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Multiplicity: Contemporary Ceramic Sculpture' Exhibition Catalog Anne M Giangiulio, University of Texas at El Paso
University of Texas at El Paso From the SelectedWorks of Anne M. Giangiulio 2006 'Multiplicity: Contemporary Ceramic Sculpture' Exhibition Catalog Anne M Giangiulio, University of Texas at El Paso Available at: https://works.bepress.com/anne_giangiulio/32/ Contemporary Ceramic Sculpture Organized by the Stanlee and Gerald Rubin Center for the Visual Arts at the University of Texas at El Paso This publication accompanies the exhibition Multiplicity: Contemporary Ceramic Sculpture which was organized by the Stanlee and Gerald Rubin Center for the Visual Arts at the University of Texas at El Paso and co-curated by Kate Bonansinga and Vincent Burke. Published by The University of Texas at El Paso El Paso, TX 79968 www.utep.edu/arts Copyright 2006 by the authors, the artists and the University of Texas at El Paso. All rights reserved. No part of this publication may be reproduced in any manner without permission from the University of Texas at El Paso. Exhibition Itinerary Portland Art Center Portland, OR March 2-April 22, 2006 Stanlee and Gerald Rubin Center for the Visual Arts Contemporary Ceramic Sculpture The University of Texas at El Paso El Paso, TX June 29-September 23, 2006 San Angelo Museum of Fine Arts San Angelo, TX April 20-June 24, 2007 Landmark Arts Texas Tech University Lubbock, TX July 6-August 17, 2007 Southwest School of Art and Craft San Antonio, TX September 6-November 7, 2007 The exhibition and its associated programming in El Paso have been generously supported in part by the Andy Warhol Foundation for the Visual Arts and the Texas Commission on the Arts. -
Africans: the HISTORY of a CONTINENT, Second Edition
P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 This page intentionally left blank ii P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 africans, second edition Inavast and all-embracing study of Africa, from the origins of mankind to the AIDS epidemic, John Iliffe refocuses its history on the peopling of an environmentally hostilecontinent.Africanshavebeenpioneersstrugglingagainstdiseaseandnature, and their social, economic, and political institutions have been designed to ensure their survival. In the context of medical progress and other twentieth-century innovations, however, the same institutions have bred the most rapid population growth the world has ever seen. The history of the continent is thus a single story binding living Africans to their earliest human ancestors. John Iliffe was Professor of African History at the University of Cambridge and is a Fellow of St. John’s College. He is the author of several books on Africa, including Amodern history of Tanganyika and The African poor: A history,which was awarded the Herskovits Prize of the African Studies Association of the United States. Both books were published by Cambridge University Press. i P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 ii P1: RNK 0521864381pre CUNY780B-African 978 0 521 68297 8 May 15, 2007 19:34 african studies The African Studies Series,founded in 1968 in collaboration with the African Studies Centre of the University of Cambridge, is a prestigious series of monographs and general studies on Africa covering history, anthropology, economics, sociology, and political science. -
VGP) Version 2/5/2009
Vessel General Permit (VGP) Version 2/5/2009 United States Environmental Protection Agency (EPA) National Pollutant Discharge Elimination System (NPDES) VESSEL GENERAL PERMIT FOR DISCHARGES INCIDENTAL TO THE NORMAL OPERATION OF VESSELS (VGP) AUTHORIZATION TO DISCHARGE UNDER THE NATIONAL POLLUTANT DISCHARGE ELIMINATION SYSTEM In compliance with the provisions of the Clean Water Act (CWA), as amended (33 U.S.C. 1251 et seq.), any owner or operator of a vessel being operated in a capacity as a means of transportation who: • Is eligible for permit coverage under Part 1.2; • If required by Part 1.5.1, submits a complete and accurate Notice of Intent (NOI) is authorized to discharge in accordance with the requirements of this permit. General effluent limits for all eligible vessels are given in Part 2. Further vessel class or type specific requirements are given in Part 5 for select vessels and apply in addition to any general effluent limits in Part 2. Specific requirements that apply in individual States and Indian Country Lands are found in Part 6. Definitions of permit-specific terms used in this permit are provided in Appendix A. This permit becomes effective on December 19, 2008 for all jurisdictions except Alaska and Hawaii. This permit and the authorization to discharge expire at midnight, December 19, 2013 i Vessel General Permit (VGP) Version 2/5/2009 Signed and issued this 18th day of December, 2008 William K. Honker, Acting Director Robert W. Varney, Water Quality Protection Division, EPA Region Regional Administrator, EPA Region 1 6 Signed and issued this 18th day of December, 2008 Signed and issued this 18th day of December, Barbara A. -
