DOCSLIB.ORG

Final Review10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Final Review10 Vol. XVI, No. 4 & Vol. XVII, No. 1 October’09 -March’10 Organised By Broadcast Engineering Society (India) 912 Surya Kiran Building, 19 Kasturba Gandhi Marg New Delhi-110001, INDIA Contents BESVol. XVI, No.4 Review &Vol. XVII, No.1 October’09 - March’10 Editorial 2 From the President 3 BES Council 2008-2010 4 Report : BES Expo 2010 6 Report : Chennai Chapter 9 - Seminar on “Emerging Trends in Digital Communication” Report : Hyderabad Chapter 10 - Seminar on “ Broadcasting- Challenges in Modernisation” Report : Ahmedabad Chapter 12 -Seminar on “A Vision to GenNext Broadcasting” Report : Rajasthan Chapter 14 -one day Workshop & Exhibition on the theme Editorial Board “Graphics & Effects in video production” Chairman International Broadcast Centre : Commonwealth Games Delhi 2010 15 Ashish Bhatnagar -by A. K. Jha Co-Chairman Electromagnetic Pollution 22 Pradeep Mehra -by S. Ramachandaran Member Building Effective Broadcast Regulatory Institutions in India 24 Kumaraswamy N.E. -by Raman Kumar Ashok Kumar Jha Meenakshi Singhvi A tutorial on Audio Processor for Radio Transmitters 28 -by George I. Irumben Published by : Broadcasting in a bygone era : 34 R. Srivastava, Hon. Secretary, on behalf of -by M. I. Suryanarayana Broadcast Engineering Society (India) Tape-based Efficiencies in a Tapeless Environment 39 912, Surya Kiran Building, -by Fabio Gattari 19, K.G. Marg, New Delhi-110001 Tel. : + 91-11- 23316709 Synopsis : Papers Presented During BES EXPO’10 42 Fax : + 91-11- 23316710 -by Rajeev Kumar E-mail : [email protected] Appointments 47 Design & Layout by Pradeep Mehra What's New 48 Website Review 54 Printed at : Pragati Packers New Members 56 27/1B, Dilshad Garden Ind. Area, G.T. Road, Delhi-110095 Corporate Members 59 e-mail : [email protected] Obituary 60 Ph.: 9312438440 Views expressed by authors are their own and may not be that of BES(I) Editorial I feel nostalgic while presenting to you, this issue of BES Review, the last from this council. It has been a unique and fulfilling experience in being the part of the team bringing out this publication, which to me has never been just a Technical Journal or merely a Newsletter. It has always been a perfect blend of Technical Knowledge and Emotions. Thanks to the young & enthusiastic Editorial Board Members, sharp and brilliant Authors, who provided useful inputs on the state of the art technologies and the emerging trends in broadcast world, and the Veterans, who had been enriching us with their vast experiences, through their Memoirs. This journey could never been so pleasant & satisfying, had there not been continuous, encouraging responses and support from all of you, our Esteemed Readers. Friends, In this issue, we have tried to bring out glimpses of BES EXPO 2010, held at New Delhi in past quarter, along with gists of the papers presented during the conference, for many of those, who couldn't make it to the event. We have tried to report various major activities undertaken at BES local Chapters, We have tried to incorporate technical articles on various relevant issues and with lots of persuasion, we have succeeded in bringing back the colour to the Magazine. While knowing well that the real colour lies in the eyes of the readers, We will look forward for your reactions on this, your very own Magazine. With lots of best wishes to you, family and friends, Ashish Bhatnagar [email protected] 2 October’09 - March'10 From the President Dear Members, The term of the present council of BES is ending shortly and through this Newsletter I would like to thank all of you for providing the support to the current council during various activities in the past 2 years. The executive along with the council members have tried their level best to work in a