Bob Smith Stand-Up Comedy and Writings Coll2012.004

Total Page:16

File Type:pdf, Size:1020Kb

Bob Smith Stand-Up Comedy and Writings Coll2012.004 http://oac.cdlib.org/findaid/ark:/13030/kt8b69s3nw No online items Finding Aid to the Bob Smith Stand-up Comedy and Writings Coll2012.004 Finding aid prepared by Kate Dundon ONE National Gay & Lesbian Archives 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © January 2012 Finding Aid to the Bob Smith Coll2012.004 1 Stand-up Comedy and Writings Coll2012.004 Title: Bob Smith Stand-up Comedy and Writings Identifier/Call Number: Coll2012.004 Contributing Institution: ONE National Gay & Lesbian Archives Language of Material: English Physical Description: 4.0 linear feet.4 records boxes + 1 flat archive box. Date (bulk): Bulk, 1991-2004 Date (inclusive): 1972-2006 Abstract: This collection primarily consists of material relating to Bob Smith’s professional career as a writer and comedian, and includes scripts, manuscripts, newspaper clippings, writing and performance contracts, calendars, research files, correspondence, and recordings of his performances. (1972-2006, bulk: 1991-2004). creator: Smith, Bob, 1958- Arrangement Arranged into three series: Professional files, Personal files, and Audiovisual material. Biography Bob Smith is an American writer and comedian based in New York City. Born in Buffalo, New York, in 1958, he began writing and performing stand-up comedy in 1977, and in 1998, he formed the comedy troupe "Funny Gay Males" with comedians Jaffe Cohen and Danny McWilliams. Smith was the first openly gay comedian to appear on the Tonight Show and to have his own HBO Comedy Half-Hour special. He has written comedy for Amblin Films, the MTV Video Music Awards, Dennis Miller, Roseanne, and MAD-TV. In addition to his autobiographies Openly Bob (1997), which received a Lambda Literary Award, and Way to Go, Smith! (1999), he has published two novels, Selfish and Perverse (2007) and Remembrance of Things I Forgot (2011), and numerous essays. Smith was diagnosed with Lou Gehrig’s disease in 2007. Access The collection is open to researchers. There are no access restrictions. Publication Rights Researchers wishing to publish material must obtain permission in writing from ONE National Gay & Lesbian Archives as the physical owner of the material. Note that permission to publish does not constitute copyright clearance. ONE National Gay & Lesbian Archives can grant copyright clearance only for those materials for which we hold copyright. It is the responsibility of the researcher to obtain copyright clearance for all other materials from the copyright holder(s). Acquisition Information Received from Bob Smith, February, 19, 2008. Preferred Citation Box #, folder #, Bob Smith papers, Coll2012-004, ONE National Gay & Lesbian Archives, Los Angeles, California Processing Information Collection processed by Kate Dundon, January 2012. Scope and Contents The collection primarily consists of material relating to Smith’s career as a writer and comedian, including scripts of sketches, manuscripts of his published works, newspaper clippings of reviews of his performances or books, writing and performance contracts, calendars, research files, and correspondence. Also included are DVDs, videotapes, and audiocassettes that document his performances throughout his career. A small amount of personal material includes correspondence from friends and relatives. Materials range from 1972-2006, but the bulk of the collection dates from 1991-2004. The collection is separated into three series: (1) Professional files, which consists of material relating to Smith’s professional life, (2) Personal files, which consists primarily of personal correspondence, and (3) Audiovisual material, which includes recordings of Smith's performances. Separated Materials The following materials have been separated from the collection: Cohen, Jaffe and McWilliams, Danny and Smith, Bob. Growing Up Gay: From Left Out to Coming Out. Hyperion: New York, 1995. Out magazine, March 1997. Out magazine, April 1998. Rosen, Michael J. (editor). 