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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
{TEXTBOOK} the Clothes They Stood up in and the Lady and the Van
THE CLOTHES THEY STOOD UP IN AND THE LADY AND THE VAN PDF, EPUB, EBOOK Alan Bennett | 240 pages | 14 Jul 2009 | Random House USA Inc | 9780812969658 | English | New York, United States The Clothes They Stood Up in and the Lady and the Van PDF Book You are commenting using your Twitter account. Quotes from The Clothes They I enjoyed the little nod to Barbara Pym. Refresh and try again. Interest will be charged to your account from the purchase date if the balance is not paid in full within 6 months. Read on the strength of the cover and loved the premise. Saw that the second story in this double feature has been adapted into a film starring Maggie Smith. Other editions. The Ransome's come back from the opera to find they have been burgled, everything has been taken, the carpets, toilet paper, underwear, everything was gone Going Down. He is concerned about her and she eventua Bennett is a British writer and a master of subtle irony, insight, and wit. This amount is subject to change until you make payment. The Ransomes come home from the opera to find that absolutely everything, down the the carpets, toilet paper and holder, to the oven containing the roast has been taken from the carpet. He's incredibly clever. A charming, humorous story with some surprising depth, this is a quick, one sitting read. A Shooting Star. I was captivated mostly all through, an unusual denouement was extremely funny and revealing, the only thing that jarred a little was the wife's naivety. -
Download Reading List (PDF)
Delve Deeper into Racing Dreams A Film by Marshall Curry This resource list, compiled by Patrick, Danica, with Laura Farrey, Tom. Game On: The All- Gina Blume of the Monroe Morton. Crossing the Line. New American Race to Make Township Public Library, York: Touchstone, 2007. Champions of Our Children. includes books, films and other This is a collection of inspirational New York: ESPN, 2008. materials related to the issues stories and insights into this Investigative journalist Tom Farrey presented in the film Racing author’s groundbreaking success examines the lives of child athletes Dreams. from go-karting to becoming an and the consequences associated Indy car champion. with extreme competition at an Fondly described as "Talladega early age, including rising obesity Nights meets Catcher in the Rye," Wood, Denise. NASCAR Women: rates, unruly sideline behavior, and Racing Dreams chronicles a year in At the Heart of Racing. Phoenix: reduced activity in children. the life of three tweens who dream David Bull Publishing, 2003. of becoming NASCAR drivers. The Denise Wood, a journalist and Hyman, Mark. Until It Hurts: film by Marshall Curry (Oscar®- public relations representative for America's Obsession with Youth nominated Street Fight, POV 2005; several race teams, reveals the Sports and How It Harms Our Sundance winner If a Tree Falls, integral part women have played Kids. Boston: Beacon Press, POV 2011) is a humorous and both behind the scenes and in the 2010. heartbreaking portrait of racing, public eye of the NASCAR Journalist and Professor Mark young love and family struggle. organization. Hyman investigates the perils of today’s youth sports culture and the ADULT NONFICTION Coming of Age outcome of coaches and parents pushing children beyond their Karting Davis, John A. -
“Larger Than Life” Competition Recognizing Excellence in Cinema
THE ONE CLUB AND NATIONAL CINEMEDIA INTRODUCE NEW LARGER THAN LIFE COMPETITION RECOGNIZING EXCELLENCE IN CINEMA ADVERTISING ~ Winning Entrant Eligible for Prestigious One Show Gold Pencil ~ Winning Cinema Advertising Entry to be Produced by RSA Films NEW YORK (May 10, 2006) - The One Club, the world's foremost non-profit organization for the recognition and promotion of excellence in advertising, and National CineMedia, the leading digital content and advertising provider for movie theatres in the U.S., are partnering to broaden the One Show Non-Broadcast category to include a new cinema advertising competition. The new cinema category invites the creative community to submit storyboards beginning in September 2006 for a 60 second cinema advertisement. The storyboards will be judged by the 2007 One Show jury of award-winning art directors, copywriters and creative directors with the category winner becoming eligible for the prestigious Gold Pencil award, considered the pinnacle of achievement in the advertising field. National CineMedia will award the production resources of RSA Films, as well as media for the finished advertisement to be showcased to over 10 million moviegoers in approximately 425 theatres on 4,200 movie screens throughout the U.S. Award-winning RSA Films is one of the world’s leading commercial advertising and music video production companies. Founded by Sir Ridley Scott (“Bladerunner,” “Alien,” “Gladiator”) and Tony Scott (“Top Gun,” “True Romance,” “Enemy of the State”), the company will produce the winning entrant’s cinema advertising campaign. “The competition is a unique opportunity for The One Club to promote and recognize new creative concepts in cinema advertising. -