transparent manner for the growth of the society. Chairmen of various BES committees and BES local chapters have also poured in their best efforts in this direction. Despite the worldwide industry recession BES Expo 2010 the 16th International Conference and Exhibition on Terrestrial and Satellite Broadcasting has gone quite well. The conference was attended by around 1100 delegates from media & industry and the exhibition also witnessed enhanced participation of exhibitors and visitors. I would like to congratulate and compliment various council members and committee chairmen who have worked hard to make the event a grand success. The broadcasters in our country will be facing another challenge in October' 2010 when the country hosts Common Wealth Games. We are all gearing up and I take this opportunity to give my best wishes to all those who are directly and indirectly involved in this activity. My best wishes to all of you as well for happy times ahead. R.R.Prasad President BES(I) 3 October’09 - March'10 BES (I) Council 2008-2010 Name Designation Phone (Off.) Phone (Res.) Mobile / E-mail R.R. Prasad Engineer-in-Chief 91-11-23388113 91-120-2463189 91-9910347887 President Doordarshan [email protected] P. S. Sundaram Managing Director 91-11-23765151 91-11-28051491 91-9811197746 Immediate Past President Technomedia [email protected] A. S. Guin Former Engineer-in-Chief - 91-124-4260162 [email protected] Past Presidents All India Radio P. K. Singh SE(CS) 91-11-23421212 91-11-22621619 91-9810420575 Vice President All India Radio [email protected] Ashish Bhatnagar Director 91-364-2224443 91-364-2353117 91-9436104879 Vice President All India Radio [email protected] R. Srivastava Director 91-11-23383840 91-11-22732933 91-9968292773 Hon. Secretary Doordarshan [email protected] R.C. Bhatnagar Director 91-11-23387993 91-11-22727679 91-9968296792 Hon. Treasurer Doordarshan [email protected] P. Mohanadoss Former Chief Engineer - 91-44-26251093 91-9940688812 Council Member AIR & Doordarshan [email protected] Sunil Director 91-11-23381744 91-11-23073557 91-9868230260 Council Member Doordarshan [email protected] S. C. Khasgiwal Former Chief Engineer - 91-22-28802157 91-9869047581 Council Member Doordarshan - 91-22-28835777 [email protected] O. P. Bhatti Former Chief Engineer - 0120-2417711 91-9810088975 Council Member Doordarshan [email protected] Deepak Mehrotra Former Chief Engineer - 0120-2785181 91-9810862165 Council Member All India Radio [email protected] R. K. Singh Former Engineer-in-Chief - 91-11-26496882 91-9891138542 Council Member Doordarshan [email protected] N. K. Gupta Former Director - - 91-9760021587 Council Member Doordarshan [email protected] V. Appakutty Former Chief Engineer - 91-44-26289924 91-9444015580 Council Member AIR & Doordarshan [email protected] Rajeev Sinha Dy. Director 91-11-23385838 91-11-25088959 91-9810078301 Council Member Doordarshan [email protected] D.S.R.B.N.H. Baba Superintending Engineer 91-40-27038649 91-40-27030909 91-9440792978 Council Member Doordarshan 91-40-27031742 [email protected] S.R. Aggarwal Former Engineer-in-Chief 91-11-26181724 91-9811835828 Invitee All India Radio R. K. Sinha Director 91-11-23421592 91-11-26103314 91-9868631895 Co-opted Member All India Radio [email protected] Yogendra Pal Chief Engineer 91-11-23421790 - 91-9811572044 Co-opted Member DG, All India Radio [email protected] 4 October’09 - March'10 Local Chapters Chapter Chairman Hon. Secretary Hon. Treasurer Tel. No. /E-mail. 1) Ahmedabad G. C. Jain Meenakshi Singhvi M. H. Chaudhary 91-9328028484, 91-9426302816 91-9825199913 [email protected] 2) Bangalore S. Jayaraman T. Rajendran G. S. Subramonian 91-80-23333997 3) Bhubaneshwar M. K. Rao L.K. Pradhan G. K. Biswal 91-9437037057 [email protected] 4) Chennai A. Rajagopal S. Ramachandaran C. Mookan 91-9444083173, 91-9444052702 [email