101 Damnations: The Humorists' Tour of Personal Hells. St. Martin's Press: New York, 2002. Finding Aid to the Bob Smith Coll2012.004 2 Stand-up Comedy and Writings Coll2012.004 Rosen, Michael J. (editor). Mirth of a Nation: The Best of Contemporary Humor. Perennial: New York, 2000. Smith, Bob. Openly Bob. Rob Weisbach Books: New York, 1997. Smith, Bob. Way to Go, Smith! Rob Weisbach Books: New York, 1999. "Out There" Comedy Central T-shirt, circa 1993. Juneau, Alaska Pride Parade T-shirt, circa 1999. Subjects and Indexing Terms Audiotapes Clippings (Books, newspapers, etc.) Comedians Correspondence Gay men's writings, American Scripts (documents) Stand-up comedy Video tapes Professional files Series 1. Bulk, 1991-2005 1986-2006 Physical Description: 3.0 linear feet. Series Description The Professional Files series consists of material relating to Smith’s career as a writer and comedian. Arrangement note Materials are grouped into two subseries: Publicity and administration, and Writings, and with each arranged alphabetically. Publicity and administration Subseries 1.1. 1972-2006 Physical Description: [33 folders] Subseries Description The Publicity and administration subseries contains materials relating to Smith's professional career, such as newspaper clippings of reviews of Smith's performances and publications, writing and performance contracts, calendars, portfolios, correspondence, and publicity tour schedules. Box 1, Folder 1 Audition scripts 1993-2006 General Physical Description note: Includes 1 photograph: b&w. Box 1, Folder 2 Awards 1995-1998 Box 1, Folder 3-5 Calendars 1986-1999 Box 1, Folder 6-16 Clippings Box 1, Folder 6 Funny Gay Males 1989-2006 Box 1, Folder 7 Openly Bob 1997-1998 Box 1, Folder 8 Out There 1993 Box 5 Oversize clippings and posters 1995-2004 Physical Description: [1 oversized folder] Box 1, Folder 9-15 Reviews and announcements 1988-2005 Box 1, Folder 16 Way to Go Smith! 1999-2000 Box 1, Contracts Folder 17-22 Box 1, Folder 17 Amblin 1993-1994 Box 1, Folder 18 Funny Gay Males 1991-1992 Finding Aid to the Bob Smith Coll2012.004 3 Stand-up Comedy and Writings Coll2012.004 Professional files Series 1.Bulk, 1991-2005 1986-2006 Publicity and administration Subseries 1.1.1972-2006 Box 1, Folder 19 HBO Comedy Half-Hour 1994 Box 1, Folder 20 Openly Bob 1994-1996 Box 1, Folder 21 Other writing contracts 1996-1999 Box 1, Folder 22 Television, film, internet, radio contracts 1994-2003 Box 2, Folder 1 Eighth grade progress report 1972 Box 2, Folder 2 Portfolios 1994-2000 General Physical Description note: Includes 1 photograph: b&w. Box 2, Folder 3 Professional correspondence 1994-2004 Box 2, Folder 2-5 Publicity tours Box 2, Folder 4 Openly Bob 1996-1998 Box 2, Folder 5 Way to Go Smith! 1999-2000 Writings Subseries 1.2. 1981-2002 Physical Description: [22 folders] Subseries Description The Writings subseries consists of material Smith wrote throughout the course of his career, including scripts, manuscripts of his published works, clippings of published articles, and notes for his comedy routines. Some of this material is contained in floppy disks. Also included are research materials he used in writing his novel Selfish and Perverse, including two annotated books: Eskimo Essays and Boundaries and Passages. Box 2, Folder 6-7 Comedy notes 1985-1997, undated Box 3, Item 13-22 Floppy disks 1991, undated General Physical Description note: [12 floppy disks (3 1/2 in.)] Box 3, Item 13 Addresses undated Box 3, Item 14 Back up HD3 undated Box 3, Item 15 Funny Gay Males book, movie section undated Box 3, Item 16 Jokes undated Box 3, Item 17 "My stuff" undated Box 3, Item 18 Out There, Bob Smith undated Box 3, Item 