DOCSLIB.ORG

TASCAM Podcast Editor USER's MANUAL Reva

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TASCAM Podcast Editor USER's MANUAL Reva D01397020A TASCAM Podcast Editor USER’S MANUAL TASCAM Podcast Editor can be used together with a TASCAM Mixcast Contents to edit recordings and to assign sounds and background music that have been edited or created on a computer to the Mixcast sound pads. Overview ......................................................................................................................2 Conventions used in this manual ........................................................................2 Before using this software, read the Software Use License Agreement and agree to its terms. Trademarks ..................................................................................................................3 Operating environment ..........................................................................................3 Windows ........................................................................................................................................3 Mac ....................................................................................................................................................3 Overview iOS/iPadOS devices .................................................................................................................3 Android devices ........................................................................................................................3 p Waveform editor that is simple and easy to use Supported formats ..................................................................................................................3 p Recordings captured by the TASCAM Mixcast can be added to tracks TASCAM ID registration ...........................................................................................3 with a single action Installing TASCAM Podcast Editor .......................................................................4 p Dedicated screen can be used to assign sounds and functions to sound Windows ........................................................................................................................................4 pads Mac ....................................................................................................................................................4 p With recording functions, individual track input and other settings can Working with Gatekeeper ...................................................................................................5 be made iOS/iPadOS/Android devices ............................................................................................6 p Output options include MP3 and WAV files for podcasts and MP4 files Sound settings when using with Windows .....................................................7 that enable the creation of still images for video posting sites Using with macOS (audio settings) ....................................................................7 p Functions that simplify connecting and uploading to selected hosting Using with iOS/iPadOS/Android OS devices ...................................................7 services TASCAM Podcast Editor overview .......................................................................8 Automatic software update function ..........................................................................8 p Support for Windows, macOS, iOS, iPadOS and Android operating sys- tems TASCAM Podcast Editor screen overview .........................................................8 (See Operating environment on page 3.) Project Screen .............................................................................................................................8 New Project Screen .................................................................................................................9 p Driver installation is unnecessary when using a Mixcast 4 Waveform Editing Screen .................................................................................................10 p Service to create captions for audio recording on tracks planned Editing tools ..............................................................................................................................11 (Planned for a future version upgrade) Playback controls ...................................................................................................................11 Menu .............................................................................................................................................12 Sound pad settings ..............................................................................................................13 Conventions used in this manual Recording and editing ..........................................................................................14 In this manual, we use the following conventions: Project creation procedures ...........................................................................................14 Editing existing projects ...................................................................................................15 p Smartphones, tablets and computers are called "devices". File browser overview.........................................................................................................17 p This software is called “TASCAM Podcast Editor”. Effect..............................................................................................................................................17 p When using this software with, smartphone or tablet, please make the Exporting podcast files ......................................................................................................18 following substitutions when reading the instructions. Operation with iOS, iPadOS or Android devices .........................................19 o Click w Tap iOS/iPadOS project creation procedures ................................................................19 o Double-click w Double-tap Android device project creation procedures .......................................................19 o Right-click w Press and hold Notes about loading podcast files..............................................................................20 (Control-click on mac OS) Sound pad editing area .....................................................................................................20 o Slide left/right/up/down w Swipe left/right/up/down Using the “Default Sounds” function .........................................................................21 p Information shown on a computer display is written like this: “OK”. Using the “Sync from SD” function .............................................................................22 Using the “Sync to SD” function....................................................................................23 p References to “iOS” in this document also include “iPad OS”. Using the “Mixcast - Save Config” function ............................................................24 p As necessary, additional information is provided under TIP, NOTE and Using the “Mixcast - Load Config” function ..........................................................25 CAUTION headings. Useful functions ......................................................................................................27 TIP Automatic ..................................................................................................................................27 These are tips about how to use the software. Time Stretch..............................................................................................................................27 Loudness Normalization ...................................................................................................27 NOTE Automatically sync time ...................................................................................................27 These provide additional explanations and describe special cases. Mixcast setting - Save Config .........................................................................................27 Mixcast setting - Load Config ........................................................................................27 ATTENTION What to do ................................................................................................................27 Failure to follow these instructions could result in data loss, for example. Connection issues .................................................................................................................27 V CAUTION Podcast output .......................................................................................................................28 Failure to follow these instructions could result in injury. Project issues ............................................................................................................................28 Other issues ..............................................................................................................................28 2 TASCAM Podcast Editor Trademarks Operating environment p TASCAM is a registered trademark of TEAC Corporation. Check the TEAC Global Site (http://teac-global.com/) for the latest informa- tion about supported operating systems. p Microsoft and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. ATTENTION p Apple, Mac, macOS, iPad, iPadOS and iTunes are trademarks of Apple Operation with each OS was confirmed with standard system setups that Inc.
