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Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
Ttu Theatr 000125.Pdf (2.260Mb)
FEBRVARY/MARCH1997 Texas Tech University Department of Theatre and Dance Graduate Faculty Teachini Assistants Dr. Norman A. Bert, Chair Jim Bush*/** Lisa Lawrence Holland Prof. Frederi k B. Christoffel** Brett Carlson** James W. Lee* Dr. Carale Manning-Hill Kristi Carter Louise Mallory Prof. Christopher J. Markle Darise Error* Deborah G. Martin Dr. Jonathan Marks Wade Fransen Allen Partridge* Prof. Diana Moore Patrick Gendusa Laura J. Proffitt* Prof. Joan St. Germain*/** Kerry Graves Paula Rodriguez Dr. Dean Wilcox Norman Grueneich Joe Bill Thompson** Prof. Peggy Willis-Aarnio*/*** Michael Hannah* Kara Wooten* University Theatre Production Staff Director ofTheatre ..................... Frederik B. Christoffel Business Manager ..................... Rick Tuman Department Secretary ............... Mary Cervantes Technical Director ...................... Joe Pew** Costume Shop Supervisor ......... Sherry L. Lyon Costume Shop First Hand ......... Ruth Barrington Asst. Technical Director ............. Todd Proffitt** Properties Master ...................... Samuel J. Hyland*/** Master Electrician ..................... Joe Bill Thompson Asst. Master Electrician ............ Brett A. Carlson Scene Shop Staff ........................ Brett A. Carlson, Whitney Frazier, Norman Grueneich, Russell Hyland*/**, Rhein Pierce**, Pat White** Costume Shop Staff ................... Lalon Alexander, Kristi Carter, Charlotte Farquhar, 'Becca Fields, Allen Partridge Promotions/Publications Director ... James W. Lee Box Office Manager ................... Laura -
A History and Narrative of Wynn Handman, The
THE LIFE BEHIND LITERATURE TO LIFE: A HISTORY AND NARRATIVE OF WYNN HANDMAN, THE AMERICAN PLACE THEATRE, AND LITERATURE TO LIFE A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by TRACY TERSTRIEP-HERBER B.A., University of California, 1992 Kansas City, Missouri 2013 ©2013 TRACY TERSTRIEP-HERBER ALL RIGHTS RESERVED THE LIFE BEHIND LITERATURE TO LIFE: A HISTORY AND NARRATIVE OF WYNN HANDMAN, THE AMERICAN PLACE THEATRE, AND LITERATURE TO LIFE Tracy Terstriep-Herber, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2012 ABSTRACT Literature to Life is a performance-based literacy program developed under the auspices of The American Place Theatre in New York City (1994). The American Place Theatre was founded in 1964 and stewarded by the artistic mission of Wynn Handman. It has earned its own place in American theatrical history. Prior dissertations have chronicled specific elements of the American Place Theatre (APT), but no account has bridged the history of APT and Wynn Handman’s privately-run acting studio to the significant history of Literature to Life. The once New York City-based program that promoted English, cultural and theatrical literacy to students within the city’s public iii school system, now has a strong national following and continues to inspire students and adults across the country. This thesis will chart an historical and narrative account of Literature to Life as it emerged from the embers of the American Place Theatre and rekindled the original mission of Wynn Handman, in a different setting and for new audiences. -
Questions of Popular Cult(Ure)
Questions of Popular Cult(ure) Leanne McRae Bachelor of Arts (Media Studies) Master of Arts (Media Studies) This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2002 Copyright License Murdoch University Library/Archives Use of Thesis This is the property of Murdoch University. However the literary rights of the author must also be respected. If any passage from this thesis is quoted or closely paraphrased in a paper or written work prepared by the user, the source of the passage must be acknowledge in the work. If the user desires to publish a paper or written work containing passages copied or closely paraphrased from this thesis, which passages would in total constitute and infringing copy for the purpose of the Copyright Act, he or she must first obtain the written permission of the author to do so. ii Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not been previously submitted for a degree at any tertiary educational institution. Leanne McRae iii Abstract Questions of Popular Cult(ure) works in the uncomfortable and unclear spaces of popular culture. This thesis demonstrates how cult cauterizes ambiguity and functions as a framing agent for unpopular politics in popular culture. In tracking the flows and hesitations in the postwar period through the rise of the New Right and identity politics, this thesis shows how cult contains moving and malleable meanings that maneuver through everyday life. It is a slippery and slight subject that denies coherent categorization in definitional frames. -