19 Print file undated Box 3, Item 20 Saturday Night Special undated Box 3, Item 21 Stand-up 1991 Box 3, Item 22 Unlabeled floppy disks undated Box 2, Folder 8 In Through the Out Door 1997 Box 2, Folder 9 It's a Fabulous Life undated Box 2, Mad TV Folder 10-12 Box 2, Folder 10 Research, notes, correspondence 1998-2000 Box 2, Folder 11 Sketches 2000 Box 2, Folder 12 Table draft 1999 Box 2, Openly Bob 1997 Folder 13-15 Box 2, Folder 16 Other writings undated Box 2, Folder 17 Out There 1993 Box 2, Folder 18 Published articles 1995-2002 Box 3, Folder 1-5 Selfish and Perverse Box 3, Folder 1-2 Manuscripts 2001, undated Physical Description: 2 folders Box 3, Folder 3-5 Research and notes 1990-2001 Box 3, Folder 6 Snap Judgment circa 1981 Box 3, Folder 7-9 Way to Go Smith! 1999 Finding Aid to the Bob Smith Coll2012.004 4 Stand-up Comedy and Writings Coll2012.004 Personal files Series 2.Bulk, 1992-2004 1972-1995 Personal files Series 2. Bulk, 1992-2004 1972-1995 Physical Description: [3 folders] Series Description The Personal Files series consists of correspondence from friends and relatives, and other personal materials. Arrangement note Materials are arranged alphabetically. Box 3, Folder 10 Correspondence 1992-2004 Box 3, Folder 11 Domestic partner enrollment form 1995 Access RESTRICTED Box 3, Folder 12 The Seven Deadly Sins of Lobe (inscribed to Smith) 1994 Audiovisual material Series 3. Bulk, 1982-2004 1982-2004 Physical Description: 1.0 linear foot. Series Description The Audiovisual Material series consists of recordings of Smith’s performances throughout his career on videocassettes, audiocassettes, and DVDs. Arrangement note Materials are grouped by format, then arranged chronologically. Box 4, Item 1-41 Videocassettes 1990-2004 Physical Description: [41 videocassettes] Box 4, Item 1-2 Bob Smith: The Duplex (Applause Video Productions) June 22, 1990, undated General
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Spring 2007 Newsletter
    Dance Studio Art Create/Explore/InNovate DramaUCIArts Quarterly Spring 2007 Music The Art of Sound Design in UCI Drama he Drama Department’s new Drama Chair Robert Cohen empa- a professor at the beginning of the year, graduate program in sound sized the need for sound design initia- brings a bounty of experience with him. design is a major step in the tive in 2005 as a way to fill a gap in “Sound design is the art of provid- † The sound design program Tdepartment’s continuing evolution as the department’s curriculum. “Sound ing an aural narrative, soundscape, contributed to the success of Sunday in The Park With George. a premier institution for stagecraft. design—which refers to all audio reinforcement or musical score for generation, resonation, the performing arts—namely, but not performance and enhance- limited to, theater,” Hooker explains. ment during theatrical or “Unlike the recording engineer or film film production—has now sound editor, we create and control become an absolutely the audio from initial concept right vital component” of any down to the system it is heard on.” quality production. He spent seven years with Walt “Creating a sound Disney Imagineering, where he designed design program,” he con- sound projects for nine of its 11 theme tinued, “would propel UCI’s parks. His projects included Cinemagique, Drama program—and the an interactive film show starring actor collaborative activities of Martin Short at Walt Disney Studios its faculty—to the high- Paris; the Mermaid Lagoon, an area fea- est national distinction.” turing several water-themed attractions With the addition of at Tokyo Disney Sea; and holiday overlays Michael Hooker to the fac- for the Haunted Mansion and It’s a Small ulty, the department is well World attractions at Tokyo Disneyland.
    [Show full text]
  • Saturday and Sunday Movies
    The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time.
