An Evening with Chick Corea and Herbie Hancock
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National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Imagine Project-'Writing-To-Heal' Lessons
Imagine Project-‘Writing-to-Heal’ Lessons - Daily Lesson Plan Teacher: Grade: 6th- Subject: Language Arts, Social Studies, Homeroom, 12th Social-Emotional Learning, Various Electives, etc. Unit Title: Unit 1 Date of Lesson: Common Core Standards Used W.8.3.3: Reading, Writing and Communicating-Standard 3.3 Writing and Composition-Write engaging real or imagined (Eighth Grade Standards used, but narratives effectively using techniques such as relevant and sufficient descriptive details, sensory language, logical pacing applies to multiple content area and dialogue to detail actions and to develop and reflect on experiences and events. standards for grades 6th-12th) CH.8.3.2. & 4.5 Comprehensive Health Eighth Grade, Standard 4. Prevention and Risk Management 4.5. Demonstrate ways to advocate for a positive, respectful school and community environment that supports pro-social behavior. 3.2 Analyze internal and external factors that influence mental and emotional health. Objective (or Content Language Objective) SWBAT write an original journal entry from processing trauma/life difficulty using a seven step writing process. Texts Needed Printed version of the student journals, sample stories attached or stories from the book/website, The Imagine Project: Stories of Courage, Hope and Love (www.theimagineproject.com), YouTube video examples, YouTube song references. Materials Needed Extra paper, pen or pencils, balloons and sharpies (both optional) Agenda Item + Time Description of Task (Consider depth of knowledge) Do Now: • What are three things you do when you are feeling negative emotions (anger, Time: 8 minutes sadness, lonely, etc.) to help you feel better? • Can been done as a ‘quick-write’, Think-Pair-Share, group discussion, small group discussion, etc. -
CC Festival Activities 2015 Scotland
CC Festival Activities 2015 Scotland Title of event ‘Our Place in Time’ Exhibition – official opening Summary of event Exhibition of photos depicting a timeline of Wester Hailes and its development, featuring archive photos through to modern day. ‘Our Place In Time’ represents a partnership between community organisations, universities, and research institutions that harnesses and develops new technology and social media to explore the past, present, and possible future in a neighbourhood. Dates and times of event Monday 15th June, 1pm – 2pm Details of the venue Wester Hailes Healthy Living Centre 30 Harvesters Way Edinburgh EH14 3JF Website/social media info Our Place in Time Blog Wester Hailes Facebook page Title of event Postcards from Culter Summary of event This two-week event will provide a visual exploration of the intertwining of place, participation and culture in Peterculter, a suburban village on the edge of Aberdeen, which is one of the cultural ecosystem case studies in the Understanding Everyday Participation – Articulating Cultural Values (UEP) project (http://www.everydayparticipation.org). A series of photography workshops and sensory interventions will result in the creation of postcards series exploring the community’s sense of place. This project is co-produced by researchers from the UEP project and community partner institutions including Culter Mills Social Club, Culter Village Hall and Culter Heritage Centre. Between June 15th and June 21st the local community and visitors to Culter are invited to contribute their postcards to the project in person at Culter Village Hall or online at our website. Ten winning postcards chosen by the community will be announced at a celebration event on Wednesday 24th June, and will be printed and sold in aid of village causes. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
Rachel Agan Graduate Recital
