: Women Rappers and Neoliberal Indifference: Reevaluating the Racial and Sexual Politics of Los Angeles Gangsta Rap in the Early 1990s This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Loren Kajikawa Chairperson Eduardo Wolf Member Stephen Rodgers Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2017 ii © 2017 Samuel V. Golter iii THESIS ABSTRACT Samuel V. Golter Master of Arts School of Music and Dance September 2017 Title: Women Rappers and Neoliberal Indifference: Reevaluating the Racial and Sexual Politics of Gangsta Rap in the Early 1988-1994 This thesis asks why women gangsta rappers have been excluded from virtually all academic and popular discourses about the genre. While ‘positive’ and ‘empowering’ New York-based female rappers in the late 80s and 90s are often referenced by those concerned with gangsta rap’s misogynistic tendencies, women rappers in Los Angeles who performed alongside male gangsta rappers, were represented on labels managed by gangsta rappers, and were otherwise self- consciously engaging in the gangsta rap style are almost never acknowledged by either the genre’s defenders or detractors. -
How Advertising Defined Women's Roles in 1950S America Courtney
ABSTRACT Trapped in the Kitchen: How Advertising Defined Women's Roles in 1950s America Courtney Catt Director: Stephen Sloan, Ph.D. This thesis examines the portrayal of middle-class women and their role in 1950's America. The primary evidence comes from advertisements published in four popular magazines of the decade: Saturday Evening Post, LIFE, Good Housekeeping, and Ladies Home Journal. These advertisements primarily limited the placement of women into two overlapping molds, the wife and mother, perpetuating specific qualities that women should uphold to succeed in these roles. The ideal wife of advertising was eager, domestic, and competitive. The ideal mother then built off those qualities to become pleasing, nourishing, and thrifty for her family. Advertising also demonstrated the need for training young girls to prepare them for such duties. Lastly, advertising assumed that even when portrayed in different settings, a woman is never disconnected from her role as wife or mother. Lastly, an analytical comparison is made between the reality of 1950's women and their idealized, advertised roles. APPROVED BY DIRECTOR OF HONORS THESIS: _____________________________________________________________ Dr. Stephen Sloan, Department of History APPROVED BY THE HONORS PROGRAM: ______________________________________________________________ Dr. Andrew Wisely, Director DATE: ________________________________ TRAPPED IN THE KITCHEN: HOW ADVERTISING DEFINED WOMEN'S ROLES IN 1950s AMERICA A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Courtney Catt Waco, Texas May 2014 TABLE OF CONTENTS Acknowledgements iii List of Figures v Chapter One: Advertising the Domestic Life 1 Chapter Two: Advertising the Ideal Wife 17 Chapter Three: Advertising the Ideal Mother 42 Chapter Four: The Reality of 1950's Women 62 Bibliography 75 ii ACKNOWLEDGEMENTS First off, I must thank my awesome thesis director, Dr. -
White Chicks with a Gangsta' Pitch: Gendered Whiteness in United WHITE CHICKS GANGSTA PITCH
Williams: White Chicks with a Gangsta' Pitch: Gendered Whiteness in United WHITE CHICKS GANGSTA PITCH . White Chicks with a Gangsta’ Pitch: Gendered Whiteness in United States Rap Culture (1990-2017) Melvin L. Williams The current research analyzed the authenticating strategies employed by White female rappers to establish legitimacy in Rap culture. Specifically, the study investigated the lyrical content of 109 Rap songs, produced by seven White female rappers signed to major record labels from 1990 to 2017 in the United States. An analysis of Rap lyrics from Tairrie B, Icy Blu, Sarai, Lady Sovereign, Kreayshawn, K.Flay, and Iggy Azalea revealed a number of findings that complicated and supported Edward Armstrong and Mickey Hess’s Hip Hop authenticating strategies. These rappers emphasized authenticity in their lyrical content and chronicled the multiple systems of oppressions facing White women in Rap, among other strategies. The seven rappers also presented themes that articulated a new Hip Hop authenticating