    [Show full text]
  • Improving CVC Video Tape Trasfer Quality
    Improving CVC Video Recording Transfer Quality Leo Backman/DigiOmmel & Co. DigiOmmel & Co. was recently commissioned to digitize a batch of obsolete CVC® video tape recordings. The recordings date back to mid-1980s. For this project, we rejuvenated our CVC machine stock, and modified our primary transfer VCRs to provide optimal replay signal stability and quality. An Y/C component video output was added to improve the luminance and chrominance signal transfer at capture stage. Compact Video Cassette format was developed by Funai Electric Trading Co., LTD., sponsored by Technicolor Corporation. CVC units, made by Funai, were marketed under various OEM brands such as Canon, Chinon, Grundig, Saba, Siemens, Uher and Universum (Quelle). Grundig, however, modified the original CVC format by lowering the tape speed in their model VP100, to achieve an extended recording time. Short CVC history The CVC format parameters for CCIR/PAL video signal were finalized in October 1981. In fact, CVC was the first small cassette, consumer-grade, color-capable VCR on the market, making it a rival format to portable stand-alone Beta and VHS recorders. CVC video signal encoding format is very similar to VHS; all the Y/C signal recording and playback processes can be carried out by a standard VHS video chip set (Hitachi). CVC’s more modern feature is a dynamic (level-dependent) pre-emphasis in luminance signal process, as opposed to a fixed pre- emphasis of the VHS format (Fig. 1). Figure 1. The CVC format employs dynamic high-frequency luminance pre-emphasis, while VHS format uses a fixed pre-emphasis.
    [Show full text]
  • Gr-Ax760 Gr-Ax660 Compact Vhs Camcorder Instructions
    CONTENTS COMPACT VHS CAMCORDER GETTING STARTED 6 RECORDING 14 Basic Recording ...................... 14 Basic Features ........................ 15 Video Light ........................... 17 GR-AX760 Advanced Features .................. 18 Date/Time Insert .................... 18 Snapshot ................................ 19 Digital Image Stabilizer GR-AX660 (D.I.S.) ................................... 20 Exposure Control .................... 20 White Balance Adjustment ...... 21 Focusing ................................ 22 Programme AE With Special Effects .................................... 24 Fade/Wipe ............................. 26 Using Menu For Detailed Adjustment............................. 28 Instant Titles........................... 30 Self-Timer .............................. 32 Animation .............................. 33 Time Lapse ............................. 33 PLAYBACK 34 Using The Cassette Adapter ........ 34 Basic Connections .................... 35 Basic Playback ....................... 36 Features ............................... 37 EDITING 38 Tape Dubbing ......................... 38 Random Assemble Editing [R.A.Edit] ...38 (GR-AX760 shown) Insert Editing ......................... 42 Audio Dubbing ........................ 43 USER MAINTENANCE 44 Compact VHS TROUBLESHOOTING 45 INDEX 47 PAL Controls ............................... 47 Connectors ............................ 48 Indicators ............................. 48 Other Parts ........................... 48 INSTRUCTIONS Viewfinder ............................ 49
    [Show full text]
  • ARDEN MYRIN Theatrical Resume