protected]) 5) Jaipur J. K. Chandira O. P. Rajpurohit A. K. Sundarani 91-9414051284, 91-9414251557 [email protected] 6) Kolkatta G. Biswas S. C. Rudra N. Mitra 91-9433013466 7) Hyderabad D.S.R.B.N.H. Baba E. Bhaskara Rao P. Chandrashekhar 91-40-27038649 [email protected] 8) Mumbai S. C. Khasgiwal M. S. Thomas P. S. Khurana 91-9869047581 [email protected] 9) Thanjavur T. Periaswamy Prof. M. Narayanan B. Somu 91-9488633336 [email protected] 10)Thiruvananthapuram C. B. Pillai K. V. Ramachandaran T. S. Sreekumar 91-9447019772 BES Committees S. No. Name of Commitees Chairman E-mail Mobile 1. BES EXPO Event (Exhibition) Sunil [email protected] 91-9868230260 2. BES EXPO Event R. K. Singh [email protected] 91-9891138542 (Internationaol Conference) [email protected] 3. Seminars and Lectures Sunil [email protected] 91-9868230260 4. Broadcast Education & V. Appakutty [email protected] 91-9444015580 Broadcast Policy 5. Internal Audit Rajiv Sinha [email protected] 91-9810078301 [email protected] 6. BES Review Ashish Bhatnagar [email protected] 91-9436104879 7. Website Management Yogendra Pal [email protected] 91-9412217804 8. Industrial Relations & Awards S. C. Khasgiwal [email protected] 91-9869047581 9. Constitution P. Mohanadoss [email protected] 91-9940688812 10. New Members Induction & Legal Deepak Mehrotra [email protected] 91-9810862165 11. Local Chapters Coordination D.S.R.B.N.H. Baba [email protected] 91-9440792978 12. Joint Collaboration with O. P. Bhatti [email protected] 91-9810088975 International Bodies and 5 October’09 - March'10 BES REPORT BES Expo 2010 R. Srivastava 16th International Conference & Exhibition on Terrestrial and Satellite Broadcasting Hon. Secretary, BES(I) 29th to 31st January 2010, Pragati Maidan , New Delhi DTT, DTH, DRM, DVM, FM, Cable, Video, Audio, Multimedia , Broadband, Networking- News Automation/Newsroom integration, Video Streaming, Satellite & Microwave, Graphics & Animation · Production/ Post Production equipment · Test & measuring equipment, MPEG2/MPEG4 Encoders, Portable recorders, Low cost radio broadcasting solutions, Radio studio design, Archiving and much more. The event was inaugurated by Smt. Ambika Soni, Hon'ble Minister of Information and Broadcasting on 29th January 2010, Guests of honour were Sh.
Load more

Recommended publications
  • Kannada & Culture, Information Department
    KANNADA & CULTURE, INFORMATION DEPARTMENT INTRODUCTION Vision To Preserve, Promote and Propagate the Language, Culture and Heritage of Karnataka in India and abroad. Mission: To Preserve and promote culture & heritage of Karnataka and development of Language by use of Media and Technology for achieving its vision. Objectives: 1. To promote the progressive use of Kannada language in the State through Government Programmes. 2. To encourage and honour individuals and institutions promoting Cultural Heritage. 3. To propagate Kannada language, culture and heritage in India and abroad 4. To preserve and protect the archival records/documents for future generation. 5. Exploration, excavation and conservation of Archaeological Sites, monuments. 6. Collection and Preservation of Art and Archaeological specimens in the Museums both public and private. 7. Dissemination of Information on the developmental activities of the state Government. 8. To promote regional film industry. The Department of Kannada, Culture and Information is presently housed at Ground Floor, Vikasa Soudha, Bangalore. The Hon’ble Information Minister holds the portfolio of the Department of Information and the Department of Kannada and Culture is headed by the Hon’ble Minister for Kannada and Culture. The Secretary to Government is the Head of the Department of Kannada ,Culture and Information. He is assisted by one Deputy Secretary three Under Secretaries, 4 Section Officers besides group C and D employees. 1 This Department examines the Administrative, Financial and Service
