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Twenty-Eight Year Old Buck Ford Is a Singing and Recording Country Music Sensation!!!!
TWENTY-EIGHT YEAR OLD BUCK FORD IS A SINGING AND RECORDING COUNTRY MUSIC SENSATION!!!! Nashville recording artist Buck Ford is a young, pure country singing sensation that focuses on keeping the traditional country sound and rhythm flowing. Bucks influences consist of George Strait, Merle Haggard, George Jones and Keith Whiteley, just to name a few. Buck and his band pride themselves on the fact that their performances “bring back to life” the sound and feel of real old country music. Biography Buck began his story as a professional motocross racer, riding the circuit for over a decade. He received a full ride endorsement with a Honda team through the West Coast Super Cross Series in 2009. He placed his riding career on hold to pursue his love and passion for country music. Despite his dedication and talent in the professional motocross scene, his heart has always been in country music. His performances include his own written and composed music and covers songs from greats such as the likes of George Strait, Merle Haggard, George Jones, Keith Whitley, Craig Morgan, Wade Hayes, Mark Chesnutt, Tracy Lawrence, Chris Young, Billy Currington, Hank Jr., Brooks and Dunn, Alan Jackson, Waylon Jennings, Garth Brooks and many more. Buck has been successfully playing for over 7 years, and played with other fine musicians, such as The Time Jumpers, Vince Gill, Dawn Sears, Wade Hayes, James Mitchell, Mike Johnson, Brent Mason, Paul Franklin, Kevin Grant, Lonnie Wilson, Larry Franklin, and many other talented musicians throughout the West Coast, South West and Nashville regions. Buck has performed at fairs, festivals, rodeos, clubs, many private events, weddings, and parties. -
Look at the People on Being Entertaining by Larry Wilder
Volume 30 • Number 4 INSIDE THIS ISSUE! July • August The Circle of Fifths Unleased The Express Needs You Sound Advice 2010 Off Key Jammers Bluegrass Expresswww.oregonbluegrass.org Look at the People “I did not know that the On being entertaining technical aspects are far by Larry Wilder outweighed by a show’s personal touches” bluegrass genre. Listen to the Josh and Jake comedy and the relaxed interplay between all the Foggy Mountain Boys. The evolution of an entertainer I was no natural. When I began playing banjo and guitar in the 60’s, I could not sing, talk, smile or look at the audience. I was pathetically nervous and embarrassed to be on stage. When I finally began to speak on stage, I thought I had to use contrived or cute elocution. That didn’t work. I did not know that the technical Larry Wilder & the Stumptown Stars aspects are far outweighed by a show’s personal touches. As my real persona arry Wilder is a singer, national yodel audience. Bill would also invite ladies began to come out, the audiences champion, multi-instrumentalist and master from the audience to dance with him L reacted positively. They began to tell of ceremonies. Whether he’s performing in a onstage. They lined up. me how comfortable they would feel. packed concert hall or to five shoppers at a farmer’s Acts such as Reno & Smiley and Flatt & This was a breakthrough for me: I market, Larry fully engages his listeners. The Scruggs took it further with their family- realized that my relaxed, yet focused Express asked Larry to talk about entertainment – approach worked. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
The House Is Open … Again
WoodCountyEC0913_ 8/13/13 11:38 AM Page 20 Co-op News WOOD COUNTY ELECTRIC COOPERATIVE The House Is Open … Again On June 25, Wood County Electric Coopera- in a nod to the past, throughout the halls there are tive’s employees and management invited COME SEE many opportunities to reminisce about the rich members to tour the new headquarters. OUR NEW culture and tradition of the cooperative, with a Several hundred guests took us up on that HEADQUARTERS! gallery of historic photos. offer, stopping by throughout the day for guided Because the open house was so popular and tours. The new facility is modern, sleek and Friday, October 11 many folks did not have a chance to take a tour, clean, and boasts many technological advances 9–11:30 a.m. we’ve decided to do it again on the morning of for operations as well as for energy efficiency. But, annual meeting. From the early 1940s to 2013, a combination T of buildings which were joined together, o expanded, readjusted and remodeled over 19 the years served as WCEC’s headquarters. R E sw 20 Texas Co-op Power WOOD COUNTY EC September 2013 wcec.org WoodCountyEC0913_ 8/13/13 11:38 AM Page 21 (903) 763-2203 | WCEC.ORG Wood County Electric Cooperative 501 S. Main St. • P.O. Box 1827 Quitman, TX 75783 CEO/GENERAL MANAGER Debbie Robinson BOARD OF DIRECTORS Pat B. Lindley, President, District 1 Dennis Wright, Vice President, District 3 Lewis D. Young, Secretary-Treasurer, District 7 On February 19, 2013, WCEC welcomed members into the Burke Bullock, District 2 new building for service. -