    ARDEN MYRIN Page 1 of 2 ARDEN MYRIN FILM WRONG COPS Independent Dir: Quentin Dupieux BACHELORETTE Weinstein Company Dir: Leslye Headland WRONG Independent Dir: Quentin Dupieux MORNING GLORY Paramount Pictures Dir: Roger Michell A LITTLE HELP Independent Dir: Michael J. Weithorn THE INFORMANT: A TRUE STORY Warner Bros. Dir: Steven Soderbergh THE LUCKY ONES Lionsgate Dir: Neil Burger EVAN ALMIGHTY Universal Dir: Tom Shadyac KINSEY Fox Searchlight Dir: Bill Condon CHRISTMAS WITH THE KRANKS Columbia Pictures Dir: Joe Roth HEART OF THE BEHOLDER Independent Dir: Ken Tipton DRY CYCLE Independent Dir: Isaac H. Eaton AUTOFOCUS Sony Pictures Classics Dir: Paul Schrader HIGHWAY New Line Cinema Dir: James Cox BUBBLE BOY Buena Vista Dir: Blair Haynes WHAT WOMEN WANT Paramount Pictures Dir: Nancy Meyers DECONSTRUCTING HARRY Fine Line Features Dir: Woody Allen THE IMPOSTERS Fox Searchlight Dir: Stanley Tucci I THINK I DO Independent Dir: Brian Sloan TELEVISION CHELSEA LATELY E! Network Regular Panelist HOLE TO HOLE Adult Swim Series Regular/Creator ORANGE IS THE NEW BLACK Netflix Guest Star INSIDE AMY SCHUMER Comedy Central Guest Star NEXT CALLER NBC Potential Recurring SUBURGATORY WB/ABC Recurring PSYCH USA Recurring UNTITLED ARDEN MYRIN PROJECT MTV/Pilot Series Regular/Creator HUNG HBO Guest Star GARFUNKEL AND OATES HBO/Pilot Recurring DELOCATED Adult Swim Guest Star PSYCH USA Recurring HOT IN CLEVELAND TVLAND Guest Star PARTY DOWN Starz Guest Star ROYAL PAINS USA Guest Star MICHAEL AND MICHAEL HAVE ISSUES Comedy Central Recurring MAD TV FBC Series Regular ON THE SPOT WB Series Regular WHAT'S UP PETER FUDDY? FBC/Pilot Series Regular WORKING NBC Series Regular THE ROYALE AMC Series Regular UNTITLED HBO NBA PROJECT HBO/Pilot Guest Star GILMORE GIRLS WB Guest Star RENO 911 Comedy Central Guest Star FRIENDS NBC Guest Star STAND-UP COMEDY THE PARTY MACHINE Union Hall, NYC Writer/Performer STRAIGHT OUTTA LIL' COMPTON HBO Workspace Writer/Performer STAND-UP COMEDY Various Writer/Performer IMPROV UCB/Groundlings/IOwest Los Angeles/NYC Performer Page 2 of 2 .
    [Show full text]
  • The Role of Religion in American Jewish Satire
    Syracuse University SURFACE Dissertations - ALL SURFACE 1-1-2015 All Joking Aside: The Role of Religion in American Jewish Satire Jennifer Ann Caplan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Caplan, Jennifer Ann, "All Joking Aside: The Role of Religion in American Jewish Satire" (2015). Dissertations - ALL. 322. https://surface.syr.edu/etd/322 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT Jewish humor is a well-known, if ill-defined genre. The prevalence and success of Jewish comedians has been a point of pride for American Jews throughout the twentieth and twenty-first centuries. What I undertake in this dissertation is to isolate one particular form of humor—namely satire—and use it as a way to analyze the changing relationship of American Jews to traditional religious forms. I look at the trends over three generations, the third generation (who came of age in the 40s and 50s), the Baby Boom generation (who came of age in the 60s and 70s) and the contemporary generation (who came of age in the 80s and 90s). When the satire produced by each generation is analyzed with the depiction of Judaism and Jewish practices in mind a certain pattern emerges. By then reading that pattern through Bill Brown’s Thing Theory it becomes possible to talk about the motivations for and effects of the change over time in a new way.