Inklings: Collected Columns on Leadership and Creativity
DOCUMENT RESUME ED 347 593 CS 507 870 AUTHOR Campbell, David P. TITLE Inklings: Collected Columns on Leadershipand Creativity. INSTITUTION Center for Creative Leadership,Greensboro, N.C. REPORT NO ISBN-0-912879-67-X PU8 DATE 92 NOTE 153p. AVAILABLE FROMCenter for Creative Leadership, P.O.Box 26300, Greensboro, NC 27438-6300 ($15 each; 2-49copies, $12 each; 50+ copies $9 each). PUB TYPE Collected Works - General (020)-- Creative Works (Literature,Drama,Fine Arts) (030) EDRS PRICE MF01 Plus Postage. PC Not Availablefrom EDRS. DESCRIPTORS *Creativity; Essays; *Leadership;*Organizational Communication; Theory PracticeRelationship IDENTIFIERS Leadership Effectiveness; ProfessionalConcerns ABSTRACT This book brings together 35 ofDavid P. Campbell's essays originally published asa r,gular column in a quarterly publication called "Issues andObservations." The, articles deal with topics ranging from leadership issuessuch as risk-taking, executive motivation, decision making, andcorporate taboos, to more general concerns such as father-son relationships,the perils of travel, affirmative action,intelligence testing, and creativity,often in anecdotal and humorou:, style. (SR) *********************************************************************** Reproductions supplied by EDRSare the best that can be made from the original document. *********************************************************************** g.4 A. .1 I .,,,\.;7q:,,,;';;' 4n11.41111 , DtteC"1 . colk011s011 ,..7., VezAelsiEs. eu,ll'oDEI°APTIll4ENTOPEL)4.1ATION N-- Office ot Educationsi Aesesich and improvement t.St, EDUCATIONAL RESOURCESINFORMATION CENTER (ERIC) PERMISSION TO RE PROOLJCE THIS MATERIAL c This document hasbeen reproduced as IN OTHER THAN ieCeived tram the person ororganization PAPER COPY HAS BEEN originating it GRAN TL:,t) BY 0 Minor changes have beenmade to improve reproduction Quality ti (.4 Poi ntti ot wen* or opinions Statedin this dOCu. -
The Man Who Would Be Queen: the Science of Gender-Bending and Transsexualism
The Man Who Would Be Queen: The Science of Gender-Bending and Transsexualism http://www.nap.edu/catalog/10530.html Copyright © National Academy of Sciences. All rights reserved. The Man Who Would Be Queen: The Science of Gender-Bending and Transsexualism http://www.nap.edu/catalog/10530.html Copyright © National Academy of Sciences. All rights reserved. The Man Who Would Be Queen: The Science of Gender-Bending and Transsexualism http://www.nap.edu/catalog/10530.html J. Michael Bailey Joseph Henry Press Washington, D.C. Copyright © National Academy of Sciences. All rights reserved. The Man Who Would Be Queen: The Science of Gender-Bending and Transsexualism http://www.nap.edu/catalog/10530.html Joseph Henry Press • 500 Fifth Street, N.W. • Washington, D.C. 20001 The Joseph Henry Press, an imprint of the National Academies Press, was created with the goal of making books on science, technology, and health more widely avail- able to professionals and the public. Joseph Henry was one of the early founders of the National Academy of Sciences and a leader in early American science. Any opinions, findings, conclusions, or recommendations expressed in this volume are those of the author and do not necessarily reflect the views of the National Academy of Sciences or its affiliated institutions. The names of some of the people mentioned in this book—and selected details about their lives—have been changed to protect the individuals’ identities. Library of Congress Cataloging-in-Publication Data Bailey, J. Michael The man who would be queen : the science of gender-bending and transsexualism / J. -
Professor Potholm Spring 2020 Government 3600
Bowdoin College Professor Potholm Spring 2020 Government 3600 CONFLICT SIMULATION AND CONFLICT RESOLUTION “When your opponent is drowning, throw the son of a bitch an anvil.” American CEO “Nothing except a battle lost can be half so melancholy as a battle won.” Duke of Wellington 1815, Dispatch From Waterloo “War is a crime. Ask the infantry and ask the dead.” Ernest Hemingway “Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war.” Carl von Clausewitz, On War Follow me if I advance. Kill me if I retreat. Avenge me if I die. Vietnamese Battle Cry “If you strike a king, you must kill him.” Ralph Waldo Emerson Department of Government and Legal Studies 9800 College Station • Brunswick • Maine 04011-8498 • Tel 207.725.3295 • Fax 207.725.3168 2 Table of Contents A Very Important Notice 4 Housekeeping Details 7 Introduction: Malleability of History 8 World War II 11 Battles and the Hinge of History 23 The Nature of Leadership 26 The Search for Alternative Leadership Modes 29 Storming the Magic Kingdom 41 The American Civil War 43 The Gulf Wars of 1991 and 2003 51 War, Culture and Society 54 Women at War 57 Racial and Ethnic Conflict 63 The Vietnam War 65 Conflict in the Nuclear Age 70 3 Table of Contents (continued) Sexual Orientation and War Fighting Capability 74 Politics as Conflict 77 The Russian Civil War 80 Pornography, Censorship and the Setting of Community Standards 83 The American Empire and the World Today 113 China’s Role in the World 120 The Long War? Radical Islam and the West 126 Contemporary Issues Through Contemporary Student Eyes 132 War Films 140 Peer Review 151 Class Schedules/ Debate Templates 151 Footnotes, Citations, and Formatting Styles 152 4 A VERY IMPORTANT NOTICE Please do not take this course if any of the possible subjects are offensive or disturbing to you and you do not wish to be disturbed. -
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Neverisms A QUOTATION LOVER’S GUIDE TO THINGS YOU SHOULD NEVER DO, NEVER SAY, OR NEVER FORGET Dr. Mardy Grothe Dedication To Carolanne and Linnda, with deep gratitude Contents Dedication Introduction One Never Go to a Doctor Whose Office Plants Have Died (Wit & Wordplay) Two Never Let a Crisis Go to Waste (Words to Live By) Three Never Give Advice Unless Asked (Advice) Four Never Put Off Till Tomorrow What You Can Do Today (Classic Neverisms) Five Never Underestimate the Power of a Woman: And a Lot of Other Things as Well (“Never Underestimate” Neverisms) Six Never Trust a Computer You Can’t Lift (“Never Trust” Neverisms) Seven Never Give In. Never, Never, Never, Never! (Multiple Neverisms) Eight Never Persist in Trying to Set People Right (Human Relationships) Nine Never Approach a Woman from Behind (Sex, Love & Romance) Ten Never Change Diapers in Mid-Stream (Marriage, Home & Family Life) Eleven Never Mention a No-Hitter While It’s in Progress (Sports) Twelve Never Get Caught in Bed with a Live Man or a Dead Woman (Politics & Government) Thirteen Never Coddle a Malcontent (Business & Management) Fourteen Never Have Your Dog Stuffed (Book, Song & Movie Titles) Fifteen Never Judge a Book by Its Movie (Stage & Screen) Sixteen Never Answer an Anonymous Letter (Oxymoronic & Paradoxical Neverisms) Seventeen Never Cut What You Can Untie (Metaphorical Neverisms) Eighteen Never Use a Long Word Where a Short One Will Do (The Literary Life) Acknowledgments Index About the Author Also by Dr. Mardy Grothe Copyright About the Publisher Introduction For as long as humans have been able to communicate, they’ve used language to influence one another. -
Luc Sante on Basquiat's Beginnings
FEBRUARY 8 – FEBRUARY 14, 2017 VOL. LXII | NO. 6 VILLAGEVOICE.COM | FREE LUC SANTE ON BASQUIAT'S BEGINNINGS INDIE-ROCK RESISTANCE A WORKOUT SASHA LANE AT THE MET AMERICAN HONEY’S MUSLIM ANTI-SWEETHEART COMEDY IN THE AGE SPRING OF TRUMP FASHION HARLEY WEIR’S ROVING EYE A BALLET BLITZ WITH OPENING CEREMONY SUPREME x LOUIS VUITTON THE ROCKIN’ ROCKAWAYS A GUIDE TO NYC’S SECRET STORES THE NEW POWER DRESSING PLUS: WHERE TO GO, WHAT TO DO, AND WHO TO KNOW IN THE CITY RIGHT NOW 15 February8 – SPRING FASHION February201714, VILLAGE VOICE VILLAGE .com The Bag You Can’t Have (Probably) ILLUSTRATION BY SPIROS HALARIS n fashion, as in life, scarcity often breeds desire. It’s a truism that the to be a watershed in the annals of covetousness. Unveiled at the Vuitton quintessential New York City skate- and streetwear brand, Supreme, fall/winter men’s show in Paris in January, the line encompasses an ar- I has adopted as an operating philosophy, with its insanely sought- ray of clothes, bags, and accessories; when images of the collection were after controlled-quantity sneaker collaborations and limited-edition, released on Instagram immediately after, it caused an insta-furor. The artist-designed decks. But it’s also a notion that fuels the world of high pieces — among them, a Supreme-ified rendition of the iconic Vuitton fashion, as the French house Louis Vuitton knows well. That’s why “Speedy” bag (illustrated here) — will all be produced in extraordinarily Supreme’s new collaboration with Louis Vuitton is already shaping up small numbers and available only at select Louis Vuitton stores in July.