The Platonic Dream
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Magnetoelastic Beam with Extended Polymer for Low Frequency Vibration Energy Harvesting
Binghamton University The Open Repository @ Binghamton (The ORB) Mechanical Engineering Faculty Scholarship Mechanical Engineering 2016 Magnetoelastic Beam with Extended Polymer For Low Frequency Vibration Energy Harvesting Alwathiqbellah Ibrahim Binghamton University--SUNY Shahrzad Towfighian Binghamton University--SUNY, [email protected] Mohammad I. Younis Binghamton University--SUNY Quang Su Binghamton University--SUNY Follow this and additional works at: https://orb.binghamton.edu/mechanical_fac Part of the Mechanical Engineering Commons Recommended Citation Ibrahim, Alwathiqbellah; Towfighian, Shahrzad; ounis,Y Mohammad I.; and Su, Quang, "Magnetoelastic Beam with Extended Polymer For Low Frequency Vibration Energy Harvesting" (2016). Mechanical Engineering Faculty Scholarship. 15. https://orb.binghamton.edu/mechanical_fac/15 This Conference Proceeding is brought to you for free and open access by the Mechanical Engineering at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Mechanical Engineering Faculty Scholarship by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. Magnetoelastic beam with extended polymer for low frequency vibration energy harvesting Alwathiqbellah Ibrahima, Shahrzad Towfighianb, Mohammad Younisc, and Quang Sud Binghamton University, 4400 Vestal Parkway E., Binghamton, NY 13902 ABSTRACT Ambient energy in the form of mechanical kinetic energy is mostly considered waste energy. The process of scavenging and storing such energy is known as energy harvesting. Energy harvesting from mechanical vibration is performed using resonant energy harvesters (EH) with two major goals: enhancing the power scavenged at low frequency sources of vibrations, and increasing the efficiency of scavenging energy by increasing the bandwidth near the resonant frequency. Toward such goals, we propose a piezoelectric EH of a composite cantilever beam with a tip magnet facing another magnet at a distance. -
A Moderately Ironic Reading of Xenophon's Oeconomicus
David M. JOHNSON Ischomachus the Model Husband? A Moderately Ironic Reading of Xenophon's Oeconomicus Xenophon's Oeconomicus is usually considered a treatise on household management masquerading as a Socratic dialogue (Pomeroy). But for others the reverse is true (Strauss and the Straussians; see also Mackenzie and Nails in EMC 1985, Too's review of Pomeroy in CR 1995, and the less orthodox Straussian Stevens). How one comes down on this issue will obviously affect one's evaluation of Ischomachus' relationship with his wife, and of Xenophon as a Socratic writer. I argue that the Oeconomicus is both Socratic and economic, both didactic and ironic. Xenophon chose Ischomachus because both his virtues and his vices have much to teach Critobulus, Socrates' immediate interlocutor, and Xenophon's readers. Our Ischomachus is probably the man whose wife went on to become the Chrysilla who would marry and bear a son to her son-in-law Callias, driving her daughter to attempt suicide (Andocides 1.124-127). There may be evidence for this in Oeconomicus itself. Callias would fall for Chrysilla again when she was "an old battleaxe" (Andocides 1.127); Ischomachus promises his wife that she can maintain her status even in old age (Oec. 7.20). The scandals which would beset Chrysilla and her children may shed light on Ischomachus' otherwise odd failure to say much about children to the wife he had married in large part for the sake of children. There are other ironies. Ischomachus hardly shares Socrates' understanding of property as that one knows how to use. Critobulus, in fact, is evidently already rich enough in conventional terms: he needs another sort of help. -
The Cocktail Lab Welcome to D’Amico’S the Continental American Provisions & Craft Bar