    [Show full text]
  • Born in a Family of Musicians, Music Is a Divine Blessing to Pravin
    ! ! GURU AND EARLY TUTELAGE: Born in a family of musicians, music is a divine blessing to Pravin. He hails from Dharwad, a place which has given to the world many great musicians like Pt Bhimsen Joshi, Gangubai Hangal and Pt Kumar Gandharva. He is fortunate to have his father Pandit VENKATESH GODKHINDI, an eminent vocalist and Bansuri arCste of the country, as his first and only Guru for Flute. Pravin started toying with a small flute at the tender age of 3 and since then it has been his best companion. His passion for Flute could hardly be matched with anything else even during his childhood. With such a passion blended with early hours of rigorous Riyaz under the able guidance of his guru, Pravin started exhibiCng the glimpses of a genius in the making. Pravin gave his first public concert at the age of 6 years and held the audience spellbound. His quest for deeper knowledge about LAYAKAARI brought him to his Guru, Vidwan ANOOR ANANTH KRISHNA SHARMA a reputed Mridangam arCste who is providing able guidance to Pravin on the deeper aspects of LAYA and LAYAKAARI. TWO DIFFERENT STYLES OF PLAYING: His father has taught him Hindustani BANSURI in KIRANA GHARAANA GAYAKI STYLE. But Pravin added the GATKAARI or TANTRAKAARI STYLE by his own efforts and succeeded in it. He is adept in both the styles. Sonorous blowing, control over the breath, elaboraCons of Raga with its aestheCc appeal, extraordinary and skillful rendiCon of Layakaari are but a few salient features of his flute recital. He has been ably balancing both tradiConal and creaCve music.
    [Show full text]
  • Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
    Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B.
    [Show full text]
  • Editors Seek the Blessings of Mahasaraswathi
    OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi
    [Show full text]
  • Karnatak University 21
    CDRSP KNOWLEDGE SERIES Series Editors Geoffrey Mitchell Paula Pascoal-Faria 1 CDRSP KNOWLEDGE SERIES 2 CDRSP KNOWLEDGE SERIES Title: CDRSP Knowledge Series Vol. 7 International Conference on Direct Digital Manufacturing and Polymers 2021 Series editors: Geoffrey Mitchell Paula Pascoal-Faria Volume Authors: Artur Mateus Geoffrey Mitchell Paula Faria A.B.Vedamurthy R.R.Kamble ISBN: 978-989-96765-7-2 (eBook) 978-989-96765-8-9 (Printed) Design & Graphic Art: Renato Batista Sara Silva Published By: IPLeiria May 2021 Editorial Coordination: Centre for Rapid and Sustainable Product Development - IPLeiria Rua de Portugal – Zona Industrial 2430-028 – Marinha Grande, Portugal cdrsp.ipleiria.pt Phone Number :+351 244 569 441 3 TABLE OF CONTENTS WELCOME 5 INTRODUCTION 7 SERIES PREFACE 9 VOLUME PREFACE 10 PRESENTATION 11 ICCDMAP SUMMARY 12 VIDREIRO’S BOTTLE 13 CONFERENCE PATRONS 15 CONFERENCE PRESIDENTS 16 CONFERENCE CHAIRS 17 ORGANIZING COMMITTEE 18 SUPPORTED BY 19 POLYTECHNIC INSTITUTE OF LEIRIA 20 KARNATAK UNIVERSITY 21 ABOUT THE DEPARTMENT OF CHEMISTRY 23 CDRSP 27 PLENARY SPEAKERS 30 KEYNOTES SPEAKERS 31 CONFERENCE SCHEDULE 38 PRESENTATIONS 42 DIRECT DIGITAL MANUFACTURING 94 GLOSSARY 109 NOTES 114 4 WELCOME Dear Participant It is with great pleasure that we welcome each and everyone of you to this 4th Edition of the International Conference on Direct Digital Manufacturing and Polymers which will take place online. The intervening two years since the 3rd Edition took place in 2019 in Dharwad India have been very challenging for the whole world and last year we took the difficult decision to move the conference from presential to online in order to safeguard all involved and to provide certainity to authors who would otherwise travel considerable distances in uncertain times.
