Art Pepper Plays Shorty Rogers & Others Mp3, Flac

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Art Pepper Plays Shorty Rogers & Others mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Plays Shorty Rogers & Others Country: Netherlands Released: 1978 MP3 version RAR size: 1349 mb FLAC version RAR size: 1244 mb WMA version RAR size: 1848 mb Rating: 4.4 Votes: 280 Other Formats: MMF MP3 TTA MOD AU AIFF MPC Tracklist A1 Po Po A2 Di Di A3 Powder Puff A4 Bunny A5 Diablo's Dance B1 Minor Yours B2 Ol' Croix B3 Tynan Time B4 Little Girl Credits Alto Saxophone – Art Pepper Art Direction, Design – Bill Burks Artwork By [Illustration] – Jeff Lancaster Baritone Saxophone – Bud Shank (tracks: A1 to A5) Bass – Leroy Vinnegar (tracks: B1 to B4), Monte Budwig* (tracks: A1 to A5) Composed By, Arranged By, Conductor – Shorty Rogers (tracks: A1 to A5) Drums – Shelly Manne (tracks: A1 to A5), Stan Levy* (tracks: B1 to B4) Executive Producer – Ed Levine Photography – Bill Claxton Piano – Pete Jolly (tracks: B1 to B4), Russ Freeman (tracks: A1 to A5) Producer, Liner Notes – Richard Bock Tenor Saxophone – Bill Holman (tracks: A1 to A5), Richi Kamuca* (tracks: B1 to B4) Trombone – Stu Williamson (tracks: A1 to A5) Trumpet – Chet Baker (tracks: B1 to B4), Don Fagerquist (tracks: A1 to A5) Tuba – Red Callendar* (tracks: A1 to A5) Other versions Category Artist Title (Format) Label Category Country Year Art Pepper Plays Shorty Pacific Jazz PJ-LA896-H Art Pepper Rogers & Others (LP, PJ-LA896-H US 1978 Records Album) GXF 3130 Art Pepper On Pacific (LP, Album) Pacific Jazz GXF 3130 Japan 1979 Plays Shorty Rogers & Pacific Jazz PJ-CA896-H Art Pepper PJ-CA896-H US 1978 Others (Cass, Album) Records On Pacific (LP, Album, Pacific Jazz GXF 3130 Art Pepper GXF 3130 Japan 1979 Promo) Records Related Music albums to Plays Shorty Rogers & Others by Art Pepper 1. Chet Baker - My Funny Valentine 2. Chet Baker - The Trumpet Artistry Of Chet Baker 3. Chet Baker & Bud Shank - The James Dean Story (The Soundtrack Album + The Film) 4. Chet Baker Quintette - Chet Baker Quintette 5. Bud Shank & Shorty Rogers & Bill Perkins - Bud Shank - Shorty Rogers - Bill Perkins 6. Chet Baker Ensemble & Sextet - Chet Baker Ensemble & Sextet 7. Jack Millman - Jazz Studio 4 Part 1 8. Shorty Rogers - The Complete Atlantic And EMI Jazz Recordings Of Shorty Rogers 9. Various - Jazz: The 50's Volume I 10. Chet Baker Quartet - Chet Baker Quartet.

