I Need Is One Mic”: a Black Feminist Community Meditation on Thework, the Job, and the Hustle (& Why So Many of Yall Confuse This Stuff)
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Betty Wright Slip and Do It Mp3, Flac, Wma
Betty Wright Slip And Do It mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Slip And Do It Country: US Released: 1975 Style: Funk MP3 version RAR size: 1541 mb FLAC version RAR size: 1263 mb WMA version RAR size: 1243 mb Rating: 4.6 Votes: 596 Other Formats: MP3 ASF XM TTA ADX APE AC3 Tracklist Hide Credits Slip And Do It A Arranged By [Horns] – Mike Lewis Producer – Willie ClarkeWritten-By – E. Dixon*, J. 3:15 Thompson* I Think I Better Think About It B Arranged By [Strings] – Mike Lewis Producer – Willie ClarkeWritten-By – B. Wright*, W. 3:08 Clarke* Companies, etc. Phonographic Copyright (p) – Alston Records Distributed By – T.K. Productions Mastered At – Sterling Sound Credits Mastered By [Viny] – RL* Notes Center label variant. Recorded on MCI equipment. Barcode and Other Identifiers Matrix / Runout (Side A run out): ALS-3718-A 10-23-75 STERLING RL Matrix / Runout (Side B run out): ALS-3718-B 10-23-75 Other versions Category Artist Title (Format) Label Category Country Year Betty 3718 Slip And Do It (7") Alston Records 3718 US 1975 Wright Betty Slip And Do It (7", XB-02067 RCA XB-02067 Canada 1975 Wright Single) Betty Slip And Do It (7", XB 02067 RCA Victor XB 02067 France 1975 Wright Single) XB-02 067, XB - RCA Victor, XB-02 067, XB - Betty Slip And Do It (7", 02067, RCA Victor, 02067, Germany 1975 Wright Single) 26.11372 RCA Victor 26.11372 Betty Slip And Do It (7", 3718 Alston Records 3718 US 1975 Wright Single, Promo) Related Music albums to Slip And Do It by Betty Wright Betty Wright - Shoorah! Shoorah! Betty Wright - From Pain To Joy Betty Wright - Clean Up Woman Betty Wright - Where Is The Love / My Baby Ain't My Baby Anymore Betty Wright - Betty Wright Live Betty Wright - If You Love Me Like You Say You Love Me / I'm Gettin' Tired Baby dj slip - ever Betty Wright - Shoorah! Shoorah! / Tonight Is The Night Betty Wright - Baby Sitter / Outside Woman Betty Wright - Life. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
United States District Court Northern District of New York
Case 5:08-cv-00699-NPM-GHL Document 14 Filed 01/21/09 Page 1 of 5 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF NEW YORK UMG Recordings, Inc., Atlantic Recording Corporation, SONY BMG Music Entertainment, Elektra Entertainment Group, Inc., and BMG Music, Plaintiffs, -v.- 5:08-CV-00699 (NPM/GHL) Ayisha Crockrell, Defendant. APPEARANCES: OF COUNSEL: FOR THE PLAINTIFF: Leclair Korona Giordano Cole LLP Steven E. Cole 150 State Street, Suite 300 Rochester, NY 14614-1353 FOR THE DEFENDANT Ayisha Crockrell No appearance Neal P. McCurn, Senior District Judge Summary Order The plaintiffs in this copyright infringement action, UMG Recordings, Inc., Atlantic Recording Corporation, SONY BMG Music Entertainment, Elektra Entertainment Group, Inc., and BMG Music (“Plaintiffs”), seek a default judgment Case 5:08-cv-00699-NPM-GHL Document 14 Filed 01/21/09 Page 2 of 5 against defendant, Ayisha Crockrell (“Defendant”), for violations of their exclusive rights in copyrighted materials. See 17 U.S.C. § 501 (2002). This action was commenced by the filing of a complaint and the issuance of a summons on July 1, 2008. On July 15, 2008, a copy of said summons and complaint were properly served upon Defendant pursuant to Fed. R. Civ. P. 4(e)(2)(B), proof of which service was filed with this court on August 5, 2008. See Dkt. No. 6. Defendant has failed to appear, answer or otherwise move with respect to the complaint and Defendant’s time to appear, answer or otherwise move has expired. Consequently, at Plaintiffs’ request, Defendant’s default was entered by the Clerk of the Court on August 21, 2008. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
'Clean up Woman'