    [Show full text]
  • CHAPTER 14 Dharwad Is the Cultural Capital of North Karnataka. Ancient
    Literature and Culture 637 CHAPTER 14 LITERATURE AND CULTURE harwad is the cultural capital of North Karnataka. Ancient temples, Mutts and Agraharas in the D district encouraged the spread of education here and paved the way for the growth of literature and folk arts as well. Pampa was born in Annigeri. It has a tradition of poets starting with Kumara Vyasa, Kanakadasa and Sarvajna down to Shishunala Sharief and Bendre. Institutions like the Training College, Basel Mission, Vidyavardhaka Sangha, Karnatak University and All India Radio Station have in different ways helped the spread of scholarship and creativity. It was here that Aalur Venkata Rao convened the first writers conference in Karnataka. In the field of literature, it was here that the friends circle which developed around Bendre was formed and nurtured. Dharwad is known all over India as a major centre of Hindustani music. Mallikarjuna Mansur hails from here. In theatre too, it was in this district that Sriranga tried his experiments with amateur troupes and professionals like Shirahatti Venkoba Rao, Vamanarao Master and Garud Sadashiva Rao carried on their theatre activities. Professional theatre has received constant support in Hubli city. Many of the theatre artistes from here have made it to the cinema as well. Literature and theatre of the region have played a unique role in national awakening. Temples and fairs of the region have been a fountain of inspiration for the folk arts. In the field of journalism too, many successful experiments have been tried out in Hubli and Dharwad. It was from here that a writer like Galaganath used his pen to awaken nationalist sentiments.
    [Show full text]
  • Intricate Designs EXHIBITION: Weaving Magic - Romance of the Kashmir Shawl from Kani to Paisley Inauguration: Or
    Intricate Designs EXHIBITION: Weaving Magic - Romance of the Kashmir Shawl from Kani to Paisley Inauguration: Or. Karan Singh Illustrated lecture: TheKashmir Shawl- A Collector's Journey. Aditi Desai November 30 - December 7 The exhibition is based on the collection of Aditi Desai, Like all modern collectors, the shawls have been acquired from diverse sources including those sold by dealers and collectors, or bought at auctions as well as flea markets. Her interest was developed at a young age and she matured into a serious student of the craft, following its history, analyzing its technique while being swayed by the sheer aesthetic appeal of the artefacts she acquired. The collection is interesting The collection of European items has an amazing because of several unusual aspects. As many as fifty range in patterns, without deviating from the original per cent of the exhibits are of European production. canons of decorative repertoire and placement in Rather than concentrating on the classic Kani shawl, design. There is the familiar red shawl so favoured in she has chosen to draw attention to many varied the French market but alongside is another, also of aspects of the tradition. French manufacture, in which the medallion-centred patterning is evocative of the Deccani tradition associated with Hyderabad. There are patkas, male '" ..••.-. accessories in costume, one of which presents an interesting surface of strips of patterning stitched together to form the waist girdle. There are also two square female shoulder cloths with a pleasing contrast in design-one bearing the classic Kashmiri imprint while accommodating itself to the new shape and style in wear, with the other stepping out of the traditional format in its delicate tracery of European- inspired floral design.
