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TABULATION SHEET Bid # & Title: 19‐112 Orchestra Instrument Maintenance & Repair Location: Districtwide 5775 Osceola Trail | Naples, Florida 34109 Opening Date: Renewal p: 239.377.0047 | f: 239.377.0074 e: [email protected] Term: July 1, 2021 to June 30, 2022 Visit us online: www.collierschools.com Est. Exposure: $15,000.00 Funding: General Cadence Music # Address, 5215 Ramsey Way Ft Myers, FL 33907 Phone Name, 239‐275‐6262 [email protected] Bidder Description of Item Qty 2021‐22 I. STRINGS CLEAN STRINGS, VIOLIN SET$ 5.00 * CLEAN STRINGS, VIOLA SET$ 5.00 * CLEAN STRINGS, CELLO SET$ 5.00 * CLEAN STRINGS, BASS SET$ 5.00 * PROVIDE STRINGS, MIDDLE SCHOOLS, VIOLIN SET$ 38.00 * PROVIDE STRINGS, MIDDLE SCHOOLS, VIOLA SET$ 53.00 * PROVIDE STRINGS, MIDDLE SCHOOLS, CELLO SET$ 107.00 * PROVIDE STRINGS, MIDDLE SCHOOL, BASS SET$ 215.00 * PROVIDE STRINGS, HIGH SCHOOL, "EUDOXA" VIOLIN SET$ 88.00 * PROVIDE STRINGS, HIGH SCHOOL, "EUDOXA" VIOLA SET$ 132.00 * PROVIDE STRINGS, HIGH SCHOOL, "EUDOXA" CELLO SET$ 240.00 * PROVIDE STRINGS, HIGH SCHOOL, "EUDOXA" BASS SET$ 500.00 * PROVIDE & INSTALL NEW STRINGS AS FOLLOWS: MIDDLE SCHOOLS W/"CHROMCORE", VIOLIN SET$ 48.00 * MIDDLE SCHOOLS W/"CHROMCORE", VIOLA SET$ 63.00 * MIDDLE SCHOOLS W/"CHROMCORE", CELLO SET$ 117.00 * MIDDLE SCHOOLS W/"CHROMCORE", BASS SET$ 225.00 * HIGH SCHOOLS W/ "EUDOXA", VIOLIN SET$ 98.00 * HIGH SCHOOLS W/ "EUDOXA", VIOLA SET$ 142.00 * HIGH SCHOOLS W/ "EUDOXA", CELLO SET$ 250.00 * HIGH SCHOOLS W/ "EUDOXA", BASS SET$ 510.00 * II. BRIDGES PROVIDE NEW BRIDGE & FIT, VIOLIN EACH$ 50.00 * PROVIDE NEW BRIDGE & FIT, VIOLA EACH$ 55.00 * PROVIDE NEW BRIDGE & FIT, CELLO EACH$ 80.00 * PROVIDE NEW BRIDGE & FIT, BASS EACH$ 115.00 * BRIDGE FITTED, THINNER, VIOLIN EACH$ 15.00 * BRIDGE FITTED, THINNER, VIOLA EACH$ 15.00 * BRIDGE FITTED, THINNER, CELLO EACH$ 15.00 * BRIDGE FITTED, THINNER, BASS EACH$ 15.00 * BRIDGE FITTED, LOWER, VIOLIN EACH$ 15.00 * BRIDGE FITTED, LOWER, VIOLA EACH$ 15.00 * BRIDGE FITTED, LOWER, CELLO EACH$ 15.00 * BRIDGE FITTED, LOWER, BASS EACH$ 15.00 * BRIDGE FITTED, FEET FITTED, VIOLIN EACH$ 15.00 * Cadence Music # Address, 5215 Ramsey Way Ft Myers, FL 33907 Phone Name, 239‐275‐6262 [email protected] Bidder Description of Item Qty 2021‐22 BRIDGE FITTED, FEET FITTED, VIOLA EACH$ 15.00 * BRIDGE FITTED, FEET FITTED, CELLO EACH$ 15.00 * BRIDGE FITTED, FEET