In Memoriam Frederick Dougla
Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection CANNOT BE PHOTOCOPIED * Not For Circulation Central Library of Rochester and Monroe County · Historic Monographs Collection / III llllllllllll 3 9077 03100227 5 Central Library of Rochester and Monroe County · Historic Monographs Collection jFrebericfc Bouglass t Central Library of Rochester and Monroe County · Historic Monographs Collection fry ^tty <y /z^ {.CJ24. Central Library of Rochester and Monroe County · Historic Monographs Collection Hn flDemoriam Frederick Douglass ;?v r (f) ^m^JjZ^u To live that freedom, truth and life Might never know eclipse To die, with woman's work and words Aglow upon his lips, To face the foes of human kind Through years of wounds and scars, It is enough ; lead on to find Thy place amid the stars." Mary Lowe Dickinson. PHILADELPHIA: JOHN C YORSTON & CO., Publishers J897 Central Library of Rochester and Monroe County · Historic Monographs Collection Copyright. 1897 & CO. JOHN C. YORSTON Central Library of Rochester and Monroe County · Historic Monographs Collection 73 7^ In WLzmtxtrnm 3fr*r**i]Ch anglais; "I have seen dark hours in my life, and I have seen the darkness gradually disappearing, and the light gradually increasing. One by one, I have seen obstacles removed, errors corrected, prejudices softened, proscriptions relinquished, and my people advancing in all the elements I that make up the sum of general welfare. remember that God reigns in eternity, and that, whatever delays, dis appointments and discouragements may come, truth, justice, liberty and humanity will prevail." Extract from address of Mr. -
Mythology Teachers' Guide
Teachers’ Guide Mythology: The Gods, Heroes, and Monsters of Ancient Greece by Lady Hestia Evans • edited by Dugald A. Steer • illustrated by Nick Harris, Nicki Palin, and David Wyatt • decorative friezes by Helen Ward Age 8 and up • Grade 3 and up ISBN: 978-0-7636-3403-2 $19.99 ($25.00 CAN) ABOUT THE BOOK Mythology purports to be an early nineteenth-century primer on Greek myths written by Lady Hestia Evans. This particular edition is inscribed to Lady Hestia’s friend John Oro, who was embarking on a tour of the sites of ancient Greece. Along his journey, Oro has added his own notes, comments, and drawings in the margins — including mention of his growing obsession with the story of King Midas and a visit to Olympus to make a daring request of Zeus himself. This guide to Mythology is designed to support a creative curriculum and provide opportunities to make links across subjects. The suggested activities help students make connections with and build on their existing knowledge, which may draw from film, computer games, and other popular media as well as books and more traditional sources. We hope that the menu of possibilities presented here will serve as a creative springboard and inspiration for you in your classroom. For your ease of use, the guide is structured to follow the book in a chapter-by-chapter order. However, many of the activities allow teachers to draw on material from several chapters. For instance, the storytelling performance activity outlined in the section “An Introduction to Mythology” could also be used with stories from other chapters. -
Thomas Heatherwick, Architecture's Showman
Thomas Heatherwick, Architecture’s Showman His giant new structure aims to be an Eiffel Tower for New York. Is it genius or folly? February 26, 2018 | By IAN PARKER Stephen Ross, the seventy-seven-year-old billionaire property developer and the owner of the Miami Dolphins, has a winningly informal, old-school conversational style. On a recent morning in Manhattan, he spoke of the moment, several years ago, when he decided that the plaza of one of his projects, Hudson Yards—a Doha-like cluster of towers on Manhattan’s West Side—needed a magnificent object at its center. He recalled telling him- self, “It has to be big. It has to be monumental.” He went on, “Then I said, ‘O.K. Who are the great sculptors?’ ” (Ross pronounced the word “sculptures.”) Before long, he met with Thomas Heatherwick, the acclaimed British designer of ingenious, if sometimes unworkable, things. Ross told me that there was a presentation, and that he was very impressed by Heatherwick’s “what do you call it—Television? Internet?” An adviser softly said, “PowerPoint?” Ross was in a meeting room at the Time Warner Center, which his company, Related, built and partly owns, and where he lives and works. We had a view of Columbus Circle and Central Park. The room was filled with models of Hudson Yards, which is a mile and a half southwest, between Thirtieth and Thirty-third Streets, and between Tenth Avenue and the West Side Highway. There, Related and its partner, Oxford Properties Group, are partway through erecting the complex, which includes residential space, office space, and a mall—with such stores as Neiman Marcus, Cartier, and Urban Decay, and a Thomas Keller restaurant designed to evoke “Mad Men”—most of it on a platform built over active rail lines. -