www.theaustinvillager.com CLASSIFIEDS THE VILLAGER/May 15, 2020 ~ Page 7 EMPLOYMENT | PROPOSALS | PUBLIC INFORMATION FOR SALE | FOR RENT | BIDS | MISCELLANEOUS Princeton has World Says Goodbye to the First Black On-Demand Valedictorian in Mental Health ‘Clean Up Woman’ By Sean Yoes | AFRO Baltimore Editor the University’s Consultations for [email protected] History Children Now By Alaa Elassar | CNN Available to Central Texas Health Care Providers (AUSTIN, TX) — Central Texas pe- diatricians, family practice doctors and other health care providers will soon have instant access to a pediatric men- tal health specialist under a new program funded by the Texas Legislature. Betty Wright Starting May 18, health care provid- ers seeking real-time expert consultation (1953-2020) for a child or teen patient experiencing a (AFRO) - Some believe death comes in threes. mental or behavioral health issue can And that belief was affirmed over the weekend with access this aid through the Child Psy- the death of another music legend, Betty Wright chiatry Access Network (CPAN), a state- on May 10. She was 66. After the death of Hip-Hop super producer and wide initiative managed in Central Texas record executive Andre Harrell on May 7, and Rock by Dell Medical School at The Univer- and Roll pioneer and pop culture icon Little Richard sity of Texas at Austin, in collaboration on May 9, Wright was the third American music star Nicholas Johnson, with Dell Children’s Medical Center of to die in less than a week. Wright stood out even valedictorian of Princeton’s Class of 2020. Central Texas and Ascension Connect. -
From Ray Charles to KC and the Sunshine Band Proof John Capouya
FLORIDAsoul From Ray Charles to KC and the Sunshine Band proof John Capouya University Press of Florida Gainesville · Tallahassee · Tampa · Boca Raton Pensacola · Orlando · Miami · Jacksonville · Ft. Myers · Sarasota proof Copyright 2017 by John Capouya All rights reserved Printed in the United States of America on acid-free paper This book may be available in an electronic edition. 22 21 20 19 18 17 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data The University Press of Florida is the scholarly publishing agency for the State University System of Florida, comprising Florida A&M University, Florida Atlantic University, Florida Gulf Coast University, Florida International University, Florida State University, New College of Florida, University of Central Florida, University of Florida, University of North Florida, University of South Florida, and University of West Florida. University Press of Florida 15 Northwest 15th Street Gainesville, FL 32611-2079 http://upress.ufl.edu Introduction The Soul State of Florida It’s a winter night in America, and “Monday Night Football” is about to air on ESPN. First, though, comes the lead-in show, “Monday Night Countdown.” The inherent challenge here, it seems to an outsider, is to make more than two hours of older men sitting down, talking, and not playing football remotely compelling to watch. To keep the energy level high, the network uses brash-talking commentators, action-packed game highlights, fancy graphics,proof and, very selectively, music. As the show goes to its last commercial, the camera pulls back from the broadcasters and an up-tempo song blares briefly. -
John Lewis Who Never Stopped Fighting for Civil Rights Dies at 80
“Arming Black Millennials the New York With Information" “Arming Black Millennials with Information" 75 Cents Vol. 27 No. 29 July 23 – July 29, 2020 website: NewYorkBeacon.com “GIVE UNTIL YOU CANNOT GIVE ANY MORE” John Lewis who never stopped fighting for civil rights dies at 80 Rep John Lewis was beaten in the head with billy clubs and bled as he and others marched across the Edmund Pettus Bridge in protest of voter suppression . Five months later Pres Lyndon Johnson signed into law the Voting Rights Act of 1965, page 3 2 Clarence Thomas’ wife asks China vows to retaliate after Trump Virginia Mayor to remove signs Hong Kong sanctions bill Black Lives Matter banner By Steven Lee Myers have become intertwined with Hong Kong’s semiautono- the American presidential mous status. By Victor Omondi