Rachel Agan Acknowledgements percussion • I would like to thank my instructor and advisor, Dr. Brian Pfeifer, for all the knowledge and insight he’s passed down over the years. Graduate Recital Thank you for always pushing me to think critically in performance, education, and life. • Thank you to my lovely guest artist and human ray of sunshine, Mandy Moreno. Putting together our jazz set for this recital was easily my favorite part of the whole process! Collaborating with you was fun, easy, and educational. • I would like to thank my family and friends for providing a strong featuring support system as I pursue a career in music. Thank you for always pushing me to do more than I believe is possible. Mandy Moreno • Thank you to all the hardworking staff and faculty in the UND voice Music Department. Fostering an educational environment that meets expectedly high standards is a challenge in the middle of a pandemic, but you’re all succeeding. I see you and appreciate you. • Thank you to Dr. Cory Driscoll for coordinating the recording and live-streaming of this recital. • Thank you to every music teacher I’ve had in the past who has influenced the musician I am today. • Thank YOU for tuning in! Josephine Campbell Recital Hall This recital is in partial fulfillment of a Sunday, April 18th, 2021 Masters of Music: Percussion Performance. 2:00 pm UND.edu/music 701.777.2644 UND.edu/music 701.777.2644 Program Program Notes Rebonds Iannis Xenakis Rebonds (1987-9) Iannis Xenakis A (1922-2001) Xenakis was a Greek-French composer active in the late-20th century in Paris. -
Chick Corea Bio 2015 Chick Corea Has Attained Iconic Status in Music
Chick Corea Bio 2015 Chick Corea has attained iconic status in music. The keyboardist, composer and bandleader is a DownBeat Hall of Famer and NEA Jazz Master, as well as the fourth- most nominated artist in Grammy Awards history with 63 nods – and 22 wins, in addition to a number of Latin Grammys. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Chick has touched an astonishing number of musical bases in his career since playing with the genre-shattering bands of Miles Davis in the late ’60s and early ’70s. Yet Chick has never been more productive than in the 21st century, whether playing acoustic piano or electric keyboards, leading multiple bands, performing solo or collaborating with a who’s who of music. Underscoring this, he has been named Artist of the Year twice this decade in the DownBeat Readers Poll. Born in 1941 in Massachusetts, Chick remains a tireless creative spirit, continually reinventing himself through his art. As The New York Times has said, he is “a luminary, ebullient and eternally youthful.” Chick’s classic albums as a leader or co-leader include Now He Sings, Now He Sobs (with Miroslav Vitous and Roy Haynes; Blue Note, 1968), Paris Concert (with Circle: Anthony Braxton, Dave Holland and Barry Altschul; ECM, 1971) and Return to Forever (with Return to Forever: Joe Farrell, Stanley Clarke, Airto Moreria and Flora Purim; ECM, 1972), as well as Crystal Silence(with Gary Burton; ECM, 1973), My Spanish Heart (Polydor/Verve, 1976), Remembering Bud Powell (Stretch, 1997) and Further Explorations (with Eddie Gomez and Paul Motian; Concord, 2012). -
Chick Corea – the Music Defies Words
By Allen Morrison PHOTO BY ARNE ROSTAD JAZZ ARTIST ‘The Music CHICK COREA Defies Words’ have no plan for this evening. So welcome to my living room.” Corea originals: the $amenco-inspired “Homage” and a previously unre- at’s how Armando “Chick” Corea opens a concert in Quebec, leased piano sonata called “e Moon.” as heard in the opening moments of Portraits (Stretch Records/ ese live albums are just two among Corea’s many recent projects. In Concord Jazz), his recent two-CD collection of live solo the past few years, he has toured and recorded with his current Latin-tinged performances. electric band e Vigil; formed the Grammy-winning Five Peace Band with ‘I Not to worry—he’s got this. John McLaughlin; reunited with his supergroup Return to Forever and He proceeds to unspool a program of favorite tunes by joined his RTF