My-Own-Love-Song-Dossier-De-Presse-Francais.Pdf
LÉGENDE PRÉSENTE RENÉE ZELLWEGER FOREST WHITAKER UNE MUSIQUE DE BOB DYLAN DURÉE : 1H45 SORTIE LE 7 AVRIL 2010 UN FILM DE OLIVIER DAHAN DISTRIBUTION PRESSE MARS DISTRIBUTION ALEXANDRA SCHAMIS, SANDRA CORNEVAUX 66, RUE DE MIROMESNIL AS COMMUNICATION 75008 PaRIS 11 BIS, RUE MAGEllaN - 75008 PaRIS TÉL : 01 56 43 67 20 TÉL. : 01 47 23 00 02 - FAX : 01 47 23 00 01 NICK NOLTE ◆ MADELINE ZIMA PHOTOS ET DOSSIER DE PRESSE TÉLÉCHARGEABLES SUR WWW.MARSDISTRIBUTION.COM SYNOPSIS Jane (Renée Zellweger), une ex-chanteuse devenue handicapée à la suite d’un accident, reçoit des nouvelles de son fils. En effet, Devon reprend contact avec sa mère car il souhaite l’inviter à sa communion. Malgré les craintes de Jane de retrouver son fils après des années et de faire face à son passé, son ami Joey (Forest Whitaker) arrive à la convaincre d’entreprendre ce périple à travers les États-Unis. C’est au cours de ce voyage et des rencontres qu’ils feront sur la route que Jane composera sa plus belle chanson d’amour. ENTRETIEN AVEC OLIVIER DAHAN Pour LA MÔME, c’est une photo qui vous a donné envie de réaliser un film sur Piaf. Quel a été l’élément déclencheur pour MY OWN LOVE SONG ? Il n’y en a aucun. Je suis handicapé. J’ai grandi dans un hôpital. La vraie histoire je la connais, mais je ne suis pas encore capable de l’écrire et d’en faire un film. Ce film est une première approche sous la forme d’un film de genre. -
Application of Performance Motion Capture Technology in Film and Television Performance Animation
Proceedings of the 2nd International Symposium on Computer, Communication, Control and Automation (ISCCCA-13) Application of Performance Motion Capture Technology in Film and Television Performance Animation ZHANG Manyu Dept. Animation of Art, Tianjin Academy of Fine Arts Tianjin , CHINA E-mail: [email protected] Abstract—In today’s animation films, virtual character tissue simulation technique” for the first time, so that acting animation is a research field developing rapidly in computer skills of actors can be delivered to viewers maximally. graphics, and motion capture is the most significant What’s more, people realize that “motion capture component, which has brought about revolutionary change for technology” shall be called as “performance capture 3D animation production technology. It makes that animation technology” increasingly. Orangutan Caesar presented in producers are able to drive animation image models directly with the use of actors’ performance actions and expressions, Rise of the Apes through “motion capture” technology is which has simplified animation manufacturing operation very classical. Various complicated and subtle expressions greatly and enhanced quality for animation production. and body languages of Caesar’s not vanished bestiality and initially emerged human nature have been presented Keywords- film and television films, motion capture, naturally and freshly in the film, which has achieved the technology excellent realm of mixing the false with the genuine. When Caesar stands in front of Doctor Will in equal gesture, its I. INTRODUCTION independence and arbitrariness in its expression with dignity With the development of modern computer technology, of orangutan has undoubtedly let viewers understand computer animation technology has developed rapidly. -
TONY NOBLE Production Designer
The Screen Talent Agency 020 7729 7477 TONY NOBLE Production Designer Tony has production designed high profile campaigns for some of the biggest names in British commercials, including Ridley Scott, Tony Scott, Hugh Hudson, Alan Parker, Patricia Murphy, John Henderson and Paul Weiland. Moving into features, Tony went on to art direct Gavin Hood’s RENDITION and was the UK concept artist for Robert De Niro’s THE GOOD SHEPHERD, but his best-known work is to be seen on the highly acclaimed and multiple award winning MOON. Reel Film Reviews and Screaming Blue Review referred to Tony’s designs as ‘jaw dropping’ and ‘perfect’. Tony is based in London and available for work worldwide. www.tonynoble.co.uk Selected credits date production director / producer / production company television: 2019 MARTIN’S CLOSE Mark Gatiss / Isibeal Balance / Adorable Media – BBC4 2003 BROKEN MORNING Jack Bond / Jack Bond / ITV feature films: 2019 TWIST Martin Owen / Ben Grass / Unstoppable Entertainment 2019 FOR LOVE OR MONEY Mark Murphy / Eric Woollard-White / Solar Productions 2019 THE INTERGALACTIC ADVENTURES OF Martin Owen / Alan Latham / Goldfinch MAX CLOUD 2018 PERIPHERAL Paul Hyett / Bill Kenwright / Bill Kenwright Films 2018 THE COVENANT Paul Hyett / Michael Riley / Sterling Films 2017 SOLIS Carl Strathie / Charlette Kilby / GSP Studios 2016 THE CRUCIFIXION Xavier Gens / Leon Clarance / Motion Picture Capital 2015 AWAITING Mark Murphy / Alan Latham / GSP Studios 2015 TREEHOUSE Michael G. Bartlett / Michael Guy Ellis / Aunt Max Entertainment 2015 THE COMEDIAN'S -
