Seattle Symphony March 2018 Encore
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RUED LANGGAARD Complete Works for Violin and Piano Vol. 2
RUED LANGGAARD COMPLETE WORKS FOR VIOLIN AND PIANO VOL. 2 GUNVOR SIHM, BERIT JOHANSEN TANGE Per Salo, Danish National Symphony Orchestra, Thomas Søndergård RUED LANGGAARD Sonata No. 1 ‘Viole’, BVN 94 (1915; rev. 1945). 40:07 for violin and piano I. Maestoso fiero espressivo ( = 100) – Non mosso – Più tranquillo, Più lento – VOL. 2 q COMPLETE WORKS FOR VIOLIN AND PIANO Tempo l – Agitato – Lento glorioso – A tempo – Più allargando – Maestoso fiero (Tempo l) – Più lento – Poco meno mosso – A tempo l – Maestoso fiero �������������� 13:46 GUNVOR SIHM VIOLIN BERIT JOHANSEN TANGE PIANO II. Molto allegro scherzoso – Tempo alla valse! – Più tranquillo – [Tempo l] – Presto molto agitato . 6:43 Per Salo, ORGAN - III. Lento cogitoso – Con moto – Tranquillo – Con moto – Lento cogitoso – Danish National Symphony Orchestra Tranquillo �������������������������������������������������������������������������������������������������������������������������� 8:45 Thomas Søndergård, CONDUCTOR IV. Molto allegro marcato – Slargando – Tranquillo – Allargando festivo – Alla marcia risoluto – Allegro molto risoluto – Molto allegro . 10:52 Andante religioso, BVN 407 (1950) . 4:27 for violin and piano [Andante] – Hurtigere (faster) – Andante Søndagssonate (Sunday Sonata) *, BVN 393 (1949-50) . 14:27 for violin, piano, organ and orchestra I. Poco allegro marcato ( q = 96) violin and piano . 6:27 II. Langsomt, indtrængende (Slowly, earnestly) ( q = 66) violin and piano . 2:30 h = 50 organ . 2:43 q = 76 – Moderato ( q = 76 Strengt i Takt (Strictly in time)) – Omtrent Presto, Præcist og eftertrykkeligt (Nearly Presto, precisely and emphatically) ( h = 76) – Hurtigere! (Faster!) – Presto – q = 80 organ and orchestra . 2:47 Total: 59:03 Dacapo is supported by the * World premiere recording RUED LANGGAARD by Bendt Viinholt Nielsen Rued Langgaard was born on 28 July 1893 in Copenhagen and died on 10 July 1952 in Ribe. -
MUSICWEB INTERNATIONAL Recordings of the Year 2018 This
MUSICWEB INTERNATIONAL Recordings Of The Year 2018 This is the fifteenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2017-November 2018). The 130 selections have come from 25 members of the team and 70 different labels, the choices reflecting as usual, the great diversity of music and sources - I say that every year, but still the spread of choices surprises and pleases me. Of the selections, 8 have received two nominations: Mahler and Strauss with Sergiu Celibidache on the Munich Phil choral music by Pavel Chesnokov on Reference Recordings Shostakovich symphonies with Andris Nelsons on DG The Gluepot Connection from the Londinium Choir on Somm The John Adams Edition on the Berlin Phil’s own label Historic recordings of Carlo Zecchi on APR Pärt symphonies on ECM works for two pianos by Stravinsky on Hyperion Chandos was this year’s leading label with 11 nominations, significantly more than any other label. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2400 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year the choice was a little easier than usual. Pavel CHESNOKOV Teach Me Thy Statutes - PaTRAM Institute Male Choir/Vladimir Gorbik rec. 2016 REFERENCE RECORDINGS FR-727 SACD The most significant anniversary of 2018 was that of the centenary of the death of Claude Debussy, and while there were fine recordings of his music, none stood as deserving of this accolade as much as the choral works of Pavel Chesnokov. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Raskatov Stravinsky
SEATTLE SYMPHONY LUDOVIC MORLOT LUDOVIC RASKATOV PIANO CONCERTO “NIGHT BUTTERFLIES” TOMOKO MUKAIYAMA, PIANO STRAVINSKY THE RITE OF SPRING SEATTLESYMPHONY.ORG � & © 2014 Seattle Symphony Media. All rights reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited without prior written permission from the Seattle Symphony. Benaroya Hall, 200 University Street, Seattle, WA 98101 Photo: Larey McDaniel Larey Photo: SEATTLE SYMPHONY Founded in 1903, the Seattle Symphony is one of America’s leading symphony orchestras and is internationally acclaimed for its innovative programming and extensive recording history. Under the leadership of Music Director Ludovic Morlot since September 2011, the Symphony is heard live from September through July by more than 300,000 people. It performs in one of the finest modern concert halls in the world — the acoustically superb Benaroya Hall — in downtown Seattle. Its extensive education and community-engagement programs reach over 100,000 children and