The Cocktail Lab Welcome to D’Amico’s The Continental American Provisions & Craft Bar. The Continental Craft Cocktail Lab focuses on classic, Prohibition-era tipples that have stood the test of time. These cocktails combine simplicity and elegance, using a specific recipe model that include all the components of a balanced cocktail-spirit, citrus, sugar and bitter-resulting in an intriguing overall drinking experience. Our Craft Cocktail menu pays tribute to these time-honored recipes while also reinventing and experimenting with different ingredients and proportions to create new and exciting cocktails. We are pleased to present you our Craft Cocktail menu composed of modified Classics and Continental Originals; hand crafted with precision using fresh juices, house-made bitters, syrups and infusions. We invite you to explore the different flavors and let our staff guide you through a new cocktail experience. -Ross Kupitz THE ALCHEMIST AN ITALIAN IN NYC BLIND TIGER Bulleit Bourbon, Casamigos Reposado Tequila, Out of the Orb Nonino Quintessentia, Carpano Bianco, Rothman & Winter Peach, Cherry, Lime, Angostura, Peach Bitters 15 Orange Bitters BARRY L. CONTINENTAL INNOVATION RD’S CAFÉ CAVALLI DETROIT IN THE 1920’S Death’s Door Gin, St. George Dry Rye Gin, St. Augustine Gin, Cocchi Americano Bianco, Campari, Vya, Continental Green Chartreuse, Carpano Bianco, Grapefruit Bitters Cranberry-Anise Bitters Maraschino, Lime Craft Cocktails GIN 14 BOURBON/WHISKEY PS, IT’S A CHAMPAGNE COCKTAIL CARTHUSIAN LD SAZERAC Tattersall Gin, Grapefruit Crema, Cassis, Sparkling Wine Overholt Rye Whiskey, Yellow Chartreuse, ERIN N. Absinthe, Peychaud’s, Lemon RUM IT’S 11 AM SOMEWHERE HENRY COGSWELL’S WATER St. -
The Orb U.F.Orb Mp3, Flac, Wma
The Orb U.F.Orb mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: U.F.Orb Country: Europe Released: 2007 Style: Ambient, Dub, Experimental, House MP3 version RAR size: 1291 mb FLAC version RAR size: 1147 mb WMA version RAR size: 1578 mb Rating: 4.8 Votes: 292 Other Formats: MOD WMA MIDI AA VQF AHX RA Tracklist Hide Credits Orbit One: U.F.Orb Remastered O.O.B.E. 1-1 Flute – Tom GreenWritten-By – Alex Paterson, Kristian Anthony Weston*, 12:54 Thomas Fehlmann U.F.Orb 1-2 6:09 Bass – Guy PrattWritten-By – Alex Paterson, Kristian Anthony Weston* Blue Room Bass – Jah WobbleGuitar – Steve HillageWritten-By – Alex Paterson, Jah 1-3 17:34 Wobble, Kristian Anthony Weston*, Mad Professor, Miquette Giraudy, Pamela Ross, Steve Hillage Towers Of Dub 1-4 Harmonica – Marney PaxVoice [Intro] – Victor Lewis-SmithWritten-By – Alex 15:00 Paterson, Kristian Anthony Weston*, Thomas Fehlmann Close Encounters 1-5 Written-By – Alex Paterson, Kristian Anthony Weston*, Orde Meikle, Stuart 10:27 McMillan Majestic 1-6 11:06 Written-By – Alex Paterson, Kristian Anthony Weston*, Martin Glover 1-7 Sticky End 0:49 Orbit Two: Remixes O.O.B.E. (Andy Hughes Mix) 2-1 Remix – Andy Hughes Written-By – Alex Paterson, Kristian Anthony 11:58 Weston*, Thomas Fehlmann Towers Of Dub (Ambient Mix) 2-2 10:14 Written-By – Alex Paterson, Kristian Anthony Weston*, Thomas Fehlmann Blue Room (Ambient At Mark Angelo's Mix) Bass – Jah WobbleMixed By – Alex Paterson, ThrashWritten-By – Alex 2-3 8:57 Paterson, Jah Wobble, Kristian Anthony Weston*, Mad Professor, Miquette Giraudy, Pamela Ross, Steve Hillage Close Encounters (Ambient Mix 1) 2-4 Written-By – Alex Paterson, Kristian Anthony Weston*, Orde Meikle, Stuart 12:49 McMillan Majestic (Mix 1) 2-5 11:52 Written-By – Alex Paterson, Kristian Anthony Weston*, Martin Glover Assassin (Chocolate Hills Of Bohol Mix) 2-6 Remix – Alex PatersonWritten-By – Alex Paterson, Kristian Anthony 14:37 Weston*, Martin Glover Companies, etc. -
The Apology of Socrates, by Plato
The Apology of Socrates, by Plato The Project Gutenberg Edition Trans: Benjamin Jowett INTRODUCTION. Socrates has been put on trial by the citizens of Athens for multiple “crimes” all related to his teaching of philosophy. Meletus is his prosecutor, but he is addressing a jury of hundreds of his fellow citizens. In this famous work, Socrates defends his practice of questioning everything and describes the beauty of a philosophical life. He also antagonizes his fellow Athenians… Note, Plato was Socrates’ student and this is report of how the trial went from Socrates’ perspective. Socrates himself wrote nothing – his philosophical career was spent verbally debating his fellow Athenians. APOLOGY How you, O Athenians, have been affected by my accusers, I cannot tell; but I know that they almost made me forget who I was--so persuasively did they speak; and yet they have hardly uttered a word of truth. But of the many falsehoods told by them, there was one which quite amazed me;--I mean when they said that you should be upon your guard and not allow yourselves to be deceived by the force of my eloquence. To say this, when they were certain to be detected as soon as I opened my lips and proved myself to be anything but a great speaker, did indeed appear to me most shameless--unless by the force of eloquence they mean the force of truth; for is such is their meaning, I admit that I am eloquent. But in how different a way from theirs! Well, as I was saying, they have scarcely spoken the truth at all; but from me you shall hear the whole truth: not, however, delivered after their manner in a set oration duly ornamented with words and phrases. -