    [Show full text]
  • BRIAN OWEN Line Producer
    BRIAN OWEN Line Producer PROJECTS DIRECTORS STUDIOS/PRODUCERS GUILTY PARTY Various Directors FUNNY OR DIE / PARAMOUNT + Season 1 – LA Insert Rebecca Addelman, Whitney Hodack Line Producer Location: Los Angeles DREAM CORP LLC Daniel Stessen ADULT SWIM Pilot, Seasons 1, 2, & 3 John Krasinski, Stephen Merchant Line Producer Mark Costa Location: Los Angeles THE GORBURGER SHOW Season 1 The Director Brothers 3 ARTS ENTERTAINMENT Line Producer FUNNY OR DIE / COMEDY CENTRAL Locations: Los Angeles TJ Miller, Josh Martin, Ryan McNeely MAYA & MARTY IN MANHATTAN Osmany Rodriquez NBC / BROADWAY VIDEO Series Lorne Michaels, Justus McLarty Segment Line Producer Location: Los Angeles LEGENDARY DUDAS Pilot & Season 1 Ben Pluimer NICKELODEON Line Producer Various Directors Sharla Sumpter Bridgett Location: Los Angeles Kevin Jakobowski CREATIVE LAB Various Directors NICKELODEON Line Producer Sharla Sumpter Bridgett Location: Los Angeles BETAS Season 1 Michael Lehmann AMAZON Production Supervisor Various Directors Michael London, Alan Cohen Locations: Los Angeles Alan Freedland, Michael Lehmann Scott Sites HOLE TO HOLE! Pilot Pam Brady ADULT SWIM Line Producer Pam Brady, Arden Myrin Location: Los Angeles FIGURE IT OUT Cycle 5 Dana Calderwood NICKELODEON Line Producer Magda Liolis, Eileen Braun Location: Los Angeles SKETCH SHOW Pilot Eric Dean Seaton NICKELODEON Line Producer Sharla Sumpter Bridgett, Laura House Location: Los Angeles CRASH & BERNSTEIN Pilot Bruce Leddy IT’S A LAUGH PRODUCTIONS Production Supervisor DISNEY XD Location: Los Angeles Eric Friedman,
    [Show full text]
  • Columbia Chronicle (03/26/2001) Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 3-26-2001 Columbia Chronicle (03/26/2001) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (03/26/2001)" (March 26, 2001). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/508 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Spring Break The Chronicle goes Spectacular one-on-one with the '7-up yours guy' At a glance Problems plague Congress dormitory Residents say their phones often don' t By Joe Guiliani work, and their rooms are still not Contributing Editor equipped with cable TV. Many have had their toilets overflow, leaving Inside Columbia's new donnitory at rooms reeking of sewage. 18 E. Congress, the walls are a pristine Remodeling in the building apparent­ white. The new carpeting is clean, and ly ran behind schedule, and now, six the furniture in each room- a couch months later. workers arc still scram­ and two chairs- is soft and plush. bling to make repairs and finish the job. But look closer and you' II find cracks Oakes said the company who installed in the plaster, ceiling tiles turned a dis­ the building's plumbing fa iled to install gusting brown from leaking water.
    [Show full text]
  • * TV-Filmresume-Letrhd
    Glenn Berkovitz, CAS [email protected] 310- 902-1148 Production Sound Mixer Television programming: ANATOMY OF VIOLENCE (series pilot), 21st Century Fox Television/CBS - Dir.: Mark Pellington HOW TO LIVE WITH YOUR PARENTS (pilot + series), Fox Television/ABC - Prod: Claudia Lonow, Ken Ornstein, Mark Grossan THE SAINT (series pilot), Silver Screen Pictures - Dir.: Simon West BENT (series), NBC Universal Television/NBC - Prod.: Tad Quill, DJ Nash, Chris Plourde ZEKE & LUTHER (series - seasons 1, 2 & 3), Turtle Rock Pictures/Disney Channel - Prod.: Danielle Weinstock PARKS & RECREATION (series - pilot & season 1), NBC Television - Prod.: Morgan Sackett OCTOBER ROAD (series - season 2), Touchstone TV / ABC - Prod.: Scott Rosenberg, Mark Ovitz MEN OF A CERTAIN AGE (series pilot), Turner North / TNT Network - Dir.: Scott Winant COURTROOM K (series pilot), Fox Television - Dir.: Anthony & Joe Russo RAINES (series pilot), NBC Television/NBC - Dir.: Frank Darabont CAMPUS LADIES (series - 2 seasons), Principato/Young / Oxygen Network - Prod.: Paul Young, Brian Hall WEEDS (pilot + seasons 1 & 2), Lions Gate / Showtime Television - Exec. Prod.: Jenji Kohan, Mark Burley KAREN SISCO (series), Universal Television / ABC - Exec. Prod.: Bob Brush, Michael Dinner FOOTBALL WIVES (series pilot), Touchstone Television/ABC - Dir.: Bryan Singer HARRY GREEN AND EUGENE (series pilot), Paramount Pictures/ABC - Dir.: Simon West LUCKY (series), Castle Rock Television / F/X Networks - Exec. Prod.: Robb & Mark Cullen BOSTON LEGAL (assorted episodes), David E. Kelley Prod./Fox Television - Prod.: Bill D’Elia, Janet Knutsen CROSSING JORDAN (pilot + season 1), NBC Productions/NBC - Exec. Prod.: Tim Kring FREAKYLINKS (series), 20th Century Fox Television/Fox Broadcasting - Exec. Prod.: David Simkins M.Y.O.B.
