Medieval Cartulary Manuscripts in the National Library of Scotland
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Talking Gothic! What Do We Mean by Gothic Architecture and How Can We Identify It?
Talking Gothic! What do we mean by Gothic architecture and how can we identify it? ‘Gothic’ is the name we give to a style of architecture from the Middle Ages. It is usually thought to have begun near Paris in the middle of the 1100s and, from there, it spread throughout Europe and continued into the 16th century. There are many marvellous examples of Gothic buildings throughout Scotland: from Elgin Cathedral in Moray, through amazing buildings like Glasgow Cathedral, Paisley Abbey and Edinburgh St Giles, down to Melrose Abbey in the Scottish Borders. All of these, and more, are well worth a visit! Gothic architecture developed from an earlier style we call Romanesque. Buildings made in the Romanesque style often have rounded arches on their (usually comparatively small) windows and doors, thick columns and walls, lots of ornamental patterns, and shorter structures than the buildings which came later. Dunfermline Abbey is a great example of a Romanesque building in Scotland. The people who paid for the earliest Gothic buildings expressed a wish to transport worshippers to a kind of Heaven on Earth by building higher and brighter churches. What emerged is what we now describe as Gothic. Fashions changed throughout the time that Gothic was the predominant style, and it also varied from place to place. However, the Classical revival made popular as part of the Italian Renaissance largely replaced the Gothic style, and it wasn’t fashionable again until the 19th century. During the Romantic Movement Medieval literature, arts and crafts enjoyed renewed popularity. As a result, Glasgow Cathedral was begun in the Gothic elements can be seen today in the churches, public buildings, and late 12th century and was at the hub of the Medieval city. -
The Cistercian Abbey of Coupar Angus, C.1164-C.1560
1 The Cistercian Abbey of Coupar Angus, c.1164-c.1560 Victoria Anne Hodgson University of Stirling Submitted for the degree of Doctor of Philosophy August 2016 2 3 Abstract This thesis is an examination of the Cistercian abbey of Coupar Angus, c.1164-c.1560, and its place within Scottish society. The subject of medieval monasticism in Scotland has received limited scholarly attention and Coupar itself has been almost completely overlooked, despite the fact that the abbey possesses one of the best sets of surviving sources of any Scottish religious house. Moreover, in recent years, long-held assumptions about the Cistercian Order have been challenged and the validity of Order-wide generalisations disputed. Historians have therefore highlighted the importance of dedicated studies of individual houses and the need to incorporate the experience of abbeys on the European ‘periphery’ into the overall narrative. This thesis considers the history of Coupar in terms of three broadly thematic areas. The first chapter focuses on the nature of the abbey’s landholding and prosecution of resources, as well as the monks’ burghal presence and involvement in trade. The second investigates the ways in which the house interacted with wider society outside of its role as landowner, particularly within the context of lay piety, patronage and its intercessory function. The final chapter is concerned with a more strictly ecclesiastical setting and is divided into two parts. The first considers the abbey within the configuration of the Scottish secular church with regards to parishes, churches and chapels. The second investigates the strength of Cistercian networks, both domestic and international. -
In Search of Dunfermline Abbey's Lost Medieval Choir
