How Safe Are Your Staffing Levels ? Debates from the Annual Representative Conference
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Issue 57 Summer 2015 ISSN 0268-1951
Issue 57 Summer 2015 ISSN 0268-1951 mej media education journal 2 contents editorial Issue 57, Summer 2015 ast year’s Scottish Referendum, which for culture, such as Underworld USA, Television Lthe first time gave the vote to 16- and and History, Brigadoon, Braveheart and the 17-year-olds, was a remarkable political and Scots and the seminal Scotch Reels, McArthur 2 Editorial therefore media event. It has had significant is well suited to this task. knock-on effects in this year’s General 3 Heterosexual Romance, Election on both the SNP and Scottish In the next article we turn our attention to Whiteness and Place in Notting Labour. The media played an important television, if Netflix can simply be called Hill role in the referendum campaign and there television. Mary Birch analyses the first 10 The Macbeth factor in House of were frequent accusations of media bias. episode of Season 1 of the ‘subscriber video- Cards In this issue of MEJ, we turn our attention on-demand’ (SVOD) provider’s House of to a media form where, in the battle for Cards (2013- ), a reboot of the BBC’s 1990 15 Studying Video Games as ‘Texts’ hearts and minds, the message is entitled mini-series but set in Washington DC in 20 Contributors to this issue to bias – the party political broadcast. Tom the current period. She defends the series Brownlee, an expat Scot and former editor from some US detractors who argue for its 21 Your Country Needs You! Part 1 of this journal, surveys the battlefield in Part inferiority to the original version and shows 1 of his article, ‘Your Country Needs You!’. -
November 2018
November 2018 Why daytime rocks VENUE: BUSINESS DESIGN CENTRE, LONDON N1 0QH RTS.org.uk/careersfair2019 #RTScareers Journal of The Royal Television Society November 2018 l Volume 55/10 From the CEO We have enjoyed A very different event, but just as Also in this issue, two book reviews abundant and vibrant insightful was our latest screening, by eminent people about eminent activity this autumn Tiny Shoulders: Rethinking Barbie, held at people – Lucy Lumsden on Jon Plow- across our regional the Curzon Cinema in Soho. A mas- man and Jon Thoday on Michael Ovitz. Centres, especially the sive thank you to Entertainment One Graeme Thompson’s interview with North East, as well as for arranging this. the director of BBC Two’s stunning in London. One of the Director Andrea Nevins secured series The Mighty Redcar turns the spot- highlights was a packed early-evening privileged access to the Barbie inner light on the North East. The region is, event that tackled the complex ques- sanctum at Mattel’s headquarters in of course, the location for MTV’s real- tion of how to successfully measure Los Angeles for her compelling film. ity sensation Geordie Shore. So I am audiences in the multi-device era. Following the screening, Andrea thrilled that we have a report from an “Who is watching: The challenge and Barbie design chief Kim Culmore RTS North East and the Border event of digital measurement” heard from joined us for a revealing question and dedicated to the show. platform owners, advertisers and answer session. I am very grateful to Last, but not least, Lisa Campbell Barb. -
SPEAKING out AGAINST SEXUAL HARASSMENT Helen Vine Describes How Equity Helped Win Her Harassment Case
www.equity.org.uk MAGAZINE SUMMER 2018 Union launches its Creating Safe Spaces campaign Our Deputy on Hamilton discusses representation Know your rights on low pay work SPEAKING OUT AGAINST SEXUAL HARASSMENT Helen Vine describes how Equity helped win her harassment case PRESIDENT SINCLAIR’S EQUITY DISTRIBUTES IMPROVED PAY AND FINAL COLUMN £6.4 MILLION PENSIONS ITC DEAL INSURANCE? EQUITY MAGAZINE SUMMER 2018 IN THIS ISSUE 4 FRONT OF HOUSE Designers’ working group, shared parental Exclusive Professional Property Cover for leave rally and organising the games industry Equity members 7 UPFRONT Christine Payne, General Secretary UK/Europe or Worldwide 8 MEET THE MEMBERSHIP cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer Obioma Ugoala, Hamilton’s George 14 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. Washington and Equity dep 10 SUCCESS STORIES GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK New ITC agreement, Equity distributes £6.4m 18 and a new ERA for Equality Tel 020 8686 5050 14 FACING SEXUAL HARASSMENT First Act Insurance* is the preferred insurance intermediary to Helen Vine speaks about her experiences and *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 standing up to her attackers 18 CREATING SAFE SPACES Tackling harassment in the workplace and First Act Insurance presents... promoting the union’s helpline 20 LOW PAY/NO PAY NEED-TO-KNOW Know your rights and know what to look for in a non-Equity contract 22 TUC REPORT What happened at the TUC Women’s and TUC Young Workers’ Conferences 26 PRESIDENT MALCOLM SINCLAIR Malcolm’s final presidential column 6 22 27 IN APPRECIATION Kenneth Haigh Key features include • Competitive online quote and buy cover provided by HISCOX. -