FOREWORD by Tom Miller
Dave Stogner Only A Memory Away - The Dave and Vi Stogner Story (A history of his music and their romance) FOREWORD By Tom Miller It could have been disconcerting for the young fiddle player on the stage. Early evening in an empty honky-tonk, it's still light out. It's the beginning of the 1980's and we are in the middle of the Urban Cowboy scare. “Hat Acts” were all the rage at that time, too. Resistol rock and roll babies are playing Country music to thin air. The front door is open--there is no way to stop the momentum of Dave Stogner's entrance. The erect sixty-something cowboy with the square jaw marches directly to the middle of the sunken dance floor at O.T. Price's Music Hall and kneels, elbow on higher knee, hand on chin, eyes fixed on young fiddle player. Rodin's ”Thinker,” Stogner's “Fiddle Contemplator.” No sense being rattled. The fiddler played right to the chiseled Western Swing bandleader. If there is a big linebacker you might as well run right at him, if you can't get around him. Stogner was not moving. My attention turned to making sure we had enough Jack Daniels and beer stocked for the night--bartending was my intro to the concert coordinating business. A few minutes later Dave walked directly toward me at the bar, wearing a Texas sized grin spanning Waco to Juarez. The fiddle player that night would do just fine. I was in my late twenties and loved all kinds of music, except most produced pop stuff. -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Cowboy Symposium
Lincoln County Cowboy Symposium October 7-9, 2016 www.CowboySymposium.org 2 2016 Lincoln County Cowboy Symposium Welcome to the 27th Annual Lincoln County Cowboy Symposium e performers, chuck wagon cooks and western craftsmen gathered here represent the fi nest in their fi elds. ey are as diverse in nature as they are in talent, but they all have a common love of the West and the life that it off ers. Take some time to visit with these folks. eir stories are rich with history; their skills are seasoned with time. We hope you enjoy this year’s Cowboy Symposium and leave with a richer understanding of the “Cowboy Way of Life.” Symposium Hours Contents Daily Entertainment 4 Live Entertainment Friday/Saturday: 9a - 6p Chuck Wagon Cook-Off Information 6-7 Music Schedule Sunday: 9a - 2p 8-9 NM True Family Fun Experience Schedule Night Entertainment 10 Music Headliners (Concerts/Dance) 13 Entertainer Bios Thursday, Friday & Saturday: 16-17 Map 7 - 11p 18 Grandstand and Tent Vendor Maps and Listings 20 Entertainer Bios, cont. 28 2016 LCCS Sponsors Admission Rates 29 Chuck Wagon Information Daily Admission Friday OR Saturday: $25 per person Children 12 & under FREE Sunday: FREE Concerts: Thursday Night: $75 per person Friday Night: $65 per person Dance: Saturday Night: $40 per person 2016 Lincoln County Cowboy Symposium 3 Live Entertainment Billy’s Sports Bar and Grill to have Thursday Night Concert LIVE MUSIC, STEAK SPECIAL October 6 • Ray Reed Stage illy’s Sports Bar and Grill will feature live music during the 27th DAVE ALEXANDER and Bannual Lincoln County Cowboy Symposium along with dinner FLOYD DOMINO • 7p specials each evening. -
With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
“The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks. -
Tennessee Valley Old Time Fiddlers Convention
