Scaling up Projects and Initiatives for Better Health: from Concepts to Practice
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A NNUAL R EPORT AND A CCOUNTS 2003 CONTENTS 1 The Group 2 Financial Highlights 3 Executive Chairman’s Review 7 Brand Review 16 Corporate Governance Report 30 Financial Review 43 Consolidated Financial Statements 69 Company Financial Statements 80 Five Year Record 83 Statutory Information 84 Notice of Meeting Opposite “Tutti Frutti” necklace by Cartier, 1936 This necklace was a special order from Mrs Daisy Fellowes, and adapted in 1963 by her daughter, the Comtess de Castéja to its present form. It is an exceptional example of the craftsmanship, quality and creativity for which Cartier is globally renowned. From the Art de Cartier collection Richemont is one of the world’s leading luxury goods groups. The Group encompasses several of the most prestigious names in the industry including Cartier, Van Cleef & Arpels, Piaget, Vacheron Constantin, Jaeger-LeCoultre, IWC, Alfred Dunhill and Montblanc. Each of the Group’s brands represents a proud tradition of style, quality and craftsmanship which Richemont is committed to preserving. The individual heritage and identity of each maison is rigorously guarded, the Group’s designers and craftsmen being constantly challenged to keep the heritage alive through a continuous process of reinvention and innovation. 2 FINANCIAL HIGHLIGHTS All amounts in euros 2003 2002 Sales 3 651 m 3 860 m – 5% Operating profit 259 m 482 m – 46% Earnings per unit 1.141 1.463 – 22% Dividend per unit 0.32 0.32 SALES (¤ m) 1999 2 318 2000 2 924 2001 3 684 2002 3 860 2003 3 651 OPERATING 1999 390 PROFIT (¤ m) 2000 534 2001 712 2002 482 2003 259 EARNINGS 1999 1.176 PER UNIT (¤) 2000 1.370 2001 1.714 2002 1.463 2003 1.141 DIVIDEND 1999 0.208 PER UNIT (¤) 2000 0.240 2001 0.300 2002 0.320 2003 0.320 These results are presented on an adjusted basis, excluding the effects of goodwill amortisation and exceptional items. -
8. Sweden Before Fernando
Tagg: Fernando the Flute (IV) 267 8. Sweden before Fernando Under the heading ‘Chile, Sweden and the USA’ (pp. 241-257) I argued that most Swedish listeners were able, at the time of Fernando’s release, to connect the song’s ‘Andean’ sounds and the ‘fighting for freedom’ of its lyrics to the plight of the Chilean people after the fascist coup of 1973. That perspective is certainly important but it addresses only one aspect of the song’s wider Frn08-Sweden1.fm. 2017-11-07, 12:06 2017-11-07, Frn08-Sweden1.fm. meaning. Just as relevant to its semiotics is the musical and political climate of mid-1970s Sweden, more specifically the stand-off, mentioned in the pref- ace, between a certain type of left-wing radicalism and populist notions of entertainment. That contradiction was typified by opposing attitudes to- wards Abba, their songs and performances. To grasp such ideological as- pects of the band and its output, including Fernando, it’s necessary to unravel the strands of Abba’s musical background and the values ascribed to that heritage by Swedish audiences of the day. It’s a process that demands some knowledge of specifically Swedish popular music phenomena; and it’s why this chapter explains topics like gammaldans, folkmusik, visa, schlager, dans- band, svensktopp and progg. Anglocentrics may be tempted to dismiss this na- tional focus as peripheral but I maintain that it is central to the semiotics of Fernando, not least because Abba’s international appeal was, as I will argue later (p. 000), to a significant extent contingent on their being Swedish. -
Download Biography
JAMES WHITE Biography 1967 Born in Tiverton, UK Lives and works in London, UK EDUCATION 1986-1989 Wimbledon College of Art, London United Kingdom 1989-1991 Royal College of Art, London, United Kingdom AWARDS 2006 John Moores 24 Painting Prize, Liverpool, United Kingdom SELECTED SOLO EXHIBITIONS 2021 Not this time, Galerie Greta Meert, Brussels, Belgium 2020 James White, Sean Kelly Asia, Taipei, Taiwan 2017 BODIES, Blain Southern London, United Kingdom 2016 ASPECT:RATIO, Sean Kelly Gallery, New York Eight, Gerhardsen Gerner, Berlin, Germany 2013 From this position, Gerhardsen Gerner, Oslo, Norway The Black Mirror, Sean Kelly, New York And from this Position, Max Wigram, London, United Kingdom 2012 Paintings and Photographs, Siegfried Contemporary, London, United Kingdom 2011 James White, Project B, Milan, Italy Another Hotel, Gerhardsen Gerner, Berlin, Germany 2010 Max Wigram Gallery, London, United Kingdom 2009 c/o – Gerhardsen Gerner, Berlin, Germany 2008 The Rough With the Smooth, Max Wigram Gallery, London, United Kingdom c/o – Atle Gerhardsen, Berlin, Germany 2007 Doomed, Max Wigram Gallery, London, United Kingdom James White – New paintings, The Goss-Michael Foundation, Dallas, Texas 2004 United Elements, MW projects, London, United Kingdom 2003 Paintings, Museum 52, London, United Kingdom 2000 Atoll, Fig-1, London, United Kingdom Paradise, Casey Kaplan Gallery, New York 1999 The Incidental Monumental 2, Modern Art, London, United Kingdom Last updated: 15 April 2021 1998 The Incidental Monumental, Tomato Projects, London, United Kingdom 1997 James White & Tim Sheward, Entwistle Gallery, London, United Kingdom James White & Tim Sheward, Casey Kaplan Gallery, New York 1996 Risky Business, Banner Street, London, United Kingdom 1993 James White, Gavin Turk’s studio, London, United Kingdom SELECTED GROUP EXHIBITIONS 2021 Conversation: Günter Umberg. -
Preserved Fruit & Vegetables in Consumer & Catering Packs
EU MARKET SURVEY 2002 EU MARKET SURVEY EU MARKET SURVEY 2002 PRESERVED FRUIT & VEGETABLES IN CONSUMER & CATERING VOLUME II PACKS VOLUME II PRESERVED FRUIT & VEGETABLES IN CONSUMER & CATERING PACKS IN CONSUMER & CATERING FRUIT & VEGETABLES PRESERVED Mailing address: P.O. Box 30009, 3001 DA Rotterdam, The Netherlands Phone: +31 10 201 34 34 Fax: +31 10 411 40 81 E-mail: [email protected] Internet: http://www.cbi.nl CENTRE FOR THE PROMOTION OF IMPORTS FROM DEVELOPING COUNTRIES Office and showroom: WTC-Beursbuilding, 5th floor 37 Beursplein, Rotterdam, The Netherlands EU MARKET SURVEY 2002 PRESERVED FRUIT & VEGETABLES IN CONSUMER & CATERING PACKS Compiled for CBI by: ProFound ADVISERS IN DEVELOPMENT in collaboration with Ir. A.F. Eshuis September 2002 DISCLAIMER The information provided in this survey is believed to be accurate at the time of writing. It is, however, passed on to the reader without any responsibility on the part of CBI or the authors and it does not release the reader from the obligation to comply with all applicable legislation. Neither CBI nor the authors of this publication make any warranty, expressed or implied, concerning the accuracy of the information presented, and will not be liable for injury or claims pertaining to the use of this publication or the information contained therein. No obligation is assumed for updating or amending this publication for any reason, be it new or contrary information or changes in legislation, regulations or jurisdiction. Update of EU Market Survey Preserved Fruit & Vegetables in Consumer