    [Show full text]
  • Tthhheee Tttaaattttttooooo
    A9 | Monday, April 11, 2005 The Bristol Press TTHHEE TTAATTTTOOOO BRISTOL PRESS MAKING A PERMANENT IMPRESSION SINCE 1994 VOLUME 11 No. 11 ‘Hollow Men’ fill Iraq War protesters feel lucky By STEVEN DUREL University senior involved with the world, many calling for a and food from various organi- The Tattoo the Progressive Student timetable for the removal of zations. The Tent People even a TV humor void Alliance. American troops from Iraq, a entertained local religious lead- Amidst the ocean of green Marching in front of the nation which now possesses its ers who stopped by to let the By STEFAN KOSKI hats and balloons of St. Capitol at noon, the demon- own multi-ethnic government protesters know that their The Tattoo Patrick’s Day in Hartford last strators chanted and carried and military. Many Coalition efforts were much appreciated. month, there were also banners signs condemning the invasion. countries, most notably Spain, Despite the overall sense of Ever since “Saturday Night Live” premiered on NBC in 1975, a and cries of discontent. Rallying together an hour have removed their forces from solidarity among the anniver- host of other sketch comedy shows have been launched with Gathering around the state later, the protesters denounced Iraq and others, like Italy and sary demonstrations, the pro- mixed success. The most notable of these include Fox’s “Mad TV” Capitol, dozens of dissatisfied the war, making reference to the Ukraine, have recently testers themselves seemed less and Canada’s “The Kids in the Hall.” protesters marked the second the more than 100,000 lives lost made requests to leave the area than optimistic about how the Comedy Central has introduced many of these sketch comedy anniversary of the invasion of in the past two years.
    [Show full text]
  • GR-AXM405 GR-AXM205 EN SN * UN * Printed in Japan 0399FOV a VICTOR COMPANY LIMITED JAPAN, of COMPANY VICTOR COPYRIGHT© 1999 VICTOR COMPANY of JAPAN, LTD
    COMPACT VHS CAMCORDER GR-AXM405 ENGLISH GR-AXM205 INSTRUCTIONS LYT0352-001A EN 2 EN Dear Customer, Thank you for purchasing the JVC Compact VHS camcorder. Before use, please read the safety information and precautions contained in the following pages to ensure safe use of this product. Using This Instruction Manual • All major sections and subsections are listed in the Table Of Contents (Z pg. 3). • Notes appear after most subsections. Be sure to read these as well. • Basic and advanced features/operation are separated for easier reference. It is recommended that you . .... refer to the Index (Z pgs. 52 – 54) and familiarize yourself with button locations, etc. before use. .... read thoroughly the Safety Precautions. They contain extremely important information regarding the safe use of this product. You are recommended to carefully read the cautions on pages 55 and 56 before use. SAFETY PRECAUTIONS WARNING: NOTES: TO PREVENT FIRE OR SHOCK cThe rating plate (serial number plate) and safety caution are on the bottom and/or the back of HAZARD, DO NOT EXPOSE the main unit. THIS UNIT TO RAIN OR c The rating plate (serial number plate) of the AC MOISTURE. Power Adapter/Charger is on its bottom. Warning on lithium cell battery (for clock This camcorder is designed to be used with PAL- operation and remote control unit) type colour television signals. It cannot be used The battery used in this device may present a fire for playback with a television of a different or chemical burn hazard if mistreated. Do not standard. However, live recording and LCD recharge, disassemble, heat above 100°C or monitor/viewfinder playback are possible incinerate.
    [Show full text]