strategy: “Look but don’t touch.” This strategy indicated a shift in the tactics used by White male rappers to establish legitimacy in the musical genre and captured the unique standpoints of White women in Rap culture. The majority of the discourse in Hip Hop has primarily been about the thoughts, feelings, and ethos of Black men.1 While Hip Hop has experienced some diversity over the years with the acceptances of Eminem, Macklemore, and Ryan Lewis, and more recently, Mac Miller, Logic, and Post Malone, White female rappers still have not achieved the same level of mainstream success as their White male counterparts. The advent of a White female “rocking the mic” is still heavily questioned and scrutinized by Hip Hop artists and fans. -
Ladyslipper Catalog Table of Contents
I ____. Ladyslipper Catalog Table of Contents Free Gifts 2 Country The New Spring Crop: New Titles 3 Alternative Rock 5g Celtic * British Isles 12 Rock * Pop 6i Women's Spirituality * New Age 16 R&B * Rap * Dance 64 Recovery 27 Gospel 64 Native American 28 Blues ' 04 Drumming * Percussion 30 Jazz • '. 65 African-American * African-Canadian 31 Classical 67 Women's Music * Feminist Music 33 Spoken .... 68 Comedy 43 Babyslipper Catalog 70 Jewish 44 Mehn's Music 72 Latin American 45 Videos 75 Reggae * Caribbean 47 Songbooks * Sheet Music 80 European 47 Books 81 Arabic * Middle Eastern 49 Jewelry, Cards, T-Shirts, Grab-Bags, Posters 82 African 49 Ordering Information 84 Asian * Pacific 50 Order Blank 85 Folk * Traditional 51 Artist Index 86 Free Gifts We appreciate your support, and would like to say thank you by offering free bonus items with your order! (This offer is for Retail Customers only.) FMNKK ARMSTRONG AWmeuusic PIAYS SO GHMO Order 5 items: Get one Surprise Recording free! Our choice of title and format; order item #FR1000. Order 10 items: choose any 2 of the following free! Order 15 items: choose any 3 of the following free! Order 20 items: choose any 4 of the following free! Order 25 items: choose any 5 of the following free! Order 30 items: choose any 6 of the following free! Please use stock numbers below. #FR1000: Surprise Recording - From Our Grab Bag (our choice) #FR1100: blackgirls: Happy (cassette - p. 52) Credits #FR1300: Frankie Armstrong: ..Music Plays So Grand (cassette - p. 14) #FR1500: Heather Bishop: A Taste of the Blues (LP - p. -
Women, Conflict and Peace: Learning from Kismayo INCREASING WOMEN’S PARTICIPATION AND
Women, Conflict and Peace: Learning from Kismayo INCREASING WOMEN’S PARTICIPATION AND Life & Peace Institute and Peace Direct share a commitment to supporting INCLUSION IN JUBBALAND PEACE PROCESSES local civil society in Somalia, with a focus on promoting active roles by women in peace and governance. In particular, the two organizations seek to increase WOMEN, CONFLICT AND PEACE: understanding and analysis of women’s contributions to conflict and peace, in support of the Women, Peace and Security Agenda as part of United Nations Security Council Resolution 1325. In 2016, Life & Peace Institute launched a women-centred transformative dialogue-to-action project in Kismayo, later expanding to other areas of Somalia, in partnership with Somali Women Solidarity Organization. Through this initiative, Learning women shared their experiences, attitudes and solutions to the conflict through spaces in which participants from different identity groups were brought together. Women-to-women reconciliation and relationship-formation has led to practical joint peacebuilding work across clan divides, and women-led collective advocacy from on critical issues associated with the peace and statebuilding process in Somalia. Building on this work, Somali Women Solidarity Organization, Life & Peace Institute and Peace Direct undertook this study, in order to amplify local insights and experiences of violent conflict in Kismayo and wider Somalia. The findings Kismayo show that intra- and inter-clan conflict requires efforts by both women and men, through processes in which women are critical – by supporting and engaging A STUDY REPORT directly in violence. It also evidences that women are able to construct unique APRIL 2018 pathways to peace, often taking exceptional risks to do so.