FITTED, BASS EACH$ 15.00 * BRIDGE FITTED, TOP CONTOUR, VIOLIN EACH$ 15.00 * BRIDGE FITTED, TOP CONTOUR, VIOLA EACH$ 15.00 * BRIDGE FITTED, TOP CONTOUR, CELLO EACH$ 15.00 * BRIDGE FITTED, TOP CONTOUR, BASS EACH$ 15.00 * III. BOWS CLEAN BOW, VIOLIN EACH$ 10.00 * CLEAN BOW, VIOLA EACH$ 10.00 * CLEAN BOW, CELLO EACH$ 10.00 * CLEAN BOW, BASS EACH$ 10.00 * REPLACE BOW ‐ FIBERGLASS W/ HORSE HAIR, VIOLIN EACH$ 34.95 * REPLACE BOW ‐ FIBERGLASS W/ HORSE HAIR, VIOLA EACH$ 42.95 * REPLACE BOW ‐ FIBERGLASS W/ HORSE HAIR, CELLO EACH$ 53.95 * REPLACE BOW ‐ FIBERGLASS W/ HORSE HAIR, BASS EACH$ 73.95 * REPLACE BOW‐BRAZILWOOD W/ HORSE HAIR, VIOLIN EACH$ 41.95 * REPLACE BOW‐BRAZILWOOD W/ HORSE HAIR, VIOLA EACH$ 52.95 * REPLACE BOW‐BRAZILWOOD W/ HORSE HAIR, CELLO EACH$ 66.95 * REPLACE BOW‐BRAZILWOOD W/ HORSE HAIR, BASS EACH$ 145.95 * REHAIR BOW W/HORSEHAIR, VIOLIN EACH$ 45.00 * REHAIR BOW W/HORSEHAIR, VIOLA EACH$ 50.00 * REHAIR BOW W/HORSEHAIR, CELLO EACH$ 55.00 * REHAIR BOW W/HORSEHAIR, BASS EACH$ 70.00 * FIX ADJUSTER, VIOLIN EACH$ 15.00 * FIX ADJUSTER, VIOLA EACH$ 15.00 * FIX ADJUSTER, CELLO EACH$ 20.00 * FIX ADJUSTER, BASS EACH$ 25.00 * REPLACE TIP, VIOLIN EACH$ 30.00 * REPLACE TIP, VIOLA EACH$ 30.00 * REPLACE TIP, CELLO EACH$ 35.00 * REPLACE TIP, BASS EACH$ 45.00 * REPLACE GRIP, VIOLIN EACH$ 10.00 * REPLACE GRIP, VIOLA EACH$ 10.00 * REPLACE GRIP, CELLO EACH$ 10.00 * REPLACE GRIP, BASS EACH$ 10.00 * IV. TAILPIECE REPLACE TAILPIECE, VIOLIN EACH$ 30.00 * REPLACE TAILPIECE, VIOLA EACH$ 30.00 * REPLACE TAILPIECE, CELLO EACH$ 50.00 * REPLACE TAILPIECE, BASS EACH$ 100.00 * REPLACE TAILGUT, VIOLIN EACH$ 20.00 * REPLACE TAILGUT, VIOLA EACH$ 20.00 * Cadence Music # Address, 5215 Ramsey Way Ft Myers, FL 33907 Phone Name, 239‐275‐6262 [email protected] Bidder Description of Item Qty 2021‐22 REPLACE TAILGUT, CELLO EACH$ 25.00 * REPLACE TAILGUT, BASS EACH$ 50.00 * ADJUST TAILGUT, VIOLIN EACH$ 15.00 * ADJUST TAILGUT, VIOLA EACH$ 15.00 * ADJUST TAILGUT, CELLO EACH$ 15.00 * ADJUST TAILGUT, BASS EACH$ 15.00 * REPAIR/REPLACE END BUTTON,VIOLIN EACH$ 15.00 * REPAIR/REPLACE END BUTTON,VIOLA EACH$ 15.00 * REPAIR/REPLACE END BUTTON, CELLO EACH$ 50.00 * REPAIR/REPLACE END BUTTON, BASS EACH$ 65.00 * V. FINGERBOARD & FINGERBOARD NUT REGLUE FINGERBOARD, VIOLIN EACH$ 30.00 * REGLUE FINGERBOARD, VIOLA EACH$ 30.00 * REGLUE FINGERBOARD, CELLO EACH$ 40.00 * REGLUE FINGERBOARD, BASS EACH$ 