Playwright DAVID HARE Receives the Guild's 2017 GIELGUD AWARD
But the culminating moments of a richly varied program Playwright DAVID HARE Receives were devoted to the GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS and to the afternoon’s final presentation, for The Guild’s 2017 GIELGUD AWARD OUTSTANDING CONTRIBUTION TO BRITISH THEATRE.. That trophy went to LYN GARDNER, “a renowned theatre journalist, critic, n Sunday, October 15, at a memorable UK THEATRE author, and champion of the industry, whose invaluable O AWARDS luncheon in London’s historic GUILDHALL, one insights can most often be found in The Guardian and The of today’s most versatile dramatic artists received the 2017 Stage, of which she is an associate editor.” GIELGUD AWARD FOR EXCELLENCE IN THE DRAMATIC ARTS. Not only has DAVID HARE enriched our theatrical repertory resenting this year’s GIELGUD AWARD was FREDDIE FOX, with some of the most resonant and challenging stageplays of P an actor of impeccable pedigree who is admired for our era. He has also produced screenplays that have garnered films such as The Three Musketeers, Victor Frankenstein, The Riot Club, Pride, and Worried About the Boy, as well as for such stage roles as Bosie in The Judas Kiss, a David Hare drama about the tragic fall of Oscar Wilde. Mr. Fox talked about how much he’d enjoyed working not only with Sir David but with artistic director Jonathan Kent while co-starring in this Hampstead Theatre production. As he bestowed the 2017 GIELGUD trophy, he shared two messages from admirers of Sir David who were unable to attend the Guildhall luncheon. -
Nestor Serrano Mayor Michael Salgado
NEW SERIES WEDNESDAY 24TH JUNE 1 \ WEDNESDAY 24TH JUNE Police work isn’t rocket science. It’s harder. Inspired by the New York Times Magazine article “Who Runs the Streets of New Becoming the city’s most advanced police district isn’t easy. Gideon knows if he’s Orleans” by David Amsden, APB is a new police drama with a high-tech twist from going to change anything, he needs help, which he finds from Detective Theresa executive producer/director Len Wiseman (Lucifer, Sleepy Hollow) and executive Murphy producers and writers Matt Nix (Burn Notice) and Trey Callaway (The Messengers). (Natalie Martinez, Kingdom, Under the Dome), an ambitious, street-smart cop who is Sky-high crime, officer-involved shootings, cover-ups and corruption: the willing to give Gideon’s technological ideas a chance. over-extended and under-funded Chicago Police Department is spiraling out of control. Enter billionaire engineer Gideon Reeves (Emmy® Award and Golden Globe® With the help of Gideon’s gifted tech officer, Ada Hamilton (Caitlin Stasey, Reign), nominee Justin Kirk, Tyrant, Weeds). After he witnesses his best friend’s murder, he he and Murphy embark on a mission to turn the 13th District – including a skeptical takes charge of Chicago’s troubled 13th District and reboots it as a technically Capt. Ned Conrad (Ernie Hudson, Grace and Frankie, Ghostbusters) and determined innovative police force, challenging the district to rethink everything about the officers way they fight crime. Nicholas Brandt (Taylor Handley, Vegas, Southland) and Tasha Goss (Tamberla Perry, Boss) – into a dedicated crime-fighting force of the 21st century. -
Museum of the Moving Image Presents Comprehensive Terrence Malick Retrospective
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE PRESENTS COMPREHENSIVE TERRENCE MALICK RETROSPECTIVE Moments of Grace: The Collected Terrence Malick includes all of his features, some alternate versions, and a preview screening of his new film A Hidden Life November 15–December 8, 2019 Astoria, New York, November 12, 2019—In celebration of Terrence Malick’s new film, the deeply spiritual, achingly ethical, and politically resonant A Hidden Life, Museum of the Moving Image presents the comprehensive retrospective Moments of Grace: The Collected Terrence Malick, from November 15 through December 8. The films in the series span a period of nearly 50 years, opening with Malick’s 1970s breakthroughs Badlands (1973) and Days of Heaven (1978), through his career-revival masterworks The Thin Red Line (1998) and The New World (2005), and continuing with his 21st- century films—from Cannes Palme d’Or winner The Tree of Life (2011); the trio of To the Wonder (2012), Knight of Cups (2015), and Song to Song (2017); and sole documentary project Voyage of Time (2016)—through to this year’s A Hidden Life. Two of these films will be presented in alternate versions—Voyage of Time and The New World—a testament to Malick’s ambitious and exploratory approach to editing. In addition to Malick’s own feature films, the series includes Pocket Money (1972), an ambling buddy comedy with Lee Marvin and Paul Newman, which he wrote (but did not direct), and Thy Kingdom Come (2018), the documentary featurette shot on the set of To the Wonder by photographer Eugene Richards.