Tenth Regiment
177th Regiment Infantry "10th New York National Guard" In the Civil War THE 177th NEW YORK VOLUNTEER INFANTRY (Tenth Regiment) IN THE WAR FOR THE UNION 1862 - 1863 COMPILED BY COL Michael J. Stenzel Bn Cdr 210th Armor March 1992 - September 1993 Historian 210th Armor Association 177th Regiment Infantry "10th New York National Guard" In the Civil War Organized at Albany, N.Y., Organized 29 December 1860 in the New York State Militia from new and existing companies at Albany as the 10th Regiment. The 10th had offered its services three times and had been declined. While waiting to be called more than 200 members were assigned as officers to other Regiments. 21 September 1862 - Colonel Ainsworth received orders to recruit his regiment up to full war strength. 21 November - with its ranks filled, the 10th was mustered into Federal service as the 177th New York Volunteer Infantry. There were ten companies in the regiment and with the exception of a few men who came from Schenectady all were residents of Albany County. All the members of Companies A, D, E and F lived in Albany City. Company B had eleven men from out of town, Company G had 46, Company H had 31 and Company I had 17. The Company officers were: Company A-Captain Lionel U. Lennox; Lieutenants Charles H. Raymond and D. L. Miller - 84 men. Company B - Captain Charles E. Davis; Lieutenants Edward H. Merrihew and William H. Brainard - 84 men. Company C - Captain Stephen Bronk; Lieutenants W. H. H. Lintner and A. H. Bronson - 106 men. -
Climate Changing: on Artists, Institutions, and the Social Environment
i CLIMATE CHANGING CLIMATE WHY CAN’T YOU TELL ME SCORE WHAT YOU NEED Somewhere our body needs party favors attending sick and resting temperatures times hot unevens twice I ask myself all the time too ward draw pop left under right Just try and squeeze me. Pause. What would you do? Fall down off my feet and try waking tired ex muses Like, you either know I can and work on it with me Or know I can’t and wouldn’t want your baby to go through what I have to go through Over prepared for three nights. Over it all scared for three nights. Tell me the unwell of never been better. Are we still good? Are we still good? TABLE OF CONTENTS Director’s Foreword 4 Johanna Burton A Climate for Changing 6 Lucy I. Zimmerman On Chris Burden’s Wexner Castle 10 Lucy I. Zimmerman Notes on Chris Burden’s Through the Night Softly 15 Pope.L WE LEFT THEM NOTHING 17 Demian DinéYazhi´ Untitled 21 Jibade-Khalil Huffman Scores 1, 3, 13, 23, 27, 50 Park McArthur and Constantina Zavitsanos Questioning Access 25 Advisory Committee Roundtable Discussion Artists in the Exhibition 29 Acknowledgments 47 3 BLANKET (STATEMENT) SCORE Why can’t you just tell me what you need DIRECTOR’S FOREWORD 4 Johanna Burton, Executive Director Opening in the first month of 2021 (or at least set to committee’s roundtable discussion further explores, open then at the time of this writing), Climate Changing: the exhibition intends not to inventory nor propose On Artists, Institutions, and the Social Environment solutions for these considerable challenges, but rather comes at a time of great uncertainty for cultural or- to provide artists a forum for bringing the issues into ganizations. -
Littleton Visitors Guide
1 Visit LITTLETON Shopping Relax & Historic Guide Unwind Littleton page 18 page 56 page 62 2 1 Destination Littleton Just 10 miles south of Denver, Littleton is a charming historic community, home to diverse shopping, restaurants, and parks. Whether visitors are looking for entertainment, hoping to explore the outdoors, or in need of a little rest and relaxation, Littleton has it all. The city embodies a strong sense of community through its historic downtown, active trail system and numerous community events. There are more than 59 parks and open spaces. Two light rail stations offer easy access to Downtown Denver, or visitors can explore the Rockies within 30 minutes. According to U.S. News and World Report, Littleton is “an exciting destination worth adding an extra day or two to your Denver trip.” In 2018 Littleton was recognized by wallethub.com as one of the 10 best small cities in America and was named the #1 Small Town in Colorado in 2017. 2 CREDITS LITTLETON CITY COUNCIL Senior Editor: Debbie Brinkman Kelli Narde District IV, Mayor Editor and Writer: Jerry Valdes District II, Mayor Pro Tem Sheera Poelman Peggy Cole Art Direction and Design: At Large Katie Olson Patrick Driscoll District I Additional Contributors: Karina Elrod Tyler Barton At Large Chris Harguth Carol Fey Cassie Heykoop District III Elizabeth Scofield Kyle Schlachter Cathy Weaver At Large ADDITIONAL PHOTO & IMAGE CREDITS Richard Acres, Sharron Candon, Jamie DeBartolomeis, Chris Doernbrack, Claudette Erek, Candyce Herman, Mark Holly, Linda Olson, Meghan Ruble, Rodney Stutzman, Jarad Switzer, Becky Toma, Denise Wideen, Jack Zivic, and the Littleton Museum The City of Littleton provides this guide for informational purposes and does not endorse any of the businesses or services mentioned. -