Visions of the End in Interwar British Art Thomas Bromwell Phd
Visions of the End in Interwar British Art Thomas Bromwell PhD University of York History of Art September 2019 Abstract The cessation of hostilities to the Great War with the signing of the Armistice on 11 November 1918 brought the largest and most devastating war hitherto known to an end. It was meant to be the “War to End War”, yet a little over twenty years later in 1939 it was eclipsed by the devastation of the Second World War. The shadow of war loomed over the intervening years, which were marked by pronounced speculation on where human society was going; for every prophet of doom anticipating collapse into degradation, animosity, and self-annihilation there was a contrasting viewpoint awaiting the move towards a better new world. Further, these assessments often overlapped. This thesis examines the impact of apocalyptic ideas within British art in the interwar years. It looks at painting, drawings, prints, and sculpture, addressing the use and development of apocalyptic concepts during the period 1918-1939, and explicitly relates contemporary anxieties and apocalyptic evocations with Christian apocalyptic narratives. Interwar British society at large identified with Christian traditions, either as products of a Christian education and state, or through belief. The Apocalypse is central to Christian hope. The project surveys this underappreciated aspect of the period in order to recognize the influence of Judeo-Christian apocalyptic traditions. The apocalyptic orientation, both in its religious and secular forms, has been recognised as a manifestation arising from anxiety in the contemporary context. This thesis reveals a British permutation of a general (European) trend. -
Equity Annual Report 2018
ANNUAL REPORT 2018 Outside cover 2018.indd 1 30/04/2019 15:41:16 Outside cover 2018.indd 2 30/04/2019 15:41:16 EQUITY ANNUAL REPORT 2018 THE EIGHTY EIGHTH ANNUAL REPORT Adopted by the Council at its meeting held on 29 April, 2019 for submission to the Annual Representative Conference 18-20 May, 2019 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 020 7379 6000 Fax: 020 7379 7001 E-mail: [email protected] Website: www.equity.org.uk Annual report 2018 cover_contents.indd 5 30/04/2019 15:30:42 Annual report 2018 cover_contents.indd 6 30/04/2019 15:30:42 CHAPTERCONTENTS 1: GENERAL A. ANNUAL REPRESENTATIVE CONFERENCE ...............................................................................................................7 B. ELECTIONS & REFERENDUMS ..................................................................................................................................7 C. LOBBYING ACTIVITY ..................................................................................................................................................7 D. MARKETING AND COMMUNICATION .......................................................................................................................9 E. RECRUITMENT & RETENTION ................................................................................................................................11 F. CLARENCE DERWENT AWARDS ..............................................................................................................................11 -
Matt Lodder As Our Acting Co-Ordinator While Claire Davies Is on Maternity Leave
AAH ASSOCIATION OF ART HISTORIANS BULLETIN www.aah.org.uk For information on advertising, membership and distribution contact: AAH Administrator, 70 Cowcross Street, London EC1M 6EJ 100 Tel: 020 7490 3211; Fax: 020 7490 3277; <[email protected]> Editor: Jannet King, 48 Stafford Road, Brighton BN1 5PF <[email protected]> FEB 2009 ART HISTORY SCORES WELL IN RAE Report from the AAH Chair and the Teaching, Learning and Research Committee here have been a number of changes which you may just be noticing as Tyou get ready to renew your annual subscription for 2009. The first is the Greetings from change in membership subscription, which has significantly reduced the cost of joining the AAH while still allowing those who wish to subscribe to our publications to benefit from heavily discounted rates. The second is the arrival of Matt Lodder as our acting co-ordinator while Claire Davies is on maternity leave. We are delighted to have him as part of our team and wish Claire all the best. The Executive spent much of the Autumn reviewing our activities and setting goals. For example, we want the Annual Conference to act as a showcase for the best Art History in Britain, and our student activities to ensure that there is a strong investment in the next generation of Art Historians. We will look forward to seeing many of you in Manchester in April for the AAH annual conference, which promises to help us achieve both ambitions. There will be much to discuss and to celebrate. We will be joined at our Annual General Meeting by Sandy Heslop, the Chair of the I have recently been appointed 2008 Research Assessment Exercise panel for the History of Art, Senior Administrator, to run the Architecture and Design, who will provide an overview of our field and of day-to-day business of the the decision-making process. -