50.00 * SHAVE FINGERBOARD, VIOLIN EACH$ 40.00 * SHAVE FINGERBOARD, VIOLA EACH$ 40.00 * SHAVE FINGERBOARD, CELLO EACH$ 50.00 * SHAVE FINGERBOARD, BASS EACH$ 60.00 * GLUE FINGERBOARD NUT, VIOLIN EACH$ 15.00 * GLUE FINGERBOARD NUT, VIOLA EACH$ 15.00 * GLUE FINGERBOARD NUT, CELLO EACH$ 15.00 * GLUE FINGERBOARD NUT, BASS EACH$ 15.00 * REPLACE FINGERBOARD NUT, VIOLIN EACH$ 30.00 * REPLACE FINGERBOARD NUT, VIOLA EACH$ 30.00 * REPLACE FINGERBOARD NUT, CELLO EACH$ 40.00 * REPLACE FINGERBOARD NUT, BASS EACH$ 50.00 * FINGERBOARD NUT, ADJUST GROOVES, VIOLIN EACH$ 15.00 * FINGERBOARD NUT, ADJUST GROOVES, VIOLA EACH$ 15.00 * FINGERBOARD NUT, ADJUST GROOVES, CELLO EACH$ 20.00 * FINGERBOARD NUT, ADJUST GROOVES, BASS EACH$ 30.00 * VI. PEGS REPLACE PEGS, VIOLIN EACH$ 20.00 * REPLACE PEGS, VIOLA EACH$ 25.00 * REPLACE PEGS, CELLO EACH$ 40.00 * REPLACE PEGS, BASS EACH$ 75.00 * FIT PEGS, VIOLIN EACH$ 10.00 * FIT PEGS, VIOLA EACH$ 10.00 * FIT PEGS, CELLO EACH$ 10.00 * VII. NECK RESET NECK, VIOLIN EACH$ 65.00 * RESET NECK, VIOLA EACH$ 70.00 * RESET NECK, CELLO EACH$ 90.00 * Cadence Music # Address, 5215 Ramsey Way Ft Myers, FL 33907 Phone Name, 239‐275‐6262 [email protected] Bidder Description of Item Qty 2021‐22 RESET NECK, BASS EACH$ 140.00 * VIII. ENDPIN REPLACE ENDPIN, CELLO EACH$ 50.00 * REPLACE ENDPIN, BASS EACH$ 65.00 * STRAIGHTEN ENDPIN, CELLO EACH$ 15.00 * STRAIGHTEN ENDPIN, BASS EACH$ 15.00 * REPLACE ENDPIN SCREW, CELLO EACH$ 10.00 * REPLACE ENDPIN SCREW, BASS EACH$ 10.00 * IX. SOUNDPOST REPLACE SOUNDPOST, VIOLIN EACH$ 25.00 * REPLACE SOUNDPOST, VIOLA EACH$ 25.00 * REPLACE SOUNDPOST, CELLO EACH$ 30.00 * REPLACE SOUNDPOST, BASS EACH$ 40.00 * FIT SOUNDPOST, VIOLIN EACH$ 15.00 * FIT SOUNDPOST, VIOLA EACH$ 15.00 * FIT SOUNDPOST, CELLO EACH$ 15.00 * FIT SOUNDPOST, BASS EACH$ 20.00 * SET SOUNDPOST, VIOLIN EACH$ 15.00 * SET SOUNDPOST, VIOLA EACH$ 15.00 * SET SOUNDPOST, CELLO EACH$ 15.00 * SET SOUNDPOST, BASS EACH$ 15.00 * X. CHINREST & FINE ADJUSTERS PROVIDE & INSTALL NEW CHINREST, VIOLIN EACH$ 25.00 * PROVIDE & INSTALL NEW CHINREST, VIOLA EACH$ 30.00 * ADJUST CHINREST, VIOLIN EACH$ 10.00 * ADJUST CHINREST, VIOLA EACH$ 10.00 * REPLACE CORK, VIOLIN EACH$ 10.00 * REPLACE CORK, VIOLA EACH$ 10.00 * REPLACE FINE ADJUSTERS, VIOLIN EACH$ 5.00 * REPLACE FINE ADJUSTERS, VIOLA EACH$ 6.00 * REPLACE FINE ADJUSTERS, CELLO EACH$ 18.00 * XI. INSTRUMENT BODY CLEAN CAKED ROSIN OFF