History Scotland (Sep/Oct 2020) 20.5, pp. 20-26 Part 1: In Search of Dunfermline Abbey’s lost medieval choir: history, liturgy and ground-penetrating radar. Michael Penman The many visitors to Dunfermline Abbey and Palace in Fife typically encounter a church of two halves. To the west stands the medieval nave and, until 1821, parish church. Stripped of its post-Reformation pews and lofts and re-presented as a stunning Romanesque-Gothic stone shell, it still coveys much of the misty spirituality of its Benedictine monastery dedicated to the Holy Trinity. Its elegant columns speak to its former scale and status and its strong links with Benedictine Durham Cathedral Priory through the 11th and 12th centuries. Fig 1: Dunfermline Abbey’s buttressed medieval nave (west) and modern Abbey Church (east) [© Robert Cutts, CC BY 2.0] However, of the later medieval monastic choir to the east (and the cloisters) little remains. The great east-end of this church was left ruinous by the iconoclasm of the Reformation. Like its nave, it had been home to successive royal and aristocratic burials and the cult of the queen of Malcolm III, St Margaret (d.1093), canonised in 1249. Long used after the Reformation as a romantic burial ground by local townspeople, known as the ‘Psalter’ churchyard, the choir ruins were eventually cleared and overbuilt c.1817-21 to make way for a new Presbyterian ‘Abbey Church’ of Dunfermline parish, conjoined to the nave. Fig 2: The fossiliferous marble base of St Margaret’s feretory shrine within her east-end chapel, outside the Abbey Church vestry [Author’s photograph]. -
Social Network Analysis and the People of Medieval Scotland 1093-1286 (Poms) Database
i Social Network Analysis and the People of Medieval Scotland 1093-1286 (PoMS) Database by Matthew Hammond with contributions by Cornell Jackson Preface by John Bradley Afterword by Dauvit Broun CENTRE FOR SCOTTISH AND CELTIC STUDIES UNIVERSITY OF GLASGOW GLASGOW 2017 ii ©Matthew Hammond, Cornell Jackson, John Bradley and Dauvit Broun 2017 All rights reserved The moral rights of the authors have been asserted ISBN (13): 978-0-85261-955-1 ISBN (10): 0852619553 Published online at https://www.poms.ac.uk/social-network-analysis-and-the-people-of-medieval-scotland-1093-1286- poms-database/ Centre for Scottish and Celtic Studies, University of Glasgow, 1 University Gardens, Glasgow, G12 8QQ iii TABLE OF CONTENTS Contributors iv Acknowledgements v Preface by John Bradley vi 1. Starting Points 1 1.1 Social Network Analysis, Prosopography, and History 1 Medieval History and Social Network Analysis 3 Digital Prosopography and Social Network Analysis 9 1.2 Introduction to SNA concepts (by Cornell Jackson) 25 2. Relationship Networks 38 2.1 Familial relationships 38 2.2 Employment relationships 56 2.3 Tenurial and employment relationships 68 3. Networks of Grantors and Beneficiaries 82 4. Co-witnessing Networks: all witnesses 100 4.1 Creating the dataset 100 4.2 More than twenty co-witnessing acts: network structure 112 4.3 The main component of the study of more than 20 witnesses 122 4.4 Co-witnessing at more than 30 instances 132 5. Co-witnessing Networks: royal charter witnesses 156 5.1 Network of all royal documents 156 5.2 Reign by reign 184 David I (1124-53) 184 Malcolm (Mael Coluim) IV (1153-65) 199 William I (1165-1214) 214 iv Alexander II (1214-49) 237 Alexander III (1249-86) 249 5.3 Time Slices 259 Time Slice Comparison 332 6. -
Research in Action – the Tomb of Robert the Bruce
The Tomb of Robert the Bruce As part of the commemorations of the 700th anniversary of the Battle of Bannockburn the Society of Antiquaries of Scotland supported a project to research and reconstruct the lost tomb of Robert the Bruce. The project involved partners from across the heritage sector, including the Royal Commission on the Ancient and Historical Monuments of Scotland, Historic Scotland, National Museums Scotland, the Hunterian, the National Registers of Scotland, Fife Cultural Trust and the Abbotsford Trust. After King Robert I died in 1329, he was buried in the choir of Dunfermline Abbey. Contemporary sources record that his grave was then marked by a monument commissioned prior to his death and imported from Paris. This monument was later lost, probably having been destroyed during the demolition and quarrying of the monastery in the aftermath of the Reformation. As is well known, during the building of the present parish church in 1818, workmen discovered a skeleton, believed to be that of the king. Whether