Warner Music Group Annual Report 2020
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All In: Staying the Course on Our Commitment to Sustainability
All In: Staying the Course on Our Commitment to Sustainability Amazon Sustainability • December 2020 • sustainability.aboutamazon.com Table of Contents Introduction: Our World in 2020 3 About 5 Environment 19 People 52 Governance 90 Our World in 2020 WHILE THIS REPORT reflects our work throughout 2019, the world has clearly undergone a massive shift in 2020 with the emergence of COVID-19. We are, first and foremost, focused on the safety of our employees and contractors around the world. It is important that we help our customers through this difficult time, and Amazonians are working around the clock to get necessary supplies delivered directly to the doorsteps of people and organizations who need them. Our Whole Foods Market stores have remained open, providing fresh food and other vital goods for customers. AMAZON EMPLOYEES RECEIVE comprehensive health benefits starting on day one of employment. We are working on building scalable testing for coronavirus. We’ve distributed face masks and implemented temperature checks at sites around the world to help protect employees and support staff, and offer free masks to our Whole Foods Market customers. We regularly sanitize door handles, stairway handrails, lockers, elevator buttons, and touch screens, and disinfectant wipes and hand sanitizer are standard across our network. We also introduced extensive social distancing measures to help protect our associates. In all, we have made over 150 significant process changes in our operations network and Whole Foods Market stores, which we audit frequently, to help teams stay healthy. DURING THIS CRISIS, we’ve added 175,000 new jobs to help meet customer demand for essential products. -
Carlie Hanson – Primary Wave Music
CARLIE HANSON open.spotify.com/artist/3mPc8WGusz2XF3Tvs3AKCR instagram.com/carliehanson/ facebook.com/carliehanson2000 twitter.com/carliehanson soundcloud.com/carlie_hanson Carlie Hanson, who was one of the faces of the Tommy Hilfiger Jeans Fall 2020 campaign, released her debut EP, JUNK, in June 2019. Before even turning 20, she had toured with Lauv, Troye Sivan, Yungblud and others in the US, Europe and Australia, signed a deal with Warner Records and released JUNK. Named a VEVO DSCVR artist, Carlie also has fans in superstars like Taylor Swift and Demi Lovato and has passed 250 million total global streams with her music. Last year, Carlie performed on The Late Show With Stephen Colbert and saw her final track of 2019, “Side Effects,” the lead track from Carlie’s second EP, DestroyDestroyDestroyDestroy, garner over 17 million Spotify streams since its release (October 2019). Billboard said of the track; “the lyrics cut deep, the melodies implant themselves in your mind, and her delivery will leave you wondering why you’ve been sleeping on Carlie Hanson until now.” The EP also contained two collaborations with rappers Lil West and iann dior, the latter of which topped the Billboard Hot 100 last year. At the end of 2020, Carlie was named one of Billboard’s “21 To Watch Under 21.” In May, Carlie released her first track of 2021 called “Gucci Knife” featuring MASN. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Carlie Hanson, Geore Young Love Love, Victor Season 2 (Original Soundtrack) Hollywood Records A 2021 Sear Carlie Hanson Gucci Knife -
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Case 5:19-cv-04422 Document 1 Filed 07/31/19 Page 1 of 32 1 QUINN EMANUEL URQUHART & SULLIVAN, LLP David M. Grable (Bar No. 237765) 2 [email protected] Valerie Lozano (Bar No. 260020) 3 [email protected] 865 South Figueroa Street, 10th Floor 4 Los Angeles, California 90017-2543 Telephone: (213) 443-3000 5 Facsimile: (213) 443-3100 6 Lindsay M. Cooper (Bar No. 287125) [email protected] 7 50 California Street, 22nd Floor San Francisco, California 94111 8 Telephone: (415) 875-6600 Facsimile: (415) 875-6700 9 Attorneys for eBay Inc. 10 UNITED STATES DISTRICT COURT 11 FOR THE NORTHERN DISTRICT OF CALIFORNIA 12 eBay Inc., CASE NO. _____________ 13 Plaintiff EBAY’S COMPLAINT AND DEMAND 14 FOR A JURY TRIAL vs. 15 Sonja Boch, Amanda Sullivan Hedger, and 16 Ernest Arambula, 17 Defendants. 