Applying the Socratic Method to the Problem Solving Process
American Journal of Business Education – August 2009 Volume 2, Number 5 Socratic Problem-Solving In The Business World Evan Peterson, University Of Detroit Mercy, USA ABSTRACT Accurate and effective decision-making is one of the most essential skills necessary for organizational success. The problem-solving process provides a systematic means of effectively recognizing, analyzing, and solving a dilemma. The key element in this process is critical analysis of the situation, which can be executed by a taking a Socratic approach to the situation. Applying the Socratic Method to the problem-solving model ensures a well-rounded and versatile analysis. Keywords: Problem-solving process, decision- making, critical analysis, Socratic Method INTRODUCTION he sheer complexity of today’s business organization is rivaled only by the complexity of the business environment in which it operates. The permutation of complexity and exacting time constraints companies and individuals face in making vital decisions involving thousands of people Tand millions of dollars can seem more daunting than storming the beaches of Normandy. However, all hope is not lost. The anxiety, along with the blood, sweat, and tears that come along with difficult decision-making can be reduced by having a clear, time-tested plan of attack that can be applied to the problem situation. The problem-solving model is one such plan of attack, for it provides a framework that an individual decision-maker or group of decision-makers can follow to reach a feasible solution to the problem. Situational analysis is the bread and butter of the problem-solving model, for it goes hand-in-hand with each step of the model. -
Voltaire Voltaire's Enlightenment Philosophy
Voltaire François-Marie d'Arouet (1694–1778), better known by his pen name Voltaire, was a French writer and public activist who played a singular role in defining the eighteenth-century movement called the Enlightenment. At the center of his work was a new conception of philosophy and the philosopher that in several crucial respects influenced the modern concept of each. Yet in other ways Voltaire was not a philosopher at all in the modern sense of the term. He wrote as many plays, stories, and poems as patently philosophical tracts, and he in fact directed many of his critical writings against the philosophical pretensions of recognized philosophers such as Leibniz, Malebranche, and Descartes. He was, however, a vigorous defender of a conception of natural science that served in his mind as the antidote to vain and fruitless philosophical investigation. In clarifying this new distinction between science and philosophy, and especially in fighting vigorously for it in public campaigns directed against the perceived enemies of fanaticism and superstition, Voltaire pointed modern philosophy down several paths that it subsequently followed. To capture Voltaire's unconventional place in the history of philosophy, this article will be structured in a particular way. First, a full account of Voltaire's life is offered, not merely as background context for his philosophical work, but as an argument about the way that his particular career produced his particular contributions to European philosophy. Second, a survey of Voltaire's philosophical views is offered so as to attach the legacy of what Voltaire did with the intellectual viewpoints that his activities reinforced. -
A Map of Crito (ΚΡΙΤΩΝ)