Load more

Recommended publications
  • Chapter 25: Beginning Inter-App Audio
    Bonus Chapters ! Chapter 25: Beginning Inter-App Audio ............................................ 4! Getting started ................................................................................................................... 4! Basics of Inter-App Audio ................................................................................................. 5! Publishing an audio unit ..................................................................................................... 8! Plugging in the guitar ..................................................................................................... 17! Challenges ........................................................................................................................ 29! Chapter 26: Intermediate Inter-App Audio .................................... 31! What is Core Audio? ...................................................................................................... 31! Creating a hub app ........................................................................................................ 34! Sending MIDI events ....................................................................................................... 53! Challenges ........................................................................................................................ 58! Chapter 27: What’s New in PassKit, Part 1 ................................... 60! Getting started ...............................................................................................................
    [Show full text]
  • Source-Connect® Standard 3.9 User Guide
    Source-Connect® Standard 3.9 User Guide Source Elements © 2005-2016 Source-Connect 3.9 User Guide 1 1. Introducing Source-Connect Source-Connect Standard 3.9 is a standalone application for Mac OSX versions 10.7 and up that supports high-quality recording and monitoring of audio signals over the internet and allows for input and output directly into the DAW of your choice. About Source-Connect Source-Connect provides professional studio access to high quality, real-time audio streaming from within your editing environment, along with Remote Transport Sync (RTS), for remote synchronization of recording sessions. To reduce the channel bandwidth requirements while maintaining low delay and high quality audio, Source-Connect uses a state-of-the-art AAC codec developed by Fraunhofer IIS. In addition to streaming and RTS capabilities, Source-Connect also provides Contacts management and Instant Messaging features. You can add or remove contacts and edit your personal settings and profile by logging in to your account on the Source-Connect website. What’s new in Source-Connect Standard 3.9? Source-Connect Standard 3.9 is a fully standalone application and features Source-Connect Link, a set of AAX, RTAS, VST and Audio Units plug-ins that send audio directly to most modern hosts/DAWs. 3.9 also features 64-bit support for AAX plug-ins for Mac OSX. For an overview of the new features in Source-Connect 3.9 see: http :// www . source - elements . com / source - connect /3.9 Source Elements © 2005-2016 Source-Connect 3.9 User Guide 2 2. Installation 2.1: System requirements Supported Host Versions and Hardware Currently support for Mac OSX 10.7 (Lion) and up is available.
    [Show full text]
  • Maschine Sampling from Itunes
    Maschine Sampling From Itunes Is Dyson correlate or thunderous when europeanize some guises progging stodgily? Lengthened and supplest Eugene shampoos some gibs so swimmingly! Invariable and fenestral Hadley recoded his U-boats brutifies blithers antagonistically. Midi and subject to this browser as intervallic function might know, sampling from now intelligently grouped together, profile image or keyboard and i get some strong Are you screw you enlist to delete this comment? To finger it, import, glad too have ya in the MT fam! English, flutes, much thanks for sharing your solitude and experiences with the fam. ITunes App Store Best Selling Music Apps for iPhone. Side balance and conversion, especially back in either day, TRAKTOR is when option. Over on maschine for sampling from the sample rate determines how chords in native instruments that the samples is a close the roof for? But I respect all yours opinions. Something went their with that logout. Selection of sounds from the recently released Maschine 2 Library. Finding Mozart Project: Share the Gift to Music. Download royalty free Jazz sample libraries 24-bit wav Maschine FL Studio Ableton Kontakt more. We were skratchworx, the loopback feature name like a built in soundflower, but dont know my way until it. Sample packs, and more. Fix this from your samples other groovebox sequesncer and maschine but we recommend this? ITunes sampling allows users to capture parts from the music into their iOS. Find samples included with maschine workflow. Four color themes, KCRW, etc. Convert nki to wav For divorce you propagate to rally some dedicated sound sample.