or not the skeleton is actually that of Bruce, or one of the other kings known to have been buried in the choir, is still a subject of debate. However, other excavations between c1790 and 1820 also discovered fragments of carved and gilded stone, variously described as marble or alabaster, which were identified as pieces of Bruce’s vanished monument. These pieces are now preserved in the collections of The Hunterian, National Museums Scotland, and Dunfermline Museum. In contrast to the skeleton, the fragments have attracted relatively little attention or academic study. Until this project they had never been brought together in one location for comparison. -
Dunfermline Abbey by John Marshall
DUNFERMLINE ABBEY BY JOHN MARSHALL, Late Head Master Townhill Public School. THE JOURNAL PRINTING WORKS 1910 DUNFERMLINE ABBEY BY JOHN MARSHALL, Late Head Master Townhill Public School. PRINTED ON DISC 2013 ISBN 978-1-909634-18-3 THE JOURNAL PRINTING WORKS 1910 Pitcairn Publications. The Genealogy Clinic, 18 Chalmers Street, Dunfermline KY12 8DF Tel: 01383 739344 Email enquiries @pitcairnresearh.com 2 DUNFERMLINE ABBEY BY JOHN MARSHALL Late Head Master Townhill Public School. James Stewart. Swan, engraver. DUNFERMLINE: THE JOURNAL PRINTING WORKS. Dunfermline Carnegie Library. (Local Collection.) 3 CONTENTS. ______ The Abbey: Introduction Page 1. Its Origin. 8 II. The Builders. 11 III. The Buildings. 13 IV. The Donors and the Endowments. 16 V. The Occupants. 20 VI. Two Royal Abbots & Abbots Beaton and Dury. 23 VII. Misfortunes of the Abbey. 25 VIII. The Maligned Reformers. 27 IX. Protestant Care of the Buildings. 29 X. Decay and Repairs. 31 XI. Fall of the Lantern and S. W. Towers, etc. 35 XII. The Interior of the Abbey. 39 XIII. The Royal Tombs. 41 <><><><><><> 4 ILLUSTRATIONS S. PITCAIRN. Page. THE FRONT COVER DUNFERMLINE ABBEY I INTERIOR OF ABBEY NAVE 2 PEDIGREE CHART – RICHARD I 10 AN ARTISTS IMPRESSION OF THE CONSTRUCTION OF DUNFERMLINE ABBEY 12 EARLY CHURCH 14 EARLY ORGAN, DUNFERMLINE, 1250 16 THE TOMB OF MARGARET AND MALCOLM SURROUNDED BY RAILINGS. 17 BENEDICTINE MONK 22 THE GREAT ABBEY OF DUNFERMLINE, 1250 29 DUNFERMLINE ABBEY, c. 1650 31 ABBEY NAVE 35 WEST DOORWAY 37 ROBERT HENRYSON’S “TESTAMENT OF CRESSEID” 39 WINDOWS 49 DUNFERMLINE ABBEY 43 ALEXANDER III 45 ROBERT BRUCE BODY 46 ARMS OF QUEEN ANNABELLA DRUMMOND 47 DUNFERMLINE ABBEY CHURCHYARD 48 <><><><><><> 5 DUNFERMLINE ABBEY _________ INTRODUCTION. -
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THE MONUMENTAL EFFIGIES OF SCOTLAND. 329 VI. THE MONUMENTAL EFFIGIES OF SCOTLAND, FROM THE THIRTEENTH TO THE FIFTEENTH CENTURY. BY ROBERT BRYDALL, F.S.A. SOOT. The custom of carving monumental effigies in full relief does not seem to have come into vogue in Scotland till the thirteenth century—this being also the case in England. From the beginning of that period the art of the sculptor had made great progress both in Britain and on the Continent. At the close of the twelfth century, artists were beginning to depart from the servile imitation of the work of earlier carvers, to think more for themselves, and to direct their attention to nature ; more ease began to appear in rendering the human figure; form was more gracefully expressed, and drapery was treated with much greater freedom. When the fourteenth century drew towards its end, design in sculpture began to lose something of the purity of its style, more attention being given to detail than to general effect; and at the dawn of the sixteenth century, the sculptor, in Scotland, began to degenerate into a mere carver. The incised slab was the earliest form of the sculptured effigy, a treat- ment of the figure in flat relief intervening. The incised slabs, as well as those in flat relief, which were usually formed as coffin-lids, did not, however, entirely disappear on the introduction of the figure in full relief, examples of both being at Dundrennan Abbey and Aberdalgie, as well as elsewhere. An interesting example of the incised slab was discovered at Creich in Fife in 1839, while digging a grave in the old church; on this slab two figures under tabernacle-work are incised, with two shields bearing the Barclay and Douglas arms : hollows have been sunk for the faces and hands, which were probably of a different material; and the well cut inscription identifies the figures as those of David Barclay, who died in 1400, and his wife Helena Douglas, who died in 1421. -