Feature Films 2009 I'm Not Your Friend
tana 1 Synopsis The ultimate love story is the tale of the ultimate man and the ultimate woman. And what are the distinguishing marks of And what about the ultimate woman? the ultimate man? She is certainly unpredictable and instinctive like Lollobrigida, Well, he is charming like Marcello Mastroianni in La dolce but she's also graceful and knows how to behave, like Audrey vita. But he's also strapping like Brad Pitt in the Fight Club. Hepburn. She's girlish, like Audrey Tautou but cool and distant He is boyish like Leonardo DiCaprio in Titanic... or more like like Greta Garbo. She is funny and familiar like Julia Roberts, Alain Delon in Rocco and His Brothers, just a little bit taller, but her smile is like Ava Gardner's. She is divine, like Sophia maybe like Belmondo. He is devastating like Clark Gable and Loren, but it's not a problem if she resembles Monica sometimes a little bit melancholy, like Tony Leung Chiu Wai Bellucci... and at the same time she's ethereal like Liv Tyler in In The Mood For Love. He is decisive like Sean Connery when she's playing a fairy. She knows what she wants, like or Daniel Craig as James Bond, but unpredictable and Sharon Stone, but sometimes she's lost and innocent, like Zita eccentric like Latinovits in Szindbád. He's also a bit awkward, Szeleczky. And - I almost forgot - she kisses like Kim Novak. like Chaplin in Modern Times but enigmatic and a little scary, like Gary Oldman in Dracula. And of course, he is very funny, Oh, my God, what happens, if He meets Her?! like Woody Allen in Annie Hall. -
Fond Farewell to Our Fabulous Yr.13
ENRICHMENT BEWDLEY SIXTH FORM FOND FAREWELL TO OUR FABULOUS YR.13 WE WON! Front Cover Year 13 Celebrate It’s not too late! We still have places to start September 2019 SUMMER 2019 YR. 13 LAST DAY SHENANIGANS Friday 24 May was both a proud and happy moment but also a slightly sad one as we said goodbye to our current Bewdley Sixth Form Year 13 students. The day began with a ‘bang,’ as many Sixth Formers came in fancy dress and wowed students with their inventiveness. from The whole atmosphere of the day was one of celebration and achievement. Mrs Howard, Head of Sixth Form said, ‘Many members of staff were present during the Leavers’ Assembly to say a fond farewell and wish Head of Bewdley Sixth Form them all the best. It was at this point that I shared a few of my favourite moments. I would like to take this opportunity to express how proud we are of all our students and are confident that they will all do well. Friday was a celebration of achievements and of their bright futures. It has been a privilege to have been their Head of Year and we will miss them all.’ FOND fareWELL YR.13 PROM CELEBRATIONS On Thursday 27th June, Year 13 hosted their Prom at The Granary, a lovely rural hotel, in Shenstone, Kidderminster, with some students returning from much deserved holidays in Crete, Cornwall and Rhodes, only days (or hours earlier!) There was certainly a lot to catch up on since their final day at Sixth Form in May. -
Cosmopolitan Women, Philanthropy, and Italian State-Building, 1850-1890
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2018 Transnational Nationalists: Cosmopolitan Women, Philanthropy, and Italian State-Building, 1850-1890 Diana Moore The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2490 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] P a g e | i TRANSNATIONAL NATIONALISTS: COSMOPOLITAN WOMEN, PHILANTHROPY, AND ITALIAN STATE-BUILDING 1850-1890 by DIANA MOORE A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 P a g e | ii © 2017 DIANA MOORE All Rights Reserved P a g e | iii P a g e | iv ABSTRACT Transnational Nationalists: Cosmopolitan Women, Philanthropy, and Italian State-Building 1850-1890 by Diana Moore Advisor: Mary Gibson “Transnational Nationalists: Cosmopolitan Women, Philanthropy, and Italian State-Building, 1850-1890” is a study of Protestant and Jewish transnational reforming women who took advantage of a period of fluidity to act as non-state actors and impact Italian unification and liberation, a process known as the Risorgimento, and subsequent Italian state-building. Inspired by Giuseppe Mazzini’s spiritual brand of romantic cosmopolitan nationalism, as well as Giuseppe Garibaldi’s military campaigns, and believing that women had a god-given duty to provide education, morality, and uplift to oppressed groups, they worked to provide Italy not only with physical unification but also moral regeneration.