ΠΛΑΤΩΝ | Plato: Four Dialogues Handout 8 A Map of Crito (ΚΡΙΤΩΝ) 43a–44b After the trial, Socrates’s (wealthy; see Apology 38b) friend Crito visits him in prison. He brings news of his imminent execution. 44b–46a Crito tries to persuade Socrates to escape. Reason 1. The common people (οἱ πολλοὶ, hoi polloi) will think Crito let Socrates down, so the friends’ reputation will be damaged, with bad individual con- sequences. Reason 2. Money is not an issue. Reason 3. Socrates would be welcome abroad. Reason 4. Socrates complies with his enemies; he throws away his life. Reason 5. Socrates irresponsibly betrays his duty to his sons. Reason 6. Socrates is a coward. 46b–50a Socrates replies. To Reason 1: not all opinions have the same value. We should listen to the experts and the wise: the qualified. What matters in the present predicament is the expert on justice, for the question is whether it would be just for Socrates to abscond. Socrates reminds Crito that what is relevant is not merely a life, but a good life, or a well-lived life (τὸ εὖ ζῆν, to eu zên); and the good life is the just life. Socrates also reminds Crito of the long-held belief that one should never (willingly or intentionally) do an injustice (οὐδαμῶς δεῖ ἀδικεῖν, oudamôs dei adikein), and this entails that one should never do an injustice even if one is wronged, or somehow provoked (see Handout 6). Hence, the ‘established hypothesis’: non-retaliation. Doing injustice is doing harm and injury. Likewise for agreements or commitments (τις ὁμολογήσῃ, tis homologêsê): if they are just, one ought to fulfil them. -
Signumclassics
143booklet 23/9/08 13:15 Page 1 ALSO AVAILABLE on signumclassics Different Trains Time for Marimba Steve Reich Daniella Ganeva The Smith Quartet SIGCD057 SIGCD064 Signum Classics are proud to release the Smith Quartet’s debut Time for Marimba explores the 20-th century Japanese repertoire for disc on Signum Records - Different Trains. The disc contains three marimba including music by five pre-eminent post-war composers. of Steve Reich’s most inspiring works: Triple Quartet for three string quartets, Reich’s personal dedication to the late Yehudi Menuhin, Duet, and the haunting Different Trains for string quartet and electronic tape. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 143booklet 23/9/08 13:15 Page 3 Electric Counterpoint Electric Counterpoint Steve Reich 1. I Fast [6.51] 2. II Slow [3.22] 3. III Fast [4.33] 4. Tour de France Kraftwerk [5.25] 5. Radioactivity Kraftwerk [5.57] 6. Pocket Calculator Kraftwerk [6.44] 7. Carbon Copy Joby Burgess & Matthew Fairclough [5.14] 8. Temazcal Javier Alvarez [8.05] 9. Audiotectonics III Matthew Fairclough [3.47] Total Timings [49.55] Video: Temazcal [8.09] Powerplant Joby Burgess percussion Matthew Fairclough sound design Kathy Hinde visual artist The Elysian Quartet www.signumrecords.com 143booklet 23/9/08 13:15 Page 5 Electric Counterpoint Tour de France improvising with flute, electric guitar, cello and Carbon Copy Steve Reich (1936-) Ralf Hutter (1946-), Florian Schneider (1947-) vibraphone as the then Organisation, they Joby Burgess (1976-) and Matthew Fairclough I Fast II Slow III Fast and Karl Bartos (1952-) explored the sounds of the modern industrial (1970-) world, setting up their own studio, Kling Klang, Joby Burgess xylosynth Radioactivity which remains at a secret location in Dusseldorf. -
The Problem of Socrates Readable and Engaging, Both for the Philosophical and the Literary Audience
i 11 I PIi 10 (2000), 267-275. 'I I 266 PIi 10 (2000) J I! This is not to say that Morgan's explorations of radical evil, Egyptian pyramids, regicide, talion law and so on are not interesting, nor that they are unconnected to the architectonic metaphor she wants to deconstruct. Her exploration of these "very heterogeneous themes" (as Morgan herself 13 describes them ) is in fact fascinating for anyone interested in Kant, and the way she draws them together is generally convincing. Her prose is The Problem of Socrates readable and engaging, both for the philosophical and the literary audience. It's just that there are too many heterogeneous themes, and too Sarah Kofman, Socrates: Fictions of a Philosopher, Translated by many textual references, to analyze adequately in one fairly short book Catherine Porter (London: Athlone, 1998) without the analysis seeming scattered and incomplete. If the reader is left I with a sense of frustration at the end of Kant Trouble, it is not because JOHN SELLARS Morgan has revealed the principle of crumbling at the foundation of II I 1 Kant's