TOP, VIOLIN EACH$ 15.00 * CLEAN CAKED ROSIN OFF TOP, VIOLA EACH$ 15.00 * CLEAN CAKED ROSIN OFF TOP, CELLO EACH$ 20.00 * CLEAN CAKED ROSIN OFF TOP, BASS EACH$ 30.00 * GLUE OPEN SEAM, VIOLIN PER INCH$ 5.00 * GLUE OPEN SEAM, VIOLA PER INCH$ 5.00 * GLUE OPEN SEAM, CELLO PER INCH$ 5.00 * GLUE OPEN SEAM, BASS PER INCH$ 5.00 * GLUE CRACK (NO REFINISHING), VIOLIN PER INCH$ 5.00 * GLUE CRACK (NO REFINISHING), VIOLA PER INCH$ 5.00 * GLUE CRACK (NO REFINISHING), CELLO PER INCH$ 5.00 * Cadence Music # Address, 5215 Ramsey Way Ft Myers, FL 33907 Phone Name, 239‐275‐6262 [email protected] Bidder Description of Item Qty 2021‐22 GLUE CRACK (NO REFINISHING), BASS PER INCH$ 5.00 * GLUE CRACK (W/REFINISHING), VIOLIN PER INCH$ 15.00 * GLUE CRACK (W/REFINISHING), VIOLA PER INCH$ 15.00 * GLUE CRACK (W/REFINISHING), CELLO PER INCH$ 25.00 * GLUE CRACK (W/REFINISHING), BASS PER INCH$ 25.00 * GLUE LARGE CRACK, REQUIRING REMOVALTOP, VIOLIN EACH$ 200.00 * GLUE LARGE CRACK, REQUIRING REMOVALTOP, VIOLA EACH$ 200.00 * GLUE LARGE CRACK, REQUIRING REMOVALTOP, CELLO EACH$ 250.00 * GLUE LARGE CRACK, REQUIRING REMOVALTOP, BASS EACH$ 300.00 * REPAIR BASS BAR, VIOLIN EACH$ 200.00 * REPAIR BASS BAR, VIOLA EACH$ 200.00 * REPAIR BASS BAR, CELLO EACH$ 250.00 * REPAIR BASS BAR, BASS EACH$ 300.00 * REPAIR NECK BLOCK, VIOLIN EACH$ 200.00 * REPAIR NECK BLOCK, VIOLA EACH$ 200.00 * REPAIR NECK BLOCK, CELLO EACH$ 250.00 * REPAIR NECK BLOCK, BASS EACH$ 300.00 * XII. VIOLIN/VIOLA CASE REPLACE HINGES, VIOLIN EACH$ 10.00 * REPLACE HINGES, VIOLA EACH$ 10.00 * REPAIR HINGES, VIOLIN EACH$ 10.00 * REPAIR HINGES, VIOLA EACH$ 10.00 * REPLACE HANDLE, VIOLIN EACH$ 20.00 * REPLACE HANDLE, VIOLA EACH$ 20.00 * REPAIR HANDLE, VIOLIN EACH$ 20.00 * REPAIR HANDLE, VIOLA EACH$ 20.00 * REPAIR BOW CATCH, VIOLIN EACH$ 15.00 * REPAIR BOW CATCH, VIOLA EACH$ 15.00 * REPAIR INSIDE POCKET,VIOLIN EACH$ 15.00 * REPAIR INSIDE POCKET,VIOLA EACH$ 15.00 * XIII. INSTRUMENT CASES & CELLOS/STRING BAGS REPLACE HARD CASE, VIOLIN EACH$ 50.00 * REPLACE HARD CASE, VIOLA EACH$ 55.00 * REPLACE BAG, CELLO EACH$ 70.00 * REPLACE BAG, BASS EACH$ 90.00 * CHARGE FOR REPAIRS NOT LISTED (PER HOUR) HOUR$ 30.00 * DISTRICT MUSIC FESTIVAL EACH NC * WORKSHOPS EACH NC * *Recommend approval of purchase as vendor agreed to renew at the Opened By: Renewal same terms and rates as the 2019‐20 school year. Witnessed by: Renewal NC ‐ No Charge. Date to Board: N/A.