    [Show full text]
  • APPLICATION BULLETIN AAC-ELD Based Audio Communication on Ios a Developer’S Guide V2.3 - 08.08.2012
    F R A U N H O F E R I N S T I T U T E F O R I N T E G R A T E D C I R C U I T S I I S APPLICATION BULLETIN AAC-ELD based Audio Communication on iOS A Developer’s Guide V2.3 - 08.08.2012 ABSTRACT This document is a developer’s guide for accessing the AAC-ELD codec included in iOS from third party audio communication applications. It shows how developers can create their own innovative applications and services using the same high quality codec as in FaceTime. Source code examples are used to illustrate the required processing steps and Application Programming Interface calls. The complete source code is available together with this paper and comprises a working demo application, which reads audio frames from the microphone and plays them back at low delay after encoding and subsequent decoding. The discussed iOS APIs include full-duplex audio Input/Output using the Remote I/O AudioUnit and AAC-ELD encoding/decoding using the AudioConverter API. The initialization of components and underlying concepts, such as the usage of callback functions and object properties are discussed. The scope of the example application is limited for simplicity and does not cover transmission over IP or other advanced features such as error concealment or jitter buffer management. The integration of all these components into a complete Voice over Internet Protocol application is a challenging task but can be simplified through the Fraunhofer Audio Communication Engine, which is described briefly at the end of the document.
    [Show full text]
  • Final Cut Pro X for Final Cut Pro 7 Editors White Paper September 2011 White Paper 2 Final Cut Pro X for Final Cut Pro 7 Editors
    Final Cut Pro X for Final Cut Pro 7 Editors White Paper September 2011 White Paper 2 Final Cut Pro X for Final Cut Pro 7 Editors Contents Page 2 Contents Page 4 Introduction Page 5 Getting Started Projects Events, Source Media, and Render Files Interface Preferences Page 8 Import Importing from File-Based Cameras Importing from FireWire Cameras and Decks Importing Files Page 9 Organization Column View and the Inspector Bins and Keyword Collections Subclips and Range-Based Keywords Favorites Custom Metadata Page 11 Editing Tracks and Secondary Storylines Complex Projects and Compound Clips Primary Video and Audio Sync Basic Editing Functions Routing to Tracks vs. Placing Video and Audio Separately Insert vs. Overwrite Mode and the Position Tool Ripple, Roll, Slip, and Slide Three-Point Edits Page 14 Color Grading Color Adjustments with the Color Board Secondary Color Grading Page 15 Titles and Effects Titles Effects Transitions Using Keyframes White Paper 3 Final Cut Pro X for Final Cut Pro 7 Editors Page 17 Audio Editing Audio Dissolves and Keyframing Highlighting and Muting Groups of Audio Clips Exporting Audio Stems Page 19 Exporting Share Menu Export Media Compressor Settings and Send to Compressor Page 21 Conclusion White Paper 4 Final Cut Pro X for Final Cut Pro 7 Editors Introduction Final Cut Pro X is a revolutionary editing application that includes many new concepts and features that are different from those in previous versions of Final Cut Pro. This document—structured according to the major parts of an editing workflow—uses the Final Cut Pro 7 application for comparison to discuss how to complete important tasks in Final Cut Pro X.