hina on Wednesday election. His executive order, be- sharply criticized Pres- Mr. Trump said he had sides revoking the territory’s he wife to Supreme ident Trump’s moves to issued an executive order special trading status, calls Court Justice Clarence Cstrip Hong Kong of its prefer- revoking the special trading for sanctions against people Thomas asked Mayor ential trading status with the status that Hong Kong had deemed to have been involved TWilliam Holloway of Clifton, United States and clear the way enjoyed for more than two in a variety of acts in Hong Virginia in an email to remove for new sanctions on officials decades, following the Chinese Kong, including arrests made a Black Lives Matter banner. and companies there, vowing government’s imposition of a under the new security law The banner which reads to retaliate with punitive mea- sweeping new national securi- and actions that undermine “Welcome to Clifton, where sures of its own. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Soul City - Song List
Soul City - Song List Motown 634-5789 - Wilson Pickett Ain’t No Mountain High Enough - Marvin Gaye/Tammi Terrell Ain’t Too Proud to Beg - The Temptations Baby I’m For Real - The Originals Barefootin’ - Robert Parker Can’t Get Next To You - The Temptations Can’t Hurry Love - Diana Ross and the Supremes Come See About Me - The Supremes Cruisin’ - Smokie Robinson Dancing in the Street - Martha Reeves and the Vandellas End of the Road - Get Ready - The Temptations Going To A Gogo - Smokie Robinson Got To Give It Up - Marvin Gaye Heatwave - Martha and the Vandellas Higher and Higher - Al Green Higher Ground - Stevie Wonder How Sweet It Is - Marvin Gaye I Can’t Help Myself - Four Tops I Hear A Symphony - Diana Ross and the Supremes I Heard It Through The Grapevine - Gladys Knight I Want You Back - Jackson Five I Wish - Stevie Wonder I’ll Be There - Jackson Five Keep Me Hanging On - Diana Ross and the Supremes Let’s Get It On - Marvin Gaye Let’s Stay Together - Al Green My Girl - Temptations Nowhere to Run - Martha Reeves and the Vandellas Part Time Lover - Stevie Wonder Rescue Me - Fontella Bass Second That Emotion - Smokie Robinson Signed, Sealed, Delivered - Stevie Wonder Stop in the Name of Love - Diana Ross and the Supremes Superstition - Stevie Wonder Tears of a Clown - Smokie Robinson Tracks of My Tears - Smokie Robinson Upside Down - Diana Ross What Becomes of the Broken Hearted - Jimmy Ruffin What’s Going On - Marvin Gaye Where Did Our Love Go - Diana Ross and the Supremes You Can’t Hurry Love - The Supremes Philly Soul I’ll Be Around -
Hip Hop As Oral Literature Patrick M
Bates College SCARAB Honors Theses Capstone Projects Spring 5-2016 "That's the Way We Flow": Hip Hop as Oral Literature Patrick M. Smith Bates College, [email protected] Follow this and additional works at: http://scarab.bates.edu/honorstheses Recommended Citation Smith, Patrick M., ""That's the Way We Flow": Hip Hop as Oral Literature" (2016). Honors Theses. 177. http://scarab.bates.edu/honorstheses/177 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “That’s the Way We Flow”: Hip Hop as Oral Literature An Honor Thesis Presented to The Faculty of the Program of African American Studies Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts by Patrick Miller Smith Lewiston, Maine 3/28/16 2 Acknowledgments I would like to thank all of my Bates Professors for all of their help during my career at Bates College. Specifically, I would like to thank my thesis advisor, Professor Sue Houchins, for all her hard work, helping me wrestle with this thesis, and for being a source of friendship and guidance since I first met her. Professor Nero, I would also like to send a big thank you to you, you have inspired me countless times and have pushed me since day one. Professors Rubin, Chapman, Jensen, and Carnegie, thank you all very much, each of you helped me on my way to this point and I am very grateful for your guidance. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
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