adults each year. The Seattle Symphony has a deep commitment to new music, commissioning many works by living composers each season, including John Luther Adams’ Become Ocean, which won the 2014 Pulitzer Prize for Music. The orchestra has made more than 140 recordings and has received 12 Grammy nominations, two Emmy Awards and numerous other accolades. In 2014 the Symphony launched its in-house recording label, Seattle Symphony Media. For more information, visit seattlesymphony.org. Photo: Ben VanHouten Ben Photo: LUDOVIC MORLOT, CONDUCTOR As the Seattle Symphony’s Music Director, Ludovic Morlot has been received with extraordinary enthusiasm by musicians and audiences alike, who have praised him for his deeply musical interpretations, his innovative programming and his focus on community collaboration. -
Trimpin Above, Below, and in Between Trimpin
TRIMPIN ABOVE, BELOW, AND IN BETWEEN BELOW, ABOVE, SEATTLE SYMPHONY LUDOVIC MORLOT TRIMPIN Above, Below, and In Between, A site-specific composition Part 1 .............................................................................1:36 Part 2 ............................................................................ 2:55 Part 3 – For Jessika ..................................................... 4:20 Part 4 ............................................................................ 2:34 Part 5 ............................................................................ 6:00 Part 6 ............................................................................ 5:00 Jessika Kenney, soprano; Sayaka Kokubo, viola; Penelope Crane, viola: Eric Han, cello; David Sabee, cello; Jordan Anderson, double bass; Joseph Kaufman, double bass; Ko-ichiro Yamamoto, trombone; David Lawrence Ritt, trombone; Stephen Fissel, trombone TOTAL TIME ............................................................... 22:30 SEATTLESYMPHONY.ORG � & © 2016 Seattle Symphony Media. All rights reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited without prior written permission from the Seattle Symphony. Benaroya Hall, 200 University Street, Seattle, WA 98101 MADE IN USA Photo: Larey McDaniel Larey Photo: SEATTLE SYMPHONY Founded in 1903, the Seattle Symphony is one of America’s leading symphony orchestras and is internationally acclaimed for its innovative programming and extensive recording history. Under the leadership -
London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8Pm, Hall
London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8pm, Hall Giacinto Scelsi Uaxuctum: The Legend of the Maya City, destroyed by the Maya people themselves for religious reasons UK premiere interval 20 minutes John Luther Adams Become Ocean London Contemporary Orchestra and Choir Robert Ames conductor Universal Assembly Unit art direction Artrendex artificial intelligence London Contemporary Orchestra and Universal Assembly Unit are grateful to Arts Council England for their support for the visual elements of this concert Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers. -
The 15Th International Edvard Grieg Piano Competition Edvard Grieg Museum Troldhaugen • 2–10 September 2016 • Bergen • Norway
1 The 15th International Edvard Grieg Piano Competition Edvard Grieg Museum Troldhaugen • 2–10 September 2016 • Bergen • Norway PROGRAMME 2 3 MAIN SPONSOR OTHER PARTNERS CONTENT Bergen Philharmonic Orchestra 4 Welcome 32 Kharatyan, Mariam – Armenia The Grieg Academy (University of Bergen) 6 Recital: Seong-Jin Cho 33 Li, Zhenni – China The International Edvard Grieg Society 7 Final in Grieghallen 34 Mikołajczyk, Łukasz – Poland Centre for Grieg Research 8 Audience programme 35 Miura, Kenji – Japan Friends of Troldhaugen 10 Schedule for participants and jury 36 Nakagiri, Nozomi – Japan Municipality of Bergen Bergen Pianoforretning 12 Listeners’ forum 37 Numasawa, Yoshito – Japan Reksten Collections 13 Pianists on tour 38 Nystad, Lars Fredrik – Norway Hordaland County Council 14 Trip to Rosendal Manor 39 Ramlav, Ilya – Russia The Norwegian Ministry of Foreign Affairs 15 Guided tour, lecture and master class 40 Rizikov, Anastasia – Canada 16 Trip to Ole Bull’s home Lysøen 41 Sargsyan, Zhora – Armenia Member of the Alink-Argerich Foundation since 2004 42 Stasevskij, Justas – Finland PARTICIPANTS 43 Tchaikovsky, Darya – Belarus Edvard Grieg Museum Troldhaugen 18 Ahfat, Kevin – Canada 44 Wong, Rhythmie – China is part of KODE Art Museums of Bergen 19 Ahn, Ah Ruem – South Korea 45 Yeh, Sean – USA 20 Arishima, Miyako – Japan 46 Yiangou, Andrew – Great Britain 21 Brigida, Vsevolod – Russia 47 Yulin, Maria – Israel 22 Byrdy, Łukasz – Poland The International Edvard Grieg Piano Competition 23 Chen, Moye – China 48 Jury is arranged by Edvard Grieg Museum Troldhaugen. 24 Chen, Shih-Wei – Taiwan 50 Bergen Philharmonic Orchestra 25 Cruchley, Ben – Canada 51 Contributing artists The information in this program was correct at the time of going to print. -