system, but because she has failed to give her most interesting points the attention they deserve. One wants both more and less of Morgan: more analysis of Kant's II!! They say that Socrates, texts within the limitations of a single thematic cluster, and less 1 having heard Plato reading from his Lysis, said, wandering through her extensive library. This is my one reservation about '1 this otherwise enticing, original, and interesting book. The obvious "By Heracles, how many lies this young man says about me".1 I question, the one about the philosophical validity of asserting the instability of the Kantian edifice on the basis of the metaphors he uses, seems to be precluded by the genre of cultural studies, under which even For many people Socrates is the archetypal philosopher, the patron saint a comparative analysis of Kant and Gainsborough might be applauded. -
SOCRATES on the DEFINITION of FIGURE in the MENO Theodor Ebert
SOCRATES ON THE DEFINITION OF FIGURE IN THE MENO Theodor Ebert (Erlangen University) Plato’s Meno is, in its rst part (up to 79e), an attempt to nd a de ni- tion of virtue (`"%). Meno, Socrates’ interlocutor, thinks that this is an easy task and provides Socrates with a list of virtues for several dif- ferent persons, for a man, a woman, a child, an old man, a free man and a slave (71e–72a). When Socrates has made it clear to Meno that such a list does not qualify as a de nition (72c6–d1), since it does not give a single explanation covering all the virtues, Meno comes up with a different proposal: virtue is the ability to rule over other men (73c9). This leads to an even more spectacular failure on Meno’s part: since such an ability can hardly be the virtue of a child or a slave (73d2–5), this de\ nition would be too narrow; yet it is also too broad, since ruling over people without justice would not count as virtue either (73d6–10). Meno accepts his defeat and declares that he is unable to \ nd a common explanation for all the virtues, as he is in other cases (74a11–b1). Socrates then explains to Meno that they are searching for the de\ - nition of a general concept and he proposes to his partner to do rst some preparatory work on an easier example, that of the de nition of a gure (μ) (74e11–75a9). When Meno declines to engage in this sort of inquiry and wants Socrates to do the job for him (75b1), Socrates is willing to do so, provided that afterwards Meno will tell him what he takes the de\ nition of virtue to be (75b2–6). -
Social Spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay
Social spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay This article aims to briefly explore some the compositional links that exist between Intelligent Dance Music (IDM) and acousmatic music. Whilst the central theme of this article will focus on compositional links it will suggest some ways in which we might use these links to enhance pedagogic practice and widen access to acousmatic music. In particular, the article is concerned with documenting artists within Intelligent Dance Music (IDM), and how their practices relate to acousmatic music composition. The article will include a hand full of examples of music which highlight this musical exchange and will offer some ways to use current academic thinking to explain how IDM and acousmatics are related, at least from a theoretical point of view. There is a growing body of compositional work and theoretical research that draws from both acousmatics and various forms of electronic dance music. Much of this work blurs the boundaries of electronic music composition, often with vastly different aesthetic and cultural outcomes. Elements of acousmatic composition can be found scattered throughout Intelligent Dance Music (IDM) and on the other side of the divide there are a number of composers who are entering the world of acousmatics from a dance music background. This dynamic exchange of ideas and compositional processes is resulting in an interesting blend of music which is able to sit quite comfortably inside an academic framework as well as inside a more commercial one. Whilst there are a number of genres of dance music that could be described in terms of the theories that would normally relate to acousmatic music composition practices, the focus of this article lies particularly with Intelligent Dance Music.