    [Show full text]
  • A Reflection on the Cultural Synthesis of Karnataka – Maharashtra Border Region
    International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 A Reflection on the Cultural Synthesis of Karnataka – Maharashtra Border Region Shobha Shivaprasad Nayak Assistant Professor, School of Classical Kannada studies, Rani Channamma University, Belgaum, Karnataka, India Abstract: Both Kannada and Marathi are very old languages. Both have their own scripts, words with a rich vocabulary, meaning and usages. Synthesis and exchange between Kannada and Marathi in the field of Music, Drama, Painting, Folklore and various other forms of art and literature can be noticed. This paper deals on the cultural heritage or legacy of the Karnataka. Karnataka-Maharashtra border region is primarily concerning Kannada-Marathi languages and the relation between the people speaking these two languages. It is mainly focused on how both Kannada and Marathi languages have influenced each other and have blended together. Keywords: Karnataka, Marathi, Cultural, Maharashtra and Kannada 1. Introduction contemporary, occupy a unique place of importance in respective literatures. Regardless of the difference of age The discussion on the cultural heritage or legacy of the between Purandara Dasa in Kannada and Eknatha in Karnataka- Maharashtra border region is primarily a Marathi, one can observe substantive similarity in their discussion concerning Kannada-Marathi languages and the thinking, expressions and opinions. Both Purandara and relation between the people speaking these two languages. Eknatha being ‘Vitthala’ devotees, through their ‘Geya Having a rich and a long history how both Kannada and pada’ and ‘Keeratanas’ exalted the virtues like self conduct, Marathi languages have influenced each other? How they self control and they themselves became the paragons of it.
    [Show full text]
  • The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
    THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXIV 1993 arsr nrafcr a s farstfa s r 3 ii “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014 Annual Subscription -- Inland Rs.40: Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewrittern (dounle-spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in full.) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS S.No. Page 1. 66th Madras Music Conference - Official Report 1 2. Advisory Committee Meetings 20 3. The Sadas 47 4. Tyagaraja and the Bhakti Community - William Jackson 70 Princess Rukinini Bai - B.Pushpa 79 6. Indian classical Music - T.S.Parthasarathy 83 Tagore’s Dance concept - Gayatri Chatterjce 97 From Sarn^adeva to Govinda 101 Literary and Prosodical Beauties - T.S. Parthasarathy 107 10.
    [Show full text]
  • List of Certified Energy Auditors
    LIST OF CERTIFIED ENERGY AUDITORS S No Regn No Name of the Candidate IST EXAM - MAY 2004 1 EA-0001 Atul Pratap Singh 2 EA-0007 Padmanabha Ramanuja Chari 3 EA-0009 Jitendra Jain 4 EA-0011 G Rudra Narsimha Rao 5 EA-0012 Pradeep Shrikrishna Lothe 6 EA-0015 Ram Kumar Yadav 7 EA-0016 Prabir Chattoraj 8 EA-0019 Aswini Kumar Sahu 9 EA-0021 Hitendera Mehtani 10 EA-0028 Premkumar 11 EA-0029 Subesh Kumar 12 EA-0030 L Rafique Ali 13 EA-0032 Pramod Kumar Dangaich 14 EA-0035 I Thanumoorthi 15 EA-0036 Devesh Kumar Singhal 16 EA-0038 T Senthil Kumar 17 EA-0043 Anand Narayan Kale 18 EA-0044 G V Jagadeesh Kumar 19 EA-0045 P Chandramouli 20 EA-0046 Deepak Kaushik 21 EA-0055 Rajeev Kumar Pahwa 22 EA-0061 Vishnu J Mulchandani 23 EA-0064 Babu M 24 EA-0075 Dilip Sarda 25 EA-0077 J Swaminathan 26 EA-0081 Mahendra Manohar Dandekar 27 EA-0083 Avinash Kumar 28 EA-0086 M Bhaskar 29 EA-0092 Dhirendra Bansal 30 EA-0104 Pande Madhav 31 EA-0108 Rakesh Sahay 32 EA-0114 Dipak Kumar Bhattacharya 33 EA-0115 Manu Chawla 34 EA-0119 Shishir Saxena 35 EA-0122 Amar Gupta 36 EA-0128 Mukul Ghanekar 37 EA-0132 Binobananda Jha 38 EA-0133 Ramesh Babu Guptha Paluri 39 EA-0136 Sukuru Ramarao 40 EA-0142 Sanjay Bhanudasrao Joshi 41 EA-0148 Mahesh Kumar Madan 42 EA-0149 Swapan Kumar Dutta 43 EA-0155 Desai Gaurang 44 EA-0157 Raj Kumar Porwal 45 EA-0159 Devanand Patil 46 EA-0160 Achyuta Nanda Mohanty 47 EA-0178 Mahesh Chandani 48 EA-0179 R K Aggarwal 49 EA-0183 G Pasupathy 50 EA-0184 Sandeep Kumar Jain 51 EA-0185 B D Gupta 52 EA-0187 Mohammad Abul Kalam 53 EA-0191 Arun Kanti Bala 54 EA-0192 G Sankar 55 EA-0200 R Balasubramanian 56 EA-0203 V Kumaran 57 EA-0205 Sarvesh Kumar 58 EA-0207 C Sethuraman 59 EA-0216 Pramath Sanghavi 60 EA-0220 Pawan B Agarwal 61 EA-0223 Subrat Kishore Nayak 62 EA-0232 Upendra Pratap Singh 63 EA-0233 Shailendra Pandey 64 EA-0236 Tukaram K.