Royal Piety in Thirteenth-Century Scotland
Page 1 of 26 Royal Piety in thirteenth-century Scotland: the religion and religiosity of Alexander II (1214-49) and Alexander III (1249-86) Michael Penman (University of Stirling) Introduction It is perhaps inevitable that both the public and personal piety of Scotland’s thirteenth- century kings should appear, at first, unremarkable in contrast to that of the long-reigning Henry III of England and Louis IX of France. Henry’s consuming spiritual and material investment at Westminster Abbey in the cult of his ancestor, Edward the Confessor, and, from 1247, the associated veneration at that house of a Holy Blood relic, were but the most outward signs of a deep personal faith wedded tightly to Plantagenet political ends. The studies of David Carpenter, Paul Binski, Nicholas Vincent, Sarah Dixon-Smith and others have revealed in Henry a commitment to a wide, varied and costly round of religious building as well as daily and annual observances through masses, alms-giving and ritual commemoration.1 Many of these practices were continued by Henry’s son: as Michael Prestwich has illustrated, Edward I’s rule can also be shown to reflect a strong personal as well as heavily politicised faith.2 Nonetheless, the contemporary and historical reputations of both these English monarchs have always struggled to compete with that of the ‘most Christian’ French king. Louis was a charismatic religious exemplar, canonised in 1297, but 1 P. Binski, Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200-1400 (London, 1995); D.A. Carpenter, ‘The Burial of King Henry III, the Regalia and Royal Ideology’, in idem, The Reign of Henry III (London, 1996), 427-61; D.A. -
SOME SCOTTISH EXAMPLES Richard Fawcett* Introduction
THE ARCHITECTURAL FRAMEWORK FOR THE CULTS OF SAINTS: SOME SCOTTISH EXAMPLES Richard Fawcett* Introduction The saints were of supreme signi cance for the patrons of medieval ecclesiastical architecture.1 Those churches that were not consecrated to an aspect of the godhead were under the invocation of one or more saints, whose intercessory power, it was hoped, could be called upon when needed. Beyond that, there was the expectation that altars, which were the chief locations of worship within the churches, would have saints’ relics sealed within them. Indeed, since at least the time of the Fifth Council of Carthage in 401 it had been urged—albeit with varying degrees of consistency—that altars without relics should be destroyed.2 This chapter aims to look beyond such generalised associations, however, in order to offer a brief overview of some Scottish churches which had more speci c relationships with saints. It will consider the ways in which the design of those buildings may have been conditioned by a wish to give architectural emphasis to the saints’ cults, as well as the means by which structured access to the main foci of the cults was organized.3 The buildings to be discussed range from votive chapels established in gratitude for the intervention of a saint in the affairs of an individual, as at Ladykirk and St. Monans, to churches erected to mark sites particu- larly associated with a saint, as at Culross, Egilsay, Restalrig and Tain. In at least some of those cases, the requirements of the cult might be expected to have been a factor in the overall design of the building. -
Guide to Dunfermline Abbey