18 19 20 21 22 23 24 25 26 27 28 COMPLAINT Case 5:19-cv-04422 Document 1 Filed 07/31/19 Page 2 of 32 1 INTRODUCTION 2 1. Over the past several years, a group of Amazon managers, including Defendants 3 Sonja Boch, Amanda Sullivan Hedger, and Ernest Arambula 1 have conducted the affairs of 4 Amazon.com, Inc. (“Amazon”) through a pattern of racketeering activity—a conspiracy designed 5 to infiltrate and exploit eBay’s internal member email system using fraud and false pretenses, in 6 violation of 18 U.S.C. § 1343. The managers did this to illegally recruit high-value eBay sellers to 7 Amazon. 8 2. The breadth and scope of the racketeering activity are startling. -
MTV Music Group and Warner Music Group Form Industry-Leading Partnership
MTV Music Group and Warner Music Group Form Industry-Leading Partnership Combines the Power of MTV Music Group's Compelling Content Across Multiple Screens, Marketing & Ad Sales Expertise With WMG's Expansive Library and Stellar Roster of Artists NEW YORK, June 30, 2010 /PRNewswire via COMTEX/ -- MTV Networks, a division of Viacom Inc. (NYSE: VIA and VIA.B), and one of the world's leading creators of television and digital entertainment, and Warner Music Group Corp. (NYSE: WMG), one the world's premier music companies, have announced a broad-reaching, multi-year partnership that strengthens MTV Music Group's leadership position in the digital music category while expanding WMG's artist-centered video strategy. The agreement also offers one-stop shopping for advertising inventory around the industry's most comprehensive source of music-related programming and music videos. MTV Music Group will now have the exclusive right to sell advertising inventory around WMG premium music video content in the U.S. across MTV Music Group digital properties and mobile services, as well as on WMG's growing network of proprietary artist sites and third-party affiliate sites. As part of the deal, WMG's video views will now be counted as part of MTV Music Group's. Through this new partnership, WMG artists will have multiple ways to reach MTVN's hyper-connected audience across its flagship music franchises, covering multiple genres and platforms such as MTV's Emmy Award winning Unplugged series, VH1's Behind the Music and CMT's Crossroads. "At WMG our highest priority is to keep the artists at the center of everything we do, and this alliance enables us to offer our artists the marketing and sales firepower of the world's most widely-recognized and highly-trafficked music destinations to help them drive revenue from their video content, on the artist's own site, as well as through the many other places that fans access their music," said Lyor Cohen, Vice Chairman and Chairman and CEO, Recorded Music - Americas and the U.K., WMG. -
RFP19000698 Statewide Value-Add Resellers for Microsoft Azure and Amazon AWS Cloud Services
RFP19000698 Statewide Value-Add Resellers for Microsoft Azure and Amazon AWS Cloud Services Attachment 7 (ME) The completion and submission of this Cost Proposal is mandatory. No other proposer supplied pricing shall be evaluated for award. No other proposer supplied pricing shall constitute the pricing for any resulting contract unless accepted in writing by the State of Idaho Division of Purchasing. AZURE VAR PART 1. (M) It is mandatory to provide the following information. PROPOSER COMPANY NAME: COMPANY FEIN NUMBER: PROPOSAL SUMITTED BY: SUBMITTED BY TITLE: SUBMITTED BY PHONE NUMBER: SUBMITTED BY FAX: SUBMITTED BY EMAIL ADDRESS: COMPANY MAILING ADDRESS: DLZP_Mandatory Cost ProposalAzureCloudPricing 1 RFP19000698 Statewide Value-Add Resellers for Microsoft Azure and Amazon AWS Cloud Services Attachment 7 DLZP_Mandatory Cost ProposalAzureCloudPricing 2 RFP19000698 Statewide Value-Add Resellers for Microsoft Azure and Amazon AWS Cloud Services Attachment 7 AZURE VAR PART 2. (M,E) Software as a Service (SaaS) Discount or Markup Percent. Provide the baseline Discount Percent off OR the baseline Markup Percent to MSRP guaranteed for any Commercial or Government Azure SaaS service purchased by the State or Public Agency. Proposers must provide either a discount % or markup % for Commercial SaaS services AND provide either a discount % or markup % for Government SaaS services. The baseline will be the baseline for all Azure SaaS purchases, however the VAR is expected to pass along to the State deeper discounts or reduced markups where allowed by Microsoft. Proposers may only choose either a "Discount %" or a "Mark-up % under the following headers. Baseline discount/markup percents and volume discount/markup percents will be used for evaluating cost. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Financing Music Labels in the Digital Era of Music: Live Concerts and Streaming Platforms
\\jciprod01\productn\H\HLS\7-1\HLS101.txt unknown Seq: 1 28-MAR-16 12:46 Financing Music Labels in the Digital Era of Music: Live Concerts and Streaming Platforms Loren Shokes* In the age of iPods, YouTube, Spotify, social media, and countless numbers of apps, anyone with a computer or smartphone readily has access to millions of hours of music. Despite the ever-increasing ease of delivering music to consumers, the recording industry has fallen victim to “the disease of free.”1 When digital music was first introduced in the late 1990s, indus- try experts and insiders postulated that it would parallel the introduction and eventual mainstream acceptance of the compact disc (CD). When CDs became publicly available in 1982,2 the music industry experienced an un- precedented boost in sales as consumers, en masse, traded in their vinyl records and cassette tapes for sleek new compact discs.3 However, the intro- duction of MP3 players and digital music files had the opposite effect and the recording industry has struggled to monetize and profit from the digital revolution.4 The birth of the file sharing website Napster5 in 1999 was the start of a sharp downhill turn for record labels and artists.6 Rather than pay * J.D. Candidate, Harvard Law School, Class of 2017. 1 See David Goldman, Music’s Lost Decade: Sales Cut in Half, CNN Money (Feb. 3, 2010), available at http://money.cnn.com/2010/02/02/news/companies/napster_ music_industry/. 2 See The Digital Era, Recording History: The History of Recording Technology, available at http://www.recording-history.org/HTML/musicbiz7.php (last visited July 28, 2015). -
Presentazione Standard Di Powerpoint
Filiera Largo Consumo Warner Music Italia srl Warner Music Group Warner Italy Led by an independent spirit With a legacy extending back over 200 and a devotion to great music, years, Warner Music Group today is home our renowned collection of to an unparalleled family of creative artists, songwriters, and companies that distinctive record labels is home are moving culture across the globe. At the to the world’s most popular and core of Warner Music Group's Recorded influential artists. Music division are four of the most iconic companies in history: Atlantic, Elektra, Parlophone and Warner Records. They are Main Warner Music Artists: Laura joined by renowned labels such as Asylum, Pausini, Ligabue, Ghali, Benji & Fede, Big Beat, Canvasback, East West, Erato, FFRR, Fueled by Ramen, Nonesuch, Nek, Annalisa, Irama, Fred De Palma, Reprise, Rhino, Roadrunner, Sire, Spinnin’, Levante, Max Pezzali, Capo Plaza, e Warner Classics and Warner Music Coldplay, Ed Sheeran, Bruno Mars, Nashville. Warner Chappell Music - which Cardi B, David Guetta, Dua Lipa, traces its origins back to the founding of Twenty One Pilots, Muse, Green Day, Chappell & Company in 1811 - is one of the world's leading music publishers, with a Liam Gallagher, RHCP, Michale Buble’. catalog of more than 1.4 million copyrights In addition catalogue of Pink Floyd, spanning every musical genre from the Iron Maiden, Led Zeppelin, Prince, standards of the Great American Songbook Aretha Franklin, Joy Division, Blur, to the biggest hits of the 21st century. Gorillaz, Ramones, David Bowie, (Contacts) Maria Callas. Tel.: 335 7685185 [email protected] www.warnermusic.it. -
VOCAL 78 Rpm Discs Minimum Bid As Indicated Per Item