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Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
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BOB GORDON DISCOGRAPHY BOB GORDON RECORDINGS, CONCERTS AND WHEREABOUTS Bob Gordon was born in St. Louis, Missouri, June 11, 1928. He passed away in a car accident between Hollywood and San Diego, CA., August 28, 1955 by Kenneth Hallqvist, Sweden January 2019 Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 1 INTERNAL INFORMATION Colour markings for physical position: IKEA-boxes with Bob Gordon = GREEN IKEA-boxes with Lars Gullin = YELLOW IKEA-boxes with Gerry Mulligan = BLUE Shelves = ORANGE Cupboard = RED Bob played tenor sax with: Shorty Sherock (1946) Alvino Ray (1948-1951) Billy May (1952) Horace Heidt (1952-1953) George Redman (1954) Search for LPs/CDs: GNP J.S.L.P. 50.042: "Maynard Ferguson - Dimensions" (Trip Jazz LP available) EMArcy LP #MG 36044: "Lyle Murphy: Four saxophones in twelwe tones" (10" LP 1955) Mercury CD EJD-1016: COMPACT JAZZ - Maynard Ferguson with Bob Gordon (released in Japan 1989) EMArcy CD #3071: "Introducing Bob Gordon" Bob Gordon DISCOGRAPHY - Recordings, Concerts and Whereabouts by Kenneth Hallqvist - page No. 2 Abbreviations used in this discography acc accordion mda mandola arr arranger mdln mandolin as alto saxophone mel melodica b bass (contrabass or double bass) mgs Moog synthesizer b-cl bass clarinet oboe oboe b-tb bass trombone oca ocarina b-tp bass trumpet org organ bars baritone saxophone p piano bgs bongos panfl pan flute bjo banjo perc percussion bnd bandoneon saxes saxophones bs bass saxophone sop soprano saxophone bsn bassoon st-d steel drums cgs
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e CaliforniaTech Volume LVII Pasadena, California, Thursday, April 19, 1956 Number 24 Y members from 8 colleges BOD names w. Briggs, Socialist leader, to meet for talks, recreation editors for to speak in Blacker tonight Dr. David Elliot of the Caltech history department will be the William Briggs, chairman of the Socialist Party of California, keynote speaker at the spring YWCA-YWCA conference this ij Farrago/ 'T' will speak in Blacker House today at 7 :30 p.m. on "What Does Friday, Saturday and Sunday at Camp Seeley in the San Ber by Herb Rauch Socialism Offer America?" nardino Mountains. Monday night the ASCIT Briggs' talk is sponsored by the Open Forum and will include The Seeley Conference is open to all Caltech Y members. Board appointed men to put out an evaluation of American political and economic institutions, Over 100 students from YMCA's and YWCA's of UCLA, USC, Farrago this term, to edit the as well as the platform of the 'Socialist Party. Eason Monroe, Oxy, Pomona, Whittier, Chapman and San Diego State will Little T, and to insure that our executive director of the American Civil Liberties Union, will attend. rallies and assemblies shall be introduce him. The program will include appropriate. The aims of the Social ist Party, according to Mr. Briggs, are talks, discussion groups, and rec Tau Beta Pi Marty Tangora will be editor to "effect through elections a cooperative, democratic society, reation. Besides Dr. Elliot, who of Farrago this spring term. hased on the gradual nationali will speak on some facet of the Karl Knapp and Kirk Polsen zation of the basic industries of international situation, talks will initiation held were approved as business man Ann()uncemenfs ..
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Kapitel 295 ATROMBONE FORCE 11 uring its long history Stan Kenton’s band aroused strong passions both from those who loved and those who hated the band. Many felt that the band D never really swung, despite such early hits as “Eager Beaver,” “Artistry in Rhythm,” “Intermission Riff” and “The Peanut Vendor.” It is true that much of Kenton’s music was produced expressly for dancers, amounting at times to merely sophisticated mood music. And Kenton’s forays into “concert” music with the various Innovations orchestras, as well as his interpretations of the music of the romantic master Richard Wagner, not to mention the futuristic sounds concocted for the band by the singular Bob Graettinger, were far removed from the mainstream of jazz. Whatever one may think of the controversial Kenton himself and the music he championed, and where their place in the canon of jazz may ultimately be settled, one cannot deny the out- standing soloists that he employed at one time or another. From Stan Getz, Art Pepper and Shelly Manne in the ’40s to Lee Konitz and Maynard Ferguson in the ’50s and Marvin Stamm in the ’60s, and even teen-aged drummer Peter Erskine in the early ’70s, there were always some excellent sidemen in the band. The Kenton band was a great popular success in the 1940s, and it remained at least solvent (in part due to the leader’s periodic concessions to popular taste) through the ’50s, ’60s and ’70s, when the band experienced a resurgence through Kenton’s far-sighted early entry into the new jazz education scene.
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