A REPRINT ON DISC 2013 ISBN 978-1-909634-05-3 DUNFERMLINE ABBEY A Brief Guide Revised in 1963 MACPHERSON’S BOOKSHOP DUNFERMLINE Pitcairn Publications. The Genealogy Clinic, 18 Chalmers Street, Dunfermline KY12 8DF Tel: 01383 739344 Email enquiries @pitcairnresearh.com 2 DUNFERMLINE ABBEY A Brief Guide Revised in 1963 ___________ To Visitors The Abbey is open daily from 10 a.m. to 7 p.m. (Sundays 2-6 p.m.) in the Summer and from 10 a.m. to 4 p.m. Sundays 2-4 p.m.) in the Winter The hours of service on Sundays are 11 a.m. and 6.30 p.m. ________________ (Note: - These times are now out of date.) www.dunfermlineabbey.co.uk MACPHERSON’S BOOKSHOP DUNFERMLINE 3 Acknowledgments This Guide is based on the Guide written by the late Norman M. Johnston. The text has been read by the Revd. Robert Dollar, B.D. and the late Revd. Dr. Webster but any faults remaining are the responsibility of the printers. The plan on page four is reproduced by permission of the late James Shearer., O.B.E., F.R.I.B.A., R.S.A., from “Dunfermline Abbey” by Dr. Webster, published by the Carnegie Dunfermline Trust. The photos on pp. 10 and 16 are reproduced by courtesy of Messrs. Valentine, Dundee. (Additional illustrations by S. Pitcairn) The cover photograph is by courtesy of Morris Allan, Dunfermline. 4 Contents 1. Introduction. 2. The Church of Malcolm and Margaret. 3. David’s Nave – Exterior. 4. David’s Nave – Interior. 5. The Windows 6. The New Abbey Church – Exterior. -
The Use of the Name Scot in the Central Middle Ages Part 2: Scot As a Surname, North of the Firth of Forth
The Use of the Name Scot in the Central Middle Ages Part 2: Scot as a surname, north of the Firth of Forth Matthew H. Hammond University of Glasgow1 The first part of this article (Hammond 2007) examined the use of the second name Scot as a by-name in the central middle ages and explored the contexts for the coining of this ethnonymic among three groups of people: merchants, clerics and knights. The remaining two parts of the article will consider the use of the name Scot as a hereditary surname, asking why families adopted the surname Scot, what contexts they operated in and how their naming practices changed across generations. Part 2 will take in turn three case studies of families based north of the Forth-Clyde isthmus who used the surname Scot – those based at Allardice KCD, Monorgan PER and Balwearie FIF. Part 3, in a future issue, will examine Scot families based in southern Scotland. I Scot of Allardice KCD The text of a charter of King William the Lion dated 16 October 1198 at Stirling, which survives only in an official transumpt of the original charter made in 1703 (NRS, GD 49/1), records the gift of Allardice (Arbuthnott parish) KCD to Walter son of Walter Scot ‘for the service of one archer with horse and hauberk and the performance of common aid due from thirteen oxgangs of land’ (RRS ii no. 404; H1/6/372).2 This was apparently a charter of succession, by which Walter Scot the younger succeeded to the estate of his father, who had recently died. -
Liber Sancte Marie De Balmorinach, Ed
Bibliography of Scottish Charters Aberdeen Friars: Red, Black, White, Grey, ed. P.J. Anderson (Aberdeen, 1909) The Acts of the Parliaments of Scotland, ed. T. Thomson and C. Innes (Edinburgh, 1814-75) Analecta Scotica, ed. J. Maidment (Edinburgh, 1834-47) Anderson, J., The Oliphants in Scotland (Edinburgh, 1879) Ane account of the familie of Innes, ed. C. Innes (Spalding Club, 1864) Banff Charters 1232 – 1703, ed. J.H. Ramsay (Oxford, 1915) Bannatyne Miscellany, vol. I, ed. W. Scott and D. Laing (Bannatyne Club, 1827) Bannatyne Miscellany, vol. III, ed. D. Laing (Bannatyne Club, 1855) Barrow, G.W.S., The Anglo-Norman Era in Scottish History (Oxford, 1980) Barrow, G.W.S., ‘Some East Fife Documents’, The Scottish Tradition: Essays in honour of Ronald Gordon Cant, ed. G.W.S. Barrow (Edinburgh, 1974), 23- 43 Barrow, G.W.S., ‘A Twelfth-century Newbattle Document’, SHR 30 (1951), 43-45. Barrow, G.W.S., ‘An unpublished brieve of Malcolm IV’, SHR 84 (2005), 85-87. Barrow, G.W.S., ‘A Writ of Henry II for Dunfermline Abbey’, SHR 36 (1957), 138 - 143. Barrow, G.W.S., ‘The Earls of Fife in the Twelfth Century’, PSAS 87 (1952-53), 51- 62. Barrow, G.W.S., ‘The early charters of the family of Kinninmonth of that ilk’, in The Study of Medieval Records, ed. D.A. Bullough and R.L. Storey (Oxford, 1971), 107- 31. Barrow, G.W.S., ‘The judex’, in Kingdom of the Scots, 57- 67. Barrow, G.W.S., ‘The justiciar, in Kingdom of the Scots, 68- 111. Barrow, G.W.S., ‘The Origins of the Family of Lochore’ SHR 77 (1998), 252-4.