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    Developing a Personal Vocabulary for Solo Double Bass Through Assimilation of Extended Techniques and Preparations Thomas Botting This thesis is submitted in partial requirement for the degree of Doctor of Philosophy. Sydney Conservatorium of Music The University of Sydney 2019 i Statement of Originality This is to certify that, to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Thomas Botting November 8th, 2018 ii Abstract This research focuses on the development of a personal musical idiolect for solo double bass through the assimilation of extended techniques and preparations. The research documents the process from inception to creative output. Through an emergent, practice-led initial research phase, I fashion a developmental framework for assimilating new techniques and preparations into my musical vocabulary.The developmental framework has the potential to be linear, reflexive or flexible depending on context, and as such the tangible outcomes can be either finished creative works, development of new techniques, or knowledge about organisational aspects of placing the techniques in musical settings. Analysis of creative works is an integral part of the developmental framework and forms the bulk of this dissertation. The analytical essays within contain new knowledge about extended techniques, their potential and limitations, and realities inherent in their use in both compositional and improvisational contexts. Video, audio, notation and photos are embedded throughout the dissertation and form an integral part of the research project.
  • French Violin Performance from Franck to Ravel A

    French Violin Performance from Franck to Ravel A

    UNIVERSITY OF CALIFORNIA Los Angeles In Search of a Style: French Violin Performance from Franck to Ravel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Musical Arts by Ji Young An 2013 © Copyright by Ji Young An 2013 ABSTRACT OF THE DISSERTATION In Search of a Style: French Violin Performance from Franck to Ravel by Ji Young An Doctor of Musical Arts University of California, Los Angeles, 2013 Professor Robert Winter, Chair My dissertation focuses on issues of French sound and style in late nineteenth and early twentieth-century French violin repertoire. As a violinist who studied at the Paris Conservatory, I have long been puzzled as to why so little had been written about something that everyone seems to take for granted—so called French style. I attacked this elusive issue from three perspectives: 1) a detailed look at performance directions; 2) comparisons among recordings by artists close to this period (Jacques Thibaud, Zino Francescatti, as well as contemporary French artists such as Philippe Graffin and Guillaume Sutre); and 3) interviews with three living French violinists (Olivier Charlier, Régis Pasquier, and Gérard Poulet) with strong ties to this tradition. After listening to countless historical recordings, I settled on three pivotal works that illustrate the emergence and full flowering of the French style: César Franck’s Violin Sonata (1886), Claude Debussy’s Violin Sonata (1917), and ii Maurice Ravel’s Tzigane: Rapsodie de Concert pour Violon et Piano (1924). Each of them presents specific challenges: notational and stylistic issues in Franck’s Violin Sonata, Debussy’s performance directions in his Violin Sonata, and notational and interpretive issues in Ravel’s Tzigane that led to a separate, orally-transmitted French tradition.
  • Intonation and Compensation of Fretted String Instruments

    Intonation and Compensation of Fretted String Instruments

    Physics Faculty Works Seaver College of Science and Engineering 1-2010 Intonation and Compensation of Fretted String Instruments Gabriele U. Varieschi Loyola Marymount University, [email protected] Christina M. Gower Loyola Marymount University Follow this and additional works at: https://digitalcommons.lmu.edu/phys_fac Part of the Music Commons, Physics Commons, and the Science and Mathematics Education Commons Recommended Citation G. Varieschi and C. Gower, “Intonation and compensation of fretted string instruments,” Am. J. Phys. 78 (1), 47-55, January 2010. This Article is brought to you for free and open access by the Seaver College of Science and Engineering at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Physics Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Intonation and compensation of fretted string instruments Gabriele U. Varieschi and Christina M. Gower Citation: American Journal of Physics 78, 47 (2010); doi: 10.1119/1.3226563 View online: http://dx.doi.org/10.1119/1.3226563 View Table of Contents: http://scitation.aip.org/content/aapt/journal/ajp/78/1?ver=pdfcov Published by the American Association of Physics Teachers Articles you may be interested in Modification of the loop filter design for a plucked string instrument J. Acoust. Soc. Am. 131, EL126 (2012); 10.1121/1.3675805 Prestress effects on the eigenfrequencies of the soundboards: Experimental results on a simplified string instrument J. Acoust. Soc. Am. 131, 872 (2012); 10.1121/1.3651232 Acoustical classification of woods for string instruments J.