colleagues Stanley Clarke and Lenny White in an acoustic elonious Monk, Bill Evans, Stevie Wonder and Bud Powell; his improvi- trio; recorded Grammy-winning duos with Gary Burton and Béla Fleck; and, sations on compositions by Scriabin and Bartók; several original tunes from in his spare time, written and recorded !e Continents: Concerto For Jazz his album Children’s Songs ; and spontaneous musical “portraits” of volun- Quintet And Chamber Orchestra. teers from the audience at shows in Poland, Morocco, Lithuania and the Even the musicians who are closest to him wonder how he does it. Blade United States. Before each segment, Corea brings the audience into his con"- said it’s hard to separate the musician from the man. -
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon. -
Herbie Hancock 1 Jive Hoot (Bob Brookmeyer)
MUNI 20150420 – Herbie Hancock 1 Jive Hoot (Bob Brookmeyer) 4:43 From album BOB BROOKMEYER AND FRIENDS (Columbia CS 9037 / 468413) Bob Brookmeyer-vtb; Stan Getz-ts; Gary Burton-vib; Herbie Hancock-p; Ron Carter- b; Elvin Jones-dr. New York City, May 1964. Herbie Hancock: THE COMPLETE BLUE NOTE SIXTIES SESSIONS (all compositions by Herbie Hancock) Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey (all sessions) Three Wishes 5:10 Donald Byrd-tp; Wayne Shorter-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. December 11, 1961. From album Donald Byrd: FREE FORM (Blue Note 95961) Watermelon Man 7:08 Freddie Hubbard-tp; Dexter Gordon-ts; Herbie Hancock-p; Butch Warren-b; Billy Higgins-dr. May 28, 1962. From album TAKIN’ OFF (Blue Note 84109 / 46506) Yams 7:56 Jackie McLean-as; Donald Byrd-tp; Herbie Hancock-p; Butch Warren-b; Tony Williams-dr. February 11, 1963. Jackie McLean: VERTIGO (Blue Note LT-1085) Blind Man, Blind Man 8:16 Donald Byrd-tp; Grachan Moncur III-tb; Hank Mobley-ts; Grant Green-g; Herbie Hancock-p; Chuck Israels-b; Tony Williams-dr. March 19, 1963. MY POINT OF VIEW (Blue Note 84126 / 84126-2) Mimosa 6:34 Herbie Hancock-p; Paul Chambers-b; Willie Bobo-dr, timb; Oswaldo „Chihuahua“ Martinez-bongos, finger cymbals. August 30, 1963. INVENTIONS AND DIMENSIONS (Blue Note 84147 / -2) One Finger Snap 7:16 Freddie Hubbard-co; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr. June 17, 1964. EMPYREAN ISLES (Blue Note 84175 / -2) Maiden Voyage 7:55 Dolphin Dance 9:16 Freddie Hubbard-tp; George Coleman-ts; Herbie Hancock-p; Ron Carter-b; Tony Williams-dr. -
Moje Serce to Jest Muzyk Improwizuj Cy
MARZEC 2021 ISSN 2084-3143 Miesięcznik internetowy poświęcony jazzowi i muzyce improwizowanej Ewa Moje serce to jest muzyk improwizuj cy fot. Kuba Majerczyk Adam Brzeziński Adam Domagała Adam Kiepuszewski Adam Krause AdamTkaczyk Agata Sadowska Agnieszka Holwek Agnieszka Lakner Agnieszka Sobczyńska Aleksandra Krupa Aleksandra Kucia Aleksandra Marszałek Aleksandra Nowosad Aleksandra Orzełowska Aleksandra Zbrzeska Alicja Rzepa Andrzej Patlewicz Andrzej Wąsik Andrzej Winiszewski Andrzej Wiśniewski Aneta Stosor Anna Kaczmarz Anna Lenarcik Anna Mrowca Anna Piecuch Anna Rezulak Anna Serafińska Arek Hronowski Arin Al Azab Artur Krutowicz Aya Al Azab Barbara Adamek Barnaba Siegel Bartosz Holoszkiewicz Bartosz Statkiewicz Basia Gagnon Beata Branicka Beata Gralewska Beata Wydrzyńska Beata Zuzanna Borawska Bogdan Augustyniak Bogdan Marciniak Celina Wrotna-Szmidt Cezary Gumiński Cezary Ścibiorski Daria Kmieciak Dariusz Brzostek Dariusz Soltan Dionizy Piątkowski Dominik Borek Dominik Strycharski Dominika Naborowska Dorota Matejczyk Dorota Olearczyk Edyta Zajdlic Eliza Galon Emilia Skrzypiec Ewa Weydmann Ewelina Jaśkowiak Filip Łobodziński Franciszek Garszczyński Gosia Lubbers-Dąbrowska Govert Driessen Grażyna Studzińska-Cavour Grzegorz Bocz Grzegorz Smędek Hanka Dziubińska Iwo Zaniewski Iwona Kowalczyk Jacek Wróbel Jacek Piotrowski Jakub Krukowski Jakub Krzeszowski Jakub Nowak Jakub Paluch Jakub Sokołowski Jan Prokop Janusz Falkowski Jarek Misiewicz Jarek Wierzbicki Jarosław Czaja Jarosław Janecki Jarosław Kowal Jarosław Lemański Jerzy Szczerbakow