The Texas Union Herald Colonel E
The Texas Union Herald Colonel E. E. Ellsworth Camp #18 Department of Texas Sons of Union Veterans of the Civil War Volume iv Number 5 May 2019 After my grandfather died, and my grandmother Rattling Sabres moved into the city, the picnic was usually held at my by parent’s house because we had a very large yard. Glen E. Zook My mother-in-law, who lived in Atlanta, Georgia, didn’t recognize any need for Memorial Day. However, my Camp #18 has finally “arrived”! In case someone wife, and I, starting the Memorial Day before we got married has not received the latest copy of “The Banner”, the front in June, acquired some flowers. Then, we took her out to cover photograph shows the efforts of Camp #18 members the cemetery where her husband was buried (he had died to clean the tombstones, and memorials, of Civil War when my wife was 9-years old) and put the flowers on his veterans in the various cemeteries around this area. grave. She did appreciate this and asked us the next year Of course, May contains Memorial Day and there to do the same. Then, my wife, and I, moved to Texas. are usually ceremonies, especially in McKinney, recognizing However, my mother-in-law had one of her other daughters the holiday. Camp members always take part in these follow up for several years thereafter. ceremonies and I expect this will continue for 2019. My mother’s family really didn’t celebrate Memorial Although General Order #11 established “Memorial Day that much. -
January 7, 1897
PORTLAND DAILY THREE CLNiS. ESTABLISHED JUNE 23. 1862-VOL. 34. PORTLAND. MAINE. THURSDAY MORNING. JANUARY 7. 1887. _PRICE tha of the of Maine. effect of every branch of subject sirable productions, Mr. Loud said the the best interests people he constantly on the alert to full effect of its operations would not Wo mast be prudent and economical and touched upon, THE LOL'D BILL PASSED. Into the path felt lor four years, working so gradually never that the motto of our State proceed xnoro extensively with- forget;; ns not to produce injurious effects success and shrewdly tak- is an umiiitious one.” thut promised out due warning. in cheer- of but forcibly Mr. Kepublican of Missouri, Speaker Larrabee continued a ing advantage gracefully Tracey, of tha moved to amoud the first section of the ful but earnest manner to express It ns complimenting the several parts said rival can- r bill which amendment Mr. Loud Caucus Nominees of'Both Houses his opinion that the members of tire state, especially those having The Measure Has a Good Majorit; would destroy the effect of tho section. |H|H| would be able to serve the didates in the field. Mr. Simpkins, of Massa- House people Kepublican With of anxiety concerning in the chusetts, asked Mr. Loud if the hill in Elected. iu tho most honorable manner and closed expressions House. in- members list- any way teuded to interfere with or his remarks by again thanking them for Water ville Man Will Be the approaching climax, » and was tolu that the jure newspapers, his election. -
Life Stories in Art
Life Stories in Art “forever seeing new beauties:” the art of mary rogers williams Kari Russell-Pool: Self-Portraits in Glass MODERN FIGURES: MARY KNOLLENBERG SCULPTURES Introduction As a museum named after a woman who devoted herself to the arts, the Florence Griswold Museum has long championed the role that women artists have played in Connecticut, with past exhibitions devoted to both historical and contemporary figures. Life Stories in Art brings together three individual exhibitions celebrating the art and life of three American artists — Tonalist painter Mary Rogers Williams (1857–1907), modern sculptor Mary Knollenberg (1904–1992), and contemporary glass artist Kari Russell-Pool — who are particularly deserving of appreciation. At first glance, the juxtaposition of a painter, a sculptor, and a glass artist, each from a different century, would seem to offer more differences than commonalities. Indeed, their diverse artistic practices are highly individual and each exhibition has been conceived to stand on its own. But the three artists share something important in common — a willingness to chart one’s own course against the grain of society. Mary Rogers Williams, for example, is virtually the only woman artist associated with the Tonalist movement in American art. Each artist has faced obstacles — whether it be the historically circumscribed opportunities for women to exhibit their works, the choice of genres long dominated by men, or the challenge of balancing multiple roles in modern life — and produced accomplished bodies of work that invite close study. Their life stories are also fascinating, and beneficial to understanding both the context and singularity of their work.