October 2011 Athens State University Student Newspaper the Athenian @athens.edu Tennessee Valley Old Time Fiddlers Convention: October 7th & 8th, 2011 The Quebe Sisters Band: Swinging into Fiddlers' Morgan Griffin-Morgan & Brianna Kiddie Assistant Editors Honestly, we had never heard of the The Quebe (pronounced Kway-bee) Sis- ters Band until we found out that they would be heacllining the 45"1 Annual Tennessee Valley Old-Time Fiddlers Convention at Athens State University. So, we decided to look them up on YouTube. We were pleasantly surprised by their sound ,which is a melting pot of swing, country, blue- Photo from Internet grass, jazz, and just good old timey mu- The Quebe Sisters Band will be the headttnerfor this year's Fiddlers Convention, the band is set sic. The Texas-based band is made up of to perform Friday at 4 PM and 6 JPM on the Founders Hall stage. Gracie, Sophia, and Hulda Quebe, Joey like the Dixie Chicks, Bernadette McKenzie, and Drew Phelps. Peters and Bob Hope. In 2000, the All of the sisters play fiddle and together band was formed, and they have just they sing three-part harmony. Their gotten better as the years go by. By A Note From Your Editors: blended voices have a vintage sound that the year 2005, they band decided makes you picture the Roaring Twenties that they needed to change things up Welcome back to campus, everyone! We are hoping and flappers. The sisters are joined by a little, and added the sisters' three- that this next year will be a great year. -
News Release
NEWS RELEASE Office of Public Relations 3600 South Constitution Boulevard West Valley City, Utah 84119-3720 Office: (801) 963-3466 Mobile: (801) 232-0466 Fax: (801) 966-8455 Email: [email protected] For Immediate Release Date: January 13, 2009 Contact: Aaron Crim, Public Relations Director, 963-3466 (media use only) Michael Christensen, Utah Cultural Celebration Center Folklorist, 965-5108 Utah Cultural Celebration Center Honors the Western Folklife Center and the 25th National Cowboy Poetry Gathering By Presenting The Quebe Sisters Band in Concert West Valley City – When Grace, Sophia and Hulda Quebe (pronounced kway-bee) take to a stage, audiences marvel. When they raise their fiddles and play, audiences marvel again at the intricacy of the sound issuing forth. When the girls sing their vintage-style three-part harmony, audiences are blown away. Add the rhythm guitar of Joey McKenzie and the upright bass of Drew Phelps, and the Quebe Sisters band becomes a force of nature. Whether it’s a Western swing classic a la Bob Wills and the Texas Playboys, a swing standard (Benny Goodman), vintage country shuffle (Ray Price) or Western anthem that would do Sons of the Pioneers proud, the band is phenomenal. The house comes down, too, when they launch into bluegrass or a traditional, Texas old-time fiddle breakdown. Reaction is the same wherever the Fort Worth-based group goes – and it’s been around – to concert halls, festivals, cowboy gatherings and rodeos across North America, as well as The Kennedy Center, the Grand Ole Opry and NYC’s Lincoln Center. Concert performances from Canada to California and Austin to Boston to Bangor, Maine, include shows with Ricky Skaggs and Kentucky Thunder, Asleep at the Wheel, Merle Haggard, Marty Stuart, Riders in the Sky and The Reno Philharmonic. -
Cowboysymposium2015 Web.Pdf
2 | 2015 Lincoln County Cowboy Symposium Welcome to the 26th Annual Lincoln County Cowboy Symposium Th e performers, chuck wagon cooks and western craftsmen gathered here represent the fi nest in their fi elds. Th ey are as diverse in nature as they are in talent, but they all have a common love of the West and the life that it off ers. Take some time to visit with these folks. Th eir stories are rich with history; their skills are seasoned with time. We hope you enjoy this year’s Cowboy Symposium and leave with a richer understanding of the “Cowboy Way of Life.” Symposium Hours Daily Entertainment Friday/Saturday: 9 a.m. - 6 p.m. 4 Live Entertainment Sunday: Chuck Wagon Cook-Off Information 8 a.m. - 2 p.m. 6-7 Music Schedule 8 Family Fun Schedule Night Entertainment 9 All Day Fun for the Whole Family / Equestrian (Concerts/Dance) Demonstrations Th ursday, Friday 12 Entertainer Bios & Saturday: 7 p.m. - 11 p.m. 16-17 Map 18-19 Grandstand and Tent Vendor Maps and Listings Admission Rates 20 Entertainer Bios, cont. Daily Admission 28 2014 LCCS Sponsors Friday OR Saturday: 29 Chuck Wagon Information $25 per person Children 12 & under FREE Sunday: FREE Concerts: Th ursday OR Saturday Night: $65 per person Dance: Friday Night: Photos courtesy of LCCS, Eugene Heathman, Gay Harris and Ty Wyant $40 per person 2015 Lincoln County Cowboy Symposium | 3 LIVE ENTERTAINMENT Western Thursday Night Concert • Oct. 8 7 p.m. Dave Alexander and his Big Texas Swing Band Expo 8:30 p.m. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.