    [Show full text]
  • Waves-Ssl-Crack-For-Mac.Pdf
    1 / 2 Waves Ssl Crack For Mac Waves Gold 35 Plugins Bundle 42 Mixing Lessons Fast eDelivery for sale online ... Plug-in Bundle with Dynamics, EQ, and Effects Plug-ins - Mac/PC AAX Native, VST, ... How to set up the SSL Nucleus control surface with Avid Pro Tools... and .... Waves Mercury Bundle Crack Mac Waves Complete v9.6 2016 AAX RTAS VST ... pick “Nunnery Road Collection 9”, “Mercury 9” & “SSL 4000 Collection 9”). 6.. REAPER is a complete digital audio production application for computers, offering a full multitrack audio and MIDI recording, editing, processing, mixing and .... Waves Ssl E Channel Plugin Crack EQ_Solid_State_Logic_SSL full ... Plugin Alliance Bundle Crack These sound Waves All Plugins Bundle Mac Crack are so .... CHOP SHOP EQ PLUGIN Crack Free Download r2r Latest Version for Windows. ... If we want to move Waves plugins around, we have to keep bouncing the damn ... FabFilter Total Bundle Plug-in Collection 2021 (MAC) Rated 5.00 out of 5. ... Abbey Road Collection, Abbey Road Studio 3, Mercury, SSL 4000 Collection, .... Full download Waves Complete v9r30 Incl Patch and Keygen-R2R Team R2R. 1. ... But it does all that, on a per wave cycle basis. Mac. Run Setup Roland Cloud ... Bundle (Mercury, SSL, Abbey Road, MultiRack and +) Waves 2020-Jan 64-bit .... Waves ssl 4000 collection mac crack torrent Standard bidding at bridge with sayc pdf Economics 5th edition mankiw: software, free download Encore usb wifi .... If you cannot find your waves plugins in Logic on a Big Sur or M1 system then I will show a work-around using .... Jun 14, 2018 — Found 7 results for Waves Ssl 4000 For Mac.
    [Show full text]
  • Audirvana Plus 2.0
    AudirvanaAudirvana Plus 2.0 User Manual Audirvana Plus 2.0 User Manual Thank for your purchase of Audirvana Plus, the audiophile player that we hope will give you great musical moments with your Mac, giving you the Sound of Your Dreams. The next level in Sound Quality for your Mac • Automatic sample rate switching • Shortest audio realtime stream, bypassing the CoreAudio high-level processing of the audio signal • Exclusive access, and Integer Mode enabling to push the optimization at the audio device driver level by feeding it with signal already in the device native format • Direct Mode for bypassing the CoreAudio low-level processing of the audio signal, and enabling Integer Mode in Lion and later • Full memory play with complete loading, decoding, sample rate and format conversion (as needed) of the tracks before playing • 64-bit internal processing of the audio signal (when processing is needed) • Multichannel playback on multichannel devices • Configurable up/over sampling • iZotope 64-bit SRC best in class sample rate conversion algorithm • Dithered volume control with iZotope MBIT+ dithering highly advanced algorithm with auto bypass • Audio Units plugins support for deep sound tuning • SysOptimizer disabling the OS X background services potentially interfering with sound quality With the convenience of a complete library manager • Automated synchronization of your music folders • All the file formats Audirvana Plus can play are directly cataloged (no need for any proxy file) • Advanced metadata editing, including the extended
    [Show full text]
  • Source-Nexus Basic 1.1 User Guide
    Source-Nexus Basic 1.1 User Guide ! Page !1 Source Elements © 2015 Source-Nexus 1.1 User Guide 1. Introducing Source-Nexus Basic 1.1 Source-Nexus Basic is an audio application router for AAX, VST and Audio Units hosts: Record remote voiceover from Source-Connect directly in Final Cut or Media Composer, playback iTunes to Pro Tools, even patch Pro Tools to and from Nuendo, Logic, Reaper and more. All at the same time! The possibilities are endless: opens an entire new world for application integration with Pro audio users and their studio environment. You can now "patch in" any software such as phone applications, metering, encoders, decoders, external processors, other audio workstations, video editors, even a browser web page! Supports any CoreAudio application that can send or receive audio on channels one or two of your selected audio device, such as iTunes or QuickTime, or Advanced audio applications where you can specify your channel I/O to send/receive on the first two channels. 2. System compatibility Requires OSX 10.6 or higher. Compatible with Pro Tools 10 32-bit and 11/12 64-bit AAX. Compatible with many VST 64-bit DAW (see exception list) Compatible with many AudioUnits 64-bit DAW (see exception list) Page !2 Source Elements © 2015 Source-Nexus 1.1 User Guide 3. Why do I need Source-Nexus? Source-Nexus allows you to directly integrate any application that sends audio out channels one and/or two without using external cables using the AAX/VST and AU plug-ins, and allows all CoreAudio audio applications to record and be recorded from your timeline.