VOCAL 78 rpm Discs Minimum bid as indicated per item. Listings “Just about 1-2” should be considered as mint and “Cons. 2” with just the slightest marks. For collectors searching top copies, you’ve come to the right place! The further we get from the time of production (in many cases now 100 years or more), the more difficult it is to find such excellent extant pressings. Some are actually from mint dealer stocks and others the result of having improved copies via dozens of collections purchased over the past fifty years. * * * For those looking for the best sound via modern reproduction, those items marked “late” are usually of high quality shellac, pressed in the 1950-55 period. A number of items in this particular catalogue are excellent pressings from that era. * * * Please keep in mind that the minimum bids are in U.S. Dollars, a benefit to most collectors. * * * “Text label on verso.” For a brief period (1912-14), Victor pressed silver-on-black labels on the reverse sides of some of their single-faced recordings, usually with a translation of the text or similarly related comments. BESSIE ABOTT [s]. Riverdale, NY, 1878-New York, 1919. Following the death of her father which left her family penniless, Bessie and her sister Jessie (born Pickens) formed a vaudeville sister vocal act, accompanying themselves on banjo and guitar. Upon the recommendation of Jean de Reszke, who heard them by chance, Bessie began operatic training with Frida Ashforth. She subsequently studied with de Reszke him- self and appeared with him at the Paris Opéra, making her debut as Gounod’s Juliette. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q (Mark One) x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2013 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission File Number 001-32502 Warner Music Group Corp. (Exact name of Registrant as specified in its charter) Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 75 Rockefeller Plaza New York, NY 10019 (Address of principal executive offices) (212) 275-2000 (Registrant’s telephone number, including area code) Indicate by check mark whether the Registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ¨ No x Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes x No ¨ Indicate by check mark whether the Registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer or a smaller reporting company. -
Ben Cook Appoints Magnus Ribbeklint As General Manager, Atlantic Records Uk
2017-10-24 16:06 CEST BEN COOK APPOINTS MAGNUS RIBBEKLINT AS GENERAL MANAGER, ATLANTIC RECORDS UK Ribbeklint joins Atlantic UK having worked as General Manager of Warner Music Sweden, as well as Vice President, Marketing, Warner Music Nordics. A widely-respected leader in his field, Ribbeklint has been instrumental in guiding the company through the evolving digital landscape, with an innate understanding of the streaming era. Ben Cook - “Magnus is a brilliant creative and digital strategist. He shares our love of great music, our passion for artist development and our resolute focus on the future. Throughout the Nordic transition to streaming his foresight and expertise helped transform Warner Music Sweden into a global leader in social media, content and digital marketing. He joins us at a pivotal time for the UK industry. I’m confident he’ll help keep Atlantic at the leading edge of music’s on- going evolution - as we continue to find innovative new ways to release and campaign our amazing artists. I look forward to him being a key player in the already impressive force that makes up Atlantic UK.” Magnus Ribbeklint - “Jag vill tackaJonas Siljemark och hela det nordiska Warner- teamet för deras support. Det har varit ett stort privilegium att arbeta med dem de senaste fem åren. Jag har haft nöjet att få arbeta med några av de största artisterna I en tid när Norden har varit pionjärer i en grundläggande förvandling av musikindustrin. Jag har haft äran att jobba med svenska artister som Håkan Hellström, Laleh, Little Jinder, Lykke Li, Miriam Bryant, Måns Zelmerlöw, Nause, Otto Knows, Rhys och Sabina Ddumba, liksom nordiska stjärnor som Alma, Christopher och Julie Bergan. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life.