    [Show full text]
  • Oangeet Natak
    oangee£~^ VOLUME XLIII, NUMBER 2, 2009 t Natak Aesthetics, History and Society: the Case of North Indian Classical Music Transported by Song: Music and Cultural Labour in Dharwad TEJASWINI NIRANJANA I This essay is an exercise in thinking through the issues involved in putting together a new project. It will aim to set out some of the problems I am encountering as I try to formulate my research questions—the dilemmas over directions to take or avoid; the anxiety about how to interpret diverse sorts of materials; about what methods to adopt; about how to constitute my archive. My last project took me deep into the analysis of Caribbean popular music in terms of the social grids that sustain it. The book, Mobilizing India: Women, Music and Migration between India and Trinidad (2006), was followed by a documentary film called Jahaji Music (dir. Surabhi Sharma, 2007). The film engaged with the musical culture of the Caribbean through the journey and collaborations of an Indian musician, Remo Fernandes. The Remo project—which tried to pursue the possibility of connection in another sphere, that of actual musical practice—seemed to be a logical if somewhat unexpected outcome of the earlier scholarly endeavour. Perhaps the most predictable direction I could have taken next would have been to pursue the story of the Indian diaspora and its musical negotiations in the United Kingdom for example, where once again the Indian and the African come together to form different sorts of cultural equations. However, the insights I gained from thinking about music, nationalism and race in Trinidad took me in another direction altogether.
    [Show full text]
  • 18Th October 2014
    CURRENT AFFAIRS Newspaper Analysis and Summary – 18th October 2014 NATIONAL Flight trial of Nirbhay successful – The Hindu Boosting India’s plan to enhance strategic deterrence capability, the first long-range sub- sonic cruise missile, Nirbhay (fearless), was test-fired for a range of over 1,000 km from the Integrated Test Range here on Friday. The success came in the second flight trial as the first had to be terminated midway in March last year after it deviated from the pre-designated trajectory. The tree-top, low-altitude flying missile, which can evade radars, was fired from a canister- based mobile launcher from Launch Complex-3 here at 10.05 a.m. After it took off vertically like a rocket, the first-stage rocket booster got jettisoned within seconds at an altitude of 100 metres and the wings got deployed as the missile tilted horizontally. Around the same time, the turboprop engine kicked in and provided thrust to the missile which began cruising like an aircraft at a speed of Mach 0.7. Cruising at an altitude of 4.8 km, Nirbhay then performed a series of manoeuvres and navigated along 15 waypoints using a state-of-the-art inertial navigation system during its flight of one hour and 10 minutes. As the missile, carrying a dummy payload of 350 kg, dived near the impact point in the Bay of Bengal with a great degree of accuracy after performing three loops, the Block House at the test range reverberated with thunderous applause and elated shouts. Scientific Adviser to Defence Minister and Defence Research and Development Organisation’s Director-General Avinash Chander and other top scientists congratulated one another.
    [Show full text]