Some Flavorful Picks from 2015'S Classical Bumper Crop (Part 1: Non-Iowa)
(/) Donate (https://members.iowapublicradio.org/ccon/addPledge.do?action=makeNewPledge&site=IPR_Public) LISTEN LIVE · IPR News LOADING... Talk of Iowa Some Flavorful Picks from 2015's Classical Bumper Crop (Part 1: Non-Iowa) By BARNEY SHERMAN (/PEOPLE/BARNEY-SHERMAN) • 13 HOURS AGO Twitter (http://twitter.com/intent/tweet?url=http%3A%2F%2Fwww.tinyurl.com%2Fpc3lnnq&text=Some%20Flavorful%20Picks%20from%202015%27s%20Classical%20Bumper%20Crop%20%28Part%201%3A%20Non-Iowa%29) Phil Maass, IPR’s sound engineer extraordinaire, solves knotty problems every day. So it's not surprising that when I was trying to whittle down my list of classical releases for Charity Nebbe’s year-end show, it was Phil who came up with the x. Why, he asked, does it need to be the Top 10? Why not 15 or 17 or whatever number it comes out to? Phil and I had been talking about how the classical music world seems to be popping in 2015 in a way we didn't sense 20 years ago. We weren't alone: back in 1995, someone wrote a book called Who Killed Classical Music?, which saw the classical recording industry imploding. What’s happened instead is more or less the opposite. There's an explosion of new releases, year after year. In addition to three new cycles of Beethoven piano sonatas annually (there were only three total when I was born), we keep getting rst recordings of rediscovered masterpieces, and above all, a renaissance of riveting new music. You couldn't possibly hear all the worthy contenders, and the more you try, the harder it gets to narrow it down to ten. -
Symfoni Nr. 16 “Deluge of Sun” (BVN 417) Preface
THE RUED LANGGAARD EDITION EDITION WILHELM HANSEN Rued Langgaard: Symfoni nr. 16 “Deluge of Sun” (BVN 417) Critical first edition by Bendt Viinholt Nielsen Preface About Symphony no. 16 Symphony no. 16, completed on 16th April 1951, is Rued Langgaard’s last major work, a concluding artistic tour de force from the composer, who was then weakened by illness. Langgaard’s worklist between this work and his death in July 1952 was only increased by a few small organ, piano and choral pieces. The symphony was written in the course of a month, but not according to a fixed plan. The idea of a new symphony first arose at the end of March 1951 in connection with the sketching of the two latest movements in time, the Scherzo (II) and the Finale (V). Such a formally crucial element as Movement III, which was composed in 1950 as an independent orchestral piece, was not incorporated in the symphony until after the fair- copying of the other four movements had been concluded on 14th April 1951. The dating 16th April 1951, which also features as an end-dating in the sources, may well refer to this concluding expansion and completion of the symphony. Movement III, which is the oldest part of the symphony, was written between 20th June and 1st August 1950 – in two bouts of activity, since the introductory 62 bars were added after the main body of the movement had been completed in fair copy. The movement constituted an independent composition with the title Orchestral Prelude to Strindberg’s “Stormy Air” (‘Oväder’) or simply Stormy Air (Uvejrsluft in Danish). -
The Music of the Spheres” by R.I
Iordanis Eleftheriadis Matr.Nr.: 61800336 The Pythagorean-cosmological concept of the composition “The Music of the Spheres” by R.I. Langgaard. Masterarbeit zur Erlangung des akademischen Grades Master of Arts des Studiums KMA Violine an der Anton Bruckner Privatuniversität Linz Betreut durch: Univ.Doz. Dr. M.A. Hans Georg Nicklaus Mag. Predrag Katanic Linz, 1.5.2019 Index 1. Abstract........................................................................................................................4 2. Preface.........................................................................................................................5 3. The Theory of The Harmony of the Spheres. 3.1. Pythagoreanism.........................................................................................6 3.2. Pythagorean Philosophy.............................................................................8 3.3. Mental/Listening abilities of Pythagoras ...................................................9 3.4. What was Music for the Ancient Greeks?.................................................10 3.5. Pythagorean Harmonic.............................................................................11 3.6. Tetractys...................................................................................................13 3.7. Aspects of Harmony in Ancient Greece.....................................................14 3.8. Dualism.....................................................................................................15 3.9. Pythagorean Astronomy...........................................................................16 -
Ultima Oslo Contemporary Music Festival on Nature
ultima oslo contemporary 10–19 september 2015 ultima music festival oslo contemporary music festival om natur 10.–19. september 2015 10.–19. on nature 1 programme THURSDAY 10 SEPTEMBER Lunchtime concert Henrik Hellstenius Ørets teater III: Ultima Academy Cecilie Ore Ultima Academy Eivind Buene Georg Friedrich Haas In Vain SATURDAY 19 SEPTEMBER Herman Vogt Om naturen (WP) Alexander Schubert in conversation Adam & Eve—A Divine Comedy Geologist Henrik H. Svensen The Norwegian Chamber Orchestra Ensemble Ernst Ultima Remake Concordia Discors, Études (WP) Oslo Sinfonietta / Dans les Arbres with rob Young 21:00 — Kulturkirken Jakob on issues in the Age of Man 19:00 — Universitetets aula 21:00 — Riksscenen Edvin Østergaard (WP) / 10:00 — Edvard Munch Secondary 12:00 — Loftet 19:30 — The Norwegian National Opera 14:00 — Kulturhuset p. 18 19:30 — Kulturhuset New music by Eivind Buene, plus the Spellbinding piece described as ‘an optical Jan Erik Mikalsen (WP) / Maja Linderoth School Piano studies with Ian Pace, piano & Ballet, (Also 12 and 13 September) p. 31 p. 35 pieces that inspired it illusion for the ear’” The Norwegian Soloists’ Choir Interactive installation created by pupils p. 19 Concert / performance Robert Ashley Perfect Lives p. 38 p. 47 13:00 — Universitetets gamle festsal p. 13 p. 16 Ultima Academy Matmos Ultima Academy p. 53 Installation opening and concert Music Professor Rolf Inge Godøy 22:00 — Vulkan Arena Musicologist Richard Taruskin on David Toop Of Leonardo da Vinci — James Hoff / Afrikan Sciences / Ultima Academy Elin Mar Øyen Vister Røster III (WP) Installation opening on sound and gesture American electronica duo perform cele- birdsong, music and the supernatural Quills / a Black Giant / Deluge (WP) Hilde Holsen Øyvind Torvund (WP) / Jon Øivind Media theorist Wolfgang Ernst 15:00 — Deichmanske Ali Paranadian Untitled I, 14:30 — Kulturhuset brated TV opera 20:30 — Kulturhuset Elaine Mitchener / David Toop 22:00 — Blå Ness (WP) / Iannis Xenakis on online culture and hovedbibliotek A Poem for Norway (WP) p. -
Bibliography of Studies of Eighteenth-Century Journalism and the Periodical Press, 1986-2009
Bibliography of Studies of Eighteenth-Century Journalism and the Periodical Press, 1986-2009 This bibliography surveys scholarship published from 1986 to 2009 on journalism, diverse serials (including almanacs), and the periodical press throughout the Europe and the Americas during the "long eighteenth century," approximately 1660-1820. It is most inclusive for the years 1990-2007, in consequence of my compiling studies of that period for Section 1--"Printing and Bibliographical Studies"--of the ECCB: Eighteenth-Century Current Bibliography, until recently known as The Eighteenth Century: A Current Bibliography. It focuses on printed publications, but a few electronic publications have been included. Dissertations and book reviews also are included. For suggestions and corrections, I am indebted to Professor James E. Tierney. In Spring 2003, I learned of many publications, particularly on German periodicals, from Mr. Harold Braem of Hildesheim, who has provided me with titles in his Historische Zeitungen: Privatarchiv der deutschsprachigen Presse des 17.-19. Jahrhunderts. Later, others, such as Marie Mercier-Faivre, Eric Francalanza, Rudj Gorian, and Charles A. Knight, have called attention to errors and overlooked studies. Of course, I am also indebted to many published bibliographies, most especially those by Diana Dixon published in inter-related annual serials: Journal of Newspaper and Periodical History (London, 1984-1994), Studies in Newspaper and Periodical History (Westport, CT: Greenwood, 1994-1997), Media History (1999-2002). I have also drawn upon Kim Martin Long's checklists in issues of American Periodicals, and various annual bibliographies dedicated to literature in specific languages, the most useful being MHRA's Annual Bibliography of English Language and Literature, with its inclusive chapter on periodicals.