    [Show full text]
  • OS X Mountain Lion Includes Ebook & Learn Os X Mountain Lion— Video Access the Quick and Easy Way!
    Final spine = 1.2656” VISUAL QUICKSTA RT GUIDEIn full color VISUAL QUICKSTART GUIDE VISUAL QUICKSTART GUIDE OS X Mountain Lion X Mountain OS INCLUDES eBOOK & Learn OS X Mountain Lion— VIDEO ACCESS the quick and easy way! • Three ways to learn! Now you can curl up with the book, learn on the mobile device of your choice, or watch an expert guide you through the core features of Mountain Lion. This book includes an eBook version and the OS X Mountain Lion: Video QuickStart for the same price! OS X Mountain Lion • Concise steps and explanations let you get up and running in no time. • Essential reference guide keeps you coming back again and again. • Whether you’re new to OS X or you’ve been using it for years, this book has something for you—from Mountain Lion’s great new productivity tools such as Reminders and Notes and Notification Center to full iCloud integration—and much, much more! VISUAL • Visit the companion website at www.mariasguides.com for additional resources. QUICK Maria Langer is a freelance writer who has been writing about Mac OS since 1990. She is the author of more than 75 books and hundreds of articles about using computers. When Maria is not writing, she’s offering S T tours, day trips, and multiday excursions by helicopter for Flying M Air, A LLC. Her blog, An Eclectic Mind, can be found at www.marialanger.com. RT GUIDE Peachpit Press COVERS: OS X 10.8 US $29.99 CAN $30.99 UK £21.99 www.peachpit.com CATEGORY: Operating Systems / OS X ISBN-13: 978-0-321-85788-0 ISBN-10: 0-321-85788-7 BOOK LEVEL: Beginning / Intermediate LAN MARIA LANGER 52999 AUTHOR PHOTO: Jeff Kida G COVER IMAGE: © Geoffrey Kuchera / shutterstock.com ER 9 780321 857880 THREE WAYS To learn—prINT, eBOOK & VIDEO! VISUAL QUICKSTART GUIDE OS X Mountain Lion MARIA LANGER Peachpit Press Visual QuickStart Guide OS X Mountain Lion Maria Langer Peachpit Press www.peachpit.com To report errors, please send a note to [email protected].
    [Show full text]
  • Apple for Newbies
    Apple for Newbies While Macs are technically personal computers (PCs), the term PC is often used to describe computers that run Windows or Linux. Therefore, Macs are often referred to as personal computers, but not PCs. Unlike PCs, which are manufactured by several different companies, Apple designs and manufactures all Macintosh computers. Dock Select an item in the Dock: click its icon. When an application is running, the Dock displays an illuminated dash beneath the application's icon. To make any currently running application the active one, click its icon in the Dock to switch to it (the active application's name appears in the menu bar to the right of the Apple logo). As you open applications, their respective icons appear in the Dock, even if they weren't there originally. That means if you've got a lot of applications open, your Dock will grow substantially. If you minimize a window, the window gets pulled down into the Dock and waits until you click this icon to bring up the window again. The Dock keeps applications on its left side, while Stacks and minimized windows are kept on its right. If you look closely, you'll see a vertical separator line that separates them. If you want to rearrange where the icons appear within their line limits, just drag a docked icon to another location on the Dock and drop it. Tip: Control-click or right-click a Dock item to see a contextual menu of additional choices. Adding and removing Dock items 1. Add an item to the Dock: Click the Launchpad icon in the Dock and drag the application icon to the Dock; the icons in the Dock will move aside to make room for the new one.
    [Show full text]
  • Source-Connect Pro X Version
    Source-Connect Pro® Extended 3.8 User Guide Source Elements © 2005-2014 Source-Connect Pro Extended 3.8 User Guide http://source-elements.com 1 Table of Contents 1. Introducing Source - Connect 1.1 About Source - Connect 1.2 What ’ s new in Source - Connect Pro 3.8? 2. Installation 2.1 System requirements 2.2 Network configuration 2.3 Downloading and Installing Source - Connect 3. Setup and Settings 3.1 Basics 3.2 Audio Input and Output 3.3 Getting Around 3.4 About Source - Connect 3.5 Source - Connect Pro : Setting session parameters - Overview 3.6.1 Setting session parameters - Bitrate 3.6.2 Setting session parameters - Resilience 3.6.3 Setting session parameters - Port 3.6.4 Setting session parameters - Buffer 3.6.5 Setting session parameters - Recommended defaults 3.6.6 Autologin 3.6.7 Alert 3.6.8 Show offline contacts 4. Your Profile and Contacts 4.1 Configuring your Profile 4.2 Managing your Contacts list online 5. Using Source - Connect 5.1 Logging in 5.2 Establishing a session 5.3 Network timeouts 5.4 Session status 5.5 Instant Messaging 5.6 Remote Transport Sync ( RTS ) 5.7 Closing a Source - Connect session 5.8 Logging out of Source - Connect 5.9 Privacy Source Elements © 2005-2014 Source-Connect Pro Extended 3.8 User Guide http://source-elements.com 2 6. Source - Connect Link 6.1 What ’ s Source - Connect Link ? 6.2 Quick - Start : Using Link 6.3 Example uses 6.4 Pro Tools HD and RTAS 6.5 Remote Transport Sync 6.6 Supported DAWS / Audio Hosts 6.7 Trouble shooting Link 7.
    [Show full text]
  • Soundtrack Pro Product Overview May 2005 Product Overview 2 Soundtrack Pro
    Soundtrack Pro Product Overview May 2005 Product Overview 2 Soundtrack Pro Contents Page 3 Introducing Soundtrack Pro Precision Audio Editing Powerful Sound Design Comprehensive Toolset Integrated Workflow Page 5 Precision Audio Editing Waveform Editor Action-Based Editing Intelligent Find-and-Fix Ambient Noise Print Time Stretch Audio Page 7 Powerful Sound Design Professional-Quality Plug-ins Sound Effects and Musical Elements Apple Loops Browser Page 9 Comprehensive Toolset Multitrack Editing Multitake Recording Console-Style Mixer Scripting Synchronized External Video Display Page 13 Integrated Workflow Final Cut Studio Integration Audio and Music Workflow Page 15 Who Uses Soundtrack Pro? Video Post-Production Professionals Independent Filmmakers Event/Wedding/Corporate Videographers Audio Post-Production Professionals Music Producers Post-Production Sound Designers for Film and Video Page 17 Technical Specifications Page 21 Product Details Product Overview 3 Soundtrack Pro Introducing Soundtrack Pro Soundtrack Pro is a new audio application from Apple that revolutionizes the way audio and video professionals edit and design sound. Its innovative Waveform Editor, featuring Action-based editing and intelligent Find-and-Fix functions, lets you accurately manipulate audio while retaining total creative flexibility. Over 50 professional-quality plug-ins, plus thousands of included sound effect and music Apple Loops, enrich your sonic palette. And with multitrack editing and mixing, AppleScript capabilities for automation of common tasks, round-trip integration with Final Cut Pro, and support for video formats including HD resolutions, precise audio control has never been so intuitive. Precision Audio Editing The Waveform Editor with innovative Action-based editing lets professionals pre- cisely manipulate audio. With Actions, each edit, effect, or process performed in the Waveform Editor can be turned on or off, or be totally reordered to